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Marian Mar 2013
Dewdrops shining in the sun
On the sweet hibiscus blooms
Sweet orchids open their satin petals
To greet the sweetly shining sun
Against the royal blue sky
With pink cotton candy clouds
Floating across the pretty sky
Like a slow dream or illusion
Too good to be true
Winding meadows and roaring waterfalls
Make sweet pictures of landscape
Mountains high and ravines sharp
With huge boulders
Paths rocky and steep
Such a lovely place

**~Marian~
Marian May 2014
Dewdrops On The Grass Sparkle
Like A Rope Of Diamonds

*~Marian~
Another 10w Poem!! :) ~~~<3
Please Enjoy It!!! :) ~~~<3
Samantha Feb 2013
Dewdrops on petals
Hard to differentiate
From my own teardrops
Amitav Radiance Apr 2014
I am like a dew drop on the edge of a leaf
Cautiously balancing on tip toes
Another dew drop appears next to me
A whiff of soft wind sways the leaf
We start pirouetting on the edge
Balancing with all the skills we have
Finally, we bond together
Different, yet unrecognizable now
A ray of light passes through us
To create a beautiful rainbow
It’s just the dewdrops


© Amitav (Radiance)
Kelly Rose Nov 2014
She lives her
life within
the mist
Her true
reflection
hidden
within the dewdrops
11/19/2014
Chris Jul 2015
~

A bashful sunrise
peeks through the curtains
as we greet the dawn
beneath satin sheets
creating our own
glistening dewdrops
before a wide eyed
*blushing horizon
Good morning beautiful  :)
Thinking Doc Jul 2015
Dewdrops are the testimony of
Nature, rejuvenating everything, always
10W
Marian Jan 2013
Cicadas and katydids are calling
Breezes blow in from my open window
Roses are blooming and leaves are falling
The moon's rays hitting my lawn look like snow
Owls are singing from majestic trees
While sweet Bluebirds are sleeping in bushes
Night dances through the softly blowing breeze
And Midnight silently the world hushes
Dewdrops like jewels shine on roses sweet
And the stars twinkle all through the calm night
While the Fairies dance on enchanted feet
And the moon happily shines very bright
And I under my warm covers doth sleep
Until pretty morning brightly doth peep.

*~Marian~
Flower Scent Nov 2010
The Wistful leaf leaps

in the garden of my heart

chasing long lost dreams
senryu  form 5-7-5
Andie Beier May 2013
what sound!?
god's surprise
smack to dictate
needed her words
formulate doubt
from the hillside
curious answer
feeding his curse

grab her by the arm
gently
time to go
tonight
we ride tonight
following heart
to the edge of the end
tonight
we ride tonight

if the fallen sore
seeks the golden shore
what can we offer
the muse that is fueling
our destiny back to the throne?
and if the festered rose
abhors in its death throes
then how can she bargain
with those who have wagered
she'd never abandon her own?

she'll lie
awake
haunting dreams
she'll ride
always
to the end
solely her own
david mungoshi Jan 2016
waiting for something to happen
gives a false sense of motionlessness
but that's all in the mind

waiting for someone to notice you
takes forever and that's sure and true
but again that's all in the mind

the moments that stretch endlessly
and those that pass all too quickly
are really no different

our frantic little dances in the world
must look to some god out there
like the ants we watch as they wander

and these forever moments of pain, suffering
or solid success unlimited in scope or duration
are mere dewdrops in the scheme of things

thus i ask in utter bewilderment
how we explain eternal damnation
in proportion to the whiffs our lives are
Lora Lee Jan 2016
You rise up
        in the room
of my heart
like those gentle
       spirits,
Nightly
you whisper words
that trip over
         the tongue
and slip down
the silk of my body    
        swirling and whirling
into silvery dreams
as I sleep
       weaving patterns
in my mind
and staining my thoughts
        with love

My thoughts
have  become
      as iridescent
as tiny pearls
of dewdrops
     They are enough
to fill a spider's web
and make it sparkle
      They are enough
to quench my aching thirst
for each one is filled
         with whole worlds
other dimensions
that only we,
     in our secret language of
matching souls,
can behold
jane taylor May 2016
in the heart
of the night
a slice of moonlight
cascading
beckoned

i rouse
its mesmerizing lure
gently stirs
a hazy
remembrance

entranced
from shadows i emerge
hearkening its echo
you’re dreaming
awaken

its shimmering light
engulfed me
prying open my stubborn eyes
in the onyx
darkness

its silver glow
enticed me outside
i stood silent
whilst glistening dewdrops
danced on my toes

a sterling lunar crescent
enlightening midnight
softly
serenades
me

wake up
life’s a trance
you’re
hypnotized
mesmerized

in an ocean of emptiness
i heard
a celestial orb
calling
and ne’er slept again

©2016janetaylor
Amy Apr 2016
Dewdrops on the grass.
The moment they enchanted with.
The Image was so gentle and tender.
The Sensation was so intense and tempting.
Hold tight and glistening tiptoes no shaken off.
While sun's out there's no longer stay..........
the moment they enchanted with.
Simoun Pelagio Dec 2014
a little of blue,
as you might know little Sue,
is and can form dew
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
She saw the world through a camera lens
And that's just how it was
With filters and Glares from strangers
Who didn't feel the sun
She took photos of the rain
And dewdrops on the grass
Of smiling warm faces
And things that were just crass
She dreamt of her pictures
Under bylines and over books
Her documents of others
Filled with stills that could speak words
She took pictures of her girl
Who was black and blue in depth
Who wanted to be colored
But her filter shown red
She captured her in pain
And in her rare bright smiles
She told her that things
"Just take a while"
She made portfolios and scrapbooks
Of their adventures and their muse
She never knew that her girl would take her life
At a quarter after two
She cried and cried weeks to days
Until the tears just stopped
When she took a photo of the rain
And felt her sadness drop
It shattered all around the floor
And she fumbled with the keys
She printed all the pictures
And posted them with ease
She scattered them around the town
Then fell down to rest
For she could feel a burden being
Lifted off her chest
she went to the school
Of the boy who had hurt her
And her girl
She stood up
She told them
"Has she finally done enough?
She ripped her skin with blades
And fasted for days.
She lit skin on fire
Just because you are liars.
Look at this picture
Do you see her
Look mister
She was beautiful
Yet you made her feel
Like she was void of zeal
You're the ones who told her what to do
And she took her own life
Just like you told her to do.
Are you happy now!
Or are you feeling blue
Are you regretting what you told her to do!"
And with a single crack
Of a baseball bat
she took a picture
Of there bodies cracked shells
As she plumbed them to hell
She saw that red filter
And she felt the pain inside
She could feel herself laugh
Mania arise
The she took one final shot
A picture with the the two
Then killed herself to rise anew
And she got her picture under bylines
And became famous for her art
For everyone loves the artist
Who kills for their art.
Hilda Mar 2013
~~~~English~~~~

Such beauty takes away my breath
As the sunrays shine across the peaceful path
The trees of this forest sway and nod in the dancing breeze
Which caresses my cheeks

Pastel clouds in the watercolor sky
Makes the forest with its path beautiful
And birds sing and warble in the tall treetops
God alone creates this beauty

The bluebells bordering the path
Are kissed by sparkling dewdrops
And snowdrops have long come out of
Their veil of snow

Lacy green leaves from the blowing trees
Provide shade in the sweet summer
And the breezes provide coolness on a hot day
At this lovely place of beauty

~~~~French~~~~

Une telle beauté enlève mon souffle
Comme les rayons du soleil brille à travers la voie pacifique
Les arbres de cette forêt se balancent et hocher la tête dans la brise dansante
Qui caresse mes joues

Pastels nuages dans le ciel aquarelle
Rend la forêt avec son chemin belle
Et les oiseaux chantent et modulées dans les hautes cimes
Dieu seul crée cette beauté

Les jacinthes qui bordent le chemin
Sont caressées par les gouttes de rosée mousseux
Perce-neige viennent depuis longtemps de
Leur voile de neige

Dentelles feuilles vertes des arbres de soufflage
Fournir de l'ombre en été douce
Et les brises offrent fraîcheur par une chaude journée
À ce bel endroit d'une beauté

**~Hilda~
Sky Mar 2016
And, holding you, I forgot
I forgot the secrets of the night,
Dissolving in the morning light
Like dewdrops in the sun
The hidden dark things
vanished from my mind
As your kiss sent me whirling
They left barely even a shadow behind
Holding you, I forgot
That there were ever tears.
I've got the children to tend
The clothes to mend
The floor to mop
The food to shop
Then the chicken to fry
The baby to dry
I got company to feed
The garden to ****
I've got shirts to press
The tots to dress
The can to be cut
I gotta clean up this hut
Then see about the sick
And the cotton to pick.

Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.

Storm, ******* from here
With your fiercest wind
Let me float across the sky
'Til I can rest again.

Fall gently, snowflakes
Cover me with white
Cold icy kisses and
Let me rest tonight.

Sun, rain, curving sky
Mountain, oceans, leaf and stone
Star shine, moon glow
You're all that I can call my own.
d letwixt Oct 2018
Dewdrops on the grass
Shudder in the new sun
as they disappear
Sibyl Vane Mar 2014
"She will dance with me,"
He murmured to himself,
"If I bring her a white rose,
Pure as a snowflake,
And sweet as a summer day."

Sitting there in the garden,
His blue eyes fell shut
As the wind ran her fingers
Through his dark hair.
His lips parted in a sigh,
Enjoying the warm afternoon sun
And the thoughts of the one he loves.

"His is the song I've sung
My entire life,"
Chirped the little nightingale,
"Without knowing it,
I have told his story a thousand times
To the moon and the stars
That light the night sky.
I've sung of hope and joy
And True Love and
Happily Ever Afters
To the trees and the flowers
That in this garden grow."

But the young man cried,
"But I have no rose to give her!"
He covered his face with his hands
And cried.
His whole body shook
As the hope for real love,
The kind that many people
Spend their whole lives looking for
In all the wrong places,
Flew away in the wind.
"She'll never realize I am the one for her,
If I cannot find a white rose
And ask her to dance,"
He cried.

The little nightingale's heart was touched
By the young lover.
She cried out her song for him,
For all the lost loves in the world.
He, she determined, was not going to be one of them.
The nightingale decided that
She would find him a rose,
With which he could woo the girl he so loved.

She flew on delicate wings to the rose bush
That grew beside the fountain.
"If you would give me a pure white rose,
I will sing you my sweetest song
All the nights of my life."
But the rose bush answered,
"I have only yellow roses,
Bright as lemons and sunshine,
And sweet as springtime honey.
Ask my brother who climbs the arbor,
He may give you what you desire."

So the sweet nightingale flew to the rose vine
That was tangled on the arbor.
"If you would give me a pure white rose,
I will sing you my sweetest song
All the nights of my life."
But the rose vine replied,
"I have only pink roses,
Pink as a maiden's blush
On the day she weds her beau.
Ask my brother who grows
Under the young man's window.
He may give you what you desire."

So the nightingale flew to the rose bush
That grew under the young man's window.
"If you would give me a pure white rose,
I will sing you my sweetest song
All the nights of my life."
To which the rose bush replied,
"I have only red roses,
Dark and rich as faerie wine,
Red as the blood of your heart,
Sweeter than stolen kisses under the moon.
But I can give you a white rose."
Filled with hope and joy,
The nightingale replied,
"I will give anything for a white rose,
What must I do?"
The rose bush shook its petals sadly.
"The way is too awful.
I cannot tell you."
The nightingale knew the value of love;
She would do anything for the rose.
"There is a way, little bird.
By moonlight you must come close
And press you breast against my thorns.
Love is sharp and you must not be afraid.
You must sing your sweetest song all night,
And press closer to me,
Until my thorn pierces your heart
And all your heart-blood runs out.
It is the only way."

The nightingale thought about this.
"What price would not be paid for love?
How much greater is the love of this young man
Than the life of a little bird?
This I will gladly do,
For true love's sake."

So the nightingale flew across the garden,
Where the lover had not yet dried
The tears from his eyes.
His cheeks were stained
Pink with his sadness,
His eyes shimmered with tears yet unreleased.
She sang to him to be hopeful,
To believe in his love,
And that all will be well.
The blue-eyed young man
Smiled at the nightingale,
For her song was beautiful,
Though he did not understand.

The nightingale flew about the garden,
Enjoying the beauty of life.
She sang to the oak trees and the daffodils,
And they wept that they would not hear her song again.
They were comforted that she would be silenced for love,
For love has no price too great.

The earth ate the last rays of the sun
And the moon shone
Wan and pallid in the night sky.
She, too, was sad to hear only this one last song
From the nightingale.

Then the bird flew to the red rose bush
And pressed her breast against the thorn.
She sang her sweetest song.
It was so beautiful that all the dead lovers of the world
Shuddered in their graves
With the reminder of the love in life,
The wind joined her voice with the nightingale's
And carried her song to the ends of the the earth,
To the darkest caves where Echo returned it,
To the ocean's waves that kept the time,
To the peaceful moors where the grass danced along,
To the sleeping child to give her sweet dreams.

"Closer, closer!"
Urged the rose bush,
"I must taste your heart's blood
Before dawn,
Or the rose will not be done."

So the nightingale pressed closer still to the thorn
As the rose bush spun the most beautiful rose
It had ever spun.
But red! A red red rose it was.
"Closer still!"
Cried the rose bush,
And the nightingale pressed closer until her heart was pricked.
A bolt of pain struck the nightingale
And her song rang out through the garden,
Her melody, sweet with love and anguish,
Reached the ears of the young man.
He sat up in his bed,
And was so moved by the nightingale's song,
He stayed awake to listen.

As the nightingale's heart-blood poured onto the rose,
The reddest rose washed white as a freshly fallen snow,
Her tears mingled with the blood,
For only blood can wash out blood,
And only tears can heal.
And so the red rose became white,
As dewdrops and starlight,
As the nightingale's voice grew faint.
And she fell to the ground as the first breath of dawn
Shone gray on the horizon.

The whole garden heaved a sigh
As the nightingale's song was done.
A chorus of flowers and crickets and wind
Sang their mournful song
For the little nightingale
Who gave her life for love.

When the sun had risen in the sky,
The young man walked out into the garden
And saw the white rose.
Carefully he cut it, admiring its beauty.
He did not notice the nightingale,
Laying dead on the ground.

He gazed at the rose in awe,
And inhaled its damask perfume.
It smelled of starlight and sweet dreams,
Of mothers' lullabies and midnight kisses,
Of laughter and heartache,
Of True Love and tender death.

"This is the rose for my beloved,"
He said to himself,
And he prepared himself for the ball.

That night, when the sun had set again,
He met his fair lady, whom he so dearly loved.
"This rose is for you, so that you will dance with me."
He handed her the rose, the white rose with no thorns.
She took it gently, breathing in its scent.

"Dear boy, I will dance with you tonight."

He took her hand and led her out onto the floor.
They danced and danced
All through the evening,
More than rules of decency allow.
She smiled and laughed and fell in love.

When the evening closed
And it was time to go home,
She held the white rose close to her heart
And breathed in its sweet perfume.
Her heart was happy
And faintly, a nightingale's song
Seemed to whisper in her ear.
She grabbed the young man by the hand,
The man whom she loved.

"I will dance with you all the nights of my life,
If you so desire," she whispered.
"My darling, I desire no more," the young man smiled,
His blue eyes sparkling in the lamplight.

For love is a silly thing.
It is not half so useful as logic,
But it is twice so important.
True Love tells only things
That are the most true.
It tells of joy and comfort,
But also of sacrifice and pain.
And in this age,
Though to be practical is everything,
Love is the most important of all.
This was inspired by Oscar Wilde's short story, The Rose and the Nightingale, and a couple lines were taken from the Ballad of Reading Gaol, among other works by Wilde. I didn't like how his story ended, so I changed it. It's a story of love and sacrifice now, instead of being a picture of the modern day. It's hope.
CE Thompson Apr 2014
Disney taught me that
Even little kittens
Sitting on the bench of their sleek baby grand
Can understand the definition
Of practice makes
Perfect
With their tails clicking in Perfect unison
Perfect Four/Four time
Time of which there is not enough
To just stand and mutter a free meter
Without uttering Failure

Expression of the heart does not so easily
Occur through Vaccai
But to express power of mind would prove
Simple as memorizing scales and opening the mouth
Because you’re a vocal thunderstorm
Wreaking havoc, a Hurricane
Of a Butterfly,
A musical anomaly
With path destined for success
If you would just stay with the rhythm
One beat longer

But inside of you there is
Sunlight
Repressed by storm clouds
1 Beautiful dreamer, wake unto me,
2 Starlight and dewdrops are waiting for thee;
3 Sounds of the rude world heard in the day,
4 Lull'd by the moonlight have all pass'd a way!

5 Beautiful dreamer, queen of my song,
6 List while I woo thee with soft melody;
7 Gone are the cares of life's busy throng, --
8 Beautiful dreamer, awake unto me!
9 Beautiful dreamer awake unto me!

10 Beautiful dreamer, out on the sea
11 Mermaids are chaunting the wild lorelie;
12 Over the streamlet vapors are borne,
13 Waiting to fade at the bright coming morn.

14 Beautiful dreamer, beam on my heart,
15 E'en as the morn on the streamlet and sea;
16 Then will all clouds of sorrow depart, --
17 Beautiful dreamer, awake unto me!
18 Beautiful dreamer, awake unto me!


Krishna asked, Romeo asked, Majnun asked
Rumi asked, Rabia asked, Kabir asked
"Who are you to make me sick?"
And the reply came in my BELOVEDz voice

"I am LOVE; My purpose is to
Steal you away from your LIFE"


"WHAT?"
They all asked in one voice

LOVE replied in my BELOVEDz voice:

"I steal your heart
I steal your peace
I steal your sleep
I steal your life

Secretly I make possible
For BELOVEDz and LOVERz to meet

Then I reside in your eyes
Glancing at each other
I pierce into your SOUL

I steal your heart-beats
I give goosebumps to you
I weaken your knees
I make you feel dizzy
I create butterflies in your stomach
I make you dream beyond LIFE

"I am LOVE; My purpose is to
Steal you away from your LIFE"


No one knows my story
I come from nowhere
I go nowhere
People think I'm a crazy phenomenon
But I'm mystical & meta-physical form of
Nature - many call it God/dess

I am all around YOU
I am all pervading
I fill your lungs with oxygen
I am the CO2 you emit

I make you see stars in daytime
I make you intoxicated without liquor
I make you search for a falling star
I make you kiss dewdrops on flowers

No one is as existential as me
I've changed the cosmos with my presence
I've transformed animals into humans

Those people who are still animals
I transit them towards humanity
If you are not in LOVE yet
You are still part of ignorant animal life

I make everyone lose their fear
I make humans play a dangerous game
I create rebellion and revolution
I make humans swim ocean of fire
I make meek person brave & courageous
To revolt against out-of-date rituals/ traditions

Once I make my home within two humans
Even though they live afar
I don't let the BELOVEDz and LOVERz
Stay away for a single moment

I make them fly into LOVE dreamz
Without a pause, without a stop
I make them write poems and sing songs

I am seen on earth, I am seen in sky
I am seen in desert, I am seen in oceans
I am seen in flowers, I am seen in moon
I am seen in clouds, I am seen in rains
I am seen in darkness, I am seen in light

"I am LOVE; My purpose is to
Steal you away from your LIFE"




Marian Jan 2014
The sun is shining through the trees
Tiny rain-washed bluebells
Are growing at my feet
Birds are calling to each other
Moss is growing on the ground
And lichen on the trunks of trees
Dappled sunshine lights my path
Ferns are showing off their green lace
And dewdrops are sparkling on the grass
While the sky couldn't be a bluer sapphire hue
A path of cherry blossoms in bloom
Tower overhead
Their sweet fragrance dancing on the breeze
A circle of mushrooms
Is where the Fairies dance each night
That is where I dance too
Today is such a lovely day
Spent in my enchanted Woodland

*~Marian~
Just some random inspiration!!! :) ~~~~<3
Hope you enjoy it!!! (: ~~~~~~~~~~<3
Gladys P Jun 2014
The winds softly whisper,
Singing a gentle romantic tune,
As dusty pink roses ... bathed in dewdrops,
Leaving a pleasant fragrance,
In attune.

When the petals sway and unfold,
Into the tender breeze,
'Neath the lucent moon,
And the sky sparkle like diamonds,
Twinkling from above ... with ease.

Overlooking a refine emerald blanket,
Surrounded by sprinkles of white smooth pebbles,
Beside a lovely exotic tree,
On this playful summers night,
And it seems quite special.
BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































­

























Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
John Carpentier May 2017
The lavender is sleeping tonight
The lilacs are keening
and the aster is listening—

What is the secret
that only the dewdrops
seem to know?

I stare out the dusty car window
and try to question
the grass blades
so different here than leaves.

I don’t want to be rude
in my gawking
at the chubby bees and busy beetles,
my eyes trying to take my mind over
and learn their teachings
lost to me.

In the gray morning traffic
I wish to be small
infinitely small
to slip through some crack,
out the door,
down the street
and drink the dewdrops.

Sublime rain children
Osmosis knowledge

I would be full
in my miniatureness
of the secrets and songs
of the underfoot
the unseen who are still visible.

I would admire grandeur again,
fear the breeze and the rain,
revel in their power.

I would be unable
to type on a keyboard
to speak by phone,
to turn the steering wheel.

I would tame the franticness
of bumblebees
and duel mosquitoes
with willow twigs

I would smell each tiniest
smell and forget the manufactured.

I would be whole
and dense,
gloriously slow,
moving with beautiful infinitesimalness
in my affair with the Earth.
Sy Lilang May 2014
Lost to backdrops scrolling past,
She sits knitting
in the carriage of a train.
The vague needles
They scintillate and glimpse
With the cadence of the wheels –
Upbeating ceaselessly.

Strips of tiny loops
And eyelets like dewdrops
Of condensation
Grouped on the superior rim.

Once in a while,
She gives a heave
To loosen more yarn from the skein
Of Filipino-made wool,
brushed worsted weave.
Spun and carded
from the richest fleece,
Deeper in the wicker basket by her feet.

The needles flash,
With ancient rhythms and attack
Of duellists in their chainmail coats.
With little hesitation she can tack
From plain to purl to blackberry.
Count back by rote or slip a stitch
While the fish-eyed gimlets gleam.

All gather profusely in her lap,
As windfall trove, rich-patterned
And warm with peach-fuzz nap,
All crafted from a single line of yarn.
Marvels fall continuously from wise
Spell-binding hands and all is well for now.

(9/11/13 @xirlleelang)
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
THERE was a man whom Sorrow named his Friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming Sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story.!
The sea Swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own talc again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
Poetic T Jan 2019
Woeful trepidations cling to me,
                  like morning cobwebs.
                                  The dew of hostility
          filtering into my subconscious.


And the spider feeds on the woven
                       chrysalis of my despairs.
I'm in a closet of silk and the fangs are
                                        gentle but intrusive..

Every dewdrop falling evaporates
                                            on my forehead.
Falling into the morning haze of despondency .
           Fear is a word that I awaken to,
                                 beyond the sunrise.


Forever in a web of dewdrops collecting
                       evermore on my thoughts.
Are the weakness of self a demise or
rather a strength,  to weave my own web on.
Sunrise
Rays break through
dewdrops cease to fall over fields

Morning
Breakfast with fiends
barricaded in a fortress

High noon
Creatures spill out
blocking out abstract skies

Twilight
Fight for your life
Don't let the clothes weigh you down

Nightfall
Bleed out while you can
There's nowhere to hide in the darkness
As rivers seek the sea,
  Much more deep than they,
So my soul seeks thee
  Far away:
As running rivers moan
On their course alone
  So I moan
  Left alone.

As the delicate rose
  To the sun's sweet strength
Doth herself unclose,
  Breadth and length:
So spreads my heart to thee
Unveiled utterly,
  I to thee
  Utterly.

As morning dew exhales
  Sunwards pure and free,
So my spirit fails
  After thee:
As dew leaves not a trace
On the green earth's face;
  I, no trace
  On thy face.

Its goal the river knows,
  Dewdrops find a way,
Sunlight cheers the rose
  In her day:
Shall I, lone sorrow past,
Find thee at the last?
  Sorrow past,
  Thee at last?
Nothing Much Jan 2015
Today I took a walk with you in the woods
it was foggy, drizzly, overcast
and the sun dully shone through the tangle of tree branches
that curled around us like a nest

we walked hand in hand
and the light rain settled into your eyelashes
melancholy dewdrops dripping from the clouds
I've seen you cry. They looked nothing like tears
lorilynn Oct 2010
i love fantasizing fields of sunflowers
a disk with matching color clustered petals
in the form of a ballerina's skirt
oranges, yellows or reds
i have come to call
them happy flowers with smiley faces
i lie embraced with jubilant faces
looking at dark thunderous clouds  
white lightening bolts
doing a roaring fiery show at a distance
crystal dewdrops upon my face
the sun of mild temperature
creating an oasis through the clouds
as i lie in dreamy state
the rain that is suppose to be
but only prism dewdrops
misting the chasm of sunflowers
with a rainbow in vibrant colors
monarch butterflies of burnt orange
with black borders sprinkled white dots
fluttering about
all except one that lands on my hand
as i lie still watching
to see what she is doing
only to wonder if
she is thinking the same thing.~~lorilynn

copyright*lorilynn 2010
Poetic T Apr 2017
blankets of dewdrops
tiny chandeliers hanging

tears fall in the breeze
Marian Sep 2015
In a dreamy woodland
There's a cottage just for me
And it's waiting there now
Beside a peaceful stream
Where quiet maples grow
And deer are not afraid
Where mushrooms grow in sweet silence
And sunlight glistens amongst the leaves
There's an enchanted cottage
Hidden in those shady woods
Where running cedar
And lady ferns intertwine
Where tears never fall
From any eye
That is where my secret abode
Is found in shadowy canopy
Of sun-dappled trees
Where dewdrops passionately kiss
The demure bluebells
Where breezes whisper
Through tall, swaying pines
And rustle ancient autumn leaves
From many seasons ago
Where time stands still
And woodland fairies dance
Where willow harps are played
Echoing in dreamy breezes
Through the trees and dancing through the air
Waltzing with the butterflies
Touching the lemon citrus sun
With fingers of gold
And spring days bygone
That's where you'll find me
Dreaming riparian
Scent of petrichor
Healing my soul
In summer woodland yonder

*~Marian~
Written: September 3, 2015, Around Midnight.
Hope You All Enjoy It!!! :)

— The End —