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a Feb 2015
blue.
it is the color that always fades inside
of you.
it's the wind ******* the globe.
it's the color of your son when he decides to leave home,
it is the taste of the morning air, even when you
wish it weren't;

(especially then.)

blue is the color of past lovers eyes
because those blue ones always say
good-bye.
blue is one deep breath and a handful of doubt,
blue is for people you've learned to do without.
it's under your eyes when you find
yourself lost in your mind,
                   searching for another color wheel to climb.
colors don't share, but that's okay.
because blue is the color that always fades.
Sydney Noxon Nov 2018
The words I don’t yet have are ones to describe my trauma.
Too young to understand what happened, young enough to let it determine the course of my future relationships.
Consent wasn’t part of my vocabulary until I was an adult.
Coercion, drugs, NO...
If I speak these words into the universe, the actions become real, not a figment of my memory.
The trauma of being called a ****, a *****, “giving it up” too soon.
Feeling like a chewed piece of gum, tape that lost its stick, a crumpled piece of paper.
No one wants you if you’ve been used.
An experience for one in five women, yet still taboo.

The words I don’t yet have are ones to describe my queer identity.
Queer and trans but passing as female…
I’ll never “pass” as nonbinary because society sees nothing but male or female.
The struggle of questioning my gender, binding my chest, compressing on my lungs to force out the female.
The hourglass figure with the ******* and fat ***, thick thighs and that extra baby fat;
Female body down to the ******, but without the identity.
The pain of being called a ****, a ******, a “what’s between your legs?”,
having your body scrutinized, looking for your true identity.
Even in the trans community, there’s still a binary.

The words I don’t yet have are ones to describe a better future for us survivors.
The world I want is one where victims aren’t dismissed,
one where perpetrators are held accountable.
A college calendar isn’t proof of where he was that one night.
A president can’t just grab me by the *****.
A college ******’s swim career isn’t ruined because he “made a mistake.”

A radical thought would be to punish white men for their crimes.
I imagine a world where women and survivors don’t have to live with trauma,
don’t have to sit in court and face their perpetrator,
don’t have to relive their experience.
I imagine a world where male survivors aren’t ignored,
one where bisexual women aren’t more likely to experience ****** violence,
one where false accusations aren’t more of a concern than actual assault.

The words I don’t yet have are ones to describe a better future for queers.
The world I want is one where we can feel safe just for existing.
Activism doesn’t stop at marriage equality.
Bisexuality isn’t just “pick a side.”
Transgender people don’t need to disclose about their ****, *****, or other.

A radical thought would be to stop murdering black trans women.
I imagine a world where children are taught about the fluidity of sexuality and gender in school.
A world where parents don’t render their children homeless when they come out.
One where the closet is a place for your clothes, not a place to hide.
I imagine a world where your sexuality isn’t illegal,
where corporations don’t leech onto Pride for advertisement.

The words I don’t yet have are on the tip of my tongue,
but won’t cascade out of my mouth.
These words aren’t as free flowing as a waterfall,
but they’re as stagnant as a polluted lake.
Stuck in my throat, poisoning me,
until one day I scream them out into the void.
‘When the doors of perception are cleansed
Things will appear as they are:
Infinite.’

∞ William Blake



‘There are things known
and there are things unknown,
and in between are the doors.’

∞ Jim Morrison



Moment of inner freedom
when the mind is opened & the
infinite universe revealed
& the soul is left to wander
dazed & confus’d searching
here & there for teachers & friends.



People need Connectors
Writers, heroes, stars, leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war. Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert
Tribal needs and memories
a call to worship, uniting
above all, a reversion,
a longing for family and the
safety magic of childhood



A man rakes leaves into
a heap in his yard, a pile,
and leans on his rake and
burns them utterly.

The fragrance fills the forest
children pause and heed the
smell, which will become
nostalgia in several years.



An angel runs
Thru the sudden light
Thru the room
A ghost precedes us
A shadow follows us
And each time we stop
We fall



The Endless quest a vigil
of watchtowers and fortresses
against the sea and time.
Have they won? Perhaps.
They still stand and in
their silent rooms still wander
the souls of the dead,
who keep their watch on the living.
Soon enough we shall join them.
Soon enough we shall walk
the walls of time. We shall
miss nothing
except each other.



No one thought up being;
he who thinks he has
Step forward



The Crossroads
a place where ghosts
reside to whisper into
the ears of travelers &
interest them in their fate

Hitchhiker drinks:
“I call again on the dark
hidden gods of blood”

-Why do you call us?
You know our price. It
never changes. Death of
you will give you life
& free you from a vile
fate. But it is getting late.

-If I could see you again
& talk w/ you, & walk a
short while in your company,
& drink the heady brew
of your conversations,
I thought

-to rescue a soul already
ruined. To achieve respite.
To plunder green gold
on a pirate raid & bring
to camp the glory of old.

-As the capesman faces
poisoned horns & drinks
red victory; the soldier,
too, w/ his trophy, a
pierced helmet; & the
ledge-walker shuddering
his way into inward grace

-(laughter) Well, then. Would
you mock yourself?

-No.

-Soon our voices must become
one, or one must leave.



There was preserved

in her

The fresh miracle

of

surprise.



open

The Night is young
& full of rest
I can’t describe
the way she’s dress’d
She’ll pander to some strange
requests
Anything that you suggest
Anything to please her guest
Cheyenne Aug 2016
I've got a list of adjectives I use to describe myself
But their meanings change when told to someone else
Dani Just Dani Aug 2018
I'm here sitting
alone,
the smell of coffee runs through
my veins,
some music i probably will forget
in a few years arguing with
the thought of you,

But I'm here,
I'm here,
writing about what's happening

pretty boring huh?

i call myself a poet
but i can't use high metaphors,

i call myself a poet
but i can't describe fully
how you make me feel

i call myself a poet

but what am i?

I'm just a kid
scared of life
finding new ways to cope
searching for someone to love,
desperate,
not holding unto my dreams
how can i choose with my mind
what's right for the heart to choose.

and you see?
don't you see?

don't worry i can't either

i can't see how great i am
i can't see how other people see me
i wish i could.

i want to believe this was a dream
or
a nightmare at that.

But at last.
I'm here wishing that in another life
i could be with you,
or
maybe in other deaths,

i crave your touch,
i crave you..
with coffee waking up my senses
like a kid in summer waking up early
to go play with his friends.

i wish things were different,
so i wouldn't have to wish.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
phantasmal Jul 2014
if i had to describe love i'd call it a sandstorm.
these grains of time slip through my fingers and yet they still exist and dig into my skin.
i have to keep my eyes closed or you will blind me again and leave traces of yourself under my fingernails that won't entirely disappear.
if i had to describe love i'd call it a sandstorm.
because whenever you're near i feel that time will burst out of its hourglass and everything organized and proper will drift and drift until i am no longer sure how many hours i have spent wandering the labyrinths in your eyes.
if i had to describe love i'd call it a sandstorm.
i knew that it'd hurt me and yet i walked into the open, looking for you.
i knew it wouldn't last and yet i embraced you with open arms.
silent Dec 2013
angry is an easy emotion
it's easy to feel
easy to describe
easy to tame.
aggravation is an easy emotion
easy to feel
easy to describe
easy to tame.
annoyance is an easy emotion
easy to feel
easy to describe
easy to tame.
it's sadness that's the hardest
it's not easy to feel
when bed seems like the only place you're accepted
or when the simple task of breathing is daunting
how could that be easy?
it's not easy to describe
how do you tell someone you're dying inside
when you've been laughing all day?
how do you tell someone the sobs that attack your body
during the darkness & silence of the night?
how could it be easy to describe?
it's not easy to tame
how do you overcome the yearning for sleep? for death?
how do you overcome the blanket of numb that threatens everything
whether it be your movements or your process of thought?
how do you overcome something with so much influence?
how could it be easy to overcome?
Bo Burnham Mar 2015
Can I have a word, please?
It can be any word.
Just give me a word.

We can all share the rest.
Just let me have one.
It can be anything.
I'd take canteen or avid.
I'd even settle for timely.

But you can't use my word,
whatever it is,
without asking.
Because it's my word.

And I'll almost always let you use it when you ask.
Unless, for example, my word is wonderful
and you want to use it to describe a movie I haven't seen yet
or a movie I saw already and didn't care for.

I really want everything.
That's my first choice.
Flabbergasted is a close second.
Amelia Owen Jul 2015
Me
I want to describe your eyes the way a poet can describe the sea
Though I am no poet
I am just me
I haven't been on in a very long time.
Bella Jul 2018
Sometimes I get stuck in this state of Darkness
where my eyes can see
but it's like my head is just pitch black
and I almost wish I couldn't see anything,
like I wish I could just curl myself into a ball so tightly that I disappear from space for a while

sometimes I get stuck in this space
and I feel like my tears and my thoughts
are climbing up my esophagus and clogging my throat
blocking my airway
suffocating me from the inside

maybe I never told you I was depressed because who wants to relive that moment
that choking hazard moment of cotton ***** in my throat

maybe I never told you I was depressed because there are no words I can use to describe it that don't transform themselves into their meanings
that don't take over my mind
crawl through my head like little worms
eating away at my brain
my thoughts
my skin

have you ever thought of a traumatic experience and then felt those events happening again
felt the dark hole of life-threatening-trauma attack your mind
Shiver through your body
like it was a demon you let in through a memory-
through a word

maybe I didn't tell you I was depressed
because I wasn't strong enough
my depression fills me to the brim
fills my head and my chest
my arms and my fingers
I can feel it moving through my body
I can feel it expanding and engulfing everything inside of me
every last vein, nerve, *****, and tissue
how can you expect me to have the energy to fight
how can you expect me to have the energy to pick up the phone
to open my mouth
how can you expect me to have energy-to have the courage to utter the words of how I feel
I feel so worthless
in those moments I feel like there's this black whole inside me and it's consuming everything
it's taking everything but my skin
and it disgusts me

can you imagine the feeling,
having something so utterly repulsive on your skin you had to scrape it off immediately
It felt like you needed to be cleansed
like you needed a shower
take that feeling
now imagine it being under your skin
imagine, every muscle ***** vein nerve every cell in your body underneath your epidermis disgusts you
imagine all you wanted to do was to
GET
IT
OFF
and you can't
no matter how hard you try
you can't scrape it off
you can't claw It off

imagine you're scared of spiders
now imagine you're covered in spiders
and someone's holding down your arms
so you can't get them off
imagine them walking on your skin
in your mouth
crawling on your open eyes
in your ears
you're cringing at your own skin
You can feel them going down your throat
Their disgusting tickle in the pit of your stomach
in every crevice of your body
their tunneling under your skin
and you can't get them off
what are you supposed to do
but cry
My best friend's mom who doesn't believe in depression asked why I never told her I was depressed...
Both light and shadow
are the dance of Love.

Love has no cause;
it is the astrolabe of God’s secrets.

Lover and Loving are inseparable
and timeless.



Although I may try to describe Love
when I experience it I am speechless.

Although I may try to write about Love
I am rendered helpless;
my pen breaks and the paper slips away
at the ineffable place
where Lover, Loving and Loved are one.



Every moment is made glorious
by the light of Love.
ETTU Sep 2020
if you were a city, you’d be like Paris
a beautiful ray of lights,
with its own captivating mind

oh Paris...

you can’t describe Paris
unless you have wandered around the streets
under its rainy night

you can’t describe Paris
until you walked in a sunny park,
felt the gentle touch of the breeze upon your face
while stroking your hair

you can’t describe Paris
if you haven’t felt the atmosphere at Les Quais de Seine,
Friday night after a hard week at work

you can’t even begin to describe Paris
because it should not be described,
it should be felt

just like i can’t begin to describe
how empty my life would be
without you
Bethany Duvall Oct 2014
Beautiful. How do you describe this when beauty is claimed differently for everyone...
  
Every Man , Woman , and Child is adored by another dazzling human being . These people are beautiful despite faults , addictions , and wrecks of emotion . I yearn to discover the beauty that lies beneath a person's skin .
Thia Jones Apr 2014
This is how it goes
your hands will be proxy for mine
my hands will be proxy for yours
your fingers my fingers
and my fingers yours
what I describe, you enact
told in detail so exact

Just to begin
I squeeze your *******
knead and pinch
tweak a ******
give it a tug

Stroke your tummy
work over your thighs
move up the inner
where skin is smooth
circle around, moving in
till soft contours are caressed
through pants that burn
to be removed
that pain you to wear
and I see in my mind
as you describe
the spreading, darkening patch
that fills the gusset

Now they're pulled down
removed quickly, completely
and you are revealed
spread, opened, shameless

Gentle fingertips tease
dance in circles, barely touching
yet the fire within grows
back and forth, round and round
dance the fingertips
as both reciprocate
with growing pace
and firmer touch

I hear you gasp down the line
and your breathing quickens
as you hear mine
as your excitement fuels mine
as mine fuels yours
in our feedback loop of lust

And I tell you how
my fingertip would give way
to tonguetip if I could
that I can taste you
in my imagination
fragrant, salty sweetness
with musky undertones
the tip of my tongue now circling
then flicking back and forth
beating out the rhythm
that you best harmonise with
bringing forth your moans

Then darting down, back
between wet, glistening folds
exploring each ridge and valley
working remorselessly

Breathing faster now
with animal grunts and moans
directions of pleasure gasped
breathless down the phone

As fingers again
take the lead
find the opening
slip readily within
probe, explore, ****
find that place
on your front wall
yes, just that spot
that's a little rougher
and feels sooo goood

Add a second finger
working and *******
licking and rubbing
moaning and gasping
barely intelligible now
...yess...more...yess...ohhh
are all that have meaning

Finger three joins one and two
then the pressure builds
demanding release
and shaking and thrusting
grows to shuddering
and...yes...yesss...sooo clooose

******* faster furiously
till we both explode
hearing each other's
voicing of our ecstasy
in language intelligible
only in this one context

Brains and voices return
as we bask in the afterglow
and what passes between us then
in those moments
is the deepest intimacy of all

Cynthia Pauline Jones 01/02/2014
Nelviee Mhunang Oct 2015
How do you do that?
How can you make me smile with a simple act?
From this moment, I begin to think
But the way you make me feel is hard to explain

You’re one of the many aspects that changed my life
Coz’ you always make me happy
And I want you to know, after all
For the rest of it, that I’m very lucky

You make me laugh, you make me smile
You’re smart, you’re different that made my day to shine
For all the nights that I shed tear
I won’t worry anymore, for you- is finally here

That summer cold times, I’m contented just being by your side
All those feelings I just can’t hide
You’re special to me
And I hope you’re beginning to see

I can’t describe how much I care
But when you need me, I will ensure you that I’ll be there
To wipe your tears when you’re sad
To make you happy when you’re mad



I never imagined how sweet this could be
With emotion and desire that’s coming over me
Now I’m trouble…. but in sweet, sweet trouble
Because I could not happily escape this anymore

I love the times when we chat and text
And I don’t want to end those nights and wait for the next
The things you do and no one else will do
Results me on thinking of you

When there is something in my mind
Or weighs heavy in my heart
You always seem to know what
I want to say before I ever start

You have your own special way
Of making me feel valuable than I am
What I want to say is
You’re soft gentle smile, on me, truly understands

I am truthfully fortunate my dear friend
You have that personality to where I can learn
You are in my dreams whether I’m awake or asleep
While these emotions, for you, are going way too deep

A best friend, to me, I gladly submit
Giving my all, to you, I admit
This feeling I feel for you is something totally new
And I’m so glad, so so glad, that I met you.
JMG Oct 2010
Lovely...
Lovely couldn't describe it
The way my heart melts when I'm with you
When I hold your delicate, soft, little hands
My mind shatters
All I can think is...Lovely...
Lovely...

Lonely
Lonely couldn't describe it
The way my heart shatters when I'm without you
When a tear drops from my face...along with many more
My life shatters
All I can be is...Lonely....
Lonely...

Lovely
Lovely couldn't describe it
Words or volumes alike
Nothing could describe it
What I feel when I melt inside your arms
All I can think is...Lovely...
But lovely couldn't describe it
JG, 2001
Megan Hundley Nov 2011
How might I describe you?
dew lazy atop swaying petals, refreshing and pure?
or
rushing rapids, strong and enduring
perhaps you are a mountain- forever there to hold it's ground
I caught the crackle of clay on dry hands
and with it, creation and change
I breathe the pungent scent of sweat, heavy with the promise of hard work
you work your hands you work your thoughts
you work to prove both
such as paint strokes mesmerize the eye
love will hypnotize the soul
you took a peek into my life and found a pen
chapters carry your name- we are infused
black ink on black ink- merged
How might I describe you?
A man
Better yet-
My man

written 2010
oni Dec 2014
these words
are used
to describe,

and you
pin them
to my
forehead.

these words
are used
to describe,

*but i will
not
let them
describe
me.
"You don't make me who I am." - Sometimes You're the Hammer, Sometimes You're the Nail; A Day to Remember
Alyssa kasper Dec 2014
How do you describe
the indescribable
what is black
"well its a color"
no describe it
what does it look like
how about red?
What do you think of when you think red?
Apple?
Firetruck?
but what is it
Colette Jun 2014
I was falling into a deep pitch of darkness,
never having a thought of being rescued,
and only the thoughts of me falling into the abyss of darkness clouded my mind like how 21-gun salute resonates the deafening silence on one's death.

But I was saved by a blinding light,
warm arms wrapped me with comfort and security,
hands to hands with mine,
to stop me from falling.

Never have I thought I would be save by an angel in admits of all darkness that was eating me alive.
An angel he is, though we both said that we are of bad souls like devils.
Despite so, both our demons played well.

My heart beats fast around him,
and every poetry I write seems to only be indirectly pointed out of what seems to be him.

To say that this is a sickly puppy love wouldn't describe what I have for him.
An addiction, a complex disease, a deadly infatuation,
are what more seems to describe him in literal.

As if cigarettes and bottles of beers were more than enough to ****,
I might eventually die from the presence of him.

On 2505, I brave myself,
confronting or more like pouring my tongue-tied words with feelings of afraid of being rejected,
but wholeheartedly he accepted me.
The feeling were mutual and an awkward kiss we shared.

I feel my dark world lighting up,
blinding me in the consuming brightness.

Ever since then,
I felt more sick.
It wasn't a negative effect,
but I was very much deeply fallen in those brown irises of his.

His words, his movements,
the way his hands fit with mine,
the way his lips capture mine in perfection,
how could I have still survive all these while?

As day passes,
I questioned myself,
"Was I worth it?"
"Am I good enough for him?"

The thoughts of him with another sickens me and made my blood boil.
But he ensures me by saying the same.
And again, the kisses came after.

As days passed,
I, who had been busy often,
found less time to spend with him.
Getting tired and frustrated at times,
but I always feel guilty.

He would ask me to sleep and rest,
though I can be quite stubborn,
but eventually my body gave in.

Despite so, he would never get mad at me,
and I wonder and wonder..
was I ever that good of a lover for him?

All these doubts are still in mind,
but nevertheless,
I  hope that he wouldn't get bored of him.
And if ever do,
I would probably never stop chasing him.

Desperate and deeply in love,
that is the word to describing me.
But afterall, I'm just hopelessly in love with the man who is everything to me.
My best friend, my lover, my saviour, my anchor, my beautiful euphoria
and most importantly,
my everything.

Can you see how badly you have infatuated me with?
made a poem for bae on one monthsary so yeah-
In between   (a poem)
.
my mind struggles against its own illusion
nightmare tumbles out into still morning
light is heavy,
a fog of echoes...
and I am caught
.
day dreams the sunlight
dreams light the day
and I am caught in between
mourning echoes...
like a stillborn ghost
who can't take a breath in the present

….
  
I live on a tropical island and just want to go surfing with my husband, but the nausea in the early morning as I try to eat  breakfast and drive with him to the beach is so uncomfortable.  Day after day it makes even surfing a chore, and I consider not going anymore.  Background anxiety and unreasonable irritation interferes with our marriage, frustrates him enough to want me out.  

For me, a trip to the grocery store or meeting a group of people awakens the same dreadful fear as rockclimbing a cliff. Perspective has been lost in the extremes.  I try to gain some control over this hindering nuisance, seeking situations that bring the same surges of adrenaline so I can learn to master it.  If I can just push past the avoidance that would keep me inside doing nothing, if I can just ignore the feeling I want to throw up, if I can just get out there, I am rewarded with life’s potential beauty eventually.  Many days I do enjoy the thrill of mountain biking or connection with nature when surfing, but there are too many days of internal struggle that reduce what should be enjoyable to a relentless chore of wrestling inner demons.

The VA offers a few sessions of marriage counseling, and the doctor begins to explain PTSD.  ***, I’ve learned to cope with an unreliable brain, but now there’s this?  From what I understand (and that’s just me, an amateur philosopher) Sometimes the brain is so traumatized, that the memory is literally sealed off, encapsulated, protecting it from changing.  If later something happens that is similar, the brain triggers avoidance responses as a take-no-chances survival mechanism.  Literally the brain is protecting one’s self from one’s self.  This all-or-nothing strategy works fending off potential dinosaur attacks, but in our complex society, these automatic avoidance behaviors complicate functioning and well being.  Life becomes an attitude of constant reaction instead of motivated intention.

The website for the National center for PTSD says.  “After a trauma or life-threatening event, it is common to have reactions such as upsetting memories of the event, increased jumpiness, or trouble sleeping. If these reactions do not go away or if they get worse, you may have Posttraumatic Stress Disorder.”  

“Common reactions to trauma are:
• Fear or anxiety: In moments of danger, our bodies prepare to fight our enemy, flee the situation, or freeze in the hope that the danger will move past us. But those feelings of alertness may stay even after the danger has passed. You may:feel tense or afraid, be agitated and jumpy, feel on alert.  
• Sadness or depression: Sadness after a trauma may come from a sense of loss---of a loved one, of trust in the world, faith, or a previous way of life. You may:have crying spells, lose interest in things you used to enjoy, want to be alone all the time, feel tired, empty, and numb.  
• Guilt and shame: You may feel guilty that you did not do more to prevent the trauma. You may feel ashamed because during the trauma you acted in ways that you would not otherwise have done. You may:feel responsible for what happened, feel guilty because others were injured or killed and you survived.  
• Anger and irritability: Anger may result from feeling you have been unfairly treated. Anger can make you feel irritated and cause you to be easily set off. You may:lash out at your partner or spouse, have less patience with your children, overreact to small misunderstandings.  
• Behavior changes: You may act in unhealthy ways. You may:drink, use drugs, or smoke too much, drive aggressively, neglect your health, avoid certain people or situations.”   It lists four main symptoms: reliving the event, avoiding situations that remind of the event, feeling numb, and feeling keyed up (also called hyperarousal)”

Four words strung together: Post Traumatic Stress Syndrome.  They’ve become a tired cliché, exhausted from the endless threat of random cruelty camouflaged in banality, weary of the weight shouldering back the wall that separates death and gore from the living.  Living was a reflex beyond willpower and devoid of choice. Control was self-deception.  The mind was so preoccupied with A: survival, B: sanity, in that order.  Rest was a cruel illusion.  The tank was drained, no room for emotions ditched.  Empathy took too much effort, fear was greedy.  Hopefully they can be remembered and found on the other side, if there is one.  Sleep deprived cells were left hyper-alert from the imminent, shot up and addicted to adrenaline.  Living was Fate and Chance, and meant leaving that time and place sealed in forgetfulness.  

Now PTSD is a worn out acronym, a cold shadow of what it feels like.  I try to think of something more personal that can describe the way it randomly visits me, now resigned to its familiar unwelcome influence.  It steals through my brain, flying ahead of me with its own agenda of protecting sabotage.  Its like the Guardian Trickster of Native American legend.  Its an archetype but real enough to make mistakes: Chulyen, the black raven.

A decade after the ER, contentment is found in a garden of slow tranquility as a butterfly interrupts a sunbeam.  My heart fills with bittersweet as I’ve finally found something I love and want to keep.  Just then Chulyen’s grasping black claws clamp my heart with painful arrhythmia and it fills to burst, tripping in panic trying to recover its pace.  The sudden pain drops me to my knees, in the dirt between fragrant lavender and cherry tomatoes.  Pain stops breath and time and makes me remember the ER, when my heart rebelled its ordained purpose for a week.  I had tried to throw my bitter life back in God’s face but He didn’t take it.  Now that I have peace and a life that I treasure, He’s taking it now.  The price for my mistake is due.  It was all just borrowed time and I’m still so young, my children just babies.  God with a flick of cruelty reminds me not to put faith in the tangible, especially when its treasured.  The sharp claws finally relent and I can breathe, looking up with a gasp and the Raven takes flight overhead leaving a shadow.  Bright noon warmth, unusually heavy and foreboding, seems to say ‘there will come a time when you will not welcome the sun.’   Doctors run an EKG and diagnose ‘stress’.

The bird perches on my shoulder two more decades later, always seeing death just over there.  So I sit on the porch just a little longer and check my list again, delaying the unavoidable racing heart and rush of tension when I fix the motorcycle helmet strap under my chin.  I know all those stupid drivers have my life in their cell-phone distracted hands and hope my husband knows how much I love him, and my daughters too.  

Chulyen wakes me at 3:00 am when autumn’s wind aggravates the trees.  His rustle of black feathers outside unsettles summer’s calm night.  He brings an end-of-the-world portent that hints this peace is just temporary, borrowed.  Tribulation will return.

Ravens are attracted to bright shiny things.  Chulyen steals off with treasures like intention, and contentment.  I don’t realize they are missing until occasionally I find myself truly living in the moment.  I guess that is another reason why I crave adventure, for those instants and epiphanies that snap me out of that long term modis operandi of reacting, instead of being.  The daily list of ‘I must, or I should’ can for a brief while become ‘I want’  and I am free.

My companion the black bird perches relaxed in the desert on the gatepost of a memory.  A bullet-scarred paint-faded sign dangles by one corner from rusty barbed wire:
    No Trespassing    
    That Means You
I have a haunted idea what's behind the fence.  Chulyen implies the memory with a simple mistaken sound:
a Harley in the distance is for a second the agitating echo of a helicopter...
or those were the very same words they said when...
or I hear a few jangling clinks of forks in our warm kitchen...
hinting a cold cafeteria at 5:00 am smelling of fake eggs and industrial maple flavored corn syrup,
and everything else that happened that day...
My cells recollect, brace with the addictive rush of adrenaline.  But the raven denies access to the memory, distracting with discomfort.  I trip and I fall hard into the gritty dirt of irritation at the person who unknowingly reminded me.  Anxiety floods in along with fatigue of the helplessness of it all, back then and still now.  I can't go further.  Chulyen’s tricking deception says Leave This Memory, you never wanted to come back.
But I already knew from just recognizing the bird patiently sitting there a sentinal,
recalling every other time he tricked me with nausea and depression.
I tried to tell myself again that behind that gate,
the past has dried up from neglect.
Disintegrated into dust,
Blown away,
doesn't
exist.



After everything else, how to work through this?  The VA gave me a manual, a crudely printed set of worksheets with a government-looking blue cover page:  Cognitive Processing Therapy.
“In normal recovery from PTSD symptioms, intrusion, thoughts, and emotions decrease over time and no longer trigger each other.  However, in those who don’t recover, the vivid images, negative thoughts, and strong emotions lead to escape and avoidance.  Avoidance prevents the processing of the trauma that is needed for recovery and works only temporarily.  The ultimate goal is acceptance.  
There may be “stuck points”, conflicting beliefs or strong negative beliefs that create additional unpleasant emotions and unhealthy behavior.  For example, a prior belief may have been “ I am able to protect myself in dangerous situations.”  But after being harmed during military service, a conflicting belief surfaces, “I was harmed during service, and I am to blame.”  If one is ‘stuck’ here, it may take some time until one is able to get feelings out about the trauma, because one is processing a number of rationales.  “I deserved it because…” , or “I misinterpreted what happened, I acted inappropriately, I must be crazy…”  The goal is to change the prior belief to one that does not hinder acceptance.  For example, “I may not be able to protect myself in all situations.”

(chapter continues with recovery methods)
Turtle Eyes Jul 2014
There are no words to describe how much
You mean to me,
You are beyond my world

There are no words to explain how much
I love you,
I have never loved like this before

There are no words to tell you how much
I miss you,
I feel a void the second we part ways

There are no words to express how much
I need you in my life,
The thought of a day without you causes me physical pain

There are no words to explain how beautiful
I think you are,
The world has no equal in my eyes

There are no words to describe how much
I want you,
You are the first person I think of when I open my eyes and the last person on my mind when I close them for the night

There are no words to describe how sweet you are,
I love watching you interact with others
It makes me smile

There are no words to describe how much
I lust for you,
I long for your touch, your kiss,
your smell, your sweetness
(Mmmmmm)

There are no words to explain how much
I see us together,
When I close my eyes I can see it
When I open them I can feel it

When I am with you I just know it

There are no words
MicMag Jul 2018
I've witnessed a beauty
I can't describe
That speaks to my soul
As it swims through my eyes
The silent sounds
Sneak into my mind
The taste lingers on
Leaving sweetness behind
The scent creeps up
To slowly remind
Of the touch that once felt
Makes all else fade
Til only your beauty
Pure beauty remains

There's nothing else
Your beauty remains
Old found poem.
Ken Pepiton Aug 2018
A pocket of thought, ideas.
Impulses, has beens

epi-phenom-enal-con-currencies-synchron-icity
sorting places, thens and nows vying for attention

you see
we till stories in search of true tomorrows
not true
yesterdays (till, I said, not tell)
we **** the hard rows no one else will ***
so seed lies sown are never lies told, if the lies are never taught
or if the liars are caught before convincing the
intended crop to lie and swear a common liege Lord,
or die
for lack of knowing. Non-nascence, simplest
symptom to not see.
Whose death is yours to respond responsibly
to? My child's, or yourn?
In the early days, we knew less than we know now
about how knowing and growing were all
intended
to cost time. Ticks, ono motto whatever, the sound
gears and spiral springs pushing cogs
tick, one tooth tick at atime make

this rough, un polished, un glossed, is it wrong or

as I imagine a diamond in the rough must seem to a share cropper
experienced in diamond hunting, diamond prospecting,

prospecting expecting inspection to permit
seeing a 3.52 specific gravity,
specific
specify

species or spectacles,
spectators or special-if-eye-cation
value-en-abled. Weigh your mind in balance
with mine. I claim the mind of Christ.
What are the odds?

A wandering path, injoyable enable if-i-abble,
pacing is

everything, timing is everything, time is the test.

Time is the metagame.
Take your time. One word formed sylabble at a time.
Babble on, your confusion makes you mortal, to my mind.
Tick.
A quanta of time. Does time come in bits and pieces cernible,
but undiscernible from reality?

Babble.

Of course, time will tell. We learned that in our sleep, did we not?

Aesop taught us more than Moses, no,
Aesop taught us less than Moses.

But, we could learn to walk bearing the weight of knowing what
Aesop taught,
while we could not stand under the weight
Moses was said
to have taught.

Caught you, Jewboy. Whatchewknow?
The moral of the story.

THE IDEA is to win.
Beware the concision decision.
incisive devices, witty inventions.

Flip the shell, roll the bones, cast the runes and,
as luck might have it, die before your time.

Why factors are lies more oft than how factors.
Benefactors rule malefactors or
how or why would we invest our time in seeking reasons
to believe?

Is this the polished piece, the gemstone of specific gravity
(which currently means nothing to you. Here, you find too light
or too heavy, too weighty on the scale of specific value.)

Hard. Value hard, diamond hard, on Mr. Moore's scaled model of
Knowing exploding for reason's sake, raison d'etre, eh?
Too hard?
Not Mohs,
don't get me wrong.
We been Moore's law breaker all along.
We be manifested destinatory stories of heroes gone wrong.

Outlawed
knowing exploding to be reasoned with, by kind
children destined to become
written in stone, scarred by lies

Diamonds cutting diamonds, iron whetting iron
on eternity's edge.

Babylon, was it Bel's gate or fusion from below rising?

Magma fountains with diamond claws tearing the lands asunder
Is asunder still a word?, let me, allow me to define...
"into a position apart, separate,
into separate parts,"
mid-12c., contraction of Old English on sundran 
Middle English used to know asunder for
"distinguish, tell apart."
From <https://www.etymonline.com/word/asunder>
----

mumbler's humbler PIE, bowing before the knowers who
know nothing of my work.
Set apart, art thou holy aware?

Hermit me, meet the rest of me. The true rest that remained.
We live, you and I. Trust me, next is worth the wait.

Suffer needs no pain to make its point. Waiting is.

Grokk. WHO would believe that idea could live
through telegraphese to be tweet meets for the
Cosplay clans. How never grokked a rock,  why even less.

Strange, not be long in this
place. if
place this be. Odd
set aside
torn asunder
blown away.
Awake, little birdie, tell me true,
what's a man like me to do?

Did you meet the famous Mr. Blake?
I cleaned his chimney, way back when, chimbly's whut
we called em. Smoke stacks belchin' black
makin' black moths invisible to voracious
gulls.
Now the peppered moths are free
to be white-ish, for better or worse.

----

right, now, do right or

miss the mark,
the specific mark you made, maybe,
imagining, abstract obstructions missed
by the skin on Job's teeth as you run past

right now to more. You know?

----=

Story telling was the same as lying when I was a child, to me.

Telling stories was my gift I never took. Or am I lying? or mad,
in the old way.
Chailot's rag picker was my best friend.

No noble thought ever found it's home in my head, once
I thunk it, it stunk to high heaven, for me stinkin' thinkin' it.

Po' ems sang sour to fiddles wit' one strang and drums with no
cymbals
Screamin' he owed m' soul the comp'ny sto' bang bang thud.

I died, he lied, and lived to tell this story, ****** if I know,
****** if I don't.

True as true can be. I am lost, but once was found,
lyin' rough, uncut in acres of unseen gems.
----
* Voltaire refused to teach me any thing I could not define:
late 14c., deffinen, diffinen, "to specify; to fix or establish authoritatively;" of words, phrases, etc., "state the signification of, explain what is meant by, describe in detail," from Old French defenir, definir "to finish, conclude, come to an end; bring to an end; define, determine with precision," and directly from Medieval Latin diffinire, definire, from Latin definire "to limit, determine, explain," from de "completely" (see de-) + finire "to bound, limit," from finis "boundary, end" (see finish (v.)). From c. 1400 as "determine, declare, or mark the limit of." Related: Defined; defining.

So, imagine facets unseen, I am at least a meme, a bubble rising on the tide. Think, as you will. Amen?
Incorporating radical (root-related) definitions via cut and paste is my way of acknowledging that I have no ex-uses left for using words in a wrong, thus lying, way.
May these vows and this marriage be blessed.
May it be sweet milk,
this marriage, like wine and halvah.
May this marriage offer fruit and shade
like the date palm.
May this marriage be full of laughter,
our every day a day in paradise.
May this marriage be a sign of compassion,
a seal of happiness here and hereafter.
May this marriage have a fair face and a good name,
an omen as welcomes the moon in a clear blue sky.
I am out of words to describe
how spirit mingles in this marriage.
silli Jul 2014
I want to be described
not just by a friends saying
'ya dude you're chill'
but I want someone to spend the day
thinking of the right words
and sentences
to put together
and describe me
I want an author
or a poet
to make me part of their work
I want to be described by different people
I want to see me from their eyes
I want to know what my physical appearance is
the shape of my body
the color of my eyes
how my hair feels tangled within their finger tips
what they think about my laugh
what I remind them of
what I protect them from
the good and bad about me
I want them to describe
how I think
how they feel when they are around me
how I talk
walk
eat
sing
everything
everything they can think about to describe me
please
Tammy Boehm Sep 2014
Oh, tragic Romeo and Juliet,
Two star-crossed lovers, by the way
Thy tale of woe makes me *****
What else could be more cliché

Or morbid Hamlet’s *******
With a jester’s empty head
Thy necromantic discourse
Woulds’t be better left unsaid

And woe betide who says thy name
I’d sooner choose a horrid death
Than sit through the doubled bubbled fame
Of the queer kilted lad, Macbeth

Thy coupled innuendos, Bard
Doth soften thee rigored mortis hard
TL Boehm 03/14/09 (edited by Fred Boehm)

PS: I conducted an interview with Shakespeare in an attempt to gather inspiration...from the sour sonnet above it was fruitless...my questions and his answers below...

1.Are you a male or female: "Tempt not a desperate man"
2. Describe yourself: "Wisely and slow; they stumble that run fast"
3. How do you feel about yourself: "Methinks I see thee, now thou art so low,
As one dead in the bottom of a tomb."

4. Describe your ex boyfriend/girlfriend "Tis torture, and not mercy
5. Describe your current boy/girl situation: "It seems she hangs upon the cheek of night like a rich jewel in an Ethiope's ear"
6. Describe your current location: "Not stepping o'er the bounds of modesty"
7. Describe where you want to be: bid me go into a new-made grave,
And hide me with a dead man in his shroud -

(snippets of Romeo and Juliet, by the way....)


9. Your favorite color is: That which we call a rose
10. You know : Parting is such sweet sorrow, that I shall say good night till it be morrow."
11. What’s the weather like: Never was seen so black a day as this.
12. If your life was a television show what would it be called: For you and I are past our dancing days"
13. What is life to you:  "It is the east, and Juliet is the sun"
14. What is the best advice you have to give: "These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume."
15. If you could change your name what would you change it to: "What's in a name?”
a flippant quip in honor of the Bard
--- Oct 2013
BEFORE

Before we even started dating
I was very interested in you
I thought
"She's really unique
And cool
And into books
And smart

And cute."
Every move you made
The ease with which you made friends
And of course
How your nose was always in a book.
That interested me a lot
And I still love that
Even when I know
So much more about you.
My observations from outside.


2.  AS I WRITE

I told you I was doing something
For our six months.
It's nothing spectacular
Nothing expensive
Just time
And my thoughts
My love
I hope to put it into these words which I
Preserve for you
Uniquely mine
For uniquely you
And you alone.



3. SUSPENSE

I just told you today
And you ask for my hint
It was in one of my other poems
You read it
But didn't catch it.
It would be obvious if you did see
What the hint is.
And no, these aren't all going to be
Like this
Just basically a diary
No
They will be better.


4. LIST

I like a lot about you love
I even listed some things off to you recently.
Would you like a list?

The cute faces you constantly make
The way you fall asleep in my arms
The way you make my heart skip when you lean on me
The way your mouth moves when we kiss
Your scent that hangs on my clothes after we hang out
The way you bury your face in my chest when falling asleep
The texture of you hair
The way your face lights up when you're truly happy
The way your cheeks are fun to play with
The perfect shape of your body
Your inability to be mad at me
Your anger at people being self-destructive
Your rambles on things that you feel passionate about
Your sheer uniqueness
Your amazing beauty
The way you feel embarassed when you blush
Your quiet whimpers when I whisper that I love you in your sleep
The way you always tell someone when you're annoyed
Your ability to easily make friends
Your addiction to reading
Your crazy music taste
Your refusal to tell me games you play
Your amazing poetry
Your unique way of dressing
Your uncanny ability to look beautiful and **** in anything

And yes, there's thousands more.
But that's enough for now.


5. NIGHT

You know
I think of you always
During class
During sports
During robotics
During my dreams.
You're so great
You just sneak into my mind
And take all control from me.
I'm stuck thinking about you for awhile.
Not that I really mind.


6. SUDDENLY FRAGILE

I've known you for awhile
And now you're fragile
You seemed strong
Never once wrong
And I'm glad I grew close to you
So that I can be here for you
When you need someone
And I always want to be that someone.


7. FIVE

Today
Of all days
I'm sick.
What I wouldn't give
To kiss you once
On the cheek
Or give you a hug
Quickly
Fleetingly
I want to tell you I love you in person
But I cannot
Not today
But I will.


8. FREAKY

Do you know
How crazy it makes me feel
To just think of you?

9. ALONE

I am alone
With nothing but
My thoughts

Of you.
Obviously.


10. PICTURES

I look at the wall
The ceiling
Blank
Naked, but for some scratches
And I wish it was pictures of you
In plain sight
Wherever I look.


11. TRUE HAPPINESS

I know life is hitting you right now
Hitting you pretty hard
Being forced into therapy you don't want
Medicine that hurts your focus
And now it's ******* up your grades
Which in turn make your parents mad at you
And you seem to be despairing
And all I want to do
Is cheer you up
Make you smile
Forget your worries for just a little while.
I do what I can
But I don't think it's
Enough.
But I will keep trying
Every time I talk to you
Text you
Hug you
I hope I can bring you a little closer
To that honest smile.


12. YOU WORRY

You said it's been bothering you
You say I don't have to stay with you
Because I feel obligated
Because of your mental state.
Well
I'm glad you said it
Got it off your chest
But I would never stay because of pity
Because of guilt
No
I stay because of you.
The you-ness of you
You're just so startlingly amazing
Such a stark contrast to other interests I've had
And I love it.
And I love you.
I'm glad I could at least momentarily
Hopefully stop your worrying.


13. BRILLIANT AND BEAUTIFUL

When I think of you
I imagine gazing into your eyes
As I have done so many times
Those infinite, piercing
Beautiful eyes.
Brilliant, shining, beautiful
Just like you.
So wonderful
Calming
I dream of watching your eyes fall asleep
And waking to the very same pair
Happy and alive
Yet so real
Your beauty
And your realness.
Perfection.
I love you
I could say it a thousand timees
And mean it more every
Single
Time.


14. AGONIZING

It hurts me so much
To see you in pain
To know you're hurting.

You're trying to be more
Independant
You say
Well
Sure, be independant
But I want you to run to me
Cry on my shoulder
Because you aren't alone
And I don't want you to prepare for
A time when you could be alone.
Because I plan on staying within reach.


15. QUESTIONS

You lately have seemed
Scared
Afraid that I am staying with you for some
Pity
That I may feel.
Well, let me tell you
That is so wrong.
I feel bad for you
But that is different.
Because I could never date you through pity
I would feel like I was
Taking advantage of you
So don't worry.


16. SO MUCH I COULD NEVER SAY

I love you so
I can not describe it
The feeling
The exhilaration
From catching a glimpse of you in the hallway
I just feel the need to smile.


17. SMILE-INDUCING

Have I ever told you
That everytime you hug me from behind
I just feel uncontrollably joyful?
And when you refuse to let go
I find it cute
And I just want to stay like that


18. GOOD MORNING

A dream we both have
I want so very badly
To fall asleep holding you close
Singing to you the lullaby of my beating heart
Listening to your breath slow and relax
The perfect weight of your body against my own
And for you to be the last thing I see before I close my eyes
And the first thing I see when awakened
To make fun of your bedhead as the day's first light
Illuminates the room gently
To tell you how I love you
Before you can think anything else
Now only a dream
Someday it will happen.


19. TO RUN AWAY

I wannt to forever hold you
To hide away where nobody can find us
No schedules to disturb us
No cold to riddle our skin with
Goose-bumps
No agony tearing at our hearts
No painful reminders of the past
As the days blur into weeks
Into months
To hold you forever
In solitude.


20. WORRY

Why, love, are you so worried as of late
That you have changed?
I love every version of you
And I'm continually amazed at your ability
To cope
To prevail
But you are not strong enough alone my love.


21. LASTING

I have a feeling
That we will last
Overcome the odds
For a relationship that will endure
Past school
Past our new experiences
Past our differences
And bring us ever closer
More in love
As I feel myself falling for you more everyday


22. MARVELOUS

I never feel quite as amazing
As when I have you laying on my chest
Relaxed and falling asleep
With a blanket
A movie
Relaxation
No upcoming deadlines
Nothing else matters
Just the warmth of you relaxing on me
And my feeling of content.


23. DISCUSS

I love that we can discuss
Our different
Yet similar
Religions.
Yours as yet unnamed
Mine becoming again pure
And we can grow from this
And we become stronger.
And if we disagree about something
We can have a discussion about it
Though I keep my mouth shut
If I have the potential to start an argument
And we stay civil


24. LIST

One of your guesses as to
What I was doing when I hinted about this
A list.
Alright, you inspired me.
Words to describe you.
Beautiful
Intelligent
Different
Crazy
Startling
Lovely
Cute
­Modest
Mesmerizing
Relatable
Foreign
Sad
Lost
Stubborn
Sensitive
­And lastly for now
Theloveofmylife


25. TERRIFIED

Having you in my life is
Terrifying.
I worry so much
About your well being.
I wish I could be your knight in shining armor
But I just
Can't.
Society doesn't leave room for heroes.
It only attempts to create villains.
But you and I
We can resist it
Because society ***** anyway
And we're invincible.


26. DROWSY

When I fall asleep
The last thing on my mind is you.
And it's not just a thought that pops in then.
It starts when I am drowsy
And on the edge of sleep.
I imagine you snuggling close
Burying your face in my chest
Inhaling deeply and
Relaxing.


27. COMFORTABLE

I am glad that you can
Be relaxed enough around me
To fall asleep randomly.
And I love how, even in your sleep, you
Snuggle close
Twitch your hand three times
And whimper whenever I whisper into your ear
"I love you"


28. EXCITED

I love being with you
I love holding you close
Your breathe in my ears
The pounding of your heart
Speeding up when we kiss
Your happy sighs
Pulling me closer
Warming me in this new coming chill.


29.  HEAT

You are warm
You are hot
You keep the chill away
Heck, we could be in the snow without any significant
Warm clothing
And as long as I could hold you close
I could remain there forever.


30. PERFECT LOVE

You are my perfect love
The one for me
The two of us
Can do anything
Beat any odds stacked against us.
Overcome any hardship.
Just wait until we can escape to our life
We can win this race love
Destroy anyone who seeks to foil us
Or just ignore them
They aren't worth our notice
If they try to bring us down.


31. LIGHT

I look into your eyes today
And they are beautiful
As they always have been
I can lose myself in your eyes
The sight behind them
The intelligence
And so much more.
You're startlingly great
And I can't help but want to be around you.
Evan Hoffman Nov 2014
Here it goes again.
Another poem to describe how useless I am.
How tattered my soul is.
How my brain resembles my hands,
callused, numb, and broken dry skin.
I'm a terrible person.
Self indulgent and full of sin.

And here it goes again.
In the mirror I see nothing.
A big steaming pile of nothing.
Full of wasted dreams, 'what ifs' and 'one days.'
The **** that I write never comes out right.
The **** that I dream is just that:
a big steaming pile of nothing.

Here it goes again.
As if I am something.
But I can't get past how useless I am.
A speck in this cosmic dust cloud.
And here I go again, thinking I am a tornado.
How I will crush your dream home
and leave behind a big steaming pile of debris.

Here I go again,
thinking I am nothing.
When really, I am something.
I am a speck in this cosmic cloud,
without me that tornado wouldn't be.
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Martin Narrod May 2014
The likes of you I can't describe,
Yet I love to eat between your thighs.
The melody you spake to me
Unfolds my greatest sovereignty.
I crave to quaff all of your spit,
And swallow every drop of it.
Don't cheat me of your tasty flesh,
Those bare and supple ****** *******,
Your eyes that follow my firm gaze,
While we kiss and lick and misbehave.
I need to feel each piece of skin,
Smashing girl and boy parts over and over again.
It's such a treat to eat you whole;
I'm obsessed with eating 19-year-olds.
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Sky Nov 2015
It's lucky I'm a poet;
if I wasn't a crafter of words,
it would be nearly
impossible
to find the words to describe
The swelling of my heart
whenever I think of you
(It's like my chest is about to burst)
The tingle in my stomach
when I know you're near
(It's so odd I really can't describe it,
except to say that it's impatient)
The surge of love and happiness,
warmth and comfort,
that fills me completely
when I melt into your arms
(Oh, it's so perfectly warm)
Oh, how do I describe my love?
It's another world,
attached to my older, darker one,
and only good things are allowed
to enter the sphere.
It's a swelling, like a tidal wave
crashing over me, but
I am not afraid.
It's home.
It's...home.
It's safe and it's warm, and...
It's home, being in your arms.
There is no place I'd rather be.
svdgrl Jan 2016
Somewhere along the long stretching lines
of misogyny and misunderstanding,
******* and child-******* became
false-terms that were accepted by the masses
to describe small exploited human beings,
survivors.
and **** became a title boys and men aspired
to achieve, and not quite directly the
selfish manipulative sociopathic ****
that it really entailed.
Thank you, Curtis Jackson.
In case no one has screamed it enough,
It's January 2016 folks.
Let's place ourselves in some perspective.
The stories are never just one,
but I'm getting angry and I'm fortunate
enough to be able to speak.
I've got privileges that need to be checked,
too.
Let's check off the privilege that I haven't been abducted
or coerced at 12 by he who claimed that I was wise beyond my years,
and plucked out of my family to do his bidding
under the guise of a mature relationship.
He's 26, but all I can see is the fact I could be older
than the other girls. An old soul in a small pre-pubescent body.
Which is what they tell you to make you feel special.
Let's check off the privilege that
I'm not given those funny feeling drugs to help me
cope with pain of losing my "virginity" to a high-rolling old man
who was fond of his size.
Let's check off the privilege
that even if I do manage to escape the slavery that I'm put in,
I'm labeled as a *** and used up and too ****** up to really be better,
by both my family and my peers
You don't have to cover your ears and eyes,
because you think you can't see me.
You think I'm over seas or in some true detective podunk village
in middle America.
You think I'm not in your school-yard or
I wasn't the girl you teased for being pregnant in middle school,
the one that disappeared and never came back.
That I might not be your troubled niece who keeps hanging with the wrong crowd and going to boarding school this summer,
but she runs away from home before she's sent off.
But we keep blaming *** education, welfare and alternative schooling as the bane of our children,
all these ads for awareness and underfunded programs to aid them
are quickly shoveled under the thick heavy expensive rugs of the Kardashians and Wests,
the golden globes and the best dressed,
and those horrendous child beauty pageants.
Let's stop absorbing this filler material that we shovel into our
kids brains,
and maybe teach our little boys what it means to be privileged,
and to protect by learning to respect.
Our little girls how far they can reach if they learn to never second guess their worth.
It begins with us. Let's stop turning a blind-eye and shut ear,
because we fear making a commitment to the belief
that men and women should be equal.
That yes, not all men,
but yes there are women,
and our experience is not the only story that needs to be understood.
And everyone has a privilege that needs to be checked,
but check your own first.
January is human-trafficking and slavery awareness month.
It exists among us, all.
Let's stop being part of the problem and learn how we can help.
Daisy P Jun 2018
you see, when they asked me to describe love, to describe you, i thought about writing about how i was lost until i found you and how you were my water in the drought. but if i wrote about those, i would have been lying.
the thing is, darling, i was not looking for you.
i did not climb the tallest mountain and reach out for you at the top with scraped fingers and knees. i did not plunge into deep waters and risk drowning just to catch a glimpse at the beauty you were. you and i, this love, was not planned.
so when they asked me to describe this, to describe us,
i did not write about how you saved me.
instead i wrote about how i was full, how i was full before i even met you. i wrote about how i thought there was no room for anything else, but you came along and i began to pour out at the sides, making a puddle of joy on the kitchen floor.
i wrote about how you never asked me to climb a mountain for you, but rather we sat in the car and glanced at it. and then later, we drove to the shore and barely touched our toes to the sea.
you see, when they asked me to describe love, to describe you, i thought about writing about how you changed me. instead i wrote about how you loved me the way i was, and how i loved you even when i thought i did not need to.
unexpected love is always better
McKenzie Jan 2015
It's the color of your blood as it rises to your skin
It's the color of what's supposed to be love but in reality is hate
It's the color your skin turns when you take a hot shower
It's the the color your eyes turn when you've been up all night
It's the color of when he walks into the room and you get little butterflies
It's the color of your teachers lips
It's the color roses you get from a secret admirer with the note that says stay strong
It's the color you paint on your own little canvas
It's the color of relief and emptiness
It's the color of the last little bit of hope you hold on to
This old but I like it
Breethyr Nov 2020
When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?
Not a poem but a small personal philosophical absurd "treatise".
Jimmy King Jul 2014
I commit to poems the second that I begin writing them,
And here I am committing to this one,
My cursor on the screen
Tap tap tapping like tap-roots across it’s blue-glowing surface.
With every push of every button,
I begin seeing the blue light
As more than it is. I begin seeing it as a poem.
The blue light that illuminated the Never Sink sinkhole
Was not from a screen.
Nor was it from glowworms.
As I write on this screen though, there is that same blue light
With me still. It is
Streaming from the walls of the cavern,
Still massaging the bags of tiredness
That hang beneath my eyelids to remind me
Of where I just was, having *** with my ex-girlfriend,
And of all the places that I was before that: to remind me
Of the blue lights in Never Sink,
The sinkhole that is 120 feet wide and 170 feet deep that I
Climbed out of on a rope and in the dark,
Which was anything but dark—an unlocked lock
Sat in my driveway after I got home

From having *** with my ex-girlfriend tonight,
And there, in that lock, was a comparison to or an analogy for or a metaphor of
My climb out of Never Sink: gradual ascension
And then a moment
Of absolute awe and profundity so unlike any other profundity
That the clarity I felt absolutely throughout my body tonight
Can only really be brought into my mind with full force
Through a comparison and analogy and metaphor
To, for, and of the blue lights
That that temple provided us. Looking into that lock’s
Reflective gleam, I discovered that I felt
The way I’d felt ever since climbing out of Never Sink, which was exactly
How I’d spent the past year or so wanting to feel.

“Bring me,” I said to Duane, who went with me to Never Sink,
“To the hole in the ground
Where the blue light glows; where the glow-worms lightly blaze” and Duane
Said “okay” and he brought me there without
My ever having to say those words. And then,
In the moments after the sun went down we discovered
That the glowworms were not glowworms but
Armillaria mellea, a bioluminescent fungus.
Not glowworms but Armillaria mellea,
Which rose through and across the cave walls, coating the rock
With its skin. The whole pit was covered in that skin—the skin
Of that single individual.
As I methodically climbed out of the sinkhole on my rope, I felt that
Fungus (that individual) extending
Its black shoelace looking taproots into my lungs too,
And into my skin,
Where I was but where
I wasn’t quite yet. Where I was but
Where I couldn’t yet describe to myself without the use of glowworms—
Without the use of made-up and childish sounding words
Like Depropheria, which I wrote a book about but which
I never really understood, and I, the whole concept of which is flawed,
Feel like I could be the plant on Joe’s counter,
Which he said I already am.
Because if my “I” was in all of its molecules and its “I” was in all of my molecules
Then we would both just be exactly what we already were, Joe said, and so
By the very logic I extended in posing the question
I was and am the plant.

I could be Armillaria mellea too
But what am I if I think that I am glowworms? but really
The glowworms are fungus, and while I ****** my ex-girlfriend tonight, falling
Further into the space away from her, I was also
Scraping away at the walls of Never Sink
To see the tiny little hairs that revealed to Duane and I what really was there,
The Armillaria mellea, of course, but how could something so different
(“**** me, Daniel,” she said, “I feel you inside of me, I want you.”
“**** me,” I said
“”
“I feel myself inside of you, I”)
Be the thing that I am? I would never

Stop the car because I saw something shining on my driveway.
And I would never
Open the car door
And step out into the night with the engine running.
Step out into the night to find an
Unlocked lock
Lying there on the pavement while the song that I tried to live all year
Called In the Aeroplane Over the Sea by Neutral Milk Hotel blasts loudly
From my Buick’s speakers. Step out into the night
With that song blaring through my open car door, surely waking
My soon to be empty-nested mother from her sleep behind
That second story window
Right up ahead.

I did those things though—I
Stopped the car because I saw something shining on my driveway, and I
Did those things.
I am glow-worms.
I am, and so
I am the plant on Joe’s counter, and so
I can be a glow-worm.
I can be what I already am without knowing or comprehending that I am it.
I can be the whole universe.
I am the whole universe.
I saw over one hundred salamanders at the bottom of Never Sink.
And I saw four different species of salamanders at the bottom of Never Sink.
And I saw six different species of frogs, and I saw
Three brown rat snakes, which thankfully were not copperheads, but which
Could have been glowworms that were copperheads,
I guess. If you ask Joe, anyway. I’m not sure
I believe it fully
Even though when you strip away sentimental definitions of “I”
It’s pretty **** convincing. He was convincing.

I danced around Joe’s counter (where the plant sat, even then)
In September. At the time,
The counter was quickly becoming Alex’s counter,
Because I was becoming close friends with Alex,
And because Alex was Joe’s little sister, and because
Joe had left for the college he’d drop out of,
And during his hiatus from what he’d wanted to run from
It was just
Alex’s counter. It is Joe’s counter again now,
Because Alex has a dumb boyfriend who she likes to kiss
And doesn’t really like to ****
But who she does **** anyway and as a result
Doesn’t really like spending much time not ******* me anymore.
Anyway, I danced

Around Joe’s counter in September, when it was becoming Alex’s counter,
And I sank songs like In the Aeroplane Over the Sea by Neutral Milk Hotel
With all my new friends. I thought that I
Was living those songs
Because, if my “I” was in the molecules that vibrated when the song played,
And the “I” of those molecules was in me
Then I would be those songs and those songs would be me.
Being the songs wasn’t the same as living the songs, though.
Rising out of Never Sink I saw myself
Reflected in the blue dots of light that Armillaria mellea created.
I saw that I hadn’t been living everything
That I was; I saw that I was the blue dots then, but I also saw
That I didn’t know that the blue dots weren’t glowworms.

When I was dancing
Around Joe’s counter, I didn’t yet know the words
To In the Aeroplane Over the Sea by Neutral Milk Hotel.
But all my new friends were singing those words, and so I
Screamed out barely-syllabic nonsense
With a smile on my face,
Speaking like a baby who recognizes the existence of language
But can’t yet put it into use.

Rising out of Never Sink
The whole cave opened up, as more and more levels of the sinkhole
Were revealed to be stars and galaxies
Of blue fungus to climb through.
Rising out of Never Sink, I held in my hand
The unlocked lock which I would use later
To weight my pocket as I would sit with these bags of tiredness hanging
Writing this poem late at night on the screen illuminated
By the blue lights of Never Sink. To weight my pocket
As I would sit writing this poem, with
***** excreted thirty minutes prior still resting on my ****
Like the name I haven’t yet learned to call her—
Caterina, Caterina, why did she change it? Maria
Was so pretty, why did she change her name, it was
To get away from me, it was to get away from me like
I wanted to get away from her, it was to get away from me it was
Because she always hated the name Maria. And
To grow more confident in herself
She needed to become
Caterina. She needed to rebrand herself like she worked on rebranding
That company’s logo for her senior thesis project in high school
When I first fell in love with her because
Glowworms lit up Never Sink at night.

They were glowworms in Never Sink
Because the glowworms are fungus
And I am the glowworms.

If you ask Joe.

I want to take some time now to describe
Rising out of Never Sink
Without giving any time
To the lock I found in my drive-way this evening, or
To Joe’s counter-top and how I danced around it knowing
That it wasn’t his but that it was him,
Or to the remnants of Maria, Caterina, and I which are all I, and which
Stick to my ***** still. Never Sink is a sinkhole
That is 170 feet deep
And 120 feet wide at its top.

I went spelunking in Alamaba, Georgia, and/or Tennesse last week
Where I never knew which state or time zone I was in,
And where an annoying but charming guy named Glenn
Led me and my best friend through epic places of infinite beauty.
One of those places was Never Sink,
Which is a sinkhole that is
170 feet deep and
120 feet wide at its top. We repelled into Never Sink
Because Glenn wanted to show us the glowworms
(Which were fungus that were glowworms that were
**** it) and because my friend Duane, who is my best friend, who is
A 39 year-old factory worker who worries that he is much older than he is,
Wanted to see the glowworms too.
We found over a hundred salamanders in Never Sink
And Duane and I discovered that it wasn’t glowworms
That illuminated the pit, but Armillaria mellea, which is a fungus, and
It was very cool.
But ascending through Never Sink was more than very cool,
And it was much more than fungus,
Just as the fungus which I took into my body in August (which it
Almost is again now) after the summer music festival was more
Than just fungus. That fungus was more than just fungus because
I took it into my body right after breaking up with Maria-Caterina (who
I can’t not talk about) For Good (which was
The name of a song they sang
At Maria-Caterina’s high school graduation a year ago, after which
We made love (which was what we called it
Because we were cliché and in love
(Which is what we made.)))

It was a spiritual journey through the cosmos,
In Never Sink,
Or at least that’s how it felt,
And when I climbed out of Never Sink’s mouth, I hugged Duane
And he hugged me and we
Thought that it was beautiful.

I am the plant in Joe’s kitchen.
I am glowworms.

— The End —