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"disguises" poems
In the digital l-and We l-ive in Mistakenly automatic One pointing at a chest of tools Eyes on i No soul can tell a part a weakling metal Robots robbing robbers rich T-error terrifying t-errorists Artist gods and goddesses Sharing platform to unleashed gifts Mint hue bubbles squeak Fizzy dizzy violet haze World head to toes spins Any day it spins coins in change A quiet girl is sinister Siren of mystery or future Robot is your mirror Peach chin with teeth filter No innocence and glitter litter Guilty until proven the latter A quiet girl a terrorist Error mouths terror twist Terrorist from the orient They hide in between every end Disguises they cover in Racist as problem solving Smile girl watch A fake smile and eyes Skin of steel so is her Heart made alloy How it blazes to the touch when heated Oh it bites fingertips as it's cold Hair resting on the curve of her spine A woman's hair only breaks if it tries to grow What she said Tell me if you can tell us a part Warning tears borne from her crooked eyes Robot and soul Terrorists from t-errorists No soul knows either Tattoos or memory shall identify you
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May 18, 2018
May 18, 2018 at 4:21 AM UTC
Terror in a puzzle piece
She is equipped with sensitive ******* and those other secret places that ladies give out as prizes to deserving guys as long as they adopt the right disguises of gods, gurus, intellectual giants, goats, children, father figures, macho brutes, sugar-daddies, supermen, seminal vessels, house-repairers, jar openers, jocks, hate objects, handy shoulders to cry on, emotional support systems, sensitive, intuitive, yet strong silent types who can also pay the bills, tall dark and handsome total strangers, toy boys, clowns, jugglers, jokers, millionaires, wood choppers, ******* removers, bottomless reservoirs of reassurance or just plain spunky studs when the moon is right. In fact, anything but woffly wimps. Oh God, no.  Anything but woffly wimps. Yes, but what about stoic, steadfast SNAGS, you know, the Sensitive New Age Guys who won’t face-shift for a **** Yes, well, let's try to sum all this up here right now. I think that the woman is dripping with a brimming reservoir of luscious and sensitive resources on tap for   the man who can figure out her cosmic kaleidoscope   of swirling dreams and desires, which is definitely not to say she can’t be totally independent. Although please don't be confused. Friendly boy-next-door types who are handsome, aren't too hairy, who like to laugh, who have a boyish braggadocio, who are students, who appear to be intellectuals, who are not nerds, and who can **** it in the kitchen, who  can be oh, so cool, who can convince a maiden that she is in distress, and is in need of rescuing, while he has a swaggering hard-on will do, too. Oooh. You devil. And if you think this poem is misogynist, misanthropic or myopic, well, I’ve been around and by now, well, I really should be panoptic because I’ve seen all the fads, and really, it’s sadly too bad about those poor old earnest SNAGS. But you know what? I don't think I understand anything, because I'm really a victim of worshiping women. I'm bedazzled and as blind as the next man, and yes, I'm just happy whenever I'm with them.
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Jan 28, 2013
Jan 28, 2013 at 8:28 PM UTC
The Woman
She is equipped with sensitive ******* and those other secret places that ladies give out as prizes to deserving guys as long as they adopt the right disguises of gods, gurus, intellectual giants, goats, children, father figures, macho brutes, sugar-daddies, supermen, seminal vessels, house-repairers, jar openers, jocks, hate objects, handy shoulders to cry on, emotional support systems, sensitive, intuitive, yet strong silent types who can also pay the bills, tall dark and handsome total strangers, toy boys, clowns, jugglers, jokers, millionaires, wood choppers, ******* removers, bottomless reservoirs of reassurance or just plain spunky studs when the moon is right. In fact, anything but woffly wimps. Oh God, no.  Anything but woffly wimps. Yes, but what about stoic, steadfast SNAGS, you know, the Sensitive New Age Guys who won’t face-shift for a **** Yes, well, let's try to sum all this up here right now. I think that the woman is dripping with a brimming reservoir of luscious and sensitive resources on tap for   the man who can figure out her cosmic kaleidoscope   of swirling dreams and desires, which is definitely not to say she can’t be totally independent. Although please don't be confused. Friendly boy-next-door types who are handsome, aren't too hairy, who like to laugh, who have a boyish braggadocio, who are students, who appear to be intellectuals, who are not nerds, and who can **** it in the kitchen, who  can be oh, so cool, who can convince a maiden that she is in distress, and is in need of rescuing, while he has a swaggering hard-on will do, too. Oooh. You devil. And if you think this poem is misogynist, misanthropic or myopic, well, I’ve been around and by now, well, I really should be panoptic because I’ve seen all the fads, and really, it’s sadly too bad about those poor old earnest SNAGS. But you know what? I don't think I understand anything, because I'm really a victim of worshiping women. I'm bedazzled and as blind as the next man, and yes, I'm just happy whenever I'm with them.
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52
I can taste it. The sour-tang of anger staining my tongue. It's a flavor that really sinks in. This nasty, awful taste of diminishing rage.   Swallow the good, does no good. It only disguises my mood. This, festering negativity of a no-good mood.
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Jun 13, 2014
Jun 13, 2014 at 12:43 PM UTC
Festering negativity of a no-good mood.
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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17.9k
The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
Ladies, ladies, ladies, in all shapes and sizes. Some like no other in malesque disguises. There's more if you know where to look down below. From a soft, sausage snake, long and hard, you can make. Poetry by Kaydee.
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Jul 9, 2018
Jul 9, 2018 at 12:55 PM UTC
Ladies.
The sun sets The moon rises Off go all the disguises The masks worn by the monsters are torn From faces wishing to be born While the innocents lay asleep in their beds The monsters sneak inside their heads Daydreams are gone Nightmares arise Monsters form in every shape and size The children scream The children cry They can't succeed Yet still they try To diminish the monsters Destroying their minds
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Feb 28, 2015
Feb 28, 2015 at 10:22 PM UTC
Monsters
~~~ *write the scriptures, the Book of Me, with authorship exposed on the books cover, of every word have ever writ flawed, ignored, rejected, necessary to self-publish upon the unpapered internet, where words are ionized I take an oath, self-administered, oath sworn upon mine own scripture, testify before a jury of my peers, me, myself and I what you read, is not imaginary, I am real, you are realizing each of us has a truthful name, in spite of acronymic disguises employed, and wearing it, here, upon this.....line dotted, place my neck, ready for the executioner* you ~~~ October 24, 2015 7:20 am
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Aug 13, 2017
Aug 13, 2017 at 3:03 PM UTC
ready for the executioner/in my own name
I need only to smirk and you’re mine Anytime If it’s god that you want I have dozens in mind Devilishly divine Bending time like a grandeur delusional Spine   In a mad hatter ectoplas-mystical slime A prismatic drug addict’s first nursery rhyme Of accursed hearse verses of graphic design Now to lay to rest intellect spectacles musing Of selves glorified more than those of my choosing To deify Destiny’s Deathly serenity Plentifully sending me vibrant surprises And penning my ending in violent demises Disguises surmised by the climate arises Girl always there riding my similar waves As I try to save face digging mechanized graves But the cloud tentacles To the depths Drag me down To demented ascension Black holes in the ground Where disciples of light And my huntress in white Vivify me by day Resurrect me at night To instruct and deduct Reasoning in a state Of a being supreme Contemplating its fate
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Jul 20, 2018
Jul 20, 2018 at 4:52 PM UTC
The Sentience on Acid
Passing out love Eyes closed Seeing the world In a view of Red Waking up dead Eyes opened Seeing the world In a view of Blues The way these people Belittle the energy That can bring peace They have mixed feelings Seeing the world In view of Purple Stripped of caring and worrying Exchanged for depression and disguises Running from a red loved past To obtaining blues of the present mind The world viewing in purple But my eyes can no longer Hold a hue
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Oct 9, 2018
Oct 9, 2018 at 11:57 PM UTC
Color Me
these days looking around the globe one might believe that we are travelling in time just in the wrong direction regression as progress seems to be the dominant notion of the day creating wannabees in various disguises      populist czars, sultans, nationalists, dictators,      assorted self-appointed snake-oil salesmen      and saviors of their peoples’ wealth and health, trumpeting fences, walls, tough immigration laws, etc., etc.   to keep out all those aliens      who otherwise are welcome      as our partners in the global trade      that seems to dominate the world of greed so we can all be ourselves      whatever that might mean claiming to solve the problems of tomorrow      with romanticized memories of yesterday is hopeless and quite dangerous do you remember what that glorified past actually was?
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Jul 20, 2016
Jul 20, 2016 at 5:36 PM UTC
time travels
I've been aware for many a year, but cut off by him, for crimes he accuses for crimes undisclosed, his silence is wider than the great oceans, with no means of passage. till one day a word, his brother uses a word that makes no pretense, that shocks, stuns, and force!admits me to a reality, I, knew but couldn't admit schizophrenic. here I am sundered speechless; as a new form of sadness now internally prevails, and I am even more quiet than usual, contemplative, they call it, but I recognize sad/mad in every one of its manifold disguises, and wonder just how much, own ingenious genes, the paucityof my impoverished down~ bringing brought, bought, caught, contributed to this loss, this onus, this cross that has no answer to the                                    ***only question that matters,                                      how much,                                      am I the guilty party                                                                          the disaster father***
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Aug 22, 2025
Aug 22, 2025 at 4:11 PM UTC
my son is ill (schizophrenic}
the chase is the start of Cora's dream in which she is a woman, Persephone Persephone does not run nor hide as she is seized by the dragon below the tide she disguises her sorrow with beauty and grace as she soars to live in the Other Place the dragon is a man of whom craves her love but she flies away, a mystical dove the man wants Persephone by his side but he is alone when spring arrives no one at all can hold her back she holds your life close in her eyes of black as the flowers bloom in Cora's dream, all see the wings of Persephone Persephone does not call or cry she ends her captivity above the sky Cora, Persephone, artful and strong she has owned her life all along Cora's dream she is queen   the myth became her memory mysteries revealed, secrets uncovered ruler of seasons, angel like no other Majestic One, she has no home in Cora's dream, she was born to roam she creates the storms and dries up the rain she is a woman you cannot obtain Cora's dream she is queen the myth became her memory
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Jun 30, 2018
Jun 30, 2018 at 7:32 PM UTC
Cora's Dream
Life. Count your blessing. Love. Count your blessing. These two things should be enough. Yes, to count your blessing. Family. Count your blessing. Friends, if true. Count your blessing. These two have more worthiness than you could imagine. So, count your blessing. Angels, comes in many disguises than we realize. Blessings, comes in many ways. Then those that could cross our minds. Material wealth might means importance to some. But sincereship means, a little more. So, count your blessing. God sent them. All we must do is be willing to accept them. And count our blessings.
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Apr 11, 2013
Apr 11, 2013 at 9:42 AM UTC
Count Your Blessing
catch me like a fish everlasting supplier of light rays- warming the soul like a cup of hot tea on a sleepy sunday afternoon - melancholic - swaying the universe the mermaids sing in the mornings mesmerizing the sailors and i am the singer and the mesmerized i am free. i am free from the ropes. free from the chains of a dreary existence. i can feel it i can feel it on the tip of my eyelashes with the swells of tears pouring out. - renewal - - relief - i am a good girl. listener of tall tales and fantasies. spur of the moment night crawler caller. i spin a beautiful web of fantastical clouds. from ropes to cakes. pick your poison. i am a bad girl. keeper of secrets. silent truths bundled under creative happiness and weakly disguised love affairs. - blink and it’s over - i’ll lie in your lap and watch you write- spinning fantastical tales of glorious awakenings. new beginnings.- pull my hair up to attention. i am here. i am wanted. want want grab me. want//need. clever disguises. silent truths. wispy truths. childhood pencil marks. pig tail sneakers. truth drops into heads. eyes drop onto the floor. teeth sink into lips. heart drops into stomach. limbs fold over limbs and the being falls slowly upon itself. when i wasn’t mine. she wanted me more than she could stand. stabbed me with a ************* pencil. made my heart drop into my ************* stomach.
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Dec 14, 2013
Dec 14, 2013 at 12:15 AM UTC
melancholic mermaid love affairs
Haters, haters, hiding in the closets, hiding in faeces your putrid minds full of fears and all your weaknesses You are not men but degenerates and cowards in excesses but in your attempts to distract away from your deseases Look the parents you have and you know you're like rat fleas you lack a lot which makes you so angry and in pieces Washing once a week on other days its wet towel on faces smerge on stunted wieners never to be a winner at the races You're un-cool all you do is pretend but you ain't got the aces as charmless as chicken *** you're the left-behind in chases Never had a true compliment because you have no graces deep down you're a mess and petrified of background traces You have ***** linens and bad secrets buried in bad places you're nasty, think nasty and 've done things that debases Always afraid you pick on your betters rocking in perfect places full of inferiority complexes  real abilities get up your noses You've wet your bed and at night  you knowyou're ********* playing macho when in reality you want to do men's ***** Nobody likes the faceless cowards and abject scorn they entices partners and frenemies are there for themselves and free passes They see through them and smell their weakness without paces faking laughter at their hate and anger at winners they despises Haters are sick sad losers miserable inferiors with dark devises never happy, never content just slimy cowards in dumb disguises
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Aug 16, 2018
Aug 16, 2018 at 8:29 PM UTC
Inchwood to U. Bard Wazungus et all....
We are the genuine men We are the fulfilled men Standing together Headpiece filled with ideas. Huzzah! Our powerful voices, when We cheer together Are loud and meaningful As wind in wet grass Or dancing feet over wooden floors In our damp attics Shape with form, shade with colour, Dynamic force, motion without gesture; Those who have crossed With indirect eyes, to death’s other Kingdom Forget  us—if at all—not as found Peaceful souls, but only As the genuine men The fulfilled men. Eyes I dare meet in nightmares In death’s dream kingdom These do  appear: There, the eyes are Sunlight on a whole column There, is a tree standing And voices are In the wind’s singing More close and more bashful Than a newly formed star. Let me be closer In death’s dream kingdom Let me not wear Such obvious disguises Silk shirt, snakeskin, crossed staves In a field Behaving as the wind behaves Closer— That first meeting In the twilight kingdom This is the living land This is fruitful land Here the cloudy images Are raised, here they receive The supplication of a living man’s hand Under the twinkle of a newly formed star. It is like this In death’s other kingdom Waking together At the minute when we are Shaking with excitement Lips that would kiss Form praise to no stone. The eyes are here There are eyes here In this valley of living stars In this flowing valley This whole jaw of our lost kingdoms In this first of meeting places We ***** alone And invite speech Gathered on this beach of the free river Vision, unless The eyes disappear As the periodic star Monofoliate daisy Of death’s twilight kingdom The hope only Of whole men. *Here we go round the mulberry bush Mulberry bush mulberry bush Here we go round the mulberry bush At five o’clock in the morning.* Between the thought And the implementation Between the movement And the deed Rises the Light                                 For Thine is the Kingdom Between the inception And the construction Between the feeling And the reaction Rises the Light                                 Life is very short Between the need And the want Between the potential And the substance Between the ingredients And the ascent Rises the Light                                 For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world begins This is the way the world begins This is the way the world begins Not with a whimper but a bang.
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Nov 11, 2012
Nov 11, 2012 at 2:34 PM UTC
The Genuine Men
We are the genuine men We are the fulfilled men Standing together Headpiece filled with ideas. Huzzah! Our powerful voices, when We cheer together Are loud and meaningful As wind in wet grass Or dancing feet over wooden floors In our damp attics Shape with form, shade with colour, Dynamic force, motion without gesture; Those who have crossed With indirect eyes, to death’s other Kingdom Forget  us—if at all—not as found Peaceful souls, but only As the genuine men The fulfilled men. Eyes I dare meet in nightmares In death’s dream kingdom These do  appear: There, the eyes are Sunlight on a whole column There, is a tree standing And voices are In the wind’s singing More close and more bashful Than a newly formed star. Let me be closer In death’s dream kingdom Let me not wear Such obvious disguises Silk shirt, snakeskin, crossed staves In a field Behaving as the wind behaves Closer— That first meeting In the twilight kingdom This is the living land This is fruitful land Here the cloudy images Are raised, here they receive The supplication of a living man’s hand Under the twinkle of a newly formed star. It is like this In death’s other kingdom Waking together At the minute when we are Shaking with excitement Lips that would kiss Form praise to no stone. The eyes are here There are eyes here In this valley of living stars In this flowing valley This whole jaw of our lost kingdoms In this first of meeting places We ***** alone And invite speech Gathered on this beach of the free river Vision, unless The eyes disappear As the periodic star Monofoliate daisy Of death’s twilight kingdom The hope only Of whole men. *Here we go round the mulberry bush Mulberry bush mulberry bush Here we go round the mulberry bush At five o’clock in the morning.* Between the thought And the implementation Between the movement And the deed Rises the Light                                 For Thine is the Kingdom Between the inception And the construction Between the feeling And the reaction Rises the Light                                 Life is very short Between the need And the want Between the potential And the substance Between the ingredients And the ascent Rises the Light                                 For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world begins This is the way the world begins This is the way the world begins Not with a whimper but a bang.
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98
4am Knows everything 4am has seen me naked Crying alone Maybe once on someone’s shoulder 4am Has seen me dancing, happy mind wrapped in intoxication In the cold light of morning We are the most honest beasts Before the day is calling Faces are grey, soul is clear. 4am You sleep through it Bed toasty warm Whose body is it with you Dreaming with you through storm? 4am Got me an A in history 4am Showed me the most beautiful sunrises Pushed me into Morpheus arms At 4am There are no disguises.
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Dec 2, 2012
Dec 2, 2012 at 1:20 PM UTC
4am
I lived my half dictionary life before I could comprehend compulsory compromises. Collectors arise, disguises and devices beeping, chastising my blindness. Gather geography from Afghanistan and Myanmar graciously growing gold gilded gift horses, gleefully gloating about floating far away. My hoof beats above concrete match my heart’s defeat across borders and mountains embroidering cardboard cut-outs calling deserts, decorating front covers. Exhaling handcrafted letters for my missing half, half demanding highest caliber commanders and half commanding completion. Jade jays joyfully lay arrays of bouquets fragile flowers decay faraway in jawbones and jail cells. Begging farewells in a hotel’s lobby began my hobby, early morning coffee and carbon copies concurringly cocky around his dead body. Gang ciphers for cartels are Christmas bells hissing at collars, half dollars embellishing bar crawlers godfathers hollering at car haulers. Atrocities across cities attack, attachable atrophies audibly ambush arthritic anthologies. Anomalies begin apologies between apostrophes, advancing autonomy arousing ancient animosities. All eluding Antarctica, giant frozen crests, multi-coloured ice hidden in my illustrations anxious for my distant half. Friday cassettes and cigarettes deliberately making bets following “M”. Breaking bindings and finding “beta” in alphabet, may feasibly end in debt.
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Feb 17, 2013
Feb 17, 2013 at 1:51 PM UTC
Monday
i was reborn, like a phoenix but without all the glory. i didn't set the hospital on fire; i struggled to pull myself from the ashes of a former prodigy, one entwined with madness in all the right ways laced with misery like a noir heroine, so sexily depressing- whereas now i am just empty i did not emerge unscathed, no, not like the fledgling, i am covered in scars and faultlines from where the sorrow tried rip itself from my sorry body and the crimson glue holding me together replenishes itself more diluted each time before i died i swung through technicolor episodes of scarlet, rose, ecstatic white, and the sapphire blue to haunt my dreams waking and at night but the color leached away, the antiseptic began to pervade, refilled my veins and purged me of everything but grey. before my death, i reigned over the darkness, banished it when it did not suit me, manipulated reason, lived in a waking dreamland, in complete control of my life- but now, when i am fragile as eggshell, it's the only place i can hide, a haven where i can act like the lack of light masks an imagined vivacity and not a skeleton in flat black and white, disguises and emboldens me, allows me to be whole again, to forget the borders, my limitations indiscernable in dusk i used to cast my own light- now i am my own shadow and in the dark i fumble for what i used to be, reconnect myself with the world throw myself from the cliff and hope to find my wings again
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Oct 9, 2012
Oct 9, 2012 at 3:41 PM UTC
4/04: error: page not found
Passover or Easter or Happy Any Ole Thing, Sam I Am she asks me good naturedly which to wish me - a happy this or that and a poem’s immaculate conception is instant arisen arising hot **** rueful smile and unruly reply a solid out loud Ha! neither either or he writes and so believes for I am a god loving man, whom we’ve -Him/It/Me have agreed that I may call Sam I Am and the answer to your question is why not for most quests and questions can be well-answered why not! my genes my historical beings my ancestors and my issue all declaiming that I am a jew who left egypt, no defaming, a slave to no man who cannot love another like his own self but some in all that I write, this deity boss slips in quietly unseen in one of his jokes-on-us-disguises like singing ave maria and thus whose to say his rightful name, is not Sam I Am my choice and the big D      (a self-employed informal his choice, nom-de-guerre) has agreed via his acknowledgement in his normative style of low volume taciturn tacit acceptance so wish me a u happy anything you want-to-call-it-day don’t matter. but know this u were there when, all on that happy day where, @ the manger, when this Sam-Approved-Appeared poem was born and Sam blessed it with a hot **** she laughs, tosses back in my face, some schematic I prior penned that I can’t recall the when or where or my nom-de-guerre employed but fits this ex-slave perfectly “there are no lines or lies in my writings there are no definitions and perception is only your truth”
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Apr 1, 2018
Apr 1, 2018 at 12:22 PM UTC
Passover or Easter or Happy Any Ole Thing, Sam I Am
Passover or Easter or Happy Any Ole Thing, Sam I Am she asks me good naturedly which to wish me - a happy this or that and a poem’s immaculate conception is instant arisen arising hot **** rueful smile and unruly reply a solid out loud Ha! neither either or he writes and so believes for I am a god loving man, whom we’ve -Him/It/Me have agreed that I may call Sam I Am and the answer to your question is why not for most quests and questions can be well-answered why not! my genes my historical beings my ancestors and my issue all declaiming that I am a jew who left egypt, no defaming, a slave to no man who cannot love another like his own self but some in all that I write, this deity boss slips in quietly unseen in one of his jokes-on-us-disguises like singing ave maria and thus whose to say his rightful name, is not Sam I Am my choice and the big D      (a self-employed informal his choice, nom-de-guerre) has agreed via his acknowledgement in his normative style of low volume taciturn tacit acceptance so wish me a u happy anything you want-to-call-it-day don’t matter. but know this u were there when, all on that happy day where, @ the manger, when this Sam-Approved-Appeared poem was born and Sam blessed it with a hot **** she laughs, tosses back in my face, some schematic I prior penned that I can’t recall the when or where or my nom-de-guerre employed but fits this ex-slave perfectly “there are no lines or lies in my writings there are no definitions and perception is only your truth”
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40
The barbaric queen, her abilities stiffened His presence strickened by her directed speech Could it be her brick fence weakend Love had made it's way into the leaks Thoughts become lies, diminishing her kingdom ****** passion, a caused lusting Touching her breast Carressing her hips Legs shake, she is a disgrace The guards ushering him from her towering mattress Empathy made her a mockery A hatchet to the soul, he is nonexistent and undesirable Her long webbed veil, disguises her weeping Her eyes blackened, she is a demon bleeding Halo misplaced, in dismay She is a woman rigid and prevailing
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May 11, 2016
May 11, 2016 at 4:01 PM UTC
Fixing her posture
I am good at hiding, good at hiding my truths, good at hiding my secrets. My mask is a smile, it disguises my frown, it hides my flaws. Tears can't be seen behind a smiling mask.
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Mar 13, 2014
Mar 13, 2014 at 4:28 PM UTC
Mask
Reese’s Pieces are for people who Are used to picking up the pieces Of broken hearts But they still want to make it A good experience Smiles that look like peanut butter And kisses that taste like chocolate Butterfingers are for the kids who Are used to being picked last for Everything except to cheat off of In math class They’ve grown accustomed to Not being thought of Popular kids like the M&Ms; Because in the end What else do they have except For the stories of muses And the parties they attended One-by-one they picked apart Everyone who didn’t act just like them Pop Rocks are terrible and So are Peppermint Patties Crunch bars and 100 Grand’s Made the jocks think they would actually Go somewhere and do something With their lives Hope comes in strange forms Monkeys don’t know the difference Kit-Kats are for the hipsters Talking a little too loud about mustaches Listening to music that nobody knew Grouping around vegan lunch tables They would break off one by one When another clique accepted them Anything made by ***** Wonka Was a favorite of the kids who Knew who they were and Weren’t ashamed After all, what does candy say About any of us Clothes and shoes Were only disguises To hide us from the world we Desperately wanted to fit into If you had a Five Star notebook Started mattering a lifetime too soon When I step into the convenience store I picture the kids that I know Because of the candy they ate I regret having such a sweet tooth To pick apart kids’ lives With nothing to satisfy the bitter After-taste of social humiliation
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Mar 23, 2013
Mar 23, 2013 at 12:02 AM UTC
Sweet As Candy
Reese’s Pieces are for people who Are used to picking up the pieces Of broken hearts But they still want to make it A good experience Smiles that look like peanut butter And kisses that taste like chocolate Butterfingers are for the kids who Are used to being picked last for Everything except to cheat off of In math class They’ve grown accustomed to Not being thought of Popular kids like the M&Ms; Because in the end What else do they have except For the stories of muses And the parties they attended One-by-one they picked apart Everyone who didn’t act just like them Pop Rocks are terrible and So are Peppermint Patties Crunch bars and 100 Grand’s Made the jocks think they would actually Go somewhere and do something With their lives Hope comes in strange forms Monkeys don’t know the difference Kit-Kats are for the hipsters Talking a little too loud about mustaches Listening to music that nobody knew Grouping around vegan lunch tables They would break off one by one When another clique accepted them Anything made by ***** Wonka Was a favorite of the kids who Knew who they were and Weren’t ashamed After all, what does candy say About any of us Clothes and shoes Were only disguises To hide us from the world we Desperately wanted to fit into If you had a Five Star notebook Started mattering a lifetime too soon When I step into the convenience store I picture the kids that I know Because of the candy they ate I regret having such a sweet tooth To pick apart kids’ lives With nothing to satisfy the bitter After-taste of social humiliation
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***The mistress of my hereafter stole me away, As she so oft does, To a few minutes of quiet conversation. In her silenced voice I could read my own Long since Christianed anguish, So near it is - but so ****** far away. If only in Faraway we had us a private cottage, Maybe then we could retire to our dreams. The dressing room there Would always be yours. For I make everything yours And call it so beforehand. Thus making you the mistress Of my entire hereafter. My alpha - my omega. This “Hereafter” is but a melancholy term ‘lest We find ourselves stole away whilst Communicating through our spirits. For in spirit we have already met and Shall surely meet again. Let the certainty of it Brighten us with its forth coming. Thou surely must be the author Of the utmost of our faith. Faith in that day of heaven’s thought where In Faraway the cottage nestles between Twin peaks in the sweetest valley Ever laid at your feet while eyes See every days' blue azure sky. There we dine together by candlelight In the middle of the day while we Cater the meal toward happiness. In Faraway, all around us lives In a rapturous praise along with all that ever was. And if you should ever find my wit oppressing to Your kindness, then show your disdain and I will surely take my leave. As we look together through the candlelight Let us see only the highest values in each other. Let my eyes put your name on notice That if I were so employed as to be a slave In this land called Faraway, then my heart Would be no less than the prophet accommodated Somewhere within your walls. There with a stool and a candlestick I would sit patiently waiting for your unmaking. There my soul could be at peace from this world. I’d lean against your wall with the candle in my hand, I’d look into your eyes as I blew out the light. The cottage would then come to life As would the hearth within us. We’d breathe in each other fueling the fire. For love is the fuel that burns here in Faraway, Our sweet vapors rising high into the sky. They are bless'ed fires that never end. Come - blow out the candle once more and Let's lose our disguises– Later I'll relight the candle so we can Blow it out and do it all over again.***
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Jun 4, 2017
Jun 4, 2017 at 8:38 AM UTC
Faraway
***The mistress of my hereafter stole me away, As she so oft does, To a few minutes of quiet conversation. In her silenced voice I could read my own Long since Christianed anguish, So near it is - but so ****** far away. If only in Faraway we had us a private cottage, Maybe then we could retire to our dreams. The dressing room there Would always be yours. For I make everything yours And call it so beforehand. Thus making you the mistress Of my entire hereafter. My alpha - my omega. This “Hereafter” is but a melancholy term ‘lest We find ourselves stole away whilst Communicating through our spirits. For in spirit we have already met and Shall surely meet again. Let the certainty of it Brighten us with its forth coming. Thou surely must be the author Of the utmost of our faith. Faith in that day of heaven’s thought where In Faraway the cottage nestles between Twin peaks in the sweetest valley Ever laid at your feet while eyes See every days' blue azure sky. There we dine together by candlelight In the middle of the day while we Cater the meal toward happiness. In Faraway, all around us lives In a rapturous praise along with all that ever was. And if you should ever find my wit oppressing to Your kindness, then show your disdain and I will surely take my leave. As we look together through the candlelight Let us see only the highest values in each other. Let my eyes put your name on notice That if I were so employed as to be a slave In this land called Faraway, then my heart Would be no less than the prophet accommodated Somewhere within your walls. There with a stool and a candlestick I would sit patiently waiting for your unmaking. There my soul could be at peace from this world. I’d lean against your wall with the candle in my hand, I’d look into your eyes as I blew out the light. The cottage would then come to life As would the hearth within us. We’d breathe in each other fueling the fire. For love is the fuel that burns here in Faraway, Our sweet vapors rising high into the sky. They are bless'ed fires that never end. Come - blow out the candle once more and Let's lose our disguises– Later I'll relight the candle so we can Blow it out and do it all over again.***
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