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"diametric" poems
Moving amidst my Ramona chapter books, I make out your movement, M, the moody turns Of your mounts and valleys, the moniker of Family names, you marked me like a maternal Emblem of the generation’s matriarch, You mingled amid reminiscences of former matrons Maria Helena from the Midwest, Who crossed the mountains in a wagon, Madeleine, a migrant from Marseilles, Who baked warm loaves in San Francisco, And her own daughter, my Mimi, Who muttered merde while she drank martinis. In my own time, you materialized in Marjorie, my nana, and Maria, my mom, The women in which I knew you growing up, Then Molly, who made dreams out of Magic and Movies and Marie Antoinette, You embellished my most favorite things. In my monogram, you aimed my impulses in your masts’ diametric directions Towards competence, towards imagination. In your middle ‘s mysterious compartment I make snug With magazines and novels and mugs of hot milk. You nuzzled me in moments of melancholy, then motivated me To meander among your fundamental family, The sumptuous L of melt and mélange, The meticulous N of man or monk or money. Even W, which matches your mien in mirror It warped wicked witch while you Milled maidens and damsels, so I imagined The mutilation of those two majuscules formed My image of womanhood. M, Molly Smithson materialized From a meek mademoiselle into the mistress of mischief.
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May 20, 2014
May 20, 2014 at 10:09 AM UTC
The Melody of M
Ethereal and Base a harmony so diametric a solid. Wisdom's forgiveness lands to the unyielding new, white spray on black lava, merging elemental minerals in salt water. Life the mediator, yearns for compromise algea harvests sunlight at the hard shore, grows into plants fish munch coral creating sand washing up, a tree's foothold creating soil...   can rock become Earth any other way? Mother's beauty, an unknowable generous smile and confident grace from the sun. Ages sitting wrinkled and depleted to her waist, beauty transforms into unknowable generous laughter alighting graciously from wise eyes, like a flock of Heaven's doves so close to home stirred by her running children: daughter and son. All the while all the yearning is unrequited. For her children, Beauty is vertigo, painful reality rooted to the shore. Eyes long for the horizon, Vision Country between sky holding its breath and water measuring out patience, The heart spills out futile on the crystalline sea, but Sadness, belonging to clear water, lightly buoys lonely Ecstasy, Completes the voyage. The Vision pairs selfless love with unmet desire, opposites' harmony the firmament, but the sound breaks from tension and the echoes fade, and the senses footing gives way; vertigo with dove's wings tied shut. Descending minuscule between dissipation falling through molecules of bliss, and diffusing atoms of despair, to the last remaining positive and negative and the tension's silver thin wire between. It cuts tied wings free, slingshots the dove's soul back up, at the last second, the tension's iridescent thread tangles loosely on her foot. She hurtles back up through the scales of size: Microns, amoeba, minnows, birds, primates, people, over trees, looking down at cities, mountains, yet higher borderless nations, green and sand continents, and again all the crystalline blue seas. The silver filament draws taut, holds the dove's ascent, wings slowing in awe as she views Mother Gaea her intensely brilliant sphere accompanied by vivid tiny stars. in a cold cold soundless night... Grandmother teaching her children to fly; Beauty's yearning realized complete.
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Jan 22, 2013
Jan 22, 2013 at 8:52 PM UTC
Gaea
Ethereal and Base a harmony so diametric a solid. Wisdom's forgiveness lands to the unyielding new, white spray on black lava, merging elemental minerals in salt water. Life the mediator, yearns for compromise algea harvests sunlight at the hard shore, grows into plants fish munch coral creating sand washing up, a tree's foothold creating soil...   can rock become Earth any other way? Mother's beauty, an unknowable generous smile and confident grace from the sun. Ages sitting wrinkled and depleted to her waist, beauty transforms into unknowable generous laughter alighting graciously from wise eyes, like a flock of Heaven's doves so close to home stirred by her running children: daughter and son. All the while all the yearning is unrequited. For her children, Beauty is vertigo, painful reality rooted to the shore. Eyes long for the horizon, Vision Country between sky holding its breath and water measuring out patience, The heart spills out futile on the crystalline sea, but Sadness, belonging to clear water, lightly buoys lonely Ecstasy, Completes the voyage. The Vision pairs selfless love with unmet desire, opposites' harmony the firmament, but the sound breaks from tension and the echoes fade, and the senses footing gives way; vertigo with dove's wings tied shut. Descending minuscule between dissipation falling through molecules of bliss, and diffusing atoms of despair, to the last remaining positive and negative and the tension's silver thin wire between. It cuts tied wings free, slingshots the dove's soul back up, at the last second, the tension's iridescent thread tangles loosely on her foot. She hurtles back up through the scales of size: Microns, amoeba, minnows, birds, primates, people, over trees, looking down at cities, mountains, yet higher borderless nations, green and sand continents, and again all the crystalline blue seas. The silver filament draws taut, holds the dove's ascent, wings slowing in awe as she views Mother Gaea her intensely brilliant sphere accompanied by vivid tiny stars. in a cold cold soundless night... Grandmother teaching her children to fly; Beauty's yearning realized complete.
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49
crassly clashing diametric opposites seething hostility paints tar-stained walls coated against cold indifference interfering ideologies cause pause cryptic clauses calculate circumstance vs. significance symbiotic relationships deteriorate puddles of love remains…unwashed free-flowing determination wrestles mindlessly paraphrasing haphazardly seeking direction
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Apr 8, 2014
Apr 8, 2014 at 2:01 PM UTC
changing tide
I always want to make you laugh When we talk. A gorgeous green celery stalk Crunching under the pressure Of her teeth; A long walk Down the shoreline her hand in mine; A twirl of her salted bones, And me, eating nothing but pizza and ice cream cones; and the stuffing of her exploded heart, her forgotten art collected by a face That finally cares.
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Feb 7, 2013
Feb 7, 2013 at 2:58 PM UTC
Diametric
Caedmon’s Face by Michael R. Burch At the monastery of Whitby, on a day when the sun sank through the sea, and the gulls shrieked wildly, jubilant, free, while the wind and Time blew all around, I paced that dusk-enamored ground and thought I heard the steps resound of Carroll, Stoker and good Bede who walked here too, their spirits freed —perhaps by God, perhaps by need— to write, and with each line, remember the glorious light of Caedmon’s ember: scorched tongues of flame words still engender. * He wrote here in an English tongue, a language so unlike our own, unlike—as father unto son. But when at last a child is grown. his heritage is made well-known; his father’s face becomes his own. * He wrote here of the Middle-Earth, the Maker’s might, man’s lowly birth, of every thing that God gave worth suspended under heaven’s roof. He forged with simple words His truth and nine lines left remain the proof: his face was Poetry’s, from youth. “Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula. Keywords/Tags: Caedmon, hymn, Old English, Anglo-Saxon, oldest English poem, Whitby, Bede, Carroll, Stoker Bede's Death Song (circa 731 AD) ancient Anglo-Saxon/Old English lyric poem loose translation/interpretation by Michael R. Burch Facing Death, that inescapable journey, who can be wiser than he who reflects, while breath yet remains, on whether his life brought others happiness, or pains, since his soul may yet win delight's or night's way after his death-day.
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Apr 2, 2020
Apr 2, 2020 at 4:50 AM UTC
Caedmon’s Face
Caedmon’s Face by Michael R. Burch At the monastery of Whitby, on a day when the sun sank through the sea, and the gulls shrieked wildly, jubilant, free, while the wind and Time blew all around, I paced that dusk-enamored ground and thought I heard the steps resound of Carroll, Stoker and good Bede who walked here too, their spirits freed —perhaps by God, perhaps by need— to write, and with each line, remember the glorious light of Caedmon’s ember: scorched tongues of flame words still engender. * He wrote here in an English tongue, a language so unlike our own, unlike—as father unto son. But when at last a child is grown. his heritage is made well-known; his father’s face becomes his own. * He wrote here of the Middle-Earth, the Maker’s might, man’s lowly birth, of every thing that God gave worth suspended under heaven’s roof. He forged with simple words His truth and nine lines left remain the proof: his face was Poetry’s, from youth. “Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula. Keywords/Tags: Caedmon, hymn, Old English, Anglo-Saxon, oldest English poem, Whitby, Bede, Carroll, Stoker Bede's Death Song (circa 731 AD) ancient Anglo-Saxon/Old English lyric poem loose translation/interpretation by Michael R. Burch Facing Death, that inescapable journey, who can be wiser than he who reflects, while breath yet remains, on whether his life brought others happiness, or pains, since his soul may yet win delight's or night's way after his death-day.
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39
Even on the telephone, it's electric, we're hot, sizzling, not diametric. The sound of your breath, your soft whispers, the frantic nature of your commands & you screaming, telling me of curled toes, makes one lose himself so sweetly & completely in the long distance wiring.
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Apr 14, 2014
Apr 14, 2014 at 1:00 PM UTC
Lost In The Long Distance Wiring (The Electric Phone Connection)
A dream without effort is just wishful thinking. Sure, the first step starts in the mind, but action is the true driving force in manifesting your desired reality. The devotion to staying consistent doesn't come easy, your determination will be tested every step of the way. What you draw from your failures will depict either your rise or your fall. Adversity is all apart of the path. Appreciation for the beauty of the destination is realized in the ugliest parts of the journey. Learn to embrace the harshness of the trek the same way you revel in the glory of the summit.
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Oct 5, 2024
Oct 5, 2024 at 6:44 PM UTC
Diametric Coalescence
At Caedmon’s Grave by Michael R. Burch At the monastery of Whitby, on a day when the sun sank through the sea, and the gulls shrieked wildly, jubilant, free, while the wind and time blew all around, I paced those dusk-enamored grounds and thought I heard the steps resound of Carroll, Stoker and good Bede who walked there, too, their spirits freed —perhaps by God, perhaps by need— to write, and with each line, remember the glorious light of Cædmon’s ember, scorched tongues of flame words still engender. Here, as darkness falls, at last we meet. I lay this pale garland of words at his feet. Originally published by The Lyric. “Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula. Keywords/Tags: Caedmon, hymn, first English poem, Anglo-Saxon, Bede, cowherd, monk Bede's Death Song (circa 731 AD) ancient Anglo-Saxon/Old English lyric poem loose translation/interpretation by Michael R. Burch Facing Death, that inescapable journey, who can be wiser than he who reflects, while breath yet remains, on whether his life brought others happiness, or pains, since his soul may yet win delight's or night's way after his death-day.
0
Apr 2, 2020
Apr 2, 2020 at 4:19 AM UTC
At Caedmon's Grave
At Caedmon’s Grave by Michael R. Burch At the monastery of Whitby, on a day when the sun sank through the sea, and the gulls shrieked wildly, jubilant, free, while the wind and time blew all around, I paced those dusk-enamored grounds and thought I heard the steps resound of Carroll, Stoker and good Bede who walked there, too, their spirits freed —perhaps by God, perhaps by need— to write, and with each line, remember the glorious light of Cædmon’s ember, scorched tongues of flame words still engender. Here, as darkness falls, at last we meet. I lay this pale garland of words at his feet. Originally published by The Lyric. “Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula. Keywords/Tags: Caedmon, hymn, first English poem, Anglo-Saxon, Bede, cowherd, monk Bede's Death Song (circa 731 AD) ancient Anglo-Saxon/Old English lyric poem loose translation/interpretation by Michael R. Burch Facing Death, that inescapable journey, who can be wiser than he who reflects, while breath yet remains, on whether his life brought others happiness, or pains, since his soul may yet win delight's or night's way after his death-day.
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26
torn asunder, morality lives in a cave at the edge of society wishing only to be remembered passionate rebels encourage it forth desperate to show that family values live in America still but what is a family? or a value? any people living and working together for a common goal is a family and feel their work is valuable conservative America begs to differ needing to place rules and regulation on concepts and ideas like liberty and freedom forcing a nation of round pegs into a system build on squares by squares for squares and we accept poisoned foods and environmental degradation for the chance to win Megabucks when I die I will haunt all who sit in diametric opposition to idealism and hope unless there is a Christian god…….
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Apr 10, 2014
Apr 10, 2014 at 4:36 PM UTC
the outrageousness of the religious
Worn shoes reverberate off the the time riddled sidewalk. So many steps, impressions, connotations; All similar but singular. Straight lines cut and dash, but their destination is predetermined. Together, yet, alone. The tree leaves create dips of cool compression; made of quasi forms, flowing with rivers of chlorophyll, but, still, diametric in standard. I'm encompassed by all, but amidst none.
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Mar 2, 2017
Mar 2, 2017 at 4:24 AM UTC
Amidst None