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Wide Eyes Jun 2014
Come spring, she leaped across the grassy dune,
Beaming with sheer joy as she hummed a halcyon tune.
Her beauteous almond eyes- the biggest, the brightest.
A bonnie spotted doe in her warm, homely forest

Come summer, by her gushing little lake she played.
When upon a solitary, pensive buck her eyes she laid.
Eyes met across the smiling lake; too soon gazes parted.
While his eyes curiously lingered, hers wandered on ahead.

Come monsoon, he adored her eyes, her gilded coat, her bushy tail.
The passionate warmth in her eyes with affection made him frail.
Yet, she went on with her blissful life- devoid of any care.
Oblivious of the buck who always stopped to stare.

Come winter, by his side chattering happily she grazed.
Soon, his feelings faded; by almond eyes no longer crazed.
Like currents in the water, apart they drifted and drifted.
New lake. Nonchalant silence. No words were said.

Come fall, she found that he still leaped through her mind.
The emotion she once scoffed in her heart now enshrined.
Eyes met across the smiling lake; too soon gazes parted.
While her dull eyes wistfully lingered, his wandered on ahead.
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
Purcy Flaherty Jan 2018
Initially she began contacting me over the course of a year or so and increasingly over the last few months she started visiting me, helping me, caring for me and occasionally employing me in different ways.

She’d just had a break up a few weeks before, explaining that things hadn’t been right in the relationship for some time!

She presents herself as respectful, thoughtful, gentle, kind and considerate and after what seemed to be a very short length of time; unexpectedly declared that she had feelings for me; regarding love, admiration, desire and some other adventures.

She then began to bombarded me with love talk; occupying around 70% of my time gaining my trust, I was swept off my feet; she took a great deal of interest in me, learning everything about me, what I liked, where I would go, always asking what I was thinking feeling, how she could help and I was flattered and she was charming, though a little awkward at times.

As our friendship grew she started sharing her back story, including some tragic life experiences; she vilified her past lovers, and ex-partners and branded them as crazy, or bitter liars and troubled souls; slowly gaining my sympathy, whilst securing my allegiance, and keeping me on side; keeping me close; drawing on my compassion loyalty & trust!

During intimate moments she would sometimes seem a little awkward, false, over enthusiastic, or a little insincere and I made allowances for this given my knowledge of her backstory. Re: (The tragic life events & experiences)

She began to choose and buy me clothes; outfits, take me shopping, gradually altering my outward image and appearance.

She introduced me to her friends; but was careful to keep me and them at arms-length, I realise now that she was building an alternative profile of me in their minds and that the people she introduced to me rarely exhibited the behaviours or characteristic that I was led to expect.

She soon started to embroil me in her own rituals and compulsive behaviour’s, explaining that tasks needed to be performing in very specific ways to prevent her getting distressed!

She made many promises : ‘The hook’ It was my expectation i.e. waiting for some of those promises to materialise that kept me hanging on; This increased her control and exited her too. (None of her promises came to fruition!)

She gradually had a hand in almost every aspect of my life i.e. my home, my work, my friends, family, my finances, the way I dressed, the food I ate and many other things besides, much of which I didn’t realise until our relationship was finally over.

She often took immense pleasure in duping, individuals or companies out of something through theft, shoplifting, or getting something for nothing, a profiteer, a chancer!


To question or challenge her authority would result in seeing her façade slip and watch her decline into meltdown. It's at that point, she would lose composure, and I would see her irrationality come to the fore; revealing the real person underneath; childish, contrived and very fragile; It’s as if control is the glue that holds her together, without it she just falls apart, during this time she can’t be consoled and it’s impossible to calm this escalating situation; in fact at this point that she would attempt to regain control by ‘gas-lighting’ me, she would distort the truth; who said what; in an attempt to damage my self-esteem, to make me question my own mind, my words, my intention and any actions, apportioning blame, pointing fingers, making me feel guilty, use rejection, or using hurt, sorrow, tears, shame and even threaten liable or legal action, and then use *** to pacify or regain control over me and my actions.

These episodes would appear often; though irregular and without provocation, I would always be deemed at fault! I found silent compliance was less stressful than engaging in discussion.    

She never took responsibility or made any apologies for her conduct.

She would set me tasks and go out a lot and lie or bend the truth as to where she had been; I never challenged this behaviour!

When the relationship was finally deemed over! I was both devastated and relieved.


I began to see my new position in the cycle; as she immediately begin to vilify me in order to give credence to her new backstory, I felt very confused, disorientated and emotionally fraught, shell shocked! questioning, how much of our relationship was true and how much was a lie? For everything I thought I knew was now knitted together with a very complex web of loyalties, lies and half-truths.

Her pattern of repetitive and controlling behaviours have seemingly remained unchanging throughout all her relationships!; (I know! as I was contacted by many of her previous partners and other casualties since I shared this account.)

Within two weeks of being apart she told me that she had fallen in love (My replacement) someone she’d had her eye on for some time, some-one she admires, someone kept in the background, a friend a mutual acquaintance, and thanked me for bringing them together.
The grooming of her new lover would have come about in exactly the same way as previously described. It's her M.O. (Her pattern of behaviours, her techniques have remained fixed.)

She’s incredibly self-conscious, her biggest fear is that other people will find out about her true demeanour, her image and appearance is everything to her. She's afraid that people will shun her for being so very different. She is a wolf, that’s not a malevolent creature par-say; but you don’t want to be her pray.

Full circle:
I too have joined the ranks of the discredited; labelled a liar, troubled, bitter and crazy. (I Know this because secretly contacted members of my, family, friends and some fellow musicians; and they shared these conversations with me.) I suspect that she may even attempt to vilify me with authorities or threaten some form of legal action; as she has to others in the past!

I'm still drawn to her despite my knowledge of her sociopathic nature, and all the things that go with it, her charismatic boldness, her ****** power and her Svengali like intelligence.

I’ve had to block all means of contact and cut her off entirely to curtail my pathological interest, for despite everything that’s transpired, her lies, her infidelity, her deceit and appalling behaviour, I feel no malice towards her; quite the opposite, I'm drawn, intrigued, bewitched, beguiled by the person hiding underneath the façade!

Now the dust has finally settled; I’ve somehow remained sound of mind, and I don’t feel guilty anymore; I’m aware that I’ve been manipulated into thinking and acting in ways that don’t truly represent my character; and that I’m just one of many people seduced by a sociopath.

She’s just another natural human variant , an attractive person devoid of empathy for others, that’s developed a narrow set of skills and mirroring behaviours, that allows her to blend into mainstream society in order to feel safe, secure and in control.

She would have preferred to keep me hanging on, like many other dependants, adding me to the hareem; a bank of beguiled individuals that she occasionally calls upon to perform simple tasks, or to simply monitor and re-assess her handwork.

The last time I saw her she opened with nervous politeness and finished with veiled cruelty, I left feeling drained, uncomfortable and quite fazed.

I’ve written this account to help further understand what had transpired during this complicated relationship, I’m not sure publishing this account will be useful as to others.

But I’ve not mentioned any names; and at any rate the next person targeted; will ignore any pre-warnings as just bitter ramblings, and most individuals are driven by the natural pursuit of love, *** and romance rather than following advice of some seemingly bitter ex.

Bittersweet! The reason you and I might attract the attention of a sociopath is because we shine like stars; stars are both attractive and further enhance the image and status of the sociopath and the people around them; a sociopath will orbit a shiny star and use its energy to slingshoting into a larger more attractive orbit, either stealing a bit of its shine or destroy it in the process; To these people love, *** and desire is simply a tool for manipulation and gain.

Expect high drama.
She loves to watch you *** unstuck!
Nigel Morgan Jul 2014
He felt devoid of words, after being surrounded by them for the past 48 hours. As a writer there was this constant itch that one should be in thrall to the urge to write. It was what writers did, when they were not talking, or listening to others talk, as you do, sitting on the train, listening to the talk of others.

He was so easily seduced by the roll and pace of words spoken with intent. The voice reading on the radio, that book at bedtime, that well-scripted introduction. He felt this might be part of the reason he liked to start the public day by attending the Morning Office in his city’s cathedral, just a short walk from his studio; this elevation of the written to word to the spoken, deliberate utterance that lifted those yards of printed text in the book on the lectern he occasionally had the privilege to read out loud. It had been the book of Amos this week. Not a text he knew, and yet he had been surprised. He had meant to look up the chapters read when he returned to his desk – but hadn’t. Only now, early this morning as the streets below were swept in the city, and the night’s young revellers were returning home in the waiting white taxis, he read the words of Amos, of his 8th Century (BCE) vision and prophesy. It was dark stuff, warnings of doom, disaster couched in language that whilst poetic had a hard edge; not the poetry of the Psalms . . . but some verses had caught him:

Behold, I am pressed under you, as a cart is pressed that is full of sheaves. Therefore the flight shall perish from the swift, and the strong shall not strengthen his force, neither shall the mighty deliver himself:  Neither shall he stand that handleth the bow; and he that is swift of foot shall not deliver himself: neither shall he that rideth the horse deliver himself.  And he that is courageous among the mighty shall flee away naked in that day, saith the LORD.

He had walked away into the morning city, the city preparing itself for a weekday of shopping and business, and found himself saying under his breath the flight shall perish from the swift. It was such a powerful image: he saw in his mind’s eye the swifts quartering the field below his cottage on that Welsh mountain as they sought food for their young nested in a dark corner of the barn, their nest a marvel of nature’s engineering hanging high from the wall. He saw their flight perish, saw these miracle birds fall from the sky. He felt the silence of the empty field. He was suddenly overwhelmed by the thought of a silencing of birds, their flights stilled, perished in some Armageddon.

And later that week two hundred and fifty miles south under the lush greenness of the tree canopies on that Devon road to Buckfastleigh, these words had reappeared as though in some recurring litany. He had looked from the speeding car into the early morning, and, following the river running beside the road, had remembered a morning past. Beside that very river he had crouched close in wonder at it all, and that he had almost slept the night through in her arms, by her side, alive to her every movement and breath, and to wake, and find it all true and not dreamt.

He had had no poetry for that morning past. He was sure he had found something later, of their days together there. Her passionate kiss in the gardens at Hestercombe, the rub and touch of her leg under a restaurant table, her beauty a shining star beside him at that gallery opening, lying together amongst daisies in the garden he had recited the poetry of Alice Oswald, and the blue skies, and the distant moorland glimpsed, and his heart pounding with love and passion for this gentle figure who he couldn’t help himself touch and kiss, whose hand he would seek and hold at every turn . . .

How could he not be a poet when he had known such things he had only previously imagined? And now he had become a person whose words others listened to and read. Because? If pressed, he might say he had been woken into a world he had only previously glimpsed, occasional revelations had come fleetingly, but now they were ever present. It was as if when he looked into her face he would step into a place where she belonged, a place she was still fashioning for herself, where she dreamed herself to be, and he would be, possibly, and possibly always. It was always too much to think of when he was alone.

He missed her terribly as he walked the gardens he had once walked with her, had sat and sketched with her, had stood at slight distances from her to savour her still beauty. But there was no escaping the words, the needs of words, the talk, the idle talk he couldn’t do. And now, home at his desk and the backlit screen, the persistent noise of this city he inhabited reluctantly, he was devoid of words and yet, and yet. At five o’clock this morning he had filled his favourite china cup with his favoured blend of tea, his morning tea cup decorated with its traditional Chinese blue on white pattern of temples, bridges and trees and given himself time with book. It was Farwell Song by Rabindranath Tagore, that great Indian writer who he remembered had walked those gardens with Leonard and Dorothy, those Elmhirsts who had made the gardens what they are today. Tagore, a writer courted for his wisdom and passion for rural reconstruction, a friend of Gandhi, Einstein, W.B. Yeats. Such people, he thought, and I have walked amongst their ghosts, in this place that twenty five years earlier had laid its spell on him, and he had loved, and come to love with even more devotion because he could not think of the peace and loveliness of it all without her presence there. And yet they were apart, and she had her life, and he had his life, but through the poetry of their respective endeavors, their art making, their creative energy, they came together in what he felt was a similar spirit.

In the hour before his train had left for the South West a letter had arrived with two cards. On one card, sewn into the card, a eucalyptus leaf, sewn with eucalyptus-dyed thread, and with it a blank card for ‘something in return; something personal, gentle, tentative, appropriate to our lives’.

He had carried both cards with him, these cards of papier aquarelle (300gsm) that had graced her touch, been held by her deft fingers. He had placed them between the leaves of his poetry book, a book he used exclusively for his written words. He had placed the card with the leaf resting against a vase of Lathyrsu odoratus. Vase and card placed on the pine desk in a guest room in a friend’s house they had remained in place, together, those two nights, and he recalled holding the leafed card briefly before he turned out the light to lay down to sleep, thinking only of her as he waited for sleep to embrace him.
1711

A face devoid of love or grace,
A hateful, hard, successful face,
A face with which a stone
Would feel as thoroughly at ease
As were they old acquaintances—
First time together thrown.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
derelictmemory Dec 2013
I dream of having you as mine
I dream of claiming your lips under light
I dream of having each touch of yours
I dream of searing the memory of you in my mind
I dream of having spent a day with only you
I dream of creating a life with you

But these dreams are mine
       And these dreams are fictional
       They will not come true

You will not be mine
        I will not have you
        And life as I know it
                Will always have the upperhand

I will be deprived of your touch
                                 Starved of your taste
                          Blinded by the sight of nothingness
             And I will shed tears like no other

                                     As they rip you from my soul
                               Just so they can feel the anguish
                                          The pain
   The darkness
                                                                           The loneliness
                     And the suffering

That only comes from living in a world

Devoid of you

              Devoid of your smile
                    Devoid of your laugh
                           Devoid of your warmth
                                  Devoid of your heartbeat

And as you die
                             I will die
As will I live
                         And only spend my days
                         All my remaining hours


                                   Loving you


                                                                       And only you


For the ****** only have that
       The ****** have nothing else
                                         But the love they once had
                    And the memories that they keep

But eventually
                           That will be forgotten
                                                 The emotions will run dry

And I would have spent an eternity
      

                            In absolute nothingness
Mercury Chap Jun 2015
All those laughters
Are not always real
All those faces in a park,
Wrinkled and weary,
Laugh in a circle,
Devoid of happiness,
No sign of a crinkle,
Eyes without light,
Devoid of life.

Their happy sadness echoes,
On the streets, in apartements,
The dismal vibes reach us
Yet they emanate the fake sentiments.

Stoop a little and evesdrop that circle,
They deceive emotions, black and purple,
All you hear is a shouting troop,
We know the truth of a laughing group.
Are the people in a laughing group really happy?
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
crowbarius Jul 2012
Flora and Fauna, the sisters of Season
Of Spring and of Summer
Allow now our drummer
To drum out the beat
For the feet of the sisters
To glide and to creep
Like the encroaching sleep
Which may perch on your shoulder if we cannot keep you awake
And on the edge of your seat, sir.

Now the former, sweet Flora, will finger the flute
While the other continues to glide and to slide
Like a sequined Venetian harlequin bride;
And now Fauna will mimic the movements of bird and of beast
As she graces the work of our landscape artiste
And all is completely unfeasible
Completely lacks reason
We guarantee.

Presently
In the eye of the beholder
Sweet Flora seemingly draws from the aether a lyre
And with flourishing fingers she plucks from the heavens
A song of the seasons, a pagan ode to Pan!


Behold! No aid of hoops, no strings
The vestal-******-harlot sisters sing
Of beautiful Persephone
And with unseen damselfly wings
Ascend from mediocrity
All melody forgotten
All the drums create cacophony
And you will find serenity in chaotic monotony
Now let this climaxing crescendo banish all your sorrowing!

No more that light; no more that sacred realm
Life’s door was dappled gloam; now all is black.
A man of wax with saintly, hollow eyes
Devoid of sin, devoid of love and light
That golden room is lost – you can’t turn back.
Now love has lost its lustre - lust lost joy
And coy eyes turn to watch the empty man
Struck by eternal beauty, and condemned
To haunt the broken world of mortal men;
And shrilling wind caresses empty hand.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
O LOVE! O LOVE! WHY ARE YOU EVER DEVOID OF LOGIC?

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)


Mankind in its pathetic folly entice you in a dint of stupor
Knowing not your true colour and texture
Endeavoring to achieve glory in your mastery
With the so limited human capacity
In grey faith that you are a cradle of bliss
But O love! Why are you ever crooked?

Young men and women in strength of their sinews
Toil day and night in ******* of humanity
Praying and whining incantations with the hope for optimal love
Ornamenting their bodies with diamond and bronze
Fibre and silk ornamented to helm of providence
In the foolish quest for love equillibria
But in full stretch of your vice, you impish love
You catapult all away to the shifted goal posts
O love! O love! Why are you ever ruthless?

You hate the learned but you favour the strong
You hate professors but you favour the soldiers
You hate the rich but you favour the agile
You hate the lawyers but you favour the footballers
You hate the pastors but you favour the ruffian
You hate the whites but you favour the Negroes
You hate the groomed but you love the ragamuffin
You hate the chaste but you favour the mistress
O love! O love! Why are you ever illogical?

Love, I revere you for wickedness and irrationality
In all of your history you scored sum *** laude  
In the duo as blend of your domain, Look;
You never dwell in a genuine companionship
You like where the couth will interject;
Amidst fornication between married and single ones
Amidst adultery in the triangle of foul compassion
Amidst miscegenation between black and white
Amidst infatuation between the whole and the lame
Amidst conjugal appetite between the old and the young
Amidst concupiscence between house master and houshelp
Amidst immorality of married master over the wallowing servant
Amidst libidos between literate teacher unto the peasant pupil
Amidst disordered passion among the sly lesbians
Amidst impious ******* among the suave gays
O love! O love! You are the  most wicked force!

Love I am told; your colour is red
You may be red or you may not be red
But all in all, you deserve poetical veneration
For your herculean ability to bend the most wise;
In your force you made sagacious Shakespeare to bend
In your force you made Princes Diana to bend and bend
Bending downwardly stooping for Afawoyed the moor,
In your stupefying dint you made Napoleon de Bonaparte
To bend and bend downwardly stooping for Josephine
Josephine a famed she-Casanova in the gone Paris
Among the then humanity and the then animality,
In your impairing machinery you set sons on their fathers
In the roman empire of Antony and Ceaser
In the scramble for Cleopatra, the Egyptian queen
Beauty of her aquiline nose heavily hovered perhaps  
In the eyes of the Roman beholders
The father and the son only to sent the empire
To the love forlorn smithereens!
n stiles carmona Mar 2017
(your knowledge is thrown back
with the force of a punch.)

trial and error --
            error--     error--
you're blown aback by cruelty
in those low-browed rows of eyes.

oh, joy of joys of stepford poise!
internally destroyed, all sincerity devoid:
but hey, tear-free, you taught
those ******* how to rhyme.
who's really the bricks in the wall?
Alexander K Opicho
(Eldoret ,Kenya ;aopicho@yahoo.com)

On 13th January 2014 Dr. Wafula Chesoli of Mt Kenya University, at Lodwar campus in the north western part of Kenya published a scathing attack against homosexuality in the Neighbourhood, a daily circulating paper of the River Delta state in Nigeria.Dr Chesoli justified his contumelious position against human homosexuality by basing his stand on the scriptural citations of the Bible. The Bible which  Dr. Chesoli has operationally defined as the word of God in  this article that he entitled Strong holds of Homosexuality ;Biblical Persapectives.Chesoli’s argument has a depth of Biblical groundings, however I beg to differ with him in principle, given the  scientific scintillations on humanity of homosexuality from the recent researches of health education and psychology.
Firstly, I humbly remember that about three years ago I also published an article in the East African standard which harshly condemned social and behavioral position of gay and lesbian marriages. This was when the Anglican archbishop Dr. Eliud Wabukala of Kenya had in a similar tone lambasted the archbishop of Canterbury for suggesting that there was need for the office of the gay Bishop in the Anglican Church. I strongly supported Wabukala in that I even called gay and lesbian behavior as cultic and satanic hence to be condemned with all forms of capital nemesis. Some of the contents of my article in which I condemned homosexuality are here;
Let us support Wabukala stand on gays and morality
(January 13th 2011 at 00:00 GMT; By Alexander Opicho, Eldoret)
Practice of psychology and Christianity operates on a universal principle of unconditional positive regard for all. However, there has been a twist in this convention when media in Kenya at the start of this week carried a story that depicted moral fortitude of Bishop Eliud Wabukala; who has out-rightly dismissed the idea of establishing the office of a gay bishop in the leadership of the Anglican Church. Wabukala has come out boldly on this against the strong currents in support of gay marriages from his superiors in the Church. The efforts by Wabukala befit all manner of felicitation from all of us who believe in morality as a basis of humanity. The basis of gay relationships is legalistic and political. African culture conscientiously discourages a cult of gayism. And in Kenya living as a gay is living in contradiction to the Constitution. These collectively fall in an agreement with basic teachings of Christianity. Gayism, lesbianism, celibacy and trans-species ****** behaviour are admonished by Biblical teachings. Gayism is social deviance that originates from degradation in ****** behavior; it is a state of ****** depravement. Read more at;
http://www.standardmedia.co.ke/?articleID=2000074879&story;_title=-Let-us-support-Wabukala-stand-on-gays-and-morality.­
Little did I know that as I was publishing this article two percent of my friends and my family members are victims of ****** behavioural disability, which we are calling homosexuality in the above juncture. As university teacher in the departments of social sciences where student populations is usually high, I again came to discover sometimes later that ten percent of my students always have disordered ****** or gender conditions. I found these to be substantial revelations that provoked me to carry out both desk research and investigative *** socialization researches into this bamboozling human phenomenon of homosexuality and other related disordered ****** behaviours.
The order of explanation would first require a position which posits that; religions both Christianity and Islam don’t have any intellectual nor social machinery to carry out a socially ameliorative process in relation to disordered gender and ****** behavior in any society. Their approach have been and would still be parochial in the sense that the only outcome to be achieved is prejudice, bigotry and discrimination with full harassment against Christians or Moslems with ****** or gender disability. Thus religion should pave way for other competent social players over this matter.
Dr Chesoli’s Position that the Bible is the word of God and the Quran is the word of Allah and hence those with physiological conditions in contrast to the word of God and Word of Allah are satanic, only to face wrath of God on the judgment day is simply devoid of modern logic. I want to sensitize Dr Chesoli on the fact that not every thing in the Bible is the word of God neither   every thing in the Quran is the word of God otherwise called Allah. To support my position before I just explain scientific position of homosexuality, I want Dr. Chesoli to learn that; 159 psalms in the Bible are poetries of Kind David, Kind David whose leadership was full of Machiavellian tricks just like the current leadership of Yoweri Museven of Uganda. The book of Job is theatrical and poetical literary creation of Moses. But not the word of God. This is so because the land of Uz in which Job lived is pure fiction. All papyrological surveys have never established geographical evidence of this land. The last part of the Bible is made up of 21 epistles or letters of Paul the benjaminite. Paul’s writings display eminence of intellect as a lawyer and a person schooled in the Greek classics of Homer’s Iliad and Odysseus as well as Sophocles’ Oedipus Rex.The idea that the words which Paul wrote was the word of God is not founded ,perhaps the last stage of Jewish casuistry.
Homosexuality has to be understood as lameness or disability like any other animal or human disability. I am aware that Dr. Chesoli belongs to the old school which only appreciated the fact that lameness is limited to physical, mental, eye and hearing impairment.However, this position is now scientifically obsolete. Humanity is now understood to be sometimes a victim of ****** lameness, intellectual lameness, emotional lameness, racial relational lameness and other plethorae of lameness to be uncovered, courtesy of science and research.
Like the condition of ****** disability can be heterosexual disability or homosexual disability. Heterosexual disability can be indicated by misfortunate human ****** conditions like; early *******, erectile disfucntion,oversize *****,undersize *****,frigidity,phobia of opposite ***, oral ***, **** ***,****** appetite for your own child, ****** appetite for your sisters, brothers, uncles or aunts, frigidity, small ******, abnormally big ******,insatiable libido or insatiable appetite for ***.
But on the other  hand  homosexual disability are often indicated in the perverted ****** behavioural positions like male to male *** also known as gay and female to female *** also known as lesbian, or female to male to female to male *** also known as bisexuality. We also have other ****** phenomena like celibacy, voyeurism, *** with non human creatures, *** with inanimate objects, *** with ghosts and *** with spiritual creatures like the one accounted in the Bible between Mary the mother of Jesus and an Angel Known as Gabriel. There is also *** with dead family members. Dear reader just accepts that the list in this line is long.
Now labeling above positions as satanic or ungodly can be misleading in the modern sense. The motivation for all the above behaviours is sensual satisfaction. But the physiological cause of the behaviour is few and far between. Some of these conditions are caused by genetic misprogramming or mutation; some are due to body malformation. Like having female reproductive system in a male human casing or male female reproductive system in a female human casing. But the sorriest part of this human experience is that victims of these conditions always feel that they are right human creatures in the wrong body from which they struggle to jump out but they have never succeed.
This is why the Journal of Pan African Voices known as Pambuzuka news has a platform for anti – homophobic journalism, which actually purport to promote social and intellectual awareness among the Africa societies about matters relating to ****** and gender disabilities. This journal strives to minimize homophobic positions like the one taken by Dr. Chesoli in a smokescreen of Christianity or Islam which will ultimately only end up as heinous violations of human rights.
An empirical position has facts that gender and ****** disability conditions is rampart in urban areas than rural areas and more rampart in industrialized or developed countries than peasant rural based countries. Thus logic will tell you that we have most gays and lesbians in America and United Kingdom than in Kenya or Malawi. This is why President Barrack Obama in an imperial stretch conditioned the govermenent of Uganda to make a legislation that favour gays and lesbians. This was also reflected three years ago in the United kingdom when David Cameroon warned the government of Ghana that if they don’t make a legislation that appreciate homosexuals then United Kingdom would not give economic aid to Ghana.Contextually,both Cameroon and Obama were wrong. We don’t use vents of desperate imperialism to manage a misfortunate social condition. We first of all begin by educating our people, then socializing the idea among our people then we finalize by positioning the idea among our people. Thanks for your audience.
Alexander K Opicho, is a social researcher with sanctuary research agencies in Eldoret, Kenya.He is also a lecturer for Research Methods in Governance and Leadership.
Tobias Engkvist Sep 2012
I’ve run with haste into the thistle
I’ve gone from the start to the end
And skipped the middle,

I’ve proceeded blindly in devoid of wit
I leaped o’er the fence into the paddock
And found it full of ****,

I’ve fallen for lust and grace
And whilst idle, drunk, and still
It’s all simply washed away,

My vessels built for calm seas
It handles nothing more than swell
And prefers the quiet soothing breeze,

In a sudden and heavy pour
The serious and sobering rains came
And stranded me on this desolate shore,

Miles to the east and miles to the west
Two ways for me to wander
And I’ve no idea which is best,

Indecision is in my nature
So I’ll instead build sand castles
And leave the choosing up to later.
Logan Robertson Aug 2018
My Sister, I Watched You Fall-2

My little nephew, I was sorry for your sorrows
When the whims of your mother stormed your tomorrows
You didn't know who your father was
Or why the branches of your tree sagged its paws

For you walked thru the halls of life mauled
By a lost paw that grabbed your mind and sadness walled
I could see it in your mind's eyes, the question marks
Of why other families have fathers at the parks

From the time you were a little child of two
You would love to go with uncle to the zoo
Then as the wheels in your mind started to click
Seeing other kids with fathers, it made you sick

You were young seedling lacking the nourishment
The parts of the puzzle missing fulfillment
But hear this, my little nephew, your uncle tried
And ... at the mercy of your mother's whims, I cried

We'd play the role of father and son
Fish a dream, toss the past, paint some fun
We'd **** weeds while wrestling through a reservoir of tears
Aborted in time, a lake, two swans and a duckling in good cheers

My nephew, I would take you around the world if I could
But hear this you were never, never driftwood
For I had spent as much time visiting you
In absence of a fathers touch, you never knew

I shed more tears today as I catch wind of your child
For its teeth bites and gust of whims, again, run wild
Do I offer congratulations knowing the lake is devoid
Of future swans and a duckling, walled in my mind's void

No. My nephew, I'm choked in tears that crawl
On the face of the earth, I sprawl
I thought you learned, child uncorked
On wings of albatross and not the stork

Logan Robertson

8/16/2018
Play on words-paws, mauled. At age two, he was a child prodigy
with an eidetic memory. He was a **** at math, count change impressively, knew the times' table, like how many donuts in five in a half dozen. We would study the map, he knew all the states and capitals. I was impressed watching him grow and blossom. Then one day at that young age he learned why other kids had fathers and he didn't. It hurt him badly. He recoiled. He rebelled. He purposely started to give wrong answers to my teaching, as he started to lose interest. And things waned after that understandingly so. But for a while there he was so bright. This is a sad page to turn.
Lola Jan 2014
Sweet is the night, devoid of the rush and bustle,
Devoid of daylight's struggle and brutal hustle,
And my fear as through dark alleys I go run, running

Sweet is the night, devoid of the crush and muscle
Of a thousand bodies, and their compressed sadness weighing

Sweet is the night, silent is God's nocturnal music
Like a river, the darkness is, and soothing
Black like the cosmos ever moving
Sleek like the slippery silver surface
Of the dream webs of my mind

All content, we do not scream
Or through need of the bold, tread hard
At night we tiptoe a poet's ballet
And sing hushed rhythms like a heart's song pumping
Poppy Johnson Mar 2015
we only feel so empty
because we left
little pieces of ourselves
in everything that
we once loved;
once lost.
Titanic-Lover Aug 2013
"Olympic,what was my sister like?
Did the people make her grand?"
"Yes,my darling,she was fine,
The finest in the land.
No one else was like her,
No one had her creed,
I knew within my very heart
The life that she could lead!
I sent my best of wishes to her
On a tenth of April day
She sailed away into the sun,
Nothing stood in her way.
Oh,Brittanic,my darling,
I wish that you did know
The spark of pride she sent in the air
Where'er she did go.
The air around her seemed electrically charged
With her undeniable glory
I watched from afar,
Knowing she'd make a front page story!
I felt pride within my soul
When people would stop to gaze
My sister was so beautiful and bound for happy days!"
"Olympic,why did my sister die?
Why couldn't I see her face?
We wait among happy people,
She's in a somber place."
"Brittanic,my dearest baby,
I cannot tell a lie
You must put up with this old girl,
And know that I shall cry.
I cannot think of my sister
Without my vision clouding with tears
I have been without her for so very long,
So many pain-filled years.
The day I heard that horrible truth
Will be etched forever in my heart.
The day I lost my beloved sister
With which I never wished to part.
When I received news of her sinking
I raced across the waves
Hoping I'd be able to say 'good-bye'
On her very last of days.
Oh,but I didn't get there quick enough!
I didn't have enough speed!
The Captain ordered me to give up hope,
An order I didn't want to heed!
I had raced across the blackened surf
Pressing to see how fast I could go,
Now the Captain ordered me to stop,
I hope you'll know the love I did know.
I wanted to go to that very spot
Where my sister's life did end,
A glorious lady with a glorious heart,
All ended by a word called 'sin'.
He hurt me with his ruthless order
Ceasing my propellers purpose-driven churn
My anger at him burned in my soul
I didn't want to obey a command
He was forcing me to learn!!
But,he forced me to learn
Forced me to turn away
Forced me to live without saying
"Farewell"
Forced me to return to work that day.

"Olympic,are you mad at yourself?
Upset you never could say goodbye?
Upset you left her all alone?
All alone to die?"

"Oh,Brittanic,why must you ask such things?!
Such things that tear my heart in two!
But,answer you,I will,my darling,
Answer you,I shall do.
I have tried so vainly to forgive myself,
Yet,half my heart is plunged in grief,
It wraps around my very core
Like a strangling ivy wreath.
No one gave me a kindly look,
A sympathetic word they did not say,
Such as "Fair Olympic,you did all you could
To save your dear sister that day."
But I tried! Don't they know?
I tried to save her as across that ocean I ran!
I would of said good-bye
If not halted by a foolish man!
Yet,I never got to say 'good-bye'
Never let her know,
Titanic! My treasured sister!
How I love you so!!"

"Olympic,I hope you know I love you,
E'en though your heart is sad,
Forgive yourself,my dear mother,
You did not commit any bad.
Titanic knows you love her,
She knows you tried with all of your might
When love drove you across dangerous waves
On that perilous night.
You mustn't keep hurting a heart
That has dealt with so much bad,
Forgive yourself,Olympic,
And then you may not feel so sad.
I'm sure she is not mad
At the efforts you did make
You avoided danger the best you could,
Though your life was still at stake.
You acted with such bravery
On a night devoid of moon
You did all you could in hopes
To get to her so soon.
I love you,old Olympic,
I'm not angered at your ways
Concern for one you did love
Has lasted for years and days.
I'm sure you were the perfect sister
As you are the wonderful mother to me
I feel so proud when I see you come in
From a long,weary week at sea.
When I am old and wizened  like you,
I'll remember the pleasures I have known
From a grand lady named Olympic
Who hid a heart so alone.
I love you,my beautiful friend
And I'll recall a story behind the tears
Of perservering adoration for one
That you won't see for the rest of your years.
And,I'm sure,Fair Olympic,
When it comes time you too shall die,
You will be reunited with your sister,
For your kindness never did falter,nor lie."

"Brittanic,my dearest one,
It is a reassuring thought,
I will be so glad to see her,
For love will perish not.
But,for now,I am nothing more than
For men to hurt and command
But I shall dream now
Of a far-off and distant land.
A land where my sister resides
Where she,perhaps,waits for me
On a big eternal expanse,
A grand,forever sea.
I am sure my time is coming up,
I am over 20 years old!
The humans will not want me much longer,
I am no longer eye-catching and bold.
Twenty years old and over is not a lot,
For me,my life did really now just begin
But the humans will not want me much longer
They will make my life end.
I am no longer the fashionable steamer
That people clamor to take
I am 50,000 tons of steel
One day that the ship-yard shall break.
That is our future,my darling,
No matter the life we had,
It has happened to a good many ship,
It is so brutal and bad.
Do not think false wishes
That I shall escape this fate.
No,my baby,I shan't,
It will be either early or late."

"Oh,Olympic! They cannot **** you!
You have such a life ahead!
How could they be so cruel
And with their blows,make you dead?"

"Brittanic,my darling daughter,
To them,we are naught more than machines
We have no life,no hopes,
They don't even think we have dreams.
I could tell you so much more,dearest,
There is so much more I can say,
But the humans want me to go somewhere,
So,I shall come back one day.
Be true,my darling,while I'm gone,
Make me proud of your ways
Strike out over life,
Rejoice in the sun's rays
I shall come back again,
Don't you doubt that twice,
I have much more to tell you
And your company is so nice!"

I watched her as she sailed away
Into the slowly setting sun
Thinking of all she had told me
And the life that she had run.
The first thing she had done in life
Were joyful sails o'er the ocean blue
Then,drafted into war she was,
And cared for the soldiers too.
I loved her so very dearly,
And dreaded when we had to part,
But thoughts of meeting once again
Gradually settled my heart.
Her Captain took her one way,
Mine took me the other,
I remembered everything I saw
So I could later tell my dear mother.
Not everything was exciting
In those future trips I took,
Months were passing,but I recalled
Everything like a reference book.
So much time was passing,
Now the time was nigh,
When I 'd wait for dear Mother to come in
From the waves she did ply.
I waited and waited that first day
Sought out on the open sea,
It would be a wonderful time
When it was just her and me.
She would tell of her trip,
I would tell of mine
How proud she was to carry the flag
Of the White Star Line.
I waited and waited to see the tugs
That would pull her back to shore,
Just her and I together,
Sharing stories once more.
She didn't come in that day,
Perhaps that she was late
Taking a little longer that
The time the humans did slate.
She didn't come in that next day either
And I started to fret!
Did she come into a different dock
Than what she'd normally get?
The next day came,and far way,
I saw quite a sight.
Something that looked like a ship,
Though didn't appear quite right.
I watched the tugs pull it closer,
Yes,'twas a ship indeed.
But,what in heavens happened
To give it this somber lead?
I could tell it was grand at one time,
Yet,that seemed so long ago,
Curiousity wracked my mind,
And I wanted to know.
This somber shell came closer,
Devoid of deck and stack,
I looked toward the starboard bow
And the name
OLYMPIC
stared
back.

I couldn't think at all that moment!
My heart welled up with pain!
Olympic! My treasured mother!
I shall never see you again!
You were right about the ship-breakers!
They ruthlessly tore you apart!
Not paying any heed to your
Loving,kindly heart!
How shall I survive,
Without your beauty and your truth?!
Those ignorant men killed you
In your 25 years of youth!
Oh,I hope they be cursed
For doing something so bad,
Now I am without you
And so terribly lonely and sad!
Olympic! Olympic!
I shall say your name over and over again,
Hoping it shall bring you back
From hard-hearted sin!
I watched as they pulled you away,
My vision has clouded with tears
Yet,I keep on watching
You endured such fears.
Melancholy feelings grip my heart
I no longer have interest in life!
I have seen the meaning full and complete
Of a word you did call 'strife'.
No more stories to be shared
On a night glowing with moon,
No longer shall I see you,
Gleaming in the sun of noon!
The men have done their worst,
I shall no longer hear your horn,
Such a proud note it had
That I've remembered since I was born!!
Olympic,Olympic,I love you,
I'm so happy you got to hear those words
I'll wait and watch and listen
As the lament is echoed by sea-birds.
Those tug boats are pulling away
Taking you to the last of your fate.
I love you so much,dearest mother,
But,the ship-breakers I hate!!
You pass so slowly before me
I gaze for the last time at your sleek steel,
So strong,once you were,
But that doesn't now seem real.
With barely a ripple the water glides
Across your red and black coat
The humans are so uncaring
Thinking you are only a boat.
Good-bye,my mother dearest,
Farewell and aurevoir too,
I hope so much you are with your sister,
In the heavenly,eternal blue.
I wish you the best of happiness
For you loved your sister so,
As soon as the ship-breakers broke your heart,
I know that's where you did go.
I am so glad I heard the stories of
The life that you did live.
I am so glad I knew the love
The heart of you could give.
I hear the echo of your voice,
The tales that you could bring
The truths of your soul,
And the love that you could sing........

"Brittanic,my darling dearest,
When I was torn into by a collision with the Hawke,
It wasn't exactly pleasant,
And I had to return to dock.
The gentle men,they repaired my ****
Made me as good as new,
Then I sailed out again
Into the ocean blue.
Then,I threw a propeller blade,
Humans called me an accident-prone sort,
But,back again I went,
To be repaired at Belfast port.
That was the last time,dear daughter,
Titanic and I would be side by side
I wished it would last longer,
Yet time did not forever bide.
People took a photo
That immortalized that day
The very last time we'd be together,
Forever together,they'd say.
I hold that glorious memory
In the chambers of my heart.
Under 'lock-and-key',
Never,ever to part.
My sister and I together
Upon the ocean's crest
Glowing in the sunlight
At our next-to-best.
Oh,that moment was so long ago
Our moment side by side.
The last time we'd be together,
Before she sadly died.
The Captain thought me foolish
To plough through icy sin,
Yet,if it meant to save my sister,
I would do it all over again......"

My mother's words echoed
As she drifted away from sight.
Now she was with the one she loved
And tried to save on a 15th of April night.
I said my last good-bye to her
When the tug boats pulled her away.
This memory emblazoned fiercly
On this unforgettable day.
I watched a little longer
Wondered if there was sadness in the sea,
The Olympic-Class was over,
Now there was only me.
My mother was a masterpiece
When she was under steam.
Like a picture-postcard,
A reigning Ocean Queen.
People once loved my mother,
They sailed on only her,
But then,there came a change,
And she became a bothersome burr.
No one sought to save her
From the scrappers filth and grime,
She was wanted no longer,
Her age and fashion,her crime.
The people remembered her little
After her scrapping day
No flowers were strewn
In her solemn way.
Did any one else say 'good-bye',
Or,was I the only one?
Bading farewell to her grandeur,
And those crimes she hadn't done.
No monuments were erected
In her grand memory.
She was the daughter of Belfast,
And her second love was me.
She filled 25 years with her riches,
And also with her pride.
Filling them with love,
The love that never lied.
I always thought my mother to be
An invincible sort.
Who had no fears,or,if she did,
She left them back at port.
Her haunting words echoed
Her fortelling of her fate:

"I am nothing more than 50,000 tons of steel
For the scrappers to break...."

She said it with a certain sadness
For that was her future path,
She didn't deny  it with falsehoods
That they would tear her heart in half.
I shudder at the thought
Of the scrappers fire and tools
Who looked at my mother so eagerly
With eyes bespeaking cruel.
The company wanted her no longer,
No matter the life she had had,

"Scrapping happens to a good many ship,"
she said,
"And it is so brutal and sad."

What had she endured
In the breakers waterless dock?
Did she think of me?
Was I her final thought?
I love you,dearest mother,
There shall never be another like you
Think of you often,I will,
Upon the bounteous blue.

I am always the daughter of Olympic,
Always shall be Brittanic,
Always shall remember the love of my mother,
And the bravery of one named Titanic.
I  will always miss my mother,
And our days together in dock,
The stories she lovingly told me,
Be also under lock.
I will probably not share my stories
With many others,true,
But if the time does arise,
Share them I shall do.

"Brittanic,what was Lady Olympic like?
Did the people make her grand?"

"Yes,dear friend,she was fine,
One of the finest in the land...."
Though I am very learned in the subjects of Olympic,Titanic and Brittanic,any one who knows the story will realize many details have been left out. The reason for this is because I made it more of a 'human-interest' poem,to show the three sisters in a different light other than engine-driven steel leviathan vessels. Placing Olympic as the mother of Brittanic makes it easier,in my opinion,to gain feelings towards the matter. Yes,Brittanic was sunk in war ages before Olympic was sold to the T.W Ward shipyard,but to mix the details around makes it more interesting. I aim this prose to  spark interest in RMS Olympic,a grand lady who is remembered little.  Put yourself in the position of Brittanic and imagine the fright at seeing the demolished and scrapped vessel as her mother. When all is said and done though,I dedicate this poem to RMS  OLYMPIC. Rest In Peace,dear lady.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Amitav Radiance Aug 2014
The wilderness is the blank space
Where the minds can roam free
A canvas for us to paint our imagination
Happy minds devoid of any anxiety
Fresh breath of life in the empty space
Where do we take refuge if destroyed?
Wilderness is the bank space to treasure
Explore and find all the answers
For the unimaginative they have no relevance
Among the wilderness we embrace life
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
"And said,
'Naked come I
Out of my mother's womb.
And naked shall I
Return thither:
The Lord gave,
And The Lord
Hath taken away;
Blessed be the
Name of The Lord."
Job 1:21
We used to go
To church as
A family,
Down at St. Mark's.
But when Mark died
He became my saint
God hath taken away,
And he gave me
A scar that could
Never heal.
So I left God
To find my way
Without any light.
I am self medicating,
So I can be numb
And be devoid of feeling
When I remember
What The Lord took
Away from me.
On the day I
Graduated and
Saw young men
With smiling fathers,
All I could hear were
The words I would
Never hear.
I'm proud of you, son.
So if I tell you
Not to take it for granted,
Forgive the envy
In my voice,
And the stains
On my cheeks.
I am self medicating,
So I can be numb
And be devoid of feeling
When I remember
What The Lord took
Away from me.
Forgive me for not
Being able to fix a car
Like your father showed you.
Because all I remember
Are the brief flashes
Of a man and his son
Fishing at the river.
By the time he died,
He smoked Marlboros
And used to drive
A ******* Pepsi truck,
Too young to give a ****.
Then a branch broke
And a family was devastated.
I am self medicating,
So I can be numb
And be devoid of feeling
When I remember
What The Lord took
Away from me.
I can't remember
The sound of his voice
And I can't feel the joy
Of having him say
How proud he is
Of what I have become,
Of the man he raised.
I am self medicating,
So I can be numb
And be devoid of feeling
When I remember
What The Lord took
Away from me.
So count your blessings
As I flush the pills
Because I'm fifteen
Fathoms deep, and counting
As I try to remember
The sound of his voice
And what The Lord took
Away from me.
If I thought
That there was
An afterlife where
I could meet him,
I would be flushing
My life instead of pills.
The Lord hath taken.
Wrote this after seeing The Perks of Being a Wallflower.
Tasneem Moosa May 2015
L O V E
A simple word with a simple meaning
No complex theories, no rocket science
Yet the most difficult thing to hold onto
H A P P I N E S S
Simple…maybe not?
The two go hand in hand
Or so we think?
What is life without love and affection?
It is emptiness, devoid of emotion
Darkness, devoid of light
Weakness, devoid of strength
Barbarism, devoid of humanity
L I F E
The beginning and ending of all creations
Happiness and sadness
Strength and weakness
Humility and pride
Greatness… cast into our genes from the beginning of time
Forming and shaping the world we live in
Steering our minds with vast new possibilities and opportunities
It is woven into our spirit
It is what we are born with
WHO WE ARE
WHAT WE ARE
Despite the condemnation we are and forever will be GREATNESS.
Ian J Caldwell Apr 2016
I've become it......the feeling that has no feel.
No description of this feeling, the manual did not say.
The instructions aren't here, Ive checked it a million times.
Please don't let this be the moment where I wrecked it because I didn't expect this.  

A word that relates to nothing that cannot be elaborated.
This does explain the jumbled mess of thoughts in my mind, thoughts filled with the death and Devine.
Everything is nothing and nothing is everything, no feeling, no reeling the mind.

Devoid of emotion from the subconscious.
Devoid of emotion, my heart does not feel you, can't stop this.
Devoid of emotion from a twisted mind that isn't thoughtless, I haven't got this.
Devoid of emotion, please God won't you just stop this?

I've forgot less that's not a mess **** it I digress into my mind deeper than lochness.
The screams that keep dreams flowing through streams like smooth cream into my coffee darkly beam.
Have I made sense to you yet of my emotion filled regret that hovers over my covers and spills from my mind?
Maybe I haven't gotten that far yet...

The eyes grow weary of a feelingless feeling, cascading how this happened through my mind, my ceiling.
The body has been here before, when a fall to my pillows is all I want in store.
Couldn't eat today though I never felt hunger, I tried but it just wouldn't stay and that's the most I've felt all day.
The day grew long but clearly I have no theory to what brought about a feel with no feeling.

Desensitized from my eyes.
Desensitized from my lies.
Desensitized in every sense of the word.
Desensitized, numb....

.......it's not what I deserve.....


                      Numb.
ICN Oct 2015
I don't know how to explain this feeling
If you can even call it that
It's more like how to describe someone devoid of feeling
I lack the capacity to demonstrate emotion

But then does that mean that when I cry it is just for show?
Or is it that my body reacts externally but not internally?

I guess it's difficult to explain something you've never had.
//the thoughts in my head are impossible to convey\\
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Val Ajdari Nov 2013
Like a child enlightened by heightened curiosity,
So is a native poet by poetic luminosity.
A verse in sight and sound devoid of modern flair,
For poetic convention the poet does not care.
So, take this vague verse as one roaring rhyme,
And take it as verbiage very overdue in time.
Unjustly sunken voices the poet seeks to hear,
Battling a torrent history...above, below, and near.
This inquisitive writer infers a present too dismal,
As around an angry sea lies an origin; abysmal.
Rejecting fables history’s assassins inked true,
The writer seeks fair chroniclers, but wreckage was their due.
Sought is Illyria, a place far from here.
Land said "not to exist," but its roots still reappear;
Fabricated history most poets cannot fathom,
Quelled grandiose splendor serves political stratum.
Calling curious minds to ponder this heck of a theory,
First, consider the writer's roots with impartial query.
What the Illyrian believed in was a life well spent,
Not man-led "guidance" begging cents to repent.
Since Illyria’s rebel ship sailed onto history a fright,
Shakespeare's pen amorously inked the 'Twelfth Night.’
Around Illyria’s outskirts sly mythology prevails.
Modern Illyria’s pervasion of such mythology still fails.
So, how does one interpret Illyria’s butchered will,
As her Godless schism fibbing history faux fills?
Her feeble-minded native is essentially to blame
For their grand, deceptive role in the imperialist’s game.
Brutal eradication of Illyria’s vocal reason
Deem all native conspirators of ultimate treason.
As the State buries the dissident's piercing wits,
A treasonous dog barks, upon foreign command he *****.
This wormlike betrayal, painted by his foreign master,
Is an art to be repeated in future governing disaster.
In the European south roam these bad hounds of species,
Anatomical sketches of Europe's rear excreting feces.
A pile all imperialists eject with laxative ease,
A pile all imperialists still smear as they please.
Above Illyrian graves (those below made to inspire)
The ***** dog dances, blind to his own fate in fire.
This ****** work of art, not a site for you and eye,
Is an emblematic governance gagging an eerie cry.
As today’s political pawns (in corruption they engage),
Illyria’s distinctive scions remain fools on a stage.
Our bodies dance and sway like silly puppets at play,
Our minds confined to idiocy as the socialist's prey.
So,  a poet's jingle jangle on probing minds they should linger,
As besought are worthy scions who must leave behind a "finger."
Candice Apr 2015
Constant, consistent, consuming
Devoid of all control
Relentless, redundant, ruining
I must never reveal my soul

For only I know
How far I will go
Can't let it show
I've never felt so low
In between   (a poem)
.
my mind struggles against its own illusion
nightmare tumbles out into still morning
light is heavy,
a fog of echoes...
and I am caught
.
day dreams the sunlight
dreams light the day
and I am caught in between
mourning echoes...
like a stillborn ghost
who can't take a breath in the present

….
  
I live on a tropical island and just want to go surfing with my husband, but the nausea in the early morning as I try to eat  breakfast and drive with him to the beach is so uncomfortable.  Day after day it makes even surfing a chore, and I consider not going anymore.  Background anxiety and unreasonable irritation interferes with our marriage, frustrates him enough to want me out.  

For me, a trip to the grocery store or meeting a group of people awakens the same dreadful fear as rockclimbing a cliff. Perspective has been lost in the extremes.  I try to gain some control over this hindering nuisance, seeking situations that bring the same surges of adrenaline so I can learn to master it.  If I can just push past the avoidance that would keep me inside doing nothing, if I can just ignore the feeling I want to throw up, if I can just get out there, I am rewarded with life’s potential beauty eventually.  Many days I do enjoy the thrill of mountain biking or connection with nature when surfing, but there are too many days of internal struggle that reduce what should be enjoyable to a relentless chore of wrestling inner demons.

The VA offers a few sessions of marriage counseling, and the doctor begins to explain PTSD.  ***, I’ve learned to cope with an unreliable brain, but now there’s this?  From what I understand (and that’s just me, an amateur philosopher) Sometimes the brain is so traumatized, that the memory is literally sealed off, encapsulated, protecting it from changing.  If later something happens that is similar, the brain triggers avoidance responses as a take-no-chances survival mechanism.  Literally the brain is protecting one’s self from one’s self.  This all-or-nothing strategy works fending off potential dinosaur attacks, but in our complex society, these automatic avoidance behaviors complicate functioning and well being.  Life becomes an attitude of constant reaction instead of motivated intention.

The website for the National center for PTSD says.  “After a trauma or life-threatening event, it is common to have reactions such as upsetting memories of the event, increased jumpiness, or trouble sleeping. If these reactions do not go away or if they get worse, you may have Posttraumatic Stress Disorder.”  

“Common reactions to trauma are:
• Fear or anxiety: In moments of danger, our bodies prepare to fight our enemy, flee the situation, or freeze in the hope that the danger will move past us. But those feelings of alertness may stay even after the danger has passed. You may:feel tense or afraid, be agitated and jumpy, feel on alert.  
• Sadness or depression: Sadness after a trauma may come from a sense of loss---of a loved one, of trust in the world, faith, or a previous way of life. You may:have crying spells, lose interest in things you used to enjoy, want to be alone all the time, feel tired, empty, and numb.  
• Guilt and shame: You may feel guilty that you did not do more to prevent the trauma. You may feel ashamed because during the trauma you acted in ways that you would not otherwise have done. You may:feel responsible for what happened, feel guilty because others were injured or killed and you survived.  
• Anger and irritability: Anger may result from feeling you have been unfairly treated. Anger can make you feel irritated and cause you to be easily set off. You may:lash out at your partner or spouse, have less patience with your children, overreact to small misunderstandings.  
• Behavior changes: You may act in unhealthy ways. You may:drink, use drugs, or smoke too much, drive aggressively, neglect your health, avoid certain people or situations.”   It lists four main symptoms: reliving the event, avoiding situations that remind of the event, feeling numb, and feeling keyed up (also called hyperarousal)”

Four words strung together: Post Traumatic Stress Syndrome.  They’ve become a tired cliché, exhausted from the endless threat of random cruelty camouflaged in banality, weary of the weight shouldering back the wall that separates death and gore from the living.  Living was a reflex beyond willpower and devoid of choice. Control was self-deception.  The mind was so preoccupied with A: survival, B: sanity, in that order.  Rest was a cruel illusion.  The tank was drained, no room for emotions ditched.  Empathy took too much effort, fear was greedy.  Hopefully they can be remembered and found on the other side, if there is one.  Sleep deprived cells were left hyper-alert from the imminent, shot up and addicted to adrenaline.  Living was Fate and Chance, and meant leaving that time and place sealed in forgetfulness.  

Now PTSD is a worn out acronym, a cold shadow of what it feels like.  I try to think of something more personal that can describe the way it randomly visits me, now resigned to its familiar unwelcome influence.  It steals through my brain, flying ahead of me with its own agenda of protecting sabotage.  Its like the Guardian Trickster of Native American legend.  Its an archetype but real enough to make mistakes: Chulyen, the black raven.

A decade after the ER, contentment is found in a garden of slow tranquility as a butterfly interrupts a sunbeam.  My heart fills with bittersweet as I’ve finally found something I love and want to keep.  Just then Chulyen’s grasping black claws clamp my heart with painful arrhythmia and it fills to burst, tripping in panic trying to recover its pace.  The sudden pain drops me to my knees, in the dirt between fragrant lavender and cherry tomatoes.  Pain stops breath and time and makes me remember the ER, when my heart rebelled its ordained purpose for a week.  I had tried to throw my bitter life back in God’s face but He didn’t take it.  Now that I have peace and a life that I treasure, He’s taking it now.  The price for my mistake is due.  It was all just borrowed time and I’m still so young, my children just babies.  God with a flick of cruelty reminds me not to put faith in the tangible, especially when its treasured.  The sharp claws finally relent and I can breathe, looking up with a gasp and the Raven takes flight overhead leaving a shadow.  Bright noon warmth, unusually heavy and foreboding, seems to say ‘there will come a time when you will not welcome the sun.’   Doctors run an EKG and diagnose ‘stress’.

The bird perches on my shoulder two more decades later, always seeing death just over there.  So I sit on the porch just a little longer and check my list again, delaying the unavoidable racing heart and rush of tension when I fix the motorcycle helmet strap under my chin.  I know all those stupid drivers have my life in their cell-phone distracted hands and hope my husband knows how much I love him, and my daughters too.  

Chulyen wakes me at 3:00 am when autumn’s wind aggravates the trees.  His rustle of black feathers outside unsettles summer’s calm night.  He brings an end-of-the-world portent that hints this peace is just temporary, borrowed.  Tribulation will return.

Ravens are attracted to bright shiny things.  Chulyen steals off with treasures like intention, and contentment.  I don’t realize they are missing until occasionally I find myself truly living in the moment.  I guess that is another reason why I crave adventure, for those instants and epiphanies that snap me out of that long term modis operandi of reacting, instead of being.  The daily list of ‘I must, or I should’ can for a brief while become ‘I want’  and I am free.

My companion the black bird perches relaxed in the desert on the gatepost of a memory.  A bullet-scarred paint-faded sign dangles by one corner from rusty barbed wire:
    No Trespassing    
    That Means You
I have a haunted idea what's behind the fence.  Chulyen implies the memory with a simple mistaken sound:
a Harley in the distance is for a second the agitating echo of a helicopter...
or those were the very same words they said when...
or I hear a few jangling clinks of forks in our warm kitchen...
hinting a cold cafeteria at 5:00 am smelling of fake eggs and industrial maple flavored corn syrup,
and everything else that happened that day...
My cells recollect, brace with the addictive rush of adrenaline.  But the raven denies access to the memory, distracting with discomfort.  I trip and I fall hard into the gritty dirt of irritation at the person who unknowingly reminded me.  Anxiety floods in along with fatigue of the helplessness of it all, back then and still now.  I can't go further.  Chulyen’s tricking deception says Leave This Memory, you never wanted to come back.
But I already knew from just recognizing the bird patiently sitting there a sentinal,
recalling every other time he tricked me with nausea and depression.
I tried to tell myself again that behind that gate,
the past has dried up from neglect.
Disintegrated into dust,
Blown away,
doesn't
exist.



After everything else, how to work through this?  The VA gave me a manual, a crudely printed set of worksheets with a government-looking blue cover page:  Cognitive Processing Therapy.
“In normal recovery from PTSD symptioms, intrusion, thoughts, and emotions decrease over time and no longer trigger each other.  However, in those who don’t recover, the vivid images, negative thoughts, and strong emotions lead to escape and avoidance.  Avoidance prevents the processing of the trauma that is needed for recovery and works only temporarily.  The ultimate goal is acceptance.  
There may be “stuck points”, conflicting beliefs or strong negative beliefs that create additional unpleasant emotions and unhealthy behavior.  For example, a prior belief may have been “ I am able to protect myself in dangerous situations.”  But after being harmed during military service, a conflicting belief surfaces, “I was harmed during service, and I am to blame.”  If one is ‘stuck’ here, it may take some time until one is able to get feelings out about the trauma, because one is processing a number of rationales.  “I deserved it because…” , or “I misinterpreted what happened, I acted inappropriately, I must be crazy…”  The goal is to change the prior belief to one that does not hinder acceptance.  For example, “I may not be able to protect myself in all situations.”

(chapter continues with recovery methods)
Ivie Oct 2013
A fragile little bird, with a torn wing sits on a wire, separate from the others, clinging to himself in the cold wind

All his life he has had to hold his lungs close to himself, hold his heart even closer, for heart is a traitor

Hold it in, close the doors and nail the wooden planks, line the heavy furniture long the doors ,walls naked devoid of any ink that would sketched his heart,

Windows bleached to strip off any residue of sunlight that might have clung to it, fragments of his soul and snatches of painful memories and strings of feather lie like a rug on the floor,

Thousand words as lithe and sharp as spears and bullets, crash, burn, the outlines of his heart, they steal an inch of his soul little by little,

  Terrorists crawling into the skyscraper, there are 22 bombs on the top floor

There are thousand bombs in his heart, that never burst like anguish of people does, but when it bursts,

It busts like meteorite crashing, tearing, slashing, and destroying every inch of land that ever grew flowers

A bird, careless and homeless, falls off from the pole, the fragile little bird opens up his arms, she descends  like an autumn leaf, signal of change,

Her painting lines his empty walls, and her words clambered up his heart and opened up his arteries

But she, a careless little bird, saw pale skin; she never saw the flaming mind looming inside,

And it burst like an atom bomb, bullet filtering though her veins

His aim was never at her, but she was the victim of his anger

His anger was only consequence to those thousand bullets aimed at him,

The fragile little bird like a crystal glass dropped, crashes into tiny shards,

That ****** your feet and bleed into droplets of lost happiness.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

All black virtues and white vices to day
Point to the reality around the British Empire
Or the famous Great Britain
Or the British Commonwealth
If not the English commonwealth
That its next monarch must be an African
Truly an African without streaks of cosmetic Africanity
Deeply black in colour, ***** in race and African in blood,

The monarchy of England should not be confined
To the parochial and Provencal English blood
Falsely named the royal blood
What a misnomer? For science and religion
Has nothing in history like the royal blood
But only brutal probability of genetics
Ever and ever will befall humanity,

The royalty of blood is only a smokescreen for racism
Or inter European apartheid or apartheid in universality,
The empire of British Commonwealth, Gambia included
Is not about the royal blood of charlese, Elizabeth nor Victoria
It is all about world class cultural inclusivity
Of all the pillars of the English culture,

English commonwealth is of culture, language, attitude and geography
This has to be known devoid of racial biase
And this is the great English empire;
It is a billion African English speakers
Its five hundred million American English speakers
It is a million Australian English speakers
It is a hundred million Indian English speakers
These are the bricks that mould the English commonwealth
Not queen Elizabeth and her son the cuckold of Egyptian mangy dog,
It is the nation of Uganda which is hundred percent African,
No Caucasoids nor Asians but its mother tongue is the British English,
Uganda is crazy; its peasants speak English like Cambridge scholars,
It’s the Nigerian Afro -cinema that promotes spoken English
With the muscle only inherent in the stampede of cultural imperialism,

The royal family is not royal at all in the informed understanding
Or else which family is not royal, show one me please
And I will show you folly of the day
Who wants not to be royal, why not all of us,
Crudeness of culture is the pedestal of reserved royalty
Inclusivity is the contrasting mother of cultural strength
Thus, all English speakers are the royal family
Of the British Commonwealth,
They don’t need royal blood
They already have full amour of the royal culture
Of the English linguistic or mental civilisation,
Please Queen Elizabeth listen to me carefully
Listen with your wholesome body and soul to this song
The song of freedom echoing cultural modernity;
Give to us, we your children of the commonwealth our rights
Include us in our hard earned monarchy,
I also want to be the king of England
I want to fill that royal palace with my dark skin
I want to speak and write English poetry inside the palace
The royal palace of England whose
Whose Golden floor and pavement are  s
Reeking the blood of colonialism
The wood and gold in the palace
Was taken from Africa without any pay
During colonial robbery with violence,
Give me my historical rights to be the king of England
Then my four African wifes; Lumbasi Opicho, Namwaya Opicho, Nangila Opicho and Chelangat Opicho, the most beautiful of all from the heroic Kipsigis
Will be the four queens of England, queens of the English commonwealth
Lumbasi for Scotland, Namwaya for England, Nangila for Wales and Chelangat
For the begotten Ireland,
I have all the virtues in my blood to be the English king
If it’s military, shaka the Zulu is my uncle
If it is wisdom, Nelson mandella is my uncle
If it is intellect Kwame Nkrumah is my father
If it is culture Taban Lo Liyong and Okot p’Bitek are my brothers
Whereas Leopold Sedar Senghor is a son of my father from another mother,
If it is beauty Cleopatra the Egyptian whose beauty killed the Roman king is my mother
If it is science my witchcraft is superior in technology to silicon computing
If it is ***, ask your daughter in law princes Diana
Now what am I missing to become the next English monarch?
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

The incidences of ***** **** and malevolent  violence
Against women are maddeningly all over
As the number of lives claimed
And broken with stupidly impunity
Women are not safe in the crazy man’s world,
This and that to protect women and girls
From gender-maniac violence,
Particularly idiotic ****
And other forms of ****** imperialism
And all other forms of beastly violence
In situations of lunacy of man’s armed conflict
Punctuated by most bamboozling de-civilization
In the nature of resolution reads like capitalist utopian ideal
Women have been the victims of lumpen ****** violence
Since the start of the prosaic propertied conflict
While thousands more have been killed after menacing ****
Uhm; Congo, Mali, central Africa, Iraq, Afghanistan,
Kenyan in patients, Eldoret Nandi militia armed to death with arsenal of ****
****** forlorn foreign victims justifying political primitivism
Tortured, abducted, held to devilish ransom
Or used as human shields
Of the perpetrators being held accountable
For their actions, who can pique
When **** of women creates power
Abuse of women in war is as old foolish male avarice
As is the culture of tribal impunity that helps to breed it
But too much is known about the devastating agony of women
And lasting effects of ****** violence on bigoted individuals,
You generation of the serpent; when are stopping **** of women?
You continue ****** fearless devoid of legal repercussions
I do not think your ***** will be blessed anyhow
You ***** my sister because of the very nature of her vulnerability
Because our family is beautifully powerful and politically powerless
But if there was a way for us to make sure
That every single ***** that rapes is
Chopped of and given to victims in compensation
These would make fair claim for justice,
Here at least the signal would be sent
That people-****** will be shamefully accountable
Them rapists, for what they do
Out of Yet flamboyant patriarchal cultures
Where the stigma of **** overwhelms victims
Perilizing Matrimonial and parental loyalty,
Discouraging victimized women
From  coming  forward to  document
Bitter experiences creating  a struggle within a struggle,

In admitting what has been done to them,
O ! Victims of ****** assault in
**** is so powerful precisely
Because of the stigma in transit
This male a weapon with a long after-life
Is less than the war injury that only leaves  mutations
Dignifying the victim as it does not carry
Psychological and cultural implications ****** robbery
David Adamson Jan 2019
A landscape devoid of transparent eyeballs.
When did we all become photographers?
Freeze fleeting things,
filter clouds, endless beauty a simple effect.

Funny how enclosures feel obsolete—
the graves, the houses, three-sided mornings—
when I am a share, a like,
self-simulacrum selfie.
I stand on a fascinating algorithm,
Below that it’s reposts all the way down.

Share, share a like,
share a googol of happy lives
better than yours.

Are we saying yes  
to starting off yet again,
absent this time?
Emanuel Martinez Jul 2013
500 years of conquest
500 years of oppression
500 years of struggle
500 years of resistance

500 years of globalization
500 years of plundering
500 years of capitalism

I am a child, of the children, of the masses
Rising from Latin America
Of the and in alliance with...the oppressed of the world
White brothers and sisters haven't you seen your chains, too?
Because us colored children have long forgotten ours

But I'm tired of the chains...searching...where's my liberation gone?


Afro-Caribbean
Afro-Latino
African American
African
Indigenous
Asian
Middle Eastern
My people of color
Why can't we come together

Because we continue to be lied to
We continue to be denied
We continue to be subjugated
To the fact that we are subordinate
To something that is not us

That we are devoid
That we are empty
That we are workers and masters
With no mind or soul

We are the people without license
No legitimate place, in the periphery
Outside the margins
A threat to the safety of societies

Always the other, never part of we within discourses

We are the black slaves
In your blood and heritage Caribbean children
Your negation of us has been your ploy to secure your servitude to white supremacy in exchange for your economic stability.

We are the indigenous
That harvested and nurtured these beautiful Americas
Pests of conquest, you exploited our black brethren because we were not suitable for your exploitation. Instead you massacred us. Ever since confusing us with your mestizaje fodder.

We are the peasants, the servants, the broken families, the broken communities, the displaced peoples, we are the casualties, we are the unmitigated collateral damage:
Of revolutions, of wars, of conquests, of western civilization, of capitalism, of profit, of misanthropy

We are Trayvon  Martin, we are the 25 million families affected by Texas decision on abortion, we are the masses being left out by the recent reversal of the Voting Rights Act of 1965, we are the LGBT binational couples fighting for our rights, we are the undocumented community in solidarity asking TO BRING THEM HOME, we are the Brazilians demanding to be heard over the government's preoccupation with the preparations for the world cup, we are the everyday poor and homeless

From our peripheral places we are the ones that resist because otherwise we will die.

We are the ones that cannot afford to oppress anyone, because we are the most oppressed
Living in a system that pushes even those who are the most oppressed to mimic the system's usage of oppression
When there's no one else to oppress, still being aware of ourselves, we try

My Latin American brethren don't tell me that Haiti's silenced past does not pertain to you
They fought for the universal rights of everyone, doesn't that include you?
And because of that its revolutionary past has been dismantled within history discourses
So that other colored children of the world like you would not dream to resist their own oppression

My Latin American and Caribbean brethren stop negating your blood, culture, history...Don't you see it has been deliberately silenced so that you cannot understand yourself? Because to understand yourself, is to love yourself, is to realize the potential of you, is to resist anything that doesn't allow you to be you

African, and indigenous historical actors laid down their lives so that you could exist
The puddle that formed out of the rivers of indigenous and black blood is all red. Isn't that enough for you to understand that our oppression is tied, that we must defend each other.

Our tool against oppression is not money or guns.
The greatest fortress of the oppressed is our mind.
History is our weapon.

Our histories are powerful
Granting us consciousness
Giving us bravery
Dispelling lies and shattering the silencing of our power.

Let us nurture our colored children to love their histories
That they may understand the common experience of oppression of the masses the world over
That they will be ready and able and accountable
To the continued act of resistance of the oppression of any human being.

We are the ones that cannot afford to rely on ourselves, we are the vulnerable ones, we are the ones with targets on our backs, we are the ones in constant threat, we are the beautiful middle eastern peoples being targeted as terrorists and extremists, we are the poor with undiagnosed PTSD, we are the undocumented parents and adults with lost dreams, we are the inner city kids who have been lost to drugs, crime, and STDS, we are the ones that let others decide our rights

We are ones that must form alliances with each other, we are the ones that find strength in numbers, we are the ones that need allies in positions of privilege, we are the ones that must create the revolution through the power of our minds, not the wars, tool of the oppressors.

We are the hopes and the dreams that have faded from our parents, and grandparents, we are the revolutions that never came for the slaves, the servants, and the peasants of our heritage

We are the most dangerous obstacle to oppression.
Dormant in us is the promise of the liberation I've lost.
July 27, 2013
Tryst Sep 2015
What Hope Remained?

What hope remained when hope for hope was spent?
        When putrid plumes dulled morning into night
        Hope lived in heart-struck deeds of bold intent,
        As mortals wept and earthborn angels went
        With downcast eyes to clamber heavens height.

What hope remained when hope for hope was spent?
        When panicked sirens wailed a lost lament
        And backs were bowed beneath ungodly weight,
        Hope lived in heart-struck deeds of bold intent
        As boots bore souls up treadmills burnt and bent
        To scale a void devoid of dawning light.

What hope remained when hope for hope was spent?
        For those in sight of angels heaven sent
        Atop the world to aid their mortal plight,
        Hope lived in heart-struck deeds of bold intent.

        When wingless brethren conquered feared ascent
        To gift last hope to all who saw their might:

                What hope remained when hope for hope was spent?
                Hope lived in heart-struck deeds of bold intent.



In The Fall

I chanced upon a stranger in the fall,
Cosmetic garb of office black and white
Portraying calm demeanor of his plight
As shadows panicked on a stricken wall,

And oft' I find my mind in numb recall
To look upon that helpless human kite
Who tumbled from the terrors of a height,
Yet graceful as an eagle in a stall

Before it plummets earthward --   'Neath the pall
Of twisted steel rended by follied flight,
That stranger lives forever in the light
Suspended in iconic timeless sprawl.

        I wonder, in the briefness of his fall,
        Did he derive the meaning of it all?
What Hope Remained: In memory of the three hundred and forty three firefighters of FDNY that fell on Tuesday 11th September 2001, who fought without hope to bring hope to the lost.

In The Fall: Dedicated to "The Falling Man" of Tuesday September 11th 2001, in memory of him and those like him who chose the manner of their own end, when the only choice on that day of days was how, not if or when.

— The End —