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"domes" poems
They cut it down, and where the pitch-black aisles Of forest night had hid eternal things, They scaled the sky with towers and marble piles To make a city for their revellings. White and amazing to the lands around That wondrous wealth of domes and turrets rose; Crystal and ivory, sublimely crowned With pinnacles that bore unmelting snows. And through its halls the pipe and sistrum rang, While wine and riot brought their scarlet stains; Never a voice of elder marvels sang, Nor any eye called up the hills and plains. Thus down the years, till on one purple night A drunken minstrel in his careless verse Spoke the vile words that should not see the light, And stirred the shadows of an ancient curse. Forests may fall, but not the dusk they shield; So on the spot where that proud city stood, The shuddering dawn no single stone revealed, But fled the blackness of a primal wood.
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9.9k
The Wood
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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7.8k
The Swarm
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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60
The flag, a white crescent and single star on a field of crimson — kırmızı, not just 'red' — tells of Islam. The men drinking beer and rakı at pavement tables, even in Ramadan, and the short-skirted, bare-armed girls, parading with bare-faced confidence, tell of other influences; but at the appointed hour we hear the call to prayer from the marble minaret, a slim finger pointing to the sky beside shining domes reflecting the vault of heaven. At five a.m. we hear it faintly through hotel double-glazing, or at sunset, as a peaceful accompaniment to the spectacle, and we remember where we are. But especially at the midday hour, when the voice of the muezzin echoes over noisy street or market, and from another minaret and another the duet becomes a trio, a quartet of different melodies, out of tune with each other but never discordant (in these tones the word has no meaning), the faithful are reminded, however busy they may be, that their God requires something of them. Then, entering the cool calm of the mosque, entering the quiet forest of pillars, feeling through the soles of our bare feet marble polished by the tread of generations of worshippers, fine-grained wood, the rich softness of crimson carpet, we luxuriate in the textures as they combine with the formal floral patterns of the tiles, the ornate calligraphy of the inscriptions, the rich colours of the glass, and we realise that the builders of these mosques knew what they were doing, so many years ago, how peace can enter the soul through the senses.
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Aug 6, 2016
Aug 6, 2016 at 11:43 AM UTC
Inside the Mosque **
The flag, a white crescent and single star on a field of crimson — kırmızı, not just 'red' — tells of Islam. The men drinking beer and rakı at pavement tables, even in Ramadan, and the short-skirted, bare-armed girls, parading with bare-faced confidence, tell of other influences; but at the appointed hour we hear the call to prayer from the marble minaret, a slim finger pointing to the sky beside shining domes reflecting the vault of heaven. At five a.m. we hear it faintly through hotel double-glazing, or at sunset, as a peaceful accompaniment to the spectacle, and we remember where we are. But especially at the midday hour, when the voice of the muezzin echoes over noisy street or market, and from another minaret and another the duet becomes a trio, a quartet of different melodies, out of tune with each other but never discordant (in these tones the word has no meaning), the faithful are reminded, however busy they may be, that their God requires something of them. Then, entering the cool calm of the mosque, entering the quiet forest of pillars, feeling through the soles of our bare feet marble polished by the tread of generations of worshippers, fine-grained wood, the rich softness of crimson carpet, we luxuriate in the textures as they combine with the formal floral patterns of the tiles, the ornate calligraphy of the inscriptions, the rich colours of the glass, and we realise that the builders of these mosques knew what they were doing, so many years ago, how peace can enter the soul through the senses.
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39
An ode seems appropriate To the classical style Of the columns and the domes Above the green court. Many things have adorned that dome: Squad car, fire truck, droid, and phone But today, viewed in a mind's eye—sunlight. But as were that phone booth still apparent From afar it now calls, and now I shall answer. Over the river, and through the urban jungle, Through the sky, 400 miles, as the airliner flies But worth every inch, rod, meter or smoot. It beckons to the mind and to the heart; It beckons to the soul of a scholar. Were I less knowing I might think not That light fell from above onto that dome. But rather, that the hemisphere Gave forth the blazing light ebullience of photons, amidst Torrents of knowledge. Its hallowed halls, numbered precisely, Soon no longer a forbidden temple shall be Instead, I shall tread there, such as I am Learn from efforts I effect and others I see O Halls, I shall greet thee, O Tunnels in winter Traverse and find warmth to keep body to task For knowledge, always, comes with a high price In joules, dollars, cents, days and hours of rest Long nights turn to dawns, nose to the grindstone Maybe just one more tool; okay, maybe another. But brother meets brother, and sister meets sister On both sides of the river, and the work gets done. Whether Greek or not, there is community here A problem, or a set of them, is always seen through. As the sun now rises, a new day sets in. In a few hours of my life I will rise to these challenges. With a chirping, I shall cross the paths that I come to, Enter the halls .. and my journey shall begin. ~ D. B. Guy
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Nov 3, 2012
Nov 3, 2012 at 2:19 AM UTC
A Scholar's Aubade
An ode seems appropriate To the classical style Of the columns and the domes Above the green court. Many things have adorned that dome: Squad car, fire truck, droid, and phone But today, viewed in a mind's eye—sunlight. But as were that phone booth still apparent From afar it now calls, and now I shall answer. Over the river, and through the urban jungle, Through the sky, 400 miles, as the airliner flies But worth every inch, rod, meter or smoot. It beckons to the mind and to the heart; It beckons to the soul of a scholar. Were I less knowing I might think not That light fell from above onto that dome. But rather, that the hemisphere Gave forth the blazing light ebullience of photons, amidst Torrents of knowledge. Its hallowed halls, numbered precisely, Soon no longer a forbidden temple shall be Instead, I shall tread there, such as I am Learn from efforts I effect and others I see O Halls, I shall greet thee, O Tunnels in winter Traverse and find warmth to keep body to task For knowledge, always, comes with a high price In joules, dollars, cents, days and hours of rest Long nights turn to dawns, nose to the grindstone Maybe just one more tool; okay, maybe another. But brother meets brother, and sister meets sister On both sides of the river, and the work gets done. Whether Greek or not, there is community here A problem, or a set of them, is always seen through. As the sun now rises, a new day sets in. In a few hours of my life I will rise to these challenges. With a chirping, I shall cross the paths that I come to, Enter the halls .. and my journey shall begin. ~ D. B. Guy
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39
A Few lines etched where no words give weight. Good riddance say the veterans Of a nation gone sour with grief Like a lemon slice evaporating onto the tongue of the sick. But when the young yearn for White Nights, The old claim they are blinding lights to the cold sugary substance That supplants an easy path. The bullithole rush of renewal and loneliness and progress thwarted and abandoned, Inertia seeping through Into a cold summer's day. Between the cursing slant of sleek paved roadstrips, And the burning briars that thresh the border's haunt, What is picture postcard emerald Is in that same instance soviet architect gray. These are the sleepers bereft of the dream whose twenty-five stories high or ghost estates are domes to cast out the howling banshees, those suffrage of the real to be re-thought as mere props which surround the haloed glowing screen. So sheen the Motherland glows in untarnished eyes Familiar solely with glass behemoths parading with their reflections In grey water-drizzled streets, Only to be replaced by iridescent rainbows that foster a hope. A hope that was packaged and sold two decades back Since it was not worth carrying into the New World. The water-trough falls to where the electric line banishes, connects a spike, "rejuvenate the breakfast table"-some far-off God reports, Hades still waiting, Intel-chip Blue, epiphany at the gates.
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Jun 11, 2012
Jun 11, 2012 at 9:02 AM UTC
Emerald and Scarlet as They Merge Into Grey
In the amber sunroom the regal canary perches, Surveying his sun soaked kingdom from a golden throne, Positioned just below the thick wooden rafters... They might as well have been treetops. The weathered oak armoire below, their immovable trunk; The oversized tank, teeming with exotic fish, his ocean. Through the translucent shades, the engorged sun turns orange, And settles on the domes of the distant dragon trees. Soon the silver haired woman, with "dust in the creases of her face," Will open the arched doorway, and into the sultry Moroccan air he will spring Majestic yellow wings propelling him above the treetops, Diving towards his vast ocean, circling between the dusty antiques, Reveling in his glorious freedom, yet always returning, For that is only the penultimate pleasure of every evening; She will always call him home with the suculent scent Of a luxurious dinner: mango, pomegranate, and papaya. A sharp, tumbling trill disrupts his peaceful musing, A flashing crimson streak leaves a momentary swatch, Emanating from the open window, invading his territory and ending atop the amoire. He refuses to look at her, intent on maintaining appearances. She comes and goes so freely, innocent of any thoughts for me. Feathers ruffling with discontent; jumping, leaping without direction. Seeking the highest perch, closest to being free; only to be confined By the bronze rods of social correctness, locked with the brass clasp of my own fear. His little lion's heart becomes a battering ram, Smashing against the inside of his toothpick ribcage. Rapid fire thoughts soon dissolve in an attempt to compose A song that is worthy of her. And so he waits, and watches her turn, Red wings outspread, escaping back into the evening sky. That blazing orange ball, finally sinking beneath its own weight, And the failing strength of the mighty dragon trees, Now merely blackened silhouettes of their former glory.
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Jun 29, 2012
Jun 29, 2012 at 3:39 PM UTC
Wings of Courage
In the amber sunroom the regal canary perches, Surveying his sun soaked kingdom from a golden throne, Positioned just below the thick wooden rafters... They might as well have been treetops. The weathered oak armoire below, their immovable trunk; The oversized tank, teeming with exotic fish, his ocean. Through the translucent shades, the engorged sun turns orange, And settles on the domes of the distant dragon trees. Soon the silver haired woman, with "dust in the creases of her face," Will open the arched doorway, and into the sultry Moroccan air he will spring Majestic yellow wings propelling him above the treetops, Diving towards his vast ocean, circling between the dusty antiques, Reveling in his glorious freedom, yet always returning, For that is only the penultimate pleasure of every evening; She will always call him home with the suculent scent Of a luxurious dinner: mango, pomegranate, and papaya. A sharp, tumbling trill disrupts his peaceful musing, A flashing crimson streak leaves a momentary swatch, Emanating from the open window, invading his territory and ending atop the amoire. He refuses to look at her, intent on maintaining appearances. She comes and goes so freely, innocent of any thoughts for me. Feathers ruffling with discontent; jumping, leaping without direction. Seeking the highest perch, closest to being free; only to be confined By the bronze rods of social correctness, locked with the brass clasp of my own fear. His little lion's heart becomes a battering ram, Smashing against the inside of his toothpick ribcage. Rapid fire thoughts soon dissolve in an attempt to compose A song that is worthy of her. And so he waits, and watches her turn, Red wings outspread, escaping back into the evening sky. That blazing orange ball, finally sinking beneath its own weight, And the failing strength of the mighty dragon trees, Now merely blackened silhouettes of their former glory.
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32
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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4.9k
The City In The Sea
Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers and tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy Heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently— Gleams up the pinnacles far and free— Up domes—up spires—up kingly halls— Up fanes—up Babylon-like walls— Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers— Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol’s diamond eye— Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass— No swellings tell that winds may be Upon some far-off happier sea— No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave—there is a movement there! As if the towers had ****** aside, In slightly sinking, the dull tide— As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow— The hours are breathing faint and low— And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
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53
A Few lines etched where no words give weight. Good riddance say the veterans Of a nation gone sour with grief Like a lemon slice evaporating onto the tongue of the sick. But when the young yearn for White Nights, The old claim they are blinding lights to the cold sugary substance That supplants an easy path. The bullithole rush of renewal and lonliness and progress thwarted and abandoned, Inertia seeping through Into a cold summer's day. Between the cursing slant of sleek paved roadstrips, And the burning briars that thresh the border's haunt, What is picture postcard emerald Is in that same instance soviet architect gray. These are the sleepers bereft of the dream whose twenty-five stories high or ghost estates are domes to cast out the howling banshees,those suffrage of the real to be re-thought as mere props which surround the haloed glowing screen. So sheen the Motherland glows in untarnished eyes Familiar solely with glass behemoths parading with their reflections In grey water-drizzled streets, Only to be replaced by iridescent rainbows that foster a hope. A hope that was packaged and sold two decades back Since it was not worth carrying into the New World. The water-trough delving where the electric line banishes,connects a spike, "rejuvenate the breakfast table"-some far-off God reports, Hades still waiting, Intel-chip Blue, epiphany at the gates.
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Jun 12, 2012
Jun 12, 2012 at 5:24 AM UTC
Emerald and Scarlet As They Merge Into Grey
Floating Laughing Smoking Singing Flying Drying And hopping in again Something sharp touches your skin It burns A thousand needles Of a jellyfish sting It has a hold of your ankle And is pulling you downstream You look down It's menacing It's laughing now And floating Singing It's quite demeaning You fight and fight But its grip is tight It pulls you underneath the surface As the trees around you Become a world without you What is that sparkle? It's golden, silver, bronze You see domes and towers Fruitstands and flowers You quiver The jellyfish loosens his grip As you wipe the blood off your lip Who would have thought The key to Atlantis Was in a jellyfish's grasp Either that or this jellyfish's secretions Were super hallucinogenic Either way This is cool *wait, how do they even have a swimming pool underwater and functioning toilets fish don't even have thumbs i really don't understand ****
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Jun 1, 2015
Jun 1, 2015 at 3:45 PM UTC
the story of a hallucinogenic jellyfish leading a super baked guy to atlantis
the day is at its end the towers and domes in the city are a lonely sight...abandoned, all closed.........all hushed up the gnomes of the day are mostly gone... beware...the gnomes of the night have just woken and are now energized... raring to prowl the dark halls and corridors out to the unlit alleys, backstreets and corners cloaked by towering shadows all set to play havoc to unknowing passers-by... in the dark where all restraints are set free where unconquered demons take center stage... in the dark, where the dead gets to live again... in the dark, where anything goes, unnoticed... in the shadows, where the dark sky is the limit.... until the first shafts of light come in... when once again, all secrets seek refuge in their hiding places ---------the dark takes a rest--------- ---------as a new day unfolds--------      Sally        Copyright 2013 Rosalia Rosario A. Bayan
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Oct 17, 2013
Oct 17, 2013 at 9:43 PM UTC
Of Domes, Towers and Gnomes (In the Dark)
This is an apology to my younger self for letting her forget the ixora bracelets tucked in her tattered notebooks; for letting her blur the outline of Artemis’ body resting the edges of a waxing moon. This is an apology for the poetry and the songs she tuned out that could’ve saved her life. This is an apology for allowing her to stop hearing the midnight stories of the souls who get lost in unknown towns concealed beyond the gaps in their ribs; for allowing her to stray too far from mountain-and-sea sunsets that she can no longer smell the salty air and remember the color of the twilight skies. This is an apology for allowing her to fall out of love with the things she wanted to stay in love with — for allowing her to fall out of love with the things that kept her alive. This is an apology — for peeling the tattoo scabs between the drags on a cigarette, for sleeping drunk on a pile of ***** laundry, for wanting to keep the dreamers in the rye, and yet falling off the cliff two pages before the ending. This is an apology for writing her dreams in a bottle and throwing it out into the open ocean; now those dreams are nautical miles away, lost in the domes of a sunken city. This is an apology to my younger self for all the things she wanted to be that I never became — and an apology for all the things I am that she never wanted to be. And yet, this too is a promise to her that it’s okay: it’s okay to lose yourself in places you don’t like. It’s okay to wake up and find yourself confined in a body you no longer seem to know. It’s okay, darling; someday, you’ll find your way back. I’ll find my way back. We’ll find our way back to who we’re supposed to be. And it’ll be home.
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Aug 8, 2019
Aug 8, 2019 at 1:41 AM UTC
apologies and coming home
This is an apology to my younger self for letting her forget the ixora bracelets tucked in her tattered notebooks; for letting her blur the outline of Artemis’ body resting the edges of a waxing moon. This is an apology for the poetry and the songs she tuned out that could’ve saved her life. This is an apology for allowing her to stop hearing the midnight stories of the souls who get lost in unknown towns concealed beyond the gaps in their ribs; for allowing her to stray too far from mountain-and-sea sunsets that she can no longer smell the salty air and remember the color of the twilight skies. This is an apology for allowing her to fall out of love with the things she wanted to stay in love with — for allowing her to fall out of love with the things that kept her alive. This is an apology — for peeling the tattoo scabs between the drags on a cigarette, for sleeping drunk on a pile of ***** laundry, for wanting to keep the dreamers in the rye, and yet falling off the cliff two pages before the ending. This is an apology for writing her dreams in a bottle and throwing it out into the open ocean; now those dreams are nautical miles away, lost in the domes of a sunken city. This is an apology to my younger self for all the things she wanted to be that I never became — and an apology for all the things I am that she never wanted to be. And yet, this too is a promise to her that it’s okay: it’s okay to lose yourself in places you don’t like. It’s okay to wake up and find yourself confined in a body you no longer seem to know. It’s okay, darling; someday, you’ll find your way back. I’ll find my way back. We’ll find our way back to who we’re supposed to be. And it’ll be home.
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58
Three-legged spider on a ***** tile Eyeball rolls, clean in hand Massive metal door opens, up top a hill Graveyard of ever-ringing cells. What's real creepy to you? Enclose the city, lock us out ..for good Condemned as doomed, living dead Big guns survive in metallic domes See the crass ******** shoot us down! Wanna talk about what's creepy, huh? Plunderers now lay down new laws Can't fight the sick, red sway Random acts of violence bay Armoured eyes see all from lofty towers. Creepy autocrats hide the truth, right? No soaring when blood runs rivers Tripping over rotting corpses Decaying stench of hope dying Help will come, we must believe! Do you believe lies to your face? Infrastructure's down, no services Power's out, no more flushing Car carcasses aflame on every corner, yet How come big brother's eyes still move? Are the gullible ones really stupid and feeble? Sun shines, but nothing grows Rain seeps red away into sewers Crops of twisted metal, hoards of guns Skeletal trees adorn our landscape. Why hold askance your glance skyward? The gates will open to let us in Surely, they witness our hardship! There must exist a life beyond this strife Uproar, bombard, gas, artillery....then no more.... Can you ever cease to have temerity? In face of adversity, calamity and injustice We should NEVER cease to be exasperated! Hope must prevail; faith must live; Thoughts expressed; love and respect must survive. Can you afford your spirit just to let go....? Think about it. Creepy autocrats eternally rank ... Chronically..........Insidious Repressively........Deleterious Egotistically.........Inadequate Eruptively............Odious Pretentiously.......Tedious Yucky...................Scum! S T, 31 May 2013
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May 31, 2013
May 31, 2013 at 10:30 AM UTC
Creepy Autocrat
Three-legged spider on a ***** tile Eyeball rolls, clean in hand Massive metal door opens, up top a hill Graveyard of ever-ringing cells. What's real creepy to you? Enclose the city, lock us out ..for good Condemned as doomed, living dead Big guns survive in metallic domes See the crass ******** shoot us down! Wanna talk about what's creepy, huh? Plunderers now lay down new laws Can't fight the sick, red sway Random acts of violence bay Armoured eyes see all from lofty towers. Creepy autocrats hide the truth, right? No soaring when blood runs rivers Tripping over rotting corpses Decaying stench of hope dying Help will come, we must believe! Do you believe lies to your face? Infrastructure's down, no services Power's out, no more flushing Car carcasses aflame on every corner, yet How come big brother's eyes still move? Are the gullible ones really stupid and feeble? Sun shines, but nothing grows Rain seeps red away into sewers Crops of twisted metal, hoards of guns Skeletal trees adorn our landscape. Why hold askance your glance skyward? The gates will open to let us in Surely, they witness our hardship! There must exist a life beyond this strife Uproar, bombard, gas, artillery....then no more.... Can you ever cease to have temerity? In face of adversity, calamity and injustice We should NEVER cease to be exasperated! Hope must prevail; faith must live; Thoughts expressed; love and respect must survive. Can you afford your spirit just to let go....? Think about it. Creepy autocrats eternally rank ... Chronically..........Insidious Repressively........Deleterious Egotistically.........Inadequate Eruptively............Odious Pretentiously.......Tedious Yucky...................Scum! S T, 31 May 2013
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48
As I look around my home, In my garden, I see gnomes, Sitting on their little domes, Do they think, these gnomes? Are they philosophical, I wonder, As garden weeds I plunder, What are you guys staring at? I'm gardening, okay, that's that! Consider the garden gnomes, Sitting there on their little domes, Cute, but ugly, little misters, I find them a trifle sinister............
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Oct 6, 2016
Oct 6, 2016 at 11:00 PM UTC
THE GNOMES......
hickory nuts and wind trees are keeping at the old buckle bay light house corners and shaker church craft slip anchor on the southern tip secret legions and phenolic board tuck in at gout dock bands and nations and miracle speak fill in the center hall sand hooks and water domes cover wharf road ***** bay toppers and seven horse chugs scatter the swollen upper deck packards and pushers and rusty back rails skirt the night lanterns and sterns and navy gulls steady on task sand cakes and drift wood held tight on the mystery tour yellow tails and tide pools flat line at royal reach paddles and cables find ripples way smugglers and smitties take cover from a northern gale down on pocket shoal there’s a graceful hue ~ they’re serving up belons and xan… it's time to get in for a fill
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Jul 3, 2017
Jul 3, 2017 at 2:12 PM UTC
The Reach at Buckle Bay
Call me the greatest adventure of Indiana Jones. Call me the Graeters of tasty ice cream cones. Call me the Ed Rosenthal of relaxing stones. Call me the Natasha Trethewey of meaningful poems. Call me the Pauly Shore of Bio-Domes. Call me the Jack Hannah of Columbus Zoos. Call me the Martha Stewart of delicious stews. Call me the Bob Ross of independent creations. Call me the Dr. Phil of mending relations. Call me the Albert Einstein of mathematical equations. Call me the Captain Kirk of Space exploration. Call me the William Shatner of monotone greatness. Call me the Jim Morrison of open doors. Call me the Mr. Clean of shiny floors. Call me the Hugh Hefner of stupid ****** Call me the Bob Dylan of traveling trains. Call me the Samuel L. Jackson of snakes and planes. Call me the Arm & Hammer of tough stains. Call me the Blade of a vampire. Call me the Froto Baggins of the Shire. Call me the Firestone of a pumped tire. Call me a Christ of ignited passion. Call me a Lucifer of trendy fashion. Call me a Shiva of shattered illusions. Call me a Buddha of peaceful institutions. Call me the Ron Jeremy of KY Jelly. Call me the Emeril Legassi of food for the belly. Call me the Tupac Shakur of spitting **** Call me the Eminem of full sentences. Call me the Smoky the Bear of a campfire. Call me the Jim Carry of Liar Liar. Call me the That Guy of desire. You can even call me an *******
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Apr 29, 2013
Apr 29, 2013 at 5:20 AM UTC
"Titles, Labels, and Names Part 1: Call me"
I have discovered that most of the beauties of travel are due to the strange hours we keep to see them: the domes of the Church of the Paulist Fathers in Weehawken against a smoky dawn—the heart stirred — are beautiful as Saint Peters approached after years of anticipation.
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3k
January Morning: Suite 01
Morning, a glass door, flashes Gold names off the new city, Whose white shelves and domes travel The slow sky all day. I land to stay here; And the windows flock open And the curtains fly out like doves And a past dries in a wind. Now let me lie down, under A wide-branched indifference, Shovel-faces like pennies Down the back of the mind, Find voices coined to An argot of motor-horns, And let the cluttered-up houses Keep their thick lives to themselves. For this ignorance of me Seems a kind of innocence. Fast enough I shall wound it: Let me breathe till then Its milk-aired Eden, Till my own life impound it- Slow-falling; grey-veil-hung; a theft, A style of dying only.
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3.1k
Arrival
Sands and seashells as white as moonlit night And water tugging slightly at the small boats Trembling in the wake “Far across the silvery sea” Those little waves whisper to me “From ocean dark and brooding blue, cross horizons bleeding red is a land where the mists travel languidly through and dangerous things betwixt the paths you tread.” “There is a city that some say glows in the night Whose towers ***** to glorious height Domes and great structures stand below Upon white stones, blue moonlight does glow.” “If you swim out during the brooding storm And torrential city make, with towers of black swirling wake The sea will take and change your form You will enter the depth and the depth will enter you And sea imbued, you emerge anew.” “On the second day, and the crest of red rising light When Phoenix fly against the night You will be ****** from water by the fiery wing And to a new land take you as Phoenix songs it softly sings.” “There you will encounter the dangers and things of strange delight And the white walls of Elyse, whose light is cast upon the height.”
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Oct 8, 2018
Oct 8, 2018 at 1:43 PM UTC
The City Elyse and the Traveler (Prelude to the Lady Silk)
I entered my poem "last night I dreamed" in the Tallenge poetry competition for May 2014, which it won, it's now in the annual competition so I'd really appreciate your support by voting for it at - bit.ly/1pJ0N3z You can find the poem down the line in my list of poems, but I'll paste it here again so you can check it out to see if it's worth a vote. Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
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Aug 12, 2014
Aug 12, 2014 at 6:21 PM UTC
Not a poem, A request
I entered my poem "last night I dreamed" in the Tallenge poetry competition for May 2014, which it won, it's now in the annual competition so I'd really appreciate your support by voting for it at - bit.ly/1pJ0N3z You can find the poem down the line in my list of poems, but I'll paste it here again so you can check it out to see if it's worth a vote. Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
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97
The tiny, black transistor, three wires, One two three, ramrod straight get bent, Quarter-inch strain, needle-nose pliers and it's broken. Instructions: look, ask what "install" Means: to bend the leads, push in, solder Tightly and well, no crossing, to the board. Lumps all over the green circuit board, Yellow blue black etc., flip-side wires Cut short, little silver domes of solder With the leads set up just right, bent Just right to stay in when you flip it over to install Them so they don't fall out, but lost is better than broken. The one transistor, Q1, J310, broken, Lying against the also-black of the countertop, board Loudly near, demanding, "Just install It already, ******  Just the two of three wires On the Q1, last one lying lonely bent Crying out, hollering, screaming for solder. Look at the one straight piece of solder, Two leads protruding from one hole, broken Off by careless, melting hands, left stranded on the board, Cut off from the spool, low melting point, easily bent. It looks just like "one of the boys," the real wires. Copper wires conduct well, very ductile and easy to install. When you are attempting this, to install Everything in its place (and there is one), beware excess solder; Too much crosses from  hole to hole, uniting two wires, Shorting it out and leaving you drifting with a broken, Useless green hunk of circuitry and electronics (a board, A dead board), which is just as useless as your leads which are too bent. Some of these **** parts come pre-bent (Why not each?), real easy to slide in and install, Just bend slightly after sliding into the board, Slightly enough to hold for the solder Which is to come, assuming it's not broken Yet, and that yours are still whole wires. On the back, at the end, identical dots of solder Run the length of the board.  If it's not broken, Run a current through; see if you get a shock by the wires.
0
Jul 7, 2010
Jul 7, 2010 at 10:54 AM UTC
The tiny, black transistor, three wires,
The tiny, black transistor, three wires, One two three, ramrod straight get bent, Quarter-inch strain, needle-nose pliers and it's broken. Instructions: look, ask what "install" Means: to bend the leads, push in, solder Tightly and well, no crossing, to the board. Lumps all over the green circuit board, Yellow blue black etc., flip-side wires Cut short, little silver domes of solder With the leads set up just right, bent Just right to stay in when you flip it over to install Them so they don't fall out, but lost is better than broken. The one transistor, Q1, J310, broken, Lying against the also-black of the countertop, board Loudly near, demanding, "Just install It already, ******  Just the two of three wires On the Q1, last one lying lonely bent Crying out, hollering, screaming for solder. Look at the one straight piece of solder, Two leads protruding from one hole, broken Off by careless, melting hands, left stranded on the board, Cut off from the spool, low melting point, easily bent. It looks just like "one of the boys," the real wires. Copper wires conduct well, very ductile and easy to install. When you are attempting this, to install Everything in its place (and there is one), beware excess solder; Too much crosses from  hole to hole, uniting two wires, Shorting it out and leaving you drifting with a broken, Useless green hunk of circuitry and electronics (a board, A dead board), which is just as useless as your leads which are too bent. Some of these **** parts come pre-bent (Why not each?), real easy to slide in and install, Just bend slightly after sliding into the board, Slightly enough to hold for the solder Which is to come, assuming it's not broken Yet, and that yours are still whole wires. On the back, at the end, identical dots of solder Run the length of the board.  If it's not broken, Run a current through; see if you get a shock by the wires.
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39
The message is simple, the delivery hard, even as his eyes cut holes for it to enter. White rims that flash, like beasts that spar Natural strobes flicker, to thicken the black center. When intent is replied with padded knuckle intent Ungraceful, his neck turns past comforts vector. I turn away to close a window from the storm. Thought pathways like drunken footprints stepped but a spark in the cloud of numbness replies. My clenched thumb releases his bicep And the arthritic cogs inside us violently un-subside. Those muscle strings in my handwriting to the letter the red bull replies, but rain breaks my gaze to the window. Knuckles like bruised alps in formation; the boy’s got blood lightning in his eyes, And so have I. ***** in the sockets I’m pushing on, to revel in colors of my ****** mind’s sky. I hurt myself to try telling that one ****** idea. Tasting the punch, spitting iron, my Boxer I despise. The classic writer’s hand ache makes me relinquish my pen. Those axons, which lead to nothing, they have now reached it. Flayed to the winds. The eye’s blinds closed completely. In darkness, rasping breath resounding and the lungs like strained gluttons for life are clearly mocking the hearts desperate beating. I put the pen horizontal to the desk. It possesses all the use of a dead man’s organs. But the sway, rains sweat from hair down to skin, Then to polish the padded domes of pain. When flesh rolls like thunder, bones crack like lightning. His legs, my pen and both our minds are jarred from this refrain. And upon the strike, I’ll polish words and pad their meaning, Punch the reader, And enjoy the force that they contain.
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Aug 25, 2013
Aug 25, 2013 at 7:18 PM UTC
The Boxer
The message is simple, the delivery hard, even as his eyes cut holes for it to enter. White rims that flash, like beasts that spar Natural strobes flicker, to thicken the black center. When intent is replied with padded knuckle intent Ungraceful, his neck turns past comforts vector. I turn away to close a window from the storm. Thought pathways like drunken footprints stepped but a spark in the cloud of numbness replies. My clenched thumb releases his bicep And the arthritic cogs inside us violently un-subside. Those muscle strings in my handwriting to the letter the red bull replies, but rain breaks my gaze to the window. Knuckles like bruised alps in formation; the boy’s got blood lightning in his eyes, And so have I. ***** in the sockets I’m pushing on, to revel in colors of my ****** mind’s sky. I hurt myself to try telling that one ****** idea. Tasting the punch, spitting iron, my Boxer I despise. The classic writer’s hand ache makes me relinquish my pen. Those axons, which lead to nothing, they have now reached it. Flayed to the winds. The eye’s blinds closed completely. In darkness, rasping breath resounding and the lungs like strained gluttons for life are clearly mocking the hearts desperate beating. I put the pen horizontal to the desk. It possesses all the use of a dead man’s organs. But the sway, rains sweat from hair down to skin, Then to polish the padded domes of pain. When flesh rolls like thunder, bones crack like lightning. His legs, my pen and both our minds are jarred from this refrain. And upon the strike, I’ll polish words and pad their meaning, Punch the reader, And enjoy the force that they contain.
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38
a yellow rose winds to the skies, blossoming, letting soft petals fall to the cidery earth, blushing in the caverns of the sweet-flowering day, inspired like the greek sun-god helios but drawn out of rhododendron and apple, drawn out of love. a thousand years of summer, the wolf, the thin mouth of sky, a diamond bumble bee, the gifts of a stolen sun, shaken out like a rattle snake, the broken angles of death, the lost side of each word, with all its intentions and promises - fallen to the floor, like an apple, or a blind mole loving the soil, the dry earth, the faded parchment sun, or a rock of ice, in a tangy glass, where the summer sun grows roots and shoots, shadow domes and leafy golden skies.
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Aug 11, 2018
Aug 11, 2018 at 6:16 PM UTC
the garden in summer....(where the sun warms our bones like dry skeletons wrapped in white heat.)
Master builder of hanging audio of the hearts, Tapping and mapping a kind of music through the vocabulary of arts, in conducting  the harmonious sound of unique violin orchestra a crowd of fiddlesticks rima … up… and only ups… never downs. Audio Audio… I will go…true or false.   That’s what you ask for it. If you ask me to stay, I would never say no. Have you ever seen me on the occasion of disobeying you? Neither yes, nor no… Thirsty and aridity,   Words dance glamorously in the silence of the mud of bricks You will construct the magic towers of the world gust (crust). On the apex Trapper of heights you Shaking hand for all ant size human shape creatures In down. I’am member among. Time flies and melts in icy doom of the word “why”… burning agitatedly on the white eyes. Don’t look at me. Whatever had been shaped, like thunder of emotional burst digs …digs in insomnia of rapid nightmares of mine. O' liberty… Don’t be dubious of what you are going to do, Master architecture of heavenly domes of long treatise of eloquence and good sounds. Hissing….sooozzzing….biippping ….buzzzing….moooppping….murmers…. Claps and shouts. Ant shaped creatures gather under the grand dome and waiting for miraculous mesmerize. No more I am among. Master builder of raw materials in vivid shape of “new oregano (m).” Time runs and I am not “going to catch a falling star.” Time of demise. Heavy lock on mouths. Death of both of us in constructing the luxurious roads never ended in dead end of not being honest and neither being wise. Master designer of unique arches…domes…abstruse stairs… Audio…audio. I will go…for you and ours.
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Jul 28, 2017
Jul 28, 2017 at 12:36 AM UTC
Master Builder
Master builder of hanging audio of the hearts, Tapping and mapping a kind of music through the vocabulary of arts, in conducting  the harmonious sound of unique violin orchestra a crowd of fiddlesticks rima … up… and only ups… never downs. Audio Audio… I will go…true or false.   That’s what you ask for it. If you ask me to stay, I would never say no. Have you ever seen me on the occasion of disobeying you? Neither yes, nor no… Thirsty and aridity,   Words dance glamorously in the silence of the mud of bricks You will construct the magic towers of the world gust (crust). On the apex Trapper of heights you Shaking hand for all ant size human shape creatures In down. I’am member among. Time flies and melts in icy doom of the word “why”… burning agitatedly on the white eyes. Don’t look at me. Whatever had been shaped, like thunder of emotional burst digs …digs in insomnia of rapid nightmares of mine. O' liberty… Don’t be dubious of what you are going to do, Master architecture of heavenly domes of long treatise of eloquence and good sounds. Hissing….sooozzzing….biippping ….buzzzing….moooppping….murmers…. Claps and shouts. Ant shaped creatures gather under the grand dome and waiting for miraculous mesmerize. No more I am among. Master builder of raw materials in vivid shape of “new oregano (m).” Time runs and I am not “going to catch a falling star.” Time of demise. Heavy lock on mouths. Death of both of us in constructing the luxurious roads never ended in dead end of not being honest and neither being wise. Master designer of unique arches…domes…abstruse stairs… Audio…audio. I will go…for you and ours.
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41
Sweet lips encrusted in sugar from the hot doughnuts at the steam fair. Baked in the dusty sunshine of an August afternoon in North London. I would roam these streets from childhood into adulthood, Drinking £2,50 wine at bus stops only to get thrown out of the pub for illusionary bathroom shots Our real crime? Being too young. Since then, i have drunk Spanish manzanilla in an old tobacco store room Transformed into a house where wafts of old book smell mingling with the scent of baked terra cotta and lemon trees sweeps down dark corridors revealing hidden gems of traveled souls. Where there are streets that belong to Phoenician women , Arab traders , Christian crusaders and now the Spanish folk All these names we go by , yet still human we stand Up on roof tops, smoking sneaky roll ups to the elegance of storks Building nests on church domes and castle walls Monuments to remind the future Graffiti on the natural landscape , the ruins read " we waz ere" From shores of the Atlantic to shores of the Atlantic Brooklyn rises The night bus to eat pizza alarmed me How were the buses so different ? London's told you where you were New York's Made you suss it out for yourself In the company of a Father i hardly knew and the Mother of my new sibling Child , Who will you become ? Shaped by the contrast of your parents skin , your curled hair yet to emerge from fresh formed follicles Rest easy , This world Ain't so harsh I found God at the bottom of a bowl of noodles Simply sitting there , lazing about as i licked my lips of the residual chillies and sugar I deal in the order of paradoxes Born by the sea only to grow up in the 'so called' luxury of the cities jungle Although, resting now in the moon soaked mountain air , no city can compare, to the fragrance of flowers that bloom and scent only for those who brave the night I used to be afraid of the dark , Now i make love with it.
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Jul 16, 2013
Jul 16, 2013 at 3:26 PM UTC
Transitionary phases, with hindsight , become but a twirl in the foxtrot
Sweet lips encrusted in sugar from the hot doughnuts at the steam fair. Baked in the dusty sunshine of an August afternoon in North London. I would roam these streets from childhood into adulthood, Drinking £2,50 wine at bus stops only to get thrown out of the pub for illusionary bathroom shots Our real crime? Being too young. Since then, i have drunk Spanish manzanilla in an old tobacco store room Transformed into a house where wafts of old book smell mingling with the scent of baked terra cotta and lemon trees sweeps down dark corridors revealing hidden gems of traveled souls. Where there are streets that belong to Phoenician women , Arab traders , Christian crusaders and now the Spanish folk All these names we go by , yet still human we stand Up on roof tops, smoking sneaky roll ups to the elegance of storks Building nests on church domes and castle walls Monuments to remind the future Graffiti on the natural landscape , the ruins read " we waz ere" From shores of the Atlantic to shores of the Atlantic Brooklyn rises The night bus to eat pizza alarmed me How were the buses so different ? London's told you where you were New York's Made you suss it out for yourself In the company of a Father i hardly knew and the Mother of my new sibling Child , Who will you become ? Shaped by the contrast of your parents skin , your curled hair yet to emerge from fresh formed follicles Rest easy , This world Ain't so harsh I found God at the bottom of a bowl of noodles Simply sitting there , lazing about as i licked my lips of the residual chillies and sugar I deal in the order of paradoxes Born by the sea only to grow up in the 'so called' luxury of the cities jungle Although, resting now in the moon soaked mountain air , no city can compare, to the fragrance of flowers that bloom and scent only for those who brave the night I used to be afraid of the dark , Now i make love with it.
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33
The moonlight breaks upon the city's domes, And falls along cemented steel and stone, Upon the grayness of a million homes, Lugubrious in unchanging monotone. Upon the clothes behind the tenement, That hang like ghosts suspended from the lines, Linking each flat to each indifferent, Incongruous and strange the moonlight shines. There is no magic from your presence here, ** moon, sad moon, tuck up your trailing robe, Whose silver seems antique and so severe Against the glow of one electric globe. Go spill your beauty on the laughing faces Of happy flowers that bloom a thousand hues, Waiting on tiptoe in the wilding spaces, To drink your wine mixed with sweet drafts of dews.
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2.2k
Song of the Moon