It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely

thought i would have a go at doing diy
dont know what im doing but i had a try
first i got my tools out hammer drill and all
so i could put a shelf up and hope it didnt fall
first i drilled some holes and put the raw plugs in
i made lots of noise creating such a din
then i got my shelf and ******* it to the wall
hoping it was straight and that it wouldnt fall
i stood back to see if i had done it right
but it had a tilt slightly to the right
so i drilled more holes then i tried again
by the time i had finished there were nine or ten
i couldnt get it straight it was plain to see
now all there is holes where the shelf should be

<p><p> Io non so voi .ma il mio calendario è pieno zeppo di occasioni speciali di questa primavera - bambino docce .lauree .matrimoni - è il nome .** intenzione di esso !Mi piace aiutare gli amici impostare i loro eventi .così ** sempre prendere nota di eventuali tutorial per composizioni floreali .Questo fresco .succulento centrotavola fai da te da Bare Root Flora \u0026 Laura Murray fotografia è esattamente quello che sto cercando !Non perdere nessuna delle graziosa nella galleria .<p> Condividi questa splendida galleria Da Robyn : Primavera offre una tale generosità incredibile di bellissimi fiori che non abbiamo potuto resistere alla possibilità di riunire alcuni dei nostri preferiti per creare un lussureggiante primavera centrotavola perfetto per i tanti incontri che accadonoin questo periodo dell'anno : docce .feste di laurea .festa <b>abiti da sposa 2014</b>  della mamma e altre occasioni speciali !<p>è? nostro preferito opacoènave ?pezzo di filo di pollo abbastanza grande da creare una forma abbastanza stretta nel vostro contenitoreè? nostra di cinque tipi di vostri fiori preferiti .Provate a variare la forma un po 'così che alcuni sono morbidi e soffici.alcuni hanno una linea più lunga .alcuni sono più grandi .alcuni sono più piccoli .alcuni sono viney in natura.Variety rende la disposizione bellissimo !Abbiamo usato peonie.lillà .rose spray.tulipani .clematis e rami apple blossom .è? Ne o due tipi di fogliame.Sentitevi liberi di foraggiare dal vostro giardino di fiori e foglie !Abbiamo usato Dusty Miller e geranio profumato .è?coltello floreale o alcuni tagliatori -no forbici!Forbici danno gambo di un fiore .che vieta da bere correttamente .<p><p> Il primo passo per qualsiasi composizione floreale stupendo è quello di preparare i vostri fiori !Assicuratevi di pulire fuori qualsiasi fogliame che cadrà al di sotto della linea di galleggiamento .Foglie in acqua incoraggeranno la crescita di batteri .che accorciare la vita del vostro arrangiamento .<p> successivo .preparare il contenitore .Piegate il filo di pollo per adattarsi perfettamente all'interno del contenitore .Il filo di pollo agisce come una griglia per tenere i vostri fiori dove vuoi .dando il vostro disegno la forma desiderata .<p> Iniziare con la raccolta e l'immissione alcuni dei vostri grandi .soffici fiori in un gruppo qui .peonie e rose a spruzzo.Dà la disposizione  <a href="http://www.belloabito.com/abiti-da-sposa-2014-c-13"><b>abiti da sposa 2014</b></a>  un bel punto focale .Successivamente.aggiungere in alcuni dei vostri fiori lungo linea ( nel nostro pezzo abbiamo usato il lillà e tulipani ) .Utilizzare i fiori lungo linea per creare una forma giardino - esque selvaggio .Il movimento è fondamentale .lasciate i fiori raggiungere e picchiata !Darà il suo  <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a>  pezzo così tanto la vita !<p> Trasforma il tuo imbarcazione in cerchio lenti come si progetta .continuando ad effettuare i tuoi più grandi.soffici fiori un po 'più basso .con i vostri fiori linea leggermente più alto .Inizia a riempire con le tue chiome .<p> Abbiamo terminato il nostro accordo con rami di mele e clematidi .La clematide viney è il tocco finale perfetto .Abbiamo lasciato la nostra sbirciare sopra le nostre altri fiori per dare al pezzo un aspetto molto selvaggio .Fotografia <p> : Laura  <p><a href="http://www.belloabito.com/goods.php?id=674" target="blank"><img width="240" height="320" src="http://188.138.88.219/imagesld/td//t35/productthumb/1/4609935353535395473.jpg"></a></p>  Murray Fotografia | Fiori: radice nuda FloraBare Root Flora è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Bare Root Flora VIEW</p>

Say I know, no question, what the Good News was,
the Jesus good news, but

nobody believes that. And its free good news. Who pays me?

Think Gaiman's American Gods,
true believers everywhere, no truth, no free ificity,

sufficient, suffice, artifice, artificial freedom, if

you can't imagine artificial freedom, how do u test AI?

we can imagine all sorts of hells, and miserable lost evers

all phantoms from the stories you've believed
believed by the tellers
who told you
you were naked.

Is this a theme?
Are we manufacturing sensible un-believable
idle word redemption tools.
DIY? No App?
Empowering the believers to unbelieve, at will, with effort?
Very little effort, but yes,
My calling, yes, previous to full-time Peacemaker.

I e-merge several streams of thought, gentle, --- un belief is,
it hurts like you imagined hell, almost exactly.

Monetize your lies,  who said do that?
you don't believe them do you?
The ones you tell
Where you know prayers are answered

Because
You
know sorta. Knowing a thing is so,
you know, defining.
Be and lieve together they make a meaningful
you know

Re-ifing and de-ifing,
being a believer in whom is no guile,
is that
actable.
Could a thespian make us believe he believes what I believe if he were me?

Is that in the bible,
that walk a mile as me proverb?
It's true, if you do it, in your head or mind,
if you think mind ain't matter

or doesn't matter, okeh.

I don't.
D'I ever tell you about the time I realized I was safe,
lazy days o' summer,
way back when was no TV, no video nuthin, then

when I woke, I was here as sure as I am,
that I know next

to nothin for sure,
and for a blameless,
shameless old man, who catches Jesus winkin'
in his thinkin' ever day,

' cain't say damday and asaid it anyway.

It's about time I tell my story, if that is my job.
My story means the story I tell,
the one I think I believe I know and enjoy.

Tellin' it, I en joy en trance, never thrall.

Life is predominantly fun.
Empiric evidence. Take it, by faith,
we all know how,
we laugh and say we don't, but we are lost with out it,

no hope.
Oh, my God, desperate for you.
They sing that, they call such singing praise.

Somehow they have come to believe
Christ has left them desperate for any good things,
forsaken them after promising
other wise

Who would teach a chile such a song in Jesus's
whole body, I swaneee

Hopeless, t's what desperate means,
desperados are not disciples
of the tendency to a bias toward good, by grace.
nosireee
---
Can I speak living words,
is that living water flowing from me,
if I agree with the story I am telling,

Yes, all the promises of God.
Come let us reason,
we are past the scarlet sin.
Sin means disconnect in today's terms,
missed aimed-at-thing's the original Greek expression that
made it to the Bible.

And a blog is as good as a book, some say,
as far as words are concerned, meaning-wise

but spoken words go farther, these days.

Rhetoric is returning to try men's souls,
and the peasants have Google and IDW
(Intellectual Dark Web wuwu)

and the real Bible Daniel and Ezra 'n'em put together from all the sources they could muster under the banner of
Lest we forget.

Was that the banner spoken of
by the prophet so and so?

Could be.
Runner-up th'pole 'n'see who kneels.

Emoji winks are too cheezy for real poetry,
you never see 'em in songs.

Jesus winks but not at
your-my disconnection from re-ality.

We can't be **** Sapience Sapience
if we don't think about thinking.

The unexamined life's not worth living,
old Greek guy saying.

Jesus saying, as a man thinks, so is he.

And I think he was talking about good and evil.
A man can think good and evil, but

(and this is one of those forever buts I mentioned last time I was thinking on this thread),
evil can't swallow good. No matter how long it chews.

Funny, really, how stuff works.
We all live until,
as far as we do know now,
time
for conscious mortal me,
each
of us in this we, me
ceases.

De-sist,
recall the way it feels to lay your armor down
and know,

I ain'tagonnastudy war no more.

But, we are called,
chosen to fight the good fight of faith, Amen.

Ah, men,
we ain't got enemies.
We fought.
You believe you believe or you don't.

Have fun and don't make anybody miserable
and stand up straight,
with your shoulders back, good advice.

Next. There is a reason to go farther,

I think, but don't know right now, what that reason is.

Praying being asking for assistance in persistence,
I am praying this is plain, past simple, plumb to sublime.

I'll be here for infinity x infinity
A penchant for curves like cursives
I say it in my verses
Vocab too wide for curses
Don't like likes
Fingers to whoever dislike
Like a vlogger: share, comment, and like
Oh yeah, subscribe
Fun, I prescribe
Right on time
Better late than never
Man of the hour
Original with the flavour
Chocolate and Vanilla
Black and grey
If you're too slow to comprehend
No résumé
No references
DIY my title says
Fickle fools play 'Simon Says'
Press remotes don't change but
Batteries can be replaced all the same
God - like
Holier - than - thou; Pope's attitude, beg for mercy
Self - driven, self - motivated
Ministering like Osteen
Light and dark
Yin & Yang
Angel or demon I can be
High off life
Limitless, no pills
I'm probably ill
Well it's my will
To count millions in $100 bills
Like ice, I chill
That's me, trill
And that's that
Suh bill

LanceSkiies

think for a moment
about how small you are
about how short you live
and how the sky isn’t upwards
but all encompassing      

think for a moment
about how vast nothingness is
about how little we know
and how if the universe is infinite
we will never explore a single percent of it

not one

If afraid to ask
what an ****** feels like,
just have one instead.

1/ Swallow a ripened evening whole.
2/ Regurgitate the metaphor bit.
3/ Masticate on the ensuing puzzle.
4/ Spit out the sparkling bottomless-pit.
5/ Savor the nutrient-loaded symbols.
6/ Plant the jewel in fertile wit.

I've yet to meet another human such as yourself,
All other that I came to love at some point in time came a dime a dozen. I knew it then, I know it now.

But those days where you held my hand sparks did not fly, no. Tectonic plates crashed within my veins, sending quakes straight into my aorta and stopped my heart until the day you kissed my nose, my innards grew from bone, skin, muscle. To bark, leaves, and flowers.
Not only did you revitalize the heart you stopped but made it something so much more beautiful, a bleeding heart, just like the ones that grew outside my window when I was little.

And when I learned the kind of person you chose over me after months of gentle sun and careful watering I felt my lungs collapse and all I want to do with these useless sacks is drown them with rocks and try to relive the rumbling you once put in them with the smallest of gestures that obviously meant so much more than meant, because to sleep at night I need to tell myself my love for you is a **** and will consume all if gone unrequited. But when our skin touches or when my eyes meet the gleaming grin of such a work of art I feel a black hole in my chest for this desire will swallow up my stars and I want to never love again because you are the end game, my end game.

Being asked to be in a bridal party is a huge honor and one that you probably don’t want to have to turn down because you can’t afford it.

“I’ve been in two weddings and have attended seven. When you’re asked to be part of a wedding, you just think about that one day, but you don’t really take into consideration the engagement party or the bridal shower, and the bachelorette party,” NerdWallet’s Jessica Lindquist says. “I split the hotel with some of the other bridesmaids, so that was one way I was able to cut down on costs so I could attend all of those events.”

Here are five ways you, too, can accept a bridal party invitation without having to stress out over the cost.

1. Trim expenses on your hair, makeup, nails and outfit if you’re asked to be a bridesmaid. Check whether anyone you know is skilled with hair or makeup and if so, ask him or her to do it for you. Another option is to have a professional do either your hair or makeup and do the other one yourself. Also, skip the pricey mani and pedis — DIY them!

For your bridesmaid dress, offer to assist the bride in picking one she likes but that is also affordable for you. Help the bride put together a style board beforehand so you’ll know her tastes and can do some of the research ahead of time. Plan bridal dress shopping days around upcoming sales for major retailers, so you’ll have more affordable options to choose from.

Once you’ve bought the bridesmaid dress, bring it to a trusted tailor who won’t overcharge you for alterations. Chances are you won’t be wearing it much after the wedding, so don’t splurge on getting it fitted at the dress shop.

If you’re going to be a groomsman, save money on your clothing by wearing a suit you already own — or if you must don black tie, search for a good price on renting a tux.

2. Get involved with the bachelorette or bachelor party planning so you can have a say in how much it ends up costing. You might think this is aggressive, but Gail Blachly, another Nerd, says addressing expenses head-on can be beneficial.

“Have those open discussions with the bride or the groom to say, ‘How much do you think I need to set aside?’ Because they’re open to having those discussions, too,” she says. “They’re in the process, they’re making their own budgets; they understand that it’s a need-to-know fact.”

3. Make a gift plan. If you feel comfortable splitting bridal shower or bachelorette/bachelor party presents with the rest of the wedding party, do so. If not, aim to spend 20% of your gift budget on the shower, 20% on the bachelorette/bachelor and 60% on the wedding.

4. Use your credit card rewards or loyalty program points to help cover travel and lodging costs. Since it can take some time to earn enough points, start saving as soon as possible.

5. Set a savings goal and work to meet it. As soon as you agree to be in the bridal party, talk with the bride or groom to estimate how much it’ll cost you and use that as your savings goal.

You might think you can’t afford to be a bridesmaid or groomsman, but don’t say no right away. With a little planning and resourcefulness, you can afford more than you realize. The next time you’re asked to join a bridal party, follow these suggestions so the experience leaves you with fond memories and sound finances.

read more:www.marieaustralia.com/bridesmaid-dresses

www.marieaustralia.com/formal-dresses

assistenti

cane in un propel matrimonio detto matrimoni in cima alla lista commovente .I cani in realtà solo rendono tutto più felici .non è vero ?Quindi ero già innamorato di questo matrimonio .grazie al cane dolce .quando ** letto le parole della sposa e si innamorò con la loro storia .Sprout .la signora dietro i bei fiori .era secondo insegnante elementare dello sposo .Everest Strada Fotografia stato un consigliere campo con la sorella della sposa .L'intera giornata è stata un ricordo in divenire .uno Sono sicuro che la coppia e tutti i loro ospiti potranno guardare indietro per sempre con affetto



.
Condividi questa splendida galleria ColorsSeasonsSummerSettingsHistoric HomeStylesCasual Eleganza

Dalla bella sposa .Mi sono innamorato di Fredericksburg attraverso la mia damigella d'onore Cori Dickie frequentando il 4 luglio parata durante il college ed è diventato una tradizione annuale .La sua mamma ci compra sempre corrispondenti camicie bandiera americana al Walmart .Cori e sono diventato amici incollaggio su DQ Blizzard e aveva mensili "Date DQ ".Una volta Riley e ** iniziato datazione è venuto con me per i festeggiamenti .Non abbiamo mai pensato di sposarsi qualsiasi altra parte .Il Ruff Haus è stato il primo luogo che ** visto e mi era innamorato .Non ** mai sognato che avrei sposarsi al di fuori .ma era perfetto per Fredericksburg e noi.Volevamo qualcosa di casuale e invitante - come una grande festa nella nostra casa .Insieme essendo un matrimonio abbiamo voluto che fosse una festa dove tutti erano lì per divertirsi .I bastoni di incandescenza erano uno dei miei tanti preferiti sulla pista da ballo e per l'uscita .Sono venuti su .perché il luogo praticamente non ha consentito buttare nulla o qualsiasi tipo di fuoco - e quindi abbiamo fatto la nostra propria luce .

Riley e io laureato presso la stessa scuola .a tre anni di distanza .I nostri genitori vivono a pochi isolati l'uno dall'altro e non si conoscevano .E 'stato così divertente vedere le nostre famiglie si riuniscono e il divertimento nostri genitori hanno insieme e matrimoni cristiani che hanno modellato per noi.Mamma abiti da sposa corti di Riley .direi il più timido del gruppo.ha avuto l' idea di eseguire un ballo a sorpresa al matrimonio .Hanno preso 8 settimane di lezioni di danza coreografia di " Shake Your ***** ".Purtroppo .la band non ha avuto la canzone giusta in modo che non erano molto soddisfatti delle loro prestazioni .** detto loro che non ti preoccupare faremo lo si esegue ad ogni festa importante da qui in abiti da sposa corti avanti .

Riley vende articoli promozionali per le aziende così ci è venuta l'idea di fare un logo per il matrimonio e metterlo su tovaglioli .tazze .koozies .borse di benvenuto e biscotti .** creato il look che volevo e font e uno dei dolci amici di mia mamma aiutami invertire le lettere e convertire il formato .Siamo quasi ripulito tutti gli obiettivi a Dallas cercando vasi di muratore .Volevamo successivamente a causa del calore e così volevamo tanto illuminazione possibile.La mamma di Riley è incredibile con fiori e lei ha fatto alcune delle disposizioni sui tavoli .

Quando abbiamo deciso di fare un matrimonio fuori sapevo che abbiamo dovuto avere il nostro cane .il giudice .in esso .Abbiamo preso il fine settimana che Riley ha proposto a casa di William Faulkner a Oxford .MS .Mio fratello treni laboratori di nero e ci ha dato il giudice e il suo cane Tex è come parte della famiglia .Averli nel matrimonio è stato uno dei migliori e più stressanti cose .Il giudice ha trascorso l'intera cerimonia cercando di ottenere la mia damigella d'onore Abbie per lanciare il suo bouquet per lui recuperare .Mio fratello ci ha dato anche in modalità pianificazione di nozze ed ha trovato e ha condannato i collari per cani corrispondenza di un amico .Uno dei nostri ospiti libri era acquerelli e abiti da sposa 2014 storie di Oxford e l'altra photography era da Texas Hill Country .

maggior parte dei dettagli è accaduto lungo la strada.Non ** mai pensato che avrei arancione come colore e non avrebbe potuto essere più soddisfatti .I fiori sono stati fatti localmente da Sprout .di proprietà di Michelle Hodges - che abbiamo poi messo insieme quando i genitori di Riley si sono incontrati con lei che era la sua seconda maestra elementare a Dallas .Inoltre .ero così entusiasta di scoprire il mio bonus - sorella era un consigliere campo con il nostro fotografo.I piccoli collegamenti come quello reso molto speciale .

Per i fiori non avevo mai sentito parlare di Dahlia .Questa primavera Southern Living ha fatto un articolo su di loro e sapevo che sarebbe la misura perfetta per il nostro matrimonio .Programmi

- sapevamo che sarebbe stato caldo e quindi pensano i fan sarebbe una grande idea .Erano - tranne per il fatto che li assemblaggio è un po ' più difficile di quanto avevamo previsto .Abbiamo avuto una festa incollare una notte e mastice usate che non attacca a tutto .E 'stato un processo di apprendimento .

mio DIY preferito .se si può chiamare così .è i registri le torte erano su .Riley e io stavamo camminando giudice una notte e qualcuno aveva tagliato un albero nel loro cortile e registri non erano stati raccolti ancora .Siamo tornati a casa e abbiamo preso il suo camion e li raccolse .Non sapevamo che pesavano una tonnellata e ha ottenuto il suo sedile posteriore super- sporco .Lavender

- mia mamma amicizia il proprietario di Urbano di erbe e abbiamo avuto solo per avere lavanda cose profumate ovunque .Il mio patrigno si avvicinò con l'idea di ghiacciato giù di lavanda asciugamani profumati .Egli può essere più orgogliosi di questa idea di ottenere la sua certificazione online per essere un ministro

Fotografia : Everest Strada Fotografia | Coordinatore: . Jasper Eisenberg | Fiori : Sprout | Abito da sposa: Bridal Boutique di Lulu | Torte : La dolciastro Chef | damigella d'onoreAbiti : Donna Morgan | Catering : Delicious Dettagli | Abbigliamento Groomsmen \ 's : Jos A. Banks | lavanda Prodotti : Urbano HerbalSprout è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Sprout VIEW
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The plumber came to call or The self-draining P’trap

To all the plumbers I have met, and yes I've met a few,
Domestic pipes, commercial pipes and civil pipe-work too,
Blow torch and solder, flux and joints,
Tricky bends and straight bits, in perfect counterpoint.

Then of course the big stuff, pipes bigger than your shoulders,
Not supplied by DIY, only bought from stockholders,
No solder for this job, a welding torch’s the thing,
Careful tack, align no crack, weld a perfect ring.

All the pipes are connected, whether large or domestic small,
Fill with water and pressurize, hoorah, no leak at all,
Flush the pipes, flow is fine, a job with a happy ending,
Pack the tools grab the kit, thank god I’ve finished bending.

The domestic user is dabbling, with a little pipe-work flair,
Can’t be that difficult, just one joint here, or the odd joint there,
All seems fine, fresh water in, waste water out,
I’m not going to spend money, on a plumber’s callout,
The waste seems not to drain well, gracious, how can that be,
I connected what I thought was right, no it can’t be me

It appears the waste pipe is blocked, gone are the comforting swirls,
This must be where the gooey stuff goes, and all those hairy curls,
I can clear the blockage, how difficult can it be,
Now, the water goes down the plug hole, around a wiggly bit, I see,
I think they call that a P-Trap, that’s all technical news to me
An old wire hanger, with force of water, will definitely do the trick
Plunge hanger down the hole, wiggle it round a bit, give it a flick,
The water hasn’t moved an inch, and the wire is firmly stuck,
Time to remove the P-trap, and deal with the unpleasant muck,
How difficult can this be, what could possibly go wrong,
Get the tools, lay on my back, this shouldn’t take too long,
Gripping trap tightly, with little effort it should unscrew,
Nothing moves, try again, it’s ****** tight, I think the thread’s askew,
A tap with my hammer, will loosen this stubborn joint,
No movement is detected, both sides are still conjoint,  
A mighty whack should do the trick, just to make my point,

A thin stream of water, is dribbling down my arm,
Success, I grab the trap, twist like merry hell, and to my alarm,
The stored bath water gushes out, the mood is far from calm.

Pushing the trap together again, trying to stem the flow,
A loud voice calls, from the dining room below,
What the hell are you doing, water’s all over my Chapeau.

Sorry my love, move your hat, it’ll be fixed in a trice,
Me thinks, If I don’t fix this very soon, I’ll need a flotation device,
Just a five minute job, am I kidding myself, my mouth is all agape,
I hunt around with my free hand, and grab the gaffer tape.

I unwind the life saver, and wrap it around the leak,
Let’s consider the situation, to avoid my wife’s serious fit of pique,  
Keep my mind focused, what could possibly go wrong,
A solution is required this very minute, that won’t take overlong.

I’ll wedge my hammer, beneath the troublesome trap,
This will give extra support, whilst my plan, I have time to map,
As I swung the hammer into place, there came a mighty crack,
A hole appeared in the bath end, I suffered a symbolic heart attack.

Time to call the plumber, and hang my head in shame,
My wife’s assessment of DIY, will never be the same,
Emergency call out was swift, a smiling youth at my door,
Lead me to the problem site, and I will probe and explore.

An estimate was made, whilst ******* air through his teeth,
What Pratt, he said, has been working on the trap beneath,
Is it bad, my wife has strength of a gorilla, it’s beyond belief,
I’m afraid it’s a bath, a trap and associated pipe work, good grief.

It’s going to be expensive, there’s the bath and tiling too,
I can’t do it straight away, but I’ll put you in the queue,
Said he was interested in the engineering feat,
Designing a self draining P-trap, was a little hard to beat.


A temporary repair was fashioned, with fiberglass and tape,
I cleared the mess around me, and quickly made an escape,
It was some days later, I thought I’d clear the gutters,
I could tell the family were not keen, by their groans and their mutters,
Not to be diverted, I disregarded all their ridicules,
I told the wife I’d start right now, but she’d locked away my tools.

My mother
My father
My brother
and even my Grandmother
are all liars.

They lie
not because they know
what they are lying about
but because their world
is built on the foundation
of false truths.

Do not draw on yourself with ink
because if you do
you will become sick--
is a simple lie
that is spread just like disease.

The true black plague
of this generation
is not a virus of biological form
but an infection of the mind
one that lingers in our thoughts.

It causes us to error
corrupting what is truth
for what we think is true--
over-implosion of convoluted thoughts
make even the simplest
of ink and skin to be mixed too much.

The convenience of information
has oversimplified our lives
and with it
people produce less
and consume more.

Se hai effettuato il login per Style Me Pretty questa mattina alla ricerca di qualcosa che stava per allietare la abiti da sposa on line vostra giornata .siete fortunati .Abbiamo un super allegro .super felice .assolutamente stupendo Tahoe matrimonio da Em The Gem e di mettere un sorriso sul



mio volto che non sta andando da nessuna parte in qualunque momento presto .

ColorsSeasonsSummerSettingsRanchStylesCasual Elegance

dalla splendida sposa .Mio marito .Nick .e ** incontrato 10 anni fa a Tahoe come membri della UC Davis Ski Team .Quando diventando impegnati lo scorso agosto .abbiamo concordato la nostra posizione di nozze doveva essere significative e univoche .Tahoe è stata la scelta naturale .dal momento che è dove ci siamo conosciuti e continuiamo a visitare .Dopo la visualizzazione di più sedi Tahoe .abbiamo scoperto la splendida Northstar Zephyr Lodge .Con una splendida vista Tahoe Mountain Vista e la capacità di ospitare comodamente i nostri 200 + ospiti .il lodge Zephyr forma il conto perfettamente .La caratteristica migliore : gli ospiti sarebbero arrivati ​​tramite impianti di risalita !Essendo un nuovo lodge di sci .il nostro matrimonio è stata la prima cerimonia e il ricevimento nella posizione .quindi è stato emozionante mettere insieme tutti i dettagli .

Come graphic designer .si è ipotizzato che vorrei progettare tutto da solo .e io volentieri ha accettato la sfida .Per i nostri colori di nozze .abbiamo scelto il fucsia e giallo senape .Abbiamo apprezzato la felice .combo estate e anche come spuntato contro i colori forestali naturali .Per i nostri materiali cartacei di matrimonio .volevamo un look semplicistica che era spensierata e riflette il nostro spazio .** creato semplici caricature di Nick e io.insieme con uno dei nostri Goldendoodle .Maisie .che abbiamo usato per gli inviti .oltre alla giornata di materiali nozze e segnaletica .Abbiamo inserito dettagli in legno nella nostra cancelleria per riflettere la posizione.** disegnato tutto.dal salvare le date e programmi .fino ai pacchetti Toss riso .

La maggior parte delle decorazioni era DIY .Volevamo semplici decorazioni che mostrare il luogo moderno .ancora rustico e non eclissare gli scorci visti attraverso il soffitto stava quasi per finestre del piano .Abbiamo ordinato i nostri fiori alla rinfusa da un negozio di fiorista locale e .con l'aiuto di amici e familiari .organizzato loro il giorno prima dell'evento con barattoli riciclati.La sede ha fornito bei tavoli in legno che abbiamo accentato con corridori di colore neutro.Ai tavoli .abbiamo lasciato divertente gratta carte pop - quiz e penny per i nostri ospiti di godere .

schede magnetiche da Ikea visualizzare le nostre schede di scorta .Abbiamo fatto il nostro tessuto coperto di senape gialla e fucsia magneti pulsante per apporre le carte per le tavole .Per favori .abbiamo implementato la versione montagna Tahoe di un candy bar : il bar self-service trail mix !

abiti da sposa corti le damigelle indossavano gonne di seta neutri da BHLDN e ciascuno ha scelto i propri piani oltre a scarpe gialle .I testimoni dello sposo indossava pantaloni J. Crew e camicie bianche e senape cravatte gialle per una sensazione causale montagna .La madre dello sposo ha creato tutti i mazzi di fiori e boutonnieres .

Northstar ha fatto un lavoro meraviglioso appartamento il cibo cena e bevande .Il dessert buffet consisteva di tutti i dolci fatti in casa per gentile concessione di amici e familiari .Macarons .brownies .biscotti .caramelle e dolcetti piacquero molte pance .Dopo una lunga notte di balli .feste e bere .gli ospiti afferrato bastoncini luminosi per illuminare la loro strada giù per la montagna tramite gondola.E 'stata una bella giornata e la notte magica ricorderemo per sempre

Fotografia : Em The Gem | Wedding Planner : . Nancie Schoener | Wedding Gown : Mikella | capelli: Krystle Tanton | nuziale capelli pettine : Prim e Posies | damigella d'onore Gonne : BHLDN| Dress ballare: Anthropologie | Orecchini : Kate ***** | floreale Sash abbellimento : Belle de Benoir | Groomsmen Cravatte : Ashley NEF | Guest Book : Bridewell mercato | Inviti e Giorno della cancelleria : Elsie J | Trucco : Beauty Box Makeup Arte | Photo Booth :pic Box | cancelleria Fotografia : Lindsey Chin - Jones | Muta : J. Crew | Luogo : Northstar Zephyr LodgeBHLDN e J.Crew sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui
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WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016

(An mémwa granfré an mwen Dodo, frè jimo a Roderik, ki disparèt an *** lanmè koté Sentlisi lé disèt maws démildisèt anbo kanno ay, In God we Troust, menm jou ti frè an mwen Toto fété swasantkatran ay)

Lè Manzè Frégat, on vyé zwazo épi tèt a sizo lan mè, rivé

Konpè Dodo té ka ba dé kudmachwa adan on ponm arak kon i té ni vyé labitid fè

Dépi lé i té ti manmay chak trwazyèm vandrèdi a mars o pipiri chantan

Sété on sèl pélrinaj pou y té pran gou a sé prèmyé ponm malaka ki té vinn friktifyé

Vyé zwazo la diy konsa: « chaben, apakonsa zafè ka fèt ! avan ou té sèvi kow, avan menm ou té comansé manjé plen vant aw, ou té dwèt ban mwen lajan an mwen, ban mwen sa anfwamenm »

Konpè Dodo pa enmé pon vyé zwazo diy pon vyé biten ! I wondi bouch, i toufé, i manké tranglé :

-Ki pawol a foumi fou ki la ? i taw ?

-i tan mwen. ban mwen lajan an mwen, man, ou alo, ranjé zafè aw byen pas dènyé vandrèdi aw rivé !

ou pé kriyéy jan ou vlé malaba, malaka, kwachimelon, otaheite, pomme d’amour, ponm tayti, manzana malaya, séw ki sav, ou pa papay

sé mwen ki mèt ay, ou tann ! Ou tann byen !? Pa fè mwen trapé dézod épiw

Pa fè mwen jiréw, avan ou ay pran zafè a moun prokiré sav ki moun ki mèt a kann la

mwen ja las jouwé domino épiw, kouté sa byen, wouvè gran zorey aw ! An ja diw sa, yo ka kriyé mwen an lot koté Jambo, Prensès Scisour Lanmè

mwen pa vlé sav si ou métodis si ou advantis si ou ka fè penti

si ou rosikrisyen si ou catolik ou si ou ka trasé lèt asi olivetti

si bon dyé aw vodou, endou, ou témwendjéova, fwa aw sé taw, tan mwen sé tan mwen,

Non an mwen pa Séza non an mwen pa Bondyé sé Jambo

ponm arak ta la sé tan mwen, sé awryè granpapa granpapa mwen ki té arawak

ki plantéy, si ou vlé sav, ban mwen diw on ti biten malgré vyé mannyé érétik ou ni dépi toupiti. ou ka ékri tout koté « In God we Troust » sé pousa ou dwèt ka vinn trousé mwen ! foutémwa likan, espèce de malélivé

manjé kénèt aw ou chenet aw ponmsitè aw fé sa ou vlé épi yo mé pa mannyé vyé pyé ponm arak an mwen

sa ja ka fè plis ki katvensètan ou ka fé la fèt asi pyé ponm arak ta la

Ou pa sa li fransé , chaben ? espèce en voie d’extinction! An ké diw li on lot fwa an nanglè si ou pa vlé tann fransé

Endangered species !

Mé Kompè Dodo pa té vlé tann march ! Kompè Dodo mété koy ri ! I pa té pé rété ! Telman i té ka ri i té ka pléré !

Ki jan i té kay péyé pou on ponm arak pou on vyé frégat malkadik, dapréy non ay té « Prinsès Scisour Lanmè »

Manzè Frégat ou ni on jan dapréw ou sé yen a dan lé trwa Moiw, on Manzé Atropos

Konsidiré séw ki mèt a bobiné é débobiné

Mé apa mwen ou ké kouyoné, sé pa jodi jou disèt mars pon vyé zonbi ké koupé filsèvolan mwen

Banw diw sa, Tiré gran zèl nwè aw anba la pli la é ay pozé kow anba on pyé kowosol

Demen samdi avan jou ouvè mwen ké vinn kué ti ponm arak an mwen

Manzè Fregat pa pèd tan, vitman i poté mannèv, i anki ouvè gran gèl ay, bèk ay té ka parèt sizo

I vorey i varéy i valéy, i wotéy – zyé a zwazo la té ka sanm on sèl fé dartifis woz fichyia –

A las siete y media de la mañana, eran las siete y media en punto de la mañana

Kompè Dodo bat dènyé ti domino ay, a las siete y media de la mañana

Manzè Frégat comansé ranjé tou dousman sé domino la an bwat a domino la

Epi rès a ponm arak la i préparé pouy on ponch ponm malaka.

Sé pa pou ayen ni on proverb ki ka i konsa:

Pa jen jouwé domino épi on frégat si ou ka dwouéy on biten.

Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses

Sometimes you just happen to meet a girl, in blue high-cut chucks at a gig and there's just something about her that makes you want to give her all that she ever wanted.

Everything you think she wants,
you somehow believe she deserves to have them...and you find out what she likes and then you realize...every single thing she wants are the exact same things you've always wanted for yourself.

But you are not the thing she wants.
She wants that baby-faced bass player, that one bearded gum-chewer and that one deep lyricist

And all the complications they bring with them.

As culled from an arts magazine, 13 March 2019

Socialist Realism - The official doctrine in Soviet art and literature after 1932 that evolved from the traditional commitment to social and civic concerns into an all-pervasive general ideological mandate.

            -Yevgeny Yevtushenko, 20th Century Russian Poetry


collective exhibition space vibe community
interactive narrative brown neighborhood
defined commodified Indigenous
identity tone-deaf decolonial
narratives populist intertwined
exhibition curatorial vision
culture local artists arts district small galleries
DIY spaces speaking out against
gentrification displacing shelter
studio space elsewhere late stage capitalism
collective mantra underdog art savior
corporate entity partnering insensitive
ignorant collective brown people art
contemporary work that may not fit
into establishment art galleries
media advisory venture collaborate
creative community authentic
local statement of expression excitement
creative energy arts district project
many levels collaborate local
creative important creative
community what that collaboration
looks like ongoing local artists going
to be engaged in planning commissioned
project community buy-in consulted members of the creative community Indigenous artists curators museum
directors professors burgeoning landscape
cultural framework critique talk individuals
entities inclusivity open
dialogue opportunities project
conversations collaboration discuss
your projects share our work with you
common ground work together healthy sustainable
accountable decolonization

If all men want
is an ******,
they'd stay home.
DIY

*** isn't one-dimensional
neither are we.
The goal is
reassurance,

Reassurance we
aren't monsters
That we're interesting
and attractive

That rejection is only
happenstance
and that someone is
willing to be vulnerable

if only for the night
with us.
Someone only
needs us

and we need them.
Possessive and jealous?
To keep what is ours,
our purpose.

Our purpose is
simple.
To be wanted,
to be accepted.

i did some d.i.y it ended s.o.s
it wasnt very good just an utter mess
i put up a shelf it was on a *****
i was just so useless a proper odd job dope
i tried something else like a curtain rail
curtains they fell down yet another fail
then i put a picture  up using just a *****
something that was easy something i could do
it wasnt meant to be the picture didnt hang
the ***** fallen out it went with a bang
shattered in to pieces all along the floor
i stopped the d.i.y dont do it anymore

The cat comes round from next door
When his humans have all gone out -
The kids with their mum’s high-pitched voices
Daddy "Drill" with his DIY shout

And the cat comes and sits, sits in silence
And he rolls on his back on the floor
And he asks you to tickle his tummy
Then he asks you to stop with his claw -

Yes, it’s nice of a day to have company
Of the kind that don’t too much distract
Yes it’s better than telly, oh isn’t it very -
Nice to have neighbours with cats!

Marge retrogrades lazily towards the hills;
Her name, printed the width of her cab-over dinette
In crinkled cobalt cursive,
Totters eccentrically as her handbrake fails.

SNAP-AP

Oblivious to errant camper vans (and centripetal forces in general),
Barney speeds maniacally along a deserted city street;
Golden coated and joyously poochie,
His tongue flabbers as fast as his bicycle courier dad can pedal.

SNAP-AP-AP

Mr Blue buys buckets at Bunnings
To match his cerulean suit and shinier-than-shiney satin shirt;
Periwinkle rhinestone shoes carry him unabashedly passed the second glances and sideways looks;
There goes the best dressed DIY-er in town…don’t ya know.

SNAP-AP-AP-AP

In 1983, the Fashion Design Council burst on to the Melbourne scene like a Liverpool kiss to the mainstream fashion industry. Inspired by punk's DIY aesthetic and armed with an audaciously grandiose title, an earnest manifesto and a grant from the Victorian government, FDC founders Robert Buckingham, Kate Durham and Robert Pearce were determined to showcase the burgeoning Melbourne design scene in all its outrageous glory.

"People resented hearing about Karl Lagerfeld," says Durham. "Our movement was against the mainstream and the way Australians and magazines like Vogue treated Australian designers."

Over its 10-year lifespan, the FDC launched such emerging designers as Jenny Bannister, Christopher Graf and Martin Grant. But what was perhaps most exciting was the FDC's ecumenical approach. Architects, filmmakers, artists and musicians all partied together at runway shows held in nightclubs.

"It was an inventive time when people came together and made people notice fashion," says Durham.

Among the creative congregation, Durham remembers artist Rosslynd Piggott, who constructed dresses of strange boats with children in them and filmmaker Philip Brophy, who used "naff" Butterick dress patterns. Elsewhere, an engineer made a pop-riveted ball dress out of sheet metal. The crossover between music, art, graphic design and film extended to architects such as Biltmoderne (an early incarnation of celebrated architects Wood Marsh) who designed the FDC's favourite runway and watering hole, Inflation nightclub.

"Clothing was confronting," says Durham. "It was brash and tribe-oriented. It was quite good if you weren't good-looking. People liked the idea that this or that clothing style was going to win you friends."

Today, however, even Karl Lagerfeld has a punk collection. To complicate matters, "fast fashion" appropriates the avant-garde at impossibly low prices. The digital era too has caused the fashion world to splinter and bifurcate. What's a young contemporary designer to do?

"The physical collective is no longer that important," says Robyn Healy, co-curator of the exhibition High Risk Dressing/Critical Fashion, which uses the FDC as a lens to view the current fashion landscape. "These are designers who are highly networked through social media who put their work up on websites."

Fashion designers still use music, film and architecture, but in different ways. Where FDC members might document its runway shows with video, studios such as Pageant use video as the runway show and post them online. Social media is perhaps the big disrupter. Where FDC designers might collaborate with architects, today it's webdesigners.

"Space has changed," says Healy. "Web designers might be the equivalent of the architect today. It's a different use of space."

As grandiose as the FDC, yet perhaps even more ambitious in scope, is contemporary designer Matthew Linde's online store *** gallery, Centre for Style. Like the FDC, it offers space for "artists who aren't at all designers per-se, but they're dealing with a borrowed language from fashion", Linde told i-D magazine.

"It's an extraordinary juggernaut across the world with a huge amount of Instagram followers," says co-curator Fleur Watson. "[Linde] has created a brand that uses social media in an interesting avant-garde way."

Yet unlike their often untrained FDC counterparts, these designers are perhaps the first generation of PhD designers, notes Watson. "Robert Pearce had a belief in culture changing the world. That's what these new designers are reflecting on in their research, their position in the fashion world and how do they change the way fashion works?"

While it's also true that new technologies offer exciting possibilities in embedded fabrics and experimentation with 3D printing, fast fashion has created certain expectations.

As Cassandra Wheat of the Chorus fashion label laments: "It's just hard for people to understand the complexity and the value that goes into production without being really exposed to it. They think they should have a T-shirt for cheaper than their sandwich."

During the course of the exhibition Chorus will produce its monthly collection from one of the newly designed spaces within the gallery. The exhibition's curators have commissioned three contemporary architects who, like its '80s counterparts, work across the arts, to interpret FDC-inspired spaces. Matthew Bird's Inflation-influenced bar acts as a meeting place for the exhibition's forums and discussions on the contemporary state of fashion. Sibling architects abstracts the retail space, while Wowowa's office design resembles a fishbowl. For Watson, the exposed shopfront/office has as much front as Myer's. Its architecture suggests the type of brazen confidence every generation of fashion design needs. Says Watson: "Fake it till you make it."Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/formal-dresses-2017

The fog here is thick, until you step into it.  
The storm rages until you get to its eye.  
I wish this same principle could be said of me, too.  
But like a gas giant, you could slip right through me with
                         the smallest amount of pressure.
There is no calming sense of self at the core.
Gravity does not apply to me.

There’s a boat on the lake cutting through the fog.  And then nothing.  
                                                      ­                                    More waves.  
                                                        ­            More birds.  
              The fog covers it all up again.  
The sun slinks and the tide comes in, or is it out?  Does it matter?  
The moon controls it in some way—the push, the pull of the waves.
At least the lake looks blue today,
                           looks green today.
The geese are in the water now.  The families are packing up.  
                             The ice cream shop is closing.

And I do not remember if I was ever here with you.  
                                This, of course, is a collective you.  
Could mean you, my reader,
                                               could mean one specific person,
                                               or two
                                                             ­       or three
                                                                ­                          or four;
could be whoever I'm thinking of when I reread this to myself.  
That’s the funny thing about the litany of loss.  
                                           It all starts to congeal.  

Waves crash against the rock.  Starts to chip away, create something new.
                                                      That’s what memory does.
It’s not permanent.  It’s malleable.  
Flexible.        Bendable.        Moldable.  
It smells like lakewater.  Like
                                                  fish and sand and mud and
                            gulls and rocks and shells and
     algae and fog—thick, thick fog.  
Smell is supposed to be one of the biggest memory triggers, and yet
                                       I cannot place a single memory of you here.
                                                    And that’s mildly crushing.  

So I would take you here:
                                              to where I wish the air was
                                                       saliter and less earthy.  
                                              to where I come sometimes to think.  
                                              where the clouds are so thick and puffy and
                                                            the setting sun makes them look like                                                                cotton candy on the Fourth of July.
                                              where the sun’s reflection on the water
                                                                ­      turns the green lake pink.  
                                              where the geese are back out of the water and
                                                                                                     onto the shore.
I would take you here with me.  
Into a new memory.  
                                      Homemade.        Handmade.        DIY.

I see Dockers watering pansies with dainty watering cans,
I see transvestites doing DIY,
I see women building bodies,
I see men cook and fry,
And don’t grown men cry?

Gender complexities, ****** complexities,
Why the split when things don’t fit?
Women doing house removals whilst men sit and sew,
So what?
Humanities, biologies, personalities,
Are we not more the same than different?
The World is crazy for categories,
But we do not fit inside.

A little slice of the pie
I try to consume but I
throw it up every time.

Bulimic the scenic
route I take.
No mistake I meant to regurgitate.
Choking down lies, smiling like it taste great.
Get another helping of the American pie plate.

Washed down
with whiskey, strong and brown
like the strong and brown brothers
that scalped heads and used skins for covers.

Good morning, America!
Ignore the hysteria.
Pay attention to the sensations
on the surface area

Cap'n crunch
is more important Captains getting crunched
in a 13 year war we started off a hunch.

If you pay attention to the news
notice they ignore the trues

like the flammable water coming from your hose
or the fact you can't afford your children's clothes

We're buying apps and devices for $1200,maybe,
instead of $20 to buy a real ukelele

You see, we pay companies
to do things
because we're conditioned to be
to lazy when DIY was the real American dream.

Ingredients:
    • 1 springtime
    • 1 brain, bruised and ripe for the picking
    • As many hours as can be held in your arms
    • A handful of mantras that got you precisely nowhere, e.g. "this too shall pass"

1) Before declaring yourself insane, remember you are not immune to your own humanity and every emotion seems as though you were the first to discover it. There is, ironically, a word for this - qualia - meaning however elaborate the description, words alone cannot replicate an experience (a yellow sky; a minor key). You are as much an explorer as every other living being, and these are communal journeys taken in solitude.

2) Acknowledge that when you feel blue, it is the colour of forget-me-nots. Unbolt your door, against your better judgement. Spend time among the flowers, knowing this is what the earth is capable of. This is what it creates of its own volition. Wander until no longer threatened, but comforted in the presence of beauty. It is their cycle of blooming and wilting that makes you kindred spirits and—at least this season—you're in friendly company.

3) Notice your conscious hunt for reasons to feel alienated, undecided on whether you are possessed or defective. Recall that for all the nights spent on self-interrogation, indulging in sweeping guesses and bolting your door shut as a service to humanity, you've found nothing of significance. Consider what this may mean. (For best results, do this under the sun. You will sit beside a shadow that has seen enough to understand, and wordlessly pledged its lifetime to you. Do not take its loyalty for granted.)

3) Try to reconcile your hatred of being looked at with your burning, inescapable need to be acknowledged. You will fail. Repeatedly. Keep trying, keep failing, and treat it as a success you've yet to fully comprehend.

4) When it seems as though self-acceptance means turning a blind eye to every wrong you've ever committed, or waving a dismissive hand to all the methods in which you can wound people, re-write a definition that makes sense to you. So long as your hands can wield a knife, they can hold a plant stem or a human cheek, and that is your permission to exist.

5) Repeat until the word 't-m-rr-w' doesn't desperately warrant censorship and you can look into an hourglass without the need to smash it open.

DIY DISASTERS!
Once upon a lifetime,
I knitted a disaster line,
My sister was expecting,
So, I thought I'd be creating,
That first ****** looked beautiful,
Second, third and fourth not so dutiful,
They turned into footy boots size,
So I bought socks in Kmart--surprise!
I never found a baby with four different feet,
For DIY disasters, booties can't be beat.......

DIY DISASTERS!
Once upon a lifetime,
I knitted a disaster line,
My sister was expecting,
So, I thought I'd be creating,
That first ****** looked beautiful,
Second, third and fourth not so dutiful,
They turned into footy boots size,
So I bought socks in Kmart--surprise!
I never found a baby with four different feet,
For DIY disasters, booties can't be beat.......

Unearthly weightlessness,

Bunched abandon,

Carelessly clustered,

As if ‘He’ planned them

To cause star-struck wonder;

Defying ‘DIY’ laws

Cautiously cradling,

The nature of wars-

The whispy familiars

Of sunset clouds

Feed vitamin horizons

To unaware crowds.

What's the right way to say I'm emotionally unavailable.
You can't have them because they only swim in my ink.
Like a flurry of scribbled words on the back of my napkin.
All the love and pain right there.
"I need you back".

There is a realization to be had when you come to miss the feeling more than the person. When it was never about the person to begin with.

If it wasn't the person... How do I find it again?

I always fell in love too hard too fast.
I guess I let it flood out and now I've got no reserves.

I can't even force it long enough to imagine you next to me. "I don't love you."

Will I even recognize it when Its at my doorstep again.

You always hear of those people who say they are broken and think, how could you be? It's not until you find the shattered peieces hiding behind the door that you see how it really is.

I wish there was a human handbook to repair a heart. DIY heart repair.

I seem to win hearts.. But all I end up doing is resending the prize.

Don't stop tying right? I wonder how many battle fields I'll wander today...

I’ve constructed my own heaven,
One that I deserve.
Where the glitter’s broken glass
And all the angels; pervs.
Where euphoria is sold
For money by the gram.
Find me no more there on Earth
For this is where I am.

I’ve constructed my own heaven,
Wish that you could see
How much better this is than
The hell they made for me.
Where the demons hang by neckties
Grimacing in mirth.
Where the price of happiness
Is more than what it’s worth.

I’ve constructed my own heaven
With its golden gates,
Where a hedonistic ****
Of the senses waits.
Where the smokey clouds are dense
With fumes that stick to clothes.
I’ve constructed my own heaven
Of sorts, I suppose.

1.
My love She wears a rimbaud collar
A loose ribbon just like her brain

I knew I'd never seen a prettier sight
In my life.

But I closed my blinds 'fore I could see
Which direction she was walking;

I could use the company
But I'd be bound to fall in love again.
2.
Everyone said they're here to help
But they've all disappeared,

Now Kensita's the only club I rep.
Good times but they're all *******
In hindsight I guess
O well I hope you never forget me.

Nurofen + just to ease the aches
Another day or maybe two

I know we were born strangers to the other

And I know I'll never see my mother again

It's sad to think about so I try not to think at all

But I'm sick of this being my version of sober

It's a diy lobotomy but a hammer'd be cheaper.
3.
No need to cry another tear

My love She forced me cold

So that I know she'll never want to visit me again.

I'm alone again

And it feels like heaven

I'm not afraid to die

Nor afraid of tomorrow

Cause my love left me worthless

And though developmentally-stunted

I know I did not deserve it

But my love She's free to rot out of the corner

Of my eyes and I swear once they were only
For Her
But now
I see their true beauty.
4.
I say I'm better but I know I'm just
Keeping Me temporarily happy,
So they've prolonged my stay another while.

I'm bloodless still and bent out of shape

But what a humble miracle for an outcome:

My love held me til death did us part
And I know I'm lucky
To still be breathing at all. My love, oh, she's finally gone

And at last I'm finally thankful

My love won't drag me down no more.
: )