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"dozing" poems
That workaholic lady who's always on call, keeping up with the market fall. That newly married lady with chunky red bangles, returning to her father's big castles. That person who's scared to get lapse, so stays active on the google maps. That person who swings like a kid at the back door, Or the one who perform calisthenics on an empty floor. That next door girl with a red lipstick, flicking her shinny hair & gossiping with her clique, That dreamer gazing outside the window, That overworked soul dozing on his elbow. That 21st century kid, listening to Eminem & playing video games. Or That 90’s kid, listening to Jenga Boys & playing outdoor games. That banker with a big fat stomach, filled with his beautiful wife’s love. That lady who eats like a thief, in her big fat bag hiding a beef. That old man who can’t stand Bombay's winding turns. That granny spotting & criticing  every fashion trends. That man who has Raju Rastogi’s concerns, thinking & chanting for earns & returns. Those kids who believe their job is to fill the voids in a battlefield, in the still crowd surpassing like electrons into a magnetic field. That lady sitting under cold seat like a glacial, than standing with 7kgs in a crowded central, & tryna stay sane listening to George Michael. That geek who switchs from Linkedin to Arjun Reddy, when the masses flee into the scenery. That trader crunching numbers so rapidly, when the stock prices go down hourly. That person on the last seat, diagressing from work & gazing around, soaking in her pashmina, with a career newfound.
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Jul 23, 2018
Jul 23, 2018 at 1:35 AM UTC
Your's truly, Travelogue.
That workaholic lady who's always on call, keeping up with the market fall. That newly married lady with chunky red bangles, returning to her father's big castles. That person who's scared to get lapse, so stays active on the google maps. That person who swings like a kid at the back door, Or the one who perform calisthenics on an empty floor. That next door girl with a red lipstick, flicking her shinny hair & gossiping with her clique, That dreamer gazing outside the window, That overworked soul dozing on his elbow. That 21st century kid, listening to Eminem & playing video games. Or That 90’s kid, listening to Jenga Boys & playing outdoor games. That banker with a big fat stomach, filled with his beautiful wife’s love. That lady who eats like a thief, in her big fat bag hiding a beef. That old man who can’t stand Bombay's winding turns. That granny spotting & criticing  every fashion trends. That man who has Raju Rastogi’s concerns, thinking & chanting for earns & returns. Those kids who believe their job is to fill the voids in a battlefield, in the still crowd surpassing like electrons into a magnetic field. That lady sitting under cold seat like a glacial, than standing with 7kgs in a crowded central, & tryna stay sane listening to George Michael. That geek who switchs from Linkedin to Arjun Reddy, when the masses flee into the scenery. That trader crunching numbers so rapidly, when the stock prices go down hourly. That person on the last seat, diagressing from work & gazing around, soaking in her pashmina, with a career newfound.
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36
Having observed others and containing the self consciousness of a noticer (do other people look at me the way I look at them?) she would dress in old borrowed clothing that smelled like other peoples’ laundry and leather because secretly she wanted to wear the other people try them on and she had this wrinkle between each brow that made her look just sort of worried no matter how she tried to press and smooth that wrinkle down with her thumb and in very private moments she’d stare at her features in the mirror with a sort of curiosity because she’d been told by leering men that she was beautiful but sometimes she saw only features: Nose eyes mouth all in pretty good proportion sure but she supposed the thing that held her curiosity was not her face itself but rather the disconnect between the face and the universe of thought behind it and all this she’d marveled at a very young age as ma would see her staring at herself in front of the bathroom mirror or in store windows and tell her not to be so vain kid to hurry along And so she feared writing about her own vulnerable beauty for fear that she might be both of those things—vulnerable and beautiful. Instead she would take an hour long train ride, fake-dozing so as not to be ticketed, walk anonymous between busy persons until she reached a place that satisfied her Washington Square park, perhaps, or some small playground on the lower east side, or down by water or the hip corner shops in Brooklyn. And there, in strangers, she would find her vulnerable beauty, and there with the aid of a pen they became her and she became them.
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Feb 18, 2017
Feb 18, 2017 at 3:11 PM UTC
Becoming
Having observed others and containing the self consciousness of a noticer (do other people look at me the way I look at them?) she would dress in old borrowed clothing that smelled like other peoples’ laundry and leather because secretly she wanted to wear the other people try them on and she had this wrinkle between each brow that made her look just sort of worried no matter how she tried to press and smooth that wrinkle down with her thumb and in very private moments she’d stare at her features in the mirror with a sort of curiosity because she’d been told by leering men that she was beautiful but sometimes she saw only features: Nose eyes mouth all in pretty good proportion sure but she supposed the thing that held her curiosity was not her face itself but rather the disconnect between the face and the universe of thought behind it and all this she’d marveled at a very young age as ma would see her staring at herself in front of the bathroom mirror or in store windows and tell her not to be so vain kid to hurry along And so she feared writing about her own vulnerable beauty for fear that she might be both of those things—vulnerable and beautiful. Instead she would take an hour long train ride, fake-dozing so as not to be ticketed, walk anonymous between busy persons until she reached a place that satisfied her Washington Square park, perhaps, or some small playground on the lower east side, or down by water or the hip corner shops in Brooklyn. And there, in strangers, she would find her vulnerable beauty, and there with the aid of a pen they became her and she became them.
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2
"And in a funny way, the shaving of my, uh, head has been a liberation from, uh, a lot of, uh, stupid vanities really. Uh, it has simplified everything for me, it has opened a lot of doors maybe." - Stephen Malkmus, Jo Jo's Jacket the first layer of skin i shed was the bra rid of the foreign metal sculptor producing a deep rift between skin my third eye, swallowing gazes rid of my **** , my ***** , my rack replaced with sacks of fat and nerve and milk ducts hanging, existing, for no one else not even myself the second layer of skin was the painting of the face the concealing and erasing of imperfections, the lines of laughter of sorrow of life redirecting attention and importance to the bow and symmetry of the lip no longer did i have to put myself on in the morning i woke up as i was, as i needed to be, bare and uninhibited my skin now breathed, and for no one else not even myself and then i grew another layer of skin, made of dank tangles to protect my age, i stopped shaving the years i'd walked this earth, shedding my womanhood the skin grew to my armpits, little tufts of sweaty, odorous mother nature dozing in a fleshy convex nest and to my legs, were the tangles wrapped around my ankles preventing the spreading of the legs for every life for not every life wanted what was not tame and what was not tame no longer wanted to be. my body did not conform, for it was not brought into this world to be consumed for the pleasure of others it exists for no one else, not even myself and as i was engulfed in this hairy wonder of my own body i shed the last layer, the shaving of the head my brain, my being breathed porous and exposed vulnerable to weather and whispers but i was all at once naked and calm, having finally peeled away the layers of ***** over-sexualization and constrained femininity that had molded this meat sack that serves me, a bundle of circuitry and solution balancing and bobbing on the neck for i exist for no one else, only myself
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Aug 17, 2018
Aug 17, 2018 at 10:48 AM UTC
Mae Mae's Jacket
"And in a funny way, the shaving of my, uh, head has been a liberation from, uh, a lot of, uh, stupid vanities really. Uh, it has simplified everything for me, it has opened a lot of doors maybe." - Stephen Malkmus, Jo Jo's Jacket the first layer of skin i shed was the bra rid of the foreign metal sculptor producing a deep rift between skin my third eye, swallowing gazes rid of my **** , my ***** , my rack replaced with sacks of fat and nerve and milk ducts hanging, existing, for no one else not even myself the second layer of skin was the painting of the face the concealing and erasing of imperfections, the lines of laughter of sorrow of life redirecting attention and importance to the bow and symmetry of the lip no longer did i have to put myself on in the morning i woke up as i was, as i needed to be, bare and uninhibited my skin now breathed, and for no one else not even myself and then i grew another layer of skin, made of dank tangles to protect my age, i stopped shaving the years i'd walked this earth, shedding my womanhood the skin grew to my armpits, little tufts of sweaty, odorous mother nature dozing in a fleshy convex nest and to my legs, were the tangles wrapped around my ankles preventing the spreading of the legs for every life for not every life wanted what was not tame and what was not tame no longer wanted to be. my body did not conform, for it was not brought into this world to be consumed for the pleasure of others it exists for no one else, not even myself and as i was engulfed in this hairy wonder of my own body i shed the last layer, the shaving of the head my brain, my being breathed porous and exposed vulnerable to weather and whispers but i was all at once naked and calm, having finally peeled away the layers of ***** over-sexualization and constrained femininity that had molded this meat sack that serves me, a bundle of circuitry and solution balancing and bobbing on the neck for i exist for no one else, only myself
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40
She gazed out long and far, Past half closed curtains   And dozing, docile cars. Witness to a world double glazed Dampened by a passing rain. Sound drowned still by fragile, Stained glass pane. Skies lay grey, like every other day, Shrubs shrug and trees sadly sway. She feels for the trees, (And to an extent the shrub) They're not so different from you or I. We all plant roots, grow, love? Thoughts disturbed by a startled dove, Flew the coup, done, had enough, Rose as Icarus toward the sun. Basked in light of new found freedom. Never heard the hunters gun.
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Jan 30, 2016
Jan 30, 2016 at 6:30 PM UTC
Half Closed Curtains
Breeze bellows, leaves echo in quivering psithurism, dithering like unbroken smoke, this approaching omen goads. Dozing crows slumbering in rows, droves of locusts' silenced drone, almost comatose in repose; nighttime overtones choir of toads' raspy croaks answered by alto of crickets' orchestral strokes. Gust encroaches; robed boughs cloven open, bring into scope and focus me juxtaposed, suspended apropos. Although motionless and petrified in stone, provoked by zephyr coaxing to and fro; swaying pendulous and no longer frozen, locus gently thrown. Death rattle moan evoked from throat, reflex can't say no to rigor rigidly posed, final sigh in silence, awoken vocal, expelled and disposed. Smote by morose emotion, gun loaded then exploded by neurosis, now bloated necrosis decomposes into gross ochre. This trophy and this ode both an opus to my inability to cope; romanced i proposed, eloped and betrothed to my own inappropriate composure. Pocket full of posies plucked when luck bestowed and tears in a cup, a toast; crying copiously, tempest runneth overflowed, eyes swollen and soaked. Dipped my toes in the coast of this ocean's amorphous folds, gripped by undertow holding control of my soul; swiftly shipwrecked in shallow shoal, an old atoll. On sandy floor, water burrows roads; digging, carving, roams through unmarrowed silica and sandstone eroding into a cove. A host for opal geode trove, enclosing a technicolor rose, from the depths a glowing mosaic shone Unopened lotus floats on foam of lapping waves, a boat; prone to no grandiose notion or motive, adrift as wind stokes. I suppose this only shows the total corrosion into which I dove, the only foes to oppose are those of burdens, so only weightless can I atone- I must let go.
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Mar 11, 2024
Mar 11, 2024 at 11:02 AM UTC
Note to Self (Part 2)
Breeze bellows, leaves echo in quivering psithurism, dithering like unbroken smoke, this approaching omen goads. Dozing crows slumbering in rows, droves of locusts' silenced drone, almost comatose in repose; nighttime overtones choir of toads' raspy croaks answered by alto of crickets' orchestral strokes. Gust encroaches; robed boughs cloven open, bring into scope and focus me juxtaposed, suspended apropos. Although motionless and petrified in stone, provoked by zephyr coaxing to and fro; swaying pendulous and no longer frozen, locus gently thrown. Death rattle moan evoked from throat, reflex can't say no to rigor rigidly posed, final sigh in silence, awoken vocal, expelled and disposed. Smote by morose emotion, gun loaded then exploded by neurosis, now bloated necrosis decomposes into gross ochre. This trophy and this ode both an opus to my inability to cope; romanced i proposed, eloped and betrothed to my own inappropriate composure. Pocket full of posies plucked when luck bestowed and tears in a cup, a toast; crying copiously, tempest runneth overflowed, eyes swollen and soaked. Dipped my toes in the coast of this ocean's amorphous folds, gripped by undertow holding control of my soul; swiftly shipwrecked in shallow shoal, an old atoll. On sandy floor, water burrows roads; digging, carving, roams through unmarrowed silica and sandstone eroding into a cove. A host for opal geode trove, enclosing a technicolor rose, from the depths a glowing mosaic shone Unopened lotus floats on foam of lapping waves, a boat; prone to no grandiose notion or motive, adrift as wind stokes. I suppose this only shows the total corrosion into which I dove, the only foes to oppose are those of burdens, so only weightless can I atone- I must let go.
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95
Halfway between Malta and Saco, Highway 2 stops a minute To look back... Beside the road A little shrine waits The traveler: A stone, naturally shaped To form a sleeping buffalo, But etched with lines to emphasize The dozing buff's back and sides And drowsing head. Nearby, a 1920s entrepreneur Saw money to be made... Set up a happenstance hotel Beside the hot and sulf'rus spring, And "Sleeping Buffalo" was born To "heal" and to amuse Odd tourists in their wandering. Not much has changed... The old buff sleeps, But now inside a little pen To keep the tourist vandals Safely from his way. The old resort is open still... Same rusty pipes and yellowed walls And rusty water Warm enough to stain Unlucky bathing suits. (The smell's enough to force The bather to the bath as medicine....) On my way to other places I have stopped along the road To meditate beside the old stone bull... I understand, a little, Now that I am growing old, Tobacco offerings left Beside the sleeping stone. Though not a Pagan, I can feel the distant Ways Before our Western ways Made tourists of us all.
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Dec 18, 2011
Dec 18, 2011 at 10:43 AM UTC
Sleeping Buffalo
Sage & sweet grass Hand made quilt Steeped Chai Dozing sighs Cool breeze Life at ease
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Aug 7, 2013
Aug 7, 2013 at 11:23 PM UTC
Chai
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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3.6k
45 Mercy Street
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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95
The pitter-patter (pitter-patter) of the rain against my window attempted to lull me to sleep, but sleep (pitter-patter) pitter-pattered away. Nature's mournful tears waltzed down my window and collected in pools of sorrow, and every thought in the back of my mind was pulled forth for reflection, knocking me off the edge of unconsciousness and into the restless abyss that is insomnia. I tried counting sheep, but they were all nestled together - in a bundle of wool and dreams - taunting me in their slumber, teasing me in dormancy. So I laid there and thought, and spoke to myself, and dreamed of a restful night.
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May 13, 2014
May 13, 2014 at 8:12 PM UTC
Dozing Sheep
on account of you: she says: do you know you often smile when, day dream dozing? me says: on account of you she says: c’mon sweet talking man, ain’t gonna fall for that hooey! me says: hooey, phooey, on account of you she says: nah, you writing poetry, no fooling me no more! me says: on account of you *she says: I bet you got one of your girl friends singing to you, through those wireless earbuds, doncha? who is it this time? a Sara or Joni?* me says: on account of you. *she says: you think big shot, you can multitask b.s. me? doing three things at the same time!* me says: on account of you *she says: on account of you, I’m seriously ****** you don’t tell me anymore sweet lies and alibis, probably writing an ode to one of your poetry gf babes!* me says: on account of you, can’t count no more, how many love poems in my lifetime written, and this one too, going out to you, charged to my tab, you babe, are my account, my accountant, my accounting....
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Jun 21, 2020
Jun 21, 2020 at 1:43 PM UTC
on account of you
Marry me. One day. Keep me . Captive. No one else. Can abduct me like you. You embrace my faults. You love my corks. What is it like? Too be loved this much? When your inside Can you feel it? The longing for everything All of you Forever? Are you scared? I am....... But its the type of horror that keeps you at the edge of your seat. When your heart keeps beating at a rapid pace And your palms stay moist No matter how many times you wipe them But you dont care because you'd rather have swetty palms Than no one to hold at all God its the fire that burns behind your eyelids Scorching hot Just one look Its the effortless conversations that last until dusk Until you both are slowly dozing off only too dream about  eachother So scary That one moment Your worried all this stuf just a bunch of ******** But then someone comes and changes everything You don't care about those meaningless things that once seemed so important to you They seem so tiny and insegnificant Your the only thing I want to care about anymore...
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Oct 29, 2013
Oct 29, 2013 at 4:10 PM UTC
Intense
I wake and the light of this fine day edges round the curtain. The birds have chorused and my left foot lies cold outside the sheets. Standing in my nightgown I draw the curtains and look out at my garden. Let me pad downstairs, open the front door and walk brief steps to the arbour of ferns and shells. From a cane chair I shall view my private corner with its tiny pool and privet hedge: whilst there is still a little dew; whilst the cobwebs still glisten; whilst there is no wind, just a grumble of the surf at Porth Neigwl, the sound my father makes dozing over his paper. Miniature, enclosed, protected I will place my thoughts in this dolls’ house garden, amongst the dank, dark shadows of its many rooms, its parterred spaces. You don’t walk in this garden; you take a step . . . and you are elsewhere. Take three steps and you are quite lost. I hear the kitchen door bang in the manor house, Meriel is taking breakfast to my sisters. I think I shall stay here a moment longer.
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Aug 28, 2012
Aug 28, 2012 at 2:33 AM UTC
Honora Keating surveys her garden at Plas yn Rhiw
When  my mom was dying We put a bed in the living room Fresh from the hospital In front of the piano Behind the rocking chair We still called it the "living room" I didn't mention the cruel irony in that And the living people Who knew my mother All came and sat around her And we weren't allowed to touch her Cause the morphine lost its memory And every bit of her was falling down Dozing in a straw house When the weather man called for hurricanes She was right there But miles away from rescue efforts And hand-holding daughters Marilyn Monroe went the same way In bed, I mean Facedown Her pill supply run out And I imagine her room was a beautiful mess Full of roses and tokens from insincere men An icon deserves better than that A pin up with no one But ex-lovers and sheets to hold her And a pillow stained with last lipstick kisses All those little white beads of forgetfulness Crawling on the floor And happy birthday Mr. President Billy woke up bawling the other night In bed with a girl Who was not my sister And he called and told her he loved her still She hugged my dog and cried into her fur She finished the roll Of toilet paper blowing her nose There were three of us in bed that night And two somewhere else Continents, nations, states apart The air in my room was like asphalt And allergies weighing us down Lulu barked at our crestfallen hearts Under the supermoon I turned into a twentysomethingwolf Keen senses acute defenses And all I could smell on my sheets Was the kitchen I work in I wanted to be human Taste the fear and perfection Of being a ****** In bed with a boy who is not family A teenager whispering under sheets again I stayed at home alone Soothing, sighing, and howling sweet nothings To my lonely bed Telling mom and Marilyn Monroe The fever dreams in my lone wolf head Praying "please God, send us someone" "Please God, let love burn us quick and strong" "Please God, don't draw the blues out. We all buckle."
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Jul 1, 2013
Jul 1, 2013 at 12:08 AM UTC
The Lonely Bed Blues
When  my mom was dying We put a bed in the living room Fresh from the hospital In front of the piano Behind the rocking chair We still called it the "living room" I didn't mention the cruel irony in that And the living people Who knew my mother All came and sat around her And we weren't allowed to touch her Cause the morphine lost its memory And every bit of her was falling down Dozing in a straw house When the weather man called for hurricanes She was right there But miles away from rescue efforts And hand-holding daughters Marilyn Monroe went the same way In bed, I mean Facedown Her pill supply run out And I imagine her room was a beautiful mess Full of roses and tokens from insincere men An icon deserves better than that A pin up with no one But ex-lovers and sheets to hold her And a pillow stained with last lipstick kisses All those little white beads of forgetfulness Crawling on the floor And happy birthday Mr. President Billy woke up bawling the other night In bed with a girl Who was not my sister And he called and told her he loved her still She hugged my dog and cried into her fur She finished the roll Of toilet paper blowing her nose There were three of us in bed that night And two somewhere else Continents, nations, states apart The air in my room was like asphalt And allergies weighing us down Lulu barked at our crestfallen hearts Under the supermoon I turned into a twentysomethingwolf Keen senses acute defenses And all I could smell on my sheets Was the kitchen I work in I wanted to be human Taste the fear and perfection Of being a ****** In bed with a boy who is not family A teenager whispering under sheets again I stayed at home alone Soothing, sighing, and howling sweet nothings To my lonely bed Telling mom and Marilyn Monroe The fever dreams in my lone wolf head Praying "please God, send us someone" "Please God, let love burn us quick and strong" "Please God, don't draw the blues out. We all buckle."
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62
Polka dots Little beads Rain drops Cloudy seeds Pastel pink Lipstick red Take too many Wind up dead ……. Pills for mania, laughter – blue, An inappropriate colour, But what can ya do? Pills for thyroid, goitre, shakes, Bottle green like the bottom of lakes, Pills for pain, black – red - pink, Pills that can’t be mixed with drink, Pills for anxiety, phobias, fears, Fleshy coloured, Like children’s ears, Pills for dreaming, dozing, sleep, Pure white Like counted sheep.
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Sep 5, 2013
Sep 5, 2013 at 3:15 PM UTC
2 poems about pills
Dozing on a hammock Strung between two towering palms With the sky above- color washed in turquoise blue and the waters below reflecting that heavenly hue, you came to me sailing in a dream like the strains of a symphony causing endless vibrations in my solitary heart you showed up all too sudden like a rainbow on my vacant sky after a cloud burst of cloistered grief to blaze it with iridescent shades Your smile embalmed my bruised spirit with the coolness of a  summer drizzle falling, like manna over starved Israelites in their arduous odyssey through blistering sands Your passionate breath, spewed on my face bore the scent of opening buds in the mazy tangle of wild creepers growing dense in nearby woods. Your amorous whispers fell in my ears with the sweetness of the melody from Krishna’s flute with Radha near ,love sick her lips curled in an immaculate smile. Your soft footsteps like the jingle of a court dancer echoed in the silence of my soul with a hundred evocations As the jingles came nearer in synchronizing rhythm I held out my arms to clasp you in tight embrace and reel you in frenzied jig But you vanished, vanished, with the swiftness of bubbles rising and breaking in a beer glass, leaving me to my desolate zone The sky overhead had changed into another shade Still I lay in mid air, with my eyes sealed tight to re-live that dream once again!
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Aug 30, 2016
Aug 30, 2016 at 9:00 AM UTC
A Fantasy Come Alive
Beneath the fair blue face of Heaven, harp In hand, a shepherd flats an A that's sharp. He plucks and tunes and finds the perfect pitch And plays a harmony exceeding rich. The afternoon is hot, and all the sheep Are full of grass and falling fast asleep. Cotton ball clouds go slowly floating by While drowsy songbirds neither sing nor fly. Even the shiny fish in waters cool Nap in the cooler shadows in the pool. Save for the sound of rills that gently spill, All things are silent.  Everything is still.      So too a watchful lion keeping eyes Upon a ewe lamb dozing where she lies. As still as stone he stalks his sleepy prey: He's waited patiently the livelong day. And now the time has come to work his plan, While most at ease is bird and beast and man. He takes the first small steps in his approach, Then breaks into a run and makes the poach. Bewildered sheep in panic loudly bleat— Asleep to wide awake in one heartbeat! The shepherd's senses rush, and running down The brute, he smites the beast upon his crown. Dazed and confused, the lion drops the lamb That lives but by the grace of Him, I AM. The shepherd grabs the lion's beard, and, hair In hand, he slays him (as he'll slay a bear.)        Returning safe the lamb unto the flock, The shepherd goes and stands upon a rock. He lifts his hands to God, and, singing psalms Of praise, he gives the LORD his weather'd palms. Cotton ball clouds go slowly floating by As stars begin to twinkle in the sky.
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Feb 17, 2023
Feb 17, 2023 at 1:08 PM UTC
The Good Shepherd
Beneath the fair blue face of Heaven, harp In hand, a shepherd flats an A that's sharp. He plucks and tunes and finds the perfect pitch And plays a harmony exceeding rich. The afternoon is hot, and all the sheep Are full of grass and falling fast asleep. Cotton ball clouds go slowly floating by While drowsy songbirds neither sing nor fly. Even the shiny fish in waters cool Nap in the cooler shadows in the pool. Save for the sound of rills that gently spill, All things are silent.  Everything is still.      So too a watchful lion keeping eyes Upon a ewe lamb dozing where she lies. As still as stone he stalks his sleepy prey: He's waited patiently the livelong day. And now the time has come to work his plan, While most at ease is bird and beast and man. He takes the first small steps in his approach, Then breaks into a run and makes the poach. Bewildered sheep in panic loudly bleat— Asleep to wide awake in one heartbeat! The shepherd's senses rush, and running down The brute, he smites the beast upon his crown. Dazed and confused, the lion drops the lamb That lives but by the grace of Him, I AM. The shepherd grabs the lion's beard, and, hair In hand, he slays him (as he'll slay a bear.)        Returning safe the lamb unto the flock, The shepherd goes and stands upon a rock. He lifts his hands to God, and, singing psalms Of praise, he gives the LORD his weather'd palms. Cotton ball clouds go slowly floating by As stars begin to twinkle in the sky.
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34
You never really know someone until you are laying in a bed with them around 2 in the morning lingering from a night of busy adventure. Not just a regular night of adventure but one that has exhausted you and drained all of the energy you stored from the week. A night that took you to new places in a city you thought you knew so well and forced you to revel in the beauty it holds. A night that creates memories that stick to your soul and your skin more than anything. As you ride home in the backseat and steal glances in the rear view you love the way the wind wraps your hair around you and the wind smells sweet. Once you have dropped off everyone else and you move to the front seat you really start getting to know someone. It's midnight and you are dozing off in the passengers seat hoping this person is noticing the moonlight on your skin. You feel their presence wrap around you and all thoughts of logic are thrown out the window as you drive down the highway. It's 1 am now and you are laying in bed wondering how you got to the point of skin wrapped around you and a scent taking over your memories. The conversation is light because you feel the need to whisper as the moonlight pours into a room of heavy hearts. Nothing has happened that wasn't anything more than a kiss but the idea is heavy in the air with the cool weather blowing in through an open window. Eyes hang low and voices start to soften and hang with every sleepy word that falls from a mouth. This is the point where you get to know someone. The things they whisper about as their mind tries to escape to sleep but they push through. How you have a beautiful family. How I love living in the country. How you enjoy math. How I hate all numbers. How you like to workout. How I love cake. How you belief in religion. How I believe in everything. How we would love to be part of the stars. How we hate oxymorons. It is the simplicity of a tired mind that brings about the most deep and beautiful ideas. They way your voice is deeper and mine is quieter. I got to know you under the cloak of night and I got to keep you there for a while.
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Oct 22, 2012
Oct 22, 2012 at 9:25 PM UTC
Take me to consumption
You never really know someone until you are laying in a bed with them around 2 in the morning lingering from a night of busy adventure. Not just a regular night of adventure but one that has exhausted you and drained all of the energy you stored from the week. A night that took you to new places in a city you thought you knew so well and forced you to revel in the beauty it holds. A night that creates memories that stick to your soul and your skin more than anything. As you ride home in the backseat and steal glances in the rear view you love the way the wind wraps your hair around you and the wind smells sweet. Once you have dropped off everyone else and you move to the front seat you really start getting to know someone. It's midnight and you are dozing off in the passengers seat hoping this person is noticing the moonlight on your skin. You feel their presence wrap around you and all thoughts of logic are thrown out the window as you drive down the highway. It's 1 am now and you are laying in bed wondering how you got to the point of skin wrapped around you and a scent taking over your memories. The conversation is light because you feel the need to whisper as the moonlight pours into a room of heavy hearts. Nothing has happened that wasn't anything more than a kiss but the idea is heavy in the air with the cool weather blowing in through an open window. Eyes hang low and voices start to soften and hang with every sleepy word that falls from a mouth. This is the point where you get to know someone. The things they whisper about as their mind tries to escape to sleep but they push through. How you have a beautiful family. How I love living in the country. How you enjoy math. How I hate all numbers. How you like to workout. How I love cake. How you belief in religion. How I believe in everything. How we would love to be part of the stars. How we hate oxymorons. It is the simplicity of a tired mind that brings about the most deep and beautiful ideas. They way your voice is deeper and mine is quieter. I got to know you under the cloak of night and I got to keep you there for a while.
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26
GRANDFATHER CLOCK "When granda died he turned into a clock!" I was 7 or so, so this seemed an acceptable fact. "Oh we still kept him in the corner wound him up every night." I glanced at the nothing in the corner. There was only a slab of sunlight dozing. "Oh we had to pawn him a long time ago!" I gasped: "Noooo!" "Oh he had to go he had only one hand and his pendulum was broken." Sam the dog barks asks if I am coming out to play. I of course am coming out to play. Auntie Nellie scolds Uncle Michael. "For God's sake Mikey will ya ****** well stop!" Mikey sticks his tongue in cheek a characteristic tic. "Can't ya see the poor child is ejeet enough to believe ya!" Whenever later I chance to meet a clock that could be my granda I touch its face tenderly stroke the mottled glass "Ahhh Granda!" I smile giving him a great big hug. "TickTock!" says granda **** ****
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Mar 3, 2019
Mar 3, 2019 at 5:04 PM UTC
GRANDFATHER CLOCK
Bathed in the shade of a rubbery rhododendron, I sway imperceptibly, Lulled by nature's rhythms, A silent, sleepy visitor splayed on a ropey nest, Serenaded by an aerial orchestra, Chirps and trills and throaty warbles spiral downward, Atomized in the languid breeze like a Roman candle, A staccato riff, Jack-hammered into a dying birch, Urges me back from the edge, Where dream and dreamer part, A gauzy memory of a melody lost, Performed for the oblivious, and a dozing, grateful audience of one.
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Aug 22, 2013
Aug 22, 2013 at 6:14 PM UTC
Suspended Moment
There's a rhythm inside me that I want  craft fire to But I never can keep up with the ticking clock There's a wall that obstructs my view I want to see higher yet What if I climb until I find out I don't like what's at the top? One day I'll step out of line and ignore the warden who drags me back I'll climb the tree next to the wall and dance along the top But for now each day pulls me in a struggle unyielding It would be a dance if my mind could process all that keeps proceeding If I could pause it for a beat perhaps I could find my feet But the game gets faster while I just get more confused. I suppose I'll get used to it.  Will it always be this way? and does it feel the same somehow to everybody else? I want to dance perfectly impeccably, beautifully in a way that's new and full of life and my own very soul but head down I keep dozing to miss out on the pain and I shut my eyes Squint over the wall's holes.
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Sep 13, 2018
Sep 13, 2018 at 10:44 PM UTC
Dancing out of step
Here lies, whom hound did ne'er pursue, Nor swiftewd greyhound follow, Whose foot ne'er tainted morning dew, Nor ear heard huntsman's hallo', Old Tiney, surliest of his kind, Who, nurs'd with tender care, And to domestic bounds confin'd, Was still a wild Jack-hare. Though duly from my hand he took His pittance ev'ry night, He did it with a jealous look, And, when he could, would bite. His diet was of wheaten bread, And milk, and oats, and straw, Thistles, or lettuces instead, With sand to scour his maw. On twigs of hawthorn he regal'd, On pippins' russet peel; And, when his juicy salads fail'd, Slic'd carrot pleas'd him well. A Turkey carpet was his lawn, Whereon he lov'd to bound, To skip and gambol like a fawn, And swing his **** around. His frisking wa at evening hours, For then he lost his fear; But most before approaching show'rs, Or when a storm drew near. Eight years and five round rolling moons He thus saw steal away, Dozing out all his idle noons, And ev'ry night at play. I kept him for his humour's sake, For he would oft beguile My heart of thoughts that made it ache, And force me to a smile. But now, beneath this walnut-shade He finds his long, last home, And waits inn snug concealment laid, 'Till gentler **** shall come. He, still more aged, feels the shocks From which no care can save, And, partner once of Tiney's box, Must soon partake his grave.
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2.3k
Epitaph on a Hare
the marmalade sun will set just before the blanket of stars pull through the night sky the clock will strike twelve whilst everyone's dozing off and to the previous day we'd wave goodbye
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Jul 15, 2016
Jul 15, 2016 at 11:03 PM UTC
transitions
Glistening in the bowl of milk, I gaze upon circular wheat. Made of honey and of silk, My life is now complete I send 10 spoonfuls down the hatch slowly dozing off... Because breakfast? No. I like cereal as a bedtime snack
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Feb 17, 2014
Feb 17, 2014 at 10:56 PM UTC
Honey Nut Cheerios
An easy lazy length of limb, Dark eyes and features from the south, A short-legged meditative pipe Set in a supercilious mouth: Ink and a pen and papers laid Down on a table for the night, Beside a semi-dozing man Who wakes to go to bed by light. A pair of brothers brotherly, Unlike and yet how much the same In heart and high-toned intellect, In face and bearing, hope and aim: Friends of the selfsame treasured friends And of one home the dear delight, Beloved of many a loving heart And cherished both in mine, good night.
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2.1k
Portraits
Most mornings are not clear. Most mornings are not the type with a ten-state view from the top of Clingman's Dome, and two very expensive tanks of gasoline. You're welcome. No, most mornings are battered by some kind of weather condition - rains and drizzles and nebulous fogs, unhappy bedmates, a productive cough - or else the sun just remits, stays dozing until it has slept enough. Then you get that gray sky- chalkboard, the punitive slap of humid cold on your early walks, your coffee rendezvous. Then you have too many garments at 3 because you put on extra at 8. Morning, in short, wishes you ill. Be aware that if you were born this century, you lurched into no midwife's hands, full of love and wet, but a surgeon's, gloved and powdery, who spanked you firmly, knocked you down with a commanding stare, and gave you the first of many cuts you were to receive. But for having woken up, let's say, on the wrong side of the bed (if even there's a right one), I would like to think we've done alright, are not too warm or upset at midday, not too disappointed in ourselves, our moments of astounding social gracelessness that we leave like bits of sneaker in our wake. Still, though, a question: where grows happiness? Where sprouts the silver trunk, the cypress or birch? Or ficus or orange or ginkgo biloba? Tell me. I would tap that tree 'til it withers, and die under its trunk, and the two very expensive tanks of gasoline it took to get me where I am.
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May 4, 2010
May 4, 2010 at 7:48 AM UTC
Morning Meditations From Clingman's Dome