Submit your work, meet writers and drop the ads. Become a member
With my whole body I taste these peaches,
I touch them and smell them.  Who speaks?

I absorb them as the Angevine
Absorbs Anjou.  I see them as a lover sees,

As a young lover sees the first buds of spring
And as the black Spaniard plays his guitar.

Who speaks?  But it must be that I,
That animal, that Russian, that exile, for whom

The bells of the chapel pullulate sounds at
Heart.  The peaches are large and round,

Ah! and red; and they have peach fuzz, ah!
They are full of juice and the skin is soft.

They are full of the colors of my village
And of fair weather, summer, dew, peace.

The room is quiet where they are.
The windows are open.  The sunlight fills

The curtains.  Even the drifting of the curtains,
Slight as it is, disturbs me.  I did not know

That such ferocities could tear
One self from another, as these peaches do.
Mitchell Dec 2013
In the Fall, when the temperature of the Bay would drop and the wind blew ice, frost would gather on the lawn near Henry Oldez's room. It was not a heavy frost that spread across the paralyzed lawn, but one that just covered each blade of grass with a fine, white, almost dusty coat. Most mornings, he would stumble out of the garage where he slept and tip toe past the ice speckled patch of brown and green spotted grass, so to make his way inside to relieve himself. If he was in no hurry, he would stand on the four stepped stoop and look back at the dried, dead leaves hanging from the wiry branches of three trees lined up against the neighbors fence. The picture reminded him of what the old gallows must have looked like. Henry Oldez had been living in this routine for twenty some years.

He had moved to California with his mother, father, and three brothers 35 years ago. Henry's father, born and raised in Tijuana, Mexico, had traveled across the Meixcan border on a bent, full jalopy with his wife, Betria Gonzalez and their three kids. They were all mostly babies then and none of the brothers claimed to remember anything of the ride, except one, Leo, recalled there was "A lotta dust in the car." Santiago Oldez, San for short, had fought in World War II and died of cancer ten years later. San drank most nights and smoked two packs of Marlboro Reds a day. Henry had never heard his father talk about the fighting or the war. If he was lucky to hear anything, it would have been when San was dead drunk, talking to himself mostly, not paying very much attention to anyone except his memories and his music.

"San loved two things in this world," Henry would say, "*****, Betria, and Johnny Cash."

Betria Gonzalez grew up in Tijuana, Mexico as well. She was a stout, short woman, wide but with pretty eyes and a mess of orange golden hair. Betria could talk to anyone about anything. Her nick names were the conversationalist or the old crow because she never found a reason to stop talking. Santiago had met her through a friend of a friend. After a couple of dates, they were married. There is some talk of a dispute among the two families, that they didn't agree to the marriage and that they were too young, which they probably were. Santiago being Santiago, didn't listen to anybody, only to his heart. They were married in a small church outside of town overlooking the Pacific. Betria told the kids that the waves thundered and crashed against the rocks that day and the sea looked endless. There were no pictures taken and only three people were at the ceremony: Betria, San, and the priest.

Of course, the four boys went to elementary and high school, and, of course, none of them went to college. One brother moved down to LA and eventually started working for a law firm doing their books. Another got married at 18 years old and was in and out of the house until getting under the wing of the union, doing construction and electrical work for the city. The third brother followed suit. Henry Oldez, after high school, stayed put. Nothing in school interested him. Henry only liked what he could get into after school. The people of the streets were his muse, leaving him with the tramps, the dealers, the struggling restaurateurs, the laundry mat hookers, the crooked cops and the addicts, the gang bangers, the bible humpers, the window washers, the jesus freaks, the EMT's, the old ladies pushing salvation by every bus stop, the guy on the corner and the guy in the alley, and the DOA's. Henry didn't have much time for anyone else after all of them.

Henry looked at himself in the mirror. The light was off and the room was dim. Sunlight streaked in through the dusty blinds from outside, reflecting into the mirror and onto Henry's face. He was short, 5' 2'' or 5' 3'' at most with stubby, skinny legs, and a wide, barrel shaped chest. He examined his face, which was a ravine of wrinkles and deep crows feet. His eyes were sunken and small in his head. Somehow, his pants were always one or two inches below his waistline, so the crack of his *** would constantly be peeking out. Henry's deep, chocolate colored hair was  that of an ancient Native American, long and nearly touched the tip of his belt if he stood up straight. No one knew how long he had been growing it out for. No one knew him any other way. He would comb his hair incessantly: before and after a shower, walking around the house, watching television with Betria on the couch, talking to friends when they came by, and when he drove to work, when he had it.

Normal work, nine to five work, did not work for Henry. "I need to be my own boss," he'd say. With that fact stubbornly put in place, Henry turned to being a handy man, a roofer, and a pioneer of construction. No one knew where he would get the jobs that he would get, he would just have them one day. And whenever he 'd finish a job, he'd complain about how much they'd shorted him, soon to move on to the next one. Henry never had to listen to anyone and, most of the time, he got free lunches out of it. It was a very strange routine, but it worked for him and Betria had no complaints as long as he was bringing some money in and keeping busy. After Santiago died, she became the head of the house, but really let her boys do whatever they wanted.

Henry took a quick shower and blow dried his hair, something he never did unless he was in a hurry. He had a job in the east bay at a sorority house near the Berkley campus. At the table, still in his pajamas, he ate three leftover chicken thighs, toast, and two over easy eggs. Betria was still in bed, awake and reading. Henry heard her two dogs barking and scratching on her bedroom door. He got up as he combed his damp hair, tugging and straining to get each individual knot out. When he opened the door, the smaller, thinner dog, Boy Boy, shot under his legs and to the front door where his toy was. The fat, beige, pig-like one waddled out beside Henry and went straight for its food bowl.

"Good morning," said Henry to Betria.

Betria looked at Henry over her glasses, "You eat already?"

"Yep," he announced, "Got to go to work." He tugged on a knot.

"That's good. Dondé?" Betria looked back down at her spanish TV guide booklet.

"Berkley somewhere," Henry said, bringing the comb smoothly down through his hair.

"That's good, that's good."

"OK!" Henry sighed loudly, shutting the door behind him. He walked back to the dinner table and finished his meal. Then, Betria shouted something from her room that Henry couldn't hear.

"What?" yelled Henry, so she could hear him over the television. She shouted again, but Henry still couldn't hear her. Henry got up and went back to her room, ***** dish in hand. He opened her door and looked at her without saying anything.

"Take the dogs out to ***," Betria told him, "Out the back, not the front."

"Yeah," Henry said and shut the door.

"Come on you dogs," Henry mumbled, dropping his dish in the sink. Betria always did everyones dishes. She called it "her exercise."

Henry let the two dogs out on the lawn. The sun was curling up into the sky and its heat had melted all of the frost on the lawn. Now, the grass was bright green and Henry barely noticed the dark brown dead spots. He watched as the fat beige one squatted to ***. It was too fat to lifts its own leg up. The thing was built like a tank or a sea turtle. Henry laughed to himself as it looked up at him, both of its eyes going in opposite directions, its tongue jutted out one corner of his mouth. Boy boy was on the far end of the lawn, searching for something in the bushes. After a minute, he pulled out another one of his toys and brought it to Henry. Henry picked up the neon green chew toy shaped like a bone and threw it back to where Boy boy had dug it out from. Boy boy shot after it and the fat one just watched, waddling a few feet away from it had peed and laid down. Henry threw the toy a couple more times for Boy boy, but soon he realized it was time to go.

"Alright!" said Henry, "Get inside. Gotta' go to work." He picked up the fat one and threw it inside the laundry room hallway that led to the kitchen and the rest of the house. Boy boy bounded up the stairs into the kitchen. He didn't need anyone lifting him up anywhere. Henry shut the door behind them and went to back to his room to get into his work clothes.

Henry's girlfriend was still asleep and he made sure to be quiet while he got dressed. Tia, Henry's girlfriend, didn't work, but occasionally would put up garage sales of various junk she found around town. She was strangely obsessed with beanie babies, those tiny plush toys usually made up in different costumes. Henry's favorite was the hunter. It was dressed up in camouflage and wore an eye patch. You could take off its brown, polyester hat too, if you wanted. Henry made no complaint about Tia not having a job because she usually brought some money home somehow, along with groceries and cleaning the house and their room. Betria, again, made no complain and only wanted to know if she was going to eat there or not for the day.

A boat sized bright blue GMC sat in the street. This was Henry's car. The stick shift was so mangled and bent that only Henry and his older brother could drive it. He had traded a new car stereo for it, or something like that. He believed it got ten miles to the gallon, but it really only got six or seven. The stereo was the cleanest piece of equipment inside the thing. It played CD's, had a shoddy cassette player, and a decent radio that picked up all the local stations. Henry reached under the seat and attached the radio to the front panel. He never left the radio just sitting there in plain sight. Someone walking by could just as soon as put their elbow into the window, pluck the thing out, and make a clean 200 bucks or so. Henry wasn't that stupid. He'd been living there his whole life and sure enough, done the same thing to other cars when he was low on money. He knew the tricks of every trade when it came to how to make money on the street.

On the road, Henry passed La Rosa, the Mexican food mart around the corner from the house. Two short, tanned men stood in front of a stand of CD's, talking. He usually bought pirated music or movies there. One of the guys names was Bertie, but he didn't know the other guy. He figured either a customer or a friend. There were a lot of friends in this neighborhood. Everyone knew each other somehow. From the bars, from the grocery, from the laundromat, from the taco stands or from just walking around the streets at night when you were too bored to stay inside and watch TV. It wasn't usually safe for non-locals to walk the streets at night, but if you were from around there and could prove it to someone that was going to jump you, one could usually get away from losing a wallet or an eyeball if you had the proof. Henry, to people on the street, also went as Monk. Whenever he would drive through the neighborhood, the window open with his arm hanging out the side, he would usually hear a distant yell of "Hey Monk!" or "What's up Monk!". Henry would always wave back, unsure who's voice it was or in what direction to wave, but knowing it was a friend from somewhere.

There was heavy traffic on the way to Berkley and as he waited in line, cursing his luck, he looked over at the wet swamp, sitting there beside highway like a dead frog. A few scattered egrets waded through the brown water, their long legs keeping their clean white bodies safe from the muddy water. Beyond the swamp laid the pacific and the Golden Gate bridge. San Francisco sat there too: still, majestic, and silver. Next to the city, was the Bay Bridge stretched out over the water like long gray yard stick. Henry compared the Golden Gate's beauty with the Bay Bridge. Both were beautiful in there own way, but the Bay Bridge's color was that of a gravestone, while the Golden Gate's color was a heavy red, that made it seem alive. Why they had never decided to pain the Bay Bridge, Henry had no idea. He thought it would look very nice with a nice coat of burgundy to match the Golden gate, but knew they would never spend the money. They never do.

After reeling through the downtown streets of Berkley, dodging college kids crossing the street on their cell phones and bicyclists, he finally reached the large, A-frame house. The house was lifted, four or five feet off the ground and you had to walk up five or seven stairs to get to the front door. Surrounded by tall, dark green bushes, Henry knew these kids had money coming from somewhere. In the windows hung spinning colored glass and in front of the house was an old-timey dinner bell in the shape of triangle. Potted plants lined the red brick walkway that led to the stairs. Young tomatoes and small peas hung from the tender arms of the stems leaf stalks. The lawn was manicured and clean. "Must be studying agriculture or something," Henry thought, "Or they got a really good gardener."

He parked right in front of the house and looked the building up and down, estimating how long it would take to get the old shingles off and the new one's on. Someone was up on the deck of the house, rocking back and forth in an old wooden chair. He listened to the creaking wood of the chair and the deck, judging it would take him two days for the job. Henry knew there was no scheduled rain, but with the Bay weather, one could never be sure. He had worked in rain before - even hail - and it never really bothered him. The thing was, he never strapped himself in and when it would rain and he was working roofs, he was afraid to slip and fall. He turned his truck off, got out, and locked both of the doors. He stepped heavily up the walkway and up the stairs. The someone who was rocking back and forth was a skinny beauty with loose jean shorts on and a thick looking, black and red plaid shirt. She had long, chunky dread locks and was smoking a joint, blowing the smoke out over the tips of the bushes and onto the street. Henry was no stranger to the smell. He smoked himself. This was California.

"Who're you?" the dreaded girl asked.

"I'm the roofer," Henry told her.

The girl looked puzzled and disinterested. Henry leaned back on his heels and wondered if the whole thing was lemon. She looked beyond him, down on the street, awkwardly annoying Henry's gaze. The tools in Henry's hands began to grow heavy, so he put them down on the deck with a thud. The noise seemed to startle the girl out of whatever haze her brain was in and she looked back at Henry. Her eyes were dark brown and her skin was smooth and clear like lake water. She couldn't have been more then 20 or 21 years old. Henry realized that he was staring and looked away at the various potted plants near the rocking chair. He liked them all.

"Do you know who called you?" She took a drag from her joint.

"Brett, " Henry told her, "But they didn't leave a last name."

For a moment, the girl looked like she had been struck across the chin with a brick, but then her face relaxed and she smiled.

"Oh ****," she laughed, "That's me. I called you. I'm Brett."

Henry smiled uneasily and picked up his tools, "Ok."

"Nice to meet you," she said, putting out her hand.

Henry awkwardly put out his left hand, "Nice to meet you too."

She took another drag and exhaled, the smoke rolling over her lips, "Want to see the roof?"

The two of them stood underneath a five foot by five foot hole. Henry was a little uneasy by the fact they had cleaned up none of the shattered wood and the birds pecking at the bird seed sitting in a bowl on the coffee table facing the TV. The arms of the couch were covered in bird **** and someone had draped a large, zebra printed blanket across the middle of it. Henry figured the blanket wasn't for decoration, but to hide the rest of the bird droppings. Next to the couch sat a large, antique lamp with its lamp shade missing. Underneath the dim light, was a nice portrait of the entire house. Henry looked away from the hole, leaving Brett with her head cocked back, the joint still pinched between her lips, to get a closer look. There looked to be four in total: Brett, a very large man, a woman with longer, thick dread locks than Brett, and a extremely short man with a very large, brown beard. Henry went back
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Shofi Ahmed Mar 2017
Before long the summer sun will rise in London
Like the half of the Ge meets the other half.
Like a magic by the Lamp of Aladdin
The love flame hidden in the chest lights up!

Like a blooming rose in a glowing beam of light,
Like a smiling face speaks a gentle word,
Like a beautiful sunrise colour in the first light!

The summer in London will pop and sizzle
We will see a threshold in our land.
The rose for a while is tucked away
Off the winter and is given to the sun
Winter is not forever spring is on the corner
Come back in the sun with the early bird
Before Cinderella takes on the primrose path.

Keeping an eye on a thriller is in the winter’s field
Oozy ozone misty land gets a gingerly seasoning
What on earth will it strike, will it dish out?
Ah, the sun will pop out like a river breeze.

Like a southern song singing on a dream scene.
a smooth fairy dance facing the Moon
a thrill of exposing Stonehenge once and for all
a melodious raindrop in the serene pond
a butterfly dance on the rose
a turned on tall tale of the blue peacock
Like a pure belief in heaven without a pinch of salt!
This is a poem from my book Zero and One available on Amazon.
Robin Carretti Aug 2018
The star* everybody needs
somebody_
But what needs pulling
out weeds, don't rush her
Just pamper her what!!!
"Seducing the Queen"

The curves the hot raves
The super satellite
 greeting her
bottom caves
That body fit curve appeal
How to ****** his
"King" water
He was born with
Sword dish spoon
**** shades and fifty
deeper gray's
That old black magic prays

In her young hand
became a restless pair
What was sexless
Ageless the silvery moon*

Something came way
too soon he says
"Smile you're on candid camera"

Something snaps did not
make the cut
So reducing
A spin Star Trek
Voyager of words

So time-consuming
"Seducing"
   Mixing
More producing the camera
tells the truth *******

From here on could be fatal
But the mortal life of eternity
But she is losing her waistline
Of energy

No God became swampland
Of biting men tough skin
alligators

I am the "Satellite Lady"
The winter gets hazy
But I am the Aphrodite
No touch-up "Eyes Seducing"
Our sunset the time we met
the stars

The fitting ring square hot sparks cushion
Mrs. Futurama* She knows her mission
          
High **** sigh
The best creation of
women's sexuality
Such high maintenance
Something in her voice
A powerful moment in
time business

There's no business like
Seducing the world
so ingenious
Perfect plan the genius
More space human race

What you decide at
your own pace
Wild West the
Wicked Witch

Scrooged the green
Alien money
Temptation meets
the surrender
The Oz Balloon pretender
Those pins go
Singing Pop Satellite

The high tech drama
Spaceship to the Ferrari cars
Is there fault in our stars?

Or we girls having fun
Out with the old
The new Navy
**** hot army of ladies
The New Orleans
Red Chanel lip district

A hot item everything is finer
in Carolina, she got the
special treatment
Kicking her heels off
The best southern comfort
**** Gina Lollobrigida instant
******* Jacks pops instant replay

Her voice controls her sexuality singing

Let me show you
But in all honesty, it's the
*
Satellite

Website
The king love me tender
The kiss to render
Infinite not so tender
Hot wings of butterflies
Nothing in life is free
So sure of the gravity I see
  
Aphrodite brings the pleasure  
seduction of love treasure

Being late the satellite
The bold dark hot brew
Using your smile wisely

Before you  
The Crazy Horse
burlesque show
French spy lady with her
**** trench after you
Precisely
So genuinely

Creation in unequivocal
**** creature primal
Seducing lips passed through
Whats truly fate or innate
Seducing a stranger that was
once an inmate

The stars shine so brightly
But you cannot get him
out of your headway
too painful highway
To here to eternity
expressing yourself

Going International*

Feeling sultry lovely
and swinging
On the top of the satellite
Being the fireball in the
restaurant he got a stroke
at midnight coaching her

You're the Princess, the
feast is ready
Keep your outlook steady
He spies on you his
heart flies your passionate
stars
The feeling stays and
Your heart plays the
"Satellite"

So soothing the silk guitar strings
Strumming to his lips
Your the best thing
that happened in his life

Climbing her wilderness mountain
So energetic the movie cutthroat site
The satellite became my bite of the
most passionate fruit
The lady in blue in her
highcut boots

Lord of the rings the urgency
"The Wanting" self-determined
Caring but slaving over love
Giving your heart for
emergency
You're whole undivided
attention the facts

Her highness such kindness
She loves to read get the
bright star the wish
The lush the knowledge
Like the ledger of awareness

The hot dish pleasures
His and her reaction
The perception and
The physical attraction
"The Seducing Show"
Seducing can have a lot of meaning it can be playful and fun or getting so out of touch that  had enough people use their sexuality in lots of ways make it a special Satellite to the star of his moon day
With a golden dish in my right hand
I came to get my fill
Of honeysuckle pleasures
On hidden vines
There waiting for my tender touch
Sweetness I did find
Under the marble steps
Of my will

That old cunning devil flew right by me
My conscious saw him first
A shift of black
Lifting up in airy flight
Yet still I sought out my reward
Though his face I could see
My dish, would be filled
That night

I thought of waiting for my pleasure
Then in a lullaby I rehearsed
I convinced myself to reach out anyway
As I came to get my fill
Of all those hidden treasures
So I sang my song
And put my conscious
In reverse

With a golden dish in my right hand
A shift of black in my heart
I partook of those honeysuckle pleasures
Yet no sweetness did I find
In those hidden vines
When from my own will
I did depart
Copyright *Neva Flores @2010
www.changefulstormpoetry.blogspot.com
http://user.adme.in/blog/browse/u/Changefulstorm
Tex Dermott Jun 2015
The cupboard
Could not hold his dreams,
So the green dish fled his home.
He traveled the entire world, sailed the
Seven seas, and even went
Into outer space.
What a life!
Jim Hill Nov 2016
It is a small dish—
no more than four inches in diameter,
but heavy in the hand
like a too-big coin
or a medal from some county fair.

Gray-blue enamel on copper
with a tiny winter scene:
a trio of white fir trees
their branches painted
like tiny hand-prints
stacked one
upon the other.

And just above them,
two blue snowflakes
in a sea of cool enamel,
this tiny dish of winter.

You bought it on a whim,
I’m sure,
at Wildweed in Aspen
(that Seventies store
cluttered with thick ceramic bowls
and macramé)
some January
when Christmas things
were fifty percent off.

In that annual ritual
when you brought the Christmas
boxes up from the basement,
it was there among
the old glass ornaments
wrapped in decades-old
tissue paper.

It’s too small for candy—
really just a bit of whimsy
for the marble-top
in the living room
or a bedside table.

Now it sits in my kitchen
on an old green
step-back cupboard
all year round.

I will not wrap it in tissue paper
after Christmas.
No, I will not hasten
the cycle of the years
any more than time has done.

I will let my distracted gaze
fall now and then
on that little dish,
with its two blue snowflakes.

And I will feel
with mild surprise
a brief stab of panic
deep in my chest
rise and pass like a shadow
or a memory.
NOLWAZI JOUBERT Mar 2016
I made this dish with love.
Dedicating my time from my favourite show.
Slicing every piece of that onion carefully into same sizes,
Fighting back the tears that it kept threatening me with,
I made this special dish just for you.
A special Sunday evening meal to make you smile.

But there you through out the entire feast,
Complaining about my choice from the menu.
Nearly losing my appetite I just pretended I couldn't hear.
It would have been nice to know how well my dish was,
But instead all I hear is you mummering about your toothache.

What about a little thank you,
A "hmmm" of some sort.
Now its how much ur tummy aches after eating my food.
I just can't stand it anymore.
What about my effort?
What about my feelings?
If I had known I would have just boiled everything up together and not caring about the little details to the taste.

You are welcome mom even though you didn't appreciate my effort after such a long day.
Jay Jun 2018
I'M MAKING nachos in your toaster oven. The chips fall in the pan without a problem. Beans, evenly distributed (if I do say so myself.) Salsa- good to go. Then the cheese. Generic brand shredded cheese blend. I dangle my (washed) fingers into the zip-lock bag, grab a generous pinch and rain mild cheddar down on my gourmet meal. And I feel the tears building. "No," my conscious scolds, "you will not cry over shredded cheese." I add another pinch for flavor, then another to assert dominance. I slide the pan into the tiny oven- triumphant! But the next task breaks me. I freeze when I try to adjust the heat setting. I hear your voice so clearly, like you're still calling from the next room: "you have to press the TOAST button, it cooks much faster."  The tears start to roll. I think about how excited you were when cheese bubbled perfectly- "just a little brown, ever so slightly crispy." We would joke about your persnickety preferences, likely a product of your superior taste. Of course, you would have appreciated anything I made for you, but it was always better when the dish matched the idea in your head...when I made it like you would have made it (if you were only well enough to cook for yourself again.) In the present, I poke the TOAST button and flee the kitchen as to not cry in front of the smothered chips. I sit on the sofa and break down, gasping in childish sobs. "I miss her," I wail to an empty house. Warm tears coat my cheeks in the air-conditioned room. I feel so small. I feel so foolish for crying over stupid, little things. I feel so... so... A bell dings in the kitchen. I wipe my sleeve across my face and traipse back to the toaster. Hand into oven mitt, mitt onto pan, pan onto table. I grab the plastic tubs of sour cream and guacamole from the fridge and a spoon from the drawer that sticks a little when you try to open it. I pick the non-wilted bits off the head of lettuce and rinse them under the faucet. I finish the recipe. I pull out a chair. I sit down to nachos for one.
Grief is such a strange emotion/process.

*Oh my! Thank you all so much for your support! I wrote this back in June when I needed to get it out of my head and had no idea it was chosen as a daily until I just logged back on and thought there was a glitch with my notifications number. I was slightly mortified that a piece of my mourning got exposure but after reading your comments I'm glad that I documented something many of you identified with. I've since journeyed a bit farther in my grief- slowly overcoming my initial instinct of trying to instantaneously analyze every feeling to determine whether I'm "allowed" to have it. I went to a group bereavement meeting offered by the hospital that treated the loved one in this poem and the nurse running the session made a good point- no one can fully understand another person's relationship with an individual who's passed on. Interpersonal relationships are unique and so is grieving. Being gentle with yourself (especially in times of struggle) is woefully underrated. And with that, I send love, gratitude, and positive vibes to this wonderful community
Dish on it gwib
**** on my bib
From the bib dribbled a slibular fib
A glandular ****
A rugged soghard
A pish-po-dish get it wet
Pish po dib, gwib, flib
flippy pippy whip slick
The tick slipped wicked from the slippy drib
Michael Jordan basketball
New Kix,
Box of
Got it three-ninety-nine in the aisle
Put it on the box of it did it
Why didn't I do it?
Did it.
Sock hard the block guard
The twiss'ed grits
Robin Carretti Aug 2018
This is far from a
car S-p-a--C-y
Oh! My? Crossover traveler
The Phyton
Top of the rank
collision-course
New job space
planning tech magic cursor

Magical Podcast*

Do we have space
Sci-Fi-Hi Meeting
Googling creating playing
Cheating Overexaggerating
And faking our
(dead)lines

Not meeting our deadlines
What is the right time?
Spacewalking on the yellow brick
the road you are my sunshine*
"Million light years away from being rich"?

     Lucy in the Sky
       LSD-Little space devil
No/space for Jack the shinning
of diamonds, this isn't Oz
Emerald City or spin-off

Climb the ladder space objects clutter
Posh-Rich Witch is which
The last epidemic standup comic

Crawling having a ball Spalding

That Spiderwomen kvetch
Wolftie face switched
Fox lies moms moon pies
The collision of the moon
Space monkey baboon
The equation or burning
Sun people in devastation

Magic God

What time holds the
Mass control Einstein the professor
The brain exploding stars
Study hall those equations

In Princeton New Jersey
Those tiny particles lost in space
This corporation division
*
Space Between_

*Hard paper scissors and
Mr. Rock

It's time to money pound
The Big Ben clock
"Do we act like the only
one on this planet"                  
The Singularity
The multiplicity
The burning sun
*
War of the Military
Hot fun "Twin City"
Medieval twin planets

She's brace-space and he's
Well known physic
energy flowing one
step beyond collision of '
     Two Gods"

Magic space-lotus love of "Venus_
Pond

The Mall of America Star Spangle Banner
Next International flight became a winner

Plants and animals
The primal magic
Catching the
planets there both
emerging
The submerging eye
Space-out engaging

The civilization nightmare
On the cusp right here
Martian stripe and stars
Wipeout species of mars
Gravitatious collide of lovers
Confused about earthlings
More siblings another planet colliding

Like a space odyssey ground control to
      "Major Tom"
Fe fi fun on space run
Our Earth Mondadori
Spicy pleasure taste for
Chicken Tandoori
Magical dish
Make a wish

Magic hands believing

Metagalactic space and time
Holy God realistic
Osprey someone is the prey
In the movie magical classic
Breakfast at Tiffanys
Holiday mind dressed up window
"Out of our comfort zone
eating to the end twilight zone widow"

The extra enchanted evening
For the Moms only
Our heads over space
heels hit the ceiling

Eggs Benedict, the salt wasn't kosher
Artsy Audrey Hepburn don't push her

Celestial Ocean Space Steven Universe
The Christmas madness sale
Poison Ivy Pointsetta what
a vendetta
Interstellar meeting her
new race feeling out of place
Adulation like a prosecution
Space collide anytime
can explode

Two worlds become tragic
Space station not a game
A haunting catastrophic
Collision Titanic ship

Magically got more modified
Needing a space program the
spy to identify  

Dragonfly to Madame Butterfly
Space of magic crime-space
All spots, not Dalmatian
Space wings set up for Superman
Magic fan rising adrenaline
Monster cookies for Madeline

Fire and Ice Global warming
wildfires now the collision
On another planet warning
Miracle blessing of magic
Someone before or after
just to touch them

We cannot stop this craziness
The outburst goes pop the weasel

Magic place portal
Something in the way
to crumble like a baby
firstborn rocking her cradle

The curiosity space philosophy
Like breed of cats,
Licking tongue envelope
The cats eye Egyptian
Terrified space milk the tabby
Meeting my space hubby

Microscopic became two dots .-.
Space became a new buried plot
Is this all I got Twitter
Home run ball and
New York Dodgers
Brooklyn bat *******

So compelled to the computer
Designed the Rover robot lover
Magical Elton John
wedding
space planner
Across the Universe
John Lennon
Bennie and the Jets
Like a science
Teacher's pets

Eyes spaced out the magic place within**
So sacred magic hat Rabbit
Mountain bear Airspace Hobbit
Roll over Beethoven
The dog bone playing space I tunes

The spaceship magic
fingers piano
Plays one enchanted evening
Let me see the beautiful
new awakening
When Robin sings
Her magical wand
Lights up the world
of hands magical awaits

Remember "A Poem" can be magic
Collison in Space or Good earth how do we collide into one another planet some fire exposed in our words can we change the way we feel we collide again but what happens when our planets collide
Harmony Oct 2015
When I think of feeling despair for unknown reasons
I know it is time for me to create something
As I think of this, words of a friend come to my mind
As to how she finds comfort in cooking
So I go to the refrigerator and search out ingredients
To make a warm healthy dish for my family
it makes me feel good after washing, cutting
chopping, grinding and sauteing
All the while I take in the aroma of each ingredient
And finally as a whole dish
spooning them for taste testing
and when my nose and tongue
lets me know that is A OK
I find that I am feeling better
Enough to wash the dishes n
wipe down the counter top
this is free-writing ; please feel free to correct. I will be grateful that you took the time to read.
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
judy smith Sep 2015
In just a little bit, we’ll begin to see Christmas holiday decorations, which start showing up even before Halloween. And along with the strings of lights all over the place will be a set of emotions that accompany the presents we are supposed to give.

A recent question from a reader provides an opportunity to talk about gift-giving expectations for all occasions. In this case, an upcoming wedding triggered the gift dilemma. As part of a regular feature on family financial feuds, I will address the issues the person raised.

The background: The reader’s niece is getting married. The bride and groom both work part time. The reader relayed that her niece had dropped out of college after a year and a half. The reader checked out her niece’s bridal registry and was “kind of blown away” by the high-end items, including pots and pans that cost $200 each and Kate ***** dish towels.

“I sent my sister a gentle text about being surprised that Kate ***** even made dish towels,” the reader wrote during one of my online discussions, “and she responded saying, ‘Don’t buy her anything. I will get you the information on her student loans (which she has not been responsible about) and pay those down instead of buying her anything.’”

The gift suggestion about the student loans didn’t sit well with the aunt, who already is upset since she co-signed. “My credit score is down 100 points because of it,” she wrote.

The conflict: “There are many issues here to deal with,” the aunt explained, not the least of which is that when her own daughter got married several years ago, the reader’s sister did not give a wedding present.

She continued: “I know my sister has struggled financially since her divorce, so I didn’t let it bother me. It just feels weird to pay down someone’s student loans as a wedding gift. My husband thinks I shouldn’t pay down the student loans. I am inclined to pay down something, but also get her some small items (no Kate ***** dish towels!). Any ideas?”

The bottom line: Here’s the crux of the family financial drama: “My sister [is] basically asking me for money, when she did nothing — not even a card — for my daughter’s wedding.”

There are three issues as I see it: the student loans, the pressure to buy from a registry, and retribution.

The student-loans problem shouldn’t be lumped in with the whole gifting issue. The reader refers to the debt as “someone’s student loans.”

But those are her loans, too. When you co-sign, you’re not merely providing your good credit name as a reference. Paying the loans isn’t a gift. It’s her responsibility.

If I were the reader, I would sit down with my niece and talk about how we are going to handle the debt going forward. It may be that she has to make payments until the niece is in a financial position to pick them back up.

As for the gift registry, some people list big-ticket items they can’t afford, or they expect that perhaps a group of friends or relatives may share the cost. However, sometimes it does feel like registries are an excuse for the couple to be greedy. I routinely ignore what’s picked out if I can’t find something in my budget. A registry shouldn’t be seen as a mandatory shopping list.

By the way, just because someone is underemployed or having financial troubles doesn’t mean he or she shouldn’t want nice things or even brand-name items.

Now, let’s address the core issue here. The reader is hurt that her daughter didn’t receive a wedding present.

Gifts are sometimes interpreted as a symbol of what people think of you. But if the reader’s sister and niece attended the wedding and wished the bride and groom well, shouldn’t that count for as much as, if not more than, some gaudy gift?

As Judith Martin, the etiquette columnist known as “Miss Manners,” says, a wedding invitation is not an invoice. Yes, it’s a thoughtful gesture when people give. Nonetheless, be careful about your sense of entitlement whether it’s for a wedding or the holiday season.

I believe it’s our presence — not presents — that matters most.

You might wonder: Well, should the reader in return simply attend the wedding and wish the couple well?

If she doesn’t give a wedding gift in retribution, that’s being ill-mannered.

Just because you didn’t get doesn’t mean you shouldn’t give. And if a family member fails to give, be gracious and remember it really is better to give than to receive.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide
Mateuš Conrad May 2017
well, sure, it's a central american dish...
         taragon... infused rice...
no, wait, that's wrong, i'm thinling
of cheap-*** saffron...
           ah! turmeric infused rice...
    it's a chili con carne...
and i'm looking at it, thinking:
   needs some garnish...
         **** it... cut up a few mint leaves
and dropped a dollop of yogurt
   into the dish...
       what?!
                   what do you imply with
serving a dish, where fresh mint is a garnish?
does the dish sound like any european
might cook, call it a stew and then sprinkle
some parsley onto it?
or does this plate of food, look like something
indian, where you garnish a dish of curry
with some fresh coriander?
  ******... this is american...
     you garnish your grub with mint!
the "apéritif"? hence the inverted commas...
       as in... it's not really a drink...
    what was it?
                 brie cheese...
            which sounds a lot nicer than having
to brush your teeth... as if expecting to snog someone
in the basin of an hour's worth
    of leftover conversation.
china just throws in a bunch of spring onions.
but a chili con carne?
            you garnish it with mint,
  and if it's really spicy... a dollop of yogurt;
and yes, turmeric is the only substitute to using
     saffron...
       no... a chili con carne doesn't sound
great, when the garnish is either european parsley,
   or south asian coriander;
            the north asia garnish? spring onions.
this central american **** (stew) needs mint...
and perhaps some yogurt... if no kashmiri chilies
are used.
kategoldman Oct 2013
Petri dish children run with punctured neon green veins
Raised in focus groups with the touch of a hungry CEO
Who will sell your youth for another car to drive
Built from the dust of a baby boomer cabbage patch
Poked and prodded by the media of a society flamed with consumerism
Where your loosely draped skeleton frame has no more weight than the quarters you tuck in your pockets at weigh ins
Sunken eyes and sideways grins
Little girls are growing up to kiss the bad boys
Tequila soaked, beautiful kisses
Where your idol is a crack ***** beauty queen
Where your every fatal flaw has a rememdy and a price tag
A generation sick with drinks
Plagued by impulse and energy pulsing in tides
With ****** laughs and magnetic orbits
What ever happened to the petri dish children
Built for beauty and style, but left broken and stunning
Big Virge Sep 2014
YES ...
I Am The Dark Knight of A DIFFERENT Type ... !!!
      
Who Still Fights Crime ...
NO Nines' ..... Just RHYMES ... !!!      
      
Rhymes Designed Like .... Spidey' Webs ...      
To Mess With Heads Who Bring DISTRESS ...      
When They Should Be At HOME Sleeping In Beds ... !!!    
      
NO Friend of Feds Whose Work Defends ...      
THOSE Gangster Sects Who Deal In DEATH ... !!!      
      
A HERO Whose Flows Dish Out Dem' Blows ....      
That Have BAD MAN ... UP ON Dem' Toes ... !!!!!    
      
I Work At Night But When I RISE ...    
It's Time For Guys To Recognise ...        
Their Crime Designs Become BENIGN ...      
When THIS Dark Knight Shines Like STARLIGHT ... !!!      
      
Because My Vibe Is Down With RIGHT ... !!!      
And Down With WRONG When Wrong Belongs ...      

Inside The STRONG ...
Who DON'T PROLONG The Use of Wrong ... !!!    
      
Hammerin' Jaws But I AIN'T Thor .... !!!      
My Style of War Is Lyrically PURE ... !!!!      
PURE Like My Cause Ta' Capture SAW ... !!!!!    
      
Did You Catch That Rhyme Cos' That Was RAW ... !?!      
I Now IMPLORE Crime Lords To .......  " Pause " .........    
      
Before I Draw Their Cards of War ...    
And **** Fa' Headz Like Beavis's Friend ... !!!      
      
See When Nights Are DARK ...  

I Hear The HARK .... !!!!!      
of Those Inclined To Fight With STARK ... !      
      
TONY ... Of Course ... !!!!!!      
So I'm Down With Thor When AVENGING Fa' SURE ... !!!
  
But JUSTICE Is The League I'm IN ...  
Green Lantern Dim NOT When Tings' Grim ...  
NO Calling For The Thing ...
When WE BE ... CLOBBERIN' ... !!!!!!!      
      
Cos' We STAND TOGETHER Bredrin' FOREVER .... !!!      
But Me I'm CLEVER So DON'T Get Tied Most Ties I SEVER ...    
Cos' A Lot of Crime Fighters Be Down For ... WHATEVER ... ?!?      
      
So Me I Box CLEVER ...        
As If My Name Was Floyd Mayweather ... !!!!!      
      
Pugilistic Endeavours That Create Pressure ... !!!!!      
And Inflict PAIN ... That DEFEATS The INSANE ... !!!!!!      
      
Bane AIN'T Got Game ... !!!    
To Mess With The STRAIN ...
That My Brain RETAINS ... !!!      

PERSONAL PAIN ....
Loss That Remains  ........ !!!!!!  
  
Kind of Like ... CAIN ...
NOT ABEL To Refrain ..... !!!!      
From Doing What's WRONG ...
Cos' It Feels So STRONG ... !!!!!      
      
The Will To FIGHT The Will To DIE ... !!!      
For What I Believe In My Heart To Be RIGHT ...  !!!    
      
Meantime On The Side ...
I Got Girls Who Look FLY ...      
Trying To Get Time ...
To Roll With The DARK KNIGHT ... !!!      
      
But Me Like I Say ...
Am A DIFFERENT TYPE ... !!!      
Who FOOPS' Like Sup's ...
When Dem' Bodies Dem' TIGHT ... !!!!!!!!!    
      
YES ... Lois Lane KNOWS ... !!!  
    
Cos' Once I Hit Metropolis    
She Knew Sup's Had To ... GO ... !!!!!!!!    
      
A KRYPTONITE Type Flow ... !!!    
That Proves My Prose ...
Makes The Ladies Wanna Roll ....    
      
But Like I Said BEFORE ... !!!!!!!    
I'm A DIFFERENT Type of Knight ... !!!!!!    
      
Whose ESSENCE Is To FIGHT ... !!!      
FIGHT The Crimes of CRIMINAL Minds ...      
      
Whose LUST For STRIFE Leaves Them Resigned ...  
To MISS THE SIGNS And SEE The LIGHT ... !!!!!      
      
The LIGHT That SHINES On Knights Like ... I ...
Who STAND For MORE Than Being LORDS OF WAR ...      
      
We STAND For A CAUSE That Says To Y'all ...      
WE CAN Do MORE Than Be FORLORN ...      
Because of CRIMES That Take INNOCENT Lives ... !!!!!!    
      
YES I'm THAT Guy Who Has NO TIME .......      
For NONSENSE FIGHTS Or Joining Tribes ....      
Because My Life Has A ... SINGULAR Vibe ...      
      
Because .... I Am ....      
      
"The Dark Knight ....      
of A Different Type !" ....
Inspired by, The Dark Knight, trilogy of movies.

Listen Here :
https://soundcloud.com/user-16569179/05-the-dark-knight-of-a-different-type-lowhar-remix?in=user-16569179/sets/virges-world-files
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
Mateuš Conrad Apr 2016
it's called the Mt. Everest of cuisine
without food critics...

- so i gather the chinese are not
   too keen on deserts, esp. chocolate?
   that fake aphrodisiac of feminism's
   excuses of eager beavers in early
   age trying to find a dumb schmuck
   later on in life and making him
   docile, effectively curbing his
   ****** appetite, translated as
   domestic violence after they went to *** parties
   with rich boy sons of billionaires?
- well the chinese do like sweet & sour
   and sweet & salty cuisine.
- indeed... quiet the deviation.
- and if it ain't sweet & sour or sweet & salty...
- compared with indian cuisine, it's quiet bland.

yes, today got cooking orange chicken,
what a playful, but a mysterious glutton dish...
the marinate was not like the marinate
i'm used to, it was so diluted...
orange juice, caster sugar, soya sauce,
malt vinegar, orange zest,
ginger and garlic paste,
finely grated onion - a bit of chicken,
half the marinate content soaking up
the chicken refrigerated for 1/2 an hour,
the rest heated to a boil, cornflour added
to thicken in...
then the marinated chicken taken
out of the marinate, dipped in egg
then cornflour and fried (mini schnitzels
of the east), in three batches...
then coated in the remaining marinate
of prior heated with cornflower,
a custard too thick that orange juice had to be
added, then evaporated so the essence
got soaked up... mm... a playful, but a mysterious
glutton dish... yummy.
cait-cait Jul 2018
i hate you,
i think, as you try to shoot me to death.

standing above me with a gun in my face

you feel
rage like undissolved sugar in
warm milk -
and
there’s blood on the floor and
then there’s me
,
                          
                          dying and almost dead,
but
you left my eyes open ,
and i know
you forgot the ****** weapon:

so i’m going to take it with me.

one day ,

i’m going to heal ,
and i’m going to remember —

you took my gun ,
took all my bullets
                                too .

and i still won’t ever shoot back.
im actually in japan right now! Having the time of my life *****!! Staying in a suburb of Tokyo with my previous host family doing mundane stuff... it’s great! This poem is inspired by what my friend said to me after I sent her a happy pic of me... basically told me I looked out of place and was wrong for enjoying myself. It made me feel terrible and like ****. Anyways long story but something happened and she left our group chat and I didn’t notice!! But now she joined again and won’t tell me why she left and I think it’s because she knows she ****** up. Some people’s punishments are just being themselves. Sorry for the long description. Happy summer everyone!!
Donall Dempsey Jul 2018
THE DISH RAN AWAY WITH THE SPOON

You’re just a little bitty dog
with a great big old bone.

Can’t take it with you
...can’t leave it alone.

The moon is ticking backwards
the clock don’t know why

stars are just tears
that the night has to cry.

The neon dances in the puddles in the streets...
...heartbreak echoes in the empty passing feet.

You think your life’s a musical
but it’s more Film Noir.

You look at a map that says
YOU ARE HERE
but you don’t know where you are.

The sun came in the window -
- your love walked out the door.

I always adored Country & Western
but had never lived it before.

You’re just a little bitty dog
with a great big old bone.

Can’t take it with you...

...leave it alone!
PJ Poesy Feb 2016
Adoring you is uncomplicated. The way in which, refreshment comes with your ravishment is treasured spectacle, and though your fans are many, this one broods. Pining for glimpses into your tortured terrine, stories of unplumbed eternity, depths of you, titillate. How more curious you become as onion peels, layers on layers. A sweet onion I might add. Yet still, one that brings tears. Tears, joyous tears, cliche of cliche, reconcile charm with burden of unknowing how an allium could come into a world, stinking, but make gourmet a dish.
Savoring her sweet oniony inflection, as I know my own.
zebra Sep 2017
she was queen for a day
brought to you
by
the Red Cross
and
Freezone
to lift off
those painful foot corns
and lets not forget the good folks at
HEET
for those  aching back muscles
strong
yet doesn't burn
and comes with a handy dandy applicator

she could have anything she wanted
all she had to do
was ask for it on
TV
after becoming the winning contestant
for a life more tragic then all the others

the competition was stiff
who would break hearts the most
and get the biggest ovation
for all who came to see the suffering
and move the needle
on the
life ****-o-meter

which lady of endless sorrows
would be the gleeful queen
of white knuckle terrors
the winner
of the race to the bottom
circa 1958

and i was eleven years old

the winner was wrapped
by her very own glittery subjects
in a  plush royal queens cape
and placed upon her crown
a twinkling tiara
then enthroned
and bestowed a bouquet of flowers
from the magnificent
Carl's of Hollywood

she a mottled exhausted woman
withered by life's harrowing cruelties
hollowed by fear and heaping despair
flickered like staccato lighting
on black and white TV
for all of America to see

cause every
dinner cookin
vacuum cleanin
dish washin
bathroom scrubin
dirt sweepin
house wife goddess
of the vacuum cleaner and handy scrub
would flop herself on the couch
with a jin and tonic
put her feet up
hair in curlers
before dinner
and dishes
for the squabbling  brood
and her very own tyrannical
Ralph Cramden
huba huba hubby
king of her cracked castle
and
grab a pack of
Marlboro's.
Pall mall reds
Kent's
or
Chesterfield cigarettes
blow smoke
and watch
QUEEN FOR A DAY

today's
QUEEN FOR A DAY
Miss Clarice Williams
trembling almost to the point of tears
implored humbly for a gurney
so that her fifteen year old son
who was mentally slow and shot in the stomach
could be rolled outside on the porch
and feel the sunlight on his face
for the first time in years

they lavished her
with the Bomgardner Hydro-level cot
for the paralyzed
sure that it would do just the trick
plus
a miniature transistor ham radio
so you could even
hear what there sayin
all the way in Japan
plus
a Teltape tape recorder
and a brand new
automatic laundry machine and dryer
from the nice folks at Westinghouse

but thats not all

a star studded vacation
where the stars stay
at the deluxe knickerbocker hotel
where you can lounge at the pool
or your own royal suite
and have dinner
at the exotic
Polynesia Beach Combers
Wicki Wicki Room
all the way in the land
of the
hoochi coochi
VENUS62 Jul 2014
Swaymvar- Wedding! With Translation in English

Kavi, tha khayalon me khoya
Dard-e -dil soch ke roya

Tab Apsara sundarsi hui prakat
Ahista se gayee Kavi ke nikat

Likhte kyun ** kavita hamesha udaas
Racho koi rachna jisme ** harsh-o- ulhas

Ghatne wali hai ghatna avismarniya
Reh jayega baki sub kuch asmarniya

Aney wali hai baraat aaj raat
Yahi kuch gyarah- barah baje ke baad

Chaand ke saath hogi chandni
Sitare layenge jhilmil roshni

Indra layenge varsha ko saath
Varun ayenge thamey badalon ka haath

Suraj layenge bas kiran ek
Teeno mil sajayenge indradhanush anek


Draupadi ke saath honge punch pandav
Shiv bhi karenge nritya tandav

Agni khud karenge havan
Halka sa jhonka denge Pavan

Patton se banegi chudiyan hari
Maang mein mitti hogi lal sindoori

Aasman mein cha jayega kala-neela sa rang
Krishna jab nachenge radha ke sang

Rachegi khoob ras leela wahan
Dekha na hoga kabhi ye jahan

Pakwan har ek hoga anvesh
Bhojan hoga bahut hi vishesh

Srishti banegi ati ati -sundar
Rachegi jab
Ambar aur dharti ka swayamvar!



Translation The Wedding!
The poet was lost in thought
Heartbroken and distraught

When appeared an Apsara ethereal
She touched his shoulder lightly

Why do you write poems full of sorrow
Do write some poems replete with joy

About to happen is an event memorable
Everything else will be forgettable

The bridegroom will ride on a chariot light
Around eleven-twelve tonight

The moon will swing in with his moonlight
The stars will twinkle on their own shining bright

Indra will bring along the rains
Varun will hold the clouds in rein

The sun will be present as a single ray
The trio will create a rainbow array

Draupadi will come with five pandav
Shiv will swirl to his Dance Tandav

Agni himself will do the Havan
Gentle breeze will be supplied by Pavan

The bangles will be made from leaves green
The color of the earth will be vermilon red

The sky will be decked in black and blue
When Krishna will dance with Radha his beloved true

There will be celebrations lavish
Mortals will be left in disbelief

The food will indeed be delectable
Each dish will be a creative spectacle!

Creation will be at her very best
When the earth and sky
will be in their union blessed.
Robin Carretti Aug 2018
Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair

strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove

Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers
freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures


Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star

Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub

The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples
Sage spice mighty divine but when its mixed love can be jinxed watch out. But just keep singing her "Sage way" her garden is magnificent in every way just pray
Left Foot Poet Aug 2017
the server (waiter) raps
praise upon the sushi,
its integrity,
the harmonic
of its construct,
the curated singularity of
each rice grain

the innate elegance of
the thin sliced,
nearly translucent,
au naturel, organic,
ginger root

the skin smooth paste of
green wasabi,
grown naturally
along stream beds in
mountain river valleys in Japan

genuinely puzzled,
when he,
the old erstwhile poet
unabashedly weeps before all

no hero he,
just an overcome one,
his tears flavoring his food

mourning the
celebrated abuse
of his verbal children,
those natured nurtured babes
the stuff,
the words of his definition

each weird word,
loved for their cultured,
unique quality of their history
grown in languages's
perpetual petri dish

asked if something was a matter,
answered yes,

"this plated performance,
such an extravagant essay
on the beauteous wonder
of life's bounty,
left me wordless"

and she, burst out loud in laughter
preservationman Oct 2016
Well Alice looked in the cookbook for a new dish
The night before, it became her wish
But what could Alice prepare
However, I offer a word of caution in beware
Alice found a dish to serve her guest
If anything, find a good restaurant that should be the request
The cookbook with Stuffed Rice and Chicken
The name sounds worth eating
However, I just saw the chicken dash out the door
I guess the chicken felt I he will not be anybody’s guinea pig to explore
So that was his chance to run out and ignore
This was something the chicken couldn’t take anymore
Alice may have to serve the guest toast
But I can assure you the guest will have a lot to boast
Perhaps word of mouth being coast to coast
A cookbook is something one creates
But not eat at your own risk and discover why you were sick from what you ate
This is your time to make a quick exit before it is too late
Excuse yourself and perhaps reschedule another date
But that would require you to participate
But the best thought is run for your life
Don’t even wait to get advice
You don’t want to know what else could possibly be left in the kitchen
A dish being an unknown that no one seems to want to eat
It’s like a competition, but in this case, no one wants to compete
So Wendy’s said, “Drop in and have a Hamburger”
Yet eat while you can
As for a cookbook dish, don’t eat until when
At this point, I have reached my end.
SAILING TO BYZANTIUM
I

THAT is no country for old men.  The young
In one another's arms, birds in the trees
-- Those dying generations -- at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out Of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

WHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
THE TOWER
I
HDRWHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.
This is not a poem
Mateuš Conrad Feb 2016
i find the 2nd generation migrants to
be the most racist
they may well treat a 1st generation
child with equal measure to
an adult, they'll be olive skinned
and act like far right white mate
of a ship when all the rats sung
in dive unison: find the next shore!
they 'ave a motto: british, born and bread...
they also think that social criticism
needs censoring but suicidal vests don't....
what would you rather have, harmless
social criticism or an insurgent suicide vest
in the depth of shooing i.r.a. (shaira)?
i guess neither.
but the bright smug of 2nd generation
migrants tried to defeat a 1st generation migrant,
i still write whole english sentences for my father,
he only writes pen tapped against the neck of me
getting anger out of poems...
2nd generation migrants are the filth i need to wash
off my skin... they think all 1st generations
are readied for only hammer and the manual skill...
high and mighty dwarfs... lawyers and terrible
doctors... the 2nd generation are... dwarf filth
the 2nd generation are... unable to speak a mother tongue...
dwarf filth! get this maggoty and sweaty ***** sack
out of my face... get it out of my face!*

i dare say... i understood orthodox dissection,
everything was automaton inanimate,
cardiologist heard the constant heartbeat,
the neurologist the constant electric current,
dissection like that makes sense,
automation of a thing to a near inanimate
consistency of animate makes us clever enough
to study it...
but this psychological dissection?
suddenly Oedipus turned into Ego,
and both complex:
one ******* his mother, the other simply thinking,
but upon dissection, so many non-existent
limbs created... subconscious and unconscious etc....
it's dissection as you go along, cut open the arm
hinduism's deity arms spawn into a threefold ratio...
psychology dissected but at the same time created...
and how can you dissect a creative process that
is a multiple that keeps on adding?
if you started dissecting and only kept adding,
how will the ego ever manoeuvre a thinking kidney,
a thinking liver... all these organs, defined by thinking
as governable by thinking only provide pathology:
liver (alcoholism), kidney (dialysis) -
the collective unconscious of pathogens;
i don't understand why psychology decided to
make incisions into animate thing, when an inanimate
thing under sedation carefully laboured by a medical
butcher took to cut and scalpel opening...
when such incisions only showed constant change...
it's hard to replace the ego with oedipus and allow
both a similitude of thinking, leaving the former
with no analogy and the latter with too much analogy
to only create false analogues?
There's a Polar Bear
In our Frigidaire--
He likes it 'cause it's cold in there.
With his seat in the meat
And his face in the fish
And his big hairy paws
In the buttery dish,
He's nibbling the noodles,
He's munching the rice,
He's slurping the soda,
He's licking the ice.
And he lets out a roar
If you open the door.
And it gives me a scare
To know he's in there--
That Polary Bear
In our Fridgitydaire.
Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
K Balachandran Mar 2016
She cooks her dishes with such panache and zest,
as if both are  two new  dishes for me to taste,
her dainty waist, arrested my eyes,
then the mind ******, thunder thighs,
all I want is to stick to her all over like curry paste.
wicked mind never would let one rest..to fight or surrender?
Robin Carretti Aug 2018
Let's not make this long speech
    my best moment to reach
    Casablanca-*******
Day in and Craker Jack out what!!
Please the kiss needs to be longer__

The piano plays incredibly stronger
So short the "Cheez Wiz" visit

Oh! My the lovely edible dish
The long wish
too long its been
way too longare we short on

The strawberry short cake
Please make no mistake
   ******* Barrel crackers
I am Jamming sweet grape jam
Orange marmalade home run slam
New Orleans  Southern hospitality
Don't rain on my parade

    Robin-Tweet
C-R-A-c-k-E-Rs
Cozy-Real
A++ Collection can't be beat
King Eternity the Queen *******
Cheese deck what a home wreck
Green Guacamole animal
 crackers green Scrooge

"Long story Witchcraft"
The spell his magic fingers
French Tickler ******* winner
Those finger foods gift matcher
She sees little red riding hood
Getting the right Judge Judy
homemade Country fudge

VIP ******* may I RIP cracked
the code computer hacker
Afterthought but don't
come towards me she's bulletproof
It's today coffee dark swirls
Proud Mary got cracked mug
I only have eyes for
      Sunny

The Leap jump for all
Easter bunny
Long appetizers in her tray
The longer the wait like the
Meisers
The same star how I
met all the losers

Moms *******
Saltine stuffing
I am longing for English crackers
Like a ritual, out of time lips chuckle
Sweet Berry cheeks and lovely dimples
This life will burn and crumble

Over crumbled crackers?

Dog wear collars of polka dots
Vacation spot Meditterian crockpots
by the sea
Sea salt sprinkling saltine
over the shoulder, good luck
Feeling love sick her revolver
crackers to meet her four leaf clover

This is not only__New York City
  "Apricot" cracked wheat dot dot
What white as a sheet
Longshot transformation
To the Stepford wifes
Robot desperately seeking crackers
The best honey milk

 bedroom eyes like
Star shape crackers
the ship watch your salty lip
The shepherd's pies short skirts
Vampires blood jelly
Be Jolly Santa's baby *******
wicked plot "Santa Claus"
*** of gold belly at a glance

Cheesecake Factory
Trampling over crackers
What a time for a boycott
What fine attribute of
girl scouts
Getting blondie
brownie points

Someone passed her
screen test mirror mirror
cracked the glass shot
Astronaut gravity goes insanty
The third eye three reasons

"Soap Opera Diamonds"
three times got cracked
*** matters lips sensually
Madonna Vogue
The oyster's long love rumors
She just loves her jelly roll and
Mr. Graham crackers

Just appreciate those cracked
wheat ladies
Sesame melba toast short top
of the crack
Whats the matter?
With your daughter
He longs for her divine crackers
That's another short chapter

They crack up those actors
The writer needed to
find more movie extras
Groucho mark with
joke of crackers
The jackpot was hard to hit
Everyone was better to
crack the safe long neck
My lady Giraffe*

The true lover's knot
Your poem is worth the shot
Astronaut I brought you
The perfect flight the men
with the mustache
The salt and pepper shaker
Elvis the King is shaking
Long shot ******* butter fingers
Happy Holiday to all
This is a long shot to wherever you want to go but I cracked the safe what crackers can actually do it is a long shot we arent through
If a fish
Could make a wish
for what would
this fish wish ?
a wishing fish
you say, tosh tish
but if you were
a wishing fish
would you wish for
a new dish ?
or a knish ?
what would a fish
do with a dish ?
and how would he
eat a knish ?
but if you knew
a wishing fish
exactly what
would this fish wish?

If you saw
a little bunny
on a tree stump
counting money
would you think
that it was funny
if he used it
to buy honey
to eat outside
while it was sunny
Just where would
that little bunny
get a bag full
of such money
To me that just seems
rather funny

If you saw
a blue canoe
being paddled by
a kangaroo
wearing shoes
size sixty two
Tell me just
what would you do
if there beside
that kangaroo
sat a rather large
and old gnu
I think I would
call the zoo
but, tell me
what it is you'd do

A bunny, fish
and kangaroo
were all out walking
two by two
they were followed
by a large gnu
I think this rather strange
don't you?
I don't know just
what I would do
If I saw walking
two by two
A bunny, fish
and kangaroo
in fact i do not
have a clue
but I know the fish's wish
don't you?
Howard Zagrebson Feb 2010
Hello i'm Howard,
and I like fish,
I love the prawns and the tuna,
that lay on my dish,

but I'm not to fond,
of them  sardines though,
they taste like crap,
my brother's named Moe

I love my food,
and so do you,
you eat it all up,
then it comes out in poo
Edna Sweetlove Apr 2015


Le Grand Restaurant Gastronomique
de Monsieur Merde


Rue Ordure des Anges 69
Conville-le-*****
96969 France


**************

NOTRE­ MENU DU JOUR

~ €500 par personne tout compris ~



LE COCKTAIL DE LA MAISON
"Champagne aux vomissements de chat"
[A giant flute of the finest Cristal champagne with a spoonful of puréed pedigree cat's *****, served with our unique world-famous warm amuse-gueule of fricasséed feline *****]
~

PREMIÈRE ENTRÉE À VOTRE CHOIX
"Le potage aux asperges extra spécial"
[Cream of over-ripe asparagus soup with roasted toads' eyeballs, served chilled, accompanied by our unique home-made nostril pickings "petits chips"]
ou
"Couilles pissées plein d'amour"
[Raw bulls' testicles from organically bred animals, removed whilst the creatures are still alive, thus ensuring none of the precious ******* juice is wasted, lovingly marinated by the head chef, in triple-concentrated bovine ***** from our own Charentais herd of rare endangered species ****** cattle]
~

DEUXIÈME ENTRÉE DU CHEF
"Flegme des Dieux"
[A classic "Monsieur Merde" dish: bite-size deep-frozen gobbets of fatally-ill consumptives' phlegm deep-fried in ape ******-flavoured batter, served in a priceless 19th century silver spittoon, with a loganberry coulis on the side]
ou
"Ravioli al vermi semi-freddo alla Pectinale"
[A rare Sicilian dish re-imagined by Monsieur Merde: each "raviolo" of home-made egg pasta contains a living lukewarm baby earthworm, served with our secret "Sauce Mongol stupide", on a bed of wilted coriander leaves and crispy fried freshly-harvested Sicilian ****** nuns' ***** hairs]*
~

LE GRAND PLAT DU M. MERDE
"Girafe à naître, Sauce utérus"
[Roasted whole unborn baby giraffe, with spicy womb-lining sauce, served with pommes purées with a touch of female rhino ***** and Dijon mustard]
~

NOTRE PLÂTEAU DES FROMAGES MALODORANTS
"Assortiment révoltant"
[Selected personally by M. Merde, guaranteed to contain a wide selection of pure-bred, hand-reared, green Géant Normandy maggots]
~

LE GRAND CHARIOT DE DESSERTS
"L'Héraut de la pompe stomicale"
[Including our signature dish "Crap Suzette", wafer-thin slices of vintage dried elephant dung flamed in 1895 VSO *** Napoleon Cognac]
~
LE CAFÉ et LES PETITS FOURS
"Sélection dysenterie tropicale"
~

Les prix comprennent nos vins selectionés "de la Maison de Merde":

Avec vos "starters" et les entrées: Château Pisse de Cheval 1994
[a full Chardonnay flavour with a hint of rampant stallion's ****]

Avec Le Grand Plat du M. Merde: Beaujolais Villages Supérieur 2006
[a powerful and fruity wine with a refreshing bouquet not unlike unwashed Olympic wrestlers' sweat-drenched armpits]

Avec les fromages: Château Foûtre 1988
[one of the most potent wines in oenological history, with a kick like a hippo's ****]

Et avec le dessert: 1946 Greek Muscat from the island of Shittos
[matured in Turkish goats' bladders to enhance its sweetness]

Bon Appétit!

*If our respected clients would like to sit near to the door to the toilets, please ask the Maître d'Hôtel for assistance, but please note there is a €25 surcharge per person for this much sought-after privilege and advance booking is normally necessary, so please be prepared to ******* if these seats are not available.
You always read about it:
the plumber with twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.

Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
From diapers to Dior.
That story.

Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.

Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.

Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.

Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the big event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.

Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little gold slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.

As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
The don't just heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.

At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.

Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
MoMo Feb 2013
A blow
dish a blow
in its pace,
colors.
Marry the horizon.
Right a curve,
navigation.
So immense in a soul
see and pray- repeat.

A blow
dish a blow
In marriage
dont they love-
Roses,
tiny forms
of sable petals
flying through the wind.

A blow
dish a blow.
All aching
no longer
cones of Carnival.
Retracted,
cake crowns.
Those veils
they part solemnly.

A blow
dish a blow.
Paces,
they amble on
tracing the incalculable.
Love, the perfume
is lethal.
They lost and lost.

— The End —