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"draper" poems
a draper is someone who creates garments or patterns by draping fabric directly onto a dress form (Wikipedia) ~~~~ I am a draper, by trade, by nature, by instinct; a fling of one arm across her body, while she dreams and sleeps, rambles, mumbles, and even convulses, to hold her tight with two, with both, soon grows discomforting as the blood ceases to flow, the heat breeds unsweetened sweat, and the snuggling impact, is too fast subsumed by the pins and needles numbing, deadening, and ironical attenuation this is my pattern, how I address her, how I dress her, draping my contiguous, drawing five fingers upon her form, reshaping her in her sleep, the arm flung, there, and then there, to be hung, at varied places across her body, higher lower, above below, but her face, free and clear, so not to interfere with her sensory preceptors and as I draw my pattern upon her skin, her body whole, listening her to indeterminate utterances, to determine which pitter patter pattern to which. she feels best suited, then, I prepare my invoice for her, for services rendered, to present upon awakening, demanding in voice, by her voice, payment in words, of her own chosen amuse-bouche, mmmm, will it be? good morning my love? hello you! or just an indiscriminate but yet, a discriminating sound of having been pleasured by unknown forces in her deeper sleep, using her lips to say, to hum, to sing, a genteel unspecific but, and yet, a terrific, deep from within guttural remittance, the sound of a delicious, mmmmmming greeting a new equinoxal gale of a refreshing fresh birthing, fulsome already satisfying draping of the day
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Aug 13, 2025
Aug 13, 2025 at 5:01 PM UTC
The Draper (draw my pattern upon her skin)
a draper is someone who creates garments or patterns by draping fabric directly onto a dress form (Wikipedia) ~~~~ I am a draper, by trade, by nature, by instinct; a fling of one arm across her body, while she dreams and sleeps, rambles, mumbles, and even convulses, to hold her tight with two, with both, soon grows discomforting as the blood ceases to flow, the heat breeds unsweetened sweat, and the snuggling impact, is too fast subsumed by the pins and needles numbing, deadening, and ironical attenuation this is my pattern, how I address her, how I dress her, draping my contiguous, drawing five fingers upon her form, reshaping her in her sleep, the arm flung, there, and then there, to be hung, at varied places across her body, higher lower, above below, but her face, free and clear, so not to interfere with her sensory preceptors and as I draw my pattern upon her skin, her body whole, listening her to indeterminate utterances, to determine which pitter patter pattern to which. she feels best suited, then, I prepare my invoice for her, for services rendered, to present upon awakening, demanding in voice, by her voice, payment in words, of her own chosen amuse-bouche, mmmm, will it be? good morning my love? hello you! or just an indiscriminate but yet, a discriminating sound of having been pleasured by unknown forces in her deeper sleep, using her lips to say, to hum, to sing, a genteel unspecific but, and yet, a terrific, deep from within guttural remittance, the sound of a delicious, mmmmmming greeting a new equinoxal gale of a refreshing fresh birthing, fulsome already satisfying draping of the day
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75
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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Aug 14, 2016
Aug 14, 2016 at 12:27 AM UTC
"Married to the Mob"
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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60
words are just wonders    one           can release,                  but only one's pen could ever crease                      into the safety of a poem's lease.      so this         is         a     note         to        a   pen.       "      Oh,     draw   Your line And never Look back From those inked words that flow    from    your    clack    and    let    them    flow    into    sharp    flack.   or maybe   give words   that proper,   warm embrace     which can get   lullabies fall   into disgrace.   or maybe just   draw a perfect   dark contour   playing with   edges that   make sights   demure...   add dots   and spots   on plain   white   paper,   like   living   knots   in the   hands   of a   draper.   pour   some   more   ink   on   me.    "
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May 17, 2017
May 17, 2017 at 5:29 AM UTC
Note to a pen
The sweet, reassuring drone of the furnace and the invariant scratch of graphite on paper The clock ticks faintly, a groan a pulse's race and the slight sigh of a match known sole to a draper.
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Oct 28, 2013
Oct 28, 2013 at 9:44 PM UTC
Chemistry
an errant pirate has been active in the copying caper naffing off with other poet's scripted draper this person was seen to be doing some stanza reproduction using a falsified form of title introduction as bold as brass pinching what takes the fancy not caring about the original Nancy or Clancy those who think that stealing other writer's material is okay have need of gearing their scruples the right way
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Nov 13, 2016
Nov 13, 2016 at 9:26 PM UTC
Right Way
Wish you’d spank me. Wish you’d drag me. Wish you’d make it known what you own. Wish you weren’t such a quiet man. Wish you were rougher with those strong hands. Wish you’d insist That I do your dishes. Wish you’d make me wear skirts; Wish you’d bend me over, then, before dinner’s served. Wish you’d let me fold your shirts. Wish you’d f*** me til it hurts. Wish I was your pretty, little, thin-waisted missy, and you kept your reigns tight on me. Wish you’d pat your leg,and invite me into your lap. Wish you’d let me curl up, beneath your muscles, all burled up, more often than not. Wish I packed your lunches, with little surprises, you’d be embarrassed if other men saw. Wish you’d oblige me with whispers of “ride me” and guide me when it’s so early, it’s blurry, but you’re already stirring. Domestic Clink, ain’t a bad thing, long as you got a fella you wanna call warden. Long as I have a fella I wanna call warden, It’s a retro kinda kink to stand in front of a sink. I’ll misbehave, clearly, But you’ll find it endearing, and I’ll do it with intention, to end up under your hand. A Mr. Don Draper to put his thumb over me. But I want him blue collar, and beefy, and solid, I don’t want whiskey and suits, I want beer and work boots, I want that to be you, Because that’s what I need; a good man to oversee me. I’m just here to please. I should have married in the 50s. Equality is boredom, I want a **** warden.
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Jul 14, 2014
Jul 14, 2014 at 4:31 PM UTC
A Roughneck Don Draper
COLLAB. WITH AUSTIN DRAPER It’s little more than a quiet thought. The impending feeling that the loneliness was a creation of my own imploding self-conscious. I wouldn’t have hurt you voluntarily, so what outside force could know my mind so well? It’s little more than a spoken word. The rumble of the oncoming storm could be felt from as close as 1.6 miles away, where the darkness of your room invaded the not-so secret spots of your heart. I’m prone, to the truth in your words. I’m not used to the idea of confronting my thoughts And sorting them out to you. Is it that I spoke wrong words? Or I stopped before they meant anything? You mean so much, and now you are out of my reach.
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Jan 12, 2019
Jan 12, 2019 at 9:39 PM UTC
I Spoke Too Fast and Learned Too Late
How many have stood, will stand beside you in Heptonstall, had a photo taken next to her spot? Students, admirers from any nook or cranny with drained biros, Ariel under an arm, her morning song spoken again, and again. You're the next-door neighbours they haven't come to see. Only a lonely cup of coffee-stained hunchbacked flowers where you lie in loving memory, with Emily, husband with wife, home to the right of the graveyard's star.
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Mar 12, 2014
Mar 12, 2014 at 3:31 PM UTC
Horace Draper
a nicest girl I've ever remembered. she's a photographer because she likes to take pictures. Also, she's from Medina, New York located in Gennesse County and she always loves rainy days. Anyways, i love Amber Draper because she is so beautiful just like me. I wish i can be her friend someday in the summer of 2016. Anonymous.
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Oct 28, 2015
Oct 28, 2015 at 11:16 AM UTC
Amber Draper
That moment, when you kiss Don good night and then turn away to switch off the light on your bedside table, and the smile is suddenly wiped off your face, those three seconds when you rest your hand on the switch and then quickly engulf the room in darkness, that is your entire life.
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Apr 13, 2012
Apr 13, 2012 at 1:27 AM UTC
a poem for betty draper
he's in the news practically every day for the things he'll unthinkingly say often he's seen signing a managerial piece of paper which is very important in its draper the heads of other nations aren't fond of his aggravations the word great tumbles out of his gob within every sentence that word he'll lob when he finally moves off the stage will it be filled by another of his gauge
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Jul 18, 2019
Jul 18, 2019 at 5:11 AM UTC
Who Is This Person? (Riddle Poem)
Janice's gran had ask me to tea after school. I was sitting in the sitting room, (Janice had gone to the loo). You're Janice's best friend, her gran said, and I don't mind her being with you because you are a good boy, and I know your mother would not let you run wild or do silly things like some children around here, and she always has you dressed in clean clothes, and feeds you well, and because I am responsible for Janice, and need to know she is in good company, and not go on bomb sites or knock on doors and run away or throw stones through windows of deserted houses or take coal from the coal wharf, and when she is with you I know she'd not do those things. I sat there listening to her, waiting for tea to begin, hoping there would be good cake, and maybe nice sandwiches and maybe(although I doubted it) coke or Tizer, and hoped Janice would not mention going on the bomb site in Draper Road where we climbed into an upstairs room (hole in the roof), and it smelt of **** and dampness, but we looked around still, and hoped she'd not mention us (me mainly) catapulting those window out of that bombed out house on the bomb site behind the cinema. Her gran was still talking, and I smiled when she stopped, and she said, now some tea, and Janice appeared back, and sat next to me, and smiled at me, and her gran said, I've just been telling Benny about you, and what you're not to do, and I think Benny is a very good boy not getting you into trouble on bomb sites or stone throwing and things. I sat with bated breath, and Janice said, yes he is good like that, but sometimes we... but her gran had gone into the kitchen to get the tea, and it was just us sitting there, and I shook my finger and said, say nothing about the things we've done less or more, or she'll tan your backside as she did before.
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May 27, 2016
May 27, 2016 at 1:17 AM UTC
BEFORE TEA ONE WEDNESDAY 1956
Janice's gran had ask me to tea after school. I was sitting in the sitting room, (Janice had gone to the loo). You're Janice's best friend, her gran said, and I don't mind her being with you because you are a good boy, and I know your mother would not let you run wild or do silly things like some children around here, and she always has you dressed in clean clothes, and feeds you well, and because I am responsible for Janice, and need to know she is in good company, and not go on bomb sites or knock on doors and run away or throw stones through windows of deserted houses or take coal from the coal wharf, and when she is with you I know she'd not do those things. I sat there listening to her, waiting for tea to begin, hoping there would be good cake, and maybe nice sandwiches and maybe(although I doubted it) coke or Tizer, and hoped Janice would not mention going on the bomb site in Draper Road where we climbed into an upstairs room (hole in the roof), and it smelt of **** and dampness, but we looked around still, and hoped she'd not mention us (me mainly) catapulting those window out of that bombed out house on the bomb site behind the cinema. Her gran was still talking, and I smiled when she stopped, and she said, now some tea, and Janice appeared back, and sat next to me, and smiled at me, and her gran said, I've just been telling Benny about you, and what you're not to do, and I think Benny is a very good boy not getting you into trouble on bomb sites or stone throwing and things. I sat with bated breath, and Janice said, yes he is good like that, but sometimes we... but her gran had gone into the kitchen to get the tea, and it was just us sitting there, and I shook my finger and said, say nothing about the things we've done less or more, or she'll tan your backside as she did before.
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92
old forms will never go out of fashion if poets keep scribing them onto the page there's timelessness in their long staying stage as seen by writers who hold a passion tonight one reprises the sonnet's stock bringing past master back for a re-run so readers twill enjoy couplets of fun e'en including some lines that shall rock let not tradition fade on the paper tis said things of age can be new again yesteryears vogue showing its surviving well into a modern era's draper penning the craft of the lasting refrain whereby we'll see them always reviving
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Jul 4, 2018
Jul 4, 2018 at 7:59 AM UTC
Reviving (Italian Sonnet)
Everything in my universe keeps tells me to erase you. Like an interception, in the form of a phone call From a minister just before I began writing this. And I've considered it, tried to...but I keep getting rid of it, that idea. I could never erase you...even if the desire were truly there. I have been so dedicated to God lately, every second has been like open dialogue. Where I'm babbling on to Him like I used to do to you. I wonder if I haven't been using Him as a distraction, like I also used to do to you. But that is neither real nor a bad thing. Just a thing I think, I guess. So they keep telling me to erase you. Teachers, mentors, pastors, friends, spiritual mothers, and sometimes strangers. It just makes me feel alone mostly. How could they understand at all if that's their conclusion? But I guess they see things through better eyes than mine. After all, my eyes are what caused all this trouble for you and I. I mull what they say over. I really have had a good time, I promise...But there is always this thing. Snapping me back into the world that I exist in...the world you no longer exist in...Like a parachute giving me whiplash when I was floating along beautifully without it. It's a thing like the sheet music to "What A Wonderful World" appearing out of thin air. Or pulling in to church to find you right there. And I run from these things! Hold them close...shove them in the closet under piles of things I no longer use. But they always surface. Like someone telling me the first time I meet them about Rebecca's cheek bones. Or Don Draper's face, which I swear will be yours in about ten years or so. Even a dinner with friends can't make you disappear because inevitably they'll ask me about you at some point. Or someone won't know you've gone away. Or I'll walk through the woods...after traveling by boat, after smiling until my heart explodes to hear a whisper on the wind...of your voice. But I can't complain. Twould be far worse a fate to suffer never hearing, seeing, thinking, or dreaming of you again.
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Apr 27, 2015
Apr 27, 2015 at 11:11 PM UTC
Sometimes You Just Have To Write About It
Everything in my universe keeps tells me to erase you. Like an interception, in the form of a phone call From a minister just before I began writing this. And I've considered it, tried to...but I keep getting rid of it, that idea. I could never erase you...even if the desire were truly there. I have been so dedicated to God lately, every second has been like open dialogue. Where I'm babbling on to Him like I used to do to you. I wonder if I haven't been using Him as a distraction, like I also used to do to you. But that is neither real nor a bad thing. Just a thing I think, I guess. So they keep telling me to erase you. Teachers, mentors, pastors, friends, spiritual mothers, and sometimes strangers. It just makes me feel alone mostly. How could they understand at all if that's their conclusion? But I guess they see things through better eyes than mine. After all, my eyes are what caused all this trouble for you and I. I mull what they say over. I really have had a good time, I promise...But there is always this thing. Snapping me back into the world that I exist in...the world you no longer exist in...Like a parachute giving me whiplash when I was floating along beautifully without it. It's a thing like the sheet music to "What A Wonderful World" appearing out of thin air. Or pulling in to church to find you right there. And I run from these things! Hold them close...shove them in the closet under piles of things I no longer use. But they always surface. Like someone telling me the first time I meet them about Rebecca's cheek bones. Or Don Draper's face, which I swear will be yours in about ten years or so. Even a dinner with friends can't make you disappear because inevitably they'll ask me about you at some point. Or someone won't know you've gone away. Or I'll walk through the woods...after traveling by boat, after smiling until my heart explodes to hear a whisper on the wind...of your voice. But I can't complain. Twould be far worse a fate to suffer never hearing, seeing, thinking, or dreaming of you again.
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17
what makes a poet sing is an innovative accord on the words flowing from a quill's written chord what makes a poet sing the imagery of the land where blue hued mountains majestically stand what makes a poet sing deep emotions in the heart's core  of love enduring like the lasting waves upon a shore what makes a poet sing sunshine of bright array kissing with a warmness so smiles can on a face play what makes a poet sing the harmony on the paper sung through thoughts in a scripted draper
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Sep 7, 2021
Sep 7, 2021 at 6:26 PM UTC
What Makes A Poet Sing
on seeing what got posted on paper Joe saw that it was not of the true form in the piece lay an inept uniform this being so noted by the pro-draper of such structure he knew a great amount his years of experience were so well known as exhibited in what he'd long shown everything had to have the exact count they who didn't present it in correct light could expect a failure mark from his pen nothing imprecise was given a pass that would be his low score displaying might they'd need the thoroughness of apt ken when submitting for a crediting mass
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Jun 11, 2018
Jun 11, 2018 at 11:34 PM UTC
Crediting Mass (Italian Sonnet)