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"dialects" poems
Who Am I? Well, I must be that ****** the one in the black hoodie ***** sweatpants and an uncombed eye, that's always wooly scratchy, bloodshot with searching for my stash spot, that ****** in your peripherals that you keep your eye on because he's not in a polo looking nice, talking "well-spoken" and not a threat to your beautiful lily-white daughter. Because I grew up fixing myself ramen noodles and lifting the welcome mat after school, I must also be that ****** whose father wasn't in the same house until he was age 13, and when I tell you that, you weren't expecting it because "you're not a racist." but you weren't surprised. You see, I must be that ****** a stand-in for all other ******* I must be that ****** who represents all ******* not because you are racist, but because I'm the only ****** you've met who doesn't talk like dis, y'know whatmsayin, and i talk like this, do you know what I'm saying? I must be that ****** In order for you to feel okay being around me I must be that ****** who goes to college does the right thing the white thing and gets a job a nice little house, a nice black wife with a nice new england clear dialect, (what I was trying to get at earlier is that ****** dialects, by their mere intonation, denote stupidity, right?) and doesn't say a word when his white friends make ****** jokes or talk in a ****** dialect mocking some Aunt Jemima they heard at Walmart. But, I also must be that ****** who doesn't step out of line and say "WHY IS IT THAT IN EVERY SINGLE ENGLISH CLASS WE READ ONLY TWO BLACK AUTHORS A SEMESTER, AND THAT'S ENOUGH, JUST ENOUGH TO KEEP THE ****** PARENTS HAPPY." And If I happen to be a ****** I, by all means, must not be that ****** who had a white girlfriend, and this girlfriend after dating a ****** tried to date a white guy she liked, and when she told him that she had dated, loved, and yes, ****** a ****** he had said back: "I can't believe you ****** a ****** Then again, I must be that ****** with the big swinging **** able to destroy a white girl's ****** with its pulverizing power. And, please, If I am going to be a ****** don't be the one who writes a poem about having to be that ****** because those kinds of ******* are being over-sensitive, those dashiki-wearing-motherfuckers who think "Da white man dis." and "Da white man dat." Because I am not one of those ******* descended from the first people on earth, your brother, not in the ****** way, but the familial, species way. Why am I even writing this, ****** isn't a main operative word anymore. Search and find ****** and replace with "Black Guy." That way it becomes a joke.
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Nov 30, 2011
Nov 30, 2011 at 7:22 AM UTC
That ******
Who Am I? Well, I must be that ****** the one in the black hoodie ***** sweatpants and an uncombed eye, that's always wooly scratchy, bloodshot with searching for my stash spot, that ****** in your peripherals that you keep your eye on because he's not in a polo looking nice, talking "well-spoken" and not a threat to your beautiful lily-white daughter. Because I grew up fixing myself ramen noodles and lifting the welcome mat after school, I must also be that ****** whose father wasn't in the same house until he was age 13, and when I tell you that, you weren't expecting it because "you're not a racist." but you weren't surprised. You see, I must be that ****** a stand-in for all other ******* I must be that ****** who represents all ******* not because you are racist, but because I'm the only ****** you've met who doesn't talk like dis, y'know whatmsayin, and i talk like this, do you know what I'm saying? I must be that ****** In order for you to feel okay being around me I must be that ****** who goes to college does the right thing the white thing and gets a job a nice little house, a nice black wife with a nice new england clear dialect, (what I was trying to get at earlier is that ****** dialects, by their mere intonation, denote stupidity, right?) and doesn't say a word when his white friends make ****** jokes or talk in a ****** dialect mocking some Aunt Jemima they heard at Walmart. But, I also must be that ****** who doesn't step out of line and say "WHY IS IT THAT IN EVERY SINGLE ENGLISH CLASS WE READ ONLY TWO BLACK AUTHORS A SEMESTER, AND THAT'S ENOUGH, JUST ENOUGH TO KEEP THE ****** PARENTS HAPPY." And If I happen to be a ****** I, by all means, must not be that ****** who had a white girlfriend, and this girlfriend after dating a ****** tried to date a white guy she liked, and when she told him that she had dated, loved, and yes, ****** a ****** he had said back: "I can't believe you ****** a ****** Then again, I must be that ****** with the big swinging **** able to destroy a white girl's ****** with its pulverizing power. And, please, If I am going to be a ****** don't be the one who writes a poem about having to be that ****** because those kinds of ******* are being over-sensitive, those dashiki-wearing-motherfuckers who think "Da white man dis." and "Da white man dat." Because I am not one of those ******* descended from the first people on earth, your brother, not in the ****** way, but the familial, species way. Why am I even writing this, ****** isn't a main operative word anymore. Search and find ****** and replace with "Black Guy." That way it becomes a joke.
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164
Once I undertook a journey, upon the very face of our entire world. To view for myself the many pictures, and written descriptions in all the geography books and History Classes, National Geographic magazines and movies seen. A Quest to see with my own eyes what I had only experienced second hand. In my mid twenties, like a dream, one foot in front of the other, I went about exploring. I sniffed and tasted the scents of foreign lands, Incense, Sage and Frankincense, fish curry, fried snake and even monkey brains. Walked in lush Jungle Bush and Desert sands, Along the shores of Islands and the coasts of many lands. Heard the voices of 30 divergent Dialects and cultures, smiling and laughing with the families and children of all of them. Set beside the fires of primitive tribal men, heard their chants to their gods above, the moon, stars and the sun, the ocean, the land. Clapped my hands and moved my feet in their ancient mystic dances. Drank their tea, Kava or whatever they shared grateful for their offered unselfish brotherhood. Stood on the flanks of the tallest Mountains in the world, on my toe tips, to try to see the face of the God of my youthful teachings, disappointed when I did not see him, or Her. Found instead an inner tranquility, imparted to me by Red robbed Monks from within their chants of Peace and wise earthly enlightenments. Strolled the cobbled streets of two thousand year old Cities. Walked among the ruined remnants of nearly forgotten once great Civilizations. Explored Modern European Citadels' of wealth and learning. Over time rode on planes, ships, buses, backs of open trucks, Horse pulled carts and human drawn rickshaws, taxis, subways, rented motorcycles and cars.  Walked perhaps 1000 miles. In all a journey of the mind and heart lasting three years. And why you might ask, "What qualifies you as a pilgrim of any kind, to travel so far, and wide?" "What was I looking for, what did I hope to find?"   All indeed, fare questions. When a boy, I read a simple five word line, “Seek and thee shall find". Curiosity and Horizon Lust compelled me.   The next obvious question you might ask is, after all that; “What did you find?” That answer is very simple, I found myself.
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Dec 10, 2013
Dec 10, 2013 at 7:14 PM UTC
. . . . . . . . Seek . . .
Once I undertook a journey, upon the very face of our entire world. To view for myself the many pictures, and written descriptions in all the geography books and History Classes, National Geographic magazines and movies seen. A Quest to see with my own eyes what I had only experienced second hand. In my mid twenties, like a dream, one foot in front of the other, I went about exploring. I sniffed and tasted the scents of foreign lands, Incense, Sage and Frankincense, fish curry, fried snake and even monkey brains. Walked in lush Jungle Bush and Desert sands, Along the shores of Islands and the coasts of many lands. Heard the voices of 30 divergent Dialects and cultures, smiling and laughing with the families and children of all of them. Set beside the fires of primitive tribal men, heard their chants to their gods above, the moon, stars and the sun, the ocean, the land. Clapped my hands and moved my feet in their ancient mystic dances. Drank their tea, Kava or whatever they shared grateful for their offered unselfish brotherhood. Stood on the flanks of the tallest Mountains in the world, on my toe tips, to try to see the face of the God of my youthful teachings, disappointed when I did not see him, or Her. Found instead an inner tranquility, imparted to me by Red robbed Monks from within their chants of Peace and wise earthly enlightenments. Strolled the cobbled streets of two thousand year old Cities. Walked among the ruined remnants of nearly forgotten once great Civilizations. Explored Modern European Citadels' of wealth and learning. Over time rode on planes, ships, buses, backs of open trucks, Horse pulled carts and human drawn rickshaws, taxis, subways, rented motorcycles and cars.  Walked perhaps 1000 miles. In all a journey of the mind and heart lasting three years. And why you might ask, "What qualifies you as a pilgrim of any kind, to travel so far, and wide?" "What was I looking for, what did I hope to find?"   All indeed, fare questions. When a boy, I read a simple five word line, “Seek and thee shall find". Curiosity and Horizon Lust compelled me.   The next obvious question you might ask is, after all that; “What did you find?” That answer is very simple, I found myself.
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53
It seems as though we all live in separate worlds.. In that case I'm hitchhiking through the galaxy, won't you come with me? Hitchhike through this galaxy with me! We'll see new and old worlds, hear some odd dialects, remember to bring your guide and babel fish and if we are lost we musn't panic! We'd all love to be hitchhiking through the galaxy, so come on! Hitchhike through the galaxy with me!!
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Jun 27, 2014
Jun 27, 2014 at 2:38 AM UTC
Hitchhike through the galaxy with me
porch talk, simmering in a Bud light sauce everyone chair-rocking, even the boxer dog, in his self-propelled 360 degree swiveling chair eavesdropping and spy eyeballing the farm for strangers and any creatures as of yet, unsmelled get done with weather, the crops, the neighbors, the weird, and the truly neighborly, grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling, bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live, open another Bud for the buds, did I forget to mention farm equipment? skirt politics cause nobody wants any nothing-to-be-done-damn-aggravation, leaves nothing mo’ to ramble on about ‘cept the absent women no worries all above board no secrets uncouthed, but the mood softens as the pale daylight wisps come rarer as now nearer to nine pm, obvious saved the best for last, a very manly-way of ordering things, big silent pauses in the converso conversation, guy-sighs many, as the last essay of the day is being jointly authored, denotating the generalized listings of how they drive us crazy, listing the repetition of ever changing instructions, which doesn't recognize bi-coastal mannerisms,  non-differentiating just  humanism-isms and the peculiarities of each (a list kept) in a compare and contrast, an end of the day summation, and the boasting-outbesting, of each of their specialisms which is sadly now forgotten and which haven’t been brain-recorded so cannot be disclosed other than it’s now ten and all that’s left is to sleep, perchance, to dream, of private things and bigger and better John Deere tractors
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Jun 9, 2018
Jun 9, 2018 at 2:13 PM UTC
Songs of Oregon: No. 4 when men talk about their women, when they are not around
porch talk, simmering in a Bud light sauce everyone chair-rocking, even the boxer dog, in his self-propelled 360 degree swiveling chair eavesdropping and spy eyeballing the farm for strangers and any creatures as of yet, unsmelled get done with weather, the crops, the neighbors, the weird, and the truly neighborly, grandkids escapades, hopes and desires, comparative literature and regional dialects and philosophical dialecticals tickling, bs’ing and tall tale telling,  breathing the windy geography of the air over the land that dictates the how we live, open another Bud for the buds, did I forget to mention farm equipment? skirt politics cause nobody wants any nothing-to-be-done-damn-aggravation, leaves nothing mo’ to ramble on about ‘cept the absent women no worries all above board no secrets uncouthed, but the mood softens as the pale daylight wisps come rarer as now nearer to nine pm, obvious saved the best for last, a very manly-way of ordering things, big silent pauses in the converso conversation, guy-sighs many, as the last essay of the day is being jointly authored, denotating the generalized listings of how they drive us crazy, listing the repetition of ever changing instructions, which doesn't recognize bi-coastal mannerisms,  non-differentiating just  humanism-isms and the peculiarities of each (a list kept) in a compare and contrast, an end of the day summation, and the boasting-outbesting, of each of their specialisms which is sadly now forgotten and which haven’t been brain-recorded so cannot be disclosed other than it’s now ten and all that’s left is to sleep, perchance, to dream, of private things and bigger and better John Deere tractors
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Shabash Shābāsh (Hindi: शाबाश, Urdu: شاباش, Punjabi: ਸ਼ਾਬਾਸ਼, Bengali: শাবাশ, Telugu: శబాష్) is a term used in the Indian subcontinent to signal commendation for an achievement, similar in meaning to bravo and kudos. …………………………………………… a poem writ sometimes, oft, snaps back, I was surprising recipient of a commendation in language I knew not the poem spoke well of broken boundaries, between in this instance, Jew and Muslim, capturing a momentary parting of the seaways and walls of misbelief and mischief, normally employed to keep our divisions, parted perpetually I’ve decided to begin to use shabash now, my ‘go to’ word from now on, a small quiet way to say well done it starts with one word, a stretching hand across the face fence, imagining John Lennon’s imagine-world, who lay dying when I was a young father of thirty, me residing less than a mile away from each other little could I imagine then that poetry would pick me at all, especially to write of words in dialects I don’t speak, but imaging their pastel colorations flying by in gentle breezes, eager to be grabbed, plucked from the air, tongued and loved so! when I say to you, in the softest spoke, shabash! to all of us, for choosing this path, using your words in every dialect, to spread the imagination of good will 8-4-2019 10:10 am S.I.
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Aug 4, 2019
Aug 4, 2019 at 10:28 AM UTC
Shabash! (Hindi: शाबाश, Urdu: شاباش, Punjabi: ਸ਼ਾਬਾਸ਼, Bengali: শাবাশ, Telugu: శబాష్)
The finest singer in the sea I heard upon this morn And in that strange sonorous tone A universe was born The low melodic wailing touched And roused me from my sleep As the humpback lithe and languid Made a turn and sounded deep And as my mind awakes it turns To whales large and small To the snowy white beluga The canary of them all The clicking bursts of ***** whales And the California grey The fin whale speaks across the sea To those a world away The short and longfinned pilot whales With whistles quite complex The striking graceful orcas Speak in different dialects But it is the great blue whale That makes the loudest cry Though it is far too rare today With such an awful why But on this wondrous morning I Am filled with joyous glee That God has given life to whales And gave to them the sea Cori MacNaughton 24Oct2000
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Jun 11, 2015
Jun 11, 2015 at 2:20 PM UTC
Upon the Songs of Whales
Against the rubber tongues of cows and the hoeing hands of men Thistles spike the summer air And crackle open under a blue-black pressure. Every one a revengeful burst Of resurrection, a grasphed fistful Of splintered weapons and Icelandic frost ****** up From the underground stain of a decayed Viking. They are like pale hair and the gutturals of dialects. Every one manages a plume of blood. Then they grow grey like men. Mown down, it is a feud. Their sons appear Stiff with weapons, fighting back over the same ground.
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Thistles
I believe in one church. I believe in an inter-racial and unbiased church of many nations. I believe in one church of many traditions. I believe in one church not hemmed in by history or by man-made borders. I believe in a God for whom his pallet of skin colours reflects his love of diversity. I believe in God-given racial difference. I believe in one creator God who made all humankind equal. I believe in Christ’s one church that reflects our maker's love of difference. I do not believe in uniformity. I believe in the Christ’s common language of love for one another, for neighbours and for enemies that transcends local dialects. I believe in one sundry collection of priests who are called by Christ to serve one God together, saved by His one sacrifice once and for all time. I believe in the promise of one resurrected church drawn from all nations, from every generation to meet her bridegroom, Jesus Christ. I believe in one eternal wedding feast at a table prepared by God which features everything from the finest vegetable samosas to the richest steam puddings. I believe in one extravagant Father who has built one massive mansion with many rooms so all his people can come and dwell together. I believe in God's Kingdom come.
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Jul 12, 2016
Jul 12, 2016 at 8:23 AM UTC
Manifesto
The beloved country Africana can boast of is Ghana. The manana of Africana black star is Ghana A nation rich in culture and natural pasture. Its nature reflects the creatures’ caricature We are black reflecting our true beauty. And we are packed with captivating ability. The typicality of our nationality brings unity. Who knows whether our safety lies in our variety? This unity amidst our diversity is our reportage. About twenty-four million are surviving in our age. Over sixty ethnic groups and fifty-two major languages. There are hundreds of dialects which are to our advantages. In W/A, Ghana records the highest percentage of Christianity… Yet the modernity of our sanity portrays minds of malignity. But the fraternity of our humanity builds our community. The variety of our morality and privity builds our society Who said Ghana cannot be capaciously superfluous? We have the very illustrious and exuberant resources. The elites and the voracity are harnessing the recourses. The destitute remains poor and the gentry linger the forces Our democratic government is an African paradigm. Our peaceful political regime is of no pantomime. Who of course would help us measure corruption? The whole nation would have tensed up to eruption. If not the gargantuan wayomelogy of the wayometer. Who knows whether the next tool would be attameter? Who wouldn’t love to be a proud Ghanaian to enjoy our hilarious fila and jargons tongue can employ
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Mar 22, 2012
Mar 22, 2012 at 7:52 PM UTC
GHANA IS CAPACIOUSLY SUPERFLUOUS
Diaspora From the Greek When I heard the word I felt it And I looked it up In my old red dictionary I could have used the Internet, I suppose But I like to run my forefinger down pages Of words I read the definition And I felt it Oh Oh We are diaspora. Am I using it correctly? We are a diaspora. Diaspora From the Greek From the green valley of Ottawa From Scotland From Ireland on wooden boats From the French village thirteen children From the mines in the North From Poland and from Germany From the churches and From the Blueberry patches From the Island Manitoulin From the dark lake Kagawong From Kinburn and Arnprior From Markstay and from Sudbury From Waterloo From Kitchener, Michener From the Suburbs Oh From the Suburbs From the red bricks, red currants And geraniums From green island cabins From the desert Oh From the desert From the potholes and pipes From the salty wind Cracked Caspian Sea From the middle of the east of nowhere. From the mountains Oh From the mountains From the crystal water fountains From the tram bells On the cobblestone streets From the torrents of the Rhein From the white cross Oh From the white cross On the green hill From the river Laurence From the French and from the English Plains of Abraham We are diaspora We are a diaspora Diaspora From the Greek How did it end up here on my tongue? It is diaspora. It is a diaspora Diaspora is a diaspora And I wonder if it misses its other pieces The way that I miss mine Ours There is no Roping us back together now There is no Home to go back to There is no Point of meeting Of reunion No White steeple in our old town No Yellow slide in our backyard No Old folks on an old farm No Walled house on a hill No Luzernerring 93 No Familiar riverwater There is no Ancient Greek anymore Diaspora Only fragments of fragments Of roots of stems of words In different dialects There is no Place for you to belong, Diaspora You’ve been sliced to pieces And scattered Into the wind But When people ask you Where you are from You say simply From the Greek Oh From the Greek And When people ask me Where I am from I say simply From the diaspora.
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Oct 19, 2015
Oct 19, 2015 at 10:50 AM UTC
From the Greek
Diaspora From the Greek When I heard the word I felt it And I looked it up In my old red dictionary I could have used the Internet, I suppose But I like to run my forefinger down pages Of words I read the definition And I felt it Oh Oh We are diaspora. Am I using it correctly? We are a diaspora. Diaspora From the Greek From the green valley of Ottawa From Scotland From Ireland on wooden boats From the French village thirteen children From the mines in the North From Poland and from Germany From the churches and From the Blueberry patches From the Island Manitoulin From the dark lake Kagawong From Kinburn and Arnprior From Markstay and from Sudbury From Waterloo From Kitchener, Michener From the Suburbs Oh From the Suburbs From the red bricks, red currants And geraniums From green island cabins From the desert Oh From the desert From the potholes and pipes From the salty wind Cracked Caspian Sea From the middle of the east of nowhere. From the mountains Oh From the mountains From the crystal water fountains From the tram bells On the cobblestone streets From the torrents of the Rhein From the white cross Oh From the white cross On the green hill From the river Laurence From the French and from the English Plains of Abraham We are diaspora We are a diaspora Diaspora From the Greek How did it end up here on my tongue? It is diaspora. It is a diaspora Diaspora is a diaspora And I wonder if it misses its other pieces The way that I miss mine Ours There is no Roping us back together now There is no Home to go back to There is no Point of meeting Of reunion No White steeple in our old town No Yellow slide in our backyard No Old folks on an old farm No Walled house on a hill No Luzernerring 93 No Familiar riverwater There is no Ancient Greek anymore Diaspora Only fragments of fragments Of roots of stems of words In different dialects There is no Place for you to belong, Diaspora You’ve been sliced to pieces And scattered Into the wind But When people ask you Where you are from You say simply From the Greek Oh From the Greek And When people ask me Where I am from I say simply From the diaspora.
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113
Thank you, tourists For pausing. For capturing Every moment. Your cameras draped, Quivering below your necks Your necks rosy with sun. Sunscreen scents Swarm the air But the air bursts Diverse Dialects, Dogmas, and Dreams. Thank you From a resident, A student, A visitor, A wanderer. Thank you For immobilizing Glorious minutes For impeding time Just for a moment. For acknowledging- So that those who neglect to notice, Once again realize their riches. Thank you For your quiet grins As you regard The world. Thank you, travelers.
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Apr 16, 2015
Apr 16, 2015 at 6:08 AM UTC
Ode to Tourists
my mist expires in your atmosphere linen sheets adhere around my throat, no fear smell pheromones in the air it's crystal clear, my dear i am amiss without you near self-controlled white-knuckle hold now conquered cold and longing to spy a songbird if only for a single moment and nothing longer i am somber but mighty fond of her strong enough to say it still and stronger now to do smart enough to ponder it here but dumb enough to squander it too red hearts are lies beating blood flows blue it is true, did you hear? i'm amiss without you near i thought we were musketeers turns out you're the puppeteer pulling my strings, was as I feared another way to ingratiate and endear while I'm tied here waiting to hear a footstep to take the next step another level for this intimate project but from this aspect with all due disrespect you subject me to intense neglect you're a ****** architect speaking scintillating dialects only I can connect but I am a bad girl... so I guess I deserve it my favorite show now that you mention is when you are standing at attention you brighten your eyes and your voice changes inflection my indiscretion becomes your intention but I digress, and bite through, throughout this blissful rendezvous as we float like a feather into the bedroom together past dawn until noon it must be true i am amiss without you
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Jul 16, 2025
Jul 16, 2025 at 11:16 AM UTC
I am amiss without you
SHIVA (Bijoylakshmi Das) The silence of night scares you With its eerie thoughts Ever azar with doors wide open To give vent to unrestrained dreams, Never letting you to rise above The mundane laws of existence. Do you ever think of SHIVA The eternal principle of the Sublime? Sitting alone on the peaks of the Himalayan silence, Speaking to you in His divine muse- Of ineffable ecstasy. The body is not all. That obeys the physical laws, The mind is not all. That listens to odd yearnings. And the spirit too is not your limit. You have to go beyond Far beyond life's petty limitations To reach Truth, Consciousness and Bliss. SHIVA, the enlightened. Which translates human dialects Into an indefinable divine hieroglyphic. SHIVA, the Supreme Creates the Universe, Rules it too, Annihilates when Harmony loses its identity. The universal principle of Love Gets bewildered in empirical rules of earthly existence, And Spirit fails to rise above, SHIVA opens His Third Eye, In its piercing gaze All lights fade and The fugitive human mind finds no sojourn He warns you. Arise, awake To reach your goal Beyond the earthly ken. (Bijoylakshmi Das Haridwar)
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Jan 13, 2020
Jan 13, 2020 at 7:31 PM UTC
SHIVA
Spanish Guitars A few years ago, in 2011, I went to a concert of young classical guitarists.  Just before or after, I don't recall, I saw an exhibition of Picasso's guitars at the Museum of Modern Art in NYC (http://www.moma.org/visit/calendar/exhibitions/1101). This poem ensued.  This is one of the lost poems I mentioned, recently rediscovered on an archaeological dig. Spanish Guitars two weeks pass. I have seen two guitars one of wood, one of sheet metal. both were alive, both were inanimate both birthed for display, useful for granting pleasure and heating up le jus d'creation products of a tradesman's craft, animated to pierce my brain and pleasure me with the realization that when you see what I see When you, you hear, What I see we all perforce speak but one language, an alphabet of music, art and love A young, oh so most beautiful Croat guitarist girl, Ana, coaxes an urgency from her love, the blonde wood, she takes Piazzola's notes, as if they were Picasso's thoughts and set them within so days later, the resonance plucks at my temples Picasso, like a little boy, collects collaged bits and pieces of life's stuff most ordinary, postage stamps, playing cards, wallpaper, pieces of cardboard, cutouts from Le Journal, and with fingers delicate sticks and glues discrete notes, individually nothing but pieces of this and that, bits and bobs superimposed on faux woodwork, presenting an instrument tooled to conjures up a milonga^, the sounds of angels dying, a fandango of trembling tones a sonnet of sounds, celebrating human touch upon animal, strings taut, feasts both, a banquet, a  triomphe of sounds that tutors my senses to hear sheet metal guitars imprisoned in museum glass gush sounds of parallel lines and delicate contrasts, A duet of animate, inanimate Virtuosity All is clarified. One language. Many dialects. Both, Spanish guitars. ^ a milonga has many meanings, but here, refers to a Argentine tango dance party
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Aug 21, 2013
Aug 21, 2013 at 1:14 AM UTC
Spanish Guitars
Spanish Guitars A few years ago, in 2011, I went to a concert of young classical guitarists.  Just before or after, I don't recall, I saw an exhibition of Picasso's guitars at the Museum of Modern Art in NYC (http://www.moma.org/visit/calendar/exhibitions/1101). This poem ensued.  This is one of the lost poems I mentioned, recently rediscovered on an archaeological dig. Spanish Guitars two weeks pass. I have seen two guitars one of wood, one of sheet metal. both were alive, both were inanimate both birthed for display, useful for granting pleasure and heating up le jus d'creation products of a tradesman's craft, animated to pierce my brain and pleasure me with the realization that when you see what I see When you, you hear, What I see we all perforce speak but one language, an alphabet of music, art and love A young, oh so most beautiful Croat guitarist girl, Ana, coaxes an urgency from her love, the blonde wood, she takes Piazzola's notes, as if they were Picasso's thoughts and set them within so days later, the resonance plucks at my temples Picasso, like a little boy, collects collaged bits and pieces of life's stuff most ordinary, postage stamps, playing cards, wallpaper, pieces of cardboard, cutouts from Le Journal, and with fingers delicate sticks and glues discrete notes, individually nothing but pieces of this and that, bits and bobs superimposed on faux woodwork, presenting an instrument tooled to conjures up a milonga^, the sounds of angels dying, a fandango of trembling tones a sonnet of sounds, celebrating human touch upon animal, strings taut, feasts both, a banquet, a  triomphe of sounds that tutors my senses to hear sheet metal guitars imprisoned in museum glass gush sounds of parallel lines and delicate contrasts, A duet of animate, inanimate Virtuosity All is clarified. One language. Many dialects. Both, Spanish guitars. ^ a milonga has many meanings, but here, refers to a Argentine tango dance party
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67
it started with tea and amber eyes. we watched as the rain fell, pattering against the window as the trees swayed under the direction of the wind. just relaxing together against the pillows and breathing in chai and petrichor in kind. they didn’t speak my words, nor i theirs.   but for a while, we were happy. when they left, I didn’t cry. __________________________________________________________ it started with a bus and eyes like whiskey. we cuddled on the drive while watching the antics of our friends, laughing as they teased us. just enjoying each others presence and smiling together. we knew we spoke different words, but that was fine. they found someone else's words to breathe.   they had their sky and engines. i had my books and stars. we parted as friends, having beautifully, briefly, shared a world. you cannot grieve what you did not cherish, and my eyes stayed dry. ___________________________________________________________ it started with music and eyes like the sea when it's clear. we talked til we were hoarse and learned about our hopes and dreams, the things we love. just learned and learned until we couldn’t hold anymore in our heads. i spoke their words and they spoke mine. but our dialects were different, and the accents of our thoughts made it difficult to understand. in the end, the language barrier was too much, and we could no longer talk. this time the tears fell, this time it hurt. but eventually, peaceably, the heart moved on.
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Apr 20, 2018
Apr 20, 2018 at 11:32 AM UTC
Short Stories
it started with tea and amber eyes. we watched as the rain fell, pattering against the window as the trees swayed under the direction of the wind. just relaxing together against the pillows and breathing in chai and petrichor in kind. they didn’t speak my words, nor i theirs.   but for a while, we were happy. when they left, I didn’t cry. __________________________________________________________ it started with a bus and eyes like whiskey. we cuddled on the drive while watching the antics of our friends, laughing as they teased us. just enjoying each others presence and smiling together. we knew we spoke different words, but that was fine. they found someone else's words to breathe.   they had their sky and engines. i had my books and stars. we parted as friends, having beautifully, briefly, shared a world. you cannot grieve what you did not cherish, and my eyes stayed dry. ___________________________________________________________ it started with music and eyes like the sea when it's clear. we talked til we were hoarse and learned about our hopes and dreams, the things we love. just learned and learned until we couldn’t hold anymore in our heads. i spoke their words and they spoke mine. but our dialects were different, and the accents of our thoughts made it difficult to understand. in the end, the language barrier was too much, and we could no longer talk. this time the tears fell, this time it hurt. but eventually, peaceably, the heart moved on.
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25
Green fatigue smothers the mind as purple smoke drifts in the breeze.  The earth comforts with shimmering grass, but these illusions never last. Time begins its chaotic spin.  Voices call out.  Many languages and dialects I hear.   A dragonfly hovers, my eyes become hers. The green fatigue fades, the smoke fragments, the voices so far below.  Slowly we rise, leaving everything behind. Freedom on a wingtip, together we fly.
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Sep 19, 2018
Sep 19, 2018 at 4:36 AM UTC
Wolf Den
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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Aug 22, 2013
Aug 22, 2013 at 12:36 PM UTC
The Summer Alphabet of Woman (I Speak Woman)
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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71
***perhaps if you are one of the few multiyear variates,   still here, still seeking solutions to the equations of human formulation, one of the veterans of the early word wars, when the line between fellow poet and human being was full of invitational openings, tween those dots and dashes, we all eagerly entered those places, crossing over into those human openings, making poets into friends***^ yes, we were social for the humanity patented in the very word social we encouraged, we critiqued wearing a flag made from the fine fabric of fellowship, crossing global borders and time zones, even planets, with only a hand-made poetry passport constructed from the tissues of our hearts each one of us, A Little Prince, lost from other worlds, but all found ourselves together in a hospitable desert so strange, we found companionship, genuine in ways that make me weep when I recall it, so many aviators, flying low, neath the radar screen, speaking one language of a thousand dialects the networking was spontaneous, friendships formulated, real hugs exchanged, no ulterior purpose, no quantity of glory sought, no favors traded, there were friends, not followers, just sharers we valued the first amendment of our lives, the right to speak freely in poetry ***I wish you had been there, here, back then***
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Jul 16, 2015
Jul 16, 2015 at 8:21 AM UTC
You Weren't There: The Early Days of HP
I found a staircase carved into thunder Each step a tooth pulled from sleeping beasts The air tasted of copper And half-remembered hymns I climbed until my name fell off my shoulders And rolled back into the darkness like a coin Mirrors waited Cracked and sighing with old weather And when I reached for one It bit my hand A lantern swung from the jawbone of a tree Older than remorse Moths gathered like ash in my mouth And taught me to speak In vanished dialects Even the silence had a pulse I tried to pray once But the sky folded its arms Every word transformed into wolves Who wouldn't approach me The horizon was a wound stitched with lightning Far below Cities slept in the stomachs of drowned bells Their windows flickering with dreams left unclaimed I wanted to wake them But my hands resembled rivers And everything I touched forgot its shape By dawn I had grown antlers made of frost And a mouth full of rain The staircase ended in nothing Except the sound of wings Turning to glass
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Aug 1, 2025
Aug 1, 2025 at 4:57 AM UTC
Rend
In the hard and cold city There were no Two a.m. train whistles… Sometimes Window rattling hip-hop woofers… The occasional Tequila soaked domestic dispute… and the like… Leaving me now Laying in the darkened silence feeling Vintage… Imaginary whispers of Brook Benton “…feel like it’s rainin all ova the world” Subliminal theme music Setting the ambiance for Trying to think of something Not cliché to say about the Two a.m. train whistle in the distance... Cuz I still Often wake to the Absences of Warbling sirens of high speed chases … and Fusion of passing dialects beneath my window That I never really heard…until I didn’t hear them … Replaced with Fat plops Of nocturnal rain drops… Far away clack-a-lack of iron wheel on rail… Silence… ...and that lonely Two a.m. train whistle in the distance…
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May 7, 2013
May 7, 2013 at 12:34 PM UTC
Silence and 2 a.m. Train Whistles
The face of South Africa is a multicoloured face hair of various ethnicities eyes from blue to black many languages,dialects and slang customs and culture a kaleidoscope What is a South African? Can one really define? Except by the beat in the heart of the one birthed in this nation or adopted this as home White, Black,Coloured, Indian, Chinese... the list goes on and on... I am a South African
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Nov 26, 2014
Nov 26, 2014 at 6:46 AM UTC
The Face of South Africa
Outside I have no influence People are born where they shouldn't be Objects of consumption end up in gutters Chemicals that will slowly erode me Are put in the drinking water A handshake seals the fate of some low lying town Which is to be flooded for hydroelectricity The chaos creates a fjord with a great variety of fish Until catfish take over and an algae that wasn't meant to leave a laboratory in Italy takes over and makes the water toxic People wrestle with notions that no one else will understand and that none of the many world dialects can express Dogs **** where they shouldn't And it is only a dim reprieve in a cavernous darkness that I know the order of my shampoo bottles Or that a weeks worth of muesli lies in one of my cupboards Or that my scarf hangs on that chair by the door And yet the landlord Is a vulture That is trying to take This last scrap of rotting meat Away from me
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Nov 11, 2013
Nov 11, 2013 at 5:25 PM UTC
Untitled
Crick crack, crick crack the Grey pebble starts to fall it starts to fall into the darkness the magnetizing darkness of loss, hatred, selfishness, and confusion when the pebble hits the ground nobody knows It doesn't make a sound because nobody dares to hear but it does in fact makes a sound but whose is around to travel with the pebble to hear it's crying sound of desire a desire to be known to be sought after to be discover.... A tear drop on the pebble it drip from my eyes as I look into the Grey skies I close my eyes and took a deep breath I felt hands pushing me. Different sizes and ethnicities, voices of different tones, language and dialects all telling me the same thing To Jump... I DID, I ****** DID ALRIGHT? and I did... It wasn't graceful, it only survive for 3 seconds by then I already hit the ground my body is an unrecognizable trash with splatter compressed blood But the pebble didn't get mark At least the pebble was heard **** I committed suicide” All because they have forgotten to attach the rope....
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Apr 11, 2014
Apr 11, 2014 at 12:15 PM UTC
Pebbles and Suicide
I walked all alone a small city sometimes it dialects into three districts other times I am lost like a baby born who has been put to live they say we have free will I laugh with misery in me my heart pounding and I question why I was born at all I spent my lifetime reading, books are gentle friends it is a give and take game you isolate hours and fall with no consent into another brain whether it is dead or alive you fall you say you do not care but you read and read you feel less lonely even though, you spend your nights in your room candles lit, your demons are awake and they are next to you haunting you 3 AM and you are still holding that book wondering if you have ever really existed do or do not right and wrong does it matter? you fly from your third dimension and throw yourself in Andromeda loneliness is eating your insides they think you are insane but you are too woke to stop nourishing your brain, with whatever seems boring and useless to the majority. But we are the minority, we see the world the way it is.
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May 24, 2019
May 24, 2019 at 2:00 PM UTC
literary nonchalance
The World Picnic, 8,000,000,000 sisters and brothers, 7,000 languages and dialects, no borders, one ocean, nothing missing except wars, weapons, racism and hate, skins of all colors, joy and love, no money, just honey, all kinds of music and foods and cultures, dancing through the night, laughter all day long, clean water, fresh air, caring and sharing, owning only a right to be free, a responsibility to be kind to all others, no jails and prisons, but Love Centers instead, helping, not hurting, realizing the sacred in all, liberty, equality, fraternity, finally PLANET PEACE. TOD HOWARD HAWKS
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Dec 11, 2022
Dec 11, 2022 at 11:03 AM UTC
THE WORLD PICNIC