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Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Hal Loyd Denton Nov 2011
It was one of those rare and beautiful sunny days the kind that is so bright it enriches every visible living thing. Still there was a lie being lived and told in this captured moment she stood straight and confident her dog set by her she was looking at the natural wonders in awe and appreciation. It was plain to see she was healthy and lived in wonderful surroundings had an all around good life. What I saw I fought forest fires in the service one in particular in the Los Padres National forest. For five days over half of the California division of forestry assisted us plus hundreds from fort Ord were called into help at times there was ninety foot walls of flame. That’s what she was really looking at her needs she would never see in her privileged life the flames of life’s destruction are forever growing closer. We lost a cat operator as he went south to fight a new fire we risked our lives he gave his. The alternative hike up to the secluded pine ridge in this pristine national forest set and look across the great valley that ends at the far horizon where mountains rise to tower in there majesty without sacrifice and risk this would be your view a charred blackened destroyed environment dead displaced wildlife as far as the eye can see filled with sadness you stumble back to your car racing to get clear of this natural disaster. Now bring the true reality of this girl’s situation into view knowing that at every turn she is being bombarded by modern life for the ultimate goal of keeping her from the most important thinking she will ever undertake. Where do I stand with my creator between her and this all important and should be all consuming endeavor. But there is a den of noise arising from modern convenience of every kind then the choking effects of materialism. If this isn’t enough then you face the greatest threat there is one true Word. Then the imitators act as interference the static they produce drowns out the true flow of guidance that can’t be duplicated the answer the enemy uses begin the erosion use the echo of men’s philosophy effectively sounds sincere truth varied ever so slightly but as it continues its course over distance and time you end up with the same damnable truth that our boys are fighting and dying to defeat in the Middle East. Truth sooner or later requires sacrifice and death to preserve it that is the true test what did it cost the one who desires to lead you and your family on the most important course you will ever under take. Take this journey with Paul one who was enlightened as much and truly more so than any other in ancient times. Follow him to the most sacred ground made so by unerring truth amidst gainsayers and scoffers and some of them came out of that darkness to light everlasting. Paul then stood up in the meeting of the Areopagus and said: “Men of Athens! I see that in every way you are very religious. For as I walked around and looked carefully at your objects of worship, I even found an altar with this inscription: To an unknown God now what you worship as something unknown I am going to proclaim to you.”

…When they heard about the resurrection of the dead, some of them sneered, but others said, “We want to hear you again on this subject.” At that, Paul left the Council. A few men became followers of Paul and believed. Among them was Dionysius, a member of the Areopagus, also a woman named Damaris, and a number of others. It’s your choice where you invest the rest of your life the wise have no hesitation the only drawback this cost everything many will not pay that price so they join the ranks of the deluded. Outwardly sophisticated inwardly they run with the pack of ravenous wolves who crucified the true eternal one. Go ahead judge if these words are true you will hear them again sooner than you will ever wish to hear.
Mike T Minehan Oct 2012
They're a funny lot, some of these poets,
feisty feminists, dreamers, anti-money,
and even some who are very self-defecating
about themselves.
And then there's the literary, learned allusion lot,
and some who've got their eye on eternity, that's what,
and others who rub too much turps on the **** of their imagination.

But it's the long-winded poets who make me squirm,
and for god’s sake, give me a bottle of red wine when the ones
with blue-rinse hair get up to have their turn.
They're terribly nice, but they need an echidna
stuffed right up you know where - at least once, if not twice.

And give me another bottle of the red, even if it's rough,
or better still a whole case of that stuff,
just to protect me from those who bleed too much in poems.
Psychoanalytic stuff makes me paralytic
and I have to stifle groans.

But most of all, I like the poets with their tongues on fire,
the ones who lick lightening before they write
and who throw a sizzling poem down
like a thunderbolt from Zeus.

I like poems marsh mellow soft and bitter-sweet, too,
and those oozing with the juice. And if a poem's loud and flash,
so what? I like a bit of swagger, with shameless **** and ***.
And sometimes, I just like words that rhyme with licorice,
Dionysius, Priapus, Bacchus and preposterous!

Also, what the ****, a poem can even give offense.
Poets sometimes need to do this to stop indifference.
They call this poet's license, but really,
indifference is the only hell from which
us poets need deliverance.
Marielle indicates: “Your luminosity, Copernicus vibrating in Giordano Bruno, expresses hypotheses that they revive to Quentinnais from the third hour, from here now I am hospitalized and without light to line the end where I will put my feet evasive. Raymond Bragasse is here where I met him, and I saw him with his holy rosary on his necklace, and on Andrés Panguiette's claw. That you grumble, they excommunicate my sentences, which are that of the rooster that becomes gentle in a Corso, Sardinian or Roman Praetorian, in the leap I relegate to San Gabriel, with its magical art that excites the retentiveness of Saint George. Under what science do they moderate me by joining you, or what century will intuit us with its own splendor, whose obscurantism under his revolution mutes anyone in the darkness of the cave of Dionysius. The divinity postpones itself, to leave its daily chores where souls fly daily ..., they do not stop leaving with their spoils after the fairies that fly to purgatory. But many have passed over me, and I was wondering where to find you, I never thought that I should fly over a swarm of wasps to reach your divine lair, full of regulatory darkness for those who live against the light, and of an Elizabethan garment that dismisses my ring, where Its natural original magic is isolated from our semi-alive body, with brittle Egyptian suns that redoubled where I had to wait for you at the Pentecost bench. What retarding essence dries up who does not show any vital or symbolic avital sign, where the rough cyclicality does not allow me to chastise my hair in any vanity for you. Oh that Moral spellings referring to my commendation, if it is not apostasy! What else would I dare to speak, through the sky flying away from the lunar books of Vivencia, where it is sent from its orbit towards the cosmos free of all and of all with Wonthelimar free of me, confined of Marielle. I know that I am analogous **** of the Libri Dei Viventi, perhaps sackcloths or coats have to be spun in Parnassus, to gird myself to myself, and not Marielle cloistered in her solitude, who does not receive the Vivendi torpor of her paradisiac sacrilege when seducing a supposed daughter of Hecate, fortunately, I have to guess with a swarm, and stay in the nets of your cave. With the stanza that is invested in rhetorical values, I go crazy for love to which I am conjured, but from Marielle now or in hundreds of years that pester on my sackcloth, which will never be used for the liturgy with you, if I revive in the crisis of resurrection in the arms of Saint George in the stained glass window in Avignon, and in his forearm that passes through the worst emotional crypts of my author.

As I have to contest hostile votes that are netted in the puritanism of those who only wear sackcloth in the unstitched Mausoleums of Quentinnais, and in the strident leaves that move elected in his advent, where the subclavian of Luzbel stands. Unanimous I have to dare by asininity ...! Moderating threads of horror and silver light, which revives us in the beasts and in their perches, ad libitum in the lattices where it emerges from the conspiracy of our tragedy. Oh, what an impetuous incarnation of the anti-Christian verb has to express itself in your incarnations of light and restless shadow, in the apse of the discanted in Avignon, and in the acroteria shadow, suffering from cowardice by not wanting to see me angelic, universal predisposition, just to know fit and what to say with your soul lineage and twin life, who only knows how to love you. Our reincarnations are rescued, now that we go to Patmos intimidated, in the sound of shining the veiled Vernarth, reprimanded in his acquiescent morality under his own law and his glasses, born from his rib that ends in the exception of a foul dialogue. It is premature for me to say what I do not have to write, but the particles slowly fall through the beam of their adjective essences, reshaping exterminated historiographies that want to make green, in colloquia that draw the eyes of whoever wants to blind the profane cult, absorbed in sallow particles in four sciences and elements… What unresolved probe and mass can strike your heart poured into you Wonthelimar? You know when we get to Profitis I will go holding your hand in the morning, to adore you and kneel down, we will deal with why we lost ourselves, and why the sun has not stained me with so much fury, carrying me burned in tongues of its consumptive and guttural infinity. After taking the hand of dawn, I will sue the impossible quagmire and its Áullos Kósmos, weakened by theoretical openness, lacking unity, but not far from my vanistory, nor from the sessile fluff of my hair, waiting for you with your stormy return to hold me. Ayia Lavra will declare war on the eighth cemetery of Messolonghi, with solidity and sanctity that frees my chains in a single trident, paling in the rust of it, methodological treatise, and where the determination of veracity is annihilated.

Because I have to go to heaven when I want to offer myself to you, without any century that has received me with fewer wounds than those I had yesterday in its indolent septicemia, with miracles and incense burners that burn in imprecate, and provide a pagan theology of human filth. , not portraying biblical when your plurality dressed as a secular thirteenth, by referrals or Greco-Gallic that arise from the love that has no end or beginning in the autonomy of an incorruptible being, and even less when you wear sweets in its lavender lex. Genius Loci, or amplified reality, rather your idea of sticking with me when I have not been, and of attracting me when the future in the portal is made in the perfect symmetry of him, or whoever looms excited in his cabal. The body is no longer inscrutable, overworking with poetry to constrict my torn voice, running at great speed to seize the cosmetic that paints our faces, Selene and her luster aggravate punctuality and the status of science in creation. I have read volume VIII, and I saw that tears flowed by where I never thought ... !, for exchanges that marginalize an established authority, nor with more childish will I undone the garments of his self-description. Mime or jester in front of me in my catalog of the tragic actress with the anemic volume of her, pointing out uprisings in new waves, on seas that did not have them ..., loaded in new skeptical allegorical clouds, on truths that were already understood in the jealous name. It is incumbent on us to navigate with lamps that have to guide us through dark Ptolemaic hexahedra or henbane crusts, which do not manage to go over the sentry boxes of a divine gesture. How to dare to a final gesture of inflaming with you in factions and premises beyond an apocalypse, or of a Penelope that is gestated in a god, or becomes unknowable of a prevailing divine plan.

Charged with our dissidence, we will go far from the unknown burdens, that scripts are annexed in the new birth of our fiefdom and in their great expectation. Now four elytra have been born on my back, who hope to reveal to you the categories of the deleterious vanquished, reduced to only two Ptolemic emetics ..., you and I in a final judgment, which we already know well about, about the seventh eras that await us in the Southern Sporades, and in his final judgment in the eighth. O Jerusalem, I deprive my oldest sin by conceiving, but rather by confessing it with you. What insurgent dualism will make me get rid of myself and be reborn indestructible in its dizzying relish where the multi-chained temptation of redemption runs towards you? Wonthelimar…, I'm here, in this thunder slip writing for you. I have distanced my head united to yours so that it is not destroyed, for all thoughts, where although you are my diluted kingdom, I will beg You to leave me in the growing vertical anticipated flight from my body, but later in my consciousness which is what which will pre-exist with his Roman staff intertwining with his lusters, and in the syntagmas of Vernarth, which come from the Sporades of Patmos. As I honor and glorify Him in the southern part of him, my dear sackcloth has warmed away from my myopic eyes, already feeling your face breath on me, I will be able to vindicate narrated stories after we part before God!
Marielle Sporades
Hal Loyd Denton Apr 2013
It was one of those rare and beautiful sunny days the kind that is so bright it enriches every visible living thing. Still there was a lie being lived and told in this captured moment she stood straight and confident her dog set by her she was looking at the natural wonders in awe and appreciation. It was plain to see she was healthy and lived in wonderful surroundings had an all around good life. What I saw I fought forest fires in the service one in particular in the Los Padres National forest. For five days over half of the California division of forestry assisted us plus hundreds from fort Ord were called into help at times there was ninety foot walls of flame. That’s what she was really looking at her needs she would never see in her privileged life the flames of life’s destruction are forever growing closer. We lost a cat operator as he went south to fight a new fire we risked our lives he gave his. The alternative hike up to the secluded pine ridge in this pristine national forest set and look across the great valley that ends at the far horizon where mountains rise to tower in there majesty without sacrifice and risk this would be your view a charred blackened destroyed environment dead displaced wildlife as far as the eye can see filled with sadness you stumble back to your car racing to get clear of this natural disaster. Now bring the true reality of this girl’s situation into view knowing that at every turn she is being bombarded by modern life for the ultimate goal of keeping her from the most important thinking she will ever undertake. Where do I stand with my creator between her and this all important and should be all consuming endeavor. But there is a den of noise arising from modern convenience of every kind then the choking effects of materialism. If this isn’t enough then you face the greatest threat there is one true Word. Then the imitators act as interference the static they produce drowns out the true flow of guidance that can’t be duplicated the answer the enemy uses begin the erosion use the echo of men’s philosophy effectively sounds sincere truth varied ever so slightly but as it continues its course over distance and time you end up with the same damnable truth that our boys are fighting and dying to defeat in the Middle East. Truth sooner or later requires sacrifice and death to preserve it that is the true test what did it cost the one who desires to lead you and your family on the most important course you will ever under take. Take this journey with Paul one who was enlightened as much and truly more so than any other in ancient times. Follow him to the most sacred ground made so by unerring truth amidst gainsayers and scoffers and some of them came out of that darkness to light everlasting. Paul then stood up in the meeting of the Areopagus and said: “Men of Athens! I see that in every way you are very religious. For as I walked around and looked carefully at your objects of worship, I even found an altar with this inscription: To an unknown God now what you worship as something unknown I am going to proclaim to you.”

…When they heard about the resurrection of the dead, some of them sneered, but others said, “We want to hear you again on this subject.” At that, Paul left the Council. A few men became followers of Paul and believed. Among them was Dionysius, a member of the Areopagus, also a woman named Damaris, and a number of others. It’s your choice where you invest the rest of your life the wise have no hesitation the only drawback this cost everything many will not pay that price so they join the ranks of the deluded. Outwardly sophisticated inwardly they run with the pack of ravenous wolves who crucified the true eternal one. Go ahead judge if these words are true you will hear them again sooner than you will ever wish to hear.
Zemyachis Mar 2014
phrasesfaceplantmufflyduffledinafluffypillow
you hear so obviously
what I utter in mutters under my breath is a bridge
shaded from view where the hobo's live
when they don't want to be bothered

I pilgramaged to the top of a mountain
to loose my whispers in the wind lost forever
bleached, torn and fraying bits of a flag that lost the war
But you picked them up like so many scraps of paper
fluttered and jumbled to reconstruct and decipher,
I MEANT TO THROW THEM AWAY
but all you notice are
keys to my safebox, in the garbage can
making a jingle jangle ruckus in their silence

Though I must have laryngitis still your receptors
never picked up the signal so clearly as when
I venture to get away, erase what I wrote in white noise dust
as if I had shouted my carefully guarded secrets
from rooftops

Sometimes I fathom you can even hear my thoughts
The Ear of Dionysius is a limestone cave carved out of the Temenites hill in the city of Syracuse, on the island of Sicily in Italy. Its name comes from its similarity in shape to the human ear. According to legend, Dionysius used the cave as a prison for political dissidents, and by means of the perfect acoustics eavesdropped on the plans and secrets of his captives.
Mike T Minehan Oct 2012
Love.
Of course, the great spirit said that word
when he set down the majesty of mountains
thus, spread curling softness through the seas,
sending little creatures wriggling, crawling, mewling, howling,
oh ye little fish and fowl, doodled up the dinosaurs,
a lumbering jurassic joke, then unleashed leviathan
from just a speck, and made some others walk *****.

Love.
That word we need to hear
and the word that hurts so much.
It comes crowned with garlands, glistening
with the dew of pleasure. And underneath, the horn thrusts up
Dionysius and Venus, processions of Priapus, frenzied satyriasis
blind Baccus, luscious Pan and Zeus.
Ah yes. The juice.

Love.
And who has not recklessly ignored this word
or squandered it on abandoned, neon nights
that paled before the coming of cold mornings,
and who has not held back this word
from loved ones,
cowards of commitment,
circumcelliate, averruncate and absquatulate?

Love.
That little, mighty word that dominates our lives.
But what can we require of life and how can we survive
indifference in the barren waste and stay alive outside
without its whisper, without its cry and shout? And how can we aspire
to ecstasy without the tumult and whirlwind of its desire,
without its warmth, without its fire? So, we must turn again
to love's softness and love's pain. Again. And yet again.

Love.
It's easy, really. So go on, say it.  
It's time. Why not?  It's for the mothers and the lovers,
the fathers, it's for all the children who blindly seek.
It's for the teenagers and trembling old and the outcast and the isolate.
Even the soldier with the gun. Especially. It's for everyone.
The grave is lonely, deep and cold. By giving love before it's too late
those soft wings of the dove of peace unfold.
Love is the playmate. Enjoy, reciprocate.
This is the message I communicate.
In Sicily Aeschylus agonized on the island of Gela, like an isthmus between two seas that led him to the God Dyonisius through the Hadic Speleothemes, here this god entered the skené of Euripides and Sophocles, under the support of Dyonisius and the father of Aeschylus; Euphorion of Eleusis. He was on his way to Gela when he was rammed and crossed after the temporary repercussion of Offensive on Salamis, meeting Wonthelimar and Vlad Strigoi as they prepared to head to the Cavern of Dionysius. The most unlikely of this parallel sequence stems from Dyonisius's spell of necromancy as he summons alongside them to lead them into the cavern. The scene or triple skené became feasible when Vernarth bilocated three times next to them scalding the campfire from the edges of the Profitis as if it were a lantern that flashed micro lightning, to reconvert the bilocated lights of Syracuse with those of Patmos simultaneously. Vernarth rises from the northeast edge of the Koilon of his theater and leads them with his incantation:

First Scene Dyonisius: “he was coming with his car of Thespis, with sparks from Catania, where he noticed that ***** of lightning appeared flying from the ether, and above them a triple frequency that acclaimed joining Wonthelimar and Vlad Strigoi. In concomitance, he rushes to Syracuse traveling at high speed, rising to the third light of the Menorah from left to right, in such a way that his horses squandered the fire on the golden grass.

Second scene Aeschylus: “he was going to Gela, brooding along the way with his reckless time, freezing the will that called him at that moment, and that yelled at him like Anthropokairós, deriving from his remaining spiritual memory, which warned him to do what made in a dreadful deleterious past. Avoiding him with their stiff arms when the ***** of lightning, they fidgeted to enter the scene of Salamis where he dealt with the Achaemenides.

Third Scene Wonthelimar: “he was with Vlad Strigoi, and this one next to him smelled of sulfur that he experienced with the closeness of some of them, who had already had a deal of caste and exultant existential drama. They were swiftly crewing with their transient elytra when they received the ***** of lightning, which were energetically prodding them"

Aeschylus was going to agonize Gela, after not doing it in Salamis, with some disappointment and supposedly having revealed the Mysteries of Eleusis, but he was not! Eagerly spurred on suddenly shook him when Vernarth bilocated appeared before him, broadcasting episodes of the sixteenth century, concisely from Fray Luis de León, regarding the Song of Songs who appeared from the ether passing through the triumvirate of lightning bolts that had him blown Vernarth, to show him his epitome of quantum parapsychology. When both were subjected, Aeschylus briefly understood that he perceived the judgment of Fray Luis de León by the Inquisition, for his ****** and philosophical expressions of character with his elevated prose. The dramatic anthology of Aeschylus, directed him to his Necropolis of Pachyderm in Gela, by abandoning the pairs of legs and arms of him. In the meantime from the agon or contest, Dyonisius snatched his Kairos as a singular man, and commanded the Hadic Speleothemes from where Wonthelimar came, to refer to him, just as he did with Euripides and Sophocles with the everlasting Frogs of Aristophanes. The parallel sequence of the trilogy characterized in Aeschylus continues, to end in the skené or culminating period, to receive on his head the inspiration of Vernarth's ball of lightning, already united with the three parts of him! The three scenes are combined with the interference and parallelism of Dyonisius, who exhorts them to go with them through the Speleothemes, thus making sure to save their celebrant souls and their anti-myths, who would unravel with this satirical drama with the batrachians, as a Vernarth's invitation to shake the destiny of each one of them towards a caustic reality, which breaks the man close to his agony, and in his proportionate death revealed as an existential tragedy close to the Anthropokairós omega. Therefore the destinies were stressed in three scenes that would be coupled with that of the axis of support of a death not specified by several that would continue with the same perenniality, in the company of Euripides and Sophocles, with the ballads of the batrachians of Dyonisius to enchant them as subterfuge and didactics, so that once they are captured in the gallery of the cave, and that they would be convinced with greater persuasion. The three scenes were made as one under the precept of Dyonisius, to adhere to them in the next before the Spinalonga parapsychology room, where three scenes would make tragedies and fables, which would follow from the throne of the stands with thousands of deceased who wanted to hear and re-listen from the underworld of the Speleothemes, going towards the Viaduct of Patmos.
Dyonisius Tespis
softcomponent Jan 2014
Best of all, there are lives in every skin. They know the words to your favourite language and the aching corporeality of smoke wisps as overused poetic analogy-- sativa with grapefruit, the particulars speak in toungezzz and sometimes I smoke **** and I'm so hungry, but I'm not hungry.. 6 o'clock and Dionysius means what the heaven needs **** done, it's awful-- no misfit twists and yab blam undeclared winter this year we call Fort Summerforever, BLANK, BLAM, expressive bottom-line, you don't look around anymore and check the bookshelves of your lives for those lucid Lucy detailers, trailers a warmer word for tracers, do the replacement parts fit all of the models and every time I went back to Trippy's it was the same guy, $70, oh the whole **** with the slide and all flattened preference to how in-this we are, how imagine how mystical, hanging those mushrooms on the wall, that weird pipe, cover ashes I dunno. In here it was I / thou and the digital paper-- I climb behind the eye and continent for a moment and hear see do 'it was a huge *** bag just filled with all this ****' bazooka balloon. crick the neck to create a feeling, oh but you'll listen to be come and *be
Mike T Minehan Oct 2012
I must state right at the outset
that I’ve never actually been
on a female poet
or even underneath or inside one.
But I thought about this
seriously
at a poetry reading once
when a particularly sensitive
and gentle girl read her poetry
and I wondered how well
the delicacy of her ideas
and subtlety of her poem
would translate into
the carnal and profane.

It was sensuous to think about this
and savor some wine
with her afterwards.
I felt distinctly like
a priapic, dangerous Dionysius,
or a satyr sizing up a nymph.

But I licked my lips and
said I liked her poem,  
then I knocked off the wine instead.
Winter Sparrow Nov 2019
Don't cry baby.
Its alright.
Don't feel sad...
You know I'm yours.

Take me with all your might.
Let Aphrodite have Dionysius
Let the gods bear witness to all I have to offer.
All this lust...all this love.

Passion is on the rise.
Take me, with all your force.
You want me and I, you!
Let me make you smile!

Lets venture into this dark abyss together.
For its a cold winter.
And you my love, shouldn't be alone.
You deserve better. You deserve Dionysius.

Lets the doors of perception burst open.
Let me sweep you off your feet.
Treat you like a princess.
Take you to places.

I may not be wealthy, but am rich in heart.
Youll be my most precious gemstone,
Ill be your treasure.
Take me, take me in your arms.
Micheal Wolf Jul 2013
Dionysius was a clever king
For about power and fear he knew some things
As Damocles wanted more, and so he offered him his throne.
So to sit in power has it's price, for power also has a darker side
Damocles had to choose
Everything or look a fool.
For paried up above his head
The kings sword on a single hair
One hair to hold it in it's place
A risk Damocles could not face
For the king knew of power and fear
Their anxiety In darker hours
For pain also comes with power
Cicero wrote of this tale of how fate plays its game
For love to life, fear to joy, we all have our own sword
A single horse hair held his aloft
What holds yours and at what cost
Dalton Rees Nov 2015
Glossy-eyed children taste toxin-doctored water from plastic red cups
as popular hits of the day intertwine with impure intentions and blind approbation
for strangers-
obscured within the cherry-colored lenses of Dionysius’s shroud.
-
A languid form stumbles though an ocean of slurred words and victorious howls
Into a water room with four walls, a broken door, and a single reflective glass, sounds of the century now low and intertwined with the domestic petting zoo steadily beating against the door
Still broken.
Tired eyes through orbital vision and a weary process of cognitive recognition
Finds within the glass a conception of self, foreign to the observer and comically out of place.
Segmented ideas find meaning in convoluted streams of thought as the spoken word
Is devalued and meaning is limited to fain attempts to *** a smoke, bro.  
Radiating self-righteous belligerence and misattributed
Bravado-
the two-dimensional protagonist clumsily plunders the kitchen
for processed sugar bars and handfuls of stale Wonderbread
before projecting discarded toxins into the potted plant near the high-traffic doorway while snapback youth formulate attributable hashtags and millennial responses to
a situation typical to the time of uncertainty and blissful absence.
Come morning, we’ll eat scrambled eggs in sunlight
And romanticize about a Kodak experience, now elapsed by a self- more stringent.
I found myself observing Greek Life from the inside, recognizing a truly disappointing atmosphere bumbling to the tune of cut-rate light beer and the stalest of personalities.
amal Nov 2020
Oh storm
The ones that my stagnant waters await ..
The mosses of despair crawled on the surface of the ashes.
Those smoky strings
The high place of ruins ..
They are tears in a tragedy
On the Dionysius Theater
Thousands of years ago ..
Epilogue Prophecies - "Eleusis, Isadora Duncan at Parthenon"

"Vernarth and Eurydice were pleased with the jargon of the agitated diasporas of inhabitants fleeing from the Rite of Eleusis, crossing their hands and feet, dueling the trunks of olive trees with Theban thunder, vague insurrection of the ancient world and the barbarian consonants Pleiades, They hailed the hermit Saint John's desire to appear ... moment of peace resurfaced ..., But when Vernarth was accompanied by Eurydice he hid himself in front of them, leaving only his aura!

In rapid succession of myths, a good news reaches his sacred ears, awakening his ambition and high price of three months outside the wall ... being later received in the hermitage grotto, growing with expectations link of longing that urges to remind him to be a piece of pilgrimage.

The abduction of his reverie, feared and timid frivolous overwhelming blizzard, walked surrounded by Falangists and horses pointing and threatening him, scrutinizing in the loneliness loneliness his past lives, his regressive lives, concerning key origins of his illustrative existence, stranded at this time, Vernarth agrees with himself to detach himself ... from his spirit, detach himself from their lives under hypnotic and pressing law ..., as suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth he faded in an equestrian air of reverie, crossed the pavilions with himself persevering some stele mounted on his Alikanto, ******* and stopping with him to plunder the niche sky, trace of Persephone, herself and her ******* liberating them ... devout passion, milky way, lacto syrup of his chin howling

Evanescent dancer, Athenian acropolis, Dionysian acropolis sanctuary ... stepdaughters patrons in the dance of Zeus and Themis, sideways frame of the seasons, debauchery of all creation and challenge Eleusis looking for her daughter and children, priestesses safely taking off the corset and their paintings ... incarnate chastity, oligo blood, theo music dance outraged complaining, possessed expressing to be seductive, but also native ******* ... underworld in darkness, free-spirited daughter, iconoclastic Greek mythologist Victorian mania, courtesan of Olympus, courteous undressed! Isadora, Demeter and Persephone flooded with Aphrodite foam.

“She prayed songs with her plexus and feet, scheming gardens around the world… full of foot sockets where everything created, brief apocalypse was dying! through the desolate parthenons dancing and Muscovite ruins, sweaty enclave of the Maenads and also throwing back her head as if possessed by an ecstasy in her Bugatti, Leon, enrapture of Aion! intoxicated and exorbitant with her beautiful rosy eyes of placebo ... Hair with crowns of vine leaves, in her tight skin Nebris carrying in her hands bunches of grapes Dionysius with torches live serpents chaste staff calling Thirsus; rod topped with pine branches wrapped in trims, vines and ivy ..., allusive link ..., morbid ecosystem! Covering her crotch, Temple Kopanos dance of eternal fire, romantic dimension, and she remembered Byron's most worthy… Hölderlin's Hellenic passion poetizing.

Twisted rudiment… ruins on value, exciting those of the imagination and creative doom, Sicalipsis and impudent fire torn in the wind of its twisted marble *****, worthy epic of Greek tragedy dancing like waves of sea. Terrifying death in her two sons Deirdre and Patrick , submerged accident in the Seine river in Paris in 1913, when falling into the water in the car in which they were traveling with their wet nurse ... before ...! saying goodbye to them, in social commitments that cannot be postponed. What a tragic wretch in the reigning misfortunes of not postponing it, retaining the destiny of whose children is all history, in the abduction of their own merits to fulfill their endeavors committed to solicitous artists ...support, downcast in a closet of a bolshoi dancer statue, dancing empty with her bare feet, frigid anemone, frigid Be.

Arriving at the dawn of his last prophecy, Isadora Duncan accompanies him, in full life beyond any border limiting with the borders of his dance, the flat field of Eleusis receives it presumptuously associating itself in a round through the sand ... left-handed self-indulging self-indulging …, Advanced barefoot to the Parthenon…! stripped to the world and the world barefoot before her stripped.

Reader and Petrobus were jumping on this steep stone, emulating the aerolites that flashed in the sky in Patmos, like a party of noctulizing lights, like emery detached from a fleeting planet, in the biggest Hellenic scene saying "Congratulations Hellenic World, all calm, dance, cheers to the sky "
prophecie VIII
I am being born
again
and again
From above
Not from the will of men

And in these births is one aching desire
to connect with you
my sister, my bride
I'll never have another Lover
I've always had infinite lovers
My awareness has contracted
In order to expand
explosively

Come and drink with me
Let us have our fill of love
Intoxicating
Our spirits touching one another
tenderly
and willingly

Let us open one another
To the vulnerability
That love requires
Throwing down our shields and weapons
to see the fruit of our desires

Oh, the pangs of this inexpressible love
Come away with me
Come away and drink with me

It is with my blood that I write these words to you
My blood is spirit
My very life
I will never lose a single one of you
Friends and lovers
We could never lose each other

Wandering alone through Maya
all along, the illusion drawing us together
This is our primal nature

Forsake the law
And repudiate morality
This is our very destiny

Let us be naked
Let us expose ourselves
Let us share ourselves freely
Let us connect completely

What is the law
if not only
the darkest magic
We have ever found ourselves enslaved to?

Hyper-rationality
Fed good and evil from the same tree
Enlightenment Apollo
Darkening our Dionysian revelry
But it was for a purpose
Transcending means including
But with equality
Why should Apollo rule Dionysius?
Why should Bacchus yield to the hammer of Hephaestus?

Can you see we've always been completely innocent?
Do you still imagine that Love includes any imperfection?
Can you see that we are One and only One?
And that the One is always absolutely perfect?

Oh, our folly
Of free will and control
Don't we know that we are each and every one
A multitude?

I am a community
I fulfill the law of my community's desire
And care for all of them tenderly
But I do not exert control
I am community

Come commune with me
We'll express the inexpressible
Playfully
In turn
We are each communities
Let our communities partake together
Of this Dionysian revelry
Making love from dusk till dawn
Then making love again

Let us leave the law and moral code
For other women, other men

Love under will
And fulfill
the law of
do what thou will

Only Love can thus possess you
But know that Love, this Chief of Daimons
Had possessed you before you ever thought of Her
Her name is
Being, Consiousness, and Bliss

Have I merely drunk too much?
No, I cannot ever have my fill
Let me dream of friends and lovers
Let me love under the Will
Mateuš Conrad May 2018
you can count yourself out of the picture
once you've visited a brothel...
   oddly enough: never came an easy girl,
i remember at university
we sat and watched a soft core belly dance
with a few girls
   (with some Sheikhs jerking off in
the background)...
     so one invited me back to her flat,
we smoked **** for a while and then
I started to kiss her...
     borderline necrophilia (metaphor)
given her reply: do you think I'm that
easy?!
    so I replied: can I at least sleep
in your bed? my feet feel like lead.
and so I did... went home during a fresh
morning, had a shower,
                ate some cornflakes and
never met the girl again...
    I thouht that teasing foreplay
while high want about poking
the course 18 times...
                  no big deal,
   it's not that I can suddenly be in
the mood either...
                         too much blood
to the head, very little to the private...
until I stumbled into a brothel
and bypassed the madonna-*****
complex with my genitals and
thought about...
    anything other than emotional
gambling en route to scented candles,
flower petals, a warm bubbly bath
and a cinema date...
   the cow was dragged into
the slaughterhouse,
               the butcher was waiting...
because "they" think that by
infiltrating the university,
they can subsequently infiltrate
   the brothel...
     I agree, tuition fees are an extortion!
can't exactly find **** CULTURE
in a brothel...
                    and always with a good
intention, every time I walked
in I had to check whether I was a *******
or even Quasimodo himself!
       talk about looking behind your
face in a mirror... some sort of
autistic-narcissism...
    just before the mentally ill leave
their childish games of seeking attention
(as, according to a Hindu yogi)...
sure... anti-depressants?
   on my prescription is says:
FOR INSOMNIA...
         apparently not all pills fit one
size...
                 and then back into
radio music, and POP music infatuation...
mmm... LOLLIPOPS!
    candy-floss... and pink unicorns...
before we get on the topic of
clowns... ha ha... imagine
   a fear... of DRAG-QUEENS!
               yes, before the pop pushin'
a last resort of the unsure insane
abusing a metaphor...
   like any politician might...
                             I can almost feel
solidarity with women in their early
30s... I too am going through
an existential crisis...
    spaghetti in the head of a Mintour...
who, once upon the time,
had a map of the labyrinth
in his mind...
    what biological clock?
      I almost hate democracy in the form
of the lessons attributed to
the autocracy of nature...
     and when the people raised their voices...
see... once it might have been much
more intuitive,
    now there's this nagging narrative
behind the whole affair...
    we already know the Beatnik
poets of America desecrated
temple of mescaline by "inviting"
god, of symbols, into what should have
been left, undisturbed, unwritten about,
no need for the tourist in these
parts... one poem on mescaline =
1 hectare of chopped Amazonian trees...
***** is a cheap *****...
all the time in the world to bash
her about, having inherited
such notable predecessors of the art...
just today I spotted a genuine
drunk, red as a beetroot
   dancing a shadow tango with
***** Dionysius... hardly happy
on wine...
                        and no pen in sight...
a drowning man: clinging to
a razor...
               me? on my birthday I have
a moth for company....
      happy birthday me...
                     and me, escape artist in
a brothel, escape from this almost
pointless courting game:
    profiles on dating websites like
disembowled hangmen...
     short-cuts to where?
                       might as well be the one
who always asks the anaesthetian
before an operarion: quo vadis?
       the moth will spend the night
on a curtain, tomorrow i'll **** a lemon
and forget to wash my teeth
scratch my *** and wave at the sun
telling it I'm far from squinting...
           and and and...
     whatever happened to
the punctuation protocol?
       the eyes must have about
six pair of lungs...
                   no... England is a nunnery
and...
      it wasn't exactly giving 110 quid
for an hour of subjectifying a woman
(objectifying a woman during
*******?
what?! with a phobia of a limp dice?!
you have to be kidding,
*** isn't objectification akin
to a pole dance! ribbit...
    kisses a ****** that becomes
the cheapest imagery of a floral
pattern of rose flesh)...
       and if only english language
graduates wrote books or poetry...
we'd all have to be **** by their
standards of having written
essays for the dead...
   but we'd recycle... burn the libraries
which would dwarf the fate
of the library of Baghdad under
the 'ogols, or... whatever the hell
happened to the library of Alexandria...
come to think of it...
    the old testament is such
an unremarkable text....
     but that's expected,
  given the spectacular undercurrent of
events...
       the Koran? a spectacular text...
but the life behind it so generic
that Muhammad looks like
a gimp in latex compared to Genghis...
just another camel jockey / *******...
not to mention the *** note of
the repetitive rhyme during
the salat...
        sheep
     jeep, keep...
      not exactly a bunch of bookworms
with these jihadis?
what do you expect:
    a pyramid like a library consists
of more than one brick / book...
     ******* better start
scribblings something on the Kaaba
and praying for another meteor...
   unlike a woman in her early 30s...
god forbid I have an analogue
budging unconscious motive...
            to leave this joke...
               yes,  and irrelevant 100 years
from now and then...
could have been a skateboarder,
a chess master,
    a footballer or a cobbler...
           or a butcher or a tree herder...
       i'm suspect to a cognitive clock
running dry on me when I hit 35...
after which nonchalance will probably
kick in...
              the spaghetti will become
a sheath of lasagne...
    flat and boorish as far as the eye can see...
never having infested in
the monopoly of fame akin
to Madonna being desperate having missed:
better die young, than to fade away    
       train...
        Rasputin genes me...
     can't, as some people in my life
already said: ****** just won't die...
                             for 5 years have been trying
and yet the locomotive keeps ploughing
on...
              imagine the other glorious heart
akin to Caesar's ideal of sudden...
    ethereal, from a broken heart....
             and I'm sue you won't find people
jealous of those who's necrologue reads:
died, peacefully in his sleep...
   no one is jealous of those who die
in their sleep...
                 refrigerator noise / ambient
music worth of life...
                shallow graves...
                   perhaps the people
who have died in the sleep are the mentally
ill in the afterlife, having lost
touch with the reality of death...
   returning as moguls of ***** bedsheets?
Oblatum - Magnus Volumine

John is defined in the Gospel of him as the disciple whom Jesus loved (cf. Jn 13:23). Thanks to the special signs of predilection that Jesus showed him at very significant moments in his life, John was closely linked to the History of Salvation. The first sign that showed him the great affection of Jesus was that he was called to be his disciple along with Andrew, Peter's brother, through John the Baptist who baptized in the Jordan River and of whom they were already disciples.. In fact, as Jesus passed by, the Baptist introduced him to him as "the Lamb of God" and they immediately followed him. John was so impressed by his personal encounter with Jesus that he never forgot that it was around four in the afternoon that Jesus invited them to follow him (cf. Jn 1:35-41). The second sign of predilection was having been a direct witness of some events in the life of Jesus, which he later reworked in the fourth gospel, in a theological way very different from the synoptic gospels (cf. Jn 21:24). And the third moment in which Jesus himself made him feel his friendship and his very particular brotherhood was when Jesus, about to give up his spirit (cf. Jn 19:30), wanted to associate it in a privileged way with the mystery of the Incarnation, expressly confiding it to his mother: "here is your son"; and expressly instructing his mother: "here is your mother." (cf. Jn 19:26-27).

The sources from which the data on John's life as an apostle, as an evangelist and as "adopted son" of Mary have been extracted do not always coincide. Some sources are more convergent and others are more dubious or apocryphal. From the gospels we know that together with his brother James - who will also be an apostle - the two were fishermen originally from Galilee, from an area of Lake Tiberias, and that together they were nicknamed "the sons of thunder" (cf. Mark 3:17). ). His father was Zebedee and his mother Salome. We find John in the narrow circle of the apostles who accompanied Jesus when he performed some of the most important "signs" (cf. Jn 2:11) of his progressive revelation as a type of Messiah very different from the one that the people of Israel was expected (Lk 9, 54-55). In fact, when Jesus resurrected Jairus' daughter (cf. Lk 8:51), when he was transfigured on Mount Tabor (cf. Lk 9:28), and during the agony in Gethsemane (cf. Mk 14:33), Jesus tried to make them understand that they had to transform their mentality linked to hope into a violent Messiah, similar to Elijah because, on the other hand, he was the beloved Son of the Father (cf. Lk 9:35), he was the Messiah come from the heaven to communicate divine life in abundance (cf. Jn 10:10), and that he was also going to suffer rejection and injustice from the religious leaders of his people (cf. Mt 16:21). In the Gospel of John, Jesus appears as the Teacher who also tries, in vain, to make the Jews understand the paradoxical logic of the Kingdom of God (cf. Jn 8, 13-59). His disciples, on his behalf, are invited to be born again (cf. Jn 3:1-21) to worship the Father in Spirit and Truth (cf. Jn 4:23-24); Jesus prays for them so that they remain united by divine Love (cf. Jn 17:21) and that they are fed by the Bread of Life (cf. Jn 6:35).

During the Last Supper, John had leaned on Jesus' chest and asked him: Lord, who is the one who is going to betray you? (cf. Jn 21:20). John was the only one of the apostles who accompanied Jesus to the foot of the Cross with Mary (cf. Jn 19, 26-27). John was the first to believe the announcement of the resurrection of Jesus made by Mary Magdalene (cf. Mt 28, 8): he ran quickly to the empty tomb and let Peter enter first to respect his precedence (cf. Jn 20, 1-8). Tradition adds that some years later he moved with Mary to Ephesus, from where he evangelized Asia Minor. It also appears that he suffered persecution from Domitian and that he was banished to the island of Patmos. Finally, thanks to the advent of Nerva as emperor, he (96-98) returned to Ephesus to finish his days there as an ultracentenarian, around the year 104.

The Gospel attributed to John was named after Origen. It has also been called the "Spiritual Gospel" or "Gospel of the Logos." His style and literary genre are full of "signs", symbols and figures that should not be interpreted literally. In the prologue of his gospel, John uses refined theological language to show how at the beginning of the New creation, in the New beginning the divine "Logos" already pre-existed; logos meaning the eternal creative Word of the Father, which was later translated into Latin as "Verbum". In the prologue of the fourth gospel Jesus is presented as the "Divine Word", the "Light of life" and "the pre-existing Wisdom of God" (cf. Jn 1:1-18). This gospel invites us to accept, through a faith full of amazement and gratitude, the surprising revelation that the Word of God, which no one had seen, became flesh and has made his home among his people. (cf. Jn 1:14). For this reason, the word "believe" is repeated almost 100 times, because God wants all men to be saved (cf. 1Tim 2:4) and to have abundant life through faith in Jesus Christ, God made flesh (cf. Jn 11, 25).

The Gospel of John also presents us in two very emblematic episodes the identity of Mary and the special relationship of John as her "adopted son" to her: at the wedding at Cana and at Calvary. In the narration of the sign of the water transformed into the new Wine during the wedding at Cana, Mary is shown to us as the powerful intercessor who anticipates the hour of Jesus' revelation to his People (cf. Jn 2:1- 12). On Calvary, at the moment of the glorification of Christ, Mary is presented as the Woman who is transformed into the New Eve or Mother of the disciples of her Son (cf. Jn 19:25-27). If we consider the close filial relationship between John and Mary, it is not difficult to imagine that the revelation of the figure of the Messiah in the Gospel of John has also been nourished by the direct testimony of Mary, since she, better than anyone else, in her last years of loneliness, he collected in his heart and in his memories the "signs", the "signs" and the words of life of Jesus. It is therefore conceivable that the unique experiences that she preserved in her memory, she later shared with the disciples of Jesus, and in particular with John. Therefore, it can be considered that Mary herself also progressively welcomed and interpreted in faith the revelation that the Son of her womb was at the same time the eternal Son of the Father, (cf. Jn 10:30), the only Bread. of life (cf. Jn 6:34), the Light of the world (cf. Jn 8:12), the Door (cf. Jn 10:7), the Good Shepherd (cf. Jn 10:11), the Resurrection and life (cf. Jn 11:24), the true Vine (cf. Jn 15:1) and the Way, the Truth and the Life (cf. Jn 14:6).

The three "letters" are attributed to the tradition of the disciples of John, which also have the flavor of brief homilies. The Apocalypse is a canonical book, recognized as inspired, that was born in the environments of the churches of the Johannine tradition that suffered the attacks of Gnostic doctrines. This, which is the last book of the Bible, uses a literary genre similar to that of some prophetic books of the Old Testament, such as the book of Daniel (cf. Dan 7), Ezekiel or Zechariah. The word apocalypse is the transcription of a Greek term that means revelation and not destruction, as is sometimes thought. John addresses seven letters to the seven churches (cf. Rev 1-3) to transmit to us, through very fascinating characters and symbols, a very concrete message of hope in which the slain Lamb (cf. Rev 5:12), i.e., Christ the Savior will triumph over all persecutions and oppositions of the forces of evil to the Kingdom of God and will make all things new. This will happen when God will establish his Kingdom of justice, love and peace at the end of time. In this book it is shown, with numerous and suggestive symbols, such as the seven seals (cf. Rev 6-8, 1), the seven trumpets (cf. Rev 8, 6-11, 19), the seven angels with the seven bowls (cf. Rev 15, 5-16, 21), the tiring path and the struggle that believers of all times have to face so that one day the building of the New Jerusalem will be carried out (cf. Rev 21-22), today we would say the Civilization of Love, brotherhood and care for life, when Jesus, the Alpha and Omega (cf. Rev 22:13), returns at the end of time. In this sense, the Apocalypse is also a prophetic book that interprets God's action in history, ensuring that the faithful and truthful Witness (cf. Rev 3:14) will return soon (cf. Rev 22:20) and will definitively conquer. to evil, pain, and death (cf. Rev 22:1-5).


Dedicavit

This manuscript is dedicated to Sauter Bernardino Edmundo Carreño Troncoso “ Primum Coniugem Alexandri Magnis ” of the first of the Gamelion of Dionysius of Leneo, to his Adelphos of Etrestles of Kalavrita, to Alexander III of Macedonia, known as Alexander the Great (July 21, 356 BC - June 10 or 11, 323 BC), Leonidas of Epirus, Lysimachus of Acarnania, Aristotle, Bucephalus, of the sixth of Hecatombeon, the month in which the Macedonians called him with the paelative Loios, the same day as the temple of Diana in Ephesus was burned; As Hegesias of Magnesia makes occasion for a presumption, Cassander, Ptolemy, and Hephaestion would become his lifelong companions and generals in his army. Callisthenes, another friend, was Aristotle's nephew. Dedicated to the dignity of Raeder of Kalymnos; son of Etrestles of Kalavrita, especially to Saint John the Apostle, distinguished relatives of the Transverse Valleys of Horcodndising and Sudpichi. Finally to my parents Luccaca and Bernardolipo Monarchs of Horcondising. And all the characters who will live eternally in this colossal Magnus Volumine. “Gratias Ago Tibi Propter Heroismum Tuum Vernarth, Et Doce Nos Viam Messiae” Thank you for your heroism Vernarth, and teaching us the way of the Messiah!

“I must tell you of my great admiration for my steed Alikantus, with which I will come to visit you soon, also to Kanti who have been a great precursor to take you to Athens, Thessaly, Delphi and Lefkandi. You can see that Bucephalus has joined our fight; where the “Sons of Iaveh, have eyes like a flame of fire or Aish, and feet like to go burnishing the chaff of bronze towards Patmos”, which will instigate you for the contrition of Thyatira, under the trick of my Rabbi Saint John the Apostle”


Thyatira

City rebuilt at the beginning of the 3rd century BC. E.C. by Seleucus Nicátor, one of Alexander the Great's generals. It was located about 60 km from the Aegean coast, on the banks of a tributary of the Gediz (ancient Hermos River), in the western Asia Minor. The Christian congregation of Thyatira received a message written by the apostle John as revealed to them by the Lord Jesus Christ. (Revelation 1:11) “which said: I am the Alpha and the Omega, the first and the last. Write in a book what you see, and send it to the seven churches that are in Asia: to Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia and Laodicea.

In this regard, the Lord declared in a reproving tone: “You tolerate that woman Jezebel, who calls herself a prophetess, and she teaches and leads my slaves astray to commit fornication and eat things sacrificed to idols.” This “woman” was probably named Jezebel because of her wicked behavior similar to that of Ahab's wife and her stubborn refusal to repent. However, it appears that only a minority of the members of the Thyatira congregation approved of this Jezebel influence, as the message continues to address “the rest of you who are in Thyatira, to all who do not have this teaching, to the very same ones who did not come to know the 'deep things of Satan'." (Revelation 2:18-29).

“ Children of Iaveh, you have “Eyes like a flame of fire or Aish, and feet like burnishing the chaff of bronze” toward Patmos that has freed me from your Xorki, how to say and what not to say to you; that my voice has stammered, making me feel that once I flee, I must adhere to the Eternal fire of the Mayim, children of Iaveh, the Mayim of Hydor and saint of water, the Windmill and its sad Myloi, fall on my face ”


Magnus Volumine I    


The Vernarth's intensification of this prosopography as Prosopography Magistri Militum Strategos Typology; he has used the raffle of a History it was not known but it is Vernarth now introduces in Historiography as an auxiliary. The methodological fragment could be torn apart from its screens of a mind enslaved to having to worship a cycle that condemns it to surrender to its loved ones leaving it at the same time to be sectored from a condemnation, to prostrate itself to an Eternal Life its images nor Masterful Words that would have to distinguish the parasciences from subdividing their corporality into thousands of Othónes or Screens, in order to be able to sustain themselves from others that do not compose the knowledge of what is not History; but rather that what happens typical of prosopography allows to obtain visibility regarding the different sectors of society, and the possibilities of their members to access positions of a present that never leaves the power of the Space of a Strategoi, as Time-Space at levels of superior Intelligence subject to mandates of divine Power that oscillates in a mental power of the Militum that coexists with the Community of the Strategos, creating the entire Quantum Band of the antiquity as an omnipresent being par excellence. When its ****** envelope is reflected in its Purgation, it will trigger a presence that governs itself and leads in the trend of a "Duoverse that will only be built in its Unique unity"... given the trend of all crowds that bustle beyond the mass of their Villas or Cities that they inhabit, creating sensations and an unreal genetic world even that amalgamates a large number of generations that only increases its demography based on the autarkic mandate of a history that goes back for not knowing what to imagine of the past and of a future without present that is sustained in a Spiritual Intelligence.

The sociological mutations will be circular, and the retrograde since the collective of images will exceed everything that is sustained on a material floor and therefore it denies that what develops in an empty heart will be a specialized material of a periodicity, that does not spare New Universes that a pillar or support be added that tends to calligraphy better where imagery could prevail all the limits of common language. The grammar of ancient Greece will defend periods that are neither static nor finite, leaving free space for words that are engulfed by vast seas of stagnant bibliographical records never known never written nor destined for a secular record. The Submythology Potential is provided by the entire Belt that surrounds from South America to the Mediterranean as an infinite cord of Eternity to re-hold itself in a matriarchy in the societies of the past to recognize, that femininity is the real genesis of research from where a frequent human origin proceeds, so this it is the transcended in the Universality that transcends in the investigation of the sphere of Unknown History; pretending its ligament of prosopography, and the vivifying instance of Submythology as a unifying entity to summarize the condition of Strategos/Magister Militum we have taken into consideration the situation of our utter information in this existing prosopography works. Parapsychology is subject to a dimension closely linked to non-reflection to even the Primordial Quantum to governs, and governs everything just as this Magnus Volumeni I tries to express the independence of all literary expression if it is about Vernarth, rather it is a documentary space.

Afterward six years of knowing and introducing myself to the area of   Technology, and the Science in the Tourism industry, I made my presentation at Macromedia University, Berlin-Germany. Through this university management I had the option of presenting my concept and avant-garde projects, which condescended me to get to know the E-Tourism Perspectives area of the University of Svizzera Italian-Ticino. This allowed me to meet and join an independent study challenge with the slogan of deriving a full range of analysis, and dedicated study Heritage Sites of UNESCO. All thanks to the agreement that consecrated me at the Pantheon-Sorbonne Université, specifically Maria Gravari-Barbas, Directore de la Chaire UNESCO, Culture, Tourisme / Lorenzo Cantoni, professor at USI Universitá della Svizzera Italiana.

The university has had here in South America, in Chile an intrepid collaborator who has tried to interpret the postulates of the Sciences of Humanity exposing the nature of preserving, and keep investigating everything in the lost history of Europe, which has great significance for Culture that has branched out through the Tourism Technology, and its Digital transformation for this purpose of understanding public life in dissimilar fields that are still hidden in intangible archives, which deduce important material of study in areas of Science, Philosophy, History, Politics, Geography, Jurisprudence that would add to the world of the conservation of the ancestral peoples with all its courageous identity of the Prosopography, and the archaeological demography.

The United Nations Educational, Scientific & Cultural Organization, known for short, as UNESCO is a specialized agency of the United Nations. It was founded on November 16, 1945 with the aim of contributing to peace and security in the world through education, science, culture and communications. The constitution signed that day entered into force on November 4, 1946 ratified by twenty countries. In 1958 its main headquarters were inaugurated, in the VII district of Paris. Its general director is Audrey Azoulay the specialization and search for Culture, Education and Science is a way of contributing to humanity, peacefully granting security through the entire International community for this reason we believe that this work fulfills that prerogative narrowing organically, as been always it is here with the multidimensional epic narrative that is broken down with the prose, and parapsychology other than is a field closely linked to the intrinsic link of all the treasure that has been transmitted for thousands of years, leaving before our expectation what its ruins and works have wanted to demonstrate with their laudable dedication foundations, and expansion of multiple Sites in their musings that have traveled the history of diction of the science of culture, information, communication to create knowledge that this still remains with our reality of society that has the pattern of explosive generation of the current one. One of Vernarth's is the most important premises to create the roots of systematic knowledge, that is to say to provide platforms for their family trees, prosopography and the art of writing Submythological Prose whose the objective tends to occupy the expanded universal literature that has advanced for thousands of years on the other hand, Submythology is free of format cancels many aspects of the temporary format, and creates a relationship link between the academic and the secular attracting infinities of Cultures, historical landmarks, hybridity of languages, and above all merging and re-transforming existences of the post-Classical period; where the source and personal question does not daunt the distances of the inheritable that distanced us by geological-Historical periods, rather it makes the viability of an unexplored field up to now as Vernarth is the granting a hierarchical international value that will retransmit knowledge and skills.

In this way, agglutinating ourselves in those interstices that are not visible, qualifyable or quantifiable, only have to materialize when patrimonial beings are chosen by others who are already hereditary of an industrious will it occupies the supports of a platform of earthly inheritance, and later disseminate it throughout different sectors of the field of knowledge and the research, connoting that there are many variables that could help us interpret the foundations of the UNESCO heritage, today are far removed from communities that want to invest time in inquiring more deeply about them. For this reason, Central and Eastern Europe is at the forefront of generating multi-channels that can ensure the treatment of technological routes or flourishing that want to be found again, such as the Qhapac Ñan, or perhaps the Jacobean Route, perhaps the Route from Patmos to Judah pointing to Vernarth by demonstrating that hindsight could be perfective when visualizing facts that were not witnessed or written as they should be, VG the return to Galilee of Saint John the Apostle in the Hegira to Judah, relegated to Greece by Emperor Domitian. The amendment of such a well-deserved return confirms the wait for an immortal being in the Eclectic Portal for three months, who will mean the ordinary that rises up from the phenomenal investing in roles that many times, as indicated by the dogma of the baptistery indicating that we can be saints and apostles to preserve the patrimonies to educate and retransmit values to follow.

Vernarth Trilogy II at its end, is reiterated in deliberating that this work never ends because each chapter of Paraps, inaugurates a new infinite regressive dimension as it is in the case of Poielipsis; as it is a liquefaction of the parameter of Poiere, and the inverted Apocalypse to make changes after personalities that manage to impact the successive episodes of alteration of Life periods, as in this case Vernarth when he was legitimized to assist Gaugamela by the god Spílaiaus to make the support to Alexander the Great not only for winning the battles but for saving and winning the souls of the fallen Hoplites, generating in them an idyllic prose that promotes and sublimates the possession of the principles of an Apocalypse, that suggests protecting those who should believe without pain of what will await them later for an indefinite death. The Souls of Trouvere will stand out with the bulwark of enthronement of the state of energy that would mobilize Charles the Great by taking him to the platform of conquest of Europe crowned as emperor by Pope Leo III taking the lessons strongly rooted, and letters that would subscribe the cheers where nothing dies in the center of its own fear, because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, including the crown when Charlemagne assumed his great legacy at twenty years after expiring later at seventy-two. This is where fears die, not being able to hope or convalesce in concepts of Energeia that vitally moved from the similar aspect to Alexander the Great in the same even numeral but thirty-two, and letters that would be signed by cheers where nothing dies in the center of its own fear because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, even the crown when Charlemagne assumed his great legacy at twenty after later expiring at seventy-two.

In another topic, Vernarth after witnessing Stratonice's intermission decides to run at her bare feet for those who banish with their needs on the parental scale of their range, succeeded by Energeia's need for the impudent sense of being enraptured in possibilities, here insulting also the principle of quantum science with the spin of subatomic particles, alembicated in the timeless particles that could leave out of the nucleus the proportion of rotation of time that could be found, and rooting of memories in rectilinear lines of the imperturbable Hellenic mental axis. One could also amend here all the licentious action of Seleucus by Stratonice when she splits the gross threshold of her son Antiochus, and Antigonus I Monophthalmos referring to the father Stratonice of Macedonia for never marrying her to Seleucus. All this generates the Epistle addressed to Vernarth to solve the strident and impalpable of the warlike Diadocos that greatly affected the female descendants, confining them to their domestic avatars in disloyal empires, where these vilifications devastate the imperial partiality through the centuries of an oppressive strength, and disagreement in their moral wrongs. From this quality the coordinate of the Souls of Trouvere that remains in the present, always allying themselves in saviors of oppressed and abandoned peoples who strive in the neologism of the Epsilon or Vernarth's fifth dimension, and not restrict themselves as Aristotle affirms, investigating the entity towards a mono-meaning in this causal of such an alpha that says the paradoxical demonstrating diversity of optics. Prior to this diatribe, Vernarth decides his naturalness that he decides to promote the Souls that are part of both topics to alleviate the potentialities of the acts that are apprehended in the light of genius that coexists with both. What he judged us in the unfolding of his entity and will deliver it by divine intelligence so as not to reduce the free power of the Epsilon that was extracted in the welcoming the presence of Stratonice on the (substitute scale of Vernarth's relativistic emotions). There are few seconds that can be extended more from a selective argument of tendencies in ex-sheets that could be attributed to dimensions of the period of Trouvere's souls, lacking stillness in simulated biological environments.

The dynamics of this Poielípsis is to adorn the Voielípsis as an analogous addition of quantum causality and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas heading towards the mainstay in the mega absorption of Christian Aristotelian ideals. The souls will be residents of the indeterminate spiritual mechanics to put effects of the incredulous versatility on themselves, in sub-aquatic depths that coexist with the geological structure of the cavern of Saint John Apostle more than sub-earthly concomitance under the same axial of geological sustaining coordinate. Namely; they will live together while the temple is established except three hundred, and eight meters from its antipode in the underwater base of Prophytis Ilías.

The upholstery of the Pithya Herophile attacks the subtending of the flying buttress that was supported by the cavities of the volcanic rocks of Patmos, indicating its agreement with the Souls due to the disoriented cognitive dissonance that was generating paradigms, which tracked the stones that formulated Aquarian sounds in their dominant tonality due to the minuscule machine of light, more distant in the incommensurability that evaded its eclipsed in the resplendent major note that became monarchical due to the hypotenuse of the rectangle in three subdominant angles. This means that the Sybille was in the high point of observing her premonitions towards the creation that was born from another end to end in the recycling of creation in the dim light of clarity of the destinations that were going to present themselves as a song of remembrance of the Poielipsis, venturing the new restart or attempt of the Delphic oracular. The songs remain in the spell, and in the banal desires that would harm a mortal that will expand to the hypotenuse or line of the sentence that marked a step impelling in the misgivings and forgiveness of the banner of risk. Santiago of Compostela was going to Stratonice with his inclinations, like a geometric racconto subduing the fears that slip through the veil of the dogma of the arch where no philosophy can look higher if it is not allowed, typical of vegetating or freeing oneself from what revives in fears that do not shed light on eternal life, perhaps of a the Matematikoi himself who doubts an Ad finitas basis, and who finds out without the limits leading Pythagoras to the ground handcuffed from Crotona, always ignorant of the linguistic power that urges to rewind the spheres that still weave crossed angles placing themselves in trial, and error when considering a non-renewable past the soul of the Poielípsis adopted a Pythagorean conception in the halters of livid legions of Orpheus, as if it were his consecrated to the hypogeum where the level was to stir the embankment that will merge with Zefian's Arrows.

A diminutive atonal music possible existed in the molecules, and in trigonometric periods in which the measures were united in time as a stationary whole vivifying a great variety of fractional numbers as souls of the same numeral that finally appear to be Pythagorean digits. Vernarth's military of Phalanxes in this epic made the crucial oblique moment to break Dario's troops like a dozen Elegy that was going to re-flower what he knew of his already sub-treated destinations, other than will only be souls tired of keeping themselves alive in their morbidity, and the dissociated causal of immortality that will distance itself from the prohibited abstinences in libertarian exercises of any counting that ponders on the coming etymology of the Vita Pythagorae on the couch of joy, and serving his doctrine that saves himself that will save us in the Messiah for those who in their souls do not have the sacrifice of a lamb that feeds, nor a base that goes ahead in the centuries grazing what no one was capable of. In the second triad of Apollo the oracle of Apollo with the Souls that reveal Charles the Great to be his favorite for the protectorate of Compostela, and his spiritual regency the invitation to Charlemagne breaks out from Aachen after 33 consecutive years in the sword dispute stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne put himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence in the second concave wasteland, and the straight ascending of the Trouvere Souls crowning Charlemagne emperor of Rome and Francos chosen by Leo III, predicted by the Apostle Santiago in defensive pontifical struggles, and defenders of Christianity. In this paradigm there is a deceased seep through of an elusive world that was joining from here in the vein of Poielípsis for the sake of some eras that came from the mutes, and anonymity that augured to link them to know within their endless intrinsically organic movement, also as a diligent active cosmos of the discovery of the Jacobean route longing to be a better region than the Dodecanese merged by the twelve apostles, and now the brother of the son of Zebedee; Santiago, brother of Saint John the Apostle, ennobled in the 778 AD tying it to Hispania. In ****** and constant fighting, Charlemagne besieged the Saxons, he entered Hispania crossing the Pyrenees as an anticipation of the aforementioned the Jacobean Route, everything worsened in this way witnessing the subjugated places in the jurisdictions of the Trouvers who were Pythagoric elite of soldiers who they had be bilocated in this Christian Era, preceded by this perfidious Basque in the woods subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to pursue them to Pamplona with Charlemagne. Everyone was escaping from Islam, and not a few Christians resented this affront in the dynamics that will reveal the Songs of the French Deed.

This previous paragraph exhibits the eloquence of how the interlining that Vernarth had to create a Brotherhood Code called "Raedus Codex" for the high nomination polished in the Infant Raeder as a twitch of the sacrifice of his young soul, who fought battles in pursuit of defenses pure and free with the freshly grown grass of the spring of the world in Genesis. The Souls in Trilogy III will be the compendium of the Codices that will enter the Wind Tunnel what will be governed by the warm Meltemi wind, and swirled by the winds of Eolonymy, ascending all those who should be admitted and not purging those in between who they enjoyed a pre-Christian heritage citing Pythagorean antiquity behind those who must have dressed it up as a Codex Calixtinus. From this arrangement Charlemagne will drive souls with antiphons, the Apostle Santiago will come lacerated to meet his brother Saint John the Apostle, his barge will be abandoned in the Strait of Gibraltar and then arrive at Santiago of Compostela from here he will make tributes of name to ascend to Patmos. Just as the end of Vernarth's Trilogy II is faithfully transcribed, also Stratonice, the Hexagonal Primogeniture, Alexander the Great, King David Elias, Malachi, Isaiah and all the acquirer flashed in Raeder and his Pelican Petrobus, as self-sustaining defenders of the Infantile Fantasies that they continued in this complex work after a finding that fed them up in Vernarth as well as everything related to their release and investiture to say that all roads lead to Patmos, as Locus Sanctus of all the shepherds who heal their sheep that do not belong to others that are populated with white souls, for the good of other shells 308 meters below the Prophytis Ilias with the consent of Stratonice who would be arriving in Macedonia where the pass of the centuries they would tell them about the Jacobean Route instructed in confrontations, and concordances with the airons of the Trouvere protected by a rectangle of three Pythagorean subdominant angles in dissipated darkness of the golden astrological ambiguity of Theoskepasti of the meridian of the Kimolos. He will go away saying explicitly that the darkness became visible mists where there was nothing to hide from Psathi Roadstead in Kimolos, until reaching the Agia or the Chapel of Theoskepasti that would become visible for the phenomenon of Faith, alluding to a portentous desire that everything was tied to the same sense of compression of which the image or sound of the creation at times to became invisible but precisely understandable, as it was when imagining palpable the reality of what allows the human eye to feel for an instant that everything is real imperceptible, more present of all what can be detected by superior senses more than humans, giving way next to the Raedus Codex more present of all what can be detected by superior senses more than humans.

From Ios or Nios, bordering on Psathi, the Trilogy is unleashed when the association of all the spaced Cyclades of Vernarth will come to every equinox to shine the careful nap of the villagers of the Cyclades, close to the torpor of Thira. It will raise each Hoplite that from the point of Nios drags them with its abandoned body that could never receive the roads that led to Chora in infinitesimal distances and in white spots of all the Cycladic ghosts, who try to exalt themselves and assimilate to the villagers of Psathi.

According to Plutarch, the name Ios or Nios is believed to derive from the ancient Greek word for the violets "Ία" (Ia) because they were commonly found on the island, and is the most accepted etymology. It is also postulated that the name is derived from the Phoenician word iion, which means, "pile of stones". It was called "Φοινίκη" (Phiniki) named after the Phoenicians in the 3rd century when the island joined the League of Islanders it was probably temporarily called Arsinoe after the wife of Ptolemy II. Today the inhabitants of the Cycladic Islands call Nio Island a name derived from the Byzantine era. The name Little Malta, found in traveler's texts during Ottoman rule, is related to the permanent presence of pirates on the island of Latin-script languages.
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Winter Sparrow Dec 2019
By the gods,
That have no mercy on our soul.
That have no control over my thoughts.
Last night, you visited me in my dream.

This be not the first,
This might not be the last.
Yet my reaction in this one,
Was more heathen then others.

You came up to me. Slowly and gently.
Caressed my hand, in the cold outside.
And I, under the moon ever so bright.
Pushed you and held you against a wooden wall.

You gazed into my eyes,
Those Sapphire eyes wondered what comes next.
What I never did before to you,
I did last night.

One hand holding your wrist raised up against the wall.
One hand clutching your waist, pulling you towards me.
And in a blink of a second.
I moved in for the kiss. A kiss of passion.

No time for you to react and push me away.
No time to think otherwise. Think of him...
This time. I had to do it. I wouldn't control it.
After all, you're in my dreams, my world.

I felt your lips again, as soft as wool.
As passionate as the wolves chasing the sun.
I lust for you, i crave you.
I want to conquer your physical world.

I have your heart, not your body.
I desire both. By the gods, I do.
Oh how I miss your sweet touch my goddess.
How I long for that kiss to strike me down.

I saw your face glowing the moon, after your hand left my neck.
I saw that look, that sweet seductive look.
You wanted more. I could give you more.

Rage is transferred to passion.
Love merged with lust.
I have no control over this.
Come take this passion...its you I'm dreaming of.

My heart beats louder then Thors hammer.
My kiss more ferocious then Zeus' anger.
My passion more fruitful then Dionysius wine fields.
My love for you is more beautiful then Baldurs persona.
Lev Rosario Nov 2020
Madness is the beginning of wisdom
Wild longing is the beginning of love
Come dance with me
Inside the courtrooms of Dionysius
Let us get drunk on wine
And make songs out of our heartbreaks
With a choir of those who come
From the highway of despair
******* off the old gods of Sumer
Let us make love like we're in a soap opera.
Drive a car across the Sahara desert
And pick wild flowers on the Serengeti.
Come, let us transform our longing into a constellation
To be picked apart by a mad astronomer
To be wondered at by others like us
Let us debate with existentialists
Create theories on the human soul
Retire and raise chickens on a farm in Kansas
And celebrate Christmas in Manila's suburbs
Fear not, for angels will guide us the rest of our lives
Fear not dying and let the emptiness of existence be your rest 'til death

— The End —