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"disclose" poems
419 We grow accustomed to the Dark— When light is put away— As when the Neighbor holds the Lamp To witness her Goodbye— A Moment—We uncertain step For newness of the night— Then—fit our Vision to the Dark— And meet the Road—erect— And so of larger—Darkness— Those Evenings of the Brain— When not a Moon disclose a sign— Or Star—come out—within— The Bravest—grope a little— And sometimes hit a Tree Directly in the Forehead— But as they learn to see— Either the Darkness alters— Or something in the sight Adjusts itself to Midnight— And Life steps almost straight.
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We grow accustomed to the Dark
The moon illuminates the tears she sheds as the darkness shields her from this reality. She opened the portal to her fantasy world and the memories she once hid, finally reappears. His ability to make her chocolate frame quiver into the palm of his hand just by whispering those 3 words. The way his alluring eyes would caress and soothe her soul to force her to disclose its hidden secrets. "Do you mean it?" She quietly whispered into his ears as their essence finally merged into existence. He was able to tear down her layers of pain, confusion, and hurt as he crossed the threshold into her mind.   As she gazes into his ravishing eyes, she becomes paralyzed as they undress her bare petite physique. The gateway to her hidden domain steadily closes as the warmth rays rest upon her dried tears. Her tear stricken face clenches onto the dwindling memories of his dominance over her. If only he kept to his word, then he would have understood her tears of affection.
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Apr 1, 2012
Apr 1, 2012 at 9:23 PM UTC
Tears of a Broken Angel.
Happiness is the brightest blue in the shape of you, making me feel brand new. I'm falling hard with no regards for my heart, my walls started to crumble from the start. There are still things i haven't said, so many thoughts and memories inside my head; I want you to know, but i don't know how to open up like that It's not something i've done in the past. But i want to make us last. I know i don't disclose how much you mean to me, And it's killing me. I wish i could put into words how you are undeniably worth more. More than the moon and the stars and all the galaxies combined... I truly believe i could love you for a long time, stay... for just one more rhyme?
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Oct 5, 2018
Oct 5, 2018 at 4:26 PM UTC
Happiness
It's hard to write a poem When there's nothing going on It's hard to think of what to say When you've given most of it away As poets we never scratch the surface We delve within, disclose our deepest sin We crave our pain, declare it's for our art Yet more often than not have no idea where to start But start we do and start we must A deep desire in all of us To spill out on the written page What little bit we have tried to save Ink now is the poets blood Fragments of self pour from within Silence is our safety net To stop us from bleeding out Although it's hard to write a poem With nothing going on We still find words to form a verse From deep within our marrow bone Work © Mike Hauser & © Sia Jane
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Oct 23, 2015
Oct 23, 2015 at 10:33 AM UTC
Poets Ink
Warmed by her hand and shadowed by her hair As close she leaned and poured her heart through thee, Whereof the articulate throbs accompany The smooth black stream that makes thy whiteness fair,— Sweet fluttering sheet, even of her breath aware,— Oh let thy silent song disclose to me That soul wherewith her lips and eyes agree Like married music in Love’s answering air. Fain had I watched her when, at some fond thought, Her ***** to the writing closelier press’d, And her ******* secrets peered into her breast; When, through eyes raised an instant, her soul sought My soul, and from the sudden confluence caught The words that made her love the loveliest.
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The Love-Letter
I have been doing a lot of work with my feelings lately. I have avoided them for most of my life because, well the bad ones outweigh the good ones. The rest of them were f@#ked or beaten out of me. I have always believed that my feelings only led to trouble and pain. A simple feeling stated as a child sent me tumbling down a rabbit hole of horrific pain. An innocent smile was interpreted to be nothing but filthy desire. A frown was nothing but blatant rebellion that had to be dealt with. My thinking is extremely black and white. Good or bad. Right or wrong. But what I'm learning is that feelings don't fall easily into any of those categories. The classifications that I have used to reason my life into some semblance of order do not work for feelings. So walking in this grey area is very difficult for me. I cannot make much sense of what I allow myself to feel and if I do, I get stuck. The detachment I have felt to my memories is slowly being bridged by the missing feelings. And that is terrifying. I have always been able to share, matter of factly, the details I have chosen to disclose. And I'm very afraid that those details were the easy ones; the ones I could disconnect from and push the feelings onto someone else. Remember those rabbit holes? When I find the feelings associated with that pain it's like falling down that hole bound, gagged, and blindfolded. My logic was my only means of control and I've lost it amongst the feelings. The only way to climb out of that hole? Literally feel my way out.
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Aug 9, 2014
Aug 9, 2014 at 5:36 PM UTC
Feelings
I have been doing a lot of work with my feelings lately. I have avoided them for most of my life because, well the bad ones outweigh the good ones. The rest of them were f@#ked or beaten out of me. I have always believed that my feelings only led to trouble and pain. A simple feeling stated as a child sent me tumbling down a rabbit hole of horrific pain. An innocent smile was interpreted to be nothing but filthy desire. A frown was nothing but blatant rebellion that had to be dealt with. My thinking is extremely black and white. Good or bad. Right or wrong. But what I'm learning is that feelings don't fall easily into any of those categories. The classifications that I have used to reason my life into some semblance of order do not work for feelings. So walking in this grey area is very difficult for me. I cannot make much sense of what I allow myself to feel and if I do, I get stuck. The detachment I have felt to my memories is slowly being bridged by the missing feelings. And that is terrifying. I have always been able to share, matter of factly, the details I have chosen to disclose. And I'm very afraid that those details were the easy ones; the ones I could disconnect from and push the feelings onto someone else. Remember those rabbit holes? When I find the feelings associated with that pain it's like falling down that hole bound, gagged, and blindfolded. My logic was my only means of control and I've lost it amongst the feelings. The only way to climb out of that hole? Literally feel my way out.
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Start and stop Up the street, Turn 180, Repeat the beat. The gurus on Confessional wheels, Absolve our sins, Emptying bins. I swear They swear A solemn oath Never to Disclose the truth Found in our garbage By the brethern, Garbage stinking To high heaven. Bottles, syringes, Boxes, bones, Peelings, plastics, Old cell phones, Discarded trash From our homes. Wrappings bleeding Seeping **** *By our garbage Ye shall know us.*
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Mar 4, 2015
Mar 4, 2015 at 8:49 AM UTC
Garbage
1677 On my volcano grows the Grass A meditative spot— An acre for a Bird to choose Would be the General thought— How red the Fire rocks below— How insecure the sod Did I disclose Would populate with awe my solitude.
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On my volcano grows the Grass
Warning: Use dis list in context. You decide on which side you fall. disappear disregard disaster displace disqualify disrepair disturb dissipate disability dispose dismal distribute distrust disturb discriminate discuss disdain disguise dishearten disinherit disown disparage disagree disgruntle disclose discolour dispute disarm discover disassemble disadvantage disallow dispossess discontent discontinue disrespect disincline discomfort disrepute dishonest disillusion dishonor dismiss disobey disjoin disappoint discipline discord discern discrete disfigure disconnect disapprove discharge disbar disease discord disfavor disengage disassociate discipline discount disembody displace dissaray disembowel discombobulate discredit discourse disentangle disenfranchise disembark discard disburse disbelief discover disable disagree disintegrate dismay dispense dislodge disclaimer disapprove dissatisfy disrupt dispel dislike dismantle disloyal disbatch disrobe disperse display disaprove disciple disavow disconcert disinfect disorder dismal dismember displease dissemble disunity dislocate distort distrust distress dissolute disassociate distill discect (?) distemper distain distasteful distraught dissolve dissonant dissuade And dis isn't de end.
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Aug 22, 2015
Aug 22, 2015 at 12:06 PM UTC
Is Dis Good or Is Dis Bad (a partici-poem)
embedded in the most tenebrous corner of my mind, harlequin memories of serendipity, dripping like bittersweet wine, tantalize me, begriming what was once an unsoiled canvas. engulfed in my despondency, I repose homely until my mind's taste-buds savor the saccharine flavors of its own derisive thoughts. aroused to say the least, my mind's libido is now being satisfied. I lie here, welcoming all that my thoughts and epiphanies have to offer. I am unable to disclose what's bestowed to me but that's irrelevant. My mind is here... and open and anticipating the pleasing rush of these thoughts that venture through my head. The pleasure is overwhelming, forcing my chakras open as my ajna awakens from its long slumber. I crave this foreplay and I plead with the universe to make it never-ending but it seems my cries fall upon deaf ears and I'm left open-minded and unfinished.
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Mar 13, 2015
Mar 13, 2015 at 1:06 AM UTC
Mental Foreplay
(co-written by Sharon Robinson) Everybody knows that the dice are loaded Everybody rolls with their fingers crossed Everybody knows that the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes Everybody knows Everybody knows that the boat is leaking Everybody knows the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose Everybody knows Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you've been faithful Ah give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Everybody knows, everybody knows That's how it goes Everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows And everybody knows And everybody knows that the Plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose What everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the ****** cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this Sacred Heart Before it blows And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Oh everybody knows, everybody knows That's how it goes Everybody knows Everybody knows
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Everybody Knows
(co-written by Sharon Robinson) Everybody knows that the dice are loaded Everybody rolls with their fingers crossed Everybody knows that the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes Everybody knows Everybody knows that the boat is leaking Everybody knows the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose Everybody knows Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you've been faithful Ah give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Everybody knows, everybody knows That's how it goes Everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows And everybody knows And everybody knows that the Plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose What everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the ****** cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this Sacred Heart Before it blows And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Oh everybody knows, everybody knows That's how it goes Everybody knows Everybody knows
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Keep it close, do not disclose, That thought you had, don't let it be told. Spiralling downwards, gaining momentum, Familiar now, fermenting the unscented. Just one step towards the darkest past, Listen to what you once were told, "Take two steps forward, one step back". Letting fears unwind, twisting the truth, A blanket of confidence unveiled, Now that your no longer you.
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Dec 10, 2014
Dec 10, 2014 at 1:23 PM UTC
Acting in Life's Production
*Quintessential charmer, libidinous crow pheasant, has an eye on him, thinly disguised mating calls disclose her keenness of intention, protruding derriere, provocative walk, her amour leaves nothing to guess, 'what you fancy is my desire' her acts yell out to him.*
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Apr 23, 2014
Apr 23, 2014 at 9:20 AM UTC
The crow pheasant doesn't care even if her proposal is indecent
Instant. Gratification. A like. A fleeting comment. A bit of attention. This doesn't last forever, need I mention? We paint picture perfect lives as if it were the truth. Rarely do people post about times when they're discouraged or feeling blue. Our lives seem enviable, but you don't see what occurs behind doors. The mundane moments no one wants to disclose. With social media I find myself becoming more distant, yet feeling more connected in an instant. Making so called friends that I never talk to in person. Adding to a list of people that I pretend to know and ignoring the ones I say I care for. Then there's the selfish gratification. It's all about me. Here's another one of my selfies. But somehow I find that I compare myself endlessly. And so do you and so does he. It's a game we aren't aware we signed up for. Yet the mutual agreement is we all score.
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Jul 27, 2015
Jul 27, 2015 at 2:21 AM UTC
Instant Gratification Game
twas a most disturbing scene in a kitchen at Aberdeen the details are too horrific to disclose let's say this and this alone the forensic team had to ladle some bone bits of dermis were scattered around the kitchen compound the wife had done the deed she'd disposed of her husband who was a bad seed he'd been thumping and slapping her around knocking her with force to the ground she'd contended with his rough house treatment for far too long so she decided to right his wrong she's in prison doing time but it is her husband who now tows the line domestic violence did him no favors a woman was pushed one too many times in a kitchen at Aberdeen gruesome was the crime
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Nov 15, 2013
Nov 15, 2013 at 8:14 AM UTC
Gruesome Was The Crime
A few things for themselves, Convolvulus and coral, Buzzards and live-moss, Tiestas from the keys, A few things for themselves, Florida, venereal soil, Disclose to the lover. The dreadful sundry of this world, The Cuban, Polodowsky, The Mexican women, The ***** undertaker Killing the time between corpses Fishing for crayfish... ****** of boorish births, Swiftly in the nights, In the porches of Key West, Behind the bougainvilleas, After the guitar is asleep, Lasciviously as the wind, You come tormenting, Insatiable, When you might sit, A scholar of darkness, Sequestered over the sea, Wearing a clear tiara Of red and blue and red, Sparkling, solitary, still, In the high sea-shadow. Donna, donna, dark, Stooping in indigo gown And cloudy constellations, Conceal yourself or disclose Fewest things to the lover-- A hand that bears a thick-leaved fruit, A pungent bloom against your shade.
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4.5k
O Florida, Venereal Soil
1063 Ashes denote that Fire was— Revere the Grayest Pile For the Departed Creature’s sake That hovered there awhile— Fire exists the first in light And then consolidates Only the Chemist can disclose Into what Carbonates.
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Ashes denote that Fire was—
Here are the names of my lovers, The women I sleep with, whom I use, like they use me. Spent, they discard me, for when their pleasure needs Satiated, they climb aboard another man. What they do not know, Is that in my mind, in my ears, everywhere, I did not let them, or you go, We are still romping, For I Take them as needed. I need them all, For my pleasure needs, like my unshaped heart, Addictive, endless. If your is name is here, I do not Apologize. Pink Adele Lilly Allen Anna Nalick Bess Rogers Beyonce Brandi Carlisle Cat Power Colbie Callait Duffy Eva Cassidy Evanescence Alison Sudol Fiona Apple Florence Welch Grace Potter Ingrid Michaelson You Joni Mitchell K.D. Lang Kate Nash Kate Voegele Leona Lewis Lizz Wright Madeline Peyroux Marie Digby Mary Wells Norah Jones Regina Spektor Sara Bareilles You Sara Haze Taylor Swift and Tracy Chapman Tristan Prettyman Vanessa Carlton So many others, used so long ago, I can't remember the faces, Which can't be googled. Use them hard, use them often, more than daily. Bluntly, I tell you Your name is on my list, Even if I do not disclose it.
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Aug 18, 2013
Aug 18, 2013 at 9:31 AM UTC
Here are the names of my lovers, including you! (Aug 2013)
Between all I may be to those stars which shine In the sweetest glimmering glow Holding your tender heart next to mine Is by far, the sweetest feeling I know The warmest hearts have been laid here at my feet In the sweetest glimmering glow Yet my eyes disclose this love I hold so sweet Revealing that the warmth of you, is all I know In beauty that light rises from the stars at night In the sweetest glimmering glow Waking up to see those stars in your eyes Is by far, the sweetest sight I know If asked where one can see these stars which shine In the sweetest glimmering glow Between all I may be to your heart divine Is the only answer I can give Or know
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Jan 6, 2011
Jan 6, 2011 at 2:24 AM UTC
I Know
We lie amidst Ripe mountain herbs, The nightingale has just begun its summer trill, This hymn for golden vocal cords Composed no owner of a writing quill So sweet were melodies produced That I mistook the front row lady’s cheap perfume For blossoms, above which haunting hornets mused; For an aroma of our Shakespeare love in bloom. The serenading cardboard creatures – Those thieve their voice from birds with no address. Meanwhile a glass raised in a playhouse features But colored water, as red as gipsy’s dress. When the last spectator goes, Having not found at least one genuine sun, As actors, we recede into descending roles; Electric blood in lamps’ capillaries feels numb.   A lovely ladybug, I doubt, I will ever catch, A lifelike flower, dipped in a painting fusion: All this, fine artists tenderly attach   To lifeless decorations, for aid they do us in a willful staged illusion. Three burnt sienna pearls run down your spine Yet after a big round of applause These jewels are no longer signs of the divine, But witches’ marks or, rather, unalluring flaws. After the play I went to buy a notebook from my shopping list To store the overgrowing verses, such as these; A sheet of paper guarantees To treat them like extinguishing bees Cashiers ****** the change into my hand, You purchased hothouse roses with; And up those pretty useless beauties stand In someone’s vase, whose name remains a myth. They give me back those polished dimes You traded for a pair of shoes. I’ve seen you marshal through onstage lifetimes, Yet to disclose personas’ traces the theater walls refuse. Your chocolate hair has just fallen from the hairdresser’s hand,– That’s how I know the summer’s coming to a bitter end.
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Apr 6, 2019
Apr 6, 2019 at 7:02 PM UTC
“A fictional confession”
We lie amidst Ripe mountain herbs, The nightingale has just begun its summer trill, This hymn for golden vocal cords Composed no owner of a writing quill So sweet were melodies produced That I mistook the front row lady’s cheap perfume For blossoms, above which haunting hornets mused; For an aroma of our Shakespeare love in bloom. The serenading cardboard creatures – Those thieve their voice from birds with no address. Meanwhile a glass raised in a playhouse features But colored water, as red as gipsy’s dress. When the last spectator goes, Having not found at least one genuine sun, As actors, we recede into descending roles; Electric blood in lamps’ capillaries feels numb.   A lovely ladybug, I doubt, I will ever catch, A lifelike flower, dipped in a painting fusion: All this, fine artists tenderly attach   To lifeless decorations, for aid they do us in a willful staged illusion. Three burnt sienna pearls run down your spine Yet after a big round of applause These jewels are no longer signs of the divine, But witches’ marks or, rather, unalluring flaws. After the play I went to buy a notebook from my shopping list To store the overgrowing verses, such as these; A sheet of paper guarantees To treat them like extinguishing bees Cashiers ****** the change into my hand, You purchased hothouse roses with; And up those pretty useless beauties stand In someone’s vase, whose name remains a myth. They give me back those polished dimes You traded for a pair of shoes. I’ve seen you marshal through onstage lifetimes, Yet to disclose personas’ traces the theater walls refuse. Your chocolate hair has just fallen from the hairdresser’s hand,– That’s how I know the summer’s coming to a bitter end.
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for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
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Nov 3, 2017
Nov 3, 2017 at 8:34 PM UTC
objectification / necrophilia
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
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Addictions are like ******** Everyone has one, and they usually stink Smoke Shoot Snort whatever you need to get you through but... What about when its not drugs? How does she disclose When her scars itch When she's twitching Scratching Looking for something what is it what is it what is it what is it where is it where where where.... Her mind races Her scars burn hot Hot enough to burn her shorts Hotter than her tears There Under the board on her stand Shiny and stolen Mechanical pencils are better anyway She mutters to herself Up goes her shorts Up goes her sleeves 1 2 3 4 5 Dont count, make them even In a line Not like that Her sister gets clean She's left in limbo How could she justify How could she seek help When she does it to herself When it wont make her ***** When it wont make her seize Addictions, everyone has one For her, there's a relapse on the way
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Jul 1, 2018
Jul 1, 2018 at 6:51 AM UTC
Addiction
rosalinederricksylbert @hotmail.com I would post her pm here but I don't know how to copy and paste on this thing but the gist of the message is Contact me through my private email address so that I will send you my pictures and introduce myself to you. I also have some important information I will like to disclose to you
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Jan 21, 2015
Jan 21, 2015 at 10:34 AM UTC
Scammer Alert
*i hate to break it to you kid, i'm not mindful of narcissus' economics that's all oh so very modern...* but women are their own orbit, more chance to find a single mother than a single father... it's against nature to make the man without god, as it's against nature to make the woman with god... thus we have the tectonic plates making man with god, accepting or doubting, church or laboratory... and woman... an eroticism of jaw eaten faces... but a kiss to be a fingerprint likened to erasing the dangling of the bitten jaw... erased only once by the aphrodisiac of sirens' wail of aquatic opera so damnable that only one man heard it, while others scolded being in audience with beeswax... and by second chance, erased, indeed, but only by the suffragettes as the new nuns... as the new nuns dare comply to change, like every male become female and vice versa, and the popes disclose their continual loss of matrimony in their misogynistic involvement in ****** if i'm not the pope and do no encounter such practices, i'm not a pope at all! *only a ninth spoke as the necromancer, and of the nine spoke clearest, as it spoke, it dawned on me that sauron was invisible for the sword to strike, a gravity enveloping, a gravity envelope, rather than a skin of infinite diadem sharpenings, for nine rigs unto men, seven unto dwarfs, three unto elves, but none unto the orcs... strange.... ORC ARKHAN MORDOR ARRAC!*
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Feb 14, 2016
Feb 14, 2016 at 10:36 PM UTC
the famed aphrodisiac of sirens' wail / ORC ARKHAN MORDOR ARRAC!
December 1899 I She sits in the tawny vapour That the Thames-side lanes have uprolled, Behind whose webby fold-on-fold Like a waning taper The street-lamp glimmers cold. A messenger’s knock cracks smartly, Flashed news in her hand Of meaning it dazes to understand Though shaped so shortly: He—he has fallen—in the far South Land… II ’Tis the morrow; the fog hangs thicker, The postman nears and goes: A letter is brought whose lines disclose By the firelight flicker His hand, whom the worm now knows: Fresh—firm—penned in highest feather— Page-full of his hoped return, And of home-planned jaunts of brake and burn In the summer weather, And of new love that they would learn.
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3.2k
A Wife In London