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RH 78 Sep 2015
Why is there a little boy lying on the beach?
Washed up.
Lifeless.
All for a new life too far to reach?

Why is there a little boy lying on the beach?
Terrorists
Heartless.
What happened to the human rights we all preach?

Why is there a little boy lying on the beach?
Traffickers.
Gangs.
Displacing people no home and no speech.

Why is there a little boy lying on the beach?
A son.
No future.
We hang our heads and weep!
Broken hearted and deeply affected by pictures I saw in the news depicting the lifeless body of a little boy no older than three who was photographed washed up on the shore line of Turkey. The result of further illegal human smuggling, people trafficking promising to get families to Europe on a false promise. All too often, people are put into small boats unable to sustain the weight of all the people put upon it and not fit for purpose. This is yet another shocking event in the wake of atrocities taking place in North Africa where the displacement of millions of innocent people continues. Governments are too busy counting the pennies and quarrelling amongst themselves in addition to wasting precious time as gangs and smugglers take advantage of the situation by sending people to their death profiting from the desperation of families searching for a place to call home. When will this end? RIP to the little boy, his brother and mother who all perished.
DJ Thomas Jul 2010
Dead sold souls herd us
Lost mindless finger puppets
Vapid witless words

A large meat fed dog *OR
a bicycle riding Meathead
ARE more harmful to the environment THAN
a Vegan driving a four-by-four

Eating meat means death
more suffering then grieving.
Suicidal Meatheads
contracting breast cancer,
China’s rich women’s disease

Linked male disease
includes prostate cancer.
Early doddering
old age of the mind and body
Meathead fat minds and body flesh .

Grumbling guts of a -
selfish and cruel industry.
Cleaving and feeding
Meatheads taste for flesh and fat.
Growing numbers of pet dogs.

They, their butchering -
suppliers and the linked
blind politicians.
Hands ****** with world ecology
and mankind’s nearing suicide.

Barbecuing flesh
Burn’t species in rainforests.
Slash and burn farming
Busy Meathead industry
Gross greedy blood dripping heart

Detail is in the UN Food and Agriculture Organisation’s
REPORT Livestock’s Long Shadow

Hot warming dry world.
Slaughtered environment.
Acid rain is falling
in livestock’s long dead shadow.
Desertification breath.

Trumpeting slaughter
Our children, each child’s children
Dangerous future
Meatheads dead with Treehuggers
Planets species murdered

Meatheads, THEIR suppliers and producers of live and
cleaved flesh AND their greedy lawyer-ed politicians ARE
the primary cause of harmful greenhouse gasses

Growing and processing
Feeding livestock flatulence.
Living flesh movement
Frozen slaughtered cut flesh
Transported, sold chilled packs.

Land taken for grazing and feeding cattle flesh IS
destroying our rainforests, CAUSING desertification,
KILLING or DISPLACING millions of wild animals,
DRIVING species into extinction

A plant-based diet
efficiently providing
our nutrient need.
Land feeding just two Meatheads
will feed twenty four with grain.

Or more than sixty with soya - BUT bioengineering has targeted
AND taken control of soya, BY doing so they might purposely
be destroying the bees - THIS another long sad story

The flesh producers -
cause most the world’s pollution.
Consuming most our WATER.
Legislating against meat
New green taxation controls

A worldwide plant-based diet WOULD require less than a
quarter of the present agricultural land and COULD
feed the millions who currently live in starvation!

Bees disapearing
Biodiversity sold
Rainforest cinders


It would allow us to SHARE our planet with the other SPECIES
that are struggling to survive OUR greed and stupidity
and HELP our own possible survival

Fat shopaholics,
a deadly consumerism.
Cancers meat to eat


Meat consumption is increasing, USING-UP a sea of potable water,
burning forests & species... MEANING there has never been
a more urgent time to reconsider OUR eating habits!

Enculturation
Our sad indoctrination
Globalization
  

So MEATHEADS, are burgers, bangers and steak worth
the personal risk, YOUR children’s live’s AND the
approaching environmental catastrophe?*”
copyright©DJThomas@inbox.com 2010
JoJo Nguyen Mar 2013
I need to go.
I am displacing
here.

Displaced Wednesday,
time to fast, not
for my health, not
for moral justice, not
to slow consumption, only
from dawn to dinner, a
lackluster way not
to restore dopamine, not
to suppress apetite
in some lateral, percussive
hypothalamus injury.
I fast in sync only
with voices and volume, doing
in mind emptiness.
Steam rises from the blocks of industry
beyond the immediate trees;
a thin white veil
cloaking the city like a bedsheet.
And you waking, displacing
your head about apathetically
trying to light a smoke
with sunlight -

this linear love on a tangent,
golden, some ornament.

Everything up then falling
each morning, with light
tethered to the ceiling
while you lay still
dazed from dreaming,
the day breaks unassuming.
DM Oct 2012
Hurtling along and away,
Approaching the center of the galaxy,
The event horizon becomes visible,
Slowly pulling me inside,
Time and space distorted,
Wave-forms collapsing in on themselves,
Stretching and bending frequencies,
Unrealities become fluid,
then begin collapsing and twisting,
Beyond recognizable form,
Into infinite and immense matter,
Like twist and tears in the fabric of space,
Falling toward nothingness,
That dreaded singularity,
A moment away,
A million moments away,
As time ceases to exist,
And crushing gravity,
Displacing understanding,
Dispelled notions,
Horrific,
And peaceful,
Become the same.
Brian Ellingboe Jul 2015
Love will **** you
It'll bend you, break you, throw you around.
It's like a tsunami:
consuming, powerful, inescapable.
You and tsunamis are pretty similar.
When I saw you I felt you in the deepest parts of my being, smashing around and displacing my insides.
And when you left, you took away parts of me I can never retrieve. Like a wave returning to the sea, taking with it all in it's path.
You and tsunamis aten't that different after all.
Tsunamis cause damage by two mechanisms: the smashing force of a wall of water travelling at high speed, and the destructive power of a large volume of water draining off the land and carrying a large amount of debris with it, even with waves that do not appear to be large.
J M Surgent May 2014
One time, when I was ten or eleven years old, for a holiday or something my uncle bought me a model set of a scale V-8 engine. He knew I was into cars, but without kids himself, had no idea that this kind of gift was worlds beyond my preteen intellectual abilities. It fell to the wayside that year, useless in comparison to the easy to open, assemble and operate toys my parents bought me instead.

I had completely forgotten about this model until one night in college when I couldn’t sleep because I was too wrapped up in my own existential crises of the time and too nostalgic looking at all the old car posters in my room. I remembered the V-8 engine, and how even at 21 I couldn’t name a single part in a car engine, let alone assemble one, which was sad because I had been driving them five years at that time. So, with some sort of unexplained sense of unfinished accomplishment, I felt a need to finish it. Or really, to start it.

I got out of bed and started to tear apart my closet, piece by piece, coming across old articles of clothing I never wore, a few aging airsoft guns and even a few smaller models I never assembled, but alas, no V-8 engine. With my labors unyielding, I grabbed a flashlight and headed quietly to the attic, hoping that would be lend a more fruitful search. It took me a little digging and a lot of splinter avoiding in my bare feet, but finally I found it. I blew most of the dust off the box, removing more with my hands, and held the box in my hands like a treasure. It was smaller than I remembered, and the age on the box said 12+, which now looking back on it means I should have been easily able to complete it when I got it.

I worked these thoughts out of my mind, instead turning my attention to the plastic wrap around the box which came off with ease. I pried the color-aged box top off to find a colony of loose parts, of all colors, alongside a small screwdriver, which at that moment gave me a sense of Excalibur in it’s placement. I touched the blue handle lightly, almost afraid to accept its reality at first. Then I just stared at the parts for a good five minutes before I remembered there was an instruction manual. I opened it to page one, and I began to build.

I must have worked on that model for five hours, by the light of my flashlight and the streaks of full moonlight that snuck in through the skylight above. Hours of part maneuvering and placing, losing, then replacing small screws and setting them into place with a tool made for hands half the size of mine word my fingers out. By the time I was finished, my fingers were a little sore and my flashlight was running low on batteries which didn’t matter because the sun was beginning to peer it’s eyes over the horizon. I looked at my creation before me, a lot smaller than I thought it would have been when I first received the box, and felt a sense of nostalgic victory. For years, this project taunted me from the dust piles and cobwebs of my attic, and now, too distant from my childhood to remember anything all too vividly, I completed a milestone that was meant for years prior. I thought about how, at age eleven, I would have proudly shown my father to gain his five minutes of fame for the day, and he’d ask me the name of a few parts of the engine as a quiz before asking me to grab him another beer and I’d feel like I was on top of the world. He’d tell me I could be a mechanic someday, or better year, a car designer. I’d smile and walk away accomplished.

That’s what I would have done then. Now, ten years later, I folded the pieces of the box and put them in the trash can, with the plastic wrap on top. I took my finely tuned engine, my product of nostalgic victory, and brought it back to the confines of the attic. I turned my flashlight back on, moving past splinters and upturned nails to the back, farthest corner, where a lonely black shadow kept all light from entering. I took my prized engine, which seemed even small now in my hands, and wiping away some of the cobwebs, placed it into that dark corner, displacing a slumbering daddy longlegs in the process. I placed the small blue screwdriver next to it, then thought better of it and wedged the sharp end into the wood in between two planks, with the crystalline blue handle glowing in the light of my flashlight, sticking straight out like the tool of Excalibur that it truly was to me.

I took one last look at my creation, then turned and left, knowing that, like my childhood, I’d never return to it. I locked the attic door on my way out and checked the floor for loose parts, covering up any traces of my journey back into one of the aspects of my childhood that I forgot to partake in.
It's really a short story, but I wanted to share it nonetheless, and have no other way to.
kenye Oct 2014
Seduced
by the
school
shooter
singing
siren
songs
of
shotgun
blows
to the heart beat 
of the wet American dream.

It's the human interest
horror allegory
The hero doesn't even get
15 minutes

But the shadow has
got a gun fetish
Counting bullets as 
They're counting blessings,
numbered 1-27
3x his pump action 

Light 'em up
***** 'em out 

Some head-sick self-entitled 
monster in a mask
on a mission of mass destruction
Cashed in on their
little tax deductions

The most sacred snuffed out
before the light could become them

It's the darkness that dominates
As the dragon *******
Witch inside
The mind
displacing emotions
away from the art of 
living 
loving 
and losing

You're the submissive
Ascend the divine madness
or find yourself in shackles
in the machinery. 

Humming
hypnotizing
hymns 
of conformity 

Another one's lost his mind
Descended
And the scapegoat 
is mental illness

We all know, 
The media is the medium
is the message
The subliminal secret passage
to the shared skewed subconscious
Planting ideas of bloodshed
Like evidence in the 
Bodies of specific demographics 

Demonize
Pack the prisons

Capitalize
And cut the blood losses

Here we are now
Hopeless
It makes for great entertainment
I like to write something scarier than fiction this time of the season. A couple elements I pastiche'd here was from the show "American Horror Story" and the glamorization of the villain in the media.
Big ships, small ships, yachts and dingeys
Floating across the mighty sea
Carving their way, displacing their weight
To keep afloat the Captain and First mate.

Old ships, new ships, schooners and cruise liners
Have crossed paths throughout the ages old
Once to explore, make claim, pirate and fight
Now to wine and dine on a luxurious bite

Salted beef, rock hard bread and weevil-friendly biscuits
A 3 course meal fit for Old Salts alike
Weevils & worms and bugs of all kind
Along with sparse portions of meat, you might find

French wine, filet mignon, sushi and pastries
Buffets and fine dining, variety is key
All you can eat, whenever you'd like
No chores, no work, just eating all night'

What a contrast exists between these two worlds
Only 2 to 300 hundred years apart
Once grimy, risky, arduous and fraught
Now fancy, lazy, and much to be bought

What if the Old Salts could teleport to today
And live aboard our floating hotels?
With no masts to climb or sheets to tend
Would they break or would they bend?

I suppose that switch would be easy enough
But send us back to Pirate-ridden waters
You'd be sure never to hear from us again
Swabbing the deck would **** us alone
Not to mention the food and disease of back when.

- BPW 
Dec. 11, 2013
Zero Nine May 2017
Blast off the powder keg
One-two with the punches
Rope over your shoulder
Like I wanna reach the summit
Maybe you let loose before
But, honey, I ain't seen it yet
But, baby, I'm scared to like
Messin your perfect face, displacing
Your innocence and makin
Our blankets wet
I said I don't wanna blast
But you got the controller
Got that hold and doin it right
Got my ***** ****, my Xbone
On lock on this *** throne
Pop your mouth a minute girl
Base to the tip that ****
Is rocket sauce
Blast off the powder keg
One-two with the punches
Rope over your shoulder
Like I wanna reach the summit
Maybe you let loose before
But, honey, I ain't seen it yet
Maybe this night is the best
Night of my life I lick my
***** off your skin, sleep
Tight, tomorrow I'll breathe
***** breath
....
the electronic dispenser is out of order yet the automated voice keeps repeating it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem…



i hint to Mom maybe the nightly sleeping pills might contribute to her forgetfulness she replies what? i didn’t hear what you said i repeat maybe the nightly sleeping pills might add to your forgetfulness she answers what? i can’t hear you i say Mom you’ve been using sleeping pills since i was little maybe they’re a source of your fogginess she snaps what? what are you saying i can’t hear you



Tucson 2001 in the heat of disagreement Mom accuses i am the cause for her need to rely on sleeping pills do you understand what that means Mom you’ve been taking sleeping pills as far back as i can remember miltown seconal nebutal placidal ambient (when i was young i took some from your medicine cabinet then sold them to friends) was it always because of me your off-beat weird troubled kid or were there other reasons thank you Mom for all you have given me i am grateful appreciative truth is none of us trust each other these defenses we’ve created will someday turn on us



2010 it is difficult to write about Mom so many conflicted feelings our struggles contentious exchanges expectations criticisms blame all the money she and Dad poured into me hoping i would turn out successfully employed married with children instead her difficult child chose painting writing punk rock yoga Mom will be 90 in October she caught viral pneumonia last month concerned for her i flew to Chicago to see her my beautiful glamorous Mom who lives high up in tall high-rise doorman deskman elegantly decorated 3 bedroom apartment along lakefront my little Mom who’s once lovely figure shrunk in size morphed in shape with arthritic painfully twisted fingers hair color light ash skin spotted with dark purple brown splotches estate dwindled to crumbs my clever shrewd Mom still so talented socially telephone constantly ringing lunch dinner engagements accompanied by frantic loony sister both dressed to the nines shopping returning hairdresser appointments manicures yet memory rapidly disintegrating my poor sweet Mom who now needs my loving protection it is time for me to step up to the plate shield her from caregivers poised to pilfer my vulnerable Mom leaves her wallet in cab loses her glasses forgets events 2 hours ago furious at pharmacy for neglecting to include her sleeping pills i know i cannot change her whirlwind 24/7 world of gossip scandal denial it is i who will need to change sacrifice my simple sparse existence quiet desperation scrambling for pay gardening gazing up at the moon stars adapt to her dizzy drama driven life style in order to look after her



i’ve written about this before a defining moment that haunts me Bayli and i are staying at Toby Martin’s spacious loft near corner of Bleeker and Broadway 1973 Toby offers me job building stretchers canvases for Warhol he tells me lots of nyc women will model for me if i want to keep drawing vaginas he advises me to drop out of art school like he did assures me i will become famous it is October Sunday i am wearing white turtleneck wheat colored corduroy Levis jeans taupe suede clogs Bayle is dressed almost exactly as me except powder blue clingy top we are just art students Toby takes us up to Rauschenberg’s loft on Lafayette Street Rauschenberg is in the Bahamas the kitchen is all industrial size stainless steel coffee stained glass Chemex drip coffeemaker on stove  upstairs on roof many currently trendy painters edgy artists a sculptor who uses dynamite to blow up quarries in Vermont they scrutinize Bayli and Odysseus with voracious glares the men eye Bayli several women send flirtatious looks at Odysseus he feels fright protection for Bayli it is all too much too complex too threatening and in that moment he drops the ball creeped out fearful he takes her hand and they flee back to Hartford Art School but maybe he was wrong possibly Bayli could have handled those depths heights perhaps she would have blossomed i’ve thought about that moment many times torturing myself with my cowardice insecurity adoration for Bayli our love remaining pure never corrupted



a boy/man makes love with a girl/woman once twice in bed then falls blissfully asleep wakes up makes love all night in secluded room in sheltered house on quiet street in sleepy New England town in the morning with Velvet Underground turned up real loud they dance wild then make more love



perhaps my fears insecurities shyness are about a diminutive ***** or concave ***** at center of chest or all my weird physical psychological inhibitions idiosyncrasies not wanting the world to ever find out know a secret between Bayli and me possibly Bayli never noticed but probably she realized my desire longing to be recognized acclaimed yet remain unrecognizable live in quiet privacy i don’t know sometimes i wonder if Bayli loved me like i love her if there was only one twinkling star in her sky like there is in mine Mom says it’s wrong to limit my skies to one star she says Bayli separated from me and married someone else she asks has Bayli ever made an attempt to contact you since her 2nd marriage i answer you don’t understand Bayli is entirely devoted she would never look up or away from her man Mom says open your eyes there are lots of special stars meant just for you in the sky



at some point it becomes obvious the latest is instantly embarrassingly obsolete why would anyone want the latest



let them come these winds of change blowing sands garbage leaves twisting branches bending trees up the coast down the hole displacing erasing everything oceans rising currents colliding mountains crumbling fiery red skies there was a time once but that time is gone there was a girl once but that girl is gone a street a house  a room  a bed once but that street house room bed are gone hunter buried under hill sailor lost at sea he who steps courageous mindful compassionate will pass beyond the terror
Connor Reid Mar 2015
Breaking waves, folding in river bends (meandering)
with an effortless grace
Cupids mouth, foaming to return -
broken and filling up the landscape.
Cracked horseshoes
waltzing across a vibrating brain,
all the worlds night
quartz, cutting drunk into
your Green city.

Banishing a sense of self
uprooting positivity, displacing our discontempt -
boil out the water from the soup of human condition.
Boredoms grace.

We're rotting, lizards tongues
wearing the past, skin deep
Imbued.
a morbid relocation of entrance
authority, a fee
Reflecting light off your face
always leading back,
back towards a tabletop nausea.

Caked in powder,
i make my way over -
licking my finger and rubbing away
at the cracks formed years ago
wandering in and out of Escher's *******,
hoping to settle mind and body
numbed and lethargic,
medicine doesn't help.

An open patio door,
grooming in the whisped brown dawn -

7.34am

God's rags, crisp
displacing particles against the mountain lip
red light brewing in the observers mind.
Cubes of water
pushing through into tomorrows wake
all unwrapping like 1,000 words
diluted into one second.

I'm tired
appetite gone
graven, knowledge of the inside of my mouth
encyclopedic and (almost) boring.
It's closed again
at the crux of abandon,
the skies youthful,
built from wood, holding up the trees.
Excess - child's play for Atlas.

Rogue, electric Blue.
Mollusc in hand
living, lipless
just outside the geopolitical borders
heading back towards maturity.
Nihil,
projects objectivity, sycamore due, borders
as happiness combed our soft necks.

A situation is only what you make of it,
we're all in on this
living together in leaves -
by roadsides
making homes where we sleep.
The sky is on fire
exploding into fruition
as hot chlorine licks against unwashed belly buttons and hair
going blind and stripping back
it breaks you.
r Dec 2014
it isn't all black and white
the choke-hold of history

shades of red and brown
paint the scenery, too

the documented imagery
forgotten in the fray

a little big horn playing mournful
songs as the cavalry marches on
to the tune of galleons and guns


no passport required
when the port was young

émigré and immigrant
displacing native sons

who also once were pilgrims
breathing in the sun.
12/4/14
7/6/18: and again, the choke-hold of history, of misery, Democracy smoldering under a bright orange sky lit by a Trumpster Dumpster trash fire.
Lawrence Hall Mar 2019
As culled from an arts magazine, 13 March 2019

Socialist Realism - The official doctrine in Soviet art and literature after 1932 that evolved from the traditional commitment to social and civic concerns into an all-pervasive general ideological mandate.

            -Yevgeny Yevtushenko, 20th Century Russian Poetry


collective exhibition space vibe community
interactive narrative brown neighborhood
defined commodified Indigenous
identity tone-deaf decolonial
narratives populist intertwined
exhibition curatorial vision
culture local artists arts district small galleries
DIY spaces speaking out against
gentrification displacing shelter
studio space elsewhere late stage capitalism
collective mantra underdog art savior
corporate entity partnering insensitive
ignorant collective brown people art
contemporary work that may not fit
into establishment art galleries
media advisory venture collaborate
creative community authentic
local statement of expression excitement
creative energy arts district project
many levels collaborate local
creative important creative
community what that collaboration
looks like ongoing local artists going
to be engaged in planning commissioned
project community buy-in consulted members of the creative community Indigenous artists curators museum
directors professors burgeoning landscape
cultural framework critique talk individuals
entities inclusivity open
dialogue opportunities project
conversations collaboration discuss
your projects share our work with you
common ground work together healthy sustainable
accountable decolonization
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Mateuš Conrad Nov 2016
based on a you-tube video: milo yiannopoulos vs. hysterical feminists; 1 17 2016.

i've never hard long relationships,
the last one i had was a long long time ago,
she said: i enjoy pain -
maybe - but i did also:
i unsheathed my ***** and put on
a c-ring on my helmet:
yes, circumcision does ease
the florals of afro lips
              and you find the cut off skin
in the ******* all the more appealing
all the more necessary to fight for,
oh wait: or so you thought.
hijab blah blah: take away from man
and we're constantly in feminine mourning:
akin to Darwinism's motto:
     there's a reason for everything; everything!
and there is! that's the universal suggestion,
adapt, create a reason for such adaptation -
god in mind (without prayer and laments
at funerals or judges' commentary) -
        ha ha how about we make Poles the
scapegoats, ******?
                well: now i really feel special,
are we supposed to say: yes good lord,
aye aye sir, kiss the ******* of Brooklyn
queens?
                 but you know what's funny...
bird songs...
             birds have an aesthete -
sure, they **** me off when spring comes
and the window is open and it
starts to feel like Africa at noon (i admire
the colonial powers of England:
how did they manage all this ****** heat?!) -
i'd spend a day there and then say:
**** it, get me back to the Scandinavian
refrigerator, can't stand this, ******, heat!
look at me: piglet albino!
                some say white some say
black, some say auburn some say chocolate
some say emerald, some say copper,
  some say pink, some say piglet -
some say 'you squinting, or something?'
try: white boy does a Buddha on marijuana -
people think Buddha is ******...
****** racists...
     one Czech who travelled to Mongolia
told me a secret: the Mongolians don't like
marijuana -
                    the Czech? met him at U.C.L.,
called Jacob - oh sure, grand guy,
                     so if you suddenly interpret
Buddha as ******, get serious:
      look looky at the squint -
then on the page the cipher: renmimbi
and 100 yen -
                        tugged by a ******* yack.
****** complex but then in Latin
simplicity:
                      chow mein -
or chewed a rubber tire and hence came
locomotion: a jaw in a pickle jar,
at every cannibalistic gathering of connoisseurs;
burying my great-grandmother i was
attacked for my expression of guilt:
when the priest started his litany i started
laughing... laughing a funeral, ha!
but it's this you-tube (hyphenation does not
exist in logos - anti plural, hmm:
or to use shorthand off words, i.e. images
to convey less wording and optical adventure
on the sly: hyphen! here boy! tear these
superstitions apart: like in the medieval
period charms and spells and Merlin,
so too the Mc and the i-) -
but enough about the funeral, that video i
referenced first:
                   a throng of crows sounds more
beautiful than humanity talking over each other...
it just hit me! like a bulldozer -
      we are actually so divergent from a unifying
causality, having conquered all natural
predatory forces, that when we're actually
accountable for being collected and told to
say freely what we want, we sound so
****** disgusting - i listened to this video
until i heard that a 10 second silence was required...
        the same we give to those who passed
in war: that's the difference between Western
Europe and Eastern Europe:
the division lies with the idea of remembering:
western europe has the first world war covered,
eastern europe has the second world war covered -
hence the ****** poppy parade;
       and how could i completely integrate into
such a society? what, be fake? relinquish my
bilingual ontology and hollow out, ethnically
cleanse myself? sure, i speak the tongue:
but i treat English as rooted in all things Germanic,
given my baptismal name: Conrad - hell, what
could possibly go wrong.
          i, will, not, assimilate, into, this, *******,
culture, like, some, ******.
                end off!
it would mean: oh you're be happy here,
but forget the 8 years you spent in Poland and
developed a psyche -
i hate it when people force a soul on people
without the capacity to develop it...
  ******* freak saints with their autistic children:
if the thing in question is unresponsive
         toward developing the mere notion of a soul /
a self: why does the church implement this
****** sin against abortion? if i were an agony uncle
i'd tell the girl: think about that scene in
the film Prometheus (2012)...
       i don't get how something that can't even
create the mere idea of a soul actually have a soul...
limited instinct, sure: but a soul?
     hence Santa Clause: or where all innocent
idiots go - provided by Satan's Clause, which in
jurisprudence suggests Disney as the patriarch.
still, with so many eloquent minds about
in history and as in now,
put them together and they sound so ****** ugly:
humanity can create the abundant leaning tower
of Pisa (or let's just call it the ρoμbυs of Pisa) -
we can't recreate a congregation of sparrows' song
nor a lion's roar in a **** way: like grrr -
            what i said above?
we have the power of the atom bomb, and we
decided to champion science, but in the case of
application? we're lazy! we create these sadomasochistic
saints who never bothered to do research into
what might happen - shoot me,
       if we exclude the mere notion of god
and do as Marquis de Sade did and champion nature
(who, by the way, was actually a militant atheist)
        we can't avoid the economic barbarity of nature:
it's inherent cruelty -
                    and this is the modern curse
of outrightly censoring a certain part of human
history as if "it didn't happen".
  it did happen, no wonder i have a plot of land
near Cracow reserved for Jew snow (ashes) -
    it's almost as if to say: because the black plague
didn't happen in the region: here's the holocaust!
      and you'd think this might bring me closer
together with an Egyptian... n'ah.
       as i once said - *oni pyramidy, a my kominy

they the pyramids, we the chimneys.
            maybe the Yiddish evolved in Germany
had something against the Polish Jews?
                            maybe...
who knows...
                 civil wars are known to happen -
maybe that was a subversive version of a civil war,
given that Israel didn't exist, you could have
the Jews of Manhattan ******* at the Moscow
Jews and it all became expressed in Poland...
         they did have a saying, those Polish Jews
back when the money was there -
   nasze kamienice, wasze ulice
(our houses, your streets) -
            as my grandfather used to say:
they fought the war with the rifles bent,
shooting into the sky or into their foreheads
like any Jehovah's witness stance to war was deemed
appropriate to join the cult.
         now i can say, kinda proudly,
sure, your houses our streets -
                           nasze szubienice (our gallows):
or was the free Palestine movement slowly
dying?                  all i know that by the time
we reach 2099 - things will look drastically anti
1999 with that party culture -
      someone just decided to cut off the *******
of a great poker player - America is these days
castrato - Castrato America! Castrato America!
they blame immigration, i blame them
bribing "saint" John Paul II for ******* displacing
me...
            i lived in a city where there was
more than just football taking place: water-polo
for ****'s sake! my father played it!
             Olympic diversity: not this inbreeding
****** of sport coverage:
television, a.k.a. the box? more like a zoo cell.
             the busy market place where i was born?
just banks, no shops, just banks.
  they tell you **** on the internet isn't real:
then t.v. is desperate,
and no teenager commits suicide from a weak
grammatical membrane to invert naked words
into clothed words: red (noun) etc.
and let me add: where are the editors in this place
and are any necessary? no -
what's troubling to the west / capitalism is how
socialism has resurfaced -
          it's not called social media for nothing -
sure the model is capitalising on opinions and conversation,
but how ugly this socialism now looks;
       my grandfather? he's living in a safety net
of actually having a pension -
                   he retired more than 10 years ago,
way prior to reaching 70...
              this is Poland, the so-called "acid satellite"
states of the Soviets...
    where the **** will your old be with "sir" philip
green and the 0-hours contract?
                                                      nowhere!      
oh i would go back: had i not lived here most of
my life and built a greater capacity for the language
beyond a large majority of natives:
  oh look, here comes the Rotherham Pocahontas.
g clair Oct 2014
Golden words penned long ago
when I was young and zesty
occupied with lofty things
perhaps a lot less testy.

That which clouds my vision
tragic losses which destroyed
sweet perceptions
dark deceptions
left me underjoyed.

Of boyfriends unattainable
rejection would then smite
the hope of finding love,
which left me
just a bit uptight.

in the stretch to earn a living
well my boss is kind of rough
In trying to say something nice I'm on ice
cuz she's hard-headed, driving, and tough.

The high cost of living and then there's the tax
puts a strain on my old bank account
but that backbiting backriding queen battleaxe
can jump from the ground to the mount.

and every day's the same old thing
like a hamster on the wheel
the same old thing is looking old
and I’m feeling cold as steel.

but still I ignore the passing of time
and balance hard work with clean fun
and believing that this is as good as it gets
I'll settle for less than the one.

seeking distraction from everything dull
and attracted to that which you are
I read self help books while you eats what I cooks
and you're lost in the Harper's Bazaar.

My cellulite was ill replete
and disappointments grew
and long before the smog moved in
it choked the thrill from you.

and out of this stress comes the need to digress
so we sleep and we play and we drink
and we drain our desires and ***** up our wires
and leave our *** life on the brink.

Simple amusements, the clutter of things
common to man and his beast
from the pretense of knowledge and so many things
to the Thanksgiving holiday feast.

And now we're blown out, you lie and I shout
there's a palpable distance that's haunted
I long for the day when you'd hold me and say
that I'm the THE ONE you've always wanted.

But now mediocre, you opt to play poker
and run with a sweatpool of stink
and hoping to find something good on the street
in the morning you feel like a fink.

Left to your own devices
sleeping soundly, your heart's one desire
for passion it waits, while the office debates
and will do so until you expire.

Displacing my anger I'm less satisfied
and will never see straight, as you'll see
my own crooked finger was put through the wringer
and now it points straight back at me.
Shepard Leopard print not calligraphy double "L's" lively as llamas lily roll roots lull underwater dreams felt from the events of hypnotized by the words of the orator, an ores rating is the basis of the all purpose flowering behind the veil, human as satiated, red as sunsets lewd as an anagram of wed rings marry Saturn on this mourning of the death of time, rocks felt sediment may ties tan in the Sun pelts peeled layered in the wind steaming serpentine smokes coils in the sky Clouds the equipment of the buster Organs play louder than church hymns reigns power blood men straighten in their pews at the sound of the root of all evil the mouth of the whale begging for the message more "S's" in saliva drool without one of Oh now bow before the bow arc in the Know a Self flooded urge elevated surfaced by the pit of the concrete, open your abstract the path leopard prints in the mud escape the boar snarling winters Solar is the limit speed time for the Scarab dry enough for the role of matter being dense as ******. In no sense cures us from our aged protractor, human after all is how I robot rock.

I am earth breathing fire hearing wind moving water beneath my meat eating feet. I stare through the ghost riding I am Equine the warship of the Poised den at landings end I devour funnel cakes within the three circles, I merge the warmth and cool blending the reflections with its shadow commanding paddle cyclical backstroke the Frog's moment chosen amp powered transition form and fathom an alternate realm, I dropped a meteor on a puddle world displacing half of all livin; Lanced a Wasp's nest as a Dragoon steals an egg as a test.
D Conors Sep 2010
A bubble.

Form without void,
the time before time,
absolute inertia,
total resolution,
perfect harmony,
the bubble forming,
expanding,
like an explosion,
displacing,
creating,
The Birthing
of galaxies and stars,
planets in formation,
the universe
unfolding,
meteors crashing
into the atmosphere primitive,
amino acids
forming,
evolving inorganic
to organic,
microbes becoming
multi-cellular
--the race is on,
to and from
fishes,
amphibians,
reptiles,
birds,
animals,
primates
                  man,
consciousness and self-consciousness,
born and dying,
nothing meaning everything
time
and time again.

Awareness began,
both
with a bang
and a newborn baby's
cry.
D. Conors
14 September 2010
Sia Jane Mar 2015
Full Moon

Barefoot; each step sinking in mud
splashes of rain marry with
crimson drops in a puddle
of stormed waves
from an opened heaven

She kneels to the ground
simultaneously glancing
left, right, behind
cheeks blushed, her soul falling
as teardrops - her lowest ebb.

Ripping her cotton dress
she replaces blood soaked rags -
it’s been six days.

This war within herself
at only twelve years of age

Every nineteen days
her body a vessel; a period
of girlhood abruptly ends,
womanhood demurred.

Each & every month
persecuted;
Jesus nailed to a cross.

Amidst war-torn streets
fleeing torched homes
civil war displacing
orphaned sisters –
*****.
As militants continue to
prevail over children’s
innocence

Washing her sin away
red body fluids disperse
in mud, rain, water, soil -
her reflection lost
alongside any remaining dignity

On those same knees
Badriyyah pleads with God
to no longer bring forth
the fertility of conception
each cursed month.

Congolese civil wars
scraped away landscapes
Mother Nature
scraped away internal walls

& month after month
after month after month
this period endures
& a child of the night
stays hidden from sight.

© Sia Jane
The girls name “Bariyyah” in Arabic means ‘resembling the full moon.’
The word ‘*******’ has etymological routes relating to the ‘moon.’
So you have the completion of the synodic month relating to the motion of the moon each month.
"The Worst Period of Her Life" - Bring back dignity to these women. To donate £3 to ActionAid, text KIT to 70111. Having already fled war-torn conflict in Syria and the Congo, these girls and women suffer further humiliation every month as they cannot afford basic sanitary wear.
Zero the Lyric Jan 2013
Stark dark black limbs
Breast eyes beak wings
Abysmal feathered
Garments; a messenger.
Mal to prefix, as well,
Remnants from the abyss.

Not malicious, for delicious
Is a delight dragged
Out of any carrion.
Not carried because
They carry enough
Is too much for
These observers of us.

Screeching their squawks.
Perched on boughs for talks.
Of malign imminence.
To coalesce friendly fragments.
Found at any crossing's discourse.
Gusting about an eerie force.
Beacons upon who to bereave.
Portent displacing fallen leaves.

So we re-member
Our piece by piece plummet
Into that omnipotent
Stark dark descent.
Satsih Verma Nov 2016
Talking of myths,
in dichotomy of grace―
when somebody said that
the facts were loose truths.

Your faith slumbers―
when you are awake. And
you, my door of night, will
wear the tears of dawn.

Not sharing the loneliness,
when I was dispensing the
laughs amidst the grief
of hills. The trees, the slopes
and seeds― that will never bear
the fruits.

And there, I did't want
to celebrate my unwritten epitaph
after completing the life
of falls.

And the neighborhood still
sleeps when I decide to walk away
towards the dark.
Someone’s white golf ball
lies, abandoned
between moist grass and
desolate wanderers through
municipal courses
during Evening on
Father’s Day. Holding my pin, my quill
Frantically stitching point de capitons
between myself and the calm, fair way
I walk with conviction
alone, among firing-
flies toward all fathers
tonight, as swathing sprinklers gush, displacing
***** in-utero, past fences protecting
femme fatales whose unknown aspects
hang off tree rows
protruding from shoulders
sand-like limbs, flexed, stringy biceps
connect to its plastic dimples
through sturdy, wooden
fingers burrowed under grass and
swaying, pink clouds within
my eyes. Beyond hole
nines, red markers markers and ladies’
tee boxes
unacknowledged from
the green.

Rippling blades cede to setting-
star’s sacrimony in
vacant son-rooms, the
porches left of center, gurgling
traffically enveloped by laughter,
disinterested.

For this sight I cut my hair
inside my cozy, beige apartment
complex with a blue shower
curtain-wearing green, graphic
tease
printed by gray palm trees
swoops a hunting eagle, into the ebbing
stencil-tide of late day
orchestrated by man, this occurrence is
vagueary and seductive machinery
programmed by man
producing all, we are.

Waving tufts and leaves fall from
oaks wafting time past my nose with
rhythms out ciccadas, harmonies out
couples pulsating the sky,
ease pressure on vestigial nerves under
their atmospheres, droning vibrations, hollowed-
out and upholding
like arms do, Earth’s giant didgeridoo
We hum beside propulsive kangaroo
Tendons—see!
we’re becoming
taut on
empty bones holding-
black
birds with wings thrown desperately
toward others, panic
aloft in velvety
blue oxygen.

Picturing our streets’ concrete
burst asunder by
metesticized pipes watering formulaic
grounds
unearthing rock
and shrub
I passed the mangled corpses of adults
their kind, sighing.

I know it is as lifeless as his faint,
decomposing golf ball my dad
may have allowed me to
see. Our drowning star swoops
into the ocean
as eagles stamped on chests do,
unknown to time,
and loving shadows
untouched by yellow,
translucent lamp-
glare avoids the fallow structures
built with cement
inside the boudoir
of this day.
MMXII
My recitation here:
http://www.youtube.com/watch?v=K1OBjxUlePo&feature;=youtu.be

An explanation of the name:
My father and I have in common, among other things, a middle name.
Sleeves of golf ***** have three and they are numbered 1-2-3.
I don't know where the other two went, but the ball I found on my walk that night
was titled "1," and I am not the first child but rather between two sisters.
Every year, my older sister bought my dad pistachios or something and I would often buy him golf ***** while my younger sister usually bought him candy for this special occasion.
We all love my father deeply and he has been very supportive, but I sometimes ignore
the fact that we did not start from nowhere and there must be some solid foundation into
which fertilizer is diseminated.

There are sacred things and people to be respected. I love my parents and could not be alive
without them. So this is really a tribute to both of them.

Please bear with me as I indulge this incredibly personal sentiment for myself.
vircapio gale Oct 2013
'literature has a way of owning you'--
(the author said, after the book-signing;
and taking me behind the shelves, showed me
what possession meant, riptide trough and swell)
---much as the sea lays claim to one adrift,
to drown or hold aloft, then pin to bed,
displacing breath; choke...release...toss free, choke;
lungs drenched: retching silt, pelagic darkness
spotted with the faint transmuted sun.
whether full to glint a myriad in sky,
or blind to evanesce in foam and spray...
an atlantean crush of symbols: lost--
my inner mythic fades to distant waves
revising how i write of self, sunk
vibrant colors effervescent arrays
energetically on show for the eye's window
gardens ebullient with vivacious displays

front and backyards brilliantly aglow
hues of a rainbow a springtime glory
energetically on show for the eye's window

a paint box of shades telling the story
streets and avenues resplendent of decoration
hues of a rainbow a springtime story

our towns and villages so bright in elation
they bring a gaiety after winter's drear
streets and avenues resplendent of decoration

it does gladden the heart when they appear
the floral tones of cerise purple and orange bloom
they bring a gaiety after winter's drear

spring displacing the cold season's gloom
the floral tones of cerise purple and orange bloom
vibrant colors effervescent arrays
gardens ebullient with vivacious displays
ANH Aug 2013
There is a word that expresses all
the ways in which you have disappointed me
and driven me to tears of frustration;
I could not enumerate them without displacing
my mind in the process,
I can only seethe in the chagrin
that you have left behind you,
a thick gelatinous mess you spread
with each movement of your sluggish body
and with each breath you take
you augment my resentment for you
until it boils over into one expression,
one word that encompasses this
empirically justifiable vexation,
uttered with the sarcastic malice
that could drive it into your dense English skull;

cheers.
The Birth Of Gaia

"The changes themselves are already under way for quite some time. They are energetic changes, not so much on a physical 3D level. The Hunab Ku wave signal, on its way to Earth aka Gaia, will open a Stargate. The wavefront will get here by the end of 2012.

In physical terms Hunab Ku (Hunab Ku aka Perseus aka Ouroboros, the Milky Way Serpent who swallows its own tail) is a quasar radio source, also known as Sagittarius A, 'weighting' about 4 million suns and so 40 million kilometers (or 2 light minutes) across and about 25,627 lightyears distant from the core of the Earth.

The changes will result via energy Matrix changing not the planet itself. Gaia's ascension is interdimensional, not physical.

Changing the rotation and inertia of Earth (geographic pole shifts,..etc) could easily destroy the planet. The higher dimensional envelope is changing (subtly seen in environmental changes).

Energy shift is slowly displacing the old Matrix - this is the ascension. By 2013 it will complete the reconfiguration. Old humanity will be "forced" to either adapt or go crazy. The less "dense" reconfiguration will enable the ET (extra terrestrial ) contact by then. Until that time, ET will only be seen as plasma (white light, orbs..shadows of 4D).

There will be a pole shift....but at the center of the Earth. Its a dimensional 'Opening' or Rupture of spacetime itself as a 'SelfIntersection', of geometry. The wave signal will than bounce back and begin transmitting all the gathered data from Noospehre aka Akashic Records aka... to the entire universe."

THE COUNCIL OF THUBAN
g clair Sep 2015
Golden words penned long ago
when I was young and zesty
occupied with lofty things
perhaps a lot less testy.

That which clouds my vision
tragic losses which destroyed
sweet perceptions
dark deceptions
left me underjoyed.

Of boyfriends unattainable
rejection would then smite
the hope of finding love,
which left me
just a bit uptight.

in the stretch to earn a living
well my boss is kind of rough
In trying to say something nice I'm on ice
'cause she's hard-headed, driving, and tough.

The high cost of living and then there's the tax
puts a strain on my old bank account
but that backbiting back-riding queen battleaxe
can jump from the ground to the mount.

and every day's the same old thing
like a hamster on the wheel
the same old thing is looking old
and I’m feeling cold as steel.

but still I ignore the passing of time
and balance hard work with clean fun
and believing that this is as good as it gets
I'll settle for less than the one.

seeking distraction from everything dull
and attracted to that which you are
I read self help books while you eats what I cooks
and you're lost in the Harper's Bazaar.

My cellulite was ill replete
and disappointments grew
and long before the smog moved in
it choked the thrill from you.

and out of this stress comes the need to digress
so we sleep and we play and we drink
and we drain our desires and ***** up our wires
and leave our *** life on the brink.

Simple amusements, the clutter of things
common to man and his beast
from the pretense of knowledge and so many things
to the Thanksgiving holiday feast.

And now we're blown out, you lie and I shout
there's a palpable distance that's haunted
I long for the day that you'll hold me and say
I was always the THE ONE that you wanted.

But now mediocre, you opt to play poker
and run with a sweat-pool of stink
and hoping to find something good on the street
in the morning you feel like a fink.

Left to your own devices
sleeping soundly, your heart's one desire
for passion it waits, while the office debates
and will do so until you expire.

Displacing my anger I'm less satisfied
and will never see straight, as you'll see
my own crooked finger was put through the wringer
and now it points straight back at me.
I start with a backhoe, displacing
brain-sized clumps of earth.
A few fickle particles escape
between the imposing metal teeth.

The mechanized bucket clinks
against a rigid texture.
I grab a shovel, bending my spine
to the task at hand.

Pretty soon the shovel only scoops up
unsatisfying fistfuls of dust.
It is cast aside for the broom,
revealing the smooth shape underneath.

A dingy film is spread around
by the coarse fibers of the broom.
I grab my toothbrush, furiously scrubbing
the chrome-plated formation.

Now all passersby
can bite my shiny metal
victory.
July 10, 2012
Inspired by adopt-a-metaphor experiment (unveil victory)
KB Dec 2013
I am what you’re alive for, and I’ll let you start over,
And over again, before the last chance you have is done.
My name is life; though it’s not always fun.
I live in your veins and breathe in your heart,
My name is passion, and I am very smart.
You were born to use me,
To live by me,
And to inhale and exhale me.
My name is love.
You can’t run away from passion, life, or love
But this might inspire you to bring out what’s underneath to above,
To let your inner Van Gogh out or maybe, just your soul.
Pleasing anything and everything but you,
They made it your ultimate life goal.
You may still think that’s exactly what you want.
Engineers, lawyers, doctors with crazy fonts.
But you come to think that maybe that’s not for everyone…
And for that, they all make fun.
But maybe, you’re good for something that doesn’t need you
To memorize formulas, letters, numbers, symbols alike, it’s true!
Maybe you, need to be memorizing shapes, lines, colours, and words that rhyme.
Despite the way no one else has your kind of flow, it isn’t a crime.
Don’t worry about judges or surgeons, with their fancy titles and big pay,
They have their own light, their own great ways.
If you’re better with a paintbrush, then stroke away, or splash, or stipple.
Anything to show them that art is not that simple.
Its takes courage to speak out what the world craves to be said,
If one doesn’t write books or poems, there’s nothing that will be left to be read,
And children rely on stories, it’s what keeps them innocent.
It also keeps the rest of us wide awake and vigilant.
So the world bursts at the seams,
With people aching to fulfill their vibrant dreams,
Of being the ones who can finally fly; oh so very high.
The world is bursting at the seams,
With people craving to feel the colours in ungrouped teams,
That pop and crackle and spark when touched.
Turn into stardust and glitter but in the hands, are tightly clutched.
But there might be a need of people,
Who love dandelions more than roses,
Who stand strong, even as every door closes.
Who play with ice rather than fire,
Who from their risk takings, would never retire.
And who rather they feel the softness of the sand
When the wind blows it around on the beach in their hands,
Than the blankets that they sleep on.
Who look to clean the chessboard of their enemy’s pawns.
But what we see is mainly what we hope to find,
And if we look at life with love we can find it to be amiable and kind,
One can achieve their goals if they let go of the headaches for a second.
Impossibilities should never be counted, thought of, or reckoned.
So breathe; you don’t have much left of your fast travelling time line.
Recite; you don’t have much air left but your voice is just so fine.
Write and your fingertips will never stop screaming,
Just like if you run, you will never stop beaming,
Never hitting the pavement with the steps of wraith.
And if you can feel... then you will always keep close faith.
You have not badly slipped, or played the wrong note.
Because even in the midst of beautiful gardens,
Weeds were never remote.
And then you walk through the streets of love.
Hand in hand with a culture fitting you like a glove,
As the smoke draws you in a feeling not unfit;
Feelings your heart clenches; at least you can hold it.
Some have lost this rare, valued treasure,
In the waters of functions and formulas, always measured.
So never swim with them if you are one to tight line,
At the end of your life you can say, “This life is mine.”
Always one to dream, never one to follow
Never let them tell you the mind is hollow
Always experiment, don’t be the child of a shadow.
And they put art at the lowest hierarchies,
Displacing the solution to locks on creativity.
Saying art is nothing but they don’t know where we’d be
Had shapes not evolved and paintbrushes never
Met paint and gave birth to an image you can see.
That you mixed and threw together, you’re clever,
No canvas should ever be empty,
Odd reasons say still… there are plenty.
And only an artist can solve that problem.
Breathing life into objects, one can make into an emblem.
So now what you do without math, science, or neither?
Yeah… I wouldn’t give up either.
No one has ever taken a chance with me
Some have danced with me
But most are quick to be real slick
And change their stance with me
Fake people making noise
And playing games
Calling names, pointing fingers
And placing blame

Little realize
While they're fixed on displacing shame
All this nonsense stays constantly
Suspended through my veins

They burst open with the worst notions Contorted emotions to mass explosions
Like mixing large proportions of gasoline
Fire driven moths-to-flames

And my response is to conjure
Create, contemplate, and maintain
So please run along and carry on
Like you never knew my name
Because saying it will curse you
When you mention it in vain

Don't react or erupt like 'this' was abrupt When you never said 'this' to my face
Don't act surprised or try to hide it
Like you missed it or tried to fight it
Like you have any right to deny it
Now that you've finally been erased

I'm tired of all the back-thens
And back-whens
You're a has-been, and I'm laughing

Coming out of the woodwork
Some leaving without a trace
Like a blank space could ever replace
Everything you didn't make work

In the end we didn't mend
So I guess I wasn't worth it
At best we could jest, try to forget
Let's say that I deserve it
I wasn't perfect and then again
I'm not a ******* servant

Should I reword it?
Use different verbage?
Change my perspective respective
Of your verdict on the time spent?
I wouldn't know
Because you never showed
And I'm too busy living in ('this') moment
******* all.
Words hissing through links of spine
Shake his skull’s base
Plunge into a pool of melancholy
So vacuous and contemptible
That’s been
Flooded by nihilism and avarice
Her dead notion gestating
Open case indefinitely
You chose this,
Sinking
In my shallow waters
Displacing fondness
Evaporating on the banks
In serotonin’s stolid drought
Crinkled blueprints for what might have been
Were trembling lips adverse to apathy
And chances had been taken
MMX
Ylzm Jul 2019
a shell, a rock, valueless
token of exchange
Cain's creation, perhaps,
impelled by hunger and his mark

today a non attributable lie
a picture of true faith
- but the sword still stands -
speaks more truth than any word can

deeper its insidious roots grow
for the greater its seeming efficacy
displacing the currency of love
for my enemies love me as themselves

but the lie is true
gnawing from the inside out
from nations, to businesses, to people,
a soulless heartless ******* remains

by the sword you live, by the sword you die
Nat Lipstadt Dec 2015
~~~

dislocation/punk'd


hey baby,
put one forward,
faking baby steps.

life is hard in different ways,
for so many of us, the days say,
each year of us, walks a unique maze,
hands on the wall, unavoidable tripping on
speed bumps that make one crazed
and that you even see

coming

but inevitable is the red,
swelling, bruises, cutting,
the side effects of what gets said,
the falling-downs of words that are

dislocating

things get said, and you get paid
in eerie and weary,
and the loss of balance,
as if you are just the warm water,
water that slips over the side,
not the body inside,
and when you slip up,
that wet, warm beat-up,
That empty feeling of being is

displacing

you know, well advanced,
that parts of you,
moving around inside,
sources of internal dizziness,
the curve ***** thrown in slow mo
that so mesmerize you
into watching but not swinging,
accepting that the arc,
provides burns skinning,
and you go down 'n out

striking

what ya gonna do?

dust off and upstanding accept,
that some pitches are just **** ******* us,
we the swingers, often miss the ball,
wide of the mark,
sometimes we just stand, mouth agape,
watching the ball coming right at us,
even foreseeing the incoming

paining

what hurts,
is not those rosy red ridge reminders,
the after party of being hit,
but that when getting punk'd,
chewed up, spit out,
you get used to it, and to survive,
to keep your wits,
you spend time convincing yourself,
that you don't even care,
but you find your thinking is all about

rhyming

so when poetry get complicated,
ya get back to where ya
once before where,
keeping it simple,
roses red, violets blue,
what ya gonna do,
but your sense of smell
shot to hell,
what the hell,
thinking just another wet plunking
thinking no big dealing
this one mo' punking,
there will be more

but wonder why
you can no longer make your
simple, confused words to be reduced
by right

rhyming
Dec 2~3, 2015
nyc
a poem that transversed midnight
A Simillacrum Jun 2018
There are poor neighborhoods
that are tucked into towns,
where the less educated,
where the lesser of means,
find in the dregs, the ability
to coexist with higher society.

Society is grown to the point of disease,
killing the feeble, disabling the lost,
in the name of and for some ease.
So here comes the city, meaning so well.
They said, "Let's add a train line
to a town that has none!"

Well, there goes the block.
There go the people who
barely have homes.

The Council wants to drop a line
where they see shoes bounce power lines.
What's the harm in displacing
the part of the community already dead?
The town now seems to be just fine
now that the poor are paying fines.
Why not double down and just
gentrify when history tells the story best?

Expand Portland, rid Tigard of blemish,
trade your rug for cement and track.
Beautify Tigard, please your ill desire,
don't be surprised when your eyesore
comes back.

Go ahead, pave your poverty.
Go ahead, clean your streets.
You're thinking, "Lines for dimes."
What do you think a new line means?
What do you think the traffic brings?
The sweet guillotine repeats.
Tiffany Lewis Jul 2011
Malignant cancer
That you are
Metastasizing within my body and soul
Displacing the tissues of me
With your dark and threatening disease
From my blood you feed
Shiny, sharpened scalpel
To remove you from within
Pressing the blade against my tender skin
Trying to gain the strength
But I continue to let you take
Ember Evanescent Nov 2014
MY HEAD IS A TWISTER IT
SWEEPS UP EVERYTHING
I CARE ABOUT AND DEST
      ROYS IT DISPLACING
        EVERYTHING AND
          MAKING A MESS
             WHY ARE MY
                THOUGHTS
                SO DESTRUC
                  TIVE WHY
                    MUST IT
                    ALWAYS
                    HURT TO
                     EXIST I
                      HATE
                       THE
                       TOR
                        NA
                        DO
                         TH
                          AT
                           IS
                           M
                            Y
                            M
                             I
   ­                         N
                            D
Paul NP Jun 2015
A warmth awakens from a deep blue sea
displacing the water and shaping the breeze
my thoughts transcend above and beyond
my lungs compress to the impact of song

when your focus directs, a silence imbues
my chest fills up with a lack of you
and the feelings created are internally debated
when emotion springs color, a passion is weighted

my stomach indulges in feather proportions
and my actions resolve with weathers contortion
just exhale a sound to calm me down
your presence abiding; is love renown

now all that's left is this scripture of deity
my trust for you takes-way from anxiety

I'll see you soon, when you least expect it
when I confessed to you, I thoroughly meant it


"walk with me forever girl, this gift of heart will never be sold
our love is the rarest of alchemy, and our chemistry is worth more than gold"

— The End —