Quite a draining journey
traveling through this drainage tunnel
groping my way through the disorienting darkness
arms of lifelessness reach out from the walls
constantly tugging at my shirt
it's my health that they hurt
when I try to run
they grab and stun
forcing me to buy movement
at the price of energy
they hold tokens in their hands
inscribed with the drainage brand
like the hair from the drain in my sink
or the phlegm drained from my sinuses
I wade through the **** of stomach minuses
moving through a drainage tunnel death funnel
aches develop in my feet
as well as my back
I can't handle the heat
or how the inside is black
I start walking slower and slower
as the ceiling gets lower and lower
the backbreaking pressure
makes my height lesser
so I crawl through the filth
of all this drainage I built
the hands that hold me down
are now my only company
their frustrating grabbing
now feels like a lulling caress
coaxing me to stay in this tunnel
all other voices are muddled
because of the drainage in my ear
blocking communication with fear
a wall of wax
that won't collapse
creates an axe
to cut off my head
from suffering dread
wondering when this tunnel will end
because there's no light to be found
in this tunnel I crawl down
gagged and bound
from the hands all around
grabbing at my brain
to push it down the drain.

The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.

they day finishes with: at last! a schoth reserve
for highlands nomads!
     long gone is the fatamorgana of soberness
coupled with a very softcore soviet sleep
experiment: i chance you to also say:
the soviet sleep experiment is a way to censor
dreams, **** it: another paul mccartney
can write another yesterday into the repertoire,
you can hear of marathon-men who did over
100 hours without sleep, and when it came to
sleeping: hour-long interludes...
as all the p.o.w's realised was the case:
stop this dream-industry of disney! stop it!
nearing 36 hours is nothing,
when i'm going to do a hiatus in Poland visiting
my grandparents i'm planning to top that,
perhaps 48... just to get the glory days of Jews
in ancient Egypt and Joseph the adviser to
the pharaoh: 7 lean years, followed by 7 years
of starvation: what we otherwise carpe diem
over-indulgence - Moses wrote the book
of disgrace... when things turned sour,
obviously he was *******, just a little bit,
from a Jew becoming an adviser to the pharaoh
by interpreting his dreams which were always
in abundance given his lavish lifestyle...
dreams come to people who aspire to lavish
lifestyle, dreams come to people who take no
pleasure from the simplest prospects of a peaceful
hermitic life... they need both the lavish life
and the lavish hope of an afterlife with abundant
dreams... they can't master the opposite:
from simple pleasures that life has to offer:
one forsakes the capacity to the need to dream...
yet those who attain a comfortable Buddhist /
bourgeoisie / middle life: through the ethic of hard
labour find dreams nonsense... only
aristocrats find meaning in dreams, because
they have enough life insurance to guarantee them
the very unentertaining life, hence the Freudian
cinema, and here is their seeking of meaning,
because outside of their sleep nod,
their meaning is already akin to a predatory creature
kept in a zoological confinement, rather than
beckoned to attest the prime element beyond
the classical elements of fire and: where was the
Japanese army bombing the hell out of that
****** tsunami to make the orca-surf shrapnel?
where? nowhere! the reporters were there prior,
i'd swear you could have done the reverse Aleppo
with that tsunami wave by bombing it and
saving lives... but no... atoms bombs were never
intended for warfare as such, they're non-profitable...
all the arms-dealers across the world make more
money from millions of bullets and thousands upon
thousands of guns being sold: atom bombs make
no economic sense... atom bombs make
no economic sense in terms of dealing arms...
the soviet sleep experiment was one of the topics
at the end of today... the other was feline pavarotti
in a cattery: i swear to god that ginger is acting
too much like a bloodhound... moans all the ******
time, i've heard every kind of Tosca, but a cat's Tosca?
never in my life has a cat so many variable versions
of meow... animals really do possess their owners,
but in a way that shows the owners to themselves...
a poem a day: keeps the psychiatrist away.
and back to the soviets, who discovered Yiddish
dream-factory ******* that only applies to
aristocrats akin to Wilhelm Oedipus II,
    i never understood why people desired so much
from dreams, pure unconscious doesn't allow it,
it's shallow dreaming that becomes easily swayed
by a decreasing poignancy of the senses that
creates dreams, and as we've already been told:
they're bound to millisecond intervals -
snoring can be seen as a prompt for dreaming,
but then pure unconscious that's beyond the sensual
realm of pulverising you with everything external
          doesn't allow dreams, because it allows rest...
the subconscious makes more sense in terms of dreams
than what it currently prescribed,
             on the fully-waking hour of what people call
reverse-psychology (popularly), or who people can
influence you and treat you as a pawn...
   in the waking hour the theory of the subconscious
is that it's somehow there, and it's brimming with
theories ranging from the unitary stealth workings
of a superego, to advertisers competing for your
attention, as in: how can this person be manipulated?
that's the strain of thought working from consciousness
where you are said to have: no free will,
no critical approach toward the world with thought,
that you are naive and gullible...
  such people do exist, because they're not working
on the subconscious from the unconscious position,
hence they are most probably highly-developed dream-machines,
they probably even dream in colour and remember
dreams vividly... but take all the things i said
about the subconscious from a conscious pinpoint
and invert the starting point from an unconscious
pinpoint, and all that manipulating dynamic that
the subconscious is supposedly is fed fades
   to simply expose the subconscious as the medium
of dreams, whereby dreams appear from a sensory
hush of all external factors... a few days back i dreamed
i woke in a bed covered in cobwebs and spiders crawling
in them... the last thing i remember looking at?
my pet incy-wincy hanging on a silken web in
the corner of my room... for this to be true,
and for all that pompous subconscious theoretical *******
to go away, to actually work on the subconscious
having a dream reality rather than a reality of
being easily swayed by superego or advertisement
and willingly giving up your will to external factors
that go beyond mere senses... you have to acknowledge
at least 36 hours of the soviet sleep experiment, clock:
no nodding.m i've set the threshold,
the junkies did over 100 hours without sleep,
but they were army material, i'm... dunno.
              a break with an article on melanie martinez,
and then back into today's end...
    it's pouring cats & dogs outside, and will so
throughout tomorrow, one of the street lamps has
turned itself into solitary disco strobe...
   e.e.m. (epileptic eye movement)
           vs. r.e.m. (rapid eye movement) -
the difference? the latter invokes the theatrical curtain
of the eyelids... the former invokes your eyes
having rolled to the back of your head so you only
see the sclera...
but a real life problem too!
in these pseudo-capitalistic societies, companies
have started to do the Pontius Pilate tactic,
they are companies without employees,
what they want are subcontractors, people who
are self-employed, because actually employing
employees is bad business for them: you have to
have a pension fund... and what capitalist wasn't
old people getting money for doing nothing?
most construction companies are following this trend...
but the problem with that is that these companies
are employing useless managers, construction
site managers that should be on a site for at least 2
days a week... even 3... so they can get the knitty-gritty
of organisation done and the project runs smoothly...
but as i've already known for months,
say a roofing company from Gloucester is given
a London-based contract... it has employed a
project manager... who 1st of all doesn't have the right
credentials to be a manager... and this pleb travels
to London from the village of Gloucester
and is on a construction site for about half an hour,
doesn't make any notes,
and spends the rest of the time being a ******* tourist
in and around London, a day like this happens,
an authentic waterproofing problem...
   so you have these flats near the city airport,
and they're connected with walkways and have planters
too... you lay the concrete, then do the waterproofing:
primer, hotmelt, fleece, hotmelt, felt.
                  now the problem, why impose self-employment
and also employ parasitical managers who know
jack **** or are interested in selfies on tower bridge?
only because they can get a cheap train ticket back
to the village of Gloucester before the rush-hour commute?
the problem is simple, or hard, depends whether
there's an actual plan and someone is bothered..
four elements...
       1. drainage matt,
             2. pebbles,              3. filter layer
and 4. ~artificial turf... plastic-like, not asphalt,
     i grant it a status of artificial asphalt,
  or turf coloured copper...
the debate ranged about where the filter layer should go,
but there was no manager with the appropriate
method statement to give... the ******* crane arrives
at 8am, and he texts the day before that he might have
an answer by noon... or that some other manager should
be consulted to the method statement...
i suggested that first: the drainage matt, then the pebbles,
then the filter layer and then the artificial asphalt...
   the other suggestion was: drainage matt,
filter layer, pebbles and then the artificial asphalt
        given that pebbles will never be spread like
a plateau of concrete, meaning there will be pockets
beneath the artificial asphalt to soften the walk
and give more spring to the step...
                  and then i read a newspaper in england
and start to think: are these the only people on an actual
payroll? with safety in retirement schemes?
          i used to think of journalists as daring...
Watergate journalism that did something...
               then you turn on the 24 news channels
and state media is no different to free-enterprise media...
     as people my age say: television is really
a piece of 20th century antiquity... who gives a ****
that millions watched a man walk on a moon
on it... at least a billion people watched the cinnamon
spoon challenge from some ******* on the internet!
     or that guy who gave his cat l.s.d.,
or that guy who jumped off tower bridge and caught
pneumonia and had to be rescued...
still, the rain is ******* down, i've got my headphones
on, and that rebel street-lamp has turned into
a discoteque strobe's of needy rhythmic epileptics -
as every: i count most psychiatric terms in popular
use as undercover poetics, people who don't read
poetry, nonetheless apply psychiatric terms
   an unilateral transcript of denoting them as metaphor(s)
in everyday sprechen; and yes,
our informal vocabulary usually suffers for the fact
that we have chosen a fixed (courteous, hierarchical)
formal vocabulary, that erodes any chanced deviation
akin to a cat-stretching: e.g. (a) so and so died,
(b) oh, i'm sorry,        (c) and you're the one who
brought back the resentful Lazarus?
(d) as if you could have, prevented the inevitable;
a conversation between four strangers.

The intermittent, distant rumbling in the skies was suggestive of chronic flatulence. The sun struggled in futility to shine – like a crying child who had been forced to smile. Lightning flashed in quick successions, momentarily throwing brilliant streaks of white light across the room. The angry growl of thunder that followed was enough to send a troop of Howler monkeys scampering for safety.

The lights flickered as though unable to make up their minds to stay or not to. But apparently, the wind had zero tolerance for such petty indecisiveness. And like an enraged, stimulated, demented animal, it gusted through the windows and doors, hauling loose papers, light bulbs in every direction, shattering the bulbs to smithereens, as if to punish them for being so fickle. The lights died.

Thick black blankets eerily stretched across the skies with gusto, menacingly extinguishing whatever was left of the sun’s brilliance. More rumbles and flashes followed in royal herald of the impending storm. And in no time, slick sheets of rain torrentially came pouring down, cascading the roofs to form puddles almost as soon as they hit the ground.

​I looked in horror, fervently praying that whoever God had appointed to build the ark in our time had not diverted the funds. I was trapped in the office, and I knew exactly what this meant…flood, scarcity of buses, hiked transport fares, heavy taffic and very likely, at least one month of blackout.
It would be another three hours of steady downpour before the rain eventually stopped, as gracefully as it had been ushered in.
I picked up my bag, rolled up my trousers in earnest anticipation of the inevitable flood, and made my way home.

​To my utter bewilderment, there were no floods! The lights from the street lamps cast a soft golden glow on the slick roads, seemingly creating mirages of pools of water from afar off. But they were mere illusions. The gurgling sound coming from the underground drainage was proof of where all the water had gone. It was a strange sight. Like some alien cyborg from space had been fiddling with a time machine that had accidentally propelled us twenty years into the future.

My new world was a three-fold utopian dream. So surreal!
I could see beautiful, high-rise, state of the art edifices with mind-blowing architectural designs that blatantly seemed to defy the laws of gravity. I could see world-class hospitals that admitted ailing dignitaries from around the world and top-notch schools that offered scholarships to deserving indigenous and international students.
Sure enough, this was Nigeria! The Nigeria we all dreamed of.

And there was light…electricity! - In myriad of colours that seemed to have been dispersed from several colossal disco ***** via *“wireless fidelity” technology. I strained to hear the noise from generators, but I was disappointed. I couldn’t even hear the all too familiar cacophony of horns blaring, conductors shouting, loud discordant music, rattling vehicle engines etc. It was like everyone and everything had taken a crash course on orderliness.

I saw a vibrant transportation system that included high speed railway lines, paved road networks that looked like a child’s doodles, first-class air strips and efficient sea transportation.
I saw a working government - one that had provided the critical infrastructure for her people.

I saw a nation with a large industrialized economy, where the dividends of democracy had been delivered to the people by their government. One consciously founded on equity and honesty of purpose, and courageously sustained by unfaltering faithfulness and unwavering patriotism.      
A nation whose economic boost did not come solely from crude oil exploration and production, but also from crude oil refining, agriculture, manufacturing, infrastructure, food, services, tourism, automobiles, transportation, education etc.
A nation that thronged with international investors from all walks of life, who were not in the least afraid to invest in her.

And then, I saw her people. A people proud of their citizenship.
A people proud to be called NIGERIANS.
A people who were not given to religious, political, or tribal bigotry.
A people who individually and collectively, gallantly bore the torch of the vision of their heroes past.
A people who earnestly and persistently worked to see only goods “Made in Nigeria” sold in their markets.

Where there was once despair, I saw hope. Where there was once fear, i saw security. Where there was once disgruntlement, I saw satisfaction. Where there was once poverty, I saw wealth opportunities and where there was unemployment, I saw jobs. Death had given way to life and life to hope.

I started, as I felt something cold and wet trickle down my forehead. It was droplets of rain from a leak in the roof just above my head. I was still in my office, I never left. The rain had lulled me to sleep. Even more sadly, I realized it had all been a dream.
Slowly and regretfully, I packed my things and left for home. It was pitch black outside as I carefully waded through the polluted waters, jauntily holding my bag, more because I was afraid to lose it in the flood than in a hopeless bid to dignify the situation.

Two hours later, I crawled into bed. I did not have to turn the lights off…the electric poles had gone for a swim. A very long one.


© ONUGHA EBELE VICTORIA

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

We, the voice of the most oppressed,
Work in the profession remaining the most humble,
Throughout histories, as slaves our lives still remain tumble,
With our strangled necks, we are deliberately suppressed

For the centuries, our voices remain unheard,
Like a weeping fish at the sea,
We are treated zombies at the rush of a blood,
Collecting by hand, the human society’s poops & pea

Things for us got intensely worse,
We work as a group with an isolated curse,
For our livelihood, go into manholes as bare-bodies
Mostly get out as dead-bodies

From pathology to oncology,
We are treated untouchables, even by the modern technology
We are the oxygen-offering trees that remain green
Hurting ourselves, collecting excreta making this world neat &clean

With our hand-cuffs we shout and fight,
Rulers remain drunken-deafs to our plight,
Hell with your knowledge, to those who go to college
And keep pushing us to the drainage,
We remain living dead and frustrated, to get our right

When asked about work, we remain dumb and blind,
Fearing the responses to our ***** revelations,
Because humans are unemphathetic and unkind
To get our life some elevations.

Our mind said us “Please think! Please Think!”
When we revolt not to work, societies stink,
We warn, Witness your locality *****,
To our sufferings, if you keep blank & empty.

We are a collective voice,
Representing inhuman humanity,
That keeps the society on a poise,
So raise your voice, with a clarity of choice
To get us work with the utmost dignity!

Floating above the rifts of apperception I glaze over the gaudy faucets of imagined vector thrusts in hibernation by the lucubration of space-time materialized crystal in the somber beats of fetched farrago of choice slices in delicate hums of hemmed balance rantipole only in ethereal importance but otherwise supersolid above the sprauncy vagrancy of dilettantism. We shout a clarion virtuosity so that the conclamation of neovitalism conjures upon a spell of lapse and regress a motive for further crystallization of epidemiology into harmony with syndicated admonition sleek in design and parceled into renown by feats of completion rather than slugabed gregarious fountains of wasted ingenuity bleeding from the vacuum of an empty hearth in a hospitable dwelling otherwise cleared of imperfection. Right now, I levitate with transcendence with an approximated eidetic memory that is the surgical vibrancy of renewal rather than the chameleons of hidden talents buried by the walls of Jericho sounding tocsins of alarm that the anointed favor of choice destruction is only an encircled rapture of rhapsodies of confluence found in axiomatic truths ribbed with the futtocks of seaworthy but cauponate recidivism into the donnybrooks of apocryphal revelation preceding the whimsical fall of cascading permanence just as gravity so ordained it. We breathe the life of the ethereal numinous spirit of isangelous repute because we navigate the exquisite cobweb of reconciliation to surpass all understanding in peace what would be a miscegenated carcass of war otherwise apart from the incidental apartheid of the drones of causality ignoring the antecedent reality too much to register fathomed streaks of preventive endeavor because of the scars of a scrappy schlep of the rampicks of ecbolic servitude to moth-eaten star-crossed lovers of the mean menagerie of gutless succor renowned only in tepid rejections of harbingers bequeathed in succession but ignored because of the procession of “Billie Jean” politics.

   The citadel aflame with controversy buttresses carnality by witless contaminants of hidebound scaldabancos of ineffable destitution so craven in eisoptrophobia for their hypostasized indolent fatuousness of capitulation that they are but a minor punctuation in the largesse of centuries to favor audacity in candor over the prevarications of catastrophe to dented human pride against humane dictates of theodicy in fatalism that predestination experimented with its own vaulted verve to find permanent solutions engraved in the agrapha of time to solidify the redintegrated truth of God’s divine stewardship above the quisquilous deism of former regnant centuries of blench and blandishment. We revolt at the specter of rot only when the effluvia of disgust elevates the visceral reality above the utilitarianism of recycled prim nuisances of noisome lineage that yet balk because they are bereft of attention but not a vacant talent and therefore should the subsidies of man surpass the ignorance of appearances he will shrug of the demur of the scrimshank and sharpen his scrivello in the service of redemption found through cultivated prowess of gardens beneath where rivers flow above a cubic centurion of embattled visages of the heavens becoming the rampart for the vestigial clarity of Secret Masters to foresee the bypass that heals decadence and rebukes the formalism of puritan endeavor to sweat with exhaustive patience over the gossamer intertesselations of a ripe reality rather than a groveled fragmentary world shattered too much by exigent metanoia to mount the crenellated catchpole of vigilant enmity towards the stew of listlessness found in epigone and farce more than in organic fortunes. We flip the upheaval of society to squander our proportionate degrees of wealth on the necessity created by dire quandary which enamors by interrogations of pulchritude the verisimilitude of participle ivory dalliance of etched canvasses of simultagnosia for the librations of the liberated rings of betrothed liberation despite profound lurches of the mistetches of ignorance presiding dismally over the hulked disdain of glamborge rather than resselenque.

     The winter is a poor porcine glut of ciconine swelters because the prickly obtuse recoil of the delopes of caution find their permeable balance with a sort of photographic photosynthesis that braves the dearth of reprieve for the reprisal of nostalgic deeds found in the docimasy of riveted reflections because the preordination of God is the superlative champion of the witeless grandeval protectorate of infinite concepts guarded from the parvanimity even of the most strident minds squabbling over the braseros and battues of history as though those funereal stains of lachrymose regret outweigh the traditions of vaunted human progress because they are finicky about importunate pleas of subsidiary injustice rather than fulminations of the modern rebuttal to the disclaimers of an uneven history that shepherds the doubts of nihilism into ripe fruition at the expense of very expensive moral rot for the codlings of urbacity and mendaciloquence used to foment that tribalism of totemic justice. We see in Penuel the wrestling match of specters and heroic giants documented on the ageless pages and we notice the ironic twinges of struggle that kneaded the propriety of gentilian privilege that ultimately fostered an insurrection against chosen bravado among those that sear with zeal beyond the yordim afflictions of yobbery because the Jewish heart is stronger than any calamity even if it departs from the reverence of the colporteurs of the integrated syncretism of the attempted monolith that beseeches polyphiloprogenitive growth in mindset rather than in testy abeyance of forbearance because of known scrutinies into the tropology of wilted facts remanded by curious historicity that crumples without disdain when we memorialize the erasure of scepsis by modern standards of thaumaturgy.

    The minauderies of growth are a repositioned tacit allegiance to the untold fanfare and hearsay immunized against the broach of facetious levity to buoy discordant hearts above fumatoriums of relentless ignorance because coherent masterwork can be cobbled without such lapidary toil and toll on sincere affectations of wizened brevity. The seismic precautions for the forefathers of incidental convergences between expectancy and crystallized history are an ironic intortion of priorities because the heralds and tribunes matched the peerless foresight with the gerrymandered figments of apartheid between the imaginary and the real so that the delicate synchrony of events could unfurl a riveting carapace from the shells of protection even in amiable squalor for its impenitent attrition on the volleys of sensible rumor becoming fashioned in covert bedazzled errors in judgment leading to the triumph of the eventual civilization over the futtocks of the burial of the former trekleador of zenkidu belonging to provincial cadasters found so tucked in the hedges that discernment of frikmag would be an indelible scourge on the biognosy of the diagnosed endeavors that elapsed into remediated circumstances that brave the depths of deontological violation for the breadth of apportioned loaves and two swanky fish earning a place among the miracles of transcendent liberation from articles of decree imperious by sardonic disdain becoming nullified by the histrionics of a delicately staged orchestra that cements human achievement.

       We relish the frescades of a ruffled autumnal reminder of flourish above pothers of the screed of admonition swamped by nostalgic backtracks in the séance with ultimatum of design and the impregnated and carnal lusts of a world pitched in darkness with guarded lambent lights fomenting a perjury against tact for the deliverance of freedom in tacit agreement with owleries that every bonanza be tithed in their favor regardless of hibernation of spoilsports or their subsidiary remarks on indelible quills of invented manufactured realities we crave with desperation rather than cower from in requited nescience urging us to depart from affairs and stagnate the loyalty of fealty above the limber of utility mobilized above levities for solemn remarks and rejoinders. Promulgated above the robotic rubble of staffage haywire in wiredrawn contemplative resonance of tremulous subterfuge vestigial but immediate to the yardsticks of reprehensible malarkey, is the barnstorm for erratic dimples sauntered by the saunas of shelter above the chaos of ruined ginnels for the gimcracks of auxiliary duty to service, is the glorification of the sultry intimations of legions of remonstrance in guarded decorum about sunken atrocities lapsed in memorial to the incumbent brunt of sockdolagers of justice returning revenants from the bridewell of historical internment. The symphily of orchestras to cineaste symposiasts of surquedry in impudence beyond the brays of betrayal is the aborning mythos of regimented perceptions of a world that when magnified by minutiae appears starkly contrast to the gapped gubbertushed reality of the average patron of the arts to such an extreme gulf of receptive understanding that the qualia are dovetailed only in the swink of careful kisswonks to certify certitude itself when all the fragments coalesce into subjoined harmony to the substructures of inherent conscientiousness. The miracles at work that are vesicles and vessels for the swage of imprint above the loyalty of the imprinted tribunes of the fluminous is how hidden protrusions can emerge so victorious over popularized glazes on the pastures of a farmed culture itching for timmynoggies of innovation but only finding the etched remarks of pristine imagos of heroism dwindling in motivation to surpass the imaginative leaps accustomed to a newfangled laziness that bedazzles the guzzle of crowds but not the discrimination of the crowded morass of incompletion found in mosaics missing enigmatic philters of intoxicated love for the profound. So to be intermediary as a custodian for artistry we must cozen the wheedled imaginations not of the relic but the archaeologist that discovered the embedded prisms of attentive scrutiny for glinting sunshine inherent in troves of surpassed excellence beyond parochial sympatric blandishment of donnism rather than a resselenque that floats above demeanor to usher the cosseted age of treasure above the glib brocards and florews of past success.

      Immanent to the provisions of God as decreed from a syncretic reconnaissance of the pitiable gulfs that separate boundless divine love from the clavigerous potential for scrappy sympatric affiliation to **** through the barnstorms of internal comestions of conflated priorities we are ourselves prismatic in the indulgence of a tasty life sprinkled with zest rather than tempered with the vengeance of retorted animosity that we knead the pottery of ironclad resistance to a metallic conduit of pruned fulminations of unguided intuition so that the natural accord supersedes the goad of materialism for the sustenance of antiquity beyond its heyday for vital gains against the tauricide of panic and frenzy. The linchpin of all realistic attempts at the sympatric symphily of civilization is a guided remorse through the torment of affliction that sizzles without anteric barbs as it measures through engrenage how to pilot the vehicles of prosperity through the minefields of contingency that invisibly bequeath new hurdles and inestimable obstacles that collude surreptitiously to fulminate measured controversy against the backbites of restrained equipoise created by polities of the macadamized fabric of a welded smithy of a universe that with ubiquity proclaims above the senseless the harvest of conjugal repartee in sensible pride against militant bastions of incidental prejudice for a careen against the flyndresques of danger and the flyndrigs of glaikery alike for a humane spurt of enlightenment to tower peerlessly in supervision of entelechy created by esemplastic unity in apolaustic purpose. We cannot be puritans engaged in a pilgrimage to a palimpsest of priggishness because the daring elements of adventurism are necessary ingredients to catalyze the supply-chain of the innate gluttony of ego-seeking endless balance with a natural sustained biognosy that prizes biocentric harmony above bibliognost scepsis so that the enthused can flock with liberty divorced from libertinism. The ultimatum is a war between hedonism wed with donnism against eumoirety and self-restraint and this battle will be waged on the indolence of a future of cordslave tethers to interrogation of privy conceptualism hamshackled by the gradgrinds into the neat nexility of precise conformity that blacklists the samizdat because the genizah profoundly twists the already jumbled jengadangle and provides a junediggle of procession and ceremony rather than pomp without substantial grit embedded in the showmanship of a reality in need of a fourth-wall.

        It is ironic how we bewrayed our stewardship of the planet as a plenipotentiary sentience waged against the vesicles of instinct but more fundamental to this tattered but pregnant psalm is that the stronghold of our future is the tenacity of filial duty to enthrone the household with husbandry and restraint as an emolument to divine justice that sparkles opalescent in its own redacted notions of gravity imperfect in the taradiddles of science but refined by the eclat of the combustible syncopation of a reiterative trope of realism combined with surrealist caprice to henpeck affectionate violation above inviolable screeds of blood sport rather than conjugal affections afforded to the brood and the feast of the flocks that rein supreme over all things but exert inclement justice over the cattle and chattel of civilization itself. The minkumpf against the sacrilege of a prioritized kosher is to abhor the suffering rather than embrace the penitence of perceived but specious sacrifice which is an ornery thorn on the stained conscience of the yobbery of both the apikoros and the obedient because to attenuate all suffering even of instinctual beings we anneal our hearts to a glorified compassion that supersedes the relegated relics of pushful genuflection by succedaneum of sacrifice waged against the docile whangams of otiose theodicy. The filibusters against the regnant complexity of regalia that is a sprauncy poivrade with terpsichorean flairs to transmute the intimations of hibernated perfidy into finicky transmissions for the riometers that accord orbific merit in a lackluster time enchant the rollicking audience of this auditorium of the prevenance of the conquered universe bracing for the camorra of the insipid entreaty of defalcated casuistry—the prominent exchequer in hoodwinked political agitprop that forges ironclad allegiances to flimsy facades of the verisimilitude of dignity with recalcitrant but incondite bruits of venom militant against secular apostasy—that the fitful arrivistes that swim in dire dearth will be welcomed into the reconciliation of all time with a tempered lurid glint of revelation bounded by sunken albatross of hype unbounded with a peace insurmountable in prestige rewarded only with the highest reservations.


    On 3-1-2020 when I penned my philosophy—even at a slowpoke margin of crafty precision above rapid empirical faucets of folly—I was entirely selfsame with the autotelic engravings of the smoldering aboriginal talents within that many can swing through by tenacity for enormous plaudit but a flagrant majority will apprehend with flippant scollardical tenets of rebuke and remain honest in their appraisal only in meek resignation of parvanimity.
Consider the postulates of rarefaction whittled into a vehement zeal against the prostitution of our species to the anteric cycles of residual molds of dingy spectacle mired by the tyrannical towers of supercilious squirms of revamped novelty rather than enhanced by the freebooters of dirigisme that borrow from time the behest of philandered flairs divorced from the cadges of secular instinct and enthroned by the qualms of engineered virtuosity that is stark, barren but peerless in its outstretched clamor for luxuriant sprees against the silentium of grandeval asylum incurred by the flippant filigrees of recalcitrant modernism endangered by the irredentism of the future upon the whimsy of the present-minded momentary glare of rapture.  This impending architecture of nimble but subservient endeavor is a pinprick rejoinder against the wernaggles of prepossessed fountains of configured animosity against the stapled heed of a modality of trayned invictive invectives against the plodding course of fustilugianation that swerves in apathy of autopilot junediggle to emanate the surrender of epigone to the raktendure of the synaesthesis of the attuned perception of all superimposed minutiae delegated by calculated design into a synclastic focus on veiled caprice that is vaulted above the choppy and sketchy verdure of remiss perception to stellar continuities rather than mundane knickpoints of stodged blurs that magnify syncretic qualia into baseline congruity rather than staid torpefied resignation of the visage of thunder without the pangs of the widely vituperated lightning that bequeaths all certain notions but flouts the tortious saboteurs of the prim trucage of brittle fundamentalism.

     As the flawed paragon of a picaresque youth punctuated by vibrant plumage of self-wrought tropophilous usucaption of remote groomed frontiers of desolate luxury but buoyant morale into the ballasts of a nimble usufruct that hikkles yet still against still-framed thilloire--fatuous in endearment only to the polity of the waterdrip of craven but gravid disingenuous flickers of lambent cloaks of perfidy—that earned its birthright by meditative fruition rather than prodigal tallespin of indolent frapplanks of a vicarious personage rather than an autotelic haecceity showcases the folly of heterodyne inclinations meeting an impasse of accidental dislodgement. The interregnum between the spurts and sprees of luxuriance is a staid pause between continuities of afforded parlance becoming stapled demographic solidarity affixed to a strident gallop of effortful pushes against the tenacity of the slumberous wicked hibernation of vetust magpiety without hieratical internment because youthful industry beats hackneyed bludgeons of wiseacres of a stilted manufacture of steamy nostalgia for lickerish moments that dignify but undermine moral virtues but splash anointed and sometimes disjointed favor upon the congeners to a rabid escapade of a heedless love frowning on the girdles of the prim balderdash of heralded jolts dim on levity and puffed with elusive contextualized control of libidinous serrated defilement because the crotaline **** outmantles the sweedled limber of exploitable folly. The cosseted reality of wheedled gourmands of continuous perception rather than the Gaussian blur of the protean invention of stitches in time that obscure rather than magnify the supernal levity inherent to most artistry is a linchpin of lenient gravitas that levies the lavaderos of ripe perception into annealment.
Excuse the bravado of the gait of winnowed forks in a bronteum for heralds of megaloscopy fastened to the macroscian reality of indelible filigrees of countermanded controversy becoming its best behest in the sempiternal flowering of burgeoned demonstration rather than illustrious overhang of drab slabs of manufacture rather than organism that should be interposed between the constellated concepts of both apperception and the aggrieved counselors to obtuse obsessions that are an improper tutelary for a designated reprisal of the once profane now immediately gratified by ramshackle tenets of a guarded sublimation of the tenets of post-modernism into a sustained force of the internalized tabernacle of haecceity shepherded into exuberance by the manumission of spirit from the ******* of purblind scalds of defamation that incurs the penalty of flippant privation. The refuge the Lord provides is not contingent upon the vagaries of deliberation nor the calculus of oversight but the remontant amaranthine glower of a listed deed becoming an eternal reminder that a dismantled and disjointed world fathoming only remorse rather than the trudge of gentility against the headwinds of brunt asperity will always flout the successor rather than atone for the failure of the imponent condition that constellates around rudimentary drivel grubbing the momentary out of avarice for allotted merchandise rather than glommed magnets to amoeba sentiments for the kisswonk of ulterior motive beyond dungeons of desperation that lurk ghoulishly with spectral frights at the disfigurement of morale created by errors askew rather than a contagion of righteous valor.

   Ask the heedful servant if the captaincy of reneged commitment owes homage to dutiful instruction or whether it is a balking corpse of necrosis accorded to the omphalism of brutish carnal repose in times of sedentary silt siphoned in spelunked rijuice for preordination is a predominant specter for a world scared scurrilous and skittish in a diatribe against the very notion of tribal screeds embedded in the sedimentary heft of traditionalism above the pother of vacillation commended to the apikoros but counterfeit fiat system of a ruddy governance without a supreme magistrate. Now lets venture into the territory of visagists as we envision the swanky subversion of impoverished and nebbich visions of oligochrome that fixates on belabored but dead notions of rigid propriety and levitate above those concerns with a querulous transcendence that never wernaggles about the profaned irrelevance of burlesque tropes of sidereal friction but instead memorializes the thermolysis of permeable endeavor above staid countenances of imposture that lurk in the shadowy penumbra of the connivance of persona above the archetype of the tutelary guardian spirit that through windlass and sometimes deliberation affixes nobility to even the pedestrian in order to assize its proper proportions to granular ironies expounded into megalography transformative by the very rivets of its supersensible existence and cohabitation with histrinkage among human taboos.

   The handiwork of a permeable race prone to exacerbated proclamations of prerogatives bulldozed by the rapid percolation of insoluble quandaries to the gripes of the feast of foofaraw sometimes shelters our otherwise regnant concern about the plenipotentiary God that observes all latent affairs without the paramours that conflate vivid carnality with appeased luxury and superimposes a crafty system of seismic shifts in rantipole dances with numinous flux rather than dissipated militant suppression of the fracklings of dissolute pollution which swirk in their dastardly desperado endeavors to corral the entire monoliths that guard each province into a winnowed rumble of rubble by tarnish of Tyre rather than by the upstart rejoinders of Canaan. Every creature which has the capacity to perceive language is afforded benedictions by the overhailing force of the hypaethral heights of superlative ingenuity founded in the bolted speculation of the endearment of all to tropological seesaws embattled against the hearsay of nyejays that contaminates the telmatology of the ecosystem of revivalism rather than buries the leaden debts of the disjointed revenants of past prominence into recycled irrelevance for posterity rather than for anything but a machination of a clockwork apple rigged for a rotten worm to swindle the sweet delicate tempests of unforeseen disaster to perjuries against financial solidarity.

The spinsters of sardonic drollery underscore the imminence of an incondite cutthroat collapse blackguarded by the hucksters of incontinence grubbing every fetched noisome notion and congealing a bonnyclabber of desiccated mildew that proves vestigial when the victors of time earn their joyous serenade to the pinnacle of the totem of jaundice slits in wavy endeavors for the participles of sejungible syntax of the ephorized furor to outlast the draksteng of droned dereliction manned by half-baked spies of ulterior recitals for imprinted vicissitude in supremacy in synquest for frizzlounges rather than the pedestrian circulatory system of careworn polity. We vaporize the petty hatred of sympatric regelation that neuters the virulence of motivated impediments to the draconian surge of asperity that sinks temporal haplessness as a regaled blasphemy that crowns only the ringed betrothal to spumid serrated halts in slick superstition that is a buggery to the idea of insectivores devouring the erratic chantage of germane germs that pauperize rather than even blind the deafened to be a crutch to vehicular homicide. Melismatic sennet is a dirigible of immense herculean sinew without the traces of vestibulary retches of kisswonked grisly tepid intimidations of eccedentesiasts by the radioglare of wizened corrugations in thanatism that exhort the avatars of narquiddity over the natural departure of revenant souls back to their temporary hostility to crass lifeless decarnate immediacy that slinks with foibles magnified by vertiginous heights of scollardical reputes rigged by the rijuice of the plackiques of meaningless spoils for swashbuckler bonanza borrowed from serrated vengeance exacted in prominence to provide false avenues of extenuation to malefaction that is confidant to the panopticon of exemplary dimples meager in the largesse of the composite realism of a sizable imprint on megalography that outlasts impertinent excuses for dangerous trout swimming against the mobilized selachostomous frizz of sharks gathering to avenge disclosure with insolence and gravid atrocity of incisive surgical evisceration of attempted depositions that falter by innumerable facets of countenance that belie ultimate realism and the perdurable construction of a sturdy hive of bibliognost revelry.

     Even with the blaring sennet of majesty inundating my piecemeal perception with the marstions of flarium that is an efficacy in a flaccid world of otiose pretenses limpid only in folly but contraplex in ironic skewbald skerries of grubbed destination that is the terminus of karezza despite the maledictions of vehement guarded betrayals that conjure up lurid noisome virility against the gamines and gallywows that populate interstellar fictions of virtu rather than mundane pragmatica that astound with the resselenque of contaminated skeumorphs of latent fracture belonging to a skeletonized ossified reification of farce above historicity in seemly seamless countenance with overwrought princely stature deserving integrity to ripples through sparkling opalescence. The vapid insularity of the self-contained mythos of appeased groundlings is based on the rhizic and rhizogenic fracklings destitute in predicative flares to swelter above stratospheres of the illimitable into the dwelling of the highest serenity inherent to the pacification of truth to neglect its egregious errors of mistetches of a ripened pachyderm of bravery in times of austerity and now a reclaimed notion of sempiternal charades swimming above the punitive draksteng of dranger that is enlarged by acclimated attempts at foiled raltention hikkling against its own superior forces of galvanized preterition to elide over screwball insanity of derangement in this virtual paradise of inhabited souls belonging to former times congregating on the pasture of the evanescence of now for all eternity having the optative condition of incarnation above the ferules of the stagnant brevity of oversight in heavenly realms by postulate but not confirmed by regal logic.

     The troponder of the flickered lambent niceties of polity is a countenance that piggybacks on simpered jostles of negligent engrenage to appease sworn enmities among beatific havens for certitude swarmed by the fisticuffs of darbied bridewells of desiccated drainage traversing the distant disdain for the gravel of cemented slits of stilted pragmatica that is a gavel of atrocious estoppel mediated by heroic heresiarchs against pitiable betrayal for forceful remedies in acclimated servitude to the groans and groaks of a life of remorse and dearth rather than the glut of luxuriance in forbearance to its own intorted mirrored ironies that etch infinity with every scrawled rejoinder to austere ploys of checkered rumbles of threat and exigency posed by the clairvoyant hypocrites who benefit greatly by the design of the omphalism above the frays and brays of corporate dogmatism slowly outmoded by vibrant plumages of heteronormative originality beyond petty chantage. A hesitation overcomes the bluster of bravado as the restive earnest concerns of tribulation beset the minauderies of divine affection to reaffirm the teachings of the Gospel so that future generations genuflect beneath the altar of the ultimate stroke of sociogenesis and the blood ransom of suffering that promoted the human latitude and liberty against incarcerated throngs of virtue over caesaraproprism accorded to genuflection beneath denarii rather than absolution by tether to the eternal vine of sensation of the supersensible entelechy of all valiant insurrections against defective polities and renewed policies.

     We thus seek a transdimensional bridge between the morphean virtu of rudimentary alchemy of propitiation divulged by leverage and the teeming rambunctiousness of fiduciary tribes to the ultimate duty of man to consummate the future of eternity even in slowpoke mannerisms that sidle through rigors of entelechy and assize the masterwork of tutelage above the circumforaneous entrenchment of glut above the mastery of the subtle subaudition that beleaguers an adept conflagration of harnessed human ignorance staid in the incarceration of exotic virtues of freewheeling sapience never vulnerary to hospitable concerns that entrenches the verisimilitude of a refracted justice to reign over the stultification of a primitivism inherent to man and not man alone.

Dear Readers, President Theodore Roosevelt wanted
to save this marvelous Natural Wonder for posterity! So
the Grand Canyon National Park was set up in 1919. In
1979 it was declared as World Heritage Site! With the
portion “Sun rises and sets over the Grand Canyon”, -
I have concluded this poem. Kindly take your time to read,
no need to comment in a hurry please ! Thanks, -Raj

CONCLUDING THE GRAND CANYON
STORY IN VERSE – RAJ NANDY

INTRODUCTION
Literature about great natural features include
two personal types of writing;
Description of things observed, and impressions
of what is known and seen!
The story of the Grand Canyon takes us back
to the Pre-Cambrian Age,
When violent forces were unleashed from within
the Earth, during its formative stage;
When mighty forces of erosion began to sculpture
her undulating landscapes!
Therefore, I begin with a quote about Erosion,
From the great poet Alfred Lord Tennyson; -
“The hills are shadows and they flow,
From form to form, and nothing stands.
They pass like clouds, the solid lands.
Like clouds they shape themselves and go!”

TO RECAPITULATE PART ONE:
In Part One we have seen, how movement of
earth’s tectonic plates unleashed violent forces
from within!
It formed mountains and lakes, shaping our
landscapes, which now appear so peaceful,
grand, and serene!
Over millions of years the forces of erosion in
the form of wind, rain, sun and snow,
Sculptured earth’s evolving features creating
majestic, panoramic vistas as we know!
Geologists now opine, that the Grand Canyon
was carved out by the Colorado River, -
cutting through ‘layers of Geological time’!

THE COLORADO RIVER CARVED THE CANYON:
In the state of Colorado, from the high country,
Where snow and ice lasts well beyond the dawning
days of Spring;
There the majestic peaks of the Rockies form the
perennial fountain head from which springs, -
One of the great rivers of the world the Colorado;
Which travels 1400 miles through seven States
reaching the Californian Gulf west of Mexico!
Now during prehistoric days, the pristine Colorado
had flowed almost along the same path as today!
But after the magical rise of the Colorado Plateau
some five million years ago, (Refer Part One)
It had blocked the river’s path making it flow
south-east into the Gulf of Mexico!
Few Geologists now opine, that this diverted river
had formed the pre-historic Lake Bidahochi,
Which later drained out to form the Little Colorado
River, which today we get see!
But the cut-off western portion of the river (named
Hualapai Drainage) continued to eat away through
the Plateau’s southern portion,
Through a gradual process known as ’Headwater
Erosion’!
For the river flowing at a steeper gradient along
the ‘Grand Staircase’ of the Plateau, carried
stones, rocks and debris,
Which formed the cutting tools, deepening the
Canyon over countless centuries!
When the softer sedimentary layers of the Plateau
below the top rocky layers gave away, - it resulted
in several rock falls!
While flash floods and erosion continued to breach
the sides of the canyon walls!
Thus over millions of years the width of the Canyon
gradually increased;
While the gushing and untamed Colorado River
chiseled through the depths of those Cyclopean walls, -
running deep!
Now the ancient Lake Bidahochi which had breached its
banks, had captured our pristine Colorado;
And their combined power increased the volume of
water and river’s chiseling power, with its rapid flow!

ENDANGERED COLORADO RIVER :
It is unfortunate that today, the Colorado no longer
reach the mighty Pacific as in the olden days!
With the progress of civilization and the spawning
of big cities,
Like Denver, Las Vegas, Phoenix and Los Angeles;
And to cater for the agricultural farmlands and the
Industries,
Many dams got built to divert its water and to
generate electricity!
Thus over a century of overuse and abuse of this
precious natural resource,
Gradually choked up the great Colorado, as it
became a mere trickle at the end of its course!
Ecologists now debate, while USA has launched
‘Save the Colorado River Project’!
Let us now cheer up by getting back to our
Grand Canyon’s scenic beauty,
Before concluding this wondrous Canyon Story!

SUN RISES AND SETS OVER GRAND CANYON!
To see the sunrise from Mather, Yaki, or the
Hopi Point, - located on the Southern Rim,
Becomes a life time experience, better than any
surreal dream!
First a glimmer then a glow, when a faint blue-white
sheen begins to show!
As the sun gradually sprinkles its light, streaks of
crimson red spreads across the eastern sky!
Soon orange and yellow shafts of light, light up the
Canyon walls up high!
Squirrels scurry out of sight, and birds twitter in
the sky!
The Hummingbird hovers like a helicopter, and
Big Horn sheep are also seen;
The Hummingbird which can even fly backwards,
enlivens this early morning scene!
The sun now rising in its resplendent glory,
showers the canyon with its kaleidoscopic beams;
With streaks of yellow, gold and red, it chases out
lurking shadows from within!
Like a curtain lifting before their eyes, the tourists
view this panoramic sight!
As the Grand Canyon awakens to greet the day,
With cameras madly clicking away!
The great ancestors of the Hopi tribe, Hopi
meaning both peaceful and wise;
Had inhabited these areas some eight thousand
years hence!
Their scooped out granaries and tools found inside
Canyon walls, - have an ancient story to tell !
The Spaniards were the first Europeans to reach,
in search for gold which they never found!
But for the Hopis the Canyon remains, as their
sacred Holy ground!
When those Spaniards saw the Colorado way
down below, from the Canyon’s upper rim’s side;
They said that this thin blue streaked River, was
barely five feet wide! (In mid-16th century)
The average width of the Canyon is around 10 miles;
While the River at its narrowest point is 600 yards
wide!
The Condor the largest American bird, catching an
upward draft circles up high;
Like an uncrowned monarch he surveys his kingdom
below, nothing escapes his watchful eyes!
Temperature at the Canyon’s floor is 20 degrees
higher, when compared to its outer rim;
Supports an ecosystem of plants and animals,
With the river as chief nourisher of all things!
Evergreen pines and furs grow along the cooler
areas of the Canyon’s outer rim;
While cactus species are found on its arid floor,
Their exotic flowers bloom during Summer and Spring!
The Northern Rim a thousand feet higher, offers many
spectacular sites!
But the Southern Rim remains open throughout the
year, while the Northern closes during Winter time.
From the Hopi Point west of the Canyon, the visitors
enjoy the beauty of the silent, sinking sun;
When the sky gets diffused with vermillion red, as
darkening shadows engulf those Canyon walls!
The mighty Canyon with its Cyclopean walls,
perhaps the playground of the Titans from eons past;
Shaped by some mythical Vulcan, shall remain till
this World continues to last!

CONCLUDING THE GRAND CANYON STORY:
I conclude my Grand Canyon Story by quoting a
poem I had once read;
Written by an Anonymous author, whose name
I had failed to get!
“BUILT WITH PATIENCE OF ENDLESS TIME,
YEARS ERODE AND SHAPES DEFINE.
LAYERS YIELD THEIR COUNTLESS AGE,
EYES CAN SEE BUT CANNOT GAUGE!
STAND AGAPE WITH AWE INSPIRED,
IMAGE READS OF LIFE TRANSPIRED.
CLIFFS REACH OUT TO TOUCH THE SKY,
PATHS LEAD DOWN WHERE RIVER LYE.
COLORS, SHAPES AND SHADOWS MELD,
HERE, A PLACE FOREVER HELD.
WALK AWAY YET NEVER PART,
BODY LEAVES BUT NOT THE HEART!”
- Anonymous
……………………………………………………………
ALL COPYRIGHTS WITH THE AUTHOR RAJ NANDY
OF NEW DELHI, E-MAIL: rajnandy21@yahoo.in

Inside the drainage basin
Bounding my soul
Fluid dynamics
Condense

Phases of water
Gather in the
Mountain towers

Over time
Gravity plus precipitation
Converts
Into snow pack

Come spring
That snow pack
Braids it's way down the mountain
Co-mingling with groundwater
Bubbling up in springs
Gathering momentum
In mountain streams

A constant conversion from
Potential to kinematic
Energy

Streams make their
Way into prairie rivers
Meandering along
Through riparian pockets
Of biodiversity

Reaching a levee
Then breaching

Local, national, and international boundaries
Are no match

As my soul
Finds it's way to base level
In the ocean of your love

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

They said there was a drought water was short
not enough for domestic use.
At first declaring it was nobody's fault
it had not rained for a long time!
Committing an offence by using a hose pipe
truthfully was a load of tripe.

Water companies are making a financial killing
everyone encouraged not to waste water.
More fancy gadgets the public would be willing  
to buy water use multiplied.
As the buzz was building more on any land
telling us there was a demand!

Thousands of houses built was there a big need
statistics only the government held.
Groups tried protesting for it not to proceed
but fields were still built on.
Heavy rains came with more depleted drainage
so did the despair and rage.

A state of increasing taxes with nothing to show
more became classed as poor.
Communication with voters becoming very slow
the authorities had a strangle hold!
As the ban on a non existent drought dragged on
more doubters joined the throng!

Was there a danger of a growing national threat
from people against the elite.
Basking in luxury as the masses increasing in debt
the drought added more fuel.
Restrictions taking away their dignity it turned sour
there would be a defining hour.

Or is this just a modern nightmare tale?

The Foureyed Poet.

you came to me drunk and looking for love
when before it seemed i had plenty of
suddenly my eyes must have been
mazelike and empty
it falls out of me
so neat and yet so unkemptly
all these bodies in storage
and the coroner sent me
but i can't clean up this mess
i'm only good at disassembly

you cupped my chin in your hands
and begged me tell me what you're thinking
i told you i was staring at the wall
with that smile quickly shrinking
too fast for you to catch it
i felt your breath kiss my neck
as you tried a different approach
with a more subtle effect
i should have explained i need a while
to think before i talk about these things

My memere liked the smell of gasoline, i do too
the tiny shreds of dying nice and slow it pulls from inside of you
and stale cigarettes in mom and pop drugstores
and burying the dead birds, saying it was just time for them to go
explaining that they don't realize they are killing themselves
every time they slam into the glass doors
she loved the seashells welling up from the atlantic
and the waves that held me detained
when she disappeared from shore
the glass that cut, that taste of blood
the stillness of death and linoleum floors and the whining dog
i couldn't fathom how they could all remain

her still skin was first time i noticed
the shifting quality of epidermises cusps so waterlogged
like lotus leaves and flaking logs of driftwood in the ocean
the way it's currents pushed and pulled everything above and below our bodies'
disturbances and submersions of purple i didn't love
i wondered why our bodies couldn't just come back to us
couldn't learn to rigor mort this
still deaths leaves me feeling purposeless
waxy and elastic, with small hairs like the cactus on the windowsill
she said so but i can't convince myself that this is a beautiful thing

when i was young i dreamt of falling down the wooden rungs
of our staircase, screaming in pain in the airway and waiting to be saved
it felt so real, and days later we were pulling over on the side of the highway
when we got the call, saying no one was there when she had the fall
when i saw the sunset from the beach for the first time in years
that night i cried for the beauty and
washed off the tears, purple and red clouds
salt water and tender sounds
and stared for a long time
at the empty shell of a horseshoe crab
did not eat the poison berries
removed the glass from my feet
set down the photographs in defeat
sat and read the dusty books
still caked in her fingerprints
sitting on the shelves of the library

and he never liked gasoline
he always liked fresh air and talkative people
the little things, and the adrenaline of strings
the 4 am sunrise over town center's church steeple
i was terrified of loving this good person
this aversion confuses me,
i teeth at these pseudonyms for something so real
being turned into something transient
i can't explain it i just hate dominance
and love hurt children

i still see his face like it was yesterday
saying that it was his birthday, and he was smiling
about going to the lake
i still can't retrieve a single date
last year from the months of august to may
i just remember the pictures and google pages
i would read 1 through 25 internally enraged
by this rememberance of you
my fists clenched in a faded grip
feeling the searing headlines
cutting through the blackness
i forget what it's like
not to lose it all every time
i close my eyelids
and the waves i love creep in and rip
i've just conceptualized it to be a pattern
and accepted it

They tell me to stop remembering
But they don’t understand with
Each blow life hands me
Another is already sewn
Into my ribcage, bruises in each hand
between each crescent bone,
this isn’t a coincidence
Most nights i hang my lungs
Dangling from my spine
Watching the walls cave in
the sticky residue of surgical tape
Strapped around my bicep
Will not wash off in the shower and then
This guilt will not wash off in the shower
and then, you are a burden, hidden
In the paperwork, between the lines
Three weeks later and there is still
Traces of it on me
Parts of me trapped in glass vials
i wonder what people thought
when they saw me in that blue robe
on the bed in the little blue room
I still remember how thick the
needle was
I was never scared of them
until now

i trick people when i feel like
i'm not seeing at all
i'm just feeling, not healing
with these words
that's my downfall
i wish i could give more
but this is all i have left
if i can't keep it locked in closet doors
i know the effect with be my last theft
don't force it out of me
just let the drainage catch your crests
let it come in time
when i feel safe knowing you
would catch my conjested confessions
and lay them to rest

Strange question indeed,
So I asked one and all;
Explain to me:
“What's a plumber's ball?”

Family and friends
Heeded my call,
But none could confine,
Refine or define it,
Yet Paul was sure
He could design it.

Still, none could satisfy
My caterwaul:
“What the hell is a plumber's ball?”

Does it sweat the pipe
Or wiggle the snake:
Can it clamp the ******
For Heaven's sake?
Could it snap on the ****-hole cover?
All these queries
Made me wonder.

Has it something to do
With hardness leakage,
Or ******* the ball-****
To stop a seepage?
Has it anything to do
With a saddle valve dripping,
Electric eels,
Or two pipes mating?
And, I heard of male and female fittings,
And should I worry
If I'm standing or sitting?

If you're discharging the head
Or elongating the pipe,
Does the plumber's ball
Help it snug tight?
Is it in my tank,
Or in my bowl,
Beneath the floor
Near the drainage hole?
Is the plumber's ball
In the back of the truck
(Jeff laughed and said
One could rub it for luck).

I asked Michel
If he could tell,
He sensed it was something
He could smell.
I sought out Ray,
Perhaps he'd know,
But he was on call
To restrain a back-flow.
I couldn't ask Gary
For his wisdom and sense,
He was wigglin' the snake
To unclog a wet vent.
Henry, Rick, Scotty and Brian,
Gave shameless answers
I couldn't rely on.

It's not a crapper, tail piece
Or Johnnie-bolt,
Or catch basin, reamer,
O-ring or pipe dope.
So I searched the Net
With a fool's wonder,
And read of ball-checks,
Gas ***** and plungers.
I know it's too late
To ask Rolly or Ross,
For both of them knew,
And that's our loss.
And Ernie's gone golfing
So I can't ask the Boss.

With final resolve
I fell to my knees,
To pray St. Ferrer
With grace intercede.
His silence left me
In a state of depression;
Had Ferrer washed his hands
Of the plumbing profession?

So nothing could settle
My wherewithal,
I still didn't know,
What's a plumber's ball?

Suddenly, it hit me,
He's never wrong,
The Dalai Lama of dip-tubes,
I'll ask John.
Where others did falter,
John's a rock:
He knows the difference
Between a gas and ball ****.

With a knowing smile
He embraced our Hall:
Here, good friend, is your Plumbers' Ball.

your eyes. they meet my gaze
watching me. seeing.
you are there. with me.

your eyes. watch him pass
watching him. seeing.
you were here. with me.

my eyes. watch the wrist.
watching it. seeing.
you aren't here. with me.

the blade. slices the skin.
watching it. seeing.
the blood drains. onto me.

I scoffed at my minor cough
Until I was immobile as a sloth
I had to press pause on my life's tale
After I became a beached whale
And my body turned frail
In my illness jail

My stoic resolve tested
My pain threshold crested
The way I act is antisocial
The way I feel is anti-hopeful
For I treat others poorly
When I'm hurting sorely

In sickness for health
I give away my wealth
To feel one hundred percent
That's the physician's intent
To make me experience drainage
But I need the healing medicine
So I can practice the discipline
Of removing my diseased shark's fin

Ramses II, known as Ramesses the Great
Had a permanently fractured finger
And his teeth were significantly rotten
The pharaoh's excruciating pain
Must have effected his reign
A massive amount of men slain
Is discomfort what's to blame?

When there's no pain relief
We give each other grief
And there's a lion with a thorn stuck in its paw
Eventually that simple thorn becomes a claw

The patient has had no nausea,
vomiting or back pain. No chills,
fatigue, fever, decreased vision
or double vision. No ear drainage
or hearing loss, epistaxis or
runny nose. No sore throat, calf
pain, chest pain, cough or difficulty
breathing. No pedal edema,
palpitations, black stools, ******
stools or constipation. No diarrhea,
urinary frequency, laceration, skin
rash or depression. No dizziness,
headache, head injury, weakness
or enlarged lymph nodes. All
systems negative        

and yet

WATER OFF A DUCK’S BACK      
From the 3rd diary entry of Stewy Lemmon's childhood adventures.      
      
This week's fun times and great adventures with Smoochy started at the small village pond, just down the road from my home. Which remember, is nestled amongst the trees on a hill in a little country town called, 'Shimmerleedimmerlee'.      
     
While down at the small village pond, I was feeding Buck the Duck, the wild duck that I have been feeding since I was about four years old. I noticed the water level had dropped down, since my last visit to the pond. I was worried the small village pond may not have enough water in it for Buck the Duck to swim in and drink his daily water.      
     
Soon, I was getting hungry, and I also had to feed Smoochy and Buck the Duck some of my Super Duper Triple Cheese sandwiches, made with a smidgen of strawberry jam and a small spread of vegemite between each layer of cheese.      
     
My mum had packed along with the sandwiches a bottle of berry juice and small cut up pieces of apple and banana, a small bunch of green grapes and lots of watermelon sliced into little triangle shapes. All placed together inside a clear plastic bag.      
     
Before opening the bag you should always turn the bag just three times upside down while at the same time moving all of your fingers between the fruit, from side to side (a bit like playing a trumpet) but with a nervous twitch, I guess) then turn the bag left to right five times only but never ever right to left. There you have it, my creation I call the "Colourful Take-Away Fruit-Blast in a BAG".      
     
Then, once that part is done you can eat it to your heart's content or until you are as full as a goog. If you like a bit more adventure, you can also perform the easy and exciting, but very secret add-on part which is called the JiggyJiggy Side Kick Extra.      
     
I will give you the secret JiggyJiggy Side Kick Extra instructions at the end of today's fun adventure diary entry, but only if you can keep it a secret. It's one of my favourite afternoon creations of all time.      
     
Ok, back to the day's fun adventure. That afternoon was extremely hot and I decided to take Smoochy home for a lie down in the backyard hammock which is hanging up between the two large trees and under the shade, near dad's unusually built and outrageously painted outback backyard shed, to cool down and rest.      
     
I told my dad Archie, that the water level in the village pond was at its lowest I have ever seen it in all of my years being there feeding Buck the Duck. Dad said he would take a look when he had time and let me know what's going on.      
     
The next week I went down to the nearly empty village pond, but Buck the Duck was nowhere to be seen. When dad got home from work he told me he had driven past the pond on the way to work that morning and told me the pond was losing its water because of the consistent hot weather we had been having lately. Dad said the water was evaporating rapidly and that's why Buck the Duck has left to find another home with plenty of water to swim in and drink from.      
     
I said, we have been feeding him since I was about four years old. It also feels like we have lost part of our family. Dad said, ‘Don’t  worry, I'll think of something, just give me a few days to work it out’.  
     
So off dad went, into his unusually built and outrageously painted outback backyard shed, to start thinking of a solution and try and get Buck the Duck back home where he belongs. He looked inside the grouse little pet mouse house he built for Smoochy and studied the tubing he designed for Smoochy to get from the top level down to the lower floor.      
     
All of a sudden, it clicked inside dad's very smart head. He went to the hardware shop and purchased a variety of things. Busy for days and even working at night in his unusually built and outrageously painted outback backyard shed.      
     
The day had arrived and dad took Smoochy and I down to the small and empty village pond, to show us what he had done.      
     
He had built a maze of small, medium and large round pipes made out of new coloured plastic and he had even painted them with cool cosmic colours with unusual designs.      
     
He had looped and even double looped the three different coloured size pipes as they went down the hill and into the small village pond.      
     
Dad knew that the hot sun would keep evaporating the water from the small village pond, so he used his brains and connected the pipes up to the homes bathroom and kitchen drainage water pipes. He had even installed a filter to pump clean recycled clear water back into the pond.      
     
Dad told us, the small green coloured tube was for the clean recycled water and Smoochy was to use the medium, yellow coloured tube to whizz down and finally the largest red coloured tube, was for the whole family and friends to use. I named dad's creation the "Tremendously Terrific Triple Tumbling Turning Travelling Tubes".      
     
After days of having fun, I slid down for the last time, via the large red coloured tube to swim in the pond and guess who bobbed his head up from the water? It was my good old friend, Buck the Duck. I was so happy to have our friendly small village pond duck, back at last.      
     
Oh I almost forgot to tell you the instructions for the add-on JiggyJiggy Side Kick Extra creation. Have you got a pen and paper at the ready?      
     
Here it is. Hold the bag upside down and make a small hole in the very right-hand corner at the bottom of the bag, get a straw and put it in the hole. Then place a cup near the bag and slowly pour the juice through the straw into the cup. Once done take the straw out and place it in the cup. Then make the small hole into a much bigger hole and empty the rest into your bowl.      
     
So now you have fruit in a bowl that is not too soggy anymore from the "Colourful Take-Away Fruit-Blast in a BAG" and if you could follow the instructions correctly you also have a cup of fruit juice made from the JiggyJiggy Side Kick Extra creation or for fun you can call it, if you can pronounce it.      
     
The "UpCDownPunchaHolePutinStrawPourtheJuiceinaCup"      
     
There you have it, but remember to keep it a secret ok?

drain full of peelings
broken plunger & unwashed dishes
drops sprinkle from the sky
yesterday hail
leached peas and golfballs cracked
hitting windows
perhaps reflection
back to the hills
to find freshness somehow
crusts too old to chew the grains
birds quiet in the autumnal wash
preparing for another outing of art
therapy.
ginger, shallot, chilli & chicken
rice later
something for the blood which
pumps & beats & never stops
till words release and a
semblance of peace arrives

There are no bells, but they are there
lining the streets, palms outstretched

women on their knees between cream-colored petals
of orchids carelessly blooming by the drainage ditch

their scrubbed feet free of rice paddy mud
with palm fronds overhead

in their hands, cut butter and fruit
for the monks that file past in smart orange robes

if you were here, you would watch them with me
you would peel lychee fruits for breakfast

at this hour the people are wide awake
and the day is struggling to keep up

somewhere behind the early clouds
the sun is winking over the trees

morning birds never seem to sing here
where the rain has been falling for days

One could might hypothesize
That the tears would have
Drained more than
The veins drawing out
Of the confines of the muscle
Pumping sweltering anger
On such a transportation
Of creating a new home
Out of one recognized for three years.

The stacks upon stacks
Of emotional drainage
After the physical had worn out
From problem after inconvenience
After incompetency.
A departure I wrote an outline for
Before I stood at the border
Of goodbyes,
I quickly threw out.

The itch and discomfort,
The aching and drainage
The constant questions in my mind
Throughout the entire time
Divorced me from the clouds
That I foresaw above us
Hugging goodbyes.
The storm was in the lies
That made me hurt
To see such discomfort in your eyes.

Here’s to the storm’s dispersion,
No good deed can split the coming tidal wave.

to live in a society where artistic expression is least expected or not wanted, to live in a society that doesn't allow part-time explorations of a "creative side" of things, to live in a society that doesn't really need art, to live in a society that doesn't make it easy to become artists, to live in a society that doesn't make it easy to become artists, to live in a society that cherishes manual labour and teaches its youth to keep the hands and make do with manual labours as pride-enveloped - the sweat and a goodnight's sleep - to live in a society where art is difficult to muster and call profession rather than a past-time, to live in a society of professional artists likened to the Italian Renaissance, to live in a society where manual labour is prißed (s / z interchange, phonetic antonym proximity: priced), to live in a society where acceptable gambling is shunned like unacceptable gambling is infectious with warnings sold... to live in a state like this... would be to have the stern village everyone-knows-everyone attitude, where outsiders are deemed suspicious without hierarchies of spying organisations... where everyone tends to wear the same underwear - well that would be a society built without a concept of slavery or microwave fine dining... by the way, given the nakedness of English encoding, and the many particular deviations in linguistics and *** alike, you can put in whatever stresses are necessary whenever you see them, e.g. carrot and a carot and shtick - škoda / sh-codices - feel free, explore, the labyrinth is yours - in Polish škoda is a word know as - shame, leveraging on the phrase 'oh well' / '(what) could have been'.*

i used to check my neck-fat dangle bits
and pieces like someone with high blood-pressure,
it was a sorry affair,
i feel more comfortable with a Scandinavian
physique of whale-blubber cushioning
my bones - i told you once, i'll tell you again,
i rather live on ᚦᚨᚱᛁᛖ œyer - got to curl the tongue
rather than simply have a tongue in cheek -
than anyone else - like a thomas hardy novel:
far from the maddening crowd,
obscure, half-witted, raised on an Orca meat diet,
half-sure whether Milan or Venice ever existed,
happy, not really agitated to write poetry,
more agitated to build a boat or fix
a drainage pipe, but not exactly expecting a poem
to be on the cards to be read like tabloid newspapers
are by feet imprinting mud on them discarded
by the time the Evening Standard is printed
in urban streets, promising in hand and fresh igloo
slice of tongue on the index to turn the next page...
later worth less than toilet paper,
that's journalism, at the end of the day
it's worth less than toilet paper, the paper's too rough,
you'll end up cutting your **** up rather than
cushioning out a brown marshmallow - it ends up on
the street, in the gutter, trampled and otherwise,
harsh words about reality-t.v. come with harsh realities...
toilet paper comes with the gentle side of mankind,
seated on the throne-of-thrones, the obscure
fundamentalism of having a heart, being killed while
taking a **** - next of kin: a baby in a ***** likewise fated.

Memphis got real high in the 50's.
Those honeycomb bathroom floors decided to become streets
them city kids got the buy bug knocking at their knees.
Problem is: They never dream.
Teachers just learning to write
using pens filled with interrupting ink
telephone poles gossiping about the trees,
they hated their branches—always loosing their leaves
office administrators on Section 8 Housing
while the vacant houses are out on the streets.
People swarming the sewers
forgetting: a bomb shelter is no home
while drainage floods the alleys.

If you could see this place with your own eyes
and not the ones you bought at the drug store
you would wish you were blind.

An Old Soul, you said. What does that mean? My Soul's not old, it's gently used, like that song that was a hit a couple years ago, you heard it on the radio and you can't remember the title but you can hum the tune. That's me, a hummable tune with no title cruising the electric air for a million miles right to your ears.

An Old Soul, you said, like it was a compliment that my Soul has yet to succumb to the withering humbleness of that great equalizer, The End.

How do you know? You don't know my Soul. Souls have shapes, and shapes don't get old. Mine's shaped like a ******, kind of like an open flower, like that last hour before bedtime when you sneak that sliced orange even though your dad told you NO, but your mama gently scolds, "just one more" as she (soft as the comforter she tucks in around you all
singing that song that drips like molasses in the gathering dew), and she winks at Dad, who's pretending to be mad like the rain that's pouring and flooding the gutter.

It's a kid who stutters who has mastered Bach and has moved straight onto Brahms, while across town it's beer and people singing along.

No one these days to wants to sing to Brahms, but that's okay; she loses herself alone in its sparkling and prefers it that way.

My Soul (well not just mine, it's in heart of the hum, the mirror firmly reflecting our collective soap ****), is a kind of Boo Radley in his broke down joint and his sad soap dolls in the tree, in the knoll. Shut in an old house uncertain of who he was or where he belonged or what he might even one day become, he built a world for those kids the only way he knew how.

Drowning in a lonesome sea, where the only moments of freedom behind the pecan tree were a broken stopwatch full of frozen moments and some hand whittled soap and some gum. Boo Radley, no he was the shut-in son. Better than that inside-out drainage ditch who still walks the streets with the air of a rabid ***** who was shot at and missed by The One and Only One-Shot Finch. In the dusty 30s, in that vast, hot expanse, Poor Old Tom never even had a chance.

Now Scout, that kid is my kind of gal, all smart within and smart without. THOSE are the ones with the curious minds who stay young forever and laugh at time, who find gum in a tree and call it sublime, who worry about freedom and all it implies. Yeah, man. Jean Louise. And she'll never get old.

So don't you dare talk about what you don't know.

I've spent my short life knowing that god isn't the goal.

It's the dead dog in the street, and the man walking free, and a dying old lady who can't help but be mean. It's the girl with her ears and the kid with his orange and his mom singing softly as she closes the door.

It's the song that you heard, you don't know the words, but you sing in the car to the telephone poles.

There are so many roads to the idea of "whole." I have so far to travel, such long way to go, there isn't any certain number for the rest of my days. My Soul is eternity.

I'm still making my way.

Sweltering insurgencies of electric power chords
Tribal reverberations of skin-stretched drum boards
Rolling and filling; syncopating the noise
Of the ***-less toys
The ****-less boys
Enraptured in the music
The anthem
Of invidious phantoms
My eyes hurt inside and
I want to pull them out and
Scrape out the gunk and rust
that’s behind my self-indulgent perseverance
so I can cry
for the first time in years…

Wrapping my hands around his slender torso
Licking away the paint, the dripping ooze; more so
Than hastening my ****** and mordant urges
To bite what emerges
And my mouth purges
The obelisk from underneath
The iron-pierced jester
The voracious molester
My hand tightens as I grip
his throat tighter and
I want to squeeze until his eyes pop
from his sockets and
laugh until I puke against the walls,
watching the ****** fluids mix
like an execrable marinara sauce…

I turned thirty while still being sixteen
The vivid beauty of the world was only in dreams
But none of mine, none that I can recall
Many years have passed since I took the oral fall
Where no one saw
Intransigent need to live
For the snake in my veins hungered for more
So many had their way
until I was limp and sore.
Defamatory fingers of mire and strife
Probing and stretching
My insides
And devilishly comforting
With limpid ambrosia
That’s infected by bilious worms and maggots covered in icing
And fruit

Amatory gauntlets fastened and secured over
Handless limbs that retract under matriculated frictions
That fracture, crack, morph, distort
Emphasize, marginalize
Rationalize, desensitize
Acts of *******, evasion, moral drainage;
Pieces, bits, chunks, sections, portions, servings;
Arms, legs, eyes, tongues, fingers, toes,
Love, lust, infatuation
Adoration
Boys, girls, women, men,
Angels, demons, monsters, humans
Creators, gods, titans, divas
All extended and limited from the minds that worship
Sanctify, mesmerize, glorify, rectify
While humans eat more, love more, **** more
Than the angels, demons, monsters, and titans
We ponder and cherish
Nevermore, for me
Ever lore, for all
Crows surround
And chaos found.

salt and flowers,
to the musky smell of ***** on her lips.
who was she without her drinks?

what light her glowing eyes once held
was miserably replaced with emptiness
and the subtle dread of return to reality.

her sobriety was virtually nonexistent,
that wretched glass bottle the barrier
between her conscience and the problems truly inescapable.

she drank her heart out,
as if alcohol could fill her heart
any better than love or hope,
emotions she grew numb to ages ago.

what a sad life it must be,
drinking, the only thing left to hang onto.

but the worst? –
she never admitted her addiction.
the shaking, the blackouts, the dependence
overwhelmed every beautiful thing she used to be.
yet the words,
“i need help,”
never passed her lips once.

days on end,
the world seemed to gray out,
all things sluggish, gloomy,
but only through her eyes.

i held her shaking hands,
numbness and the cold controlling,
anxiety and depression, circulating.

she craved her drinks,
no, needed them,
and fell in love with the lack of feeling.

she felt no guilt for what she did,
“just an escape,”
and she paid a heavy price
for who she chose to be.

alas –
tomorrow is another day.

The doorknob to the closet
full of my skeletons is made of
funny-bone

But there are days
when honesty tugs a little too roughly and
I realize this isn't all that funny now
Is it?

As a writer
You learn presentation is key
In the bend of language
I create this man
I want you to believe me to be

And so I tell you these stories
like they are jokes
Like they are no big deal

Like the first time I got drunk
was with my friend's mom
who was a known child molester
She tried to order us ****
But couldn't work the cable

Or my friends and I used to travel our city
via the water drainage system
Near the mall
We got lost once
and while standing
in ankle high water
we saw at least 20 homeless people
sleeping on pallets
We called that place *** City
We had to get directions back out

There's a possibilty I have been an accessory to ******
Around the time in my life when I learned
How not to dwell

My body was a wishbone
My father meant to break
But every beating
left me the better half

I find so much of it funny

My brother's most recent suicide attempt
My mother's
My father's Alzheimer's

He once chased after our mailman
naked
Asking him about some letter
from some woman
I have never met before

I find laughter
and beauty
in the bend of language

When this chest becomes a broken radiator
and my heart grows cold
The metaphor mutates Campfire

Come here
I am lonely
and I have a story to tell you

People say I'm obsessive, and I wholeheartedly agree. I'd die for a favorite artist, and I reread stories I like until I hate them. I force myself to love every song performed by "my band" (which, incidentally, is Twenty One Pilots), to a point where I'm not entirely sure which of their tunes actually earned their place in my heart.
It brings to mind a modern-Hebrew term, "protektzia". It can be translated as social leverage, or "pull". Protektzia is when you are related to the administrator of an elite high school, or when you're friendly with the secretary of a sought-after doctor. It's as if songs walk up to me and say, "hey, I know I'm not that great, but I was written by so-and-so!"
All that changes when old Depression drops by. Suddenly, things I cared so much for are meaningless. It's like quarreling with a close friend. Although, I don't hate my former faves so much as scorn them, for being silly enough to exist.
Why does depression do this to me? Because depression is the drainage of passion. As a cow needs to be milked and a dripping air-conditioner needs a bucket, what are obsessions if not an outlet for the passion contained in the heart?
But neither are necessary when the cow is dead and the AC off.
Thankfully, depression to me is a mood rather than a condition, and so I host frequent reunions with my beloved idols.
You are all invited!

The screeching noise on the pouch
marked with evil twisted eyes
pawns so dark and painful
watching on, phasing on
trying to deliver depressive storms
turns torn with thorns
others taken off from the throne
for his nerves never ever rests
and his mind a clogged drainage
for there is always time to stop
to give it up and let life live
for there is always time to slide
to leave all the burdens on a bridge
for there is always time to grow
to sink in the ever glowing circles
the doves have a disturbing coo
as their coldness distributes
the celestial night gets kidnapped
his footsteps stride in a torment bang
crashing the black box in pieces
punching for a breath as pressure rises
until the dawn brings the sunrise
wiping all the daunting scares
erasing all of the vengeful tears
Celebrating life as it should be

Scribbles on a yellow notepad, this ink won't last
Letting sweat dry from a long walk, half way there
I didn't notice it on my first passing, or my second
Third time is the charm they say, don't they?
Now I sit in this scummy drainage ditch, writing
A tree, growing from a pile of waste concrete
Dumped carelessly by rough, tired, hands
Green leaves adorn it, this oddity, only a sapling
Like a flower on the peak of Mount Everest
Or an ice cube in the middle of the Gobi
This is not so grand, this urban contradiction
Some day it will be as tall as me, maybe taller
Stretching its limbs, eroding its base
Praising sun rays through photosynthesis
Pushing down roots through man made constructions
Reclaiming the soil from which all life springs & returns

This wild night, gathering the washing as if it were flowers
          animal vines twisting over the line and
          slapping my face lightly, soundless merriment
          in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
          halfmade foundations and unfinished
          drainage trenches and the spaced-out
                    circles of glaring light
          marking streets that were to be
walking with you but so far from you,

and now alone in October's
first decision towards winter, so close to you--
          my arms full of playful rebellious linen, a freighter
          going down-river two blocks away, outward bound,
          the green wolf-eyes of the Harborside Terminal
                    glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me
to our new living-place from which we can see

a river and its traffic (the Hudson and the
hidden river, who can say which it is we see, we see
something of both. Or who can say
the crippled broom-vendor yesterday, who passed
just as we needed a new broom, was not
one of the Hidden Ones?)
          Crates of fruit are unloading
          across the street on the cobbles,
          and a brazier flaring
          to warm the men and burn trash. He wished us
luck when we bought the broom. But not luck
brought us here. By design

clean air and cold wind polish
the river lights, by design
we are to live now in a new place.

Did you say laughter is the best medicine?

what is it that's ailing you, that you need this medicine for?

we are concerned with your mental and physical health

laughter is not good unless prescribed and monitored
laughing uncontrollably is a sign of drug abuse
laughing hysterically is a sign of mental disorder
laughing too much can damage joy receptors
joy receptor drainage is #1 cause of sadness, and every other disease

Joyflow is the best medicine to control laughter flow
Joyflow is recommended by all doctors everywhere
*Joyflow may cause side effects including, but not limited to sadness, nausea, sterilization(good), sudden death, heartburn, diabetes, cancer, brain bleeds etc.


We are very concerned with your state of well-being
you are addicted to laughter, and not able to make logical decisions
you are over-weight and under-developed mentally
this police officer is taking you to a place to be evaluated

put your hands behind your back and do not resist
resisting an officer is a crime, and you will have jail time waiting if you pass evaluation
we will also give you something for the crying, called FlowNoMore

we work for you to stop tears and let joy flow the healthy way

You can drink and drink and be high on life, feeling numb to the world around you,
But then strikes the realization that your glass is empty and you’ve let all your emotions flood out at once,
And you are empty, you are drained.
You can cry and cry, but it reaches a point when your tears are no longer nourished, so artificial moisture seeps out of you and dissolves at the mere sight of the sun.

We take a mains water supply and proper drainage for granted now,
but not so long ago they were new things, and not everybody had them.

My old boss told me about the time they turned up for work at a cottage where a woman lived alone, just in time to see her empty her **** *** out of the bedroom window onto the tiles of the lean-to.

Half way through the morning she asked if they would like a glass of home-made lemonade, and dipped a jug into the water ****, saying
" I like to use soft water. "

Having noticed that the lean-to tiles emptied into the water ****,
they found themselves in a slightly awkward position.

When the woman appeared proudly offering the full glasses of lemonade,
my old boss said  " I think I heard someone at the front door. "

Off she scurried and the lemonade was quickly disposed of in the flower bed.

To hell with maintaining a fire just so faces could be seen.
I danced on the embers extinguishing little stars and I scribbled in my notes and waited for that one girl to shut up about Twitter and Halloween costumes so I could hear—

the fog dragging its tongue up the valley.

Finally she began to realize the contest she was losing,
took the quiet advice of myself and the wind and went
to go tuck herself
into the tent,
into the safety of ceiling.

But,
you and I
opted to be
coyotes on the hillside.

I took the trail away from our sleeping counterparts,
and flayed you on the dirt where I stripped you of your fur,
howling to the fog and plowing valleys in your flesh,
your legs grew into roots, and wove length by longer length
‘round all the sturdy angles, the anchors of my hips
and you, oh you,
you would **** the marrow from my bone.

And when we lay out, raw and steaming
knees bleeding from the drainage ditch,
a gnawing fades out, falls to dreaming,
we, peeling off a well-known itch.
Then we play a game with satellites
Where bouncing mirrors reflect our minds
And laugh when the reflections never fit.

I gather up my skin, step one foot in and
stumble when the tightness traps my leg,
You pin up your *******, to please our sleeping guests
that wouldn’t take to anything irregular.

On the upward hike ten million lights, ten million lives
herded on the table of L.A.
A Serengeti of fire, a mass migration;
mammoths marching, tusks dipped in flame

Sitting around campfires once taught vocal apes to rhyme
but a million conversations
bleaches each the other white
and now a million electric campfires
bleaches L.A.’s lower sky.

And though I stomped out ours
the ash remains a scar
where we had nearly forgot
how to speak by choosing to not.

it's four pm sunday afternoon
and in an unforeseen
turn of events
i'm awake

guess i've slept so long
i couldn't nap away
one more
afternoon

remembering how on friday
waiting at the bus stop
a library employee
walked up to me and said

"would you
like a poem?"
and handed me
a note card

and on it was printed
a poem
and a reminder that
april was national poetry month

it reminded me
what i've known for far too long

that there are words inside me
clawing tooth and nail

trying to get out
and i have to let them

so today it's
sunday afternoon
and i'm thinking about how
sunday afternooons
aren't what
they used to be

they started out in
the backseat of a
blue dodge van
crammed between my brothers
npr on the radio
i hated car talk
but loved to hear the way
my dad laughed at what
couldn’t possibly be jokes
not since it wasn’t funny

but after car talk came
prairie home companion
garrison keillor's gravel
serenade of life in
lake woebegone
static bluegrass
the drama
of guy noir
the hilarity of
tom keith and fred newman
playing ping pong with
airplanes dive bombing overhead

winding up around the lake
through the corn fields
until we got
to grandma’s house

afternoons turned into
evenings and i would fall
asleep in the backseat
on the way home
staring upside down out the
window at the incandescent
orange street lights
barely bright enough to cast more
light than the stars
treetops dissolving into the dark sky

i always thought it was
fascinating how it everything
looked different from that
angle in the dark

sunday afternoons turned into
dashing around
the church grounds
unattended
picking up deer bones in the
back lot and throwing them
into the pond
eventually removing screens
from windows and
climbing out onto the roof

we got older
turned into teenagers
lazy summer days
a memory so
soaked in sugary
pink lemonade mix
i can't help but scrape my teeth
remembering the taste of
citric acid and innocence

how we thought we were
so grown up
but i'd give anything to be
that kid again

i wish we’d gone
on more trips to the mall
before the shops were dead husks
a fallen ozymandias
to the promise of capitalism
when there were shoe stores
and book stores and a
radio shack and a gertrude hawk

we would spend ages in the
bath and body works
smelling and calculating
how much body spray
we had to buy between ourselves
to get the most out of our coupon
exchanging the bills and bottles
in the food court across from the sears
years and years
before it would become a post
apocalyptic vaccination center of
folding chairs and masked queues

before i lost them
to the split paths
adulthood takes
us all down

i wish i'd known what
i know now
that no matter how bad
it feels in my own head
it's never a death sentence
it will come and go

i wish i’d known
that none of it would last

sunday afternoons
the in-between
washing my hair
while my friends
went with my parents
to church

i don't go to church
don't think i ever will again
even though i wonder
if the sense of community would help

it's sunday afternoon
but it's not how sunday
afternoons used to be
with johnny cash on a loop
as i lost myself in
empty cardboard boxes
straight lines of
dusty wine bottles
shattered pints of
gin on gritty concrete

sunday morning
coming down
but it never felt like
coming down
it felt as close to peace
and quiet as i could get

sunday afternoons
turned to hazy piles of
navy duvet and
dr teals scented sheets
but i can’t do that anymore
i’ve wasted enough time
trying to sleep out
my own thoughts

so i'm trying to
let myself remember
let the words out
one afternoon at a time

something about this
sunday afternoon
feels like how
they used to be

an indigo country playlist
on the tv
all alone
with my herbal tea
the candle burning is
lilac and violet
i'm starting to think
i could find a way to heal

i'm not writing this poem
for it to be good
i'm writing it because if i don't
i might slip down with
the raindrops into the drainage grate
never to be seen again

i have to let my past
wrap itself into my future
or i'll lose the parts of
myself that brought me to here

there’s something about
having the window open
while it rains that tells me
it’s going to be all right
something about how the
library bells still ring
just off the hour
that reminds me

how time passes
how sunday afternoons
have changed
and i’m sure they
will change again soon
and what a relief that is

Behind the youth room, sitting on the pavement, I think of past times.
I sit quietly and submerse my mind in the memories…
And I wonder, if I leave, will I ever come back and do this again? Feel the sweet nostalgia?
Will I tell my kids about these memories?
Will I tell them about the ones that haunt me as well? The ones I wish I could forget?
I think I will. I wish my parents had emphasized on the horrific things those memories do to you.
Weeds overrun Ashleigh’s and my old meeting place.
Our drainage grate where we told secrets have been overtaken by bushes.
“My chest hurts a lot today.” “And when I look back, I see you waving”
-Grizzly Bear, Fix it

the one positive aspect concerning Tucson’s blistering heat is what women wear on display are details one would never notice or think about if it were not right there in plain view an evident preference based solely on sweltering circumstance is no brassieres yet vogue goes beyond this lovable lapse women being fashion mindful arrange interesting medleys of flimsy diaphanous chemises various lengths of shorts thin-threaded summer dresses peculiar styles of tresses and fairly informal shoes or barefoot in essence everything about women’s wear in Tucson is noticeably informal revealing to the eye the barest facts that said there are those who fall under the dictate of Latin or Goth influences regardless how scorching the sun black is their uniform and finally the no matter what season or time of day hooded sweatshirt set and their hoodlum world

2

nightlife in Tucson is dull for a big city ex-resident several Friday evenings a month he visits plush bar arriving about 6 PM sitting at bar sipping 2 sometimes 3 drinks chatting with whomever then walking home about 7:30 - 8 and that is his rather sedate social life but on this particular Friday night with full moon 2 days away and Venus in his thoughts he thinks to go to sky bar outside monsoon rains are letting up opaque gray sky fragrance of creosote in air he looks at reflection in mirror feels deep depression

3

they are supposed to meet meant to meet destined fated to meet but they will not meet because there is a season for love in a person’s life but that time is gone it is too late for him too many hearts racing then erased lies deceptions disappointments nights alone under-appreciated without love so many years too much bridge under the water concerning her she is emotionally occupied her dog Sweeny on last legs a drawn-out too personal sadness to share besides she is not looking for an older man possibly a younger man who can ease her fears of loss and aging

4

the drainage system in Tucson is not well thought out when it rains it floods she wears Chaco sandals wading through puddles feeling intoxicated by scent of creosote after divorce 20 years ago she became drunken drugging **** until she adopted Sweeny changed her life it is like she is feeling relapse knowing Sweeny will be gone soon she cannot bear the thought decides to start at the Buffet total losers bar then work her way north up 4th Avenue a lot of ground to cover

5

an older man with loud gravelly voice and pink eye introduces himself as Frank says he moved here 25 years ago from New Jersey accent still intact orders ***** martini pulls out 6” KA-BAR military knife throatily grumbles i manage she decides she’s had enough of the Buffet does not finish drink decides to skip the Shanty Maloney’s O’Malley’s glances in the windows of Che”s sees gossipy **** she does not want to run into crosses 4th Avenue looks in the window at Plush sees self-important **** she does not want to run into crosses 4th Avenue again settling for seat at Sky bar

6

he gazes at her and his heart melts she is so lovely in subtle alternative demeanor it would be easy to admire her for rest of his life if he were female he’d want to look just like her but he sees she is not interested in him he looks away remembers the first step when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he turns his gaze away

7

she glances around large room notices him smiling at her eyes glance passed him she thinks he looks remotely familiar but the mustache appears ridiculously out of style too much character in his face he appears small maybe 5’8” or 9” probably drives a mini-***** just not her type whatever then she remembers the first step when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power