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"differentials" poems
~ dark early pre-dawn body suspended between the-dark ochre earth tones of night, and the teal pealing notes of warning of an impending morning, signs aborning, me rising with urgency of the leaden half deaden, torn from the bed casket to venture into a different kind of twi-lights, nature demanding both intake and outtake, a restoration of balance but first a bumbling wobbling, the body as carnival bumper car, installing soon-to-be-bruising for later examination-exhumation, lurching from handhold crevices in the walls like crazy cliff climbers, my balance disturbed, eyes try  tearing apart the sticky glue of night, my sense of direction keeping me from free falling into green glass edges of glass tables, barely, and not always, red cuts evidentiary “my balance disturbed” words fresh formed, and a poem expulsion required to balance the unjust scales of spirit soul and the body cage, patch an negotiated agreement between warring cousins, just a twenty four hour ceasefire to retrieve the wounded and the corpses unfounded in the small copses of false shelter, like my ancestors expelled from Spain, making escape to be strangers in strange lands, or remain hidden in place neath disguises of clothes of new poems, prayers for old and new gods this new poem comes quick like a young man making first love, for the poem has been written by thousands nights of practicing, so ready for quick retrieving in a smattering of a few minutes, expulsion expulsion what a perfect verbiage to capture the night terrors, the differentials, the procession path between what was and what will be, when my balance restored and this poem’s completion installation in the body of my work, as a nail disguised in the works of my body, entering by command of the pitch black gods
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May 21, 2019
May 21, 2019 at 8:42 AM UTC
my balance disturbed, night terrors
~ dark early pre-dawn body suspended between the-dark ochre earth tones of night, and the teal pealing notes of warning of an impending morning, signs aborning, me rising with urgency of the leaden half deaden, torn from the bed casket to venture into a different kind of twi-lights, nature demanding both intake and outtake, a restoration of balance but first a bumbling wobbling, the body as carnival bumper car, installing soon-to-be-bruising for later examination-exhumation, lurching from handhold crevices in the walls like crazy cliff climbers, my balance disturbed, eyes try  tearing apart the sticky glue of night, my sense of direction keeping me from free falling into green glass edges of glass tables, barely, and not always, red cuts evidentiary “my balance disturbed” words fresh formed, and a poem expulsion required to balance the unjust scales of spirit soul and the body cage, patch an negotiated agreement between warring cousins, just a twenty four hour ceasefire to retrieve the wounded and the corpses unfounded in the small copses of false shelter, like my ancestors expelled from Spain, making escape to be strangers in strange lands, or remain hidden in place neath disguises of clothes of new poems, prayers for old and new gods this new poem comes quick like a young man making first love, for the poem has been written by thousands nights of practicing, so ready for quick retrieving in a smattering of a few minutes, expulsion expulsion what a perfect verbiage to capture the night terrors, the differentials, the procession path between what was and what will be, when my balance restored and this poem’s completion installation in the body of my work, as a nail disguised in the works of my body, entering by command of the pitch black gods
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30
Thursday is my night. Both my sisters have dance class so I have the house to myself. I have homework. I have to take out the trash. I have the most cheerful outlook I've had in weeks. It seems a thousand pounds of sorrow have just flown off my shoulders, sprouting wings and going to pester someone else. I took out the trash with a hop and a skip, not even caring that I was still wearing shoes (Mind you, I can't stand shoes). As I spun in circles I "whoop"ed and "wee"ed and the phrase, "It's a great day to be alive" leaped from my mouth, spring boarding off my tongue and over my lips. I returned to the empty house and kicked off my shoes. I took a shower with the door open and the lights on (I normally keep them off). I stood under scalding water, burning away any residual sadness. I returned to my room and found my spring pajamas. Normally I shy from math, hiding in history books and chemistry worksheets, but today I dove into the calculus questions, pencil flying over differentials and derivatives. Today was no different than any other day. Except that today is Thursday. My Thursday. WHOOP!
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Nov 14, 2013
Nov 14, 2013 at 6:32 PM UTC
This is Awesome
Like (Chinese) brush strokes I shall find the point on which I’ll pivot turn Differentials woven in as bristles spin Ink across the surface although it appears as a two-dimensional space It seeps further through capillaries reaching depths Often forgotten The infinite dimensions within the page Made possible by the grace of a hand Devoid of any fate           save the fate of ink is to be writ          the fate of paper is to be written on                    save the fate of ink and paper are in                    subjective hands And now a bond emerges from this pair In a dreamlike movement fact has come To act and bind as brush binds ink and paper Fiber Flesh Fluid Foam A single stroke of inspiration turn Inward and ‘round the perimeter Of the page there sits an image of me (Chinese) Character
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Apr 9, 2013
Apr 9, 2013 at 12:13 PM UTC
(Calligraphy)
On Tuesdays I dream of moon-soaked swims among bay-big moons Silver saucered jellyfish that ripple through our hands Wednesday nights are underground- Straight whiskey at the Cantab beneath a canopy of Marlboros and Parliaments (I’m imagining the cigarettes- I’ve always romanticized death) I only think of Sunfish on Thursdays, Just a single sheet and us and the water And the thought that we are propelled by more Than the wind and less than physics. Fridays are midnight walks through Central Square- That tree on JFK by the metal gate, The cab I chased after. Your jacket. I awake early on Saturdays to your blue wall And freshly made yerba, lectures on nonlinear differentials. On Sundays we sleep late, Wrapped in sub-letted sheets Waiting for your lease to end before Sunday does. The ground is gone on Mondays, the sidewalk on Sydney street has crumbled I feel first-trimester-morning-sick And the sky is dinosaur-ending dark, thick with resentment. On Tuesdays I dream of moon-soaked swims among bay-big moons Silver saucered jellyfish that ripple through our hands
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Dec 10, 2013
Dec 10, 2013 at 8:52 PM UTC
Last Weeks
She glances at me with a glimmer of lust, the person who lays with me  in my bed. She has approved the dance and we breathe the same air, the same hot and damp oxygen. We share our thoughts within our created entity, the dance. We share for a while then sleep for days. We order room service and eat the complimentary mints in peace and quiet. Oh the thought of love. Quite intoxicating.
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Nov 21, 2014
Nov 21, 2014 at 4:07 AM UTC
Differentials of Reality
~ for T.M.R. ~ *We find our poems in many different ways.  Of late, I keep finding inspiration in the public and private messages that many of you send to me, regarding poems I choose to publish here. So I repeat my disclaimer, "any message you send, can and will be used as a poem."* ~ instant recognition at levels so deep within, what are the odds, given the enormous differentials, that the kin in kindred, would blossom across two lives, where the oppositional factoids are exceptional as if seeded in the fertile soil of the blank spaces, between each of our poem's words and verses, there secreted for each other, but gleaming visible for all to see and uncover, even join in, uncovering semi-hidden insertions and assertions of affinity I confess she stands behind me ofttimes in my mind, silently, suggesting, reflecting, critiquing a word choice, a nuanced pressure upon the hand redirecting, with infiltrating suggestions imaginary oh wordy me, four stanzas excised, abstracted from the memories contained within my fingertips, this, an accolade to the pleasuring of humanizing mystery connectivity, when she, in the depth of her stylized brevity, captures more than I, after hours of exercised trying, in the succinct excalibur of her comprehension "We are an unstated understood"
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Jan 13, 2017
Jan 13, 2017 at 5:40 PM UTC
"We are an unstated understood"
Crouched in a bath in a house in my hometown. 5AM and the moon's out. Kevin hands me a rolled up bank note, and tells me I'm innocent all in one breath. There's blood on my hands, rolling down my wrist. Big, fat, poppy teardrops blooming like the cherry trees in my university. Home is a funny thing. I'm not a cool kid. Just a drugged up, loved up, half pretty girl with a good brain. Mad after the wrong people in love with every broken soul. I'm just chasing dreams and welded differentials, the car turns and screams. One hand on the steering wheel and one on my thigh - can't you just need me for a weekend? Can't you just sigh your little promises and chew my ear?
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Apr 22, 2015
Apr 22, 2015 at 6:33 AM UTC
Can't we just be friends
"A great artist can make art by simply casting a glance" – Robert Smithson Not by drawing a glance, but casting. Imagine the studio. What Molten materials, what Molds needed? Who models, and will they Recognize their eyes, or Is it their object reified – The signifier or the referent Denoted in this indexical Congealing. Shy, illicit, bold, flirtations, imperial, The variations and series of directed looks, Is this the content, or is the captured casting The direction - just the path of pointing: A laser beam, redone in spider web, then done again as differentials of the air? And what of the early work, the Imperfections, who filed down the seams? And would cracks in the mold shift The glance askew, revealing A pliers, a heater, a Reader’s thought?
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Dec 6, 2015
Dec 6, 2015 at 5:05 PM UTC
Smithson: A Romance
relax. not-within me to compose 14 poems about anyone, but do not test me, for if there was such a person, it  would  be                               Timothy now, not my place to over praise, for this man hews his own road among the thickets that separate humans from each other, and let us not forget, those thickest thickets tween a man                              and his God he writes in a style imitative, of some noteworthy bards, with whom you might have some passing Renaissance and Elizabethan familiarity, the thought of which attempting to do, frightens me to                               my very soul, scored but what ails me that this-dialogue, tween an Englishman and a New Yorkah, who have each a love of the commonality of tongue, but with a perfume of idiom and dictionary differentials, that just sweetens each, my apple pie, and his, pie of,                                 mince commenced in 2014, when he wrote to me with insistence that I not throw in the proverbial white towel of surrender, for my poetry seemed to die on the vine, received with lemons and limes, pleading with firm resistance to not give into to this                                 impulse so here we rest, with many details personal exchanged, transversed over a great pond dividing  and I permit myself to reveal but this, he is a much, far better human than I could even dream of becoming                                 being so here we are, 11~12 years on, and he likes my poems too oft, calling them better than the daily, I do not receive the daily, but daily thank our common God for his existence, and we share in unison a single word                                                              amen.
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Sep 19, 2025
Sep 19, 2025 at 6:58 PM UTC
'Fourteen for Timothy
relax. not-within me to compose 14 poems about anyone, but do not test me, for if there was such a person, it  would  be                               Timothy now, not my place to over praise, for this man hews his own road among the thickets that separate humans from each other, and let us not forget, those thickest thickets tween a man                              and his God he writes in a style imitative, of some noteworthy bards, with whom you might have some passing Renaissance and Elizabethan familiarity, the thought of which attempting to do, frightens me to                               my very soul, scored but what ails me that this-dialogue, tween an Englishman and a New Yorkah, who have each a love of the commonality of tongue, but with a perfume of idiom and dictionary differentials, that just sweetens each, my apple pie, and his, pie of,                                 mince commenced in 2014, when he wrote to me with insistence that I not throw in the proverbial white towel of surrender, for my poetry seemed to die on the vine, received with lemons and limes, pleading with firm resistance to not give into to this                                 impulse so here we rest, with many details personal exchanged, transversed over a great pond dividing  and I permit myself to reveal but this, he is a much, far better human than I could even dream of becoming                                 being so here we are, 11~12 years on, and he likes my poems too oft, calling them better than the daily, I do not receive the daily, but daily thank our common God for his existence, and we share in unison a single word                                                              amen.
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47
ill-will generated for all can connect unlikely differentials the mind exploiting equality can measure shared intuition
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Nov 4, 2020
Nov 4, 2020 at 7:45 PM UTC
hive mind
adrift the sky wandering of moistness sent to hover here to shed her tears as rain on downwind believers or satan's kin it is all just heat and pressure differentials the clouds are god in a way
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Feb 27, 2017
Feb 27, 2017 at 11:27 PM UTC
a way