The radio alarm is a bit too strong
for his afternoon hangover taste.
He goes downstairs, sets the coffee to brewing,
rubs his hands through the hair on his face.
As he sits and he smokes, he can't quite think of the joke
she once told him about wooden eyes.

The coffee is ready, his hands are unsteady
as he pours his first cup of cure.
He tries to be happy he woke up today,
but whether being awake's good, he's not sure.
Outside it's raining, but he's gallantly straining
to keep his head and his spirits held high.

As soft as the flower bending out in its shower,
fiercer than hornets defending their hives,
the memories of sharing her secrets and sheets
run him through like sharp rusty knives.
He decides that his cup isn't quite strong enough,
takes the ***** from the shelf, gives a sigh.

He goes to the porch to put words to the torch
he still carries and knows whiskey just fuels.
Thunder puts a voice to his hammering heart.
Through ink, his knotted mind unspools,
writing of butterflies and of how his love lies
cocooned under unreachable skies.

From teardrops to streams to winter moonbeams
to a peach, firm and sweet, in the spring,
he writes of pilgrims and language and soft dew-damp grass
and how he sees her in everything.
He rambles and grieves, and he just can't believe
how much he has bottled inside.

He writes how the leaves, when they whisper in the breeze,
bring to mind her warm breath in his mouth,
how when walking through woods he loves the birdsong
when they fly back in the summer from the south
because she would sing too and he always knew
he wanted that sound in his ears when he died.

He writes even the streetlights, fluorescent and bright,
make him miss the diamond chips in her eyes,
how the fountain in the park plays watersongs in the dark
when he goes to make wishes on pennies
and while he's there he gets hoping
there will be some spare wishes
but so far there haven't been any.

He writes that the cold makes him think of the old
hotel where they spent most of a week,
lazing and gazing quite lovingly,
and how he brushed an eyelash off her cheek.
The crickets and frogs and all of the dogs
sound as mournful as he feels each night.

He writes about chocolate and fun in arcades,
he writes about stairwells and butchers' blades,
and closed-casket funerals, and Christmas parades,
then sad flightless birds and tiny brigades
of ants taking crumbs from the toast he had made,
and political goons with their soulless tirades,
old-timey duels and terrible grades,
strangers on  buses, harp music, maids,
the weird afterimages when all the light fades,
the pleasure of dinnertime serenades,
sidewalk chalk, wine, and hand grenades.

He writes of how much fun it would be to fly,
and saltwater taffy and ferryboat rides,

sitting on couches, scratched CD's,
pets gone too soon and overdraft fees,

the beach, the lake, the mountains, the fog,
David Bowie's funny, ill-smelling bog,

jewelry, perfume, sushi, and swans,
the smell of the pavement when the rain's come and gone,

and shots and opera, and Oprah and ***,
and tiny bikinis with yellow dots,

stained glass lamps, and gum and stamps,
her dancing shoes on wheelchair ramps,
that overstrange feeling of déjà vu,
filet mignon and cordon bleu,

bad haircuts at county fairs,
honey and clover, stockmarket shares,
the comfort of nestling in overstuffed chairs,
and her poking fun at the clothes that he wears,
and giraffes and hippos and polar bears,
cumbersome car consoles, monsters' lairs,
singing in public and ignoring the stares,
botching it badly while making éclairs,
misspelled tattoos, socks not in pairs,
people who take something that isn't theirs,
the future of man, and man's future cares,

why people so frequently lie
and bury themselves so deep in the mire
of monetary profits when money won't buy
a single next second because time's not for hire,
and that he sees her in everything.

Then unexpectedly, unbidden from where it was hidden
comes the punchline to the joke she had told him.
He laughs -- it's too much and his heart finally tears
as a blackness rolls in to enfold him.
The last thing he hears is birdsong in his ears --
the sound brings hope and is sweet as he dies.

head between my knees
fetal position

don’t eat

on the bathroom floor
tears streaming down my face

skinny

hunger pains
stomach crying out for food

thinspiration

pinching the fat
fat on my thighs

ana ana ana

fat on my stomach
fat everywhere

don’t eat

Will I ever be okay again?

the sharp edged
rubble
of the decimated
mud crab
lay in a pile
of shell,shards
and hollow limbs

we sat, fingers
and faces smeared
singapore curry sauce
smiling, as we raise
our beers to
still tingling lips.

simultaneously
we burp... in appreciation
big joyous burps
of yeast and curry.

we laugh....
before starting to clear
the table
of the mess...

How is it,
you ask

and when we open our mouths,
instead you devour the words,

waving utensils,
knitting your eyebrows
like the crochet tablecloth.

Dinnertime conversations revolve
around loud voices
as we wipe our lips with
napkins –

tinged with
regret and bitterness

and sip from our glasses
filled to the brim with
liquid lava,
warmly trickling down our throats –

choking on sobs.

We eat off the plates that
contain nothing but
crumbs –

leftovers of our dreams,

and excuse ourselves while
shoulders slump
and the last bite of remorse

melts away
and when

the words have made the air
heavy.

She stands in the kitchen
slicing vegetables again
gazing wistfully
through memory's window
to a sharp winter day
with that sweet carefree man
when they walked the seashore
haloed by salt breeze
clinging to each another
laughing at the gale
promising everything
always and forever
but like every night
her reverie fades
no talk of love, no seashore
no crisp air, no calling gulls
just the smell of roast beef
and the droning voice
of the man she settled for
igniting once again
a deep sad rumbling
from her heart’s basket
of buried dreams
as the house begins to shake
and kitchen floor cracks open
its hungry maw gaping
swallowing her whole
helpless in an avalanche
of potatoes and paring knives
with sharp edges
like the teeth
of her resignation.

He set down the forks, spoons, and knives.

he put out the plates

one, two, three, four, fiv-

"Hey, honey?"
yes mom?
"He's not coming back. Don't waste space on the table."
but if he comes home,
it would make him really mad if I didn't set a place for him
"You don't need to worry about him anymore. We are safe here."

He picked up one fork
one spoon
one knife
and one plate

and put them back in the cupboard.


At least that's one less cup to pour...

Your lips are wet,
****** clean by your tongue
darting insolently,
giving the game away.
Your lips burn red
in angry anticipation
and agitated by the
hot
raw
sting
of your racing breath.
Your eyes are ink,
you spilled it with trembling hands
over your coffee liqueur
irises but
I drank them anyway.

They hung laundries like prayers,
these women, there, new to pants,
between Beechfield and Brisbane.

And all the actions were in the alley,
the zipper between, where we,
young thuggeries in our dungarees,
plied bicycle trades on summer days.
Even flies shunned our manes.

Fists and spit and baseball cards.
Skates and snakes and fenced-in yards.
Each these swinging statues,
thrown, frozen, spun, fastened
to concrete and rash.

And yes, there, the women,
the mothers, pinning towels
like code, pinning sheets on wire,
glancing through a breeze, they saw it all:
saw us, the young and barely criminal,
rang it up the chain.
And yes, oh yes, these mothers,
there'd be hell to pay,
there'd be hell to pay
come dinnertime.

There are times that I feel I don’t even know you. Times that seem to never fade away.  But, as a child who dealt with you leaving day after day I feel like I shouldn’t be so scared. At age 5, I was little boy wishing to be all he could be.  A kid that any dad would want.  I wanted to be just like you.  Big muscles, strong voice and my own company.  At age 10, I was growing tired of you.  But, I was still a boy, unwilling to see what was actually happening.  You’re seemingly unending verbal abuse secrets a deadly poison into my veins.  Now as I slowly creep my testosterone levels up, up and away, I’ll start to pull down your kaleidoscope colored curtains.  By 15, we couldn’t be more separate.  Divided by dinnertime arguments and back-talking homework battles.  The more you speak, the more I want to leave this house and never come back.  I sometimes wish I could change things but, it’s too little, too late.  At age 16 to the day, I step in the labyrinth that confines me to find you raged and red-faced and she is on the phone, canceling the party. My not-so-sweet 16 ended in a hotel room, filled with unshown tears and bags of Cheez-its. Then, I finally decided who you were to me the day I went to tell my mother about my day at school.  Tears ran like the free-flowing waters of the Amazon as she tried to defend you’re already broken armor.  My brain ran 653 miles an hour as she spoken of a deed I thought unspeakable.  You call me on the phone and say “I don’t know what to say, bro.”  Well, “bro” how about “I’m sorry for literally breaking every life long lesson I’ve taught you and I’m sorry for smashing the hearts and minds of our family.”  That can get you by on our 3 minute 27 second phone call.  Now, I look at you and can’t decide.  Are you still the man with big muscles, strong voice and his own company? or are the shell of a man I still wish I knew?  I wish I could answer but, There are times that I feel like I don’t even know you.

Mamacita hold me dearly under folds
of black hair where light can't shine I
feel the warmest with my nose
pulling deep breaths of floral shampoos

and hot mesoamerican corn tortilla
from the oven with pepper carnitas drifting
through cracks under locked bedroom
doorhandles, in the bed and under

an azetec starred quilt duvet between sunshine
brown arms with tiny black feminine hairs,
I think about dinnertime at seven
with my warm Mamacita and her cousins
and of all the caring people
L.A shared with me.

i sit in a boat
and im so far from shore i have forgotten which direction the horizon follows me
i am so far from home the word sounds foreign and construed as an apology
i am so out of reach the seagulls will never dive deep enough
or swoop shallow and barely disturb the oceans sequence of tides and rhythms
to pick me up

i sit in a boat
the waves steady flow acts as a clock to keep me sane
it rocks me
it rocks my boat
back and forth in its tick tock motion
the fact that i haven't seen any fish glide by
and wrap themselves in the warmth of the crystals dancing on the top of the water
creates a feeling more violently lonely in the pit of my stomach
than the fact that i sit in a boat all alone

i sit in a boat
in the middle of the ocean
in the middle of nowhere
its easy to comprehend that there is nothing above me
the sky is a blank sheet of paper
the horizon falls all around me an encompasses me
looking up makes me lose time with the waves

its harder to comprehend the likelihood of nothing below me
when i fall in the water
and when i wave my arms towards the diamonds above me
when i blow air though my nose
and keep my eyes shut tight
when the water begins to get cold around my feet
towards my chest and on my shoulders
when the light green water that has comforted me like a mother
that has taught me like a father
the waves that have kept me in sane like a teacher
disintegrates into a dark murky black
so quickly i have no time to notice
where the pressure is too loud to hear any lessons
where the touch is so ice cold every hug feels like a constrictive hand around my throat

i sit in a boat
its easy to understand i am alone up above
no one calls dinnertime
no waves rock me to sleep
no birds call their mates
no bugs fall in and out of their reflections
its harder to fathom that
under the peak of the water
under the tired lazy strokes
i look intently and see nothing
i look intently and all i see is how
in an ocean that stretches forever
and falls off of the horizon
i was alone before i realized it
i was alone when the sun reached down
and bounced off of its blue playground
i was alone when it comforted me and i was alone when it choked me
all i have ever been
is completely alone

I sit at the table with my sadness in front of me and with trembling hands I pick up my fork and
Consume
I taste regret and loneliness and guilt and -
I am choking but what do you use to dilute the worst parts of your life?
Losing air -
I am going to die with all my hurt caught in my throat
Fading -
I am going to die never knowing what happiness tastes like
Dark -
I wanted to know peace.

There she was again
The girl in the sandbox
Her brown hair cut short
Wearing pink shorts
And no shirt
I'm not entirely sure she's a girl

"Do you want to play with me
We can go and get my toys
And build sandcastles, play hide and seek"
She frowned at me and I wondered
Does she know how to talk
She muttered and walked away
#
"My mum sent me
She said that we should walk together"
It's early morning, -25*C
"Ok" said the girl from the sandbox
We were 8 years old
I can count the words she has spoken with one hand

It's nearly dinnertime
Where is the girl
You know the one from the sandbox
Crazy thing, she told me
Not to vacuum clean snow off the floor
And she gave me a puppy pendant
#
Now I don't live here anymore
And I don't have her number
They call us "Foreign Finns"
But sure thing if I go
To her parents house
I'll find her

Knock knock says the door
Her mum opens up and hugs me
Takes her phone and says
"Guess who's here"
And without hesitation
She says "Lily. I'm coming"

The girl from the sandbox

Life is a series of demands. Hurry up, perform.
Do your homework, write a paper, oh and read 300 pages,
get in those volunteer hours, grab those lab credentials.
I get busy, caught up in projects and I forget stuff
like dinnertime, peeing before it’s an emergency,
or like calling you - last night.
On vacation I’m unplugged, I’m avoiding focus,
I’m not paying attention, my mind’s wandering.
I’d want you less if it were required by law.
I imagine your huge, brown saucer eyes
exhibiting a wounded, blaming expression and I can’t.
Maybe there’s a biological explanation, yes, that’s it,
I’m missing an enzyme, I have a glandular disorder
that prevents long distance relationships from working.
No, not work - It can’t be work - it should be exciting.
Is it a crime to want some time off from pressure?
I’m not asking for a pony.
Just a sabbatical couple of weeks away from obligations.
I felt so guilty that I went to Karen (Lisa’s mom) about it.
We talked for over an hour, she’s so smart, I love her.
She reminded me about the recent lockdowns
and how years of skyping and remote learning
might affect (dull-down) a long distance romance.  
I told her what you said, about my sinatra psyche
and she said although I seem absurdly secure,
I’m probably still figuring things out - and that’s ok.
There’s really no substitute for talking to a mom.
I called you - and left a message - I hope you understand.
I turned my phone off - for now.

Midterms are over and I killed ‘em (yes, even the physics) - yeah me!
I spent the last two weeks like prisoners do, marking off days until - freedom. Now the pressure’s off and I can chill. Spring break starts tomorrow, and I have NO plans.

It’s dinnertime and we’re (Leong, Sunny, Lisa and I) in the Commons dining hall, celebrating, with bacon-cheeseburgers and fries (Leong’s a cheeseburger ******).

Lisa Turned to Sunny, “What songs are playing in your ears today?”
“I’m looping "Good Riddance" by Gracie Abrams - which might be a little gay for you.”
“Sunny and I were discussing that earlier,” I chirped in, “especially ‘Amalie’ (the song).”
“Gracie’s not dating that guy anymore? Lisa asked.
“She broke up with him,” Sunny said.
“again?” Lisa gasped.
“Yeah, she broke up with him for good, a few months ago,” Sunny reported.
“I thought that they got back together.” I said, trying to remember my Teen Vogue gossip.
“Nope,” Leong said, stealing one of my fries, “saw it on ‘the shade’ (theshaderoom)”
“Wait, wait, Blake Slatkin - or a new boy?” Lisa asked, holding up her hand like we’re in class.
Sunny laughs, “Anyway, Gracie isn’t dating a girl but in that ‘Amalie’ song she’s like, ‘where did you go Amalie, I’m crushing on you.”
“Amalie..” Leong said, searching for a last name.
“Amalie Homin,” I said, “That’s what I heard, but I don’t know it on my own.”

“Ooo!” Lisa said, “Speaking of carols,” and nodding towards the main entrance. Leong and I had our backs to the door, but we swiveled discreetly as a girl I’ll call “Monique” (I’m not doxing anyone) walked in with a group of her entourage-like friends.

My roommates and I, being young, single and curious girls - have ongoing chaz or chaste debates - where we judge people (quietly, in a non-mean-girl way, amongst ourselves), to be either chaz or chaste - based on their general *** appeal, style and swagger.

A chaz is a playa’, someone who everyone wants (sexually) and who’s probably “sactive” - a chaste, is a wannabee, a poser who’s trying hard but is probably “involuntarily abstinent.”

A big, beefy, but not overly attractive football player would draw a “chaste,” “chaste,” “chaste,” while, say, a tall, dark, handsome physicist would earn a “chaz,” “chaz,” “chaz!!”

Monique, who’s studying marketing (school of business), is an over-tha-bridge black girl from Jamaica who was once in a band that had some low-level success. As we watched her strut across the room, I brought the question to Sunny. Monique’s fem-facing, as is Sunny, so Sunny’s the expert on-hand, “Do you think Monique’s a chaz?”

I state my case, talking softly, “Monique walks around campus wearing a t-shirt with her own picture on it, under a blazer,” I snigger, derogatorily, “being like, all these ******* want me.”

Sunny gasps, “How DARE you call smart, modern, lesbian women *******!” She laughs.

“All these lovely ladies, these rad, sapphic-gals really want me.” I amended. “It’s farcical, isn’t it? I repeated, fashion aghast. “Wearing a t-shirt with your own picture on it - like you’re a rockstar.” I put the ultimate question to Sunny: “Is she actually pulling any veejay like that?”

“You doubt she’s pulling any strong, empowered women?” Sunny asked back rhetorically. Sunny rolled the question over in her mind and declared, shrugging, “She’s a chaz. It works - for the gays, hundo-p."

“Hard to believe,” I admitted, shrugging in the face of Monique’s sheer tackiness. We watched the strange group leave, loaded down with goodies, like pirates who came and looted the area.

He drinks it up, he drinks the
       **** like it’s water.
There are faces, and files
       and they change with the seasons.
The parking lot has never been this dim, but
        who forgot to turn on the lights?
The friends who gave him trouble
        now just give him help.
The scarred people seem little more than
        pawns in a game, and he must play them, but
        it’s not his choice.

The mirror’s like a caricature,
        it provides more distance than closeness.
I wished he could’ve seen his son
        being born, but.
Somebody slams the table, ****
        something’s going on
We got him, men
we got him, we got him.
Oh wait, oh wait, egg on our face,
we got played, we got tricked
this man is just black.

“I want to prevail,” he says,
“I’m no loser,” he says.
He’s no quitter, but
he sure ****** it up.
The faces get twisted, now the
eyes look the same.
This won’t be the first time
and it won’t be the last.
He blames a lot on others,
but he knows that persistence
is infallible, like the pope.

Nobody really trusts him now, he’s a bit of
everything and everywhere.
Heart’s in the right place, but
where’s your heart?
He keeps downing the brown ****
keeps downing the liquids.
“One day I’ll get him,” he says.
“one day I’ll get the *******.”
At this point, he speaks for himself,
for himself. Nobody, no
one, nobody else.

At dinnertime, he says,
“sing me a song.”
Relax is defeat,
rest is charity, rest is
A deep moral compromise.
a loser needs a bed
A winner needs a mug.
he downs the ****
He downs the ****
god, he downs the ****
like it’s water.

OOGABOOGABOOGA
i’ve got him in my sights
He won’t see it coming
he’ll be shocked as the rest
A **** like that? no
he wouldn’t see a barn.
He didn’t say, didn’t see
his own mother, his mother
When he came out the womb.
didn’t see ****, I say,
didn’t see ****.

SPIRAL espionage ELEGY sang
now or never or ever again.
RAINTIME odysseys
left im babbling rancid
The ragtime freaks giving him looks
from the left of the sandbags,
The night, the night,
too long, too long,
The night’s a *****.
i can’t stay, i can’t stay
to night’s a *****
i can’t stay with this *****
this *****, no
take these ropes off
this *****
***** take these chains off
i will, i will
i, no
you are you
people
you are *******
you are stupid *******
these are chains
i am chained
who
why
god

Down in the forest,
Amid the creaking pines,
Are two rusty old silos.
We call them the tin cans.
A brave few will climb them
And balance on the walls
As sentries to those inside.
Encircled in old metal
There's a pow-wow going
Between the chieftan of North Can
And the princess of the South.
Bubbles drift as smoke from their mouths
And their round cheeks stretch in yawns
That betray the distant setting sun.
Our war is over, the chief declares,
But neither side has won.
That's true, the queen smirks back at him,
And neither ever can. What do we do?
He glistens with battle sweat and
His soldier's breath is heavy.
You and I will draw up a treaty,
He says, and war another day.
She acquiesces and signs her name
On a bit of leaf in invisible ink;
He does the same, and both recline
A moment against the flaking metal walls
While the topmost edge of the sun falls
Below the curve of the earth
And the dark branches of the trees
Cradle a baby night.
Up top a sentry calls dinnertime.

When we were young,
A universe was erected in our home.
The walls of our home were infinite and magical,
They were impenetrable and everlasting.
When we jumped, we thought maybe
We could fly.
When we were young, we could
Get lost in our house.
It was a whole world,
The outdoors were only an extension.
When we were young,
Dinnertime was solemn and thoughtless
Snacks came and went.
Floorboards held unknown delicacies and treasure troves.
When we were young,
We believed in the magic of mankind
And the infinity of a home.
When we were young,
We never expected to be anything else.

based on the painting “Prince Pig and The Second Sister” by Paula Rego

my hooves meant nothing

to her. She sat in my lap and stroked my chest
as if she was the

prince. It took everything in her power to reassure me
that I wouldn’t be slaughtered in the morning, but she looked
past me – an empty

gaze. Come dinnertime tomorrow I would sit on a platter and
she would feed off of me with an apple stuffed in my mouth
and a knife in

my shoulder. On some level, I cannot blame her – her hair is
caught between my hooves when we make love, and my grunting
keeps her up at night. She is worthy of soft fur

and slender fingers. I am desired, but only until I am fat enough to eat.
Her legs tighten on my hips but she is cold, like the chamber where
my blood will drain.

Icicles hanging from the ceiling
My breath coming out in clouds
Tap my back pocket one last time
Map tucked safely away

I made you a *** of tea
Are you cold?
Are you well?
Hush now, I’m here with you

Frost on all the walls
I’ll be back tomorrow, my love
Around dinnertime

she sits and she stares
as her life flashes by
backlit by the soft blue
glow of a television
she's alone at dinnertime
determined to wait out her hunger

she sits and she sips
from a glass on the table
content to pretend
that she's not lonely
but she is
you can see it
in the set of her shoulders
the sigh in her chest

her mouth says she's happy
and it has her convinced
that he's all she needs
and all she ever will need

but the hollow beats of her heart
are begging for love
to come fill the space she's created
by pushing everyone else away

she sits and she stares
and she thinks and she dreams
and she laughs and she cries
and she switches the channels
and the streetlights come on
and she convinces herself that
she's not lonely

oh no, she's not lonely at all

First morninglight through windowpane
falls to kiss
the carpet, our front garden’s Clarkia
left no trace of last
night’s condensed mist.

Is there happiness enough
to fill these rooms, or
could there ever be?
Like the relief that echoes
through living rooms on Christmas
noons, like the smile rising from a voice
at the suggestion of “Tea?”

Will the cosy silence play
to win out the crowd’s
lament? Will the dinnertime rustle
deliver imagination out from under
time's sway?

Do these questions sound like
asking the weight of water?
A cup of late youth’s innocence
to be drenched with irony,
pity’s daughter?

The home to while the world away, where to
process life’s refinery

A well-made plot that shuns
a twist.

A dry-witted author
Whose lust is the mundane.