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"distributed" poems
I'M MAKING nachos in your toaster oven. The chips fall in the pan without a problem. Beans, evenly distributed (if I do say so myself.) Salsa- good to go. Then the cheese. Generic brand shredded cheese blend. I dangle my (washed) fingers into the zip-lock bag, grab a generous pinch and rain mild cheddar down on my gourmet meal. And I feel the tears building. "No," my conscious scolds, "you will not cry over shredded cheese." I add another pinch for flavor, then another to assert dominance. I slide the pan into the tiny oven- triumphant! But the next task breaks me. I freeze when I try to adjust the heat setting. I hear your voice so clearly, like you're still calling from the next room: "you have to press the TOAST button, it cooks much faster."  The tears start to roll. I think about how excited you were when cheese bubbled perfectly- "just a little brown, ever so slightly crispy." We would joke about your persnickety preferences, likely a product of your superior taste. Of course, you would have appreciated anything I made for you, but it was always better when the dish matched the idea in your head...when I made it like you would have made it (if you were only well enough to cook for yourself again.) In the present, I poke the TOAST button and flee the kitchen as to not cry in front of the smothered chips. I sit on the sofa and break down, gasping in childish sobs. "I miss her," I wail to an empty house. Warm tears coat my cheeks in the air-conditioned room. I feel so small. I feel so foolish for crying over stupid, little things. I feel so... so... A bell dings in the kitchen. I wipe my sleeve across my face and traipse back to the toaster. Hand into oven mitt, mitt onto pan, pan onto table. I grab the plastic tubs of sour cream and guacamole from the fridge and a spoon from the drawer that sticks a little when you try to open it. I pick the non-wilted bits off the head of lettuce and rinse them under the faucet. I finish the recipe. I pull out a chair. I sit down to nachos for one.
0
Jun 4, 2018
Jun 4, 2018 at 9:57 PM UTC
Stupidest Things
I'M MAKING nachos in your toaster oven. The chips fall in the pan without a problem. Beans, evenly distributed (if I do say so myself.) Salsa- good to go. Then the cheese. Generic brand shredded cheese blend. I dangle my (washed) fingers into the zip-lock bag, grab a generous pinch and rain mild cheddar down on my gourmet meal. And I feel the tears building. "No," my conscious scolds, "you will not cry over shredded cheese." I add another pinch for flavor, then another to assert dominance. I slide the pan into the tiny oven- triumphant! But the next task breaks me. I freeze when I try to adjust the heat setting. I hear your voice so clearly, like you're still calling from the next room: "you have to press the TOAST button, it cooks much faster."  The tears start to roll. I think about how excited you were when cheese bubbled perfectly- "just a little brown, ever so slightly crispy." We would joke about your persnickety preferences, likely a product of your superior taste. Of course, you would have appreciated anything I made for you, but it was always better when the dish matched the idea in your head...when I made it like you would have made it (if you were only well enough to cook for yourself again.) In the present, I poke the TOAST button and flee the kitchen as to not cry in front of the smothered chips. I sit on the sofa and break down, gasping in childish sobs. "I miss her," I wail to an empty house. Warm tears coat my cheeks in the air-conditioned room. I feel so small. I feel so foolish for crying over stupid, little things. I feel so... so... A bell dings in the kitchen. I wipe my sleeve across my face and traipse back to the toaster. Hand into oven mitt, mitt onto pan, pan onto table. I grab the plastic tubs of sour cream and guacamole from the fridge and a spoon from the drawer that sticks a little when you try to open it. I pick the non-wilted bits off the head of lettuce and rinse them under the faucet. I finish the recipe. I pull out a chair. I sit down to nachos for one.
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1
Just because I loved you does not make my love any smaller than yours. Love is pure Love is the core of your true self. My love for you was so deep it distributed my core. The destruction I caused was because I knew no better-- "You look pretty". The words I needed to hear to end my insanity. Even if it was a lie.
0
Aug 3, 2014
Aug 3, 2014 at 3:03 AM UTC
Misunderstood love
Jade helm "Mastering the human domain" It's all about control Controlling human beings And enslaving us In the one world/new world global government Information collection Pre-crime technology (minority report) System has no empathy or remorse Self organizing, vision capable, expectation capable, recognition capable, situationally aware, emotionally intelligent, goal oriented system.  The system, thinks, plans and executes.   Back in the late 80's MIT students developed AI technology on a distributed network (CGI lamp taught to dance).  It Learned and evolved in 24 hours what would take 1,000 generations to accomplish.  They issued a warning of how dangerous this technology is to humanity. GEOINT --Jade 2 plus more --Communications “smart grid, meter, etc" Will be connected to this system Control the environment “Microchipping” It Surpasses RFID technology RFID chips can be removed Nodes can be removed on a network--unplug printer Human beings used as nodes Eliminate connectivity to global information network Cash removed One world government Domain--Human dynamics, terrain, geography Domestic threat assessment centers Activity based intelligence All aspects of human activity monitored All collected data to be geolocated And tied to a specific node of the network Georeferencing do you will it will you do it it will do you     All three of these phrases Have equal value In this system Which is very dangerous! **Generate answers to questions That haven’t been asked, or never existed in the first place “Ominous” A.I.**--according to the source Gates and Zuckerberg--want to bring technology to third world nations GEOINT--Collect all data--for human terrain map No privacy--no encrypted data Welcome to Orwell's 1984, Skynet or The Borg Sci-Fi was telling us what would be the reality Emotional responses trigger the system It feeds off of fear and anxiety All the social networking--facebook, etc All that info has been collected Placed into this GEO INT system
0
Jun 26, 2015
Jun 26, 2015 at 3:09 PM UTC
Jade Helm & GEO INT (Courtesy of Caravan To Midnight)
Jade helm "Mastering the human domain" It's all about control Controlling human beings And enslaving us In the one world/new world global government Information collection Pre-crime technology (minority report) System has no empathy or remorse Self organizing, vision capable, expectation capable, recognition capable, situationally aware, emotionally intelligent, goal oriented system.  The system, thinks, plans and executes.   Back in the late 80's MIT students developed AI technology on a distributed network (CGI lamp taught to dance).  It Learned and evolved in 24 hours what would take 1,000 generations to accomplish.  They issued a warning of how dangerous this technology is to humanity. GEOINT --Jade 2 plus more --Communications “smart grid, meter, etc" Will be connected to this system Control the environment “Microchipping” It Surpasses RFID technology RFID chips can be removed Nodes can be removed on a network--unplug printer Human beings used as nodes Eliminate connectivity to global information network Cash removed One world government Domain--Human dynamics, terrain, geography Domestic threat assessment centers Activity based intelligence All aspects of human activity monitored All collected data to be geolocated And tied to a specific node of the network Georeferencing do you will it will you do it it will do you     All three of these phrases Have equal value In this system Which is very dangerous! **Generate answers to questions That haven’t been asked, or never existed in the first place “Ominous” A.I.**--according to the source Gates and Zuckerberg--want to bring technology to third world nations GEOINT--Collect all data--for human terrain map No privacy--no encrypted data Welcome to Orwell's 1984, Skynet or The Borg Sci-Fi was telling us what would be the reality Emotional responses trigger the system It feeds off of fear and anxiety All the social networking--facebook, etc All that info has been collected Placed into this GEO INT system
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52
☮ ☮ ☮ **Society needs more Social Justice. Humanity needs peaceworkers.** Peace and Social Justice must be promoted aggressively. There are inequities that must be addressed. Power is not equally distributed. Neither are resources or wealth. Neither are poetic gifts or vision equitably distributed. Unearned privilege is rampant. Poetry must confront this global crisis of capitalist exploitation and manipulation. Poetry must speak to the masses. Poetry must radicalize and inform consciousness to new levels of social change. Marginalized citizens must be empowered. All ****** gender-based, racial, religious, age-based, homophobic, xenophobic, and gynophobic bigots must be brought to see in a new way through our poetry. Community building and local empowerment are of the order. Our poetry must be global in scope – yet rooted and grounded in local community empowerment. Selfless acts of service to promote and increase Social Justice are needed. Lives selflessly devoted to establishing social justice are called for. Our poetic lives must be laid on the altar of the dis-enfranchised and unrepresented. We, as consciously aware poets, must advocate and speak out for those who have no voice. We, as poets, must, through stirring words of Social Justice, embody through our radical verses the burning hope of a just and sustainable future. This future must become increasingly collective as formerly marginalized consumers become empowered community-builders  –  through our poetry. As poets of the sustainable future we will empower and inform. Our poetry must collectivize, entitle and enslave. We must speak with ONE VOICE: the voice of change and social justice. Our words will rise with healing in their wings and lift whole communities from despair to radicalized self-awareness in communities filled with strident, intolerant and maniacal practitioners of PEACE & SOCIAL JUSTICE. All poets who do not lay their entire creative and lyrical selves on the altar of struggle to bring CHANGE and SOCIAL JUSTICE will be LIQUIDATED by our own EMPOWERED POETRY. IN THE END WE WILL WRITE A PURE POETRY OF SOCIAL CHANGE, ALL IN CAPS, AND THIS POETRY OF SOCIAL JUSTICE AND EMPOWERMENT WILL BE READ OVER THE GRAVES OF ALL SELL-OUT, CORPORATE, FASCIST, SNITCHING, SELFISH, UNEMPOWERED AND UNEMPOWERING TRAITORS AND ENEMIES OF SOCIAL JUSTICE.  IN THE END THERE WILL BE NO PUNCTUATION OR EVEN WORDS ONLY PURE IMAGES OF CHANGE + VISIONARY COLLABORATION IN SOCIAL TRANSFORMATION/MAYBE SLASH MARKS/OKAY MAYBE EXCLAMATION POINTS TOO BUT ONLY THOSE ! WHY? BECAUSE THE ONLY GOOD POET IS A LIVING POET WHO HAS LIQUIDATED EVERY FALSE POET NOT COMMITTED TO THE STRUGGLE FOR SOCIAL JUSTICE ! LONG LIVE POETRY IN ACTION THROUGH CHANGE! WRITE/SPEAK/AGITATE FOR  SOCIAL JUSTICE  & EMPOWERMENT ! **POETRY IS STRUGGLE☻ STRUGGLE IS CHANGE☻ CHANGE REQUIRES SOCIAL JUSTICE☻ SOCIAL JUSTICE BRINGS PEACE☻ PEACE BRINGS WAR☻ WAR BRINGS CONFUSION & DEATH☻** (SO DON’T BE CONFUSED)
0
Sep 9, 2015
Sep 9, 2015 at 9:03 PM UTC
Agitating the Spin Cycle
☮ ☮ ☮ **Society needs more Social Justice. Humanity needs peaceworkers.** Peace and Social Justice must be promoted aggressively. There are inequities that must be addressed. Power is not equally distributed. Neither are resources or wealth. Neither are poetic gifts or vision equitably distributed. Unearned privilege is rampant. Poetry must confront this global crisis of capitalist exploitation and manipulation. Poetry must speak to the masses. Poetry must radicalize and inform consciousness to new levels of social change. Marginalized citizens must be empowered. All ****** gender-based, racial, religious, age-based, homophobic, xenophobic, and gynophobic bigots must be brought to see in a new way through our poetry. Community building and local empowerment are of the order. Our poetry must be global in scope – yet rooted and grounded in local community empowerment. Selfless acts of service to promote and increase Social Justice are needed. Lives selflessly devoted to establishing social justice are called for. Our poetic lives must be laid on the altar of the dis-enfranchised and unrepresented. We, as consciously aware poets, must advocate and speak out for those who have no voice. We, as poets, must, through stirring words of Social Justice, embody through our radical verses the burning hope of a just and sustainable future. This future must become increasingly collective as formerly marginalized consumers become empowered community-builders  –  through our poetry. As poets of the sustainable future we will empower and inform. Our poetry must collectivize, entitle and enslave. We must speak with ONE VOICE: the voice of change and social justice. Our words will rise with healing in their wings and lift whole communities from despair to radicalized self-awareness in communities filled with strident, intolerant and maniacal practitioners of PEACE & SOCIAL JUSTICE. All poets who do not lay their entire creative and lyrical selves on the altar of struggle to bring CHANGE and SOCIAL JUSTICE will be LIQUIDATED by our own EMPOWERED POETRY. IN THE END WE WILL WRITE A PURE POETRY OF SOCIAL CHANGE, ALL IN CAPS, AND THIS POETRY OF SOCIAL JUSTICE AND EMPOWERMENT WILL BE READ OVER THE GRAVES OF ALL SELL-OUT, CORPORATE, FASCIST, SNITCHING, SELFISH, UNEMPOWERED AND UNEMPOWERING TRAITORS AND ENEMIES OF SOCIAL JUSTICE.  IN THE END THERE WILL BE NO PUNCTUATION OR EVEN WORDS ONLY PURE IMAGES OF CHANGE + VISIONARY COLLABORATION IN SOCIAL TRANSFORMATION/MAYBE SLASH MARKS/OKAY MAYBE EXCLAMATION POINTS TOO BUT ONLY THOSE ! WHY? BECAUSE THE ONLY GOOD POET IS A LIVING POET WHO HAS LIQUIDATED EVERY FALSE POET NOT COMMITTED TO THE STRUGGLE FOR SOCIAL JUSTICE ! LONG LIVE POETRY IN ACTION THROUGH CHANGE! WRITE/SPEAK/AGITATE FOR  SOCIAL JUSTICE  & EMPOWERMENT ! **POETRY IS STRUGGLE☻ STRUGGLE IS CHANGE☻ CHANGE REQUIRES SOCIAL JUSTICE☻ SOCIAL JUSTICE BRINGS PEACE☻ PEACE BRINGS WAR☻ WAR BRINGS CONFUSION & DEATH☻** (SO DON’T BE CONFUSED)
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16
The old fable covers a doctrine ever new and sublime; that there is One Man, — present to all particular men only partially, or through one faculty; and that you must take the whole society to find the whole man. Man is not a farmer, or a professor, or an engineer, but he is all. Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state, these functions are parcelled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his. The fable implies, that the individual, to possess himself, must sometimes return from his own labor to embrace all the other laborers. But unfortunately, this original unit, this fountain of power, has been so distributed to multitudes, has been so minutely subdivided and peddled out, that it is spilled into drops, and cannot be gathered. The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters, — a good finger, a neck, a stomach, an elbow, but never a man. Man is thus metamorphosed into a thing, into many things. The planter, who is Man sent out into the field to gather food, is seldom cheered by any idea of the true dignity of his ministry. He sees his bushel and his cart, and nothing beyond, and sinks into the farmer, instead of Man on the farm. The tradesman scarcely ever gives an ideal worth to his work, but is ridden by the routine of his craft, and the soul is subject to dollars. The priest becomes a form; the attorney, a statute-book; the mechanic, a machine; the sailor, a rope of a ship.
0
Oct 8, 2014
Oct 8, 2014 at 1:16 PM UTC
Excerpt from: "The American Scholar" -Ralph Waldo Emmerson
The old fable covers a doctrine ever new and sublime; that there is One Man, — present to all particular men only partially, or through one faculty; and that you must take the whole society to find the whole man. Man is not a farmer, or a professor, or an engineer, but he is all. Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state, these functions are parcelled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his. The fable implies, that the individual, to possess himself, must sometimes return from his own labor to embrace all the other laborers. But unfortunately, this original unit, this fountain of power, has been so distributed to multitudes, has been so minutely subdivided and peddled out, that it is spilled into drops, and cannot be gathered. The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters, — a good finger, a neck, a stomach, an elbow, but never a man. Man is thus metamorphosed into a thing, into many things. The planter, who is Man sent out into the field to gather food, is seldom cheered by any idea of the true dignity of his ministry. He sees his bushel and his cart, and nothing beyond, and sinks into the farmer, instead of Man on the farm. The tradesman scarcely ever gives an ideal worth to his work, but is ridden by the routine of his craft, and the soul is subject to dollars. The priest becomes a form; the attorney, a statute-book; the mechanic, a machine; the sailor, a rope of a ship.
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2
She has a way of tormenting you In every direction you try take She gives you a curfew Hoping, probing, that you, too, slip through the cracks. I wanted to be a astronaut To explore the universe To find my destiny Through the black hole And out Spaghettified or not When my now cuffed-mind Soared the air With wings dispersed in the wind Still when she didn't care And thought I was harmless She tried shooting me down And got one through a wing Now I think I want to be an accountant Mediocre and sane But who wants to have sanity When you can be in it? So I crashed into Hyperion And as high as I am She still sends her vicious winds To try and cut me down But her torment crafts precious stones So in the interim I'll hold on Hoping that I can un-cuff my mind Keeping a birds-eye view Like a leopard waiting for its **** So that one day I can glide the universe Wings distributed out wide Skillful and experienced So she can never shoot me down Now Perched on Hyperion Patient and vigilant I wait
0
Aug 27, 2014
Aug 27, 2014 at 12:51 PM UTC
Society
I strive to be… a transcendent being… armed with fearless questioning powered by Love and light. A transcendent being ...is not lead by ploys to keep the world separated. ..does not judge others In order to feel better about themselves. A transcendent being is comfortable in their own skin... therefore … ego and envy are taken out of the mix... A transcendent being sees through fearless eyes the beauty of the rest of the world, A transcendent being carries with them their own personal joy… excited by possibilities and purpose their world becomes full of adventure. Problems do not disappear… They simply become a challenge Fueled by what could be inspired by justice distributed with integrity. Without fears… transcendent beings see what is truly needed… … a system designed with the realities of the present and accommodations that are handed out justly… distributed with intregrity. Ushering out "should's" And “should not’s” Replaced with more… fearless compassion... and why not's. Imagine then... what you would change... and join me in striving To be a Transcedent Being.
0
Jun 6, 2014
Jun 6, 2014 at 8:32 AM UTC
To Be A Transcendent Being...
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon. Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked. The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3] Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
0
Apr 28, 2014
Apr 28, 2014 at 4:22 PM UTC
UH I THINK THIS IS ABOUT SPONGEBOB?
SpongeBob SquarePants is an American animated television series created by marine biologist and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as Nickelodeon network's highest rated show, and the most distributed property of MTV Networks. The media franchise has generated $8 billion in merchandising revenue for Nickelodeon. Many of the ideas for the series originated in an unpublished, educational comic book titled The Intertidal Zone, which Hillenburg created in the mid-1980s. He began developing SpongeBob SquarePants into a television series in 1996 upon the cancellation of Rocko's Modern Life, and turned to Tom Kenny, who had worked with him on that series, to voice the titular character. SpongeBob was originally to be named SpongeBoy, and the series was to be called SpongeBoy Ahoy!, but these were changed, as the name was already trademarked. The series was previewed on Nickelodeon in the United States on May 1, 1999, following the television airing of the 1999 Kids' Choice Awards, and officially premiered on July 17, 1999. It has received worldwide critical acclaim since its premiere and gained enormous popularity by its second season. The SpongeBob SquarePants Movie, a feature-length film adaptation, was released in theaters on November 19, 2004, and a sequel is currently in production, with a projected release date of February 13, 2015. On July 21, 2012, the series was renewed and aired its ninth season, beginning with the episode "Extreme Spots".[2][3] Despite its widespread popularity, the series has been involved in several public controversies, including one centered around speculation over SpongeBob SquarePants' intended ****** orientation. The series has been nominated for a variety of different awards, including 17 Annie Awards (with six wins), 17 Golden Reel Awards (with eight wins), 15 Emmy Awards (with one win), 13 Kids' Choice Awards (with 12 wins), and four BAFTA Children's Awards (with two wins). In 2011, a newly described species of mushroom, Spongiforma squarepantsii, was named after the cartoon's title character.
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4
Heart beating, brain waves erratic Depending on another to prove you can be loved Over think like a new theorem Numbers & symbols & calculations in your head Try to look back through all the little details you missed Are you kidding yourself? Seeking for honesty Hoping it’s in your favor Everything seems fine When you are together Search for a sign, an inkling Why do I try to reach out? Stretching so far just to feel you energy It’s so strong Your lips, administer the strongest of narcotics Paralyzed with your being When we part, temporarily of course My vitals change And my heart & head battle For reassurance You make me delusional The scent of you more powerful than a magnetic field As you caress my body, stroke my face I am no longer on this planet I float with the spirits above And sadly it cannot be bought Release me from this paranoia This addiction Why so strongly do I fall into your force field? Is my pull less intense? Or is it that others just possess an energy more appealing? You are nothing to be fooled around with A different kind of beauty not in my realm But in a parallel To bring you into my circle would be an extra force in itself But the lights around you shine so bright That I’d gladly take the fall Use my inner being to fight for you But when it comes back to calculations and figures One tight hold directly on another cannot compete with various forces in multiple directions Even superheroes only deal with one villain an episode Release me from this intangible pull Because my revolving fire burns too bright for this ill-distributed chemical bonding
0
Jun 25, 2010
Jun 25, 2010 at 7:07 PM UTC
bonding
Heart beating, brain waves erratic Depending on another to prove you can be loved Over think like a new theorem Numbers & symbols & calculations in your head Try to look back through all the little details you missed Are you kidding yourself? Seeking for honesty Hoping it’s in your favor Everything seems fine When you are together Search for a sign, an inkling Why do I try to reach out? Stretching so far just to feel you energy It’s so strong Your lips, administer the strongest of narcotics Paralyzed with your being When we part, temporarily of course My vitals change And my heart & head battle For reassurance You make me delusional The scent of you more powerful than a magnetic field As you caress my body, stroke my face I am no longer on this planet I float with the spirits above And sadly it cannot be bought Release me from this paranoia This addiction Why so strongly do I fall into your force field? Is my pull less intense? Or is it that others just possess an energy more appealing? You are nothing to be fooled around with A different kind of beauty not in my realm But in a parallel To bring you into my circle would be an extra force in itself But the lights around you shine so bright That I’d gladly take the fall Use my inner being to fight for you But when it comes back to calculations and figures One tight hold directly on another cannot compete with various forces in multiple directions Even superheroes only deal with one villain an episode Release me from this intangible pull Because my revolving fire burns too bright for this ill-distributed chemical bonding
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44
Why must we stay Where we don't belong? Why must we stay Where we don't belong? Because there's never gonna be enough space So eat the meek Savor the taste It's always gonna be a delicacy Lick your chops And eat the meek Why must we stay Where we don't belong? Why must we stay Where we don't belong? Don't belong The factory mass producing fear, bottled, capped Distributed near and far Sold for a reasonable price And the people, They love it, they feed it Brush with it, bathe with it, breathe it Inject it direct to the blood It seems to be replacing love Why must we stay Where we don't belong? Why must we stay Where we don't belong? Don't belong Because there's always gonna be token truth Forgotten code Discarded youth You know there's always gonna be pedigree One own the air One pay to breathe Why must we stay Where we don't belong? Why must we stay where we don't belong? Why must we stay where we don't belong? Don't belong...
0
Nov 11, 2016
Nov 11, 2016 at 5:36 AM UTC
Eat the Meek
Fat people canes   They buckle and break Fat people canes   They smell faintly of steak Fat people canes   Always arched Fat people canes   Holding up the heavily starched Fat people canes   Struggle down the street Fat people canes   An aid for battered feet Fat people canes     Support poorly distributed weight Fat people canes   Caught within a sewer grate Fat people canes   Can't handle the load Fat people canes   Easing movements slowed Fat people canes   Used to skewer crumbs Fat people canes   Used to butter buns Fat people canes   Prop for a hefty handicap Fat people canes   Can't fit within a taxi-cab Fat people canes   Deserve a wage Fat people canes   Traded in for a Rascal with age
0
Aug 15, 2014
Aug 15, 2014 at 7:18 PM UTC
Atlas Overburdened
We converge like a flock of birds Emerging from doorways and from behind trees I can hear each of our feet shuffling among the golden red leaves And smiles reaching our faces As out various eyes meet We crow eachothers names Hugs are unevenly distributed between us We set our things down and breathe sighs of relief Days like these, we need one another We are like a herd of animals, a family It hurts to be apart for this long We stretch out among the sunset colored leaves Reading books and singing and laughing together Sharing jackets and gloves, Protection from the south Seattle winds Our backpacks and instrument cases Serve as seats, backs against the prison grey walls We talk of the future, of the trips we'll take together Of the old stories a few cobbled people know We exchange usernames, phone numbers and passwords We let eachother in Our hearts become bare and we share Until our stomachs are full And the bell chimes 5 times automatically We crow goodbyes and promises of other meetings Walking off in groups of two or three I walk in a group of 7, laughing and pushing eachother around I have never had better friends, I think
0
Nov 18, 2012
Nov 18, 2012 at 3:21 PM UTC
The Band Kids ARE Cool
***“Who will judge, as many trudge through mud, mucking up the rug, a coating of clay formed by God on a particular day. Yet talent is ingrained, whether sane or insane, and verse is treasure or a curse, unrehearsed, dispersed for all to see, will they applaud or disparage, this marriage of mind and rhyme, by design aligned, a sign of the times...”*** ms. patty m ~~~ once again a thunderbolt command hits between the eyes, on-right the precise spot where the head aches with desire to fulfill the write! but to what can I add to this encompassing question already better answered by the questioner? who will judge indeed! all the time and far too often, the flotsam rises to the surface, when better left ignored, while the jetsam jets nowhere, buried deep though breathing yet, on unseen sea bottom of ignorance, luck of the draw by one who designs, who aligns, a capricious starscape in the firmament as well as the infirmity & ignominy of caskets lying quiet in sea trenches that the answer herein contained, a supposition, a poor poets speculation, a soul’s lactation, the very question is a cyclone bomb by competents who are blinded+bound+blessed by incomprehension the only judge and jury is your forefingers tip, if it tremble a-slight when caressing the key called send, your cellular fiber has adjudged worthy, and no dare disagree talent and distinction randomly and irrationally distributed, but the courageous caress of a send key pressed, is all that is needed to impress the only judge and jury that authorized you in advance to love yourself insanely well enough to write and to send for a request for sentencing
0
Mar 14, 2019
Mar 14, 2019 at 11:31 AM UTC
Who will judge?
***“Who will judge, as many trudge through mud, mucking up the rug, a coating of clay formed by God on a particular day. Yet talent is ingrained, whether sane or insane, and verse is treasure or a curse, unrehearsed, dispersed for all to see, will they applaud or disparage, this marriage of mind and rhyme, by design aligned, a sign of the times...”*** ms. patty m ~~~ once again a thunderbolt command hits between the eyes, on-right the precise spot where the head aches with desire to fulfill the write! but to what can I add to this encompassing question already better answered by the questioner? who will judge indeed! all the time and far too often, the flotsam rises to the surface, when better left ignored, while the jetsam jets nowhere, buried deep though breathing yet, on unseen sea bottom of ignorance, luck of the draw by one who designs, who aligns, a capricious starscape in the firmament as well as the infirmity & ignominy of caskets lying quiet in sea trenches that the answer herein contained, a supposition, a poor poets speculation, a soul’s lactation, the very question is a cyclone bomb by competents who are blinded+bound+blessed by incomprehension the only judge and jury is your forefingers tip, if it tremble a-slight when caressing the key called send, your cellular fiber has adjudged worthy, and no dare disagree talent and distinction randomly and irrationally distributed, but the courageous caress of a send key pressed, is all that is needed to impress the only judge and jury that authorized you in advance to love yourself insanely well enough to write and to send for a request for sentencing
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47
Thorns in the hearts of millions and fear in the minds of billions. Heard across the whispers of machines, spoken to the minds of onlookers. Entrances carved into the souls of children by myriad opinions. Young ones engraved with a memory, reared to despise terror as one would hookers. Advance the agenda. Propaganda distributed; phones, theaters, televisions alight. Losing our souls to the terror, we huddle in our whining and dining rooms. Lips loose and battering what we don't understand, they're the terrors! Don't you understand? Destitute is reason in the fanatics worlds away, yet in our very homes. Encouraged to make poor our own empathy, as we seek them out. Solace lost on our tongues we devour them, mercy removed from our bones. Everyone knows we have to get them first, right? Right. There's no other route. Right is confused with fear. They've made us just like them. Just like them. Vie for change! Do it all you want, but you can't change them, not with sinful might... Entrance them with modernity, educate them, sequester them, it's a farce, a problem. Aren't we the beasts? Shooting missiles from a, "Wicked City," televisions alight. Grand mess we've made, hypocrisy ten miles high, sin ten miles deep. Right. Where were we? Who shot last? Compare past to past, continue the fight. Already we're planning, where to strike next? Whack the hive, make 'em weep. Vanishing like shadows in all-encompassing light the terrors disappear. "'Enraging us again,' coming soon!" the sequel should be good next year.
0
Feb 9, 2016
Feb 9, 2016 at 9:51 PM UTC
Five Points Of Terror...
Thorns in the hearts of millions and fear in the minds of billions. Heard across the whispers of machines, spoken to the minds of onlookers. Entrances carved into the souls of children by myriad opinions. Young ones engraved with a memory, reared to despise terror as one would hookers. Advance the agenda. Propaganda distributed; phones, theaters, televisions alight. Losing our souls to the terror, we huddle in our whining and dining rooms. Lips loose and battering what we don't understand, they're the terrors! Don't you understand? Destitute is reason in the fanatics worlds away, yet in our very homes. Encouraged to make poor our own empathy, as we seek them out. Solace lost on our tongues we devour them, mercy removed from our bones. Everyone knows we have to get them first, right? Right. There's no other route. Right is confused with fear. They've made us just like them. Just like them. Vie for change! Do it all you want, but you can't change them, not with sinful might... Entrance them with modernity, educate them, sequester them, it's a farce, a problem. Aren't we the beasts? Shooting missiles from a, "Wicked City," televisions alight. Grand mess we've made, hypocrisy ten miles high, sin ten miles deep. Right. Where were we? Who shot last? Compare past to past, continue the fight. Already we're planning, where to strike next? Whack the hive, make 'em weep. Vanishing like shadows in all-encompassing light the terrors disappear. "'Enraging us again,' coming soon!" the sequel should be good next year.
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20
life looks like a painting from up here the clouds beneath my feet beauty at its finest is what nature creates everything is constructed perfectly like a building everything is in place away from all the hurt and pain my heart flutters away into the sea of clouds and rain no matter how emotionally drained humanity can be nature will always be nice to me , truthful to me a perfectly drawn masterpiece a view from outside my window we are so tiny and minimal to the life we encounter everything is different from up here everything is pretty from my window the earth as one no matter how separated the air is clear rather than polluted everything seems evenly distributed pressure is weighing down on me i can feel the force pulling me but the air that pushes me is the one that keeps me going its only thing taking me away , allowing me to move on . Water and land look like a spread thin sheet of paper how we as humans belong to something greater the world we live in so peaceful yet our minds so pain driven and self centred
0
Jan 22, 2017
Jan 22, 2017 at 11:56 AM UTC
a view from my airplane window
My economics textbook says resources, products, services are scarce and should be distributed by market-relations: those who can afford to pay money get the resources, products, services and those who cannot afford to pay money do not get the resources, products, services; But I think my economics textbook has a scarcity-mentality which looks only to the short-term; I think the human aspiration should be over the longer-term to strive with optimism to achieve an abundance of resources, products, services distributed by market-relations and by any way so that every person can get enough to be happy.
0
Nov 1, 2021
Nov 1, 2021 at 11:30 AM UTC
Scarcity-Mentality
Poetry is not frozen............. Still surged in poetry A stream stemming from the crux An energetic reflection An external of internalized intuitions The flow of the words Attuned and harmonized Umpteen snow, melodic tunes Visualized dreams mending arts A bursting imagination A word behind the beats A free energy of octaves Pulses of natural architecture HP our home of anonymities Acquainted monikers broadcast Poetry strum through the universe The singular tones attached Poetry a scaffold of true expression A design encoded to amuse The beauty silhouette on plinth Hollowed ice with steaming warmth Poetry the distributed condenser Sliding from 126hz to 136hz The domineering kingship Posing the echoes in words Keep going everyone at HP, you are all beautiful!Lets the words dance
0
Jan 16, 2016
Jan 16, 2016 at 12:24 PM UTC
Poetry is not Frozen
poets possess dreamy romantic hearts with notions enough to stitch a quilt of love to blanket the world poets possessed of cracking wit and sharp tongue, by darksome reveal, spur us on towards a bold new frontier poet's possession immeasurable wealth, freely distributed. the mighty pen sways hearts and minds. treasures inherent, readily bestowed. poet's possessor the world own's her heart and she, the world's through words, none new arranged fresh for you: delight and beguile, awaken again the senses, as morning dew strewn on Kentucky bluegrass or creep up behind and steal a kiss, bringing pure bliss to dry, parched lips or rush and attack, leave you flat on your back, wind knocked from your chest, in a state of unrest words own her heart, they always have, right from the start --bruised orange
0
Oct 3, 2011
Oct 3, 2011 at 11:59 PM UTC
poets possess, possessed, possession, possessor
Beyond all boundaries, internal and external, we reach for the stars. Alternative paradigm, paradise distributed, consciousness applied. So alien, it seems, to be a believer in the power of human will. The balance of forces, a mastery of the terrestrial realm, not its capital, but its land, environment. Econ, Eco, eco-nomy, marx missed. George, progress and poverty, all the money you make will never buy back your soul. Your kingdom, question the system, change your values! Ecoculture, biodomes, organic farming, zero point energy. Ecoculture, biodomes, organic farming, zero point energy. Every stretch, every connection, closer to perfection. Unfit for human consumption, sporadic. Disss Peace and prosperity to the world, live long and love well. Acceptance and appreciation, Agape, education, economic democracy cosmic consciousness!
0
Mar 1, 2015
Mar 1, 2015 at 1:16 PM UTC
Live Long and Prosper
I swallowed 36 pills today and just laid down ready to die. You told me my sadness was beautiful... Like a flower drowning in the rain. I laughed... Because all 36 pills were evenly counted out for the things that made me feel this way. 1. For the headaches, the nightmares and the lack of sleep. 2 for the memories of you kissing me. 3 for the heartache, the way I watched you walk off with her under your arm. 4 for the screaming, the fighting over my weight each day. 5 for the way my family just never understood the way I didn't wanna talk about my feelings. 6. For the long nights I cried myself to sleep for being so ugly no one would want me. 7. For the days I didn't think I would survive at work with a mental breakdown. 8. And last but not least, for the way I could never make myself stop worrying about everything. The way I couldn't figure out my future. The way i couldn't stop hating my entire existence. 36 pills hand counted and evenly distributed down the back of my throat. Do you still think sadness is beautiful?
0
Dec 19, 2014
Dec 19, 2014 at 5:24 PM UTC
36 pills
it's hot in a restaurant with the strangers you've since been stranded with (look! You Finally Did It!) and everybody knows your name but the symbolism of individualized letters with glottal stops and teeth-sucking pauses and dyslexic lingering lisps is lost on them, they have their own letters to think about, don't you know? (hundreds of pillows fly out my ears in increasing sizes, so i must be dreaming - Right?) Yahtzee! Soccer! Give it the old college try! (abstract oils crash and burn in a watchtower atop of your New Life) It's Something to do with your Mouth, It's Something to do with your Hands, but we couldn't tell you why $2.50 wasted matters more than four months and the casual flinging of my (god forbid) i n n o c e n c e (you're happy and i'm unconscious, so in theory we're on the same wavelength - Right?) can you assure me that everyone has two decades of nauseating mediocrity or no - is it just me? we Need coffee! we Need love! dread has to be evenly distributed - don't leave your years of it at my door! (i don't want anybody's advice unless it's on how to fashion a fully-functioning noose) tiny lips and long socks - i can't stop being in love with the whole two-eye/two-ear/nose/mouth ordeal but i'm utterly left-handed in my lust and i swear to god both hands are empty - but that's something else entirely (back to where we started from, in bleeding headlights swimming on deserted streets) 'just wanted to throw an XO your way' say the eyes of every crossword connection i bend over backwards to trying to cater it to my thoughts of you (For Sale: a storage unit of journals filled with sketches of you - it's pink and mushy and curled inside my head, if you're into that) and it's only when we're in a bed together at 3:26 AM that belongs to neither you or me that i can consciously eliminate emptied emotions and neatly file them onto typeface notes hidden in bouquets decorating the dismal-ities of my freshly-planted tombstone (fuse our bodies together and let's make this sarcophagus a necrophilia-polis)
0
Oct 12, 2013
Oct 12, 2013 at 2:24 AM UTC
It'd Be a Suicide Pact But You're Not Sad Anymore
it's hot in a restaurant with the strangers you've since been stranded with (look! You Finally Did It!) and everybody knows your name but the symbolism of individualized letters with glottal stops and teeth-sucking pauses and dyslexic lingering lisps is lost on them, they have their own letters to think about, don't you know? (hundreds of pillows fly out my ears in increasing sizes, so i must be dreaming - Right?) Yahtzee! Soccer! Give it the old college try! (abstract oils crash and burn in a watchtower atop of your New Life) It's Something to do with your Mouth, It's Something to do with your Hands, but we couldn't tell you why $2.50 wasted matters more than four months and the casual flinging of my (god forbid) i n n o c e n c e (you're happy and i'm unconscious, so in theory we're on the same wavelength - Right?) can you assure me that everyone has two decades of nauseating mediocrity or no - is it just me? we Need coffee! we Need love! dread has to be evenly distributed - don't leave your years of it at my door! (i don't want anybody's advice unless it's on how to fashion a fully-functioning noose) tiny lips and long socks - i can't stop being in love with the whole two-eye/two-ear/nose/mouth ordeal but i'm utterly left-handed in my lust and i swear to god both hands are empty - but that's something else entirely (back to where we started from, in bleeding headlights swimming on deserted streets) 'just wanted to throw an XO your way' say the eyes of every crossword connection i bend over backwards to trying to cater it to my thoughts of you (For Sale: a storage unit of journals filled with sketches of you - it's pink and mushy and curled inside my head, if you're into that) and it's only when we're in a bed together at 3:26 AM that belongs to neither you or me that i can consciously eliminate emptied emotions and neatly file them onto typeface notes hidden in bouquets decorating the dismal-ities of my freshly-planted tombstone (fuse our bodies together and let's make this sarcophagus a necrophilia-polis)
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19
Hasina had gums of a prune colored play dough, much like the type which he used to mold and model into similar contraptions and cases. Contrasting with the teeth of a superb suburban plaster, the ***** contusion continued its conversation. Collecting admirers and adolescent adonis’ innocent of their sins. Since the inoculation, passed away, a pretense to nervousness approached the very essence of our chest; the bead of the brooch where we found the philtrum too close to the nose. Curling inside its own bare curves. A bed without sheet, hindered, harnessed, the horse dragged on. We soon found that the things we feigned to hate would come close to fame, In a magazine cover sheet, handed in late. Hasina, and her mother, certainly did not suppose that that beneath the floor boards, neither harm nor concern would be discovered. And neither was. With the way their will worked things became distributed. Disturbed guests of unwanted presents and gifts soon re-sent to other more malleable means of hospitality. Hungered as the hundredth wolf come to late. He too howled, but not at the moon, or rather not its simulacrum of a glowing truth, its silver light, or any movements its clearly showed. Growing loose the tumor slipped out, slowly. And with a plop, pressed against the walls, The jaws dropped and the mason jar closed and posed on exhibition for lessons, and interests, obsessions, dreads, things grotesque pressed against the walls. To be captured, resting above the skyscrapers. Where in the hours of dawn, space overlaps, a frowned pace of a clock grows fondly of the time that is lost and past.
0
Sep 8, 2013
Sep 8, 2013 at 7:19 AM UTC
That Which We Feign To Hate
Hasina had gums of a prune colored play dough, much like the type which he used to mold and model into similar contraptions and cases. Contrasting with the teeth of a superb suburban plaster, the ***** contusion continued its conversation. Collecting admirers and adolescent adonis’ innocent of their sins. Since the inoculation, passed away, a pretense to nervousness approached the very essence of our chest; the bead of the brooch where we found the philtrum too close to the nose. Curling inside its own bare curves. A bed without sheet, hindered, harnessed, the horse dragged on. We soon found that the things we feigned to hate would come close to fame, In a magazine cover sheet, handed in late. Hasina, and her mother, certainly did not suppose that that beneath the floor boards, neither harm nor concern would be discovered. And neither was. With the way their will worked things became distributed. Disturbed guests of unwanted presents and gifts soon re-sent to other more malleable means of hospitality. Hungered as the hundredth wolf come to late. He too howled, but not at the moon, or rather not its simulacrum of a glowing truth, its silver light, or any movements its clearly showed. Growing loose the tumor slipped out, slowly. And with a plop, pressed against the walls, The jaws dropped and the mason jar closed and posed on exhibition for lessons, and interests, obsessions, dreads, things grotesque pressed against the walls. To be captured, resting above the skyscrapers. Where in the hours of dawn, space overlaps, a frowned pace of a clock grows fondly of the time that is lost and past.
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5
we are all distributed transmissions of the same fundamental rhythm
0
Feb 26, 2016
Feb 26, 2016 at 10:31 PM UTC
source {10w}
In the light of your immaculate form I make the following declaration: I will be your jealous cellist-  (I.) And I will play you like a stringed instrument - then When you make delighted whisperings And finesse the fine music of the feminine, magnificent  Your heathen distemper Distributed,  woman-like, goddess-like Classic cello-shape  Draped in lilting silk Then I will fiddle and pluck Cast broad swathes near and about your single tingling place  Your attuned instrument  And it's spruce wooded frontispiece. (II.) You faux arabesque  (for faux is our shared domain)- Your hands moving gracefully - you pause -  Feigning flight  Feigning fancy Considering My rising fire  Weighty desire Shadows mingle with glimpses of My thickness and length- Veined skin and steel,  White - waiting, wanting - And there's an answer.  (III.) You are girl - such a girl  I am boy, only boy  My persistent mans eye view  Part pleased with the flashes of you -  Now in new  Near **** rhythm  This gilded exuberance,  Radiant Hypnotic Sets sparks flying  Tickling toward sky and stars I would have you  My dexterous digits upon your supple, warm- Fragrant fresh flesh fret board  I would squeeze you where Your mystery resides and Elsewhere besides. (IV.) Roughly - at first - needy Determined - I would play upon Your duet of juice creators Invoke the  Holiness of your  Secret sacred spaces Doublet, Triplet, Quintet  Play on! play on!  I would have you  With my plugging piece  There! There! Your open legs  Secretly seeking my carnival of thrusting  Inside your warm girls pearl Antidote for collective loneliness.  (V. ) I would hold you, your sides -  Firm in my greed Our lustful minuet in 3/4 time Play on, play on - I  Kiss your neck,  nibble your ******* It's you, it's you You arch yourself toward me Warmly Affectionate,  We hold hands, fingers between,  And dance.  (VI.) This some time Summertime Bright flame  We reach - how we reach-  Our mouths, our tongues -  The very words we speak- yearning for -  longing for - Connection Each to the other, and  Our connection to God  "Rightful sin -  Come to us again And again - and again  Satisfy our minds!"
0
Sep 30, 2014
Sep 30, 2014 at 6:26 AM UTC
The Jealous Cellist
In the light of your immaculate form I make the following declaration: I will be your jealous cellist-  (I.) And I will play you like a stringed instrument - then When you make delighted whisperings And finesse the fine music of the feminine, magnificent  Your heathen distemper Distributed,  woman-like, goddess-like Classic cello-shape  Draped in lilting silk Then I will fiddle and pluck Cast broad swathes near and about your single tingling place  Your attuned instrument  And it's spruce wooded frontispiece. (II.) You faux arabesque  (for faux is our shared domain)- Your hands moving gracefully - you pause -  Feigning flight  Feigning fancy Considering My rising fire  Weighty desire Shadows mingle with glimpses of My thickness and length- Veined skin and steel,  White - waiting, wanting - And there's an answer.  (III.) You are girl - such a girl  I am boy, only boy  My persistent mans eye view  Part pleased with the flashes of you -  Now in new  Near **** rhythm  This gilded exuberance,  Radiant Hypnotic Sets sparks flying  Tickling toward sky and stars I would have you  My dexterous digits upon your supple, warm- Fragrant fresh flesh fret board  I would squeeze you where Your mystery resides and Elsewhere besides. (IV.) Roughly - at first - needy Determined - I would play upon Your duet of juice creators Invoke the  Holiness of your  Secret sacred spaces Doublet, Triplet, Quintet  Play on! play on!  I would have you  With my plugging piece  There! There! Your open legs  Secretly seeking my carnival of thrusting  Inside your warm girls pearl Antidote for collective loneliness.  (V. ) I would hold you, your sides -  Firm in my greed Our lustful minuet in 3/4 time Play on, play on - I  Kiss your neck,  nibble your ******* It's you, it's you You arch yourself toward me Warmly Affectionate,  We hold hands, fingers between,  And dance.  (VI.) This some time Summertime Bright flame  We reach - how we reach-  Our mouths, our tongues -  The very words we speak- yearning for -  longing for - Connection Each to the other, and  Our connection to God  "Rightful sin -  Come to us again And again - and again  Satisfy our minds!"
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93
The drunken Navy cook was suppurative 1 with tats And the supply boat was always sunk or late Our officers would not release the c-rats So one night someone forced a lock, and we ate: Tin-can crackers, mother////ers and ham Mystery meat with beans in tomato sauce Beans and baby ////s and some heavy jam Beef slices with potatoes in sphagnum moss But Lieutenant Macbeth, a lord over the earth Found us, and then he much displaced the mirth 2 1 Cf. Chaucer’s cook in The Canterbury Tales 2 Macbeth III.IV.132-133 In the end, Lieutenant Macbeth (not the ////’s real name) could do nothing since the looted c-rats were so widely distributed that he’d have had to write up the entire unit.
0
May 25, 2019
May 25, 2019 at 4:19 PM UTC
C-Rations, Lieutenant Macbeth, and Mirth Displaced