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KING EOCHAID came at sundown to a wood
Westward of Tara.  Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank.  King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag.  When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse.  Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had ****** in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife.  On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone.  Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused.  If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by.  But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions:  ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path.  Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
****** up the passion out of him again
And left mere sleep.  He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on:  ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
****** him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the *****
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
Kabelo Maverick Jul 2014
Picture God rocking on his chair, tired and fatigued
by this constant perpetual cycle of this vanity fair
  where Man proclaim themselves deity
and have unconsciously agreed to be disembowelled of their spiritual  piety, in exchange for the reimbursement of this physical tangy
  they call Reality.

What a kiss of life!!
Jade Apr 2021
⚠️Trigger Warning: the Following poem contains subject matter pertaining to self-harm and suicide. ⚠️
~
This piece is an emulation of Aesop's fable "The Boy Who Cried Wolf". Any similarities, as a result, are purely intentional, and I am thus giving credit where credit is due.
~
There once was a girl
who cut herself,
a plan by which she could get
a little company
and
some excitement.

(Or so it was presumed)

She rushed out from the
school washroom
after tearing herself open
and called out,
"suicide, suicide!”

And her teachers and classmates
came out to meet her,
and some of them stopped
with her for a considerable time.

This pleased the girl
so much,
that a few days afterwards,
she tried the same trick,
and again her
teachers and classmates
came to help.


This pleased the girl
so much,
that a few days afterwards,
she tried the same trick,
and again her
teachers and classmates
came to help.



This pleased the girl
so much,
that a few days afterwards,
she tried the same trick,
and again her
teachers and classmates
came to help—

But instead of
trying to understand
the chronic illness
that plagued her,

they resorted to an archaic stigma
to inform their judgments
on the subject of mental illness.

They believed
that she only bled
to receive attention,
and was therefore named
The Girl Who Cried Suicide
after The Boy Who Cried Wolf.

Eventually,
she wasn't allowed
to use the school washroom
at all anymore

even if she had to
take a ******* ****

cuz
it would only encourage

"maladaptive
attention
seeking
behaviours.”

Despite them never
saying this to her face,
the girl was not
stupid

and

discovered

the defamations
that had fallen from the
tongues of these
black sheep.

The Girl was so
profoundly hurt
by this betrayal

that a few years
afterwards,
as she attempted
to bleed herself dry
in the bathtub
at 3 Am
on a stormy
May 30th,

she dared not
tell a soul

for she knew
they would think
this to be an act
of deceit

a freak show
she put on just
for the ******
hell of it—

crowned

liar

in some sick,
crimson pageant.

But this was not
a game of
make-believe


no—

the wolves
had always been
there

rabid

&

howling

to the blood moon
of her mind's eye

every beautiful thought

disembowelled

the fabric of her sanity
torn from her skull

(And the veins torn from her flesh)

the wolves’ cry
a siren song

leading the lamb
to her slaughter.

~
Don’t you understand?

I am not playing dress-up

I am not the wolf dressed in sheep’s clothing
I am not the wolf dressed in sheep’s clothing
I am not the wolf dressed in sheep’s clothing

I  am

the lamb to this slaughter
~
Tell me

If it was all just for

*******

attention,

then why did I feel the need

to hide my cuts
with long-sleeved shirts

during gym class

in the summer?

Why did I start
cutting in places
Where no one would ever
think
of looking?

Why did I tell everyone I
stopped
when I hadn’t?

~
Did you really care about me?

Or did you care about
What would happen to
You
if the liability killed herself?
~
You cut me in ways
a razor
never could.
~
How could you
How could you
How could you
~
Honestly?

Go **** yourselves,
You uneducated
*****
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_poetry_and_pressed_flowers_
Disembowelled
Mackerel sky blue and light blue strips
perhaps it was the zebra of the sea swimming away in haste
                                     I was gutting one
                                     No big deal
                                     I was learning to cook at the time
Inside the fish was a finger with a ring made of gold, but
I vomited, and the master- Cook took the ring.
                                     The school is now a catering academy
                                      Teaches the same as before
                                      But academy sounds more learned
                                      A cook is now a chef has got a diploma
Rowing in the fiord the water was clear I could see seaweed
It was quite tall and entangled in them dead fishermen.
                                      I knew they would not            
                                      believe me
                                      but I stopped eating fish.
bleh Oct 2014
i am lost in the wisp of your faltering
the fluttering of concrete entrenched
into stoic rigmarole

to reach out layer by layer
peeling unearthing
a catatonic subdivision of disjoint subdivisions
a limit ordinal
between touch and feeling

where we kiss on the cusp of that silent ocean on the edge of sound
drowned in the nebulous familiarity of
a distant melody
a tired resolve
re  solve the old puzzle  muscle memory's misted amnesia
half the pieces falling out the warn tinderbox

inarticulate drowned severed isomorphisms over
brea(d)thless infinities
self adjoint matted topologies
nestled snugly in the amniotic absolution
of form before being

      hands of matted ice
contorted into perfection
by the sculpting propensities
  of undulations of estrangement,

where we touch in the cusp of self reflections thousand mirrors inverted propensities
                        infinite infinitesimals
  nestled meromorphic partitions
hidden corners in the brevity of dusk
multiplicities fragmenting behind empty veils
(  to be seen is to be made discrete
   to be discrete is to flicker
                                     and disappear
  (inevitably invariable
          inevitable invariability))

we
       stand in a waterfall of gravel
   and drown our voices in the choke of our cellophane hearts

caked
             into fillets of aphasic tundra


  where we whisper our nothings in the desert on the boundary of silence

our words
                         escape us
           like rats from shipwreck


                                      we are
                       disembowelled catharsis
                           intentional and fatuous
                                   retching upon itself

       severed
and free
       and dead
like a phantom phantom limb
i miss the familiar deaths you bring
Edward Coles Feb 2014
A silence of mind
and vinegar wine,
the shopping precinct
a disembowelled mine.

Bombs stain the mountains
to build a hotel,
for tourists to buy
a wish from the well.

A wish for comfort
and one for new love,
in marital bliss
and skyscapes above.

Escape from their God
of tablets and time,
of substitute taste
for tonic and lime.

Escape from their want
of waistlines and faith,
relief from the haunt
of some childhood wraith.

Travel sets its price
to find your own face,
to find there's no cost,
in finding your place.
©
Olivia Kent Nov 2013
And did those sorry feet bleed as you left.
Walking slowly.
Charismatic in their wake.
As oblivion so obvious calls.
Cherished dream of kindness died.
Not sorry nor sad.

A special kind.
Door closed locked tight.
Charitable ways disembowelled.
As vultures chew flesh from beautiful bones.
Discarded in sorrow's wake.
Pray not become forsaken.
For she shall not.

She will not wallow in lost dreams.
Woman will create anew.
Adam's apple choked him.
Drowned in saliva.
One long acidic flow.
Tongue twisted.
Virtually removed.

She wants no whisky nor no wine.
To live no more a silly lie.
Believing in nothing more or less.
Than wait and see.

When at seventy I reflect upon the love we felt.
The tragic wasted hands were dealt.
Without regret.
Be it alone or as one of two.
Poet man I shan't forget you!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
What more can I say!
ANH Jul 2013
a well-starved leech on my
mind. An ore beating
through the tumultuous sea of
my stomach. I struggle to reach
reach out
and
lift
lift myself
to
freedom, upon that boat -
oh, almost so… tangible;
oh, almost a light at the end…
The boat pushes faster,
h
harder,
the waves licking desperately at
it’s splintered hull for just
just one
one taste
one salt-splaying,
spliced
taste
…at the end of this disembowelled
sewage pipe called love.
Sam Hammond Aug 2018
Yes, you have some parts of me
And yes, I know it’s true
That every single part you have
Belongs only to you.
I gave up my identity
And did away with pride.
I let myself be disembowelled
By waves from your loves tide.
But even when the storms hit
Or blue sky turns to black,
I’d sooner crawl home incomplete
Than take my pieces back.
Yes, you have some parts of me
And yes, I know it’s true
That every single part I gave
Will now fit only you.
Poetic T Apr 2017
Driving along then a heard a murmur and the
hairs on my neck crept up,
                                                I looked behind.....

Seeing myself in the back seat, "Don't turn around,
I reacted in fright, I angled my view to see
                                                           nothing before my eyes?

Swinging back, I saw lights eclipsing in my sight,
then the impact. I awoke up in the back seat, the force
had severed me from my seat, I was disembowelled.

As my life bled out I looked in the rear view mirror
seeing myself
                        I said
                                 *"Don't turn around,
Mateuš Conrad Jun 2016
oh don't get me wrong, i loved Midnight in Paris,
but with this latest movie i realised
the technique he was using, like someone reading
from a book in a bookshop -
and with every film i ever saw by Woody Allen
i just had one plot line running through my head:
a Jew looking for Auschwitz -
i bet there's a whole bunch of them feeling they missed
out on something grand like paying the gas bill,
and true to the word, the ones who have will
be stoic and silent, while the ones who haven't will
start a queue of mouthing everyone off;
is that short for ceramic marionettes or snowflakes
or something? you ain't made from sugar, go
run in the rain, you ain't gonna melt;
now, is that short of a straitjacket? i was gambling on
banking in my air miles by now - if i was born
on an aeroplane in the 1980s i'd have a U.N. passport;
citizen transcendental, ethnicity: helium.
i preferred the Woody Allan choke though, about
how each of his films have the plot: a Jew looking for
Auschwitz; i should really write a petition to the Polish
parliament about shifting that dung-heap of bricks to
Germany or Israel or something, i don't mind
the Malbork castle, that ****-pile can stay -
but can these chimneys be moved elsewhere, i'm getting
this itchy cockroach feeling Poland will have it
******* advertising tourism if it's only Jews that come
here to only one place, and nowhere else,
on memorial day...
i mean, Czechs have Prague, the Hungarians have the Danube...
it seems the only fascinating thing about Poland is
the former capital of Israel, Auschwitz - well thank
**** we have the Dead Sea and the scrolls or i'd
never imagine why i'd pity Jesus and not Isiah prior -
disembowelled, cut in half... hello?!
- and that great Tel Aviv chandelier sprout -
or that thing in the desert we call the shopping mall -
Dubai, that's the one - get a camels' teeth necklace
all year round - and a free ****** massage by another
set of camels, free of charge - ooh gucci gucci goo,
look at those fluffy lips... can imagine just dunking a
leprechaun right in there for a *** of pearls.
Gary Cuming Jun 2021
Thunder roars through the empty halls
Lost, forbidden, in the dreams of the dead
Desolation descends to answer the call
Of petulance, compunction and dread

The horror of the night, haunts the moon
As it shines on the blackness of life
Earth disembowelled by all it consumes
Distorting truth, fouling Gods paradise

Death reigns hard, as love is defiled
His cloak bleeds a bleakness entire
The light of the world, left broken, beguiled
Transformed to filth, desperation, to fire
James Falkener May 2018
Weakness is there to be exploited.
You learned fast, you saw the siege grow.
Abandoned, alone, countries disembowelled;
You scheme on which way to go.
Once home you rise as the shadow that can –
Fierce loyalty has benefits to come.
Quietly, the wolf, in your sheepskin coat
Plans to undo all that’s been done.
Leningrad’s voice became Yeltsin’s debt
Their safe passage guaranteed your gain.
Control reaches out - your life long advent -
As you tighten that belt from Baskov Lane.
James Falkener Mar 2018
Weaknesses are to be taken advantage of.
You learned fast, you saw the siege grow.
Abandoned, alone, countries disembowelled;
You scheme on which way to go.
Once home you rise as the shadow that can –
Fierce loyalty has benefits to come.
Quietly, the wolf, in your sheepskin coat
You plan to undo all that’s been done.
Leningrad’s voice became Yeltsin’s debt
Their safe passage guaranteed your gain.
Control reaches out - your life long lament -
As you tighten that belt from Baskov Lane


https://en.wikipedia.org/wiki/Vladimir_Putin
David Dec 2021
If there were a bounty on your liver I would have you disembowelled.

I would read the future from your entrails and cry the answer to the crowd.

I would share the prediction with your children to see the look upon their face.

I cannot wait to get started.

I have never had so much interest in the outcome of your fate.
Roll them in
and roll them off
roro
row your boats

it's not the magistrates
nor the courts
the system's sinking
only the **** still floats.

If I am going to be doomed
can you make it at midnight
on Friday?
I get paid and if
I'm to be weighed
off
I might as well get off
on ***
drugs
not forgetting
before the rot sets in
spangles.

The owl and the pussycat
who sailed away
managed a year and a day
before **** with a growl
disembowelled poor owl

even the best of friends
fall out
fall off
fall in
roro
row your boats.

— The End —