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There once was a boy, slightly altered, possessed by greed, and terrified of failure. His mother and father seemed to only care about one thing. After he was born, his parents became possessed by wealth. His eyes were the colors of the sky when darkness would fall, the color only the devil would welcome. The vermillion circle stretched to the outskirts of the violet black horizon. The violet black seemed to hesitantly corrupt the vermillion as they intertwine through the abyss of the newborn darkness within his soul. Where his mother and father saw a demon. And from then on they were taken by his nonexistence, and slowly their love began to fade. This boy had a name, a name his parents soon forgotten, Dracoleon.
Dracoleon's mind always averted to wealth. The only time his parents communicated was when taxes were to come. They spoke solely about coins, gold, and work. Draco was soon consumed by it. He was then always busy, always working, counting money, he had nothing get in his way, He never seemed to see the scared, suspicious, and disgusted faces that walked by him, the dream of wealth consumed his entire universe.
It was one day, the king was said to be roaming about town. His parents would talk about the king often, father would say that he wished to be as rich as the king, or be the king himself.  But he would shake his head and continue. The boy wandered about the town indifferently as he searched for his father’s idol. It was once he turned a corner, he saw him. He ran toward the crowd and progressively landed in front. The king road in a chariot, the glistening white horses carried ropes dragging the golden chariot behind, As the silver knights followed. Across the street he saw his parents seek in awe of the glorious presence the king beheld. Then saw them grasp hands as if they were grasping a chance of hope as the king road by. In Dracoleon's eyes the king seemed narcissistic, he looked to be bathing in the jealously, the awe, and crushed hopes around him.
Then, suddenly, the king stopped in front of him. Then strode out of the chariot and stood, twenty feet away, then pointed directly at him; “Come my child!” he said. Impulsively,  he walked then stopped in confusion. “Come; kneel before me!” he yelled. Quickly he snapped and continued towards the king. He knelt three feet away. The king knelt down and looked into his violet eyes and whispered in his ear: “You’re different from the rest.” Suddenly he gasped, quickly stood and started humming a melody as if he was hypnotized; Dracoleon saw a slight gleam in his eye. A few moments later, he stopped and stood awkward and confused, then said “you’re going to be excellent.” At that he spun around, entered the chariot and continued on his way.
The boy stood dazed by the king’s presence. The villagers were glaring at him for minutes till he finally came out of  his hypnopompic trance. It was then he saw a man, just about thirty, wearing a cloak, carrying an odd looking box. No one seemed to notice him. As the people continued on their lives, he decided to wander to the mysterious man that caught his interest. It didn’t take long for the old man to notice the boy stalking him. He confronted the boy. “Hello” He said. “I must ask, why are you following me?” The boy froze in his steps, “w-what’s in the box?” he whispered. The man chuckled, “would you like to find out?” The boy managed to nod…. The man took the boy, not by force, not by manipulation, but by the man simply walking away, as the boy follows.

The wizard and the boy traveled in his single horse wagon in Europe for many years. The wizard showed him a whole new world, and left Draco's behind. The wizard filled his mind with adventure, and fed him excitement the boy had a purpose, but the wizard had rules, ones that cannot be broken. The wizard taught him his ways. And slowly, the boy became a wizard.

Six years later, the wizard was fading, he told him a story, a story about the great wizards long ago, The world was approaching something non existent, the wizards couldn’t escape, he was the only one who wasn’t taken by the darkness, and he watched as the rest of the great wizards, imploded and were trapped by the void. Silence, infinity, timelessness, nothing, it was hell. The great wizard gave him a puppet, it looked like the wizard. “Its the story of our past, a past not to be forgotten” He had whispered and he slowly faded away, joining the great wizards in the void.

It was then Dracoleon became the last wizard in the world. All of the wizards power, all the rules, and all the memories, his, And his alone. Dracoleon only had one thing to do, the only thing that will carry the wizards memories, becoming a puppet master.

The wizards shows became well known, He would come into town and there would be a few people going in and out of the wagon, watching the puppet shows. It was then a strange man came into the wagon, tall, pale, a dark presence around him. He asked to stay after the show.  He walked Beside and ran his thin pale fingers along the small stage the puppets played on. “You're different from the rest.” He said in a death toned voice. Draco froze, and suddenly his past flashed before his eyes, his parents, the money, the king. The king said he was different too. “ You're going to be excellent.” He whispered. “what if I told you, I could make you excellent, forever? Nothing absolutely nothing would get in the way.” Draco was mesmerized by the corruption of his past seeking out through his mind, and setting around him. The money, the greed, he forgot how great it was, to be in power, now that he's a wizard, the only wizard, he can do anything, change the rules, take over the world. Then suddenly, he was frightened, He wouldn’t have time, Time to do all theses things, Suddenly the man's words caught up in his mind, “What if I told you, I could make you excellent forever?” Draco then looked up at the odd man, he was smiling. “what do you say?” Draco manged a nod.

Draco was near death. The man turned out to be a vampire, he altered him. But it was all a blur, “ A three day slumber, and a new universe comes at your feet with a path set to follow” The vampire had said. Then he disappeared, and the pain began.  Draco felt his soul leap out of his chest, the intense burning sensation followed throughout his body, And then, nothing. He felt his soul go on a  journey to comeback with a plan, A plan that would make the universe his, forever. Draco opened his eyes....

The puppet maker became very popular, But to Vincent, he was a question, a mystery, Draco The wizard caught his interest when he saw the villagers walk out, excited, happy, and longing for more.  But that’s not what intrigued him, The villagers stepped out of the wagon, with a look of confusion, but only for a slight second, then there eyes, they fogged over and then reverted to normalcy. As they walked, most hummed a melody, A repeating melody that seemed to be engraved in their throats.
Vincent was a magician. One of the greatest, He owned a magic shop in the middle of the town he was curious on what the puppet maker was to do when he brought villagers into the wagon. When the last of the villagers walked out, Vincent quickly got in line.

Dracoleon brought five villagers into the wagon each time, In Vincent's group there was a little girl, her father, a woman, and an old man.  into the wagon they went and  they sat down and he began the show.  Vincent and the others watched the puppet maker bring his puppets into play. They were familiar puppets, ones you would see of people walking in the streets. His voice matched that of the puppet, the personality’s seemed to fit perfectly. It was nothing like they'd ever seen before. Then suddenly the candles went out, and it was dark in the wagon. “ Time to play” Draco whispered. Suddenly, They felt something behind them, Then, the candles flickered on, the puppets were restraining them,  Smiles on their wooden faces. Slowly, Dracoleon pulled out a watch, a small watch, he whispered something into it, and it glowed blue. He walked over to where the little girl was restrained, he took her wrist and with a small blade, he slit it, she tried to scream, you could see the horror in her blue eyes, his lips pressed against her wrist and he began to drink, you could see her rosy cheeks go pale, He left her gasping for life. “the youngest always taste the best.” He laughed. “ The taste of blood so pure.” He whispered. “But shes not a ******.” He looked at the father. “you see, its sick men like you that deserve to die.” The father looked at him in terror. Dracoleon whispered in his ear but he was still to be heard. “but I've something better than that.” A tear ran down the father's face. “Humans are so faulty. So filled with sin, sickness, you should be thanking me. But you may never understand” He looked at Vincent. “And you, you think you can defeat me.” He chuckled. The puppets grip grew tighter. Blood started dripping down each one of their faces, the puppets were slowly attaching themselves to the humans their strings tightening around their neck and the mouths grasping their skulls. The puppet maker continued laughing “ Let the games begin!”  He opened the watch, the humans fell limp and the puppets disappeared into their bodies. The puppet maker began to hum the melody.
jennifer ann Jan 2015
fall was in the air and it was a very dreary october day. the halls of the old victorian house had been filled with new arivals and lots of noise.

"i can barely hear myself think." Madison sneered, a  cigarette in her hand  as she stood next to zoey and nan in the hallway. looking at the new girls with disguist. "and none of these new ******* better step on my toes. this isnt ******* hogwarts." she rolled her eyes. "hogwarts." zoey laughed, making nan laugh aswell. "if this were hogwarts, you would be draco malfoy" nan joked. "hardy har har." Madison snickered. "and you would be harry potters fat cousin because your ugly and nobody loves you." madison smiled. "well, i think it's great." zoey said cheerfully. "all of these girls would feel lost and alone and now they have somewhere to belong.". "you would say that." Madison rolled her eyes. suddenly a slightly younger girl with big green eyes and long brown hair and freckles rushed up to the three of them with a gleam in her eye. "oh my god it is you! you're madison montgomery!" the girl explained. " i love you! will you sign my back pack?" the girl turned around and Madison pulled a pink highlighter out of the side of her floral backpack. her face lit up as she wrote her name on the backpack making zoey and nan smile aswell. "thank you! thank you! thank you! you're my idol." the girl blushed. "my name is Cassie motts, i've seen all of your movies, i love you! i love you! i love you!" the girl giggled. "alright.." Madison had been taken back a step. "have a great day you little ******." she smiled, a look of confusion hung upon her face. "thank you.. you dont know how much this means to me." the girl explained cheerfully and walked away. "well ladies it looks like we're the head honchoes around this **** show." Madison sighed, still slightly smiling. "i was always the head honchoe." nan replied. "yeah, okay, right." zoey rolled her eyes and smiled at nan as the three made there way down the hall together.
what a waste Oct 2015
Life is an echo peeled
from the furthest star
a message in a bottle
waiting to be heard
And upon its reading
not a word rang free
for life is not a sound
but a motion which flees
I walk alone contemplating the scenery of an abandoned castle
Beside the Forest of Whispers an amazing view am baffled
I contemplate the thought if I should walk inside or not
All the sudden I hear a voice in my head inviting me to come in
I gather all my courage and enter the castle
I stop briefly to look at the entrance of the castle itself
It has Two Giant Stone Cyclops statutes and a huge metal door
The scenery is captivating yet am a bit nervous to press on
I look everywhere but there is no one there and I get closer to the entrance...

Without warning I see the huge metal doors begin to slowly open
Lots of dust and smoke emanate from the ground as they slowly sway open
I think to myself (What's going on this is just weird) I hear the voice again...
"Come inside adventurer I have something for you" I carefully step inside the Abandoned Castle
Inside the Majestic Palace it's beautiful...I carefully examine everything insight
A Old Painting with a Young Man dressed in an 1800's Draco Tunic (Black & Red Colors)
A Gorgeous Staircase that looks like it has been recently cleaned and polished
Many pieces of Marble Art all over the Main Hall Room -The part of the Castle am in- and many doors up the staircase and where I recently occupy
I ask the voice "Who are you?" and it replies (The voice itself sounds a little rusty and hoarse a bit old in fact) "I am Aziel Count Of the Darkness the 3rd Prince of the Night, I have lived here in my Castle for 750 years" As I survey the Main Hall Room in the middle of the room above the stairs that lead to the second part of the Castle itself there hangs the painting I briefly looked at. It's a huge painting a beautiful masterpiece carefully detailed and crafted with a young man dressed in a handsome Draco Tunic. His long dark hair deep black eyes and the black and red garments his wearing truly make him stand out and make him look like a Count of the Night...I think to myself (Could this be him...Aziel?) and just as soon as that thought came to mind I heard the voice again..."Yes that is me Adventurer the one portrayed in that painting is me, now tell me may I have the pleasure of knowing your name?" then I swiftly reply "My name is Frank Deltoro" As I get closer to the painting ...
All at once five scarecrows come out of no where ...from various parts of the Castle I assume and they all get together and commence to form a shape...about 10 ft from me.

Then I realize the form it's human and there I stand in awe it's an Old brittle man shirtless with silver eyes his skin pale as chalk and his pants wore out and thorn down. I get closer and closer to him then am about 3 ft from him and he says "Stop right there...I want to request something from you my mortal friend." Then he proceeds to speak again "Hello Frank my name is Aziel Governale. I am one of the 3 princes of the Night. My 2 brothers Vladimir my Elder Brother and Uriel my younger in fact the youngest sibling of us 3 reside in different abandoned sites long forgotten by mankind. It's 1933 in England in the remote sites of the burned down village of Qwutzentok. It was 13 years ago that the Order Of the Silver Knights burned down the village due to their iniquity and blasphemy against the one true God Almighty. The village conducted dark rituals to try to revive the Lord of the Night my Father...Dracula, but their attempts where in vain and futile. I still command to some extent the power of the night but my powers have been weakened by the Order of the Silver Knights and their Holy Crusade to conquer and extinguish the Night forever. I have hid here for 700 years after a Silver Knight known as Joshua Villamont defeated me and I was cast into hell periodically until I was revived with a blood ritual from a woman known as Elizabetha a young mortal woman who had fell in love with me when I was a mortal man. (He pauses for a second) (I analyze him head to toe as he speaks but I am in bewilderment and tremendous fear.) -He begins to speak again-

"I want to extract revenge on the Order regain all my power and might as one of the princes of the Night and revive my dear Elizabetha. She was killed by a Silver Knight back in the year 1225. I had just become a Prince of the Night and shortly after the Order raided our family and killed me or so they thought in the process...my Father had about 12 years of being dead and my 2 other brothers where no where to be found. We had all been scattered by the Order. I had been a Vampire only for about 3 years and then I was defeated by the Order and cast into hell and she rescued me and saved me. We stayed together for a while but I was too weak to make her a vampire and then the Order raided me once more and killed her. Now I want her back and I want revenge...you understand?"

Deltoro: "Yes I understand. But why should I help you?"
Aziel: "Due to the fact you have some distrust and hatred in your heart towards the Order. You was denied to become one of them due to your visual impairment in your left eye you can only see blurs and part of your right hand it's movement is restricted due to your born defect you can't move 2 fingers from your right hand. To be exact those fingers are your index and your pinky finger."
Deltoro: -Stands there in complete awe and shock- "How how...ummm...how did you...know?"
Aziel: "Am a Count of Darkness I can read man's hearts. I control to some extent telepathy. I can read 97.5% of individuals. It's a perk you get for being a Count."
Deltoro: "Fine...you have swayed me I will help you. But wait why can't your brothers help you if you can telepathically talk to them both?"
Aziel: "Oh mere human. Vladimir is dead...he was extinguished by the Order. Uriel I do not know his whereabouts I know he isn't in England. Therefore am here alone practically...it just I finally got an opportunity to extract revenge so that's it's exactly what I plan to do."
Deltoro: "OK so what must I do?"
Aziel: -Thinks to himself for a minute- "Have you heard of the so called Goddess Of The Forest?"
Deltoro: "Oh yes I heard that myth before Nabyah The Goddess Of the Forest Of Whispers."
Aziel: "It's not a fairy tale you know she exists and she is in the heart of the forest itself. All you must do is convince her to give you some of her blood willingly and if she isn't cooperative you must take the blood from her anyway and bring it to me."
Deltoro: "But she must be a powerful deity am sure she is going to fight back if I try to do such a thing."
Aziel: "Well ...those are the risks you must take in order for me to grant you my reward."
Deltoro: "Very well challenge accepted. I'll depart now."

(And so Frank Deltoro departs swiftly towards the Forest)

KEY

Draco Tunic= A Robe worn by Counts back in the 1800's. It displays Dragon scales in them. Only the true Counts of the Night had real Dragon scales placed on them however.

The Order Of the Silver Knights= Founded in 1000 the first millennium by King Nathan Bulderaux III. It fights the powers of Darkness ever since it's formation. It became famous after defeating the High Lord Dracula King of Darkness and vanishing his soul into hell.



                                                                                                      ->TO BE CONTINUED...
This short story going to consist of 5 individual Acts I,II,III,IV,V Finale. It's going to make it to the best sellers in NY Times short stories.
Derek Yohn Nov 2013
My house is surrounded by
Illuminati operatives.
Lizards!  Everywhere i look...

green ones in the grass like
slithery snakes with feet,
brown ones on my porch
running counter-intelligence
on my kitties, tan little
enforcers with an ochre-red
streak of war paint along
their spines.

i know what you are thinking...
but i stopped wearing a
tinfoil hat.  It wasn't
keeping the N.S.A. out of my
emails anyway.

Just yesterday, one of the
lizards' double zero
agents followed me to McDonalds.
i saw him through the windshield,
gripping the wiper blade
with all his might, tail
whipping in the wind like a
whip antenna, broadcasting my
subversive Big Mac purchase.
i don't use Geico insurance,
therefore it was clearly an
Illuminati spy, without question.

Nowhere is safe.
My days are numbered.
They fear what i could expose,
that i would tell others
what i remember about
freedom.
think for yourselves people, while you still can...
Jess Jul 2013
You're good, too good, it couldn't be true
You know I'm the kind of girl that would fall for you.
You're skilled in deception, highly trained in lies
So quick with hellos, and sly with goodbyes
A master of hypnosis, a thief in disguise
The warmth in your smile shows not in your eyes.
Your world is small but you've conquered it all
You stare me down, owning me, when we pass in the hall
You're obviously charming, cunning, and coy
You're a regular Slytherin - is your name Malfoy?
Lawrence Hall Jul 2018
Non Draco Sit Mihi Dux 1

That wicked liar offers us a poisoned cup
In whose sheeny surface we see ourselves
Reflected in his cold imaginings
And not our own, in what we ought to be

There is another Cup for us, not this one
Just as there is a stone that must be moved
A bird of night to be repudiated
A thorny bush that burns, but not itself

A blessing breaks that false and bitter cup -
We share the one that God has lifted up


1 In English, let not the dragon be my guide; it appears on the medal of Saint Benedict as NDSMD.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Kyle Sep 2013
Of stern strength and brawns I have none,
The great ape would have had me dismantled,
Of wisdom and intelligence I have none,
The wise owl can outshine my light bulb,
A world too big for me to take head on,
Quite elusive in the animal kingdom,
What am I?
A pigment altering rascal,
Amongst the shadows,
But a hint of rainbow overshadowing the meadow and those I deem mellow,
A cerebral among you numb skulls,
I am the Chameleon.
My name is Draco.
I may be slow in progress but I have the heart of Quetzalcoatl.
My animal totem
Anoushka Jain Dec 2014
Dobby's ideas,

Are more of a glitch.

Flesh memories,

Buried in a snitch.

Life is tough,

And such a heavy fight.

When dark times encircle you,

Remember to Turn on the light.

Weasley twins are strong,

More like human beaters

The world is not divided

Into good people and death eaters.

For in dreams,

We enter a world entirely our own.

Turn to page number

Three hundred and ninety four.

Dumbledore smiled,

Everyone has bad days.

Snape replied,

Always.

The people we love,

Leave us never.

The stories we love best,

Do live in us forever.

Cause the books we truly love,

Right back, they love us.

Draco, Dormiens,

Nunquam, Tittilandus.
For all my fellow Potterheads!
Kathy Z Jun 2013
Perfection,
is an illusion, created by the mocking
sanity of the people
in this newspaper world.

Fairytales were something made up as well-
for the entertainment of children,
to enjoy their life,
their innocence
before reality took it all away from them.

No matter how far I chased the rabbit,
I was not Alice in Wonderland.
And even though the glass slipper fit,
I was not Cinderella.

My Hogwarts letter didn't arrive either;
when I was eleven.

And foolishly, at that time,
I cried.
I cried because my dreams were not real,
and that something this good could not exist in this world.

But-
I do not regret crying.
I cried for everything little in the world-
For my broken pipe that would never shoot water out in a straight line-
For my microwave that would always keep the food cold,
and the refrigerator that would always keep the food warm,
and for the 'tap tap' of the lady's heels
from the apartment above mine.

People say that heaven is a beautiful place
full of anything you could ever imagine.
Would it have all my dreams there, then?
In a plastic goody-bag, prehaps.
A certain one dished out to every person-
Angels looking left and right without a care for identity.

I hate it when my phone gets too warm.
I hate it when my favorite books get wrinkled.
I hate it when I lose my wireless mouse.
I hate it when the internet takes too long to load.
I hate it when the tempature of the room is either too cold, or too hot for my liking.
But I love all those hatreds.
I love how my phone gets too warm, warming my hands up in winter.
I love how my favorite books get wrinkled, so I can lovingly patch them up again.
I love how my wireless mouse always gets lost, because then I have an exuse to buy a corded one.
I love how the internet takes too long to load, because then I can go eat while I'm waiting.
I love how the tempature gets too cold or too hot, because then I can stick an ice cube on my forehead, or bundle up with my favorite scarf in winter.

My mother always told me to be mysef, that I was perfect just the way I was-
I tried,
but all my sentences from that point on would come with a stutter.
"D-Did you hear?"

The voice of the piano that strums so gently beneath my fingers,
I love that sound.  
It was the first time I could be sure-
if music had a face
it would smile,
teasingly,
desparingly,
at me.

And now I'm listening to "Light up the Sky" by YellowCard,
lying on my bed and thinking how much the lead singer
looks like Draco Malfoy.

I love the way poetry sometimes has a shape,
either a diamond,
or a heart.
And I am stunned, when I see those-
In fact, I saw one yesterday,
it was a tiger,
coliling around spairled trendles of
black and white
words.

I wonder how words move people to tears.
they're just words, anyway.
Nothing that would exist if humans weren't here.
but I love the way that I can actually cry
when I hear a beautiful piece of poetry.
I would say 'thank you thank you'
over and over again,
but I couldn't speak for the sound in my head.

And the stereotypical, rentless movies,
on sale-
half price!
at BlockBuster,
I bought them all,
just for the sake of spending some money,
I think.

And I watched them all, alone in the night with nothing but a bowl of popcorn by my side.
They were colorful, crazy, wild
And I drank in that feeling, throwing up my arms
with a freedom that I have never felt before.

I love writing poetry,
because words are truly beautiful.
And I love reading over my old poems, and scoffing at what I thought was eloquent before.
Because that means,
I have grown.
Something Infallible, Like Eternity,
That's a good title.
I love the clicking of keyboard keys, feeling the notch of F and J under my fingers.

And I love this world,
for all its imperfections and mistakes,
becuase then there can always be something better after it.
After all, if you're at the top, all you can do is fall.
Jwala Kay Jul 2013
"It's Li'l Sean's tenth B'day,
forgotten in the orphanage loft.
He curls down
on the dust and
holds tight an once-vivid polaroid,
his lost family's
one spared happy remainder."

"Oh! Sweet Pea,
but Draco limped
his way to his li'l master
and licked off
his soar tears."
"Give a man love, and he will be happy for a time. Teach a man how to love, and he will have joy through all eternity."  ~ James Wilcox.
Sam Edwards Dec 2012
While you are asleep,
While you are only dreaming,
Ursa Major and Ursa Minor,
Forever they are scheming.

While you are awake,
you may think the world is one,
but Orion is still there,
in the sky he runs.

The stars may be replaced,
with puffy white laced clouds,
but Draco is till slinking,
far away the ground.

Even after all these years,
Cassiopeia is still vain,
still looking down on you,
through a window pain.

As the stars all swirl,
around the magnetic north,
Gemini still sways,
switching back and forth.

For even if we're sleeping,
even if we are awake,
the stars will always swim,
in a pitch black lake.
jenna elizabeth Jan 2016
let me count the numbers of ways i miss you:
i miss your hair
   how messy it becomes from the wind
i miss your eyes
   as they're (somehow) constantly on me
i miss your voice
   the way my name sounds coming from you
   tossing compliments at me, left and right
i miss your beard
   how it feels when you nuzzle into my shoulder
   absently playing with it while you drive
i miss your hands
   your fingers exploring my cold skin
   entwined as we walk through the park
i miss your torso
   my arms under your jacket as we embrace
   pulling me against you
i miss your feet
   how my feet can fit inside yours
   your reaction when I tickle them
i miss you
all the inside jokes
every single kiss
there's a look you get when you're staring at me
snuggling
taking walks
sitting in the back of your car
constantly talking
"****" and "poot"
hearing you call me sweetheart
                                                      ­              and that's just the start
Predestined Apr 2022
I was no Harry Potter
Didn't have that much goodness in me
But maybe I was a Draco Malfoy
Trying to figure which road to take
Light or dark?
But somewhere along the journey
I scattered 8 pieces of my soul
like Voldemort
Now a flowing air wise signs on waters streaming,
pouring forth from the pitcher of wisdom anew,
ever full undrunk,instinctive of human absolutes all.
Gods,men,minds all uranian battling calm,now futile,
But knowing,caring, grasping,fathoming, conquering
tidings evil of powered souls unholy,uncaring deliberate.
Searing lightning flashes of intellects just,truly intuitive
burning stiff coffined conventions,dry dead rules of yore
melting old cold solid knowledge cruel of Draco obsolete
to humane rivers gently righteous, of merciful hearts
ripping away ways human sordid and corroded deep
repaving with light golden love those roads to hearts.
is it enough I wonder, have we become naturalized?
Vernarth in the evening of his life is called again to raise his sword, perhaps following the paths of Paul of Tarsus, precisely here his Word would begin in the figure of a Hoplite who will redeem the oppressed, who will reinforce the growth of the seeds, that will give hope to those deprived of Faith when they have to face their own Apokálypsis that would allow them to take with them when embarking on this adventurous daring in pages of life that follow that for many will be unknown. The seer's paranormal experience in Patmos will vivify his commendable virtue of confessing himself as a defender of Life and Death from the same intermediate final point, to then reach the nexus of gratitude that compensates that leads to make amends when leaving his abode naked and return every six months to Sudpichi in Solstice, and Equinox in Spring to Patmos explaining the premiere of this final event.

Vernarth's distinctive and codes will swell an intertestamental Biblical event, made up of crude abstract and demonstrative images that from so much decanting could be assimilated to what the Mashiach did in the Siloam Cistern, more than water being the same Hydor that is born from the origin and reaches the end of the erudition. The desperate desire to limit the spirit of a soldier is clouded within his own microclimate, wishing for a possibility that lies in the impossibility and fruits of the fan that separates the Universe from the Earth. From here the Faith is professed by the reflections of all those who have lived in a body of Flint, as were their parents freed by Vernarth, letting rest the readings of the sunset to those who from Flint have become meteorites that wander through the universe. As possible Christians to re-convert after a pre-tribulation or a new order, separated from what deprives us of new incursions. The Apokálypsis according to Vernarth does not diverge from Saint John; rather it tends to seclude itself from all the windstorms of divinities that are intermingled in its mysteries from all the exuberances of an endless gospel, which moves the hair of the Yahweh with the scent of lavender even within the pantheon itself after three days. The mystery of not understanding that a common man bears stamped on his body all the signs that give observance of a Passionate John that is in all of us having to share his silence within us, as suggested by the silence of which we are fertilized by clairvoyance’s of Patmos more than the consequences of some supra desire of Vernarth to cover some hint of autobiography, but more generously than the doors of his Megarón or Dypilon, be clairvoyance that shows us that the doors are the unknown within what is and we cannot Observe, V.G. as is illustrative in Spinalonga when Marie des Vallées settles at the point of the salvation of Theus and Vikentios all behind the transom as a consistent metaphysics of the unfulfilled desires due to burdens of other souls in salvation entrusted to resplendent beings. This is testimony to buried or invariable enemies such as Edomites with the affinities of the Seleucids or Pharisees with the Primitive Christians in the channel of each word that interprets the opposite diameter adaptable to a prayer that circulates the course of what an exegete does well If the original word of Vernarth's testimony of never perishes to aspire to do as the manah on the flowers that well deserve to perch on the Xiphos, where the central nerve of its shoe is the Baldric, many times it turned only in the battlefield when Vernarth used both hands, what a mystery! Here is the glossary of what is double-edged and double-handed metal when its length is pointed to the edge of the world where the Sun at its tip let the Light penetrates. Each unknown hemisphere will be possible to slice with both edges of each Xiphos as interpenetrated bronze and iron until it dissolves in the light of the Spring Sun.

All the causes were weighted to a grandeur where the messages of recomposing all the patrimonial legacies that would be the influence that everything could decline in the grandeur of bloodcurdling screams from the temples, which remained in the dark because they did not know who to unbind from the co-responsibility of seven churches of the Hellenic Elegies; from Ephesus to Laodicea trying to remove from the jaws atrocious empires that sentenced policies with more than a thousand years without having any more than a macular century. Vernarth in the depth in which nothing bothers him incites his sensitivity with what reduces the pain in his compassion of the 1st century, which will never stop passing through the well-deserved waking time in all the streets of Greece in which all his traces are they shuddered in challenges that deserved to be from a great classroom that is oversized more than any possible Odeon to fill with spectators from a well-to-do society and satisfied as it seems today with a high price paid for an unworthy degree.

Also, his apocalyptic metaphysics flees by whole perverted societies, and not half due to points of tension of his overwhelming immorality, and defense of all nature that does not corrupt itself, perhaps from an echo locked up when converting from Laodicea to Ephesus as if he were to remake Vernarth's Inverted "V" as the initial contact point of these seven derivations of his decline. The barbarians are at the foot of the very door that enters rather by inertia, and decline from the extinction of the Sun to later redefine it through cycles from spring to winter as we will see that it will emerge with the Duoverse manifested, after trampling on the beast that feeds on of pain and ingenuity from which all our destinies are focused to be swallowed by the snout of a battalion of enemies that migrate from the beast, but they do not realize that this is how calls should be made to all the empires that leave to his abandoned combatants, left on burning pyres immune, punished by flames that will never consume him, who were dazed and with their temper will come out alive with bodies that do not belong to us, annoyed at not prospering because of this anti-divine ****, understanding that the harshness of our tears will not make us neutral or worthy of the joys of suffering together what belongs to us in a body already sacrificed, this is the Apocalypse of flourishing images that are directed in processes of slaughtering the lamb that I cannot and will not be able to identify with the apparent strength of knowing how to be forgiven or undermine the riches of a leadership that for long millennia hoarded riches and never delegated its feigned goodness to us where the grass grows and twists from its root, rethinking days to count and increasing the agony of counting the simulated strengths that never let us enjoy.

It must be understood that all the opposing forces merged with the numbered days of a new rebirth, with the cries of Vernarth from Hyperborea, the pre-tribulation from Erebus or Sheol, from the anguish of the pectoral or Lynothorax from which the days counted in the same distance of traveling in the Purgation or Katartirio of the total confinement of which could be mentioned shouting in the acoustics of the Valley where the last word will remain. We place ourselves in the extravagance of which the rays of luminance deliver us the entire body of credibility to reach the step of happiness that will flow from the first and inaugural vision that confirms the first of the first of the alchemy that has been positivist, even of what paradoxically resurrects not expecting to be who we expected it to be, but despair is cast down in an act in which Vernarth dares to let go of the Mashiach's hand, to go help his parents from being petrified by the Flint that It would be provided for the end of the world with the prompt assistance of St. Jerome of Estridon as it was for an act where the Dragon calmed down, and stopped moving its tail, perhaps from the Green Dragon of Slovenia or its offspring for spreading within the world expelling fire with scales, horns that could be trusted from the Ibex of Valdaine, the Dragon of the Stained Glass of the Cathedral of Avignon hitting with its tail the Portals of Saint George, stating that such time the Nibelung Ring Cycle with Siegfried or secular specimen of the Draconian descent of the Merovingians, of the very Greek Drakon that began to subjugate Patmos in the year 76 AD. C. in between and badly wounded between the rocks of the Wind Tunnel of Profitis Ilias or as the dragon could be welcome, and if it were Lohikäärme Finnish descent stopping Soviets on their borders of blood that roars fire from the deepest corner of their land. The Greek serpents were born in the seas for several miles around where there were no other species but them, because if they had they would have been devoured by the great Ha-Shatan with ten horns and seven heads, much of the literary inspiration of San John is in Greek, but it is more likely that he originally came through the Near East. In the embryonic Roman Empire, each military cohort had a particular identification Signum (military standard), after Trajan's Dacian wars in the east, the military standard of the Dacian dragon entered the legion with the Sarmatian and Dacian cohorts: a large fixed dragon at the end of a spear with large open jaws of silver and with the rest of the body formed of colored silk. With its jaws facing the wind, the silky body was inflated and undulating, resembling a windsock, the Dragon continues to travel along roads that are the marks of the chariots without any mercy to those who awaited them at their destination with legions throwing hot breath that only Saint Jerome of Stridon knew how to mitigate. This huge lizard will continue to lay siege to the evil that cannot contain it, just like the basilisk in the Raedus Codex to imbue the never-burning blades of fire from the Apocalypse of Saint John, by chance with the fiery semblance of a Wyvern in the dome of the cathedral of Saint Nicholas in Slovenia, swallowing his own fire. With a fateful language of birds that would codify Siegfried that the end of everything comes from the seas of Patmos with heated water.

That winged creatures will come copiously to quiet the world to the world of Miðgarðsormurinn perhaps in Jämtland, besieging the Soviets like a serpent more than winged in vigor that shakes the Celtic tree with its Birch and Beech in Solstice or a dragon that was not with wings glued with wax that crashed when falling before reaching Sicily as is the case of Daedalus and Icarus, or the Lindworm dragons that expelled fire from the Mörser 16 howitzers of the Second World War. All these wealthy treasures are fundamental pieces of all the paradigms that form the prelude to a History that has blinded us without giving rest to everything that surrounds us, not even lavishing Christian burial with evil eyes that are characteristic of the dragons that they spit fire from your back, stalking a Britannia Pendragon.

Much of the banners, heraldry, and heraldry bear this emblem of beings made up of male and female offspring to form as a family the antigen of Slavic Bulgarian humanity, as a dissident figure that was torn from the edges of the Apocalypse to protect the crops where probably Rains of gold would come for his crops if he were male, and female if it were a prophecy of bad deeds to denigrate the farmer's seeds. Strong-blooded dragon would be Zmiy, Ukrainian carrying a four-legged beast, and on each leg a Cornucopia for golden petals that are collected from other maidens who will never stop being lush, protecting the arteries that rain healthy blood from Ukrainian maidens like the Zmei. From Zsablas that carry the Polish Smok on their backs that will be reborn from this apology of the Dragon of the Apocalypse that freed them from the Katyn Forest, on the banks of the Vistula where Bogdan drank water with his Zsablas to go free the Heroes of Smolensk and each Polish officer who had a Dragon stamped on his forehead, and also on the Coat of Arms of the Cracovians in Piasts of Czersk, fleeing from the cellars of some Warsaw revolt.

The climbing of the Basilisks of the Profitis Ilías Wind Tunnel will reign throughout Hispania as a prophetic emanation from the mouth of San Juan in Asturias and Cantabria with the magnificent silhouettes of the mountains in the Dragon Saw, followed by gargoyles that come to life in the peaks as a young Hoplite who wears his Áspis Koilé polished to annoy the dragon, which is nothing more than the basilisk when he was tricked by the Raedus Codex by mistaking them for his own offspring, thus allowing those who went to the Investiture of the Himation. It will be the eponym of Sugar, a Basque masculine god, who is often associated with a serpent or a dragon, but can also take other forms. His name can be read as "male snake".

Marielle de Quentinnais shows us in Saint George and the Dragon in the era of the Antipopes in Avignon, of which Saints and Blesseds would fight with the powers of the Dragon as in this sub-sequence that was released from Forli, with great similarity to the Mercurial Ambrosia due to Saint Mercurial as the laurel of Christianity over the idolatry in which terrified people did not sleep because of the frightful tremors of Forli and Forlimpopoli. Possibly, Saint John, the Apostle helps them put the stoles around the cornered Dragon's neck. Every evil force that is not defeated is a postponement of that moment in which it will fall surrendered, as it was from the original of the Dragon Hunters like Saint John of Patmos styling in the acroteras, and ledges of the Megarón that points to the Aegean seas to see if some of them are coming regurgitating the intact body of Margarita de Antioquia, that burst from the black belly of the Dragon saying "Draco vivit in Homine, non in Legendis" "The dragon lives in Man, not in Legends"

Having established Draco Vernarth Apocalypsis liturgy "Apocalypse of the Liturgy of the Dragon of Vernarth" the message continued along the path of Hydor where precisely the defenseless doors will be protected towards the enthronement of Silence with the ardent hope of Salvation as evidenced by the Pauline message "Marana Tha” building the coming of the Eternal that with all its dimensions will transform the collapsed world, tearing the senses that can reach the trade that transforms the ritual that is entrenched in the genetics of eternity in the tail of the Dragons that have formed classes and subclasses of heraldry of the Black Templar Knights, who roam on the run, creating the confusion that the medieval feudal mysteries were the continuation of an antiquity even if hostilities did not exist unless the tails of the basilisk of Patmos are crossed with some science from Ephesus to Pergamon , with the providence of a god in extinction that s ea disobeyed by his troops, and is bloodily decimated by the suffered trances of evil from which the ill-fated Knight is transformed into his own Dragon bled and immolated.

The end is not made with a mere vision of a Draconian Liturgy, from the year 72 AD. the Roman legions of Palestine were uncrossing where voices were heard like an occupied face of land but free of religious authority, which in one way or another saw the contemplative passage of half kindness or benevolence of a Caesar that would later be followed by the chins of fire of the Dragon, always escorted by Vernarth who lived and heard everything succumbing to imperial systems that were attached to filings of Hebrews that burned on their backs, to corners not sharpened by Greek spears to corner the frequency of a detractor of symbols of the Apocalypse, that was embodied in Vernarth with sumptuous flint that adhered to the Áspis Koilé or smaller Peltas that became prosaic to arrows that adhered to the tin shaft to vindicate itself in the foliage, as a recurring expression of the apocalyptic mentality assumed by recognizing that the Apocalypse is lived inside, and nothing on the outside that corrodes more than its own entrails. Indeed, everything private and non-transferable exhorts us to the end of the melodrama from where we must share hearts for those who keep their manners, and make the opening of the Kassotides a tiny possibility of change after Vernarth realizes that he has the furthest possible the dung of the Human Dragon, creating a dominant culture that recovers what enables us to preserve in its own Identity, illuminated and reinforced by conviction.

Vernarth, a few steps from falling from the abyss, makes his prophecy to ask the sky, the Mashiach, and Spílaiaus to release the chains of Kairós, so that the genre of granting life revives the system of the flame of the omega point, which then is reversed in celestial spasm, strongly grasping the tail of the dragon that will transport him with three lightning bolts and trumpets with the seven trumpets that will leave them in Delphi according to the nature of the Cassiotis or Kassotides moat, as a praiseworthy insurrection of being reached by a metaphorical being in Daniel as an apocalypse that will indicate that rain of light and fire will flow from on high, but they will all be directed from Patmos to Delphi.

Vernarth joins the Maccabees to obstruct the Seleucids, as the two books of the Maccabees tell, who start a ****** guerrilla war against the oppressor, and the prophet Daniel chooses a totally alternative and non-violent path. This shows that the worst militia of an armed man is to break with the sovereignty of his oppressed soul, and then be batoned in literary artifice like books from the present to a past with leaders buried in the ruins of lost civilizations, as in the case of the Seleucids and Edomites in open bread on themselves by Mikaiyáh, Archangel Saint Michael. Behold Vernarth where each gloss of contracted episodes never disengaged from the muscular tail of the Dragon that evidenced his vision of St. John, in such expectation that it resolutely rose from the heights of the Iridescent Nimbus, subduing all empires in the tail of the Dragon. The dragon that shakes the resistance of the ungovernable walls, but not the law of the powerful who makes himself believe, but the muscle piece that is rooted in Tel Gomel, is nothing more than the Holy Scripture of the duality of Saint John the Apostle / Vernarth; both as a monosemic (uni-meaning) and univocal lexicon that penetrated with all the desire of the heart moving them together, to decipher after the year 96 AD, towards the unveiling of Sardis to Laodicea with the Iscaton that is subtracted from the Dragon's Tail.
Cauda Draconis
Lydia Morris Jan 2013
If I had any amount of money for every time I've been called beautiful I'd be rich in every way except for honesty. You think that beauty is measured by the eye?

We are taught to open our mouths to put on a coats of chemicals redder then any blood I've spilled and nastier then any skin tone already given.
And yet it's advertised as beautiful.
Like for some reason, we weren't in the first place.

So what you're saying is the way I tuck my hair behind my ear is tactful.
That all my knowledge of Harry Potter isn't ****. Well excuse my premature thoughts of the obvious ****** tension that Harry and Draco shared hidden between the lines of JK Rowlings novelty. My wonders of paint splattered jeans I put on display like calouges in a coffee shop, aren't they artful? Beauty is in the eye of the beholder.

I mean, the magazines of models so skinny you could pick cheese with them. And the women just given birth going on weight watchers. As if strong thighs and meat on your bones is something to be ashamed of.

Maybe influence is something we have no control over but do you mean to tell me I am beautiful because my thighs don't touch and you can see my collar bone?
Well I can say the same for a little girl in Haiti. She lost her life because there was no food left after the farmers took her families last handful of soil. But at least she was beautiful right?

I want you to stop telling me I'm pretty because my eyes are a certain way. I want you to stop telling him he is ugly because has scars left over on his skin. And instead look at our tactics at life. I'll look at yours for a minute.

Every time you correct is a way of showing you care enough about the little turtle to make sure he not only gets up but never has to fall again. And the way you spread your happiness like rays of sunshine with so much to give.

The silence is just another way of saying I love you. So wrap your me up in your arms and hold me like you never want to let me go. Like I'm the last girl you'll ever say you want to grow old with.

Maybe this time when you look me in the eyes instead of weight scales and eyeliner streaked tears you'll see a girl with a heart full of hope.

A girl with hand me down sweaters and books about pretty girls sheltered never having stepped out of their castle.

So when I ask you if I'm beautiful hold me and tell me all my little quirks that make me an individual.
Hermes Varini Oct 2022
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FEODALIS MEI ANNO MCLXXXVII SANGVINIS ALTI

ET FELIX HIC MAXIME VICTOR FVLMEN RECVRSV MEVS

SIVE MERIDIE HASTILVDII ALTO HAC CVM MEA HORA

IN TEMPLO SPATHA DICO VOS HOSTES MEIS ALBO

HVIVS EX FVLMINE HASTILVDII AC MEO HOC IN SPECVLO

FEODALEM SPATHAM CVM DESTRINGO MEAM HOSTIVM HIC SANGVINE RVBRAM

EX SPECVLO OCCVLTI FVLMINE MANIFESTATIO SIVE ΦAINEIN AC KPYΦIΩΣ OVERMAN

SIVE REMOTA AB OCCVLTIS ERVMPIT ILLE TONITRVS NATVRA AC TO ΦAΣΜΑ SVIS

FEODALE HIC FVLMINE AC HASTA MEA SCVTOQVE

SEPTEM CAPITIBVS APPAREAT DRACO

SIVE

FEODALIS O ΔE ΔΡAΚΩΝ APOCALYPSEOS RVBER

DE FEVDIS ALTE MEIS AC MEÆ HAC IGNEA CVM PROPHETIA TONITRVOQVE VLTIONIS

RVBRVM IN CERTAMINE RIVELATVR OVERMAN NOMINE SIGNVM

FEODALES ÆQVO CVM ADORIOR BELLATORES IN MEMORIA AC VVLNERIBVS

SPATHA SCVTOQVE IN OVERMAN SVPREMA ESSENTIA

FEVDORVM HOC IN TEMPORE HASTILVDII ALTO

STAT METALLICA MEA FVLMINIS PERSONA IGNEA CERTAMINIS ROSA

FEODALIBVS HIS SPATHIS INTRA PVGNÆ FORMAM AC CÆDIS

FEVDALEM SCVTO TO EIΔΩΛON POLITISSIMO CHALIBE CONSPICOR ILLEM RECVRRENTEM

VIDICEM ILLEM SIVE IMAGIMEM MEAM HOC IN HASTILVIDIO HIC METALLICAM

EX FEVDO MEO GRÆCO CVM NOMINE METALLICO AC MEA CVM HASTA

KEPAYNOΣ EI Ω OVERMAN

AΛHΘΩΣ TO ΠYP TΩN ΔE TITANΩN

KEPAYNOΣ EI Ω OVERMAN

O ΠYPΩ TA ONTA ΣYΣTHΣAMENOΣ

KEPAYNOΣ EI Ω OVERMAN

OY TO ΠYP TEΛEITAI IΔIAIΣ ΔYNAMEΣI

KEPAYNOΣ EI Ω OVERMAN

TO ΔE ΠΡΩΤΟΝ ΚΙΝΟYΝ THΣ IΣTOPIAΣ

KEPAYNOΣ EI Ω OVERMAN

O ΔE IΣXYPOTEPOΣ ΠAΣHΣ ΔYNAMEΩΣ

KEPAYNOΣ EI Ω OVERMAN

O KPEITTΩN TΩN ΔE KEPAYNΩN

KAI TΩN EΠAINΩN ΩΣAYTΩΣ

KEPAYNOΣ EI Ω OVERMAN

H HΛIΩ ΛΑΜΠΡA KAI ΦΑΕΙΝH AΣΠIΣ

QVIA

DE FEVDO AC SVB HOC TEMPORE SEPTIMO CVM WANDALIS NOMINE GENTIBVS

DESTRVCTIO OCCASVS EST OVERMAN FVLMINE

FEODALIS HOC IN SCVTO SIVE DVELLI SPECVLO MEI

ATQVE

FEODALIVM TERRARVM HIC NOMINE AC INTERCESSIO MEA EX FVLMINIS SIGNO RVBRIS

SVPREMVS INDE RECVRRENS POTENTIÆ INCREMENTO OVERMAN VINDEX

REX SIVE AΝΑΞ HOC IN HASTILVDIO GRÆCO CVM APOFTHEGMA MEO

FEODALI MEIS HIC FERRO AC HASTA VINDICTÆ

EX IGNEO MEO HASTILVDIO PLANETA MARTIS HIC NOMINE RVBRO

FEODALIS OVERMAN SIVE METALLICVS MEA HASTA SCVTOQVE IMAGO IN SPECVLO

VINDEX ILLE DEORVM HABET IN SE IGNEAM CVM FVLMINE NATVRAM SVPREMVS

QVA RE DENVO

FEODALE FVLMINE HAC TERRA IGNEA EX SOLE NIHILO SECVS FEODORVM METALLICO

SIC MEO DEFINITVR OVERMAN SPECVLO ILLE VINDEX QVI MAIOR EST QVAM SVBSTANTIA VIRI MAGNVS

FEVDI MEI IRA MAXIME NVNC ALTA ET SANGVINE MEO CÆRVLEO SEMPER

AC CASTELLO MEO CVM VEXILLA VENTIS RVBRA HIC HIEMIS

TALIS COMPOSITIONIS STAT SPECVLVM NOMINE QVALIS EX CHALIBE MEVS MIHI OVERMAN VINDEX

EX FEVDO QVA RE DEMVM MEO

FEODORVM FVLMINE MEORVM AC CASTELLI MEI RVBRA VEXILLA DENVO

FEODALE MEA CVM VOCE DENVO VOS MEIS SPATHA HOSTES IPSA

AC DE FEVDO HIC MALEDICTIONE VENTIS HOC TONITRVO MEI MAXIME ALTA

MAXIMA RATIO FVLMINE AC ACVMEN MVTATIONE MEVM

BERSERKR SVÁ GYLÐIR ÞAR MEÐR ATGANGA JAFN-SNIMMA

SIVE PLENILVNIO LVPVS

FEODALIS CVM SPECVLVM VINCIT SIVE CHALIBE POLITISSIMO DVELLI SCVTVM MEI

AC IGNEO SANGVINE CVM MEO HIC VVLNEREQVE FEODALE HOC DVELLO

PVRISSIMVS EST OVERMAN ALTO IN NATVRIS SVIVS FVLMINE AC RVBRO

FEVDA MEA CVM THOR DEVS SECVRE MALLEOQVE LAVDAT PROFVNDE ILLE FLAVVS

IMMIXTVS STAT ILLE NONNVLLIS ACCIDENTIBVS SINE ELEMENTALI MATERIA VLTOR SVPREMVS

FEODALIBVS VEXILLIS REGIS CVM PRODEVNT FVLMINIS OVERMAN NOMINE

STAT MAXIME FVLMINE CORPORALITER AC MAXIMA MEA CVM IGNEA NATVRA HOC SPECVLO PVGNÆ

FEODALIS MEVS CVM TRIVMPHVS EX IGNE AGIT PROFVNDO SANGVINIS MEI

AC NEC MIRERIS DE HOC HOSTES MEIS SPATHA RVBRA MEA VEXILLAQVE ET DRACONIS

MAGIS CERTE QVAM ALTERIVS HOC LOCO SANGVINIS ELEMENTI

FEODALIBVS EX MEO CASTELLO DENVO SANGVINE VOSTRO CVM TVRRIS TINCTO

QVA RE DENVO

FEODALE CVM VOCE EX CIVITATE VBI DRACONES SVNT ET SEPTEM TRIONES THVLE HIC NOMINE

FEODALIS NEMO ME HOC LOCO LACESSIT PROCVL IMPVNE SPATHA

AC FEODALIVM SECVRE SIVE FVLMINE TERRARVM SANGVINE TINCTARVM EX MEA VINDICTA VOSTRO

NVNC PRODIT DRACONIS MEVS A SEPTEMPTRIONE RVBRIS ORDO

FEVDIS MEIS CVM RVBER BELLI FVLMEN AC RECVRSVS DONABANT POTENTIÆ LAVDES

FEODALIS ERGO OVERMAN HABET IN SE FVLMINIS NATVRAM EX SPECVLO PVGNÆ

FEODALE RECVRSVS MEA FVLMINE ET VIRTVTE ALTA SIVE IRA

FEODALE HIC IN SPECVLO SIVE DVELLI SCVTO CHALIBE MEI FVLMINE POLITISSIMO EX FVLMINE

TΩ ΔE EIΔΩΛΩ ENTAYΘA

EX FEVDO MEO DENVO GRÆCO ET RVBRA HAC IN LAPIDE IGNE INSCRIPTA

FEODALE NECNON HIC ET NVNC SAPIENTIA CVM VOCE LAVDIS

INTRA HASTILVDII MEI ANTIQVO CVM NOBILI NOMINE FLAMMAS AC MEA CASTRA

NVNC PONO TALIS COMPOSITIONIS SPECVLVM FIERI ET FORMÆ POLITISSIMO FERRO MARTIS PLANETÆ

QVOD TOTA COMBVSTIBILIS FIAT IGNEA VNA LVX ITA QVOD FEODALE MODO

APPOSITVM CASTELLI VEL OPPIDI VEL CIVITATE ALIQVA SINE FINE OPPOSITVM COMBVRAT EVM

FEODALE MODO SIC OVERMAN DIXIT MIHI HOC DVELLI SPECVLO MEA SPATHAQVE

SIVE TO ΕIΔΩΛΟΝ PROFVNDE EX IGNE FLAMMAQVE ILLE MEVS

FEVDORVM MEORVM HAC DEMVM CVM VOCE FVLMINE GRÆCORVM MAXIME PROFVNDA

AEI H ΜHΝΙΣ ΤΩΝ ΔE ΘΕΩΝ O ΔE OVERMAN EΣTIN

THΣ ΔE ΠOΛEΩΣ TΩN IΕΡAΚΩΝ OY O ΤΙΜΩΡOΣ

AYΘIΣ KAI ΔE ΩΣTE IΕΡAΚΩΝ ΠOΛIΣ

FEVDA HIC PRODEVNT RVBRA EX VEXILLA MEA BELLI ALTAQVE VENTO MALEDICTIONIS MEÆ ALTO

IN QVO FEODORVM FVLMINE MEORVM

FEODALE SANGVNIS SIGNO MEI HOC IGNE DVELLI RVBRO

VIRTVTES CONVERTVNTVR ELEMENTORVM AD FINEM

QVI STAT OVERMAN NOMINE IN INCREMENTO SIVE EX FLAMMIS POTENTIÆ RECVRSV

FEVDI MEI SIVE CASTELLI LAPIDE MAGNA AC MVLTIS OBSIDIONIBVS RVBRA

SICVT ATRAHENDVM EST ADAMANTE FERRVM SICVT AD OVERMAN POTENTIA DENVO IN INCREMENTO

FEVDO AC SCVTO CHALIBE DENVO POLITISSIMO SIVE SPECVLO HAC IN PVGNA MEO

VBI OVERMAN REX MIHI APPAREAT SIVE IMAGO TOTALITER SVPREMVS MEA

STAT MAIORITAS IN OVERMAN EX FVLMINE ALTORIVM RESPECTV ETIVM MAGNA

FEVDORVM ALTA MEA CVM CONCORDIA VEXILLAQVE DENVM

FEODALE MEA HIC SPATHA CVM POLITISSIMO CHALIBE MEÆ PVGNÆ HIC SCVTO

AC FEODALIS CVM SEPTIMA QVOQVE MEA HORA APOCALYPSEOS RVBRÆ ALTA

IDCIRCO H OYΣIA SIVE ESSENTIA TONITRVO OVERMAN EST FVLMINE

EXTRAMVNDANVS VIR ILLE CAVSA QVÆ MAXIME ESSE DEDIT VNICVS

ILLE REX H OYΣIΩΣIΣ FVLMINE NOMINE MEO HOC IN HASTILVDIO

NECNON YΦIΣTAΣΘAI VINDEX ILLE IN HASTILVDII SPECVLO MEI METALLICVS

QVA RE

VT IAM EX FVLMINE VOCIS FEODALE DIXI

EST OVERMAN FVLMINIS SVBSTANTIA MEA A QVO ESSE OMNIVM PROFICISCITVR

FEODALE CVM VOCE NECNON ALTA VENTO MEA HIC VEXILLAQVE

ET SIT MEA TRANSMVTATIO AD OVERMAN POLITISSIMO CHALIBE SCVTO SIVE SPECVLO CÆRVLEA

FEODALE OCCVLTO PLANETA CHALIBE POLITISSIMO NECNON EX FVLMINE

QVIA FEVDALE MEO CVM SANGVINE INSVPER

FEVDORVM VLTIO AC VEXILLA CASTELLI SVPER TVRRES DRACONE MEI RVBRA

PVGNÆ PVLCRITVDO IGNE NOCTIS OBSCVRÆ

VBI PARTA MEÆ SPATHAE SVNT MAXIME MVNERA

FEVDVM CVM MEVM HOSTES NON OCCVPANT MEI ARMIS

FEODALIS IVSTITIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS PRVDENTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FORTITVDO SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS TEMPERANTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FIDES MAXIMA IN OVERMAN SIVE POTENTIA

AC EX FEVDO IGNEO MEO

FEODALIS SPES SIVE HAVD SPES

SED FEODALIS VOLVNTAS RVBRA POTENTIÆ

AD OVERMAN IGNE CVM ANTIQVO SEMPER DIRECTA

AC EX FEVDO IGNEO MEO

FEODALIS PRINCIPIVM IN FVLMINE OVERMAN NOMINE EX CHALYBE

AC EX FEVDO IGNEO MEO

FEODALIS FINIS SIVE FEODORVM VINDICTA RVBRORVM

AC FVLMINE DEMVM EX MEO FEVDO IGNEA MEA SPATHAQVE

FEODALE MEO EQVO MAXIME ARMATO CVM HASTA BAIART NOMINE ALBOQVE

STAT OVERMAN PROFVNDE

COMPOSITVS ILLE RVBRO AC TERRÆ FVLMINE SIVE VINDEX IMMORTALIS ET REX

DE FEVDO METALLICA EX ANIMA CORPOREQVE HOC PVGNÆ SPECVLO SIVE SCVTO

FEVDI MAXIMA EX VLTIONE ET GOTHORVM ET QVADORVM ET LANGOBARDORVM MEI

DICVNTVR HIC OVERMAN ET VALIDVS VIR SANGVINE

A MATERIA AC MAGNITVDINE SEPARATI POTENTIÆ

ET DVPLEX SIT NVNC IMAGO OVERMAN NOMINE MEA RVBRO IGNEQVE

FEODALE HIC ETIAM GRÆCA CVM VOCE AD SIDERA FVLMINE DIRECTA

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ

ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ

KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN

AΔEΩΣ O ΔE OVERMAN AΝΑΞ

ET FEVDVM RESVRGIT NVNC MEVM HOC SANGVINIS LOCO MIHI VNICVM SPATHA

QVOAD

MAGNA CVM IRA EX FEVDIS DE MONTSEGVR MEIS CATHARORVM HIC NOMINE

FEODALE MEO IN HASTILVDIO ET PROFVNDE PRÆTERA

STAT FINIS ID FVLIMINE CERTEQVE

IN QVO EX OVERMAN

FODALEM AD NOCTEM REGE ILLE VINDICE MEO HOC IN SPECVLO

ET CVM SOLE FEVDI MEI AC MEA HIC CAREVLEA CVM DVELLI HASTA

PRINCIPIVM MAGNVM FVLMINE FEODALE CVM DENVO NOMINE

MAXIME NON QVIESCIT

POTENTIÆ MEO HIC ET NVNC RECVRSV IN FEODALE ATQVE VNIVERSALE

AC FEODALIS MAIORITAS SIVE POTENTIÆ VOLVNTAS ATQVE RECVRSVS AD OVERMAN FVLMINE

EX FEODO MEO MVLTIS CVM OBSIDIONIBVS NOCTIS FVLMINE MEÆ RVBRO

NON POSSIT QVOVIS MODO SINE OVERMAN EXISTERE SVBSTANTIA

FEVDALE HOC IN LOCO AC HAC SAXOSA IN INSCRIPTIONE ITERVM

NVNC AD SIDERA ALTA CVM FLAMMA AC TONITRVO MEA IPSA VOX

MANABAT CHALIBIS PLANETA MEVS OCCVLTAM POTENTIAM ILLIC OCCVLTVS

FEODALIS ATQVE DENVO FVLMINIS GRÆCORVM VOCE IPSIVS

AC RVBRO MAXIME HOC METALLICO MEO IN HASTILVDIO

ΩΣ EΦHN EΓENETO OYN

OΛΩΣ ΔIA THN ΔE EMHN ΜΟΝΟΜΑΧIAN

EΞ TOY ΔE KEPAYNOY EΚΕI ΚAΤΩ EN CKYΘIAI

TO ΔE ΣYΜΒΟΛΟΝ THΣ EMHΣ TIMΩPIAΣ
ΔIA THEΣ BAPEIAΣ ΦΩΝHΣ TOY ΔE ΠYPOΣ
ΔEYPO EMH ΦΩΝH O ΔE OVERMAN AΝAΞ EΣTIN
EN TΩ ΔE KYANEΩ BAΘEI Ω HΔIΣTH ΔYNAMIΣ

FEVDI MEI HIC CONCORDIA AC DENVO HOC IN HASTILVDIO

FVLMINE ΔIA TO EIΔΩΛON AVT OVERMAN AVT NIHIL PVGNÆ ALTVM

FEODALE DVELLI CÆRVLEO IN SCVTO CHALIBE POLITISSIMO SIVE SPECVLO SANGVINE MEO

QVA RE CVM FEODALE MEA IRA DEMVM

FEODALIS OVERMAN NVNC PRODIT HASTILVDII EX FVLMINE MEI CVM IGNEA ROSA

MEA DEINDE CVM SECVRE HIC INCISA INSCRIPTIONE LAPIDE GERMANICA DVELLI

NU DÆGEHWELC SWĀ HÆÐA BEÐEÞ BRYNEWELMUM,

QVA RE

FEODALE CVM ARGENTEO DE AQVINO CALICE AMARIORE SVPRA FLAMMAS REGIONIS

VBI RICARDVS IPSE DVX AC GAVCERAN DVRTZ HOC IN FEODALE TEMPORE MEO SIMVL

OBSCVRAS EX IGNE FEODALES DONAVERANT FALCONIS MIHI VEXILLAS

QVA RE DE FEVDO MEO

ET SANGVINE SIVE SEPTEM CAPITIBVS NECTAR DRACONI

FEODALE RVBRÆ EX IGNE DENVO NOMINE APOCALYPSEOS ARMIS CONCORDIAQVE

FEVDORVM CVM ALTA DENVO ARMA TERGO HIC MEORVM

FEVDA CVM SANGVINE PROFVNDE VBI LVCENT HAC DEMVM TERRA IGNEO MEA

H ΔE EMH ΚΥΛΙΞ ΔIA THN EΠIΦANEIAN

KAI ΔE KAI ΦΩNH AΛHΘΩΣ

G. R. A. I. L.

SIVE FEODALE FVLMINE AC FEVDIS CVM MEIS CÆRVLEO

GRATE REX AQVITANIÆ IGNE LIBER

SIVE

EX FEVDO CVM FOEDERE SACRALIS IGNIS MEO

FEODALE IN POTENTÆ RECVRSCV SIVE FVLMINE ANVLO

MEO IN SPECVLO SANGVINE CHALIBE POLITISSIMO SIVE SCVTO ET FEVDI

AC DENVO FEODALE CVM ANAGRAMMATE HIC EX IGNE ALTO

V. X. D.

SIVE EX FEVDO MEO

FEODALIVM ET SANGVINE PROFVNDE HOSTIVM TINCTO MEORVM

VINDEX XYSTO DÆMON

SIVE EX FEVDO MEO AC EX FLAMMAS FEVDI ALTAS MEI CVM IGNE ALTO RVBRAS

AC FEODALE ALTA SANGVINE CVM VOCE ET GRÆCORVM

O ΔE OVERMAN

TO EMON ΔAIMΩN AEI

FVLMINE AC SPECVLO SIVE TΩ EIΔΩΛΩ

SIVE EX FEVDO DENVM MEO

ET FEODALE CVM VOCE HIC GERMANICA

AB MEO EX FVLMINE FEVDO PROXIMA MAXIME

ŌFER-MANNES GECWED

QVIA

FEVDORVM CVM DENVO MEORVM IRA

REDDE MIHI POTENTIAM SPATHA OVERMAN NOMINE AC RENOVATIONEM SANGVINIS FVLMINE

FEODALIS VBI VOX IPSA SCVTO RESVRGIT ALTA IMPERIALIS AQVILÆ FVLMINE EX THVLE

FEVDO INSVPER MEO VEXILLA GERMANICO CVM PRODEVNT SAXONES QVADIQVE GENTES

FEODALE DENVM MEA VENTIS VOX A SEPTENTRIONE ATQVE EX FEVDO MEO ALTA

HWÆR NIHTES SWĀ WITODLIC ANDSWARODE WRÆCEND-WILDĒOR!

ÞÆR SĊĒAWERE WÆS HĒAH-EALD BEALDE SWĀ MĪN DREOR,

HWÆR ON WANRE NIHT ÁSCÍNEÞ SWĀ ŌFER-MANNES GÚÐWÉRIG HLĒOR!

ÞÆR UNDER HERE-GRĪMAN SWĀ ANDSWARODE NORÐAN-HREÓH,

HWÆR DÆGSCIELDE ÆÐELCUND ŌFER-MANN OFERCYMÞ, SWĀ ĪSERN-FEORH!

ÞÆR HEAÐUFÝRUM GIET BÆLÞRACUM ÆRNDE SWĀ MĪN RĒOD-EOH,

HWÆR BORDHREÓÐAN SWĀ NU MĪN LĪĠETU-WRECEND, SWIÞE SWĀ IC DRĒOH!

ÞÆR CWEALMCUMUM FÝRDRACUM ÆTĪEWDE SWĀ WUNDOR-BLĒOH,

HWÆR SWĀ SE ŌFER-MANNES RĒOD LĪEĠDRACA GIET ĀSÆĠDE ON HŌH!

EIΔΩΛΩ OVERMAN.
Set in A.D. 1187, and propounded in monumental characters, as engraved in the rock, this epic of mine in Classical Latin, Ancient Greek, Anglo-Saxon and Old Norse tells of a superhuman clash between two knights who are in fact the same person. The alliteration focuses on the roots "FEODAL-" and "FEVD-" indicating "feudal" and "feud", as repeated with different declensions. From one single mirror battle action, chief philosophical notions of mine thus surface, all centered on my notion of Overman, alongside various historical and metaphysical symbols, as the Grail itself (“G. R. A. I. L.”, as an anagram, with an added meaning). The title EIΔΩΛΩ OVERMAN reads "The Overman through the Image" ("EIΔΩΛΩ" instrumental dative of the neuter "TO EIΔΩΛON", "image", also "phantom", "spectre" and "wraith", depending on textual circumstances). My own Return of Power event is mentioned ("MVTATIO SIVE REVOLVTIO SIVE POTENTIÆ INCREMENTVM AD INFINITVM IGNEVM"). An influence can be noticed from the song of Bertran De Born († 1140-1215 ca.) "Bem Platz lo Gais Temps de Pascor".

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ
ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ
KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN
AΔEΩΣ O ΔE OVERMAN AΝΑΞ

reads:

My own Image and my Demeanour,
Here, with the Dagger,
Through the Mirror, and the Thunderbolt of the Gods,
Boldly the Overman, the Ruler (“AΝΑΞ”, also “King”, Latin “DVX”).

while

NEMO VIR EST VIR NOMINE HOC ALTO
DONEC SPATHA SCVTOQVE CEPERIT AC PERCVSSERIT MVLTA

SIC RVBRO OVERMAN DIXIT MIHI SIVE TO EMON EIΔΩΛON FVLMINE

FEODALE CHALIBE HIC IN SPECVLO ET IGNEO HOC CVM SIGILLO

No Man ("VIR", also “Hero”) is a Man with a High Name called (worthy of this Name)
Until with the Sword and the Shield has received and given many Blows,
This, through the Red Thunderbolt, the Overman, as my own Wraith (Image), has told me
Here, into the Feudal Mirror of Steel, and with this Seal of Fire.
c Apr 2018
Ask me what kind of **** I am into
And I will take you on a magical journey
To fanfiction dot com backslash Harry Potter backslash NC17

What turns me on is Ginny Weasely in the restricted section
With her skirt hiked up;
Sirius Black in a secret passage way,
Solemnly swearing that he is up to no good;
And Draco Malfoy in the room of requirement slithering in to my Chamber of Secrets;
I am an unapologetic consumer of all things Potterotica,

And the sexiest part
Is not the way Cho Chang rides that broomstick
Or the sounds of Myrtle moaning,
The sexiest part is knowing
That they are part of a bigger story;

That they exist beyond eight minutes in ***** ***** *******,
That their kegels are not the strongest thing about them,
And still I am told
That my **** is ‘unrealistic’.

Not quite as ****** as flashing ads saying 'just turned 18’
So you can fantasize about ******* the youngest girl you won’t go to jail for.
I’m told that my **** isn’t quite as lifelike
As a room full of lesbians begging for ****,
Told that this is what is supposed to turn me on.

Don’t you give me raw meat
And tell me it is nourishment,
I know a slaughterhouse when I see one.

It looks like 24/7 live streaming
Reminding me that men are going to **** me whether I like it or not,
That there is one use for my mouth and it is not speaking,
That a man is at his most powerful when he’s got a woman by the hair.

The first time a man I loved held me by the wrists
And called me a *****
I did not think 'run’,
I thought 'this is just like the movies’

I know a slaughterhouse when I see one.
It looks like websites and seminars teaching you how to **** more *******,
Looks like fifteen-year-old boys bullied for being virgins,
It looks like the man who did not flinch
When I said stop and he heard 'try harder’.

If you play-act at butchery long enough
You grow used to the sounds of screaming,
It is just a side effect of industry;
Everything gets cut into small, marketable pieces.
I will not practice ****** hands
I will not make believe dissected women,

My *** cannot be packaged
My *** is magic
It is part of a bigger story
I am whole
I exist when you are not ******* me
And I will not be cut into pieces any more.
I love throwing out my fave poems here!

Brenna Twohy is a poet and performer from Portland, Oregon. She is a two-time Portland City Slam Champion and was the 2014 representative to the Individual World Poetry Slam. (taken from her Google page). She is a part of Button Poetry collective as well. Check out this poem and more on YouTube (just type in the poem title). It is muuuch more riveting of a write when she speaks it,
Amna Khan Apr 2020
Under the serene starry sky
lay a  hushed beating heart
In a field as far as the horizon offered
always allured by God's majestic art

Two glistening eyes on Draco fixated
Orion seemed the epitome of delight
Deciphering the secrets the cosmos held
in awe of the gloom broken by celestial light

Almost as if the stars were reaching out too
cradling the little one in their truths
unraveling their mysteries to the heart of the wild
in their lullaby, ease and soothe

The galaxies above used their magic to fill
the obscure heart with emotions aplenty
and all that chained it to the insipid earth
were mundane realities and gravity
Constructive criticism is welcome.
Jordan Ang Aug 2016
One red leather seat
Eighty-seven red leather seats
Golden sheen of the mace
Black over their shoulders

White cloth banded over sight
Upright hand of upright spirit
A golden scale in one
The glimmering blade in another

Words carved on the starch
Under the flag, written
These that bond us
Restrict us, Set us, Show us

Yet when the path astray is led
The cries of
The rightful the just
Go mum and mute and silent and hushed

The red leather seats
In present turn into thrones of
Knives and fire
As Draco watches on, envious

In books, in schools
We preach, often
Events we fear we repeat
Words we fear we echo

But unbeknownst we do
Betwixt our hurried steps and
False grips on reality
We again allow its passage

First they came for
And I did not speak out
Because I was not
And there was no one left to speak for
In light of the passage of the Administration of Justice (Protection) Bill, August 15 2016.
Xan Abyss Nov 2017
He is the one who rules through flame
Wild in spirit and mind untamed
From the savage lands he came
To liberate and break our chains
Warrior of the Storm
Commander of the Dragon Force
Ambassador of War
Horror story with a magic sword

See him rise on wings of death above the fire
See him soar on winds of gore above the battlefield and higher
Hear the roar of his Wyvern
Towards the war they're flying
A nightmare which strikes fear
In the hearts of all mankind

Fly, Dragon Rider
The King of Time, the God of Light
He forged an entire
Empire in the Shadows of the Night

She is the one, a rose in the blaze
Hailing from a place that nobody knows by name
In Magia Draco Ignis
She would claim her fame
Savior of the lost and hopeless
Slave Emancipator

She's a sight to behold as she fights in the cold
A blur of beauty and violence as she upholds the knight's code
Hear the singing of the stinger as it spears the winds of winter
A vision nigh-invincible
Dominates the hate below

Fly, Dragon Rider
The Queen Divine, Goddess of Might
Like flies to a Spider
The wicked tyrants fall before her eyes

And when they are joined together
They'll conquer the realms of Earth and Heaven
And worlds beyond perception
A Neogalactic Inception
A Universe Resurrected
Where the Drakon hold Dominion
They will keep us in line as they once did
And that will be just the beginning
Mateuš Conrad May 2016
when i was in St. Petersburg i must have picked up a Rasputin virus, a Siberian gnat bite... **** you not; the only misery i have is that my counterfeiting assailants were, at best, middle class, and not aristocratic.

no, honestly, after reading the *style
magazine
with all its smooch bravado of resentment and care...
i hash-tagged myself: yep it's trending...
i've just about finished a 70cl bottle of whiskey *******
around with Dylan Thomas and St. George... draco ex cymru.
but still it hits me, encoding sounds was never so hard...
those clouds of sunset look so much better
and multi-coloured when they do with sunglasses... i don't
know what's in these sunglasses but i'm picking out pinks
and purples... which i can't make out without
the sunglasses... an L.S.D. trip or what?
i wrote this faster than you'll read it, given the skim- aspect
of literature, immediate journalistic recycling...
they still love Shakespeare, don't know why,
don't ask me why, it's an affair of the english
education system... well... ploy...
conspiracies are welcome posthumously
and adequate intellectual material....
was it Marlowe or John Dee the Elizabethan era
double O 7 alchemist to blame? never seen oxygen
paired up like that! must be a crucifix miracle!
desecrate christ subsequently desecrate all
remnants of royal authority, **** into the crown
of the governor of Liechtenstein: what?
i need the loo! the idea of you teaching me manners
is like you teaching me Hadrian's is synonymous
with qin **** Huang's rattle; rattle meaning
the broken spines of the bricklayers who levelled
the ground around them with cement...
and still the Mongol horde came!
Scots looked at Hadrian's accomplishment and laughed
drunk with a lullaby. the Mongols stretched their
tongues saying: if Europe and Iraq to be ours,
we have to climb that, no arrow will crumble it
even if shot at the cracks! i love walls, esp. if they're
like Malbork castle of red brick... once owned by
Teutonic knights... i end up playing abstract chess with
their brickwork, a strange arithmetic...
girlfriend? what for? have you heard of the aces movement?
zan Jan 2017
At that night, you told me that every stars has it's own meaning and your favorite was draco—the the dragon. I asked you why and you told me it resembles your old self—a destructive one.

"i'm not capable of making you happy" he said.

i'm not the missing star of your constellation,
i'm not the sunshine to your morning
i'm not your cravings of satisfaction
i'm not the one who's gonna wait for you while you're walking to that aisle that you and i have dreamt,
i'm not the one who's capable of wiping your tears when you are sad.

but i know one thing for sure—he gasped for air, trying to bring back himself from crying.
i know that i can love you till the end, i may or cannot do all of this, but as long as you're here it's alright.
V Aug 2020
Constellations

A roadmap of our galaxy,
Intricately placed to create the Orion belt
introduces  the --
Taurus and Draco.

Discovered: given
Names and epithets that act as
bandages of history and hope;
pillars of the past, broken and shattered;
not only good memories do the constellations hold.

A roadmap millenniums aged
and still cryptic, enigmatic.
There for the fall of the Roman Empire:
A witness of the fallen bodies and cracked glass
human hearts of Auschwitz.

Constellations: surrounded by onyx, stars doctoring the constellations,
creating stories -- undiscovered and renewed.

A galaxy of muted midnights, murky blues,
darkened purples, vibrancy and life present one day,
muted and cloaked in obsidian
The next.
Joel M Frye Apr 2015
Some day
I'll flirt with Andromeda
staying just beyond
the length of her chains
take a hard right
at Orion's belt
insinuate myself
around Draco's tail
and join my clan
of Ursans
who no longer
point northward
on my passage
through
to my next edition.
officially Day Two of NaPoWriMo.

— The End —