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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Sjr1000 Jan 2016
The ace of hearts
sat down at the table
feeling oh so confident
stares at the three of spades
in his pocket

While the king of diamonds
eyes his diamond queen
in his mind
the ten
hides behind the jack

The queens figured
tonight was the night
they were going to get laid

The deuces were quietly weeping
wondering if another deuce
on the table was going to be played

The ace of hearts
his heart was racing
as the ace of spades
made its way
followed by the ace of diamonds
and a diamond three
a rare drop
was all he could say.

The king of diamonds
to his court he smiled
as the deuce of diamonds
sparkled on the table

The queens, they trembled
wondered if the only thing getting laid
was their heads on the chopping block
this day

The third deuce had joined the pair
his heart was lifted
but still in despair
the deuces looked down the river forlornly
Many have lost it all for more

The ace of hearts was feeling cocky
a warm fullness washed over him
he looked out at his life
figured all he could do was win
he believed in love
sometimes you gotta go
all in
he smiled as he waited at the dock of the river

The king still flushed with diamonds galore
their sparkles blinded him
he joined the ace in the fog
it was either this or that
there were no more games to play

Now faced with two endings
which path to take

The queens had
had enough
on the table they folded
into a fatal swoon

Three deuces
he wavered
his hands were trembling
the game ain't over until
the rent money is gone

Gamblers
some are optimists
some are realists
some are looking for salvation
some are going to play
until they have no more left to pay
looking for death, so they say
driven by compulsions rage

all ask the question
is
this a streak or a slump?

Which was the deuces on this day?
The optimist joins the fray
The realist he folds goes on home to play another day,
All pray.

On your playing field
so far away
what is the play?
Which are you today?

As many endings
as there are
combinations of cards
sometimes it even rains frogs

The room was quiet
the aces full
the king flushing
three deuces - waiting
what to do?
I guess I am the optimist today
the sun is shining after five days of rain

A distant sight
down the river came
as the two of clubs
was beating the water's edge
running and laughing
all the way.
Texas Hold'em. Just a game. Wanted to thank Rebecca Askew for the inspiration with her crazy kitchen utensils. And about half way through writing this remembered
Townes Van Zants fabulous song, Mr. Mudd and Mr. Gold.

Crazy enough, but the hand actually plays, took some work to put it together.
Becky Littmann May 2014
Their mouth NEVER ******* seems to shut up & just stop
& **** snitches don't hesitate to quickly name drop
Twisting everything they'll hear
Creating lies & rumors like it is their career!
SO WATCH YOUR BACK, they are only a pretend friend
They're scary & **** identical when they're an impersonator
Nice & kind so they seem, turn away they'll be a backstabbing hater
NOBODY has time for all that ridiculous nonsense
Just attention seekers, without their usually faithful but now gone audience
Desperately trying to remain in the center of attention, cleary blind to the EXTREME  obvious!
You never really deserved to ever be forgiven
I'm done wasting my time & voice on someone who will NEVER listen
Ohhh yah a FYI, a friendship isn't a competition
But more like a dynamic duo always down for a random mission!
Oh well, no coming back now I'm not changing my decision!
Deuces!
To all those fake friends we have all had!
ShenequaMonroe Feb 2013
I prided myself on never hating anyone
I let their negativity roll off my back
Bit my tongue until it was split in two
Took their criticism and took the high road
I see that was no use
Your negativity is a poison
Seeping into whatever crevice crack it can find to invade
A parasite latching to its host
Wanting to bring down my drive my spirit
My mind you want to raid
You glance at me smirk with contempt
because you see in me what you lack in yourself
Personality maybe?
A smile that shines so bright the very sight of it sickens you
But in true fashion
I never brag or boast or thrive on the vision of another's misfortune
Even though you would love to watch me suffer
I use your negativity
As my creativity
My fuel to leave you in my rearview
And as i drive away I will throw up the deuces
Make my own way
No excuses
You wont bring me down!
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name ...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist ...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant ...

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
Nik Krutilla Jan 2013
If you

had a

house of cards,

Would it

tempt you

to be

a magician?


*© NDHK
Jim Sularz Jul 2012
© 2011 (by Jim Sularz)
(The true tale of Frank Eaton – “Pistol Pete”)

At the headwaters of the Red Woods branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of dry sunflowers flail.

In a grave, still stirs, is a father’s heart,
that beats now to avenge his death.
Six times, murdered by cold blooded killers,
six men branded for a son’s revenge ….

Rye whiskey and cards, they rode fast and hard,
the four Campseys and the Ferbers.
With malicious intent, they were all Hell bent
to commit a loving father’s ******.

When the gunsmoke had cleared, all their faces were seared,
in the bleeding soul of a grieving son.
Ain’t nothin’ worse, than a father’s curse,
to fill a boy with brimstone and Hell fire!

Young Eaton yearned and soon would learn,
the fine art of slinging lead.
Why, he could shoot the wings off a buzzin’ horsefly,
from twenty paces, lickety split!

Slightly crossed eyed, Frank had a hog-killin’ time,
at a Fort Gibson shootin’ match.
Upside down, straight-on and leanin’ backwards,
he out-shot every expert in pistol class.

By day’s end when the scores were tallied,
Frank meant to prove at that shootin’ meet.
That he would claim the name of the truest gun,
and they dubbed him - “Pistol Pete.”

In fact, Pistol Pete was half boy, half bloodhound,
a wild-cat with two 45’s strapped on.
In District Cooweescoowee - bar none,
he was the fastest shot around!

Pistol Pete knew his dreaded duty had now arrived,
to hunt down those who killed his Pa.
He vowed those varmints would never see,
a necktie party, a court of law.

Where a man is known by his buckskin totem,
in hallowed Cherokee land.
There, frontier justice and Native pride,
help deal a swift and heavy hand.

Pete was quick on the trail of a killer,
just south of Webber’s Falls.
Shannon Champsey was a cattle rustler,
a horse thief, and a scurvy dog!

Pete ponied up and held his shot,
to let Shannon first make a move.
The next time he’d blinked, would be Shannon’s last,
to Hell he’d make his home.

With snarlin’ teeth and spittin’ venom,
Pete struck fast like a rattlesnake.
Two bullets to the chest in rapid fire,
was Shannon’s last breath he’d partake.

Pete galloped away, hot on the next trail,
left Shannon there for a vulture's meal.
Notched his guns, below a moon chasing sun,
and one wound to his soul congealed.

There’s a saying out West, know by gunslingers best,
that’ll deep six you in a knotty pine casket.
One you should never forget, lest you end up stone dead,
“There’s always a man – just a shade faster.”

Doc Ferber was next to feel Pete’s hot lead,
“Fill your hand, you *******!”
With little remorse, Pete shot him clear off his horse,
left him gunned down in a shallow ditch.

After getting reports, Pete headed North,
to where John Ferber hunkered down.
A Missouri corner, in McDonald County,
filled with Bible thumpers in a sinner’s town.

Pete rode five hundred miles to shoot that snake,
with two notches, he welcomed a third.
He carried his cursed ball and chains,
to **** a man, he swore with words.

But John Ferber was plastered, and he didn’t quite master,
deuces wild, soiled doves and hard drinkin’.
Someone else would beat Pete, the day before they’d meet,
sending John slingin’ hash in Hell’s kitchen.

There’s a night rider without a father,
under a curse to settle a score.
In all, six murderous desperados,
Three men dead - now, three men more ….

Pistol Pete was now pushin’ seventeen,
just a young pup, but no tenderfoot.
With two men in the lead, he was quick on his steed,
to **** two brothers who killed his kin.

Pete rode up to their fence, with a friendly countenance,
spoke with Jonce Campsey, but asked for Jim.
“There’s a message from Doc, that you both need to hear,”
Pete readied his hands – both guns were cocked!

Pete continued in discourse, and got off his horse.
all the while in an act of pretense.
Jim came to the door and Pete read them the score,
and shot them both dead in self-defense.

With the help of the law, they verified Pete’s call,
then gathered any loot they found.
Laid Jim and Jonce out, in their rustic log house,
and burnt them both and the house to the ground.

Might have seemed kind of callous, but weren’t done in malice,
that those boys were burnt instead of swingin’.
They just sent them to Hell, sizzlin’ medium well,
besides, it “saved them a lot of diggin’.”

There was one man to go, he’d be the last to know,
that a hex is an awful thing.
That a young boy would grow, with a curse in tow,
to **** a man, was still a sin.

Pete garnered his will, with the best of his skills,
to take on the last of the Campsey brothers.
It would be three to one, Wiley and two paid guns,
Pete knew his odds were slim and he shuddered.

At nearly twenty-one, Pete knew he may have out-run,
his luck as the fastest gun.
This would be the ultimate test of his shootin’ finesse,
only a fool would stay to be outgunned.

But Pistol Pete weren’t no liver lilly,
and he loaded up his 45’s.
He rode into town with steely nerves,
maybe no one, would come out alive!

Pete knocked through that swingin’ bar-room door,
Wiley stood there with a possum eating grin.
He said, “Hey there kid, who the Hell are you?”
and Pete shouted, “Frank Eaton! You killed my kin!”

All four men drew quick, with guns a’ blazing,
Wiley got plugged first from two 45’s.
The bar-room crowd dispersed in a wild stampede,
everywhere, ricochetin’ slugs whizzed by!

When the shootin’ had stopped, there was just one man standin’
all four men got plugged, includin’ Pete.
But only a shot-up boy rode out of town that day,
and a Father’s curse, that played out complete –
was a bitter mistress to bury….

At the headwaters of the Red Woods Branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of morning glories flail.

In a grave, still deep, is a father’s heart,
that lays quiet in a peaceful sleep.
And six men dead, who now burn instead,
compliments of Pistol Pete!
This is another one of my Historical poems.   A true story about Frank Eaton, an eight year old, who witnessed the shooting death of his father.    Frank Eaton was encouraged to avenge his father's death and by the time he was 15 years old, he learned to handle a gun without equal in Oklahoma territory.   You can read about this man by obtaining a copy of his book  -  "Veteran of the Old West - Pistol Pete (1952).   Born in 1860, he lived to be nearly 98 years old.   My poem describes the events surrounding Pistol Pete hunting down the outlaws that killed his father.    I hope you enjoy the story.

Jim Sularz
Justin S Wampler Apr 2015
It's a snake-eyes paradise
when we roll this pair of dice.

You ******* bet it's a gamble,
cards like this can be hard to handle.

Nothing but two deuces,
so spin the cylinder my man.
I ain't got **** worth losing,
it's the uncertainty I can't stand.
AavelinaJaden Apr 2014
Shuffle my thoughts
bridge my emotions
Build a fortress that can't be moved
I'll be the queen of diamonds
You'll be the outlawed joker
Together we'll be the wildest cards and rule the land of poker
Deuces* ✌
Abigail Madsen Jan 2014
Day one walk into high school
See all the freshman boys drool
Over senior girls in their short skirts
Over getting the championship football shirt
But high school is awkward
I'm not talking burping public awkward
I'm talking tripping and falling in to a bucket of ***** mop water that was just lifted of the buffet of germs that is the floor - awkward
Then having the hottest boy at school be right there watching
Traumatized - you get up and brush you self off
Only to turn around and see the mean girl there
Horrified -
High school is awkward
So don't spend time worrying about it
We all go through bad hair days
I know it's a cliché
But the more time you spend complaining
And waiting
The more you can hear a cracking sound
That is your own spirit breaking -
But you have to understand
There are going to be days -
Day's where it rains
And the water fills up your boots
And you want to say deuces
Because you are tired of being abused
But guess what
It's time to stop playing cute -
Silly goose -
Enough excuses
You have to be like a ******* and ****** -
****** high school like it's your *****
Like it might try and punch you in the face
And you wont even flinch -
Because some day you're going to be rich
And some day you're going to thank high school -
For showing you "it only gets better from here"
Because the only place to go from the bottom is up
And you're only getting prepared for your close up
So don't accept anything
And challenge everything -
Because contrary to what you're told
High school will not define you -
And if that's as good as it gets for some people then I'm sorry -
But there is so much more to life then learning the square root of ninety
Every time you want to hit the control key - and hit control Z
Don't
Because you cant undo the past
And you can't copy and paste the future
So if you're struggling that much - get a tutor
Life is not about just getting to the next goal
So don't be satisfied with adequate -
Average -
And "Just okay"
Because one day when you're old and grey
You will be sitting smiling in dismay
Dismay until you decay
Decaying in the ground
Put back where you were once found
You will no longer be thinking about that one time you and fell into a mop bucket -
But instead the time you made everyone your *****
Because no school can understand how strong one of us is
One who decides to look past the awkward and make themselves - awesome
And it's okay to be awesome
It's okay to rock them
Life is a gem
So pick up a pen
And the next time when
Someone tells you high school is awkward
Call them a coward
And tell them to take a cold shower
Because they need to wake up
And smell the - erasers
Before they get a facer
Because no greats have ever become so by taking it safer
Now do yourself a favor -
And Start Making High School **Greater
Daniel Magner Mar 2014
When the clock
strikes midnight
I will say goodbye
to 20
and welcome
21
with poison on my arms,
but strength in my heart,
I'll raise my glass
for the future
and throw it back
for the past.
Tonight will be my first
night of a new life
don't let it be
my
last
Daniel Magner 2014
Ashli McKee Dec 2009
Why can’t you see?
That you are breaking my ******* heart
The taste in my mouth is ****
Because from the start
I’ve been vomiting
Trying to give you what you want
But I cringe at the thought
Of bringing someone into this world
Who I couldn’t support
I wouldn’t want to resort
To the government aid
Using food stamps
Holding the line back
That’s not going to be me
I am going to break free
I am tired of hearing what you think you see
Because I don’t agree
You don’t have a ******* clue what its like to be me
You’ll never see what I have seen
I’m holding back to come clean
Stop acting so mean
I can’t stand that you think its okay
To talk to me that way
I don’t need you to ******* stay
This bed is big enough for me
It never really was yours
You always left angry
And slammed your doors
******* *******
Go **** your ******
And please leave all my ****
I don’t need you thinking about me anymore
Just set me free
I can make it on my own
My mind is full grown
I’m not afraid of being alone
I have already been shown
The life after this
And you’re not prepared
If you where more stable
I wouldn’t be so scared
My vision is impaired
All those shots I was dared
**** I can’t even walk
I try to talk
But I’m going into shock
I am trapped with you
Don’t you see?
I can’t even be
Who I want to be
This isn’t me
Time is running short
How are you going to prove?
You won’t trip
In every tiny groove
I’m making my move
I am tired of being used
**** this abuse
My ropes are coming loose
**** this noose
Deuces

No Date
Ashli Jane
Michael R Burch Feb 2021
SELF REFLECTIONS

These are poems about mirrors, images, self-image, reflections and self-reflection. How do we see ourselves differently than other people see us? Why do our impressions of ourselves sometimes end up like so much shattered glass?



Self Reflection
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Is the mirror unkind
by Michael R. Burch

To your lovely brown eyes is the mirror unkind,
revealing far more than reflections defined
in superficial glass, so lacking in depth?
Is the mirror unkind, at times, darling Beth?

What you see my dear, I see different by far,
as our sun from Centauri is just a “small” star,
but here it brings life and warms each day’s start.
Oh, and a mirror can never reveal a true heart.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus—hard toil—
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes—dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning—
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken—
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as the sun spins, reeling and dying,
the voice of a last gull
or perhaps a lost soul,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.




Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...
a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.
Find in its fire all brittle passion,
each jagged shard relentlessly aching.
Each spire inward—a fission startled;
in its shattered entrails—fractured light,
the heart ice breaking.



Wonderland
by Michael R. Burch

We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face—
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.
Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.
You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
. . . a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



The Poet
by Michael R. Burch

He walks to the sink,
takes out his teeth,
rubs his gums.
He tries not to think.

In the mirror, on the mantle,
Time—the silver measure—
does not stare or blink,
but in a wrinkle flutters,
in a hand upon the brink
of a second, hovers.

Through a mousehole,
something scuttles
on restless incessant feet.

There is no link
between life and death
or from a fading past
to a more tenuous present
that a word uncovers
in the great wink.

The white foam lathers
at his thin pink
stretched neck
like a tightening noose.
He tries not to think.



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal

Keywords/Tags: mirror, image, images, imagery, self, self-image, self discovery, fear of self, self control, self harm, reflection, reflections, reflecting, glass, mrbref
Mariya Timkovsky May 2012
Noble stranger
Assemble these words
For the occasion
Building worlds
With my persuasion
Let's save them all
With mirth and missiles
And embrace the fall
Deuces wild, a duality
Every smile's a commodity

Turn left
Turn right
The coast is blank
My thoughts grow rank
Forgive me for this suicidal explosion
Yet I don't regret
The commotion
Seen in faces brightened by
Cloudless skies

Or in eyes
Blinded by mushroom clouds
That burned away our doubt
No clout
A gasmask and a nuclear sword
But it's not a word
Or a bullet
It's the action that kills

And the smoke that fills
Our lungs
Bulging through the spaces
Between our rib rungs:
The stepping stones to
Hearts waiting to be
Healed.

From dried blood
Long congealed
Picked off
Like the scabs that sealed
Summers wounds
Gathered together
And reaped from harvest boons

Glimmering
Underneath the convalescent moons
Struggling
With the twisted fate
They've to endure...
But the crowd stands
Demure.
A poem written in collaboration with the very talented Griffen Taylor.
http://hellopoetry.com/-griffen-taylor/
Alex DeLarge Aug 2013
Let me inject some insight into your windpipe.
The things I'd do to you in a dim light - the sin type.
Lace, hair up, high heels, low patience.
A taste; cold hearted with warm embraces.
Divvy up my intentions to evoke your inner beast,
Rummaging thru to devour my winner feast.
Appetite for destruction, thirst for the unconventional,
Back up, head down as the walls resonate your increase in decibel.
No celestial being within these walls when the mood hits,
Deuces, I'll make you see the light more than twice; my stamina defined: ruthless.
Becky Littmann May 2014
Unappreciated, taken for granted, unwanted & thrown away
Disappointed & blindsided by lies
& unnecessary verbal abuses
Broken, badly bruised & forever scarred
Meaningless words were all you'd ever say

Have it your way, peace out with my deuces
For you, the decision wasn't even hard
But giving up on love forever, not even an option
I know my love is still wanted the feeling, once found again, is quite amazing
I'll be able to tell this time if it's real
There's no doubt at all
We'll skip right over an introduction
This is so memorable you can bet in my notebook it'll be jotted
I've finally caught what I've been chasing
& he's the one worth letting pass my built up wall
Terry O'Leary Aug 2013
Cold rains, wet and weary... seeping through the sky,
spectres pass ’long side me... bent, with collars high,
my visions are invisible and no one sees me cry.

Minstrels of destruction... rapping at my door,
naked anvils aching... heavy hammers roar,
their monodies of emptiness pulse, bleeding through the floor.

House of cards collapsing... sagging walls of wax,
deuces in dissension... aces slip through cracks,
the Joker’s lost and lumbers by, alone, along the tracks.

Steeple steps dismantled... muted bells below,
ruins quake and tremble... frozen in the snow,
their pains implode within my brain while pale winds cruelly blow.

Prophets tumble temples... residues of tea
highways of no entrance... paths of destiny,
where phantoms haunt my nightmare dreams, tell tales of roaming free.

Foghorns moaning lonely... waves awash in sound
silver schooner sinking... swirling round and round,
at midnight’s stroke, the mainsail broke, and driftwood drifts aground.

Silent seas misshapen... moonbeams painted ***,
teaspoons sifting ashes... fingers cold and numb,
an incandescent candlestick’s impaled the sinking sun.

Smothered fires smoking... oceans filled with ice,
lightning lashing windows... blades from paradise,
like tongues of limpid laughter licking wounds of sacrifice.

Flowing fields of flowers... silent harmony,
rolling river reveries... washing to the sea,
my love, she was my daylight bliss, she once belonged to me.
"One thing good I can say about the hotel,
There were plenty of skanky crack ******
Strolling the boulevard.”
So began my Expedia travel review.
As usual, I got less than I’d paid for.
My review title:
“Next Time, Sans the Engineering
& Construction Inquietude.”
Pulling into the parking lot
One immediately recognized the scene,
A modern version of Cecil B. DeMille.
The 10 Commandments.
Pyramids of Egypt
Reconstructed, Escher-like
As a 21st Century construction site.
Oh, yes,
Everything Habib had in mind
When he subcontracted
The entire task to Hershel--
Hersh from Kanersh--
The famed,
But cursed
Jewish architect.
I digress, yes, but only partly.

Noise-induced stress, anyone?
The electrified multi-frequency drone,
Saturates like a post-war Levittown
Sea of Cape Cods . . . cods?
Bacala: stiff, salted, yellow & oily.
Cacophony:  a Festivus for the rest of us.
Oh yeah, Mr. Costanza.
Post-war?
Hardly, the mahogany wax
Still faintly, freshly sober,
New cards shuffled.
New cards dealt.
At that mahogany conference table
We weep at stacked decks,
Aces & Kings for the privileged few
Deuces & treys for the hoi polloi.
That hinky Bretton Woods poker game,
Convened while the war went on,
WWII still raging, guns still firing,
Tanks still rolling & rolling along.
There sat the Ruling Elite,
The 1%--as they are calling us these days--
We didn’t even offer
Our Gold Star mothers,
A moment to
Hold their breath.
Not one decent interval of silence.
Nein, nein, nein.
It was let’s get back to business.
Capital resuming its
Uncivil War on Labor.
First, add decades of slow boa squeeze.
Inflation, insidiously mocking Calvin--
Your ethos of work
In smithereens--
(Smithereens.
[From Irish Gaelic smidir n,
Diminutive of smiodar,
Small fragment.] ...)
A recipe for Sisyphus,
Your down-the-ladder warped reflection
Stares back at you as your
Up-the-ladder false hopes
Go escalator bye-bye; and by,
Staring at you,
Pinning you to a wall
With Econ 101 clarity,
As taught by Karl,
Another wily Jew:
It is a treadmill, after all,
Noting again the clever juxtaposition
Of a Jew and a handful of Christians,
Devotees of random Protestant sects.
The following link is a gift to some struggling writer @wattpad.
(Who Cares ON HOLD INDEFINITELY Chapter Twenty - Page 1 ...
www.wattpad.com/4225578-who-cares-on-hold-indefinitely-chapte­r-twe...‎
Apr 22, 2012 - Leanna was totally stunned by this and immediately halted in her tracks and began to scream at such a high decibel, Opia could hear her ears...) That’s right, another commercial in the middle of a ******* poem. The proceeding link was a gift to some struggling writer @wattpad.@*******.
Expedia Review:
The Windemere.
Its last syllable from Old English 'mere',
Meaning 'lake' or 'pool'.
A magical name
Reeking, swirling through your mind,
Lavender & English lakes
With steam ferries.
Ne c'est pas?

I arrived at the front desk?
The computers are down,
Having earlier that day
Been hacked into.
No restaurant.
No bar.
Nowhere.
Scaffolding & drop cloths,
Everywhere.
Construction materiel,
Everywhere.
When you finally get your swipe card,
You Notice that the “Buy One, Get One”
Pizza promo, laminated on one side,
Expired about 5 months ago.
The drive to the room
Is wry recognition that
The Windemere Hotel
& Conference Center*
Is actually a ****** motel.
Backhoes & cranes,
Everywhere.
Multiple, out-door spaces
Sectioned off with police
Yellow crime-scene tape.
Everywhere.
Railings on balconies
Appear to be seconds away
From giving way.
Odor, anyone?
You can count on it,
The moment that electronically-challenged keybox
Gives up its flashing green dot ghost.

Most times you get less
Than you pay for.
$47.00 a night?
Please ask,
Next time,
What's the catch?
“WHAT DID YOU LIKE ABOUT YOUR STAY?”
Again, Numb-nuts,
You think it’s a poem.
But it’s actually my
Fakokta Expedia Review.
WHAT DID I LIKE?
This one I had to think about,
Coming up, quickly . . .
(An advertisement generated by algorithms for your amusement follows)
. . . ***** Spray for Premature ******* - Web Site - the home page. www2 rochesterhomepage.net/...Premature-*******/CHedfhhlmkmt-i...‎­Aug 2, 2013 - ***** Spray for Premature ******* Spray Helps Men Last 6 ... 54% of the men in the placebo group delayed ******* for more than one . . .
Coming quickly with Dwight David Eisenhower,
The man we liked & called IKE.
When asked if his VP Nixon--
Running for President himself,
In a tight race with JFK—
Had distinguished himself in any way
In his 8 years as his Vice-President?”
IKE replied:
"Give me a minute and
I'm sure I can think of something."

Not a ringing endorsement.
IKE knew something
The rest of us had to wait for 1973,
Reserving a room at the The Watergate,
Close to Foggy Bottom & Georgetown:
THE WATERGATE HOTEL
& CONFERENCE CENTER,
Just like The Windemere,
Another ****** motel.
**** me! What was I thinking?

Not to mention lack of privacy,
Be it acoustic or visual and,
In one case a veritable DEA bust.
Crack ***** in residence next door,
Cranes her neck around the balcony wall,
A would-be nurse, perhaps,
Offering home hospice &
Concern for your raspy,
***-smoking cough.
Her pox face bursting in on
The long anticipated
Marijuana Miller Time.
On the veranda, early evening,
Lighting up your first joint of the day,
Desperately in need
Of some herbal peace of mind.
Ne c'est pas?
Her big crack-***** head
Giraffes like crazy around the wall,
Invading your balcony space.
*******? Who was that?
Let’s lock the doors.
Let's hunker down for the night,
Taking turns keeping watch,
Like a couple of shitless scared
Grunts of the DMZ.
(Urban Dictionary: scared shitless www.urbandictionary.com/define. Ph?term=scared%20shitlessIt's when you scare someone to such an extent, you scare the **** out of them, at times causing them to excrement all over the vicinity . . .)
The Expedia Review goes on:
Anything interesting about the surrounding area?
Oh, yes, as previously mentioned:
Plenty of crack ******
Strolling the boulevard.


Hey, Windemere Hotel,
*** am I doing in Mesa, Arizona,
Two days shy of the summer solstice,
And 119 degrees?
That's another story.
But for now,
Hey Windemere,
Here’s a tip:
Next time it's total facility makeover time,
Shut the **** hotel, please.
jasmin allen Oct 2011
You’re dumber than a person that dose “smack”
Every day you just chill and choke yourself out
You say you’re happy with your life
Truth is you’re more messed up than then the dude on the fifth floor
Yeah “cloud nine” is nice and “high”
When you crash and burn don’t expect me not to say “I told u so ha-ha”
Just the other day I told u “you don’t have a heart” you give it away to, to many people
I’ve changed my life like a new book
Opened a new chapter
You’re not in it (let’s read)
I can be a real witch! At times I don’t take boosh anymore
Got a new life in front of me
Focused on me this time
I have many chapters in my life; you just were one of them
I’m finding the main point in this new book and guess what it isn’t you
So when you find out what you lost I’ll just throw up my ******* and let the index finger follow “deuces”
PEACE ***** have fun with your messed up life HA-HA-HA!
Londis Carpenter Jul 2011
Tamaker

I won her on a whiskey bet,
At a place called Rusty's Shack,
In a poker game in Fargo
With three deuces and a Jack.

I took her from a mountain man
Who had bought her in a trade,
For a rifle and a jug of Rye,
Off an Indian renegade.

I had no yen to keep her;
I meant to set her free.
I never thought she'd want to stay,
Or that she'd follow me.

I told her she was free to go,
No longer be a slave.
But the squaw refused to leave me,
Called me her Paleface Brave.

And when I rode out of Fargo,
Headed for Cheyenne,
She followed every trail I took,
No matter the terrain.

I couldn't seem to lose her
No matter how I tried.
By the time I got to Deadwood
She was riding by my side.

We rode hard through a valley,
Forged across Powder Creek,
When I fell from my saddle
Three miles from Miner's Peak.

My saddle pony stumbled
And landed on my knee.
He broke his leg and I broke mine
Unable to get free.

If I hadn't had that Indian squaw,
A maiden called Tamaker,
I be wearing a peg-leg now,
Or living with my maker.

She patched me up and catered me
With herbs and Indian lore,
Until my health and strength returned
And I was whole once more.

And when we finally reached Cheyenne,
Still riding side by side,
We found a cowboy preacher
And I made her my bride.

The squaw I met at Rusty's shack,
Won on a whiskey bet,
Became the lady of my dreams
And we're together yet.
Michael W Noland Mar 2013
Imaginary adversaries are emanating from the alcohol to facebook walls, in temporary solutions for the vibes polluting my constitution, in the willful regrets atop my onset of contempt itching my temples cleft in my futures vision of itself.

I am myself and to no-one else do i answer unto hallow cancers ******* my bones away, and my mind astray in the straight laced fates of the other players who played their cards right, the same.

I go all in with the pocket deuces, atop intrusive verbal abuses, serving useless satire to the tired faces of try hards, bleeding of inadequacy.

Im a runon and on sentence of rambling weaponous vapors from the fragrant flatulence breaking from deflating colons, swollen like Noland's ego, when hes drunk and grumbling about life, lolling as he whines of the wines flavor, savoring the bitter for betterment of the sweet, neatly wrapped in sheets of plastic for later.
Natalia mushara Aug 2015
Squash dem
Dats wut I got ta do ta make ma own
Toss dem
Out da windows like dey dids me
Show dem mommas gots a bag
Coppa tone.
Pile dem
Like da two faced deuces dey is.
File dem
Put dem in cabanets
Lock dem up
Wit da otha boyes
Not mens.
Just GS Feb 2014
Rolling deuces
Bold excuses
Felt the truth
Wrapped in bruises
Round the heart
A day apart
Between what’s seen
And where we are
Cope with me
I hope they stay
Told the pain
Now washed away
Let the rain
Save the day
Lost, forgotten
Thoughts remain -
Ayeshah Dec 2011
Take your word..
You say.   But  She took Your word when
you told her- you loved her the most
in this world. She's your lady & baby girl.  You  gave ya word to her   when you told her your so in love and no other will do!
Not me nor anyone can replace her- remember you gave her ya word- huh?
hmm TAKE your word for it ?  You gave ya word to her and told her you'd do anything to please her! 
but  now I must-
 Take your word... ??
When You told her I'm nothing to you at all.
Your not in a good place right now  &  only she can pull you out!
Your missing her so much.
  You wish she was here  because your craving her touch.
& you keep on begging me to-
Take your word.....
When you've told her, her and her,  you have to stay because  your trapped.
didn't you tell  her this girl in that 1 - I'm not healthy+
I'm in a bad state-
( of mind because my mental psychosis ain't right)
  which is why you can't leave me  right now?!
This you say- Take your word...
When you telling
em  I'll never be as good as them.  (this girl or that  other woman) 
 You can't wait until your free.
Your playing pretend with me but they're  (her, she and them)  is really where you want to be?
Take your word.......
When once again
after you've lied stole and cheated
&
emotionally beat the love right out of me-
Yet you want me to
Take your word?!?  
I took your word: 
 when YOU vowed to
forsake all others  when you promised  to
love me in sickness& in health, for better & worst-  
WHEN YOU
asked me to love you forever  
and
if I'd do just that  (take ya word)  
YOU'D  "show" me
I could once more trust you or as you said  
(take your word) & you'll give me all of you
1000%,
take ya word
on everything & it'll be us, me & you, through thick or thin
and you'd "show" me 
 I could believe in you once again too, that if
I take ya word-
you'll bring the faith I had in you- back to me,
"IF"
  I'd take ya word  
YOU'D save me from your past neglects and FINALLY love me best!
   "IF "
I'd take ya word  - You'd never abuse, misused, or deceive me EVER again!  
SEE
that's the problem,
I did
TAKE YOUR WORD
&
TOOK
you back even after all this...  
NOW I don't want to hear it...
  Ya words  hurt me...  
SEE
I was ya choice but never was I  1st!  
Never
did I have 1st dibs
& for you,
it was easy picking
when you got hungry unscrupulous ***** nasty type chicks after you! 
 I was never number #1
I was just  1 of many   you played & used!
Yo your words ain't ****.  
Take MY word(s)  & listen good :
I can't and  I  wont do this to myself nor allow
you to
******* abuse me
NO MORE,
I'm to good for you and this here mess!
BOY  Ya WORD and words no longer mean ****!
DEUCES!
Always Me Ayeshah ®
Copyright © Ayeshah
K.C.L.N 1977 - Present YEAR(s)
All right reserved ®*
..
I've once more been put into a place i really dont want to be, Life's complicated enough with out all the bull'ish! I love me more than you all can ever imagine and i now think i dnt know what love is cuz i doubt this is IT!  yet... i stayed this long for nothing! im a fool of the 1st kind!
Yesterday's lies fell like the cards
from the sleeve of a dying gambler
clutching a pair of deuces to his chest
while kings and aces littered the floor.
He was dealt a decent hand
but played her badly.
When she upped the anti
He should have folded
but foolishly raised the stakes
hoping to call her bluff.
A big mistaken
At the flop he showed his hand.
Claiming honesty as the one-eyed jack
She flushed him out,
but didn't celebrate.
The *** was full of chips
each one shattered from her heart.
Taru M Jan 2015
I was born to weigh heavy on your mind
my umbilical was lyrical live feed
inception was the spark
I been latent for too long
cruisin like Noah's ark
but I never chucked the deuces
just been patiently waiting to find my muses
next generation wake up
I heard they raised the stakes up
you feel the pressure
benchmarks been set
barometers there to measure
your progress
ingress
degression
can you feel it
expectations by the pound
you're drowning but is it real yet
concealed tech
he's got death at his hands
the sad part
lil' homie don't even understand
that a bullet's finality
teen homicide has become a normality
I'm on this verse tryna defy a mentality
I hope you heard
tryna defy a mentality
Nat Lipstadt Sep 2013
On The Great Lawn of my mind,
The city's biggest dance floor,
Upon its cushions, stepping lightly,
The spring breeze, feeling its way,
Making, reawakening, a thousand acquaintances,
Absent parent kissing each long-lost babe-blade of grass

Breeze takes each blade of spring grass:

Cajoles, asks not,
With windy hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Breeze makes each one
Neck, caress their neighbor,
A thousand pas de deuces of  
fresh faced green children.
All in all a triumphant processional,
Cloaked in robes of sky blue velvet,
Crowned by the sun's burnt orange kisses.

At the middle school dance,
The walls are portrait painted  
with the shy ones,  
The ones-who-don't-know-how-to-ask.
Passover's children
Needy for a Moses.

Student of the spring breezes,
This silly earnest teacher/chaperone,
Grand-pa-rent will:


Cajole, ask not,
With hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Under his tutelage,
Every boy and girl
A dancer, a blade,  
Each a Passenger on the fuselage
Of his Spring Ballroom breeze.

These are my spring rites  
imagined,
Visions of my sight  
unimpaired,
Present and future  
clarified.

Soon we will teach our own  
Little Princes and Princesses,
The shelter of dancing,
Feel the embrace of nature,
Under the mantle of an  
A Capella choir of tree leaves,
We will lie side by side,  
Skyward pointing,
Sharing our spring-sprung imaginings,
Performing each and all  
Upon the breeze to carry away,
For all to gleeful applaud!
Another old one
Francis Nov 2023
The expectation,
Of you to accept the inhalation,
Of the evaporation,
Of someone else’s waste.

Make it make sense,
How the walls of stalls,
Fail to reach its maximum highs and lows,
For all of us to share what we release.

We listen to the air,
That flubs between *** cheeks,
Just as the **** projects deuces,
Into the bowl that cups the sound of wind.

We hear the moans and sighs,
Of relief, constipation and strain,
As we urinate nearby,
Adjacent to the incomplete **** shack.

Make it make sense,
How tasting the gases,
Of Joe Blow, blowing out his insides,
Is a customary to our community.

A sociological experiment,
Deemed to generate sociopathy,
As we laugh at the flatulence,
And giggle at one’s vulnerability.

Merely a forgotten fact,
That we have been there too,
We go there every day,
And pretend that others don’t do the same.

And without a mere act of courtesy,
The space is left filthier than the last,
Because why be considerate for the next?
Someone’s job is to cleanse my waste.

Furthermore is the neglect,
Of faucets, soap and towels,
Aimed to **** bacteria,
That exits biological passageways.

Why oh why,
Must I be forced to study,
Why this is simply unacceptable,
This concept of oversharing?

Recurring stage fright,
Readily apparent,
When forced to **** beside men,
More than double my size.

I’ll simply never understand,
How by design,
What we wouldn’t do in front of house guests,
Is something we are urged to do in front of strangers.

Bonding,
With a bunch of hairy, overweight men,
Who clear their throats, bladders and colons,
In my personal space.
Seriously, what the ****?
Larry Schug Oct 2016
The would-be King is angry,
adamant that his silk suit trumps
all the other suits and pantsuits
vying for the throne.
His head is in his ace hole.
He thinks all the Queens are airheads,
gropes them as if they are ******
to be replaced when one gets old
and a prettier one comes along.
He shuffles his Jacks,
mere minions, all interchangeable,
discards them, sluffs them off.
His would-be subjects
are treated like deuces and tres;
the cards that do the hard work
of making a winning hand,
mostly with spades,
are clubbed into submission.
Though he values diamonds,
his deck contains no hearts,
they bleed too liberally for his ilk.
With his hair pulled over his eyes
like a dealer’s shade,
he deals from a stacked deck,
under the table, cards hidden up his sleeve.
He can’t see himself for what he is,
the fifty-third card in the deck,
the joker.
Esz-Pe-Bea Jul 2014
There is a spot on the banks of the Ohio River
where rising and falling water levels
have birthed a tree,
100 years ancient,
Whose roots burst forth
To create a cage of wood
And whatever debris it happens to net up.


There is a safe there too,
Half buried by dirt and sand,
And the rotting remains of a dock sunk long ago
laying just below the water's surface,
It's broken post still sticking out a few inches...


A forgotten ferry ramp crumbles to pebbles
just 10 yards upstream.
The concrete foundation of it's pay station
Juts out as a peninsula
when the river drops below 25 feet deep.


The City hides around the bend,
with towers that sometimes peek over the horizon,
and an ever present night-time glow
that never lets this place go absolutely dark.
There are just a handful of stars here,
Ten or 20.
Only the best and brightest,
Receding with time
To the perpetually growing presence
of fluorescent outdoor lighting.


This is a place of ages.
Of 5 year old forbidden mystery
and 8 year old epic adventures
among the apocalyptic rubble of whole city blocks,
Torn down to make way for the levee,
I've know for all my life.


This is a place of 10 year old games with childhood pals
And 15 year old parties-in-secret.
A case of double-deuces and a bottle of schnapps,
and all the other regular tools of teenage rebellion.
It's a place of countless caught catfish
during early morning hours,
When the boat traffic dies down save for giant river barges,
working their way through the locks and dams
that keep the water deep enough for commercial navigation.


My grandfather knew the white-sand beaches here
That once stretched for two solid miles,
And hosted vacationing mid-westerners
and the rebirth of Sun Worship.
His adopted father knew it even better,
working the steamers that made this place civilized.
My own father swam in these waters,
even claims he once swam all the way across and back
and I never call him on it,
though I know this place too well to believe it.


I know this place very well, to say the least.
I've been here more than often,
going way back to when the riverside road ended in a circular turnabout,
where a mostly dead old oak
held a 30 foot long steel cable,
that would swing you out over a hillside
made of broken brick and steel re-bar.
Back before the pumping station's overflow pipes were capped,
and you could echo your voice
through the outlets down by the river,
up to ears on the path along the floodwall.


I still go there,
though not as often as I once did.
It still holds wonder for me,
Magic and mystery...
It's never the same on two different days,
yet it never changes,
and when I think of home,
I think of this spot.
The Title is coordinates for the subject of the poem.
Shahrukh Zamir May 2014
My duas folded hands with wishing wells,
wonder if sinner pray their daily 5,
20 years of slaves to my creator,
ironic why am I chained to this life,

Times where broken bills don't carry change,
and money taste like shay-tan,
When clouds grows there horns out,
not enough good deed get rains on,

This  world need to get refurbished,
paid work shifts don't excuse refused worship,
just like when death chuck deuces,
don't mean it mean the peace signs,

Im dead tired with strength alive  
enough to poke holes through a loopholes
I cant allow ourselves to dumb it down,
if we come to  bring truth to the pseudos,

I cant discriminate with y'all
Son of your God, we see as messenger,
You say only god can judge me ,
like you forget judgement day come with hot temperatures?

— The End —