Submit your work, meet writers and drop the ads. Become a member
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Edna Sweetlove Mar 2015
To **** or not to ****, that’s the ******* question:
Whether 'tis nobler in the bowels to suffer
The twists and turns of outrageous rumblings
Or to take action against a bellyful of gas,
And by farting pump one out? To strain, to bloat
No more; and by a mighty outburst we’ll end
The gut’s ache, and the thousand natural stenches
That the **** is heir to, 'tis a resolution
Right devoutly to be wish'd. To ****, to ****!
But perchance to ****, there's the ******* problem;
For in that mighty **** of doom what turds may come,
When we have let the little beauty out from mortal tail,
Must give us pause; there's the danger
That makes calamity of the farter’s life;
For who would bear the sneers and mocks of men,
The neighbour’s shock, the lover’s curling lip,
The pangs of horrid stench, the *******’ o’erflowing,
The leaking **** orifice, and the drips,
Impatient strainings that the tragic farter makes,
When he himself might sweet easance make
With a careful prodding finger? Who would a ****-plug wear,
Grunting and sweating with noisome convulsions,
But that the dread of solids after air-release,
The undiscover'd oozings, from whose delivery
No toilet visitor recovers, puzzles the will,
And makes us bear the bellyache we have
Than fly to others we know not of?
Thus indigestion does make cowards of us all;
And then the native heave of constipation
Is sicklied o'er with the pale fear of defecation;
And enterprises of both ******* and crapping
With this regard, their currents turn awry,
And lose the name of exciting toilet action.
When Faith and Love landed at the chapel Wisdom was waiting for them.  "Love and Faith I've been waiting patiently for the two of you.  I've spoken with Loyalty on my communicator.  He and Knowledge will be here shortly and then you can pledge yourselves to each other" said Wisdom.  Just as the three were speaking Grace walked out of the Chapel.  
"Hello Love and Faith it's about time the two of you showed up" said Grace.  "It's good to have a star for a friend who's gifted in all the arts" said Love.  Love threw her arms around Grace and gave her a big squeeze.  "Lets get you in your wedding dress.  If you'll follow me to your dressing room we can get started" said Grace.
As Love and Faith followed behind Grace, Knowledge and Loyalty landed at the chapel.  Wisdom received Loyalty with a strong handshake and said "Your wife to be is already changing in her wedding dress.  May I say she's as beautiful as the morning dew.  Lets get you changed" said Wisdom.  After a few seconds of changing Loyalty, Wisdom, and Knowledge stood at the altar waiting on Love.  
"Wow Love you look absolutely beautiful" said Faith standing to the right of Love.  "Yeah Faith is right.  You are stunning.  Now remember don't have the doors opened leading to the altar until I start singing" said Grace standing to the left of Love.  "I know Grace.  C'mon lets go" said Love as she stood in front of the mirror.
Grace took her place at the altar with Loyalty, Knowledge, and Wisdom and began to sing.  Shrouded in light Love enters the room.  She timed her entrance just right.  The light that Love emitted filled the entire chapel.  Love stood before Loyalty and a chapel full of wedding guests holding a bouquet of pink Lilies and wearing a crown of Olive leaves.  The words that walked out of the mouth of Wisdom lingered in the air like leaves floating on the winds of serenity.  "Devoutly righteous we come together in the presences of the Almighty to join in holy matrimony a pairing to be respected by all.  Love will you have Loyalty to be your husband?  Will you nurture him, care for him, and watch over him as long you both shall live?"  With eyes full of Joy Love answers "I will."  
Wisdom looked at Loyalty and said "Loyalty will you have Love to be your wife?  Will you stand by her, protect her, and provide for her as long as you both shall live?"  With eyes full of courage Loyalty answers "I will."
"By all things holy the bride and groom may kiss" said Wisdom.  As Love and Loyalty came together their wedding guests erupted with praise.
Love turned her back to her wedding guests and threw her bouquet of pink Lilies over her head.  Without thinking Faith leaped into the air catching the bouquet before it landed in the hands of Mercy.  Faith looked at Truth and winked her eye.  Love turned around to see who caught the bouquet.  "Wow you sillies let Faith catch the bouquet" said Love.  With a pout on her face Mercy said "We didn't know she could leap like that."  "Hey you got to do what you got to do" argued Faith.  "Lets wrap this up so me and my wife can start our new life" said Loyalty.  "File this in your memory.  Our new life started when you asked me to marry you" said Love.  As Love and Loyalty gazed into each other's eyes Wisdom tells Understanding to grab the cage with the two doves.
"Now if everyone would follow me outside" said Wisdom.  
On the outside of the chapel Wisdom said "Just as these doves soar into freedom may your marriage soar on the breeze of Serenity."  Wisdom motions for Understanding to release the doves.  Spreading their wings the doves take flight.  "Now it's official" proclaimed Faith.  
Faith stepped in front of Loyalty and Love and said "Now close your eyes.  We have a surprise for you."  "Come on Faith do we have to?" asked Loyalty.  "Loyalty do you want your surprise or not?" questioned Faith.  Loyalty and Love closed their eyes and waited on their surprise.  "Ok now open your eyes" said Faith.  When Love and Loyalty opened their eyes they were happy with what they saw.  "A NEW NEO 7000!  I THOUGHT YOU BOUGHT THE LAST ONE!" said Love.  "I did after we all bought yours I bought mine" said Faith.  Love gave Faith a hug and a kiss on her cheek.  Love thanked Faith and the rest of her friends.  Loyalty grabbed Love by her hand and said "I thank all of you but it's time for us to go."  
The newly married couple got into their transporter and took off.

Written by Keith Edward Baucum
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
ahmo Dec 2014
I am a timeline of everything I've ever known.
It's copied onto thirty-five pieces of blank paper
and revealed to you in that mundane history course
that everyone naps through.

I can't deny
that among the black waves,
I've seen a sea star or two.
But I seem to be devoutly colorblind
to the silver linings that outline
what I've gone through.

You can't disguise your drowning,
nor can you swim to shore.
You just have to hope
that no one knows what to look for.
Mikaila Oct 2018
I tried everything
To break my mind like a sheet of glass.
I pounded with my fists.
It held, cold and unyielding,
Mocking
And when I was spent it was exactly as it had been
In tact and undamaged.
Maybe this time will be different.
Maybe this time
When you go
I’ll put my fist through it like a mirror
And it will finally shatter and become a part of me.
I close my eyes, and dream.

I am in a ward, and it is empty and cool.
I run my hands along the hospital beds
Their coarse white linens
I push my fingers through the bars on the windows of the doors
I lay my cheek against the cold metal of a table
I am alone
And I feel nothing
Nothing
Nothing
Nothing
Echoing and calm.
Nothing
Nothing
Nothing
The air is like gel
I have to push through it
And I am slow and empty and content to be so.
The world refracts
And I watch coolly, detached
Shadows move
But they don’t bother me.
They follow me on the wallpaper, waving hands
And I reach for them
Line my fingers up with theirs
Feel the darkness tingle along my skin.
They don’t speak
But someone else does.
It’s a harsh husk of a whisper, like sand
And I let it scrape across the back of my neck and raise the flesh along my arms.
It says,
“I’m sorry”
“I’m sorry”
“I’m sorry”
The sound fills me like a horrible prayer,
And suddenly I feel everything instead of nothing
And I think
This is the moment I die
This is the end of me
But instead it
Continues.
“I’m sorry”
“I’m sorry”
“I’m sorry”

It’s me.

I put a hand to my throat in surprise, feel the vibrations there.
My face is contorted, and for a long moment I feel it, trying to read it,
Trying to understand,
Then pull back sharply, having found what I was looking for
And hating it.
No, no, no-
If I can make the maze of my thoughts hard enough to navigate
Maybe I will never find my way out again
Into sense
And into
Pain.
I sink inside myself,
Sorry sorry sorry
And each word is like a wound torn open by shaking fingers
And I am sure this agony
Will last forever
Squeezing my heart and lungs
Wringing me out.

But suddenly the world shifts,
The sorrow is pulled out of me like venom and I forget it as I forget myself.
Like a child, I am new and blank and whole.
Tears still cling to my eyelashes from the moment before
But now I no longer know why they are there, blurring the edges of world.
I taste one, and it is like the sea
And I realize that I am in the water.

I bathe in front of an audience of silent white faces
They do not bother me
I am splayed, naked, in a warm porcelain tub
And I let my face sink beneath the surface
Looking up into the lights shaking and swirling above me.
They’re like little fish
Out in the air
When I’m in here.
I stare and stare
Until darkness starts to fade them
And hands grab my shoulders.
When I emerge it is like being born and dying all at once
And something like coherence gnaws at the edges of me
I shrink from it, rubbing my hands together, frantic.
Sorrysorrysorry
A whisper that makes me turn my head sharply
But then it’s gone.

Someone pulls me from the water and dries me.

Like a doll I am moved away from that place
And I forget it as soon as the door closes.
A storm threatens though, on the horizon something menacing and tumultuous looms.
A thought I don’t want to have,
A feeling I can’t name and don’t ever want to.
It claws at me, it chews at my ragged fingernails until blood blossoms and drips onto the bedspread.
“I’m sorry, I’m sorry, I’m sorry”
It’s not my mind that’s fraying, it’s my soul,
And I know which one I’d rather lose.
I curl into a ball, huddled and waiting
To be crushed.
But at the last second, no-
A sharp slice, something shiny and bright.
I feel ice in my veins, and then numbness.
Oh,
I want to be wrapped in white sheets
And dine on bread and water
The purest nun
The **** Madonna
Shrouded for the shadows to mourn.
I stare around me with large liquid eyes, searching for someone whose name I can’t remember.
I have to say something,
I have to tell her...

But I am alone here,
Thank god.
I am alone and it is loud with stillness
And I am forgetting my name as I forgot hers.
I toss it away from me, the last of something
Sacred
That won’t be missed.
I drift, hoping for rest
And I start to find it.

Something metallic and heavy is seeping through me
And I let the last of that clawing feeling slip away.
Nothing
Nothing
Nothing
I feel it. It’s back. I hope it stays forever:
Nothing
Nothing
Nothing

I weep, and the tears are empty.
And I am empty
And I feel
Nothing
Nothing
Nothing

Thank god.
WhyamIaSpoon Jan 2012
My auspicious and audacious assault augments the annoyance of aged accomplices.

My bodacious broadside of boffolas berates and buffaloes bros beneficently.

A classy crusade Clownishly chiseling and criticizing childishness.

A devilish ******* of dillydallying dullards; devoutly denying dimwits the dulcet dream of defiance.

Excessive, exuberant edification, ebulliently eliminating education-evictees.

A fair-weather frolic in flippancy with furious fools floundering in flawed foppishness.

Gregariously grating glum guys gleefully, growing grander garnishes of gripping gallantry gaily.

Heckling hooligans highlights my heavenly humor.

Irreverently irking irritable, iniquitous idiots in inestimably infuriating and incredible instances.

A jolly, jocular **** joking with jerks.

A kreiger kicking kleptomaniacs in the karyotype. (Cut me some slack, this is 'k', after all.)

A ludicrous, laughing lambaste of lollygagging lunatics, loftily loosing luscious lunacy on lucky losers.

A magnificent masterpiece of malfeasance, a monstrous, malevolent mission of massive misfortune for the minor minors missing no malicious missive.

A noxious, narcissistic niggling of nitwits, niftily nixing the noisome naivete of niggardly nobs.

An offhand, off-color outburst of outlandish observations to outclass the obnoxious overtures of obsequious offal.

A pragmatic prediction of possible platitudes or platypi, a placid parley of pyrotechnic pleasantries provoking Pyrrhic protections by prurient prats.

A quixotic quibble quarreling with a queer quarry.

Ribald ribbing, ruining the robust reality of the repreachful, repugnant, and rapacious with risque ridiculousness.

A silly, slighting slander of sluglike slavishness, succinctly sinking sloppy simpletons sourly.

Tracing the titillating talent of towing tyranny to towering terrors to tactless, togless, terrapins of the times.
Abigail Stone Nov 2015
"Pray to God. Everything will be all right."
"He'll heal you. I promise."
"Believe in Him and everything will be all right."

I gave up on my belief in God when I was in eighth grade.
I was diagnosed with severe depression and anxiety.
My family abandoned me.
My grandmother hated me.
My friends thought I was crazy.
And my arms just kept bleeding.

"Pray."
"Believe."
"God is merciful."
"Ask and you shall receive."

And I did.
I did ask.
I asked,
And asked,
And asked.
But nothing ever happened.

I have horrified my grandparents,
My aunts,
My uncles,
My cousins.
I don't believe.
And they think I'm going to go to Hell for that.

Too late, I think.
I am in Hell.

The depression tears away at my insides,
Leaving me a lifeless,
Empty
Husk.
It scars my arms with its sharp fingernails,
And drives my friends and family away from me.

"Oh, just pray to God;
He'll heal you."

I don't believe in God.
There is no God.
There is only a fanciful imagination.
Humans are so desperate to have something to believe in,
Something that is bigger than themselves.
So they created "God",
An all-mighty being
Who punishes the Wicked
And rewards the Good.
And so they have something.
And they create rules to live by,
So they become the Good
When in reality
They are the Wicked.

There is no God.

They say He is merciful.
They say He is kind.
They say He loves all humans equally.

That's a lie.

If there is such a thing as "God",
He sure doesn't like me.

He has given me a life
That is pure torture.
He has punished me for something I never did.
He has created the ultimate prison
For someone who used to follow him so devoutly.

And what about the others?

They say God gives no trial
That His followers can't handle.
So what about those that commit suicide,
Because they couldn't handle it.
Because they couldn't take it anymore.
Because it was too much?


But God is good to the rich.
He showers them with more riches
And more happiness
And more joy.
He gives them everything they could ever want.

Only the happy
And well-off
And rich
Believe in God.

If there is such a thing as God,
He is the God of the Rich.
He is the God of the Fortunate.

He is not the God of the Unhappy.
He is not the God of the Poor.
He isn't my God.
Anonymous May 2014
"And now please welcome today's anti-terrorism speaker, Anonymous!"

[anonymous applause, dwindling out]

"Thanks, everyone. The reason I prefer anonymity should be self-evident, but just to make it clear, I wish to avoid the recrimination of the hostile element."

"Before I got here I was just reading, and believe me I'm still not believing, but it would seem, on the whole, that planetary aggression is on the slow."

A hand is raised
A hand is ignored
The speaker moistens his lips
Prepared to emit a bit more.

"I have stats and stories
Tortuous anecdotes about little girls and boys
Food and sanitation is a crime itself
And I'm prepared to say we live in our own hell."

Arms upheld wither down
As new hands reach for attention
But the speaker ignores them all
Intent on his own presentation.

"The reason for hate
Is more or less clear
We fiercely believe one thing
As they devoutly believe another.

But do not fear!
We are right and they are wrong
They saddle their own children with a death song
No cartoons of basic morality
Just legs with bombs
Made to go off remotely."

An angry rustle
Amidst lowered hands
Quieting now
Like they're getting the hang of it.

"Humans are robots
Programmable, malleable and sometimes trustworthy
Highly complicated machinery!
Indoctrination is the virus
That seeks to destroy the outside."

Again the raised hands
And eyebrows too
All these fluttering robots
Fluttering in a pseudo-free zoo.

Ignoring the obvious
The speaker plods onwards
But modulates his voice
Against their trained reactions.

"We need to accept and enfold
An ideology only thousands of years old
To mutate and twist
Into what our children might wish."

Someone yells "Disney!"
Another mutters "Black whiteys"
But there are a few
Who remain to hear it through.

"Despite what you think
Despite who you are
Against all you've been taught
We've come quite far.

You may not know your son
You may not know your daughter
But leave them alone
And tomorrow may happen.

Put the guns aside
Drink from your hidden bottles without shame
You are who you are
And you should let them be them."

This is not what anyone wanted
Anyone over the age of ten
This is not what anyone wanted
With children and the urge to brainwash them.

The room trickles out
Leaving the most devout
Devoted to the future
Any future left standing.

But amidst this group
Are hard-liner elements
And one has a voice
Cutting through it all
To ask, "What about bomber babies?"

And riding right on top
Is a fat slobbery Republican fop
Demanding in his self-entitled way
"What the **** about America?"

The speaker shrugs
As if to indicate
Which question
Is more stupid.

"We seek to leave the planet
And develop tech to make it happen
You go your way
And we go ours."

The room is smaller now
They indulge in eye contact
Personal communications
Words, hands, heads and eyebrows.

The speaker sighs
As if on the cusp of absolute honesty
Then spills his true guts
To these few radicals and emissaries:

"Our worst enemy is ourselves
Through millennia fashioning our own hells
Subjugation of non-prominent DNA
Believing destruction will pave the way.

But on a not-much larger scale
We're just cheap entertainment
For every other race
That crawled up this hill."

The crowd is slightly subdued
Probably more from shame
Than anything
Because shame is in the DNA
And experienced by everyone.

But we can always rely
On some fat Republican to decry
"But not me!
And for sure not my children!"

And now even more file out
Hearts emptied and minds afloat
Now it's just the sweating speaker
And a few odd haters.

"We're a microbial phenomenon
Miraculously still alive
And still inept
At staying alive."

He waves a casual hand like a maestro
And behind him the stage glows
A 30x30 screen descends
Illuminating bugs as they crawl.

"We're slightly smarter
But no more hardier
Than Hymenoptera
Except we can leave this planet."

Red-faced and obviously insulted
The old fat plushy storms out
Leaving now just a few
To adopt this future-flung view.

"We need to terraform and colonize
Sure, and design space suits
Pleasing to the eye
But ultimately,
We need to get the hell gone."

One clap, one frown
The speaker shrugs
As if wondering
Why aren't we all gone?

And so he is left
With the clean-up crew
And one fruitcake
Who asks
"Will God come with us?"
Nat Lipstadt Nov 2013
To Sleep, Perchance to Dream

Let me explain.
This poem is about sleeping, dreaming,
the failure of my inadequacies in poetry to heal.

Three years after its birth, it is exactly what I am feeling this day.
It is long rambling and you won't stay for the whole movie.


~~~~~~~~~~~~~~~~~~~
Erudition is perdition,
dreaming in words, accursed,
death to the visionaries,
release from visitations
of over-staying, unwelcome guests,
Johnny Cash, Jesus,
Forefather Jacob, Bobby Dylan
and their whiny,
smug-smiled missives
on behalf of the
all knowing, dream invader powers,
who
just-happens-to-be-know-it-alls.

These guys,
sub rosa angels,
electioneering,
hand shaking  
you into dreams
that make you wonder              
unceasingly  

I have renounced chants n'
dreams that
wander                              
meaninglessly

so if there is no
repeal of the stupification
of the human condition,
just invent words that  fool
willful and mostly please
nobody

don't ask and don't tell,
then we can agree
that a life,
its peculiar
Hallmark Card of grief,
cannot be
disambiguated

yours is yours,
different from mine,
single poems cannot solve
multivariate equations,  
un-blow mind sensations
that circumnavigate my mind    
as I edge along the
borderline tween the
United States of self-realization,
and a State of Mexico
drug-induced, seductive and
self-administered pat down,
a colorless, tasteless, dreamless
evening in the company of
a rest-once-and-for-all,
sleeping pill

Repudiate yourself,  
privately you
hyperventilate,
but others willing to borrow
those surfeit of rapid
misunderstood breathes,
stored in brown paper bags,
that will be divided
most ingeniously by the
Misappropriation Committee
for wordy oxygen tanks,
desperate for refilling

Recant, Renege,
Renounce, Repeal,
Repudiate, Retract,
I herby foreswear
all previous poems, please
Return them

Back, send them,
so, I can end them,
desist any new arrival of vaniloquence,
direct 'em to  the trash box of inconsequence

My wrongful w-rightings
are now cashiered,
my cool is in mourning,
my plateau is flat but
upsided downded,
words drownded,
both sides now, spring silent

Tried to swim to safety,
to Spanish Harlem
but no hablo espanol,

In Miami, they done me in
for the crime of
insufficiently thin,

In Ghiradelli Square
they deemed me too blond
not 'ciscan enough
yet, in Frisco fairness,  
done deported me,
making me to choose
tween Los Angeles and/or
Orange County

So, poet poseur, where you gonna run too?

My better half sleeps,
my left half weeps,
so conditions normal.

Satan laughs,
offers me ***** or poetry,
knowing full well that having
foresworn, addictive wordmongering, liscentiousness
that a single letter
would stupor me into a
drunken poetry slam at
St. Paul's Church,
into Satan's collection box
of wordy sinners,
where lost souls, ex-poets,
prevaricate
vainly, in hopes
that anyone will let them
transubstantiate
in order to avoid their
expiration date
on Stub Hub

surrendered the master key,
turned in my ID badge,
opened inner sanctum no more,
poetry boy is ratiocinated,
peril dispatched, swear that I've
excommunicated the voices
determined to disintermediate

the compromise I've reached,
help is contraindicated,
ex-officio is my new grace state

please, devices decontaminate,
otherwise, poems disintegrate,
excoriate them, don't wait,
to disassociate'em, insufficient,
remove them from hard drives,
yank'em one and all!

let the diet begin,
no more food for thought,
no more dreams
wrought and recorded,
permit the ambient calm
of the still of the night
that engulfs,
to harmonize with the flatline
dreamless sleep that the
mind monitor machine
etchingly, quietly records

let hours of research
be rewarded,
by my imbibing the product of
laboratory pharmacological
fine tuning

***** S.,
what outrageous ego
let me suppose that in
mine own words,
I could improve upon
your lovelies,
with now bland homilies,
recitations of my anomalies

What id sexed my brain,
was I completely insane,
to imagine that I could
improve upon:

"and by a sleep to say we end
The heart-ache and the
thousand natural shocks
That flesh is heir to,
'tis a consummation
Devoutly to be wish'd.
To die, to sleep;
To sleep: perchance to dream:
ay, there's the rub"

Finished: Nov 27, 2010 4:44 AM
the same mood haunts me, three years on...six months on this site today
KG Oct 2015
One, kiss we shared upon that fateful night
Your taste still lingers on my bleeding lips
That crack and chip like ice that climbers smite
As they ascend the hostile jagged cliffs
Two, veins of flowers wilting on your grave
Seeping into the earth that claims your name
Upon my barren knees I toil and slave
Nails scratch the frozen earth for you in vain
Three, whisky bottles downed, I weep for you
Delirious, glass shatters on the stone
I dance with naked feet to feel anew
The flesh that seeks devoutly to leave bone
Four, five, six, seven nights I cannot sleep
Grief cannot be erased by counting sheep
martin Sep 2012
She minds her little sister
Babysitting in the woods
Flowers bunched up in her hand, primroses perhaps
Devoutly kneeling, she offers them to the child
As hair flows down her back
A long blonde waterfall

The child with open arms
Learns how to receive
And how to give

In a corner a written plea
Take me now for twenty quid
Reduced from twenty five

Unloved, unvalued even for the frame
Now rescued from indignity
And lifted from the skip
Skip =  dumpster
Sheeda Sep 2012
To look, or not to look: that is the question:
Whether ‘tis nobler in the mind to forsake
The entertaining of such fanciful thoughts of love or lust
Or to pursue them against all odds of a benign response,
And by seeking, obtain? To look: to see:
Maybe more; And by a sight to find
In the glitter of an lined eye the interest and wanting
That impels said actions; ‘tis a reciprocation
Devoutly sought. To look: to see:
To see: perchance to lose: ay, there’s the rub;
For in that subtle glance what times may follow after
Whether the ice is broken or the heart instead,
Must give us pause: there’s the respect
That makes calamity of a choice to peek;
For who would bear the hurt of a scornful return,
A finding that the goddess is a medusa,
A turning of the fancies to stone,
A realization of disinterest, a knitting of the brows
A frown’s beginnings on a face so fair,
When she herself might her peace make
By refraining to meet the intended’s eye? Who would want
To face a rejection that is in all chance,
But for the regret that comes with a chance not taken,
Leaving what could be as what could have been
Forevermore, which makes us turn
And face the one to one million
Than never to face it at all?
Thus fear of rejections makes regretters of us all,
And thus the resolve to be one of a million
Is weakened by weighty o’erthought,
And an attempt to contemplate her soul through her eyes
With this regard are abandoned,
And lost to remain as fanciful thought.
Written for my english class on 09.27.12
midnight prague Oct 2010
ponder with me as I throw these diaries
filled with tales of ******* and burnt down cities
towards the direction of every ear
that had but a moment to listen to my plea
of how other lands hold the children of my sanity
of how in other lands I see decadent beauty
how I feel the gnawing tearing in me awfully

supernatural were the nights I imbedded in sultry
cringed smiles and listened to the forgein birdies
inhaled the fumes of gasoline and drowned in the glorifying sunny
wet my lips in salty water and enjoyed the stinging in my eyes
graced the cannabis valleys
and the meadows of sustenance and endless possibility

the waterfalls of magnificent hidden deep in the earth
behind the roses of my ancestors

speak to me my land
call on to me louder
hinder me away from this place
and manifest within in me your womanly power

seek me oh mother land
and cast me away from shattered lives
bring me back to you
and beg me todestroy this demise

I am toughly and sickly
at the same time

shower me with your graciousness
and devoutly banish my crime
I will wait for the thunder calling
and make excuses for this ****** place in the meantime
When people say they're tired of a person, often a friend—
Do they mean, exhausted with the idea of submission to their actions
Responding to their preferences
Falling prey to all their ways
Or hearing them drone loquaciously
Putting down disagree-ers gratuitously
Speaking of themselves, about very little else
Until all hope and faith in them has deteriorated beyond all mercy?
I am yet to confirm
What is true beyond all else
Gone through the Rubicon,
Universal to all nations
But why must I tolerate a monk
That devoutly praises himself to the depths
Beyond all fierce comprehension,
His devotion remains a quandary
When I met you, I never intended on dancing for so long.  Every year I’d think, “this is the last time I’ll ever see him”.  And I would get all weepy and teary-eyed as we sent the boats out for the last time, partially dismembered and covered in old, ***** tarp.  But sometimes, I swear, I swear, I’d feel some warped sense of

Relief.

Like I could finally send all my lust and desires off with you to another tomorrow, where I would not be.  Every year was your last year.  And every year I’d say, “this is the last time I’m ever gonna see you” and you’d say “don’t be ridiculous, we’re gonna see each other again.” And I, “How can you ever know for sure?” And you, “I just got a feeling”.  Okay, maybe it wasn’t exactly like that, it was much more poetic.  You’re much more poetic.  And I’d melt like play-doh in the sun when you’d look at me lazily with those sky, sky blue eyes. And wither at the thought of you leaving me forever, my sunshine warming my skin to reach and grow.

But then like the tide, you would always return.

And then it was back to those hot, hot summer days, sweating ***** and drug cocktails out of every pore imaginable.  And in this state, being expected to attend to all the ridiculous tourists looking for a boat ride around the Public Garden. Yeah, can’t say pedaling a two-ton boat full of gossipy annoying foreigners is easy.  But the work pays for my play, so it’s back to the old wooden dock once more.  To your irritable character staining the dock Fridays through Sundays, as if your unbearable hangovers were my fault somehow.  Bloodshot eyes behind those ridiculous J-Lo-esque bright green sunglasses you insisted on wearing.  That is, until they broke and fell into the swampy glittering water.  Which started another screaming match between us, ending in me pouring disgusting pond water into your open, snoring mouth.  Yeah, it was mean, but someone had to let you know that you were being an *******.  You threatened to throw me off the dock, you even pretended to try.  But when you wrapped your cinnamon arms around me, the last thing I had on my mind was fear.  

I can’t even count on my fingers and toes the number of fights we’ve had, the times I’ve made you desperately rip at your thick blonde hair to try and quench the fire I started deep in your belly.  The times you’ve called me weak and naïve, stupid, childlike, to which I’d say you looked like an angry leprechaun.  That one always hit you the hardest.  But when we’d be up in each others’ faces bellowing and screaming, the energy passing between us was of such crushing force I could almost feel myself being ripped toward you, like a magnet to metal.  I could feel myself becoming a part of you, or you a part of me, whether I liked it or not.  

Between the fights and the hangovers and the thick ****** tension hanging in the air like smog, there were the “good days”.  The Mondays, the Wednesdays, when the only thing tainting the air was the rich conversation shared between us.  Some days we would talk for hours on end, about anything that crossed our minds.  “What’s your favorite color?”, “You don’t really believe in the end of the world, do you?” and “How do you say ******* in Italian?”.  You’d laugh at my silliness and I would bask in your happiness, drink it in like sweet nectar from a flower covered in thorns.  And then your happiness would transform into my happiness, and I would skip all the way home singing.  And so continues this delicate dance we began so long ago.

Three years.

Three years.   The difference between you and I, and time past.  Time I’ve spent watching you so carefully as you strut down the dock, muscles contracting and relaxing in rhythm with each deliberate step.  I watch devoutly for the white of your teeth to greet the sun shining so brightly in the sky blue sky.  Sky blue eyes.  All mine, sometimes.  This time.  In my mind I am forever living in the moments we spent entwined together on the forest green bench at the end of the dock, soaking in the sunrays in a content exhaustion.  I am living with your arms around me, you teasing my hair with tired fingertips.  At night I can still see you swerving down Commonwealth Ave and nearly knocking me over with your drunken embrace, then simply placing your arm around my waist.  It fit so well on the small of my back.  The days when you would loop your arm through mine as we finally got out of work and we’d practically run out of the place, as if we were chasing the remaining day through downtown Boston.  I always, always go back to the times you’d put your face so close to mine, as if we were living on a single breath between us.  But I’d blush and shy away, embarrassed, ashamed for feeling anything at all.  

These days, I find it hard to decipher what is me and what is you.  It’s as if we have been dancing around each other for so long we have morphed into one body, moving and mesmerizing.  Our time together is coming to an end, and minutes that once ticked by so slowly race through my fingertips, sand falling through the hourglass in an endless stream.  Days fall off the calendar effortlessly in a final solemn countdown to graduation day.  Every morning is one more morning without you, another moment wasted with you so far away.  Every night is one more night swimming in my loneliness, choking on words I wish so badly to throw at you, so you can finally carry the crushing weight drowning me.  Soon I will go looking to dive into the pools of your eyes and you will not be there.  I know the day I walk on the dock alone is coming, too quickly.  And to rip apart from you now might destroy me.

So time continues, and I continue. To watch, to wait, to covet.  Three years and I’m still hanging on to nothing.  When will you leave me and never come back?
That Mexican hunger of memory,
That 7- 10 evening shift,
Campesinos de Chihuahua,
Sinaloans de Durango,
Day laborers:
Organized Labor’s stubborn cohort,
Largely ungovernable,
With Union Label conspicuous in absence.
Labor Unions:
Largely dead in America,
Except for SIEU, of course,
Making astonishing strides in unskilled circles.
SIEU: The Future of the American Labor Movement,
Eugene Debs rolling over in his grave again.
But I digress.
Mexican gardeners:
Doing most of southern California’s
Weekly landscaping these days.
Tree-trimming in evening twilight,
Certainly an extracurricular
Earning activity these days.
“Hustlers Only” need apply.
Adding five or ten or twenty,
Cash on Tio Sammy's barrelhead,
Mexican tree trimmers, already exhausted from
A workday that began at 6 AM.
And isn't it a pity?
A moment’s lack of concentration,
Distracted, perhaps, by *****-spirit former selves,
Sipping that last shot of afternoon tequila.
Cue Jay & the Americans:
“In a little café on the other side of the border.
She was giving me looks that made my mouth water.”
Distracted, a chainsaw arcs carnelian.
ReCue Jay et al: The chainsaw
“That belonged to JOSE!
Yes I knew. Yes I knew. Yes I knew.”
Severing his right shoulder deltoid,
A butchering to say the least,
Requiring, at least, three weeks “en casa.”
Tres semanas
Without Labor,
Consequently,
Without Capital,
No wage-slave salt lick.
“No dinero” for bread and butter.
Bread and butter?
A consummation devoutly wished for.
And dead certainly,
Better than Guns or Butter?
That Hobson’s choice.
No Padron LBJ are you,
Down along the Pedernales
Texas Hill Country, west of Austin.
Conjuring up both Guns and Butter?
You can’t have both.
Which is why we laboring folk
Always opt for the former,
Knowing instinctively that
A full-flush, spurting military-industrial complex
Means full employment and good times,
Except, of course, for the soldier boys.

“Y los sueños.”
Bourgeoisie entrechats.
I hear America still singing, faintly now.
A shrinking middle-class siren song--
Just a little something--
Some small baited hook--
Some chum bucket for Les Miserables;
Swarthy aspirants.
“Y los sueños.”
Our hunger of memory,
That once booming American 20th Century;
Horatio Alger:
Alive & kicking in the new millennium.
WHY
Why is the concept of being forgotten so paralyzingly terrifying to me?
Before the expanse of time,
none of us stand a chance of being remembered.
We will be swallowed up,
only be known as a statistic, a point of reference.
The thoughts we think are paramount
Quail before the laughing face of Time.
God will remember me,
so why do I care about what those on earth think?
Why do I care what people think?
What kind of sick ******* are we that we derive pleasure from others' pain?
Schadenfreude is alive and well
Unlike you and I
Why don't I throw up my hands
And succumb to the ravages of an indifferent Time
And an indifferent society
Why not let them win
Who values a game which is purposely weighted to one side
If not those who have waged something dear upon the outcome
The Ender inside me rejects the faulty system.

Why do I persevere for a "humanity"
which will never improve
In fact,
the more we evolve and know and comprehend,
The more apt we are to be heartless
Because why do we need a heart when we have a brain, Tinman?

Why do we care what we look like
Our bodies are merely
borrowed from the earth
And in the blink of eternity's eye
what we call ours
will belong to another

Why do we live in a world overflowing with bodies
And entirely lacking with people

Why can we satisfy any part of ourselves
by draping on borrowed emotions
Why is the false more alluring than the truth?
Show me an honest person
And I will show you an attractive one.

I am not you
you are not me
And we will never be
The same
Despite the pervading effort of our society
I will not be assimilated.

If we let people in,
They wouldn't hate
So why are we terrified of doing that
Is it because,
If everyone is in,
No one is
And in ceases to exist?

Why do we feel the urge to gloat about things we did not earn

Why does 1
Make more money than 2
Because his nose is straighter,
His hair is curly rather than straight,
Because 1 spends an eighth of his time in the gym
While the less attractive 2 spends 7/8 of his time
Screaming inside
At a society which has cut off its own ears that it can't won't hear.

Why are random genes a judge of worth
While character is a word so overplayed
It folded its hand long ago

Why is the face of a beautiful liar
Infinitely preferable
To that of a plain truthteller
Infinite whys
And a world which whispers
     Cradle me with your honeyed lies
     Assurances of past lullabies
     How do I trust what the mockingbird cries
     When even it runs from the skies

Why do so many see ourselves as bound and controlled by manipulated strings
When those strings are nothing but ropes with which we can escape

Why do we live on top of one another
Without deigning to know our prisonmate
Without so much as a spared thought
For the dead flailing beneath us

Why do I hold dearest to my heart
Past injustices
Counting them as the tiny, insidious proofs
That I am a good person
Because good does not exist without the bad
Relativity is the grip keeping us from sliding
Down.
Away.

Why is it that words spoken can never be taken back?
Simple. We can never reclaim what was never ours.
You think you are original in your menial thoughts
What have you done but regurgitate the thoughts of your predecessors?
Rearranging the same letters
To form the same tiresome conclusions.
We are the worst type of plagiarists.

Why is the only thing propelling you a sense of duty
Why are you devoutly loyal to objects rather than the people who happen to hold them

Why

Why do we invent reasons to hate one another
We take solace in the loopholes which justify our hatred
That we may not be like the "monsters" we condemn

Why are "we" and "they"
Not just markers of distance?
Why must they be very real, ubiquitous mentalities?

Why are somber topics the common stuff of jokes
Because we have grown numb enough to empathy
To shun it in favour of a laugh?

Why is suffering so prevalent
When we have an excess of affluence
Are such extremes what define us as a race?

Why is a white lamb the symbol of pristine innocence
When innocence is slaughtered day after day?
Why are sharks abhorred creatures even though
Our vicious attacks
Far outnumber theirs
Do we idealize them that we may have a reason
An excuse
To assert our dominance over yet one more
To feel the joy of crushing them underfoot
Why do we focus on certain images
When the true image of our society
Is the person who occurs each day,
Who breaks
The answer is because we know
that we
Are at fault.


Why when confronted about the tiniest aspect of ourselves
We rear our heads in defense
Backing up against the corner of idiocy
The walls built upon the truths we have fabricated
Why are the swirling armor of falsities so comforting
And when pierced
We rebel
With every bit of the person we have built
Lashing out as does a dog chained its entire life
But even a dog
Which is after all "just an animal"
*Is not fool enough to delude itself into loving its chain.
Some of the "why?"'s running through my head. Like most others, this poem of mine came from a place of severe disgust towards humanity. Enjoy!
I drop to my knees.
I keel over, coming hard.
My **** in your mouth;
My throbbing **** in both your palms,
I sink calmly into oblivion,
The happy ending devoutly to be wished,
For any ******* worth its salt,
What most matters to draftees of the Legion,
Roman plebeians applying most of their salary
To local honey BJs.
Salt:  the poor man’s ******.
Go ahead sacrifice my life for Rome,
Waste me in Gaul or Britannia,
**** me away for the Empire,
Exploit my wives,
Demean my offspring prostitutes.
But, please,
Just leave me my *** and TV,
Free Velveeta and Obama-Care.
When that day comes, whose evening says I’m gone
Unto that watery desolation,
Devoutly to thy closet-gods then pray
That my wing’d ship may meet no remora.
Those deities which circum-walk the seas,
And look upon our dreadful passages,
Will from all dangers re-deliver me
For one drink-offering poured out by thee.
Mercy and truth live with thee! and forbear
(In my short absence) to unsluice a tear;
But yet for love’s sake let thy lips do this,
Give my dead picture one engendering kiss:
Work that to life, and let me ever dwell
In thy remembrance, Julia. So farewell.
So Jo Nov 2014
they're nothing but glorified bus drivers*,  said my father after i told him i wanted to become a pilot.

the opposite of love is not hate, but contempt.

what causes the kodachrome to fade little by little to grey? is it really bred of familiarity. the wear of gradually learning the truth about somebody. the minutiae of the everyday sanding away at the idealised, sculpural dream.

or is it triggered rather by the dull shock of an identifiable disappointment; the inevitable transformation towards sallow disgust justified by the devastation of slap-to-the-face betrayal or loss.

must we fulfill the dream simply to learn that it was only ever empty?

my father, a devoutly unspiritual pragmatist, had nevertheless as a young man fallen in love with the expansive embrace of the blue above. the son, grandson, and great-grandson of farmers, he worked his hands down to shredded red sores to put himself though flying school only to have his application for a commercial licence rejected due to a doctor's confounding eleventh hour diagnosis. colour blindness. an all-or-nothing man, my father never once returned to the enthralling blues, yellows and pinks offered up by the cockpit, and from that point forward became a farmer.

i gave up on the thought of becoming a pilot, and later, (much later), developed a fear of flying.
What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.

I want to wake up the neighborhood
To hear my screams at dawn
But they do not hear anything,
Do not listen to anything that happens in the morning.
I play my music in the streets,
All my poetry and clichés
But they do not understand anything,
No one understands what happens at dawn.
I walk the streets looking windows,
***** children in their rotten rags
And I cry with those who are hungry,
I do not know who cry or love…
I embrace the poor in spirit
And hear all your stories poor,
These poor and pathetic poor souls
It is my right meeting this cold morning.
I go through the streets and alleys damp and dark
And I hear a child crying…
A repetitive and child crying wretched
What is the worst of all choruses?
I see people and their hurried footsteps
Everywhere, everywhere…
I'm afraid to follow my tracks
And I hasten my steps through this city.
I hear the sirens screaming in the streets
Mixing the sound of nightclubs crowded
And the sound of twisted metal
Creating a new contrast, another type of cry.
I sing with you almost every night
And sometimes I wonder: where are you
He left so early and left me here...
Now I’m alone! I’m alone!
God, I try and cannot understand
Reason to justify this life.
I am a pawn in the game you do not see
Every dawn until dawn.
Something touched my whole being,
Something I do not understand and do not try to understand,
Something that comes up every day when I wake up
And after me until nightfall.
Something happens,
Something moved,
Something incomprehensible,
A new friend?
They say that being is almost live
And living is the limit of what you can want.
In fact, something happens that one wants to be here,
However, not all this desire craves.
Nothing is enough
When no longer feels the aroma of flowers,
When the color no longer thrill
And they cannot be sold to look.
Gave me such rare moments
Feeding the future although at present,
But waking I do in all my steps
Get me the taste of things even in thought.
In my noble and poor land I wander
And I feed the memories of liars,
Get drunk me with joy and gladness
And insistent way in the land of lepers.
In my humble vacant land,
Time is proud, ignorant time.
Hunger is rampant around me,
The flesh is weak and soul idem.
I ask as much as the worst of sinners,
Wasting a time that no longer have,
Not differentiate right from wrong,
Share supper with my detractors.
I do not feel the taste of wine,
I do not recognize a smile,
I do not remember the hugs,
I'm finally alone!
I weigh my conscience in the balance of a butcher
And the butcher tape me with ravenous eyes,
There is no any agreement on the price of the meat,
Nor is the first or second.
God, you who are owner of the ages,
Give me the hours its final minute
And cause the whole world to know
That left miserable after all.
Grant then that desire
And finish time with this work,
Free cities this unfortunate
Who insists on knowing what nobody knows.
When there is fever, it makes no difference,
There are times the blood is poison.
Red is the color of anger and sin:
The poet knows when he is sentenced.
If there is even poetry these avenues
As equal in different cities,
To be recognized
For the sake of pursuing life.
Burial in the deepest memory
The giant concrete towers,
The grotesque glass structures
That mimics a new artery.
A new artery,
A new lifestyle,
A new company
And an early cardiac arrest.
As the cars kissing the avenues
Meeting the perfect companion
That tells me in the ear:
"Accept me as the only one"
Finally, fear runs through my veins
And feeding a forgotten feeling,
An absurd desire to see the next day
And try another outlet.
All the streets are congested.
A whole shantytown has just been set on fire
While some locals try to save
What remains of an entirely bankrupt life?
There is a twist
Around this humble heart,
A carnival,
Almost a provocation.
All veins are old and weak,
There is melancholy at all.
Even without poetry,
Without free will, there is life at all.
This city is just brick,
Metal, sweat, concrete and glass,
Cement stuck to feeling
Often beautiful and often ugly.
This city is sand,
Concrete and feeling,
Sorrows and joys,
Poetry thrown to the wind.
Some people learn early, some not -
Live life day in and day out.
Some dance to the song,
Others are lost before the chorus.
Some are always right, some not -
Many are lost in illusion.
While some running, others sleep
And all seek some direction.
Some dream rock bottom,
Others dream of the river bottom.
Some seek independence,
Others are the exception.
Some people win,
There are people who are lost,
Some people becomes the problem
And others think is the solution.
Digress weather
What about the "types" that encounters in this life.
I lose a second in this lost time
And even with so little sense, how rare is the time!
If you have no idea, nor do I know.
Maybe the hunger that consumes me consumes you too.
Perhaps the addiction that affects equal
Is something that arises only between abnormal?
I addiction with its tapas
And in each sip of his cup,
Each exaggerated affection offered
In exchange for a few bucks.
I ***** me with your lies
And assimilate water from your gutters,
I learn new shortcuts in every way
And erase the traces of my own steps.
I chase you in every church and every home
I swallow my irony,
Visit each elderly
And make friends with the hospice house.
Far reaches thy wickedness
And how many hugs another's grief?
Can evil be so inspired?
The point of the very surprised to be expected?
Life bleeds leaving the left chest
The children of the world that the world does not want,
Spread the news that sadness has hair
And more brown eyes than mine.
I notice refinements of cruelty
In this urban masochism
Where poverty has older
And the lie became just a vanity.
I transform
In all more abhor,
I emerge in the mirror
As my own killer.
I suffocate and tie in the dark of my room
Little souls endangered
And throw in the trash the dreams of those who
He believed devoutly one day be part of reality.
I still feel the skin marked by fire
The brand that hurts the brand of truth
And I pray that one day cease searches
And everything becomes futile.
The happiness of fuel
Corrode and fades away slowly
Gradually me satisfaction
With the balance that sustains me.
When I look at my own face, it hurts.
I exhale the body the rest of fear
And I try not to see how strange the line of truth -
Seeking the path that leads to freedom.
Disguise my desires
And repress my absurd,
Hug each nightmare
And hide my darker side.
I try to see something beyond the abyss,
Find something else beyond the walls,
Transcribe all longings
Hidden behind every dream.
I am eternal,
Sinister,
Land and fraternal
While the world lasts.
There is this chest a divided heart
Created almost between two worlds,
The world is inside the abyss
And what one sees behind the walls.
My corner is stumped
As well as the small voice and uncertain
From the little that is hidden on the other side,
My other side of that wall.
What have other corners?
They also have these sides
But what counts in these corners
Also rhyme in other valleys.
Bright lights bother many people.
Darkness feeds inconsequential.
High walls with brass railings gleaming
Are contrasts in painting a colorless screen?
Urban flowers are so amazing
And this depression is so exciting.
Smiles are bitter and needy
And the pain married to vows of love.
These buildings are so interesting,
Where the wet streets at night shine like diamonds,
Where transiting the fair and honest
Munching vanity and rancor.
The cars pass and illuminate so many people,
Whites, blacks and children without color.
Poets are so tucked the irreverent
Assimilating the pain and all that is.
I see lives that trace the same plane,
joy of generations by mistake ,
Marks of time that are pure desperation
Charting together a colorless future.
I see faces full of hope
Burning in public because of their color,
Those who live without even realizing it,
A cold paint drips without why.
Bodies dancing high parapets
Almost always go so early
Challenging theories and concepts
And ignoring all kinds of love.
My steps are so slow
And so intense movements,
The faces are always the same
And I hope again the sunset.
Justice who is in charge of giving clemency
The presumed innocent
Transiting the streets
Spreading hope and love.
I want to have a chance to see the birth of Venus
And the annunciation in the middle of spring,
I want to be like St. Augustine
And read the scriptures by candlelight.
I want to be like Van Gogh and paint sunflowers
Even in December the ink is red.
I want to have new flower garden in the backyard
And the kiss out of my lips is never accidental.
Just want something passionately
Even being so blind and alone?
That goodbye is worthy
And everything to return finally to dust.
The idea comes suddenly
To celebrate as an illiterate,
Prepare a table and invite
Only those who are hungry.
All this turmoil,
All this protest,
All thefts
This legion inside me...
Melancholy has always had its place,
Love, sadness and bitter returns,
Feeling alone and be like shadow in the crowd
And embrace the darkness itself.
Find it romantic suffer
For pain that recognizes pain that always sees
It is more than a disease, it is a love affair
For all that hurts and causes pain.
I let them think I was defeated
With the unexpected attacks
Of those who cry shouts of victory
And they forgot to be buried.
I leave them to play in my back
The guilt of all blame,
Let it burn my entire story,
It does not matter that much.
My lips run on search words
And my eyes run in search of beauty,
Drawing liar’s feelings
That shut all the bells around.
Words come out like blades
In hoarse voice coming out of my mouth
This other me who hates me so much
And all challenges at first.
In the spring mornings leaves dance
Rehearsing his ballets from the rising of the day,
Is this life?
It’s this they call life?
I want to find the lost word
Among the tasks of the day to day
What is so profane?
The prohibited!
I want to meet a new season
Bring me a sense of relief,
Find what they call happiness
And maybe learn what it is.
An epidemic,
Leukemia,
Rimes illustrating
An eternal melodrama.
You cannot have everything!
Not always beautiful are our days
And we keep waking up.
Roses do not speak, but are also alive.
There is hunger for love!
There is hunger and what will?
There is hunger in this home?
If there is hunger, then there.
There is time for everything!
There is time to smile,
No time to cry,
There is time to leave.
I want to run away from home without a warning,
Running between the wheat fields
And let all afflicted
Trying to understand what had happened.
I want to cause confusion,
The same kind that I bring in my heart.
I want water all around
With the storm inside me.
I want to wake up the sleeping
And those who never agreed,
I want to find out who they are
And spread about us.
Lovers of this pain,
Thirsty without knowing
Where else to enjoy,
Where else to call "home".
I shift my gaze
With all the hatred of this world
Of all the ragamuffins and vagabonds
Who recognize me in a second?
I want to break these chains,
Scratching walls,
Promote anarchy
And imprison noon.
I want rain penknives
While tear my clothes,
I cut my wrists
And count all the drops.
A day can be
Something happens
And make to cease this endless grief
And everything changes, anyway.
So lose the naivety
What remains this morning?
I envision the absurdity that all I see
Is still something to be remembered?
Maybe one day
Poetry is done singing
And the light breeze the corner
Everywhere!
I want to get a perfect world,
I want to love what is defective,
I want to explore my own room,
Make another deal.
I want to shake you violently that coffin
And show where all the mice,
Ignite old blankets
Which now they were pretty.
I want to show you I love you
And I hate you,
I can live alone,
But also not live without you.
My madness is productive
At the same time, destructive:
It satisfies the crowd inside.
I refuse to be part of the pack
Strolling in supermarkets,
Feigning patience as immoderate
The suffered.
I like debris,
I collect dust,
Make enemies,
Cultivation dreams.
I constantly change identity
And lose track of reality,
My state is ill
And I'm terminal and disposable.
I participate in this game,
This novel in decline
This disgusting theater of horrors
Where only the blind are honest.
I am thoroughly enslaved
While deprive me of the privilege of choice,
Burying our will
In the deepest pit.
The wall that separates us is low
And we walked jumping from one side to the other,
Often both exist
And others, only I exist.
We are a nun and a *****
Plotting an eternal dispute
Between the two sides of the coin
To decide who runs and who fight.


As simple as saying your name
Spell out the pieces of your body.
I want to understand what God's grace
If your body will never be only yours.
Your body exudes the morning sweat,
Clouds hid the principle of pain,
Pain discovers a new form of pleasure
And the pleasure is expensive to you.
Your blood runs nearly everywhere
And a new world opens up suddenly,
Frighten the fleeting pain
And wait with his only love the sunrise.
I wipe the sweat oozes from you,
You wipe the tears falling from me,
If you can be in the world some endless love
The only certainty is that there was never before such love.


I want to wake you up
To hear my screams at dawn,
Show you what genuine despondency is
And not left me anymore.
I want to recognize me
And take me to your bed,
Not left with nothing
In addition to beating in his chest.
I want to be part of its history
And I want to be a constant presence in my,
The world spit their prejudices
And the fire that also burns in the heat.
I want to break the mirrors
And heal our sickness,
Assaulting what kills us
Every day, forever.
Serene and calm give you what remains
With my last breath,
What's best in me now rests
And rest my mind.
My sweat is true
It is also all the pain.
Blood is final
And it goes to the last vows of love.
The entire storm inside me
Now relax my heart,
Soothes My Soul
And feeds the reason.
I walk by this peaceful land
And growing a new crop of wheat,
I do a incognita a new partner
And the fear is not definitive.
I harvest hope
Where before there was only bitterness.
I am ashamed
And regret.
I accept the entire cross
And fight against the serpent.
I heal my wounds.
And my success is violent.
Time is short
And I want to scream that entire plan,
There is still a flame inside
And only her surrender.
What was misery,
What was despair,
What was hungry,
What was fear…
What was pain,
What was love,
What it had value
And when there was time…
What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.


What is born on this land?
What grows in this land?
Nothing is born on this land,
My private wasteland.
MY LAND OUR LAND is the result of years of work. Written at different times, eventually leading nineteen years in reaching the outcome that now lies in your hands.
Numerous times this poetry was abandoned and then resumed, forgotten at the bottom of a trunk or discarded due to the complexity. Not ready and may never be. The comforting passages are rare. Virtually none, to be more specific. There is no time to be afraid. We mask our feelings and weave remarks about everything.
This is just a work of poetry. Do not be afraid to consume it. Not to care be consumed by it.
My land cannot be invaded. It can be understood, compared, discussed, studied, trivialized, ridiculed or criticized by anyone. But this is my land!
I have long sought quiet.
And please, let me be clear: quiet.
Not the quietus Hamlet desired,
No “consummation devoutly to be wished” for me.
No, with or without a bare bayonet,
UNBEINGNESS is hardly what I seek.
It is not the predicament of death,
But the quiet spectacle of the grave I envy.  
Originally a city mouse,
I am familiar with the urban soundscape.
I know city noise, amped up in decibels.
Noise-induced stress, shrill and enervating,
Add to the mix a working-class neighborhood,
Where someone is always hammering,
Using a power tool of some kind,
Repairing, improving an older, somewhat decrepit home;
But a steal as the realtors say.
Or vehicles, like Old Havana relics,
Held together by secular prayer,
And thriving underground Cuban capitalism.
Then just for fun: "Let’s send the ******* to war."
Tympanic membranes be wary and be ******.
Stretched and perforated,
Compressed and torn,
Shredded like wheat.
Pummeled by shock wave.
I was Lear wandering the heath,
Your ***-cheeks cracked:
“Cataracts and hurricanes . . .
Oak-cleaving thunderbolts . . .
Sulphurour and thought-executing fires . . .
Singe my white head!”

Cue Cabaret music (Cabaret (1972) - IMDb www.imdb.com/title/tt0068327): “Willkommen, bienvenue, welcome . . . to Indochine,”
First a Weimar-Saigon suckee-fuckee,
Then out to The ****,
Mind-numbing concussion,
Reek of jellied gasoline,
Charred meat,
Assorted red entrails,
Obliteration of thought complete.
Nat Lipstadt Apr 2014
you will not like what
you will soon imbibe...

long has a single moot court team
infernal internal debated,
the if's and of's, among itself:

"To Read, Or Not To Read?"

in solitary confinement,
place one's self,
undisturbed but for stale bread,
but unpolluted water

letting only visions sprung internal
guide thy words and world,
from tongue to paper,
creating as pure as one can,
unperturbed by the
rocket's glare of another's poetry

risking all but certain knowing,
it is my fawlty fault alone,
no compare, all laid bare,
no infection of inflection,
no reflection of yours,
in mine mirrored image

my issued seed, entire genetic,
it's only inked environment what is
pre-seeded by blood and *****,
my eyes filter all sight by this light,
this lonely light alone

for the moment, when,
I bend my head to thy stream
to partake when inspiry is parched,
the knowledge that what you
write and wrought,
so much better
than my small portions,
I am condemned in perpetuity
not to the agony mot of defeat,
for I could not
cease to write,
any more than I could
cease to breathe,
or despair of all hope
for messianic better days

but, if to be burdened
by the too real title of
second best,
then my poems,
all sadness to be.

this I cannot have,
so let my pieces,
mediocre or even trash,
live peacefully unencumbered
by the site lines of the living
and the dead

thy finery exceeds my plain grasp,
when I read yours,
my self-pity self-suffocates,
and I ask,
nay, I beg of myself:

let my voice be still
but not stilled,
let my thoughts be boundless,
but not in thine clasped,
let my heart speak my truth,
even unto admitting my yellow courage,
let it not be disparaged by,
for my rank of commonality,
it's low caste author's curse


"for who would bear the Whips and Scorns of time"

I have read the best

once, I wrote
to laugh,
reminded and reminding,
they too feared,
the compare to those who
wrote before their own hour

now I know better,
my only solution,
let my additive, be uncomplicated
my images, uncompromised,
by that, my eyes have n'ere seen,
in languages unspoken, but yet believed,
that were given birth only
for a poet's needs

you may dispense
with my droppings,
as you please, but when
I read you and yours,
I am,
so dangerously pleasured,
my creativity,
my one true god and deity,
oft no longer speaks to me,
it's silence a death sentence
that no court, not in any land,
on earth or unheaven,
may e'er grant clemency,
that of course,
unkindest cut of all

"Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry"


"The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of"


You see, already cursed and contaminated,
All my sins italicized, except for my original one,
The imposition of mine own hand,
To dare to write and dream in line and meter, verse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


*To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be all my sins remembered.
11:13 this Saturday morning, composed to Pavarotti singing
Nessus Dorma!

as noon approaches, the day divided, I will here pause as long as my eyes, permission me to stop seeing...
As the sweet sweat of roses in a still,
As that which from chafed musk-cats’ pores doth trill,
As the almighty balm of th’ early East,
Such are the sweat drops of my mistress’ breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress’s brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the ****, which, by need’s lawless law
Enforced, Sanserra’s starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world’s her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th’ earth’s shadows her embrace.
Like Proserpine’s white beauty-keeping chest,
Or Jove’s best fortunes urn, is her fair breast.
Thine’s like worm-eaten trunks, clothed in seals’ skin,
Or grave, that’s dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin’s lamentable state.
And like a bunch of ragged carrots stand
The short swol’n fingers of thy gouty hand.
Then like the Chimic’s masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th’ earth’s worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine’s like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm ******* an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath’ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.
Sam mahn Jun 2013
How can I be so smart and caring and wonderful and amazing and funny and charming and handsome yet feel so alone stupid useless evil ***** monstrous sad angry destructive sarcastic sadistic awful ugly fat and utterly pathetic AT THE SAME TIME? I honestly feel like Jekyll and Hyde without a change. I'm this way all the time I can do something so brilliant and amazing and destroy it all within seconds. Am I still sorting through my past? Am I still learning who I am and who I'm saposed to be? Am I trying to merge the monster in my head so that I don't feel so insane? How can I look at someone and think they are beautiful and then after a few seconds can't stand them? It's not all the time with everyone just certain individuals.

Am I destined to be a poor tired soul for the remainder of my days? Am I cursed to weep under a smiling mask for the entirety of my souls existence? I feel so old and young tired and excited. I used to climb mountains and cross rivers with mighty currents! I used to curse the thunder and defy the lighting. Now I sit and weep for times gone lost. I toil to maintain nothing. I ruin all that I touch I am no more better than a tick on a deer ******* the essential life force of another. Though young am I, a man of very few seasons, I can still bear a burden with ease and cause ladies to swoon at the bat of an eye, yet not anymore for inside the minds eye where beauty is beheld I am old and weary. A corpse left to rot in my own grave dug by greed and lust and buried by strife and malice. For I fear I am becoming close to death upon my old and weathered age in which the darkness over takes. Not a sound or a whisper do I hear as the silence begins to smother the air. It is time to decide. Do I allow silence to take the weary mind and leave the husk to go on it's future adventures and abandon dreams of body and mind united? Or am I to fight to unite the two foes worthy of a Shakespearean play. Tis a consummation devoutly to be wished. And how doth I do the deed that needs done? How do I ensnare the slothful mind so willing to give up? How must I ****** this grey matter into thought and Witt for the time draws near in which I must act. How does one reunite a soul that has been shattered into one hundred million tiny pieces.

The ticking of clocks press on the impending need. The blood feud fueled by jealousy and madness  and hate causes one to paused in deep reflection.
It’s February, 2015, a Saturday and here I ‘yam.
Back in sunny California again:
The sun shining brightly again
On My Old Hemetucky Home,
Another mutant Stephen Foster tune.
Hemet: Riverside County,
Southern California,
The so-called Inland Empire,
According to the hyperbolic parlance,
Of sharkskin-suited land speculators,
Truly, the last of the
Patent medicine, liniments &
Snake oil hucksters.
Hemet: little oversight & lax policing
Yield a thriving, local
Medical-marijuana industry.
You are comfortably tucked . . .  
TUCKS® Medicated Pads | TUCKS®
www.tucksbrand.com/medicated-pads‎ Witch Hazel soothes and protects irritated areas. Medicated Cooling Pads are...

(THAT’S RIGHT, *******: A ******* COMMERCIAL RIGHT IN THE MIDDLE OF THE ******* POEM!  GIUSEPPI MARTINO BUONAIUTO--SURELY NOBODY”S FOOL—FINALLY FIGURING OUT HOW TO MAKE POETRY PAY, THEREFORE AVOIDING THE DIED-IN-THE-GUTTER BIT.)
You are safely tucked behind the impenetrable
(www.tucks.com)
Wackenhut G4S Security-
(www.wackenhut.com)
Policed & Patrolled walls,
Of your typical over-55 gated lunatic asylum.
“For Active Adults,” reads the sign,
Whatever that means.
I’ve been thinking about the adventurous young.
What is it these bright,
Wander-lusting whippersnappers
Fixate and obsess about.
Like dropping out & coasting for a while.
Dropping out & coasting:
Not as easy to pull off for 20-somethings these days,
As it was in the late sixties/early seventies,
Flush times for Guns & Butter.
Where is it cheap to live?
Where on . . .
“This blessed plot, this earth,
This realm, this England . . .”
Where on this ozone-depleted,
Global fondue fungus ***,
Can I go to just sit still?
To think:  to make sense of it all?
It’s leisure, Kemosabe.
Leisure cultivates philosophy.
LEISURE:
The very stuff of curiosity and
REACH—
As in: “One’s grasp should exceed one’s reach”—
Idleness leads us,
Gifts us with understanding &
Self-awareness.
You are 21 again, and restless.
You are unwilling to just settle in.
So, where do you go?
Where can you live on savings?
To not work,
But not go hungry?
To just sit still,
Contemplating the state of the wicket,
Be it wicked or sticky.
Today it’s Prague and Berlin—
Or, for the truly decadent: Bangkok.
For us it was Florence or Paris—
Or, for the truly frugal,
Driving our cars to Mecca: Montreal,
"La Métropole du Québec"
Sanctified are the places we’ve chilled.
Shrines & vortexes; each holy latitude,
As Han Solo drolly reminds us:
“It’s not the years; it’s the miles.”
The amount of ground covered,
A blessing devoutly to be wished in Old Age:
But I digress.
Just the thought of hanging out
Some place really cool,
Yet relatively inexpensive--
In a parlance acquired
Over the years and the miles,
Tactfulness learned,
Manipulating the language
For fun & profit.
Common sense is aged in the barrel
And the bottle, rephrased.
Vernacular Viniculture.
Which proves my point:
If you live long enough &
Read enough of the right stuff,
Eventually you’ll discover
A precise, more exact vocabulary,
Appropriate for Old Age inner monolog.
Would Old Age be tedious?
Boring, for those who
Never went anywhere?
Both physically & spiritually speaking.
Are memories our only revenge on Old Age?
And for those hiding behind the barriers,
Safe. Ignorant. Jolly. Dull.
A fast track toward senility &
Evanescence.
Does Alzheimer’s seek out & destroy the
Most cloistered among us?
While those bold & beautiful,
Experienced, still spinning,
Still weaving a tapestry in 3-D Technicolor.
Remembrances of things past . . .
(Get back in your hole, Marcel . . .)
And as the AARP crowd knows so well:
We Baby Boomers really had it pretty soft.
Boom economics,
Conspicuous consumption,
Coonskin hats, Betsy Wetsies & Hula Hoops!
By and large:
FUN TIMES!
No Great Depression,
No chocolate rationing.
A jungle war pretty much optional,
For most of us of the
American bourgeoisie.
We’ve got a lot to remember.
We’ve much to be grateful for.
Electronic media changed everything for us.
Television and movie theaters gave us
Alternative dimensions,
Parallel lives,
Multiple identities.
Experience so real that
To see it on the screen
Was to live it, oneself.
Perhaps those video downloads
Might prove useful one day.
Comforts out on Golden Pond.
Will you still need me?
Will you still feed me?
When I'm sixty-four?
Grazie, Sir Paulie.
drumhound Mar 2014
On Saturday
any Saturday
every Saturday

multi-themed pedestrian parades
pour down commercial corridors
celebrating a holiday known as

WEEKEND.

Middle school queens throw
exaggerated waves
from backseat upholstery tops

in imaginary convertibles marking
the current flow route between
Foot Locker and Game Stop.

Marching throngs display
personal banners on
plastic handled brand bags

drawing peer clusters,
human petaled floats,
vying for ribbons

passing devoutly interested
sideline spectators
now feeling a bit empty

without score cards.

Hippos, thin men, package jugglers
stroll along the branching avenues
labeled in chest advertisements

including everything from
Magnetic Health to Jesus.
No mega-city floatilian

compares to the mall regalia
in a midsize hometown
duck-n-spend.

Though it may be
a little short on free candy
it is still sponsored in part

by Macy's.

Interlocked peddler palaces
reign as shopping centers,
though shopping is the least

of the reasons to be here;
not unlike people going to
a hockey match

are not going to watch hockey,
or partakers in Nascar
don't actually go for racing.

Truth is,
we are all hoping
to see a collision,

Haves with Have Nots,
Lovers with Haters,
Colored Hairs with High & Tights

Refined with Undefined
Talkers with Solitaries
Personal Loathing with Itself.

Unanimously, they all come
for the curiosity of encounter
incalculable, anxious, wanted

or unwanted.

In secret,
dreamers hold royal hopes
praying to Aeropostale gods

pleading favor with credit cards
and a bump in popularity
that if so anointed

the purest of this parade's followers
would be next week's
Grand Marshall.
martin Aug 2013
Distraught the vicar wore a frown-
The churchyard wall had fallen down

Well he could devoutly pray
But not a single brick could lay

Fred said don't you worry, not at all-
We don't need a churchyard wall

Think about it now, he grinned
Those within can't get out,
And those without don't want in
john oconnell Jul 2010
It is your birthday,
not that you really care -
you  never were a man
for giving or taking presents;
only at heart
you appreciated being valued;
for you the wishing
or being wished
was sufficient.

It is not your will
that I am a self-chosen exile,
devoid of ambition
and with no
visible interest in anything
that you might hold dear.

Yet, like a Polonius,
in the wisdom of your years
you desire for me
what is best:
security, health and prosperity.

Maybe, the Creator,
whom you most devoutly trust in,
does, after all, move in strange ways
like your son
who has begun to pray again.
Bob B Oct 2016
In Rājagaha the Well-Farer lectured
On wisdom, concentration, morality…
The monks listened, devoutly, calmly,
To the message replete with practicality.

On to Ambaliṭṭikā they journeyed,
To Nālandā and Pāṭaligāma as well.
The Buddha continued to spread the Dhamma--
Or teachings--at which he was known to excel.

After passing over the Ganges,
To Koṭigāma they made their way.
The Buddha repeated the Four Noble Truths
That still guide many people today.

At Nādikā the Teacher referred to the Mirror
Of Dhamma and said to always begin
By looking first at yourself to discover
The truth that lies deep within.

On to Vesālī the ascetics wandered,
Where their Master continued to share
The power and value of mindful living--
The importance of being clearly aware.

During the rains the Awakened One rested
In Beluva, where he postponed his trek.
While staying there he grew ill, but he knew
It was NOT his time, so it kept it in check.

"Live as islands," he said to Ānanda,
"With truth as a refuge. And grasp not, for I
Have always told you that all things dear to us--
Whatever is born--eventually will die."

After the rains, the group traveled
To the Great Forest--to the Gabled Hall,
And the Buddha repeated the Eightfold Path--
A message of wisdom pertaining to all.

Bhoganagara was their next stop,
And then to Pāvā the wayfarers did go.
Their host, Cunda, served "pig's delight."
The Buddha grew ill. Why? We don't know.

Despite his illness, he continued
To Kusinārā and lay down to rest.
Music sounded and flowers fell
From the sky to honor the One-Who-Is-Blessed.

"The Dhamma will now be your teacher.
Strive on untiringly. My time has passed."
After entering deep concentration
The Great One died. Those words were his last.

Thunder sounded and the ground shook--
As it does when any great teacher "goes to sleep."
The Buddha is Dhamma; the Dhamma is the Buddha.
Because of that there's no reason to weep.

The compassionate Buddha's Teachings have spread
For over two thousand five hundred years.
His Message of living in wisdom and compassion
And loving mindfulness perseveres.

- by Bob B
George Krokos Aug 2013
Worldly kingdoms emerge, rise and eventually fall
but there's one kingdom that does outlast them all.
It is eternal which means it has no beginning or end
though most people in the world don't comprehend.

It has been written and talked about in so many scriptures
yet in the external world doesn't form part of any fixtures.
No matter how grand a structure or building is erected that it may represent
or how many people daily, under its roof for worship, they devoutly frequent.

The kingdom of the everlasting Soul is to be found within us all
and doesn't really have any roof, floor, pulpit or containing wall.
Its own image and essence is all of a glorious Eternal Supreme Being
that with Its own grace, knowledge, light and love one can be seeing.

All we have to do is to acknowledge Its presence and look within,
live our daily lives in accordance with the Truth which is Its Twin
that the highest practical wisdom is based on known to mankind
and has been handed down from ages past for humanity to bind.

This doesn't mean that It belongs or is particular to just one religious belief
but encompasses them all through which people seek to find worldly relief;
because of Its glorious Eternal nature It also has unfathomable or infinite attributes
and beyond the limited mind of man to comprehend though philosophy contributes.

Even the laws of every country or state are based on the Truth;
though due to age old corruption is hardly discerned from youth.
As people have a strong tendency to seek and satisfy there own selfish interests
that go against the universal principles inherent in the wisdom the Soul bequests.

These universal principles are really the backbone of all spiritual aspiration
that have to be adhered to if there's to be any further evolution or realisation,
of mankind's true nature and individual or collective higher moral development
which is a unified and holistic existence that by the Truth of the Soul is vent.
___________________
Private collection written in 2010.
You see that porcelain ranged there in the window--
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art--minutely seen and felt,
Each petal done devoutly.  Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal--
My brain unfolding!  There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds.  On rainy days,
You'll see a gas-light shedding light behind me--
An eye-shade round my forehead.  There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads--I thought them stones,
Until they hopped!  And then a great black spider,--
Tarantula, perhaps, a hideous thing,--
It crossed the room in one tremendous leap.
Here,--as I coil the stems between two leaves,--
It is as if, dwindling to atomy size,
I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,--
Though with his eyes wide open,--
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals--
All of it darkly moving . . . as for me,
I need no hasheesh for it--it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.

Here, in a simple pattern of separate violets--
With scalloped edges gilded--here you have me
Thinking of something else.  My wife, you know,--
There's something lacking--force, or will, or passion,
I don't know what it is--and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy--just like poplar trees
Ruffling their leaves--and I begin to think
Of poor Pauline, so many years ago,
And that delicious night.  Where is she now?
I meant to write--but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more--I'm getting old and timid--
The years have gnawed my will.  I've lost my nerve!
I never strike out boldly as I used to--
But sit here, painting violets, and remember
That thrilling night.  Photographers, she said,
Asked her to pose for them; her eyes and forehead,--
Dark brown eyes, and a smooth and pallid forehead,--
Were thought so beautiful.--And so they were.
Pauline . . .  These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .

Here, if you only knew it, is a story--
Here, in these leaves.  I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . .  I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,--just change, by growing,
Without an effort . . .  And here are trivial things,--
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial?  Well, no matter!

This is the sort of thing you'll see of me,
If you look hard enough.  This, in its way,
Is a kind of fame.  My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist--
You have my head before you . . . on a platter.
Nat Lipstadt Nov 2014
For Chalsey Wilder

Realizing that 'tis near five months,
that our ions, our verbal lips
have not crossed or caressed,
our words electric,
have not charged us
with current direct,
pleasured is my mind
intensely, devoutly,
to see your message
this Friday Sabbath eve

the weekly work toil,
now foiled
fair full my physical liberty,
from the tiresome and woeful.
your floral bequest,
presented as a request,
it's scent wishful and sad,
so hard to understand,
for your are a flower,
that makes this answering poem
grander

now and here, I fulfill,
this charted task,
with a poem answer crafted
by you, from me,
and entirely for you

your request, 'tis my obligation -
that is freedom

realizing that something in life,
you, being that something,
you, are that petal,
that the poetry breezes
accidentally sent to me,
by rambling, random chance

you posses and grant unto me
a freedom to love and lionize
a petal'd poetess and
heroic lioness

wish not in vain for a careless life,
care much, care hard, care so much,
as you do,
for in every poem you pen,
you betray yourself and prove
your sense and sensibilities,
the quality of caring,
the quality of human essential

well I know,
the illusion of blowing dandelions,
being envious of their
seemingly ***** nilly ways

well I know,
this experienced old
and extra foolish fool,
that the cares superficial
of a troubled existence,
woes of an uncaring world,
lay heavy and rare is a
hoped for easy discard
ever realized,
and for one
so young as you,
'tis heaviest burden of all

but look at the freedom here!

you gift me inspiration,
is that not power,
is that not freedom?

you gift me a willing to caring,
direction and harmony,
you scent me flowers,
you send me a poem,
each petal a part of a whole
astoundingly beautiful,
you, flower,
you, poetess,
you,
astoundingly beautiful

you ask me what do I think of your poem?

I think a flower
is astoundingly beautiful
never will I tear a petal from it,
and the let the imagined wind,
the image of free fall flight
tear it from me

never!
I love my flowers,
frolicking free,
breezed and caressed,
the freedom of caring
they grant,
is so easy,
yet so hard,
but I love it so,
as much as I love your poem

read this knowing,
this is your moment


------------------
Realizing something in life*

by Chalsey Wilder

Letting go of a flower petal
And the wind picking it up
for a ride to the unknown
Feeling something in your heart
as you realize a flower petal
has so much more freedom
than you do
It can be who it is
without a care while you can't
and flowers are loved for it
while you aren't

You stand there
wishing for a second,
for a mere second you wish
you were that flower petal
then you look down
then around
and walk away,
maybe still wishing
you
were that flower petal
or maybe having it
change you forever
Have you ever had a moment like this?
http://hellopoetry.com/poem/790345/realizing-something-in-life/
Coyote Dec 2013
Warning! This poem contains foul language and the subject matter is intended for those who share my warped sense of humor (or humour for my European friends). If you are easily offended or devoutly religious, you should probably skip this one. That said, my apologies to Dr. Seuss.



And all the Hos knew there
was something quite odd
about this strange little
self-professed servant
of God



Father Xmas

Every ** down in Hoville
liked ******* a lot
but the Priest who lived
just north of Hoville did not

The Priest hated *******
(at least with the women)
He much preferred cute
little boys for his sinnin'

Why he was so nasty
and hateful and sly
I guess no one really
could understand why

Some said he was born
with only one ball
Some said that his shorts
were two sizes too small

But whatever the reason
his shorts or his *****
He hated the Hos
both the tall and the small

'When the clocks strike eleven
I know just what they’ll do
They will take off their clothes
and commence a ** *****'

'And they’ll ***** and they’ll *****
till their screwers are sore
Then they’ll all take a break
and start ******* some more'

And the more the Priest thought
of the Hos and their *******
the more the priest thought
'they must stop what they're doing'

'I could call the police
Have them taken to jail'
But the Hos knew good lawyers
and would quickly make bail

'Then they’d all wander home
and resume the ** *******
They’d resume the ** hand jobs
They’d resume the ** *******'

Then he threw up his hands
and said 'Oh what the Hell!
If I fancied ***** I’d be
******* as well'

So the Priest left the Hos
to their ****** ploys
and he climbed into bed
with two altar boys.

— The End —