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"denoting" poems
It all begins With pronouns I becomes the subject Of my project Adding you And collectively we I choose you and me And I exclude the he and the she Until I am certain of we You and I pick verbs actions Inflect them to match fit begin narratives Transitive verbs take objects You touch tickle tease taste take skin ******* lips me with words Words have become a clause But still a simple construction So, you tickle me where? For this you need a preposition To position your tickling ammunition Do you touch tickle tease me ON my ******* ******* thighs buttocks **** Do you feel me INSIDE my mouth **** soul? Positioning is envisioning. Then you use adjectives To modify descriptions of Sensory inscriptions So, gentle complements touch Soft and passionate kiss And you become superlative And adverbs elaborate experience expression exploration You fill me deeply thoroughly violently with all that is you But adverbs can also mean time Not sweet or cursed time Or time denoting age But timing is always important And grammar dictates That Time adverbs are placed As a beginning or an end Like a lover's embrace Thus, This morning, you woke me with A demanding "here and now! " and I will reciprocate this, tonight, I vow. Conjunctions are sentence connectors And sentences behave like detectors Bodies balancing with and, but, or Otherwise subordinate And the scale tips towards Conditioning hypotaxis Making actions a complicated praxis (before my mind can connect, you will have to pursuade it /pursue it) But we coordinate conjunctions Equally I touch you You touch me Exploring Exploding sensory functions So, together we cry imperatives Completing our ****** narratives Moaning Whimpering Begging Yelling: Please... bind me! touch me! bite me! take me! come! Oh! Please, come! I love the English language... ;)
0
Feb 24, 2013
Feb 24, 2013 at 5:10 PM UTC
Exploring Grammar (why I love the English language)
It all begins With pronouns I becomes the subject Of my project Adding you And collectively we I choose you and me And I exclude the he and the she Until I am certain of we You and I pick verbs actions Inflect them to match fit begin narratives Transitive verbs take objects You touch tickle tease taste take skin ******* lips me with words Words have become a clause But still a simple construction So, you tickle me where? For this you need a preposition To position your tickling ammunition Do you touch tickle tease me ON my ******* ******* thighs buttocks **** Do you feel me INSIDE my mouth **** soul? Positioning is envisioning. Then you use adjectives To modify descriptions of Sensory inscriptions So, gentle complements touch Soft and passionate kiss And you become superlative And adverbs elaborate experience expression exploration You fill me deeply thoroughly violently with all that is you But adverbs can also mean time Not sweet or cursed time Or time denoting age But timing is always important And grammar dictates That Time adverbs are placed As a beginning or an end Like a lover's embrace Thus, This morning, you woke me with A demanding "here and now! " and I will reciprocate this, tonight, I vow. Conjunctions are sentence connectors And sentences behave like detectors Bodies balancing with and, but, or Otherwise subordinate And the scale tips towards Conditioning hypotaxis Making actions a complicated praxis (before my mind can connect, you will have to pursuade it /pursue it) But we coordinate conjunctions Equally I touch you You touch me Exploring Exploding sensory functions So, together we cry imperatives Completing our ****** narratives Moaning Whimpering Begging Yelling: Please... bind me! touch me! bite me! take me! come! Oh! Please, come! I love the English language... ;)
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89
_las mujeres nacen de la tierra en la gloria de la más alta_ dys·to·pi·an/disˈtōpēən/adjective: dystopian:                                relating to or denoting an imagined place                    or state in which everything is unpleasant or bad,       typically a totalitarian or environmentally degraded one;                _"the dystopian future of a society bereft of reason"_ noun: dystopian;                                plural noun: dystopians: a person who advocates or describes an imagined place or state in which everything is unpleasant or bad; "a lot of things those dystopians feared did not come true" [A dystopia from the Greek δυσ- "bad" & τόπος "place"; alternatively, _cacotopia, kakotopia_], or simply anti-utopia;      a community or society that is undesirable or frightening;  It is translated as "not-good place" &     is an antonym of utopia,                       a term coined by Sir Thomas More par·a·dise/ˈperəˌdīs/noun noun: paradise;                  plural noun: paradises in some religions; heaven as the ultimate abode of the just, heaven, the kingdom of heaven, the heavenly kingdom, Elysium, the Elysian Fields, Valhalla, Avalon;                                   "the souls in paradise" the abode of Adam and Eve before the Fall in the biblical account of Creation; the Garden of Eden/noun: Paradise, Eden "Adam and Eve's expulsion from Paradise" an ideal or idyllic place or State; "the surrounding countryside is a streetwalker's paradise" Utopia, Shangri-La, heaven, idyll, nirvana;                                                            "a tropical paradise"   bliss, heaven, ecstasy, delight, joy, happiness, nirvana, heaven on earth                  _a ********** who seeks customers on the street_                                        "this is sheer paradise!" Middle English:     from Old French paradis, via ecclesiastical Latin from Greek paradeisos ‘enclosed royal park,’       from Avestan pairidaēza ‘enclosure, park.’                                                                  _Superficies terræ puella_
0
Aug 29, 2018
Aug 29, 2018 at 2:28 PM UTC
dystopian paradise [& streetwalkers]
_las mujeres nacen de la tierra en la gloria de la más alta_ dys·to·pi·an/disˈtōpēən/adjective: dystopian:                                relating to or denoting an imagined place                    or state in which everything is unpleasant or bad,       typically a totalitarian or environmentally degraded one;                _"the dystopian future of a society bereft of reason"_ noun: dystopian;                                plural noun: dystopians: a person who advocates or describes an imagined place or state in which everything is unpleasant or bad; "a lot of things those dystopians feared did not come true" [A dystopia from the Greek δυσ- "bad" & τόπος "place"; alternatively, _cacotopia, kakotopia_], or simply anti-utopia;      a community or society that is undesirable or frightening;  It is translated as "not-good place" &     is an antonym of utopia,                       a term coined by Sir Thomas More par·a·dise/ˈperəˌdīs/noun noun: paradise;                  plural noun: paradises in some religions; heaven as the ultimate abode of the just, heaven, the kingdom of heaven, the heavenly kingdom, Elysium, the Elysian Fields, Valhalla, Avalon;                                   "the souls in paradise" the abode of Adam and Eve before the Fall in the biblical account of Creation; the Garden of Eden/noun: Paradise, Eden "Adam and Eve's expulsion from Paradise" an ideal or idyllic place or State; "the surrounding countryside is a streetwalker's paradise" Utopia, Shangri-La, heaven, idyll, nirvana;                                                            "a tropical paradise"   bliss, heaven, ecstasy, delight, joy, happiness, nirvana, heaven on earth                  _a ********** who seeks customers on the street_                                        "this is sheer paradise!" Middle English:     from Old French paradis, via ecclesiastical Latin from Greek paradeisos ‘enclosed royal park,’       from Avestan pairidaēza ‘enclosure, park.’                                                                  _Superficies terræ puella_
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39
i just lamented a more complex version of this; i just cannot believe we denote the same thing in order to share an understanding of the same by denoting as such, but when acting we feel so differently about it; imagine the noun iran in the mouth of an american, then picture the verbs subsequent... then imagine the noun america in the mouth of an iranian, then picture the verbs subsequent: words hold as much emotion as actions discard, even though the actions are worded, and the words are almost imaginary when concerned with what iraq was when given belshazzar. i wonder if as many people would **** or die for the noun apple, as they do for allah - say the noun apple... apple apple apple long enough... will you get apple juice? well no, so if you keep on saying the noun allah allah... will that thing materialise? the imaginary atheistic sense of the word allah, is that humanity turned the noun allah into a verb of its own chosing due to man's free will, i.e., say allah casually over coffee, now say allah in jihad clothing... the same noun among diverse verbs... might as well invent a new grammatical category of nouns and verbs mingling... nouverbs... what noun invokes what action, consolidated in what are excesses of adjectives, given the quality of a life lived - the man who casually said the noun allah in a coffee shop in denmark managed to integrate into danish society and start up a newspaper... the man in syria who "casually" said the noun allah in a coffee shop in syria didn't manage the former... because his orientation of the noun changed the path of the sequence of nouns / beheaded nuns, since the cutting of the word verb, managed to craft non-verbum-ergo-actio. in defence of avoiding one’s own mortality, one speaks against one’s own death, thus one speaks with the enemy of the people one shares a life with, for a fake chance of the feeling of prolonging.
0
Dec 16, 2015
Dec 16, 2015 at 8:53 PM UTC
2nd imagism
i just lamented a more complex version of this; i just cannot believe we denote the same thing in order to share an understanding of the same by denoting as such, but when acting we feel so differently about it; imagine the noun iran in the mouth of an american, then picture the verbs subsequent... then imagine the noun america in the mouth of an iranian, then picture the verbs subsequent: words hold as much emotion as actions discard, even though the actions are worded, and the words are almost imaginary when concerned with what iraq was when given belshazzar. i wonder if as many people would **** or die for the noun apple, as they do for allah - say the noun apple... apple apple apple long enough... will you get apple juice? well no, so if you keep on saying the noun allah allah... will that thing materialise? the imaginary atheistic sense of the word allah, is that humanity turned the noun allah into a verb of its own chosing due to man's free will, i.e., say allah casually over coffee, now say allah in jihad clothing... the same noun among diverse verbs... might as well invent a new grammatical category of nouns and verbs mingling... nouverbs... what noun invokes what action, consolidated in what are excesses of adjectives, given the quality of a life lived - the man who casually said the noun allah in a coffee shop in denmark managed to integrate into danish society and start up a newspaper... the man in syria who "casually" said the noun allah in a coffee shop in syria didn't manage the former... because his orientation of the noun changed the path of the sequence of nouns / beheaded nuns, since the cutting of the word verb, managed to craft non-verbum-ergo-actio. in defence of avoiding one’s own mortality, one speaks against one’s own death, thus one speaks with the enemy of the people one shares a life with, for a fake chance of the feeling of prolonging.
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31
I have not been well lately But I have a secret to tell you It’s a success story: my most secret success You see, I’m very skilled in crafting holes And I’ve punched a massive hole Right through the middle of my life Please, don’t mistake this accomplishment for the result of talent This is a skill and it takes practice to master I went to college and learned to turn theories and ideals from basin to sieve I learned to critique everything hopeful And punched a hole right through the heart of hope I honed my ability to close out creativity I built a track down which to guide concrete linear thoughts And I learned to use said thoughts as a battering ram with which to Knock a hole in the barricaded door to dissatisfaction And, though this skill is often practical As you know, one cannot walk around wearing an open hole So, a corresponding skill has successfully emerged In parallel with nurturing voids I have learned to conceal each and every hole Sometimes with a thick canvass and Sometimes with a paper-thin veneer I may have learned to wrap a package And to tie a bow With the express purpose of packaging The broken gift of life Full of ugly holes And, now, all that is left to complete the perfect ending to this success story Is to grow old in a neatly kept apartment Filled with the unseen haunts of relationships neatly hole-punched and Filed in a hidden mental cabinet Next to a night stand where I keep my phone and glasses And across from the bed There will be a glass trophy case Full of trophies denoting various acceptable successes But, just between you and I The largest trophy denoting the largest success Will be a lifetime achievement award Bestowed for hollowing out what could have been A beautiful life.
0
Feb 21, 2013
Feb 21, 2013 at 4:07 PM UTC
Unwell
I have not been well lately But I have a secret to tell you It’s a success story: my most secret success You see, I’m very skilled in crafting holes And I’ve punched a massive hole Right through the middle of my life Please, don’t mistake this accomplishment for the result of talent This is a skill and it takes practice to master I went to college and learned to turn theories and ideals from basin to sieve I learned to critique everything hopeful And punched a hole right through the heart of hope I honed my ability to close out creativity I built a track down which to guide concrete linear thoughts And I learned to use said thoughts as a battering ram with which to Knock a hole in the barricaded door to dissatisfaction And, though this skill is often practical As you know, one cannot walk around wearing an open hole So, a corresponding skill has successfully emerged In parallel with nurturing voids I have learned to conceal each and every hole Sometimes with a thick canvass and Sometimes with a paper-thin veneer I may have learned to wrap a package And to tie a bow With the express purpose of packaging The broken gift of life Full of ugly holes And, now, all that is left to complete the perfect ending to this success story Is to grow old in a neatly kept apartment Filled with the unseen haunts of relationships neatly hole-punched and Filed in a hidden mental cabinet Next to a night stand where I keep my phone and glasses And across from the bed There will be a glass trophy case Full of trophies denoting various acceptable successes But, just between you and I The largest trophy denoting the largest success Will be a lifetime achievement award Bestowed for hollowing out what could have been A beautiful life.
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40
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
0
Jun 17, 2016
Jun 17, 2016 at 8:54 AM UTC
Louis MacNeice (1907-1963)
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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46
The wrinkles they are a bit faded but have a gentle presence that fits with the folds of the 16thC altar cloth once ****** white but now stained through years of use bread and tears or wine and tiny rice biscuits! The Christ on the cross is very old   made of painted wood and the altar is surrounded with a fence of turned table-leg like posts pale blue as is much of the interior perhaps denoting Heaven and as the psalms waft music round about we look through the windows to the listening hills and streams the old birds wise will sit watching too and all the people will suddenly feel their age wow what a display of flowers the church was as full of them as people I put in the only black dress I had with dark pink roses on it too and I cut the rim of a black felt hat that had cost only Kr. 10.- in scollops and diamond cuts around the crown as it was too big for me. Then I walked down to the valley to the church, and when I entered was ushered to the very front pew, I said there must be more important family members than me to be seated, I could hide in the balcony or something but he insisted. So I had a good view of the proceedings! It think several hours waiting the ***** playing quietly in the background and finally things began to happen. I sat next to a black man, he was already dressed in black!!! The white robed "prest" came into view and with his powerful voice sang twice as loud as the congregation. After all the flower sashes had been repetitively read out, we left the church following the coffin to its final resting place. And just as had happened in the church the priest mentioned the sun and its rays came through the windows, and as he threw on the "earth to earth, dust to dust," it broke through the grey clouds again and lit up the gay flowers, the frame of black and white onlookers many in tears watching. Margaret Ann Waddicor
0
Dec 14, 2015
Dec 14, 2015 at 8:57 AM UTC
A Funeral in the mountains of Norway
The wrinkles they are a bit faded but have a gentle presence that fits with the folds of the 16thC altar cloth once ****** white but now stained through years of use bread and tears or wine and tiny rice biscuits! The Christ on the cross is very old   made of painted wood and the altar is surrounded with a fence of turned table-leg like posts pale blue as is much of the interior perhaps denoting Heaven and as the psalms waft music round about we look through the windows to the listening hills and streams the old birds wise will sit watching too and all the people will suddenly feel their age wow what a display of flowers the church was as full of them as people I put in the only black dress I had with dark pink roses on it too and I cut the rim of a black felt hat that had cost only Kr. 10.- in scollops and diamond cuts around the crown as it was too big for me. Then I walked down to the valley to the church, and when I entered was ushered to the very front pew, I said there must be more important family members than me to be seated, I could hide in the balcony or something but he insisted. So I had a good view of the proceedings! It think several hours waiting the ***** playing quietly in the background and finally things began to happen. I sat next to a black man, he was already dressed in black!!! The white robed "prest" came into view and with his powerful voice sang twice as loud as the congregation. After all the flower sashes had been repetitively read out, we left the church following the coffin to its final resting place. And just as had happened in the church the priest mentioned the sun and its rays came through the windows, and as he threw on the "earth to earth, dust to dust," it broke through the grey clouds again and lit up the gay flowers, the frame of black and white onlookers many in tears watching. Margaret Ann Waddicor
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39
you write like a tricycle that hasn’t been touched in thirteen years. as an infant, you were no more than a dot denoting an absurdist birth. adolescence was in the blood left to your mother. self harm is the gateway wound to pilgrimage. you can’t say god is everywhere in the presence of god. factual events have ruined the world. you are here because hating you is forbidden.
0
Aug 21, 2013
Aug 21, 2013 at 5:29 PM UTC
glyph
I love the majestic ugliness of the Eucalypt; Aesthetically more appealing in its twisted, gnarled appearance Than any uniform northern conifer; Infinitely more adapted to the unforgiving antipodean climate Than those idealised European deciduous living monuments Still transfixing our collective view of how a tree should be. Those dropping leaves allowing scenes beyond; Those tendrils of bark denoting Darwinian fitness; All tug at the heart of we new Australians, Conflicted, as we are, by sensibilities born elsewhere, But borne, nevertheless, into an Ancient Eden.
0
Mar 6, 2014
Mar 6, 2014 at 3:29 PM UTC
Eucalyptus
First, if I am comatose for a while pre-death, don't let them call me a fighter. I'm probably not fighting it. It's probably the first time I've been able to relax in a decade. Second, keep my death off the internet. Tell my friends of my demise with handwritten notes delivered by white-gloved butlers with somber expressions. Tell my enemies by sitting on their chests and poking them in the forehead repeatedly until they guess how it happened. It shouldn't take long. Third, my friends from high school will immediately try to design stickers for their car windows with my name on them and a graphic of dance shoes or track shoes or my college mascot. You are not to allow this. A sticker denoting the death of a loved one will not keep fellow motorists from noticing that my friends from high school **** at driving. Not permitted at the funeral: Gerber daisies poetry blue jeans any ex-boyfriend I refer to by something other than their name (i.e. "the fat hipster I used to hang out with.") Encouraged at the funeral: Hugs - everyone must hug lots of appropriately sad, yet tasteful songs sung by my musically-minded loved ones (may I suggest "In Light of Time" by Phillip E. Silvey?) And make sure they bury me in the blue dress. Last, for every story they tell about me where I was kind or selfless or funny or caring, make sure someone also tells the story where I got too drunk at a frat house and made out with a kid from upstate New York and then spent four hours passed out and/or puking on the floor of the communal bathroom in Ashley's building, or the one where I punched Savannah in third grade, or the one where I rolled a car for no particular reason. Remember me as I was.
0
Mar 28, 2013
Mar 28, 2013 at 9:59 AM UTC
For when I get hit by a car in the Target parking lot and die
First, if I am comatose for a while pre-death, don't let them call me a fighter. I'm probably not fighting it. It's probably the first time I've been able to relax in a decade. Second, keep my death off the internet. Tell my friends of my demise with handwritten notes delivered by white-gloved butlers with somber expressions. Tell my enemies by sitting on their chests and poking them in the forehead repeatedly until they guess how it happened. It shouldn't take long. Third, my friends from high school will immediately try to design stickers for their car windows with my name on them and a graphic of dance shoes or track shoes or my college mascot. You are not to allow this. A sticker denoting the death of a loved one will not keep fellow motorists from noticing that my friends from high school **** at driving. Not permitted at the funeral: Gerber daisies poetry blue jeans any ex-boyfriend I refer to by something other than their name (i.e. "the fat hipster I used to hang out with.") Encouraged at the funeral: Hugs - everyone must hug lots of appropriately sad, yet tasteful songs sung by my musically-minded loved ones (may I suggest "In Light of Time" by Phillip E. Silvey?) And make sure they bury me in the blue dress. Last, for every story they tell about me where I was kind or selfless or funny or caring, make sure someone also tells the story where I got too drunk at a frat house and made out with a kid from upstate New York and then spent four hours passed out and/or puking on the floor of the communal bathroom in Ashley's building, or the one where I punched Savannah in third grade, or the one where I rolled a car for no particular reason. Remember me as I was.
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23
small irregular steps, like a little kid top-toeing towards a cookie jar, his jar a lonely lady buried in her latest ‘good read’ behind her now, his hands eclipse light, ‘guess who’ **** you’ she moans. his fat *** teeter-totters on the chairs face, his eyes catch her shut book, denoting a ****** title, laughing he jokes about windmill dunking it in the tableside wastebasket scoffing as she claws at the book, before 180 dunking it in her bag, which resembles a shelter for some petty, puny & pathetic dog she bibble babbles blah blah, his eyes entranced on her chest hoping the slightest bump will blast her ***** through her blouse like an airbag. distracted by bowels, he debates cutting cheese. gas leaks through a forest of *** hair. overpriced coffee odors mask the lingering stench as it floats like a boat through espresso & cappuccino airways; docking my attention to a tech boy blinded by his desktop. to infatuated to notice the pair of blushing blue eyes blessing him from a corner table. an old man at his starboard laughs as he clings to his cane like it’s the decaying hand of his deceased wife.
0
Mar 12, 2013
Mar 12, 2013 at 9:23 PM UTC
Coffee House Sketch
Its nefarious arrogance, that's scaring grandparents, but its in the air and I'm airing it, as we are seeing all the signs, but just staring at them. Somehow there is safety as an arian, where we are safely alien to Americans made in sapient sanitariums, shooting you first for glaring at em. So what if i'm Dolling up my delirium for a serum to cure them all. I am awol, from my call to duty, recreating movies, for serial groupies, suiting up to slither a delivery of a soothing sour piece. I am stalling to clean the secretions from hostel sheets from the screamers being eaten, by Cretans, with beaten dogs at bay, staring blank at the fanfare from a cage. Im burning white sage, under pages of poetry anointed by a stoical spleen, tuning out the dreams, of lesser beings, until complete. A zoo within a zoo within a zoo, i barely know you now Barely know how, to know you as a model citizen with baller trimmins, fixins, and a life with others wives, in the rough diamonds of the bluff, before the door opens just enough, to look through and confirm what you already knew. Love is the stuff dreams are made of. And through you.. Im through. Pleading, to seed the need for repentance and with reduced sentences, bleeding the demands on stances of chance, in costly cants. I am convulsing in the congruence, in which I am influenced, by my afflictions of depictions in my head I might be addicted to the dread of previously said decor, in my adorable horror show afloat, deplorably denoting the nopes of logic, and the slippery slopes of khangi, that spring off me when i'm coughing on my green tea. You are wrong to stop me in my dislogic, dodging the narcotic mocking of toxic strong arming, in proxy alarms, setting barns ablaze. I praise the poetry pushed on me, dauntingly haunting me with savant like ambiance, from the have nots, having things as far as the eyes can see.
0
Dec 26, 2012
Dec 26, 2012 at 12:51 AM UTC
Wordly Disconcern
Its nefarious arrogance, that's scaring grandparents, but its in the air and I'm airing it, as we are seeing all the signs, but just staring at them. Somehow there is safety as an arian, where we are safely alien to Americans made in sapient sanitariums, shooting you first for glaring at em. So what if i'm Dolling up my delirium for a serum to cure them all. I am awol, from my call to duty, recreating movies, for serial groupies, suiting up to slither a delivery of a soothing sour piece. I am stalling to clean the secretions from hostel sheets from the screamers being eaten, by Cretans, with beaten dogs at bay, staring blank at the fanfare from a cage. Im burning white sage, under pages of poetry anointed by a stoical spleen, tuning out the dreams, of lesser beings, until complete. A zoo within a zoo within a zoo, i barely know you now Barely know how, to know you as a model citizen with baller trimmins, fixins, and a life with others wives, in the rough diamonds of the bluff, before the door opens just enough, to look through and confirm what you already knew. Love is the stuff dreams are made of. And through you.. Im through. Pleading, to seed the need for repentance and with reduced sentences, bleeding the demands on stances of chance, in costly cants. I am convulsing in the congruence, in which I am influenced, by my afflictions of depictions in my head I might be addicted to the dread of previously said decor, in my adorable horror show afloat, deplorably denoting the nopes of logic, and the slippery slopes of khangi, that spring off me when i'm coughing on my green tea. You are wrong to stop me in my dislogic, dodging the narcotic mocking of toxic strong arming, in proxy alarms, setting barns ablaze. I praise the poetry pushed on me, dauntingly haunting me with savant like ambiance, from the have nots, having things as far as the eyes can see.
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16
All intellect is dissected Through the tunnel visioned perspectives Stretched thin In a stream of feed Producing the illusion of need Projected from old men Who grin Below the suicidal idols Of the rivals And glutton in the maniacal sins Commenced By brain dead Americans Painted in the amens of the dense Commending the hymns Of spent casings Atop the blood of babies And maybe One day It can be better Than the clever endeavours To sever the head of the predators Washing our hands of their sedatives And delivering the skulls to the slavers But we are pay dirt Shoveled into trucks to work For a leafless tree Ready and wanting to believe In anything That doesn't see our deeds As we Are manufactured with the greed Of sleeved wisemen With five of a kind In the fight for life Putting our souls Upon our rites We bet Despite the path of right Infringing on the height Of success In excess Of the tests message We are the blessing Of a warning Within a forgotten story Historically denoting its anointing We are the disappointment Of the warrior Defeated in a court Of corrupted consorts Sorting out the blueprints For a new fort Distorting the borders Of moral disorders With orders to **** The hoarders of will We are the shrill screech Of a dying world And we are alive But dead Born to **** Batteries of a shield Building hell To sell heaven pills
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May 19, 2013
May 19, 2013 at 3:32 PM UTC
Heaven pills
I grieve for you in the cold quiet of winter My absent child, my long lost son Warming my hands over dying flames, frost covered smouldering clinker, By the wood where icy streams run Through the shrunken sedge, and barren fields Stretching for miles, empty of meaning. The landscape like a worn photograph yields Your tremulous smile, then nothing. Here, you ran with startled steps Through the yielding sheaves, yelling with surprise, Chasing indifferent spiders, and discomfited birds With hatred in their pebble pool-dark eyes. Querying awkwardly spoken words, small Tenacious fingers that caress and clutch Every passing object, loudly chuckling, wisely playing me for a fool A silly father who loved too much. On the anniversary of your leaving I required solitude Partnered only by memory Away from familiar crowds, the booming, barking fusillade Of the present day commonplace urban itinerary, Where only the crackle of snow And the fleeting trajectory of birds Distracts my slow Marshalling of comforting thoughts. The cottage where we lived haunts the shallow glade, A shrouded ghost swaddled by the half-light, Positioned squarely like an old man, its cladding beginning to fade, White branches like dead-fingers that gleam in the night. In the closet are your dust-sprinkled toys, a yellow plastic duck, A cheap skateboard, ancient video games, A guitar you never learnt to pluck A chess board on which you pulverised my endgames. In the preserved furnishings of your bedroom Your school work gathered into stacks Barely visible in the gloom, Our life together in disorganised packs Denoting year and level Development and academic achievement, If any, (but I mustn’t once again cavil) Indicating, even in your earliest years, a specific bent. Standing on the mantelpiece, propped up against the wall, Are brightly coloured, polished pictures Of you. Plump, blonde, agreeably small Dancing, standing, jumping, grinning, absurdly wistful mixtures. A bitter echo resonating from the shadows A cold thought darkening into memory The spectre of your voice disappearing in the meadows Having left all of us! Having left me!
0
Nov 10, 2015
Nov 10, 2015 at 8:20 PM UTC
LOST
I grieve for you in the cold quiet of winter My absent child, my long lost son Warming my hands over dying flames, frost covered smouldering clinker, By the wood where icy streams run Through the shrunken sedge, and barren fields Stretching for miles, empty of meaning. The landscape like a worn photograph yields Your tremulous smile, then nothing. Here, you ran with startled steps Through the yielding sheaves, yelling with surprise, Chasing indifferent spiders, and discomfited birds With hatred in their pebble pool-dark eyes. Querying awkwardly spoken words, small Tenacious fingers that caress and clutch Every passing object, loudly chuckling, wisely playing me for a fool A silly father who loved too much. On the anniversary of your leaving I required solitude Partnered only by memory Away from familiar crowds, the booming, barking fusillade Of the present day commonplace urban itinerary, Where only the crackle of snow And the fleeting trajectory of birds Distracts my slow Marshalling of comforting thoughts. The cottage where we lived haunts the shallow glade, A shrouded ghost swaddled by the half-light, Positioned squarely like an old man, its cladding beginning to fade, White branches like dead-fingers that gleam in the night. In the closet are your dust-sprinkled toys, a yellow plastic duck, A cheap skateboard, ancient video games, A guitar you never learnt to pluck A chess board on which you pulverised my endgames. In the preserved furnishings of your bedroom Your school work gathered into stacks Barely visible in the gloom, Our life together in disorganised packs Denoting year and level Development and academic achievement, If any, (but I mustn’t once again cavil) Indicating, even in your earliest years, a specific bent. Standing on the mantelpiece, propped up against the wall, Are brightly coloured, polished pictures Of you. Plump, blonde, agreeably small Dancing, standing, jumping, grinning, absurdly wistful mixtures. A bitter echo resonating from the shadows A cold thought darkening into memory The spectre of your voice disappearing in the meadows Having left all of us! Having left me!
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48
Summoned at an elevation of a height The ensuing plodding gloomy twilight, and sweet sound of the night cricket denoting yet another moment of Peace after the bust, from the twiddling day in haste, now the full Moon smiles in glee in a split second above the fig tree Tally-Ho!!...the startling howl of the fox in the dark at three… Scintillating tales about Angels of the night… Dazzling as emerald gemstones Speaking to awakening sons of men to affirm… The third unseen soothing divine presence Basking in the resplendent mysterious Peace of dusk grandeur….. Kenneth Muhumuza.
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May 25, 2010
May 25, 2010 at 3:57 AM UTC
~Dusk Grandeur~
i loath that educational poetry that's intended to address you with scold or searching for a higher tier of morality, there are poems like that out there (rudyard kipling e.g.), with educational / instructional overtones in the way they're written, i always wonder though: did the poet remember the idea of solipsism and writing the poem as if to himself, a note to self, rather than for others to peer into the poem and learn something? that's the thing though, i'm a child of immigrants... actually an immigrant myself... no, wait, let's do what the higher tiers of society call it: i'm an expatriate, a child of expatriates - and they still talk with an accent, me? self-taught english from the age of 8, retained my mother tongue nonetheless, speak none of the two tongues with an accent, unless i want to, a friend of mine introduced me to a greek cypriot, lovingly ridiculed me as posh... and let me tell you, sounding posh in essex is hard to do, i admit it would be harder in scotland or east london, but essex is still a hefty mountain to climb - it's like that crass joke i heard in the edinburgh comedy club i used to haunt once a week... a guy stands up and with a mighty grin announced himself with over-stressed elocution: 'you might recognise my accent (i.e. denoting where he came from, a great conversation starter on these islands)... it's educated', and that really crushed the hazelnut in his **** - well if it was a woman telling the same joke, it would be a crushed hazelnut between the legs - missionaries in positions of ardent prayer and christmas wrapping paper - because a woman's strength in the leg department is like the lips of oysters, or any over shellfish for that matter - insects of the deep blue (exoskeleton).
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Mar 24, 2016
Mar 24, 2016 at 3:16 PM UTC
chug chug chimp chuckles / lips of oysters
i loath that educational poetry that's intended to address you with scold or searching for a higher tier of morality, there are poems like that out there (rudyard kipling e.g.), with educational / instructional overtones in the way they're written, i always wonder though: did the poet remember the idea of solipsism and writing the poem as if to himself, a note to self, rather than for others to peer into the poem and learn something? that's the thing though, i'm a child of immigrants... actually an immigrant myself... no, wait, let's do what the higher tiers of society call it: i'm an expatriate, a child of expatriates - and they still talk with an accent, me? self-taught english from the age of 8, retained my mother tongue nonetheless, speak none of the two tongues with an accent, unless i want to, a friend of mine introduced me to a greek cypriot, lovingly ridiculed me as posh... and let me tell you, sounding posh in essex is hard to do, i admit it would be harder in scotland or east london, but essex is still a hefty mountain to climb - it's like that crass joke i heard in the edinburgh comedy club i used to haunt once a week... a guy stands up and with a mighty grin announced himself with over-stressed elocution: 'you might recognise my accent (i.e. denoting where he came from, a great conversation starter on these islands)... it's educated', and that really crushed the hazelnut in his **** - well if it was a woman telling the same joke, it would be a crushed hazelnut between the legs - missionaries in positions of ardent prayer and christmas wrapping paper - because a woman's strength in the leg department is like the lips of oysters, or any over shellfish for that matter - insects of the deep blue (exoskeleton).
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41
Diastolic memory fills mind with blood Heart purges other unforgettable serum Gushing in and out; valediction, invasion Scent left on bed sheets binomial theorem Calculus, physics computing mnemonics us Trust not sum of it, exponents baying flux Participles and components abject humbling Stumbling bio discourse create sedentary crux Stupefying brain surgeons, those of heart too Call in mathematicians, astronomers as well No making sense of it, linguistic doctorates few To tell of this push-pull sensory denoting hell Not much time to live after lungs dispensed Entrenched questions remain to be adoring Extravagantly historians exploring Unanswerable examining of this imploring Must breathe the linens till all dissipation Your essence in the ether of our resting Place turned into mad languid laboratory Conjuring back moments I am requesting
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Sep 11, 2016
Sep 11, 2016 at 9:30 AM UTC
Memory Does Not Fail
As proved by my good friend Archimedes, in his _Measurement of a Circle_, the area enclosed by a circle is equal to that of a triangle whose base has the length of the circle's circumference & whose height equals the circle's radius, which comes to π multiplied by the radius squared: Area = pi r^2. Equivalently, denoting diameter by _d_ Area =pi d^2/4 approx 0.7854d^2, that is,                               approximately           79% of the circumscribing square whose side is of length _d_ The circle is the plane curve enclosing the maximum area for a given arc length. This relates the circle to a problem in the calculus of variations, namely the isoperimetric inequality [of course]
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Sep 1, 2018
Sep 1, 2018 at 6:54 PM UTC
Archimedes is a friend of mine
Two curly brackets with an apostrophe each for eyes like two faces looking at each other with noses – or lips – almost touching and between the faces a small letter x denoting (you guessed it) a small kiss. The faces are so anonymous they could be anyone but one is me and the other can represent any one of my lady poet friends or should that be "my poet lady-friends"? So if any of my poet friends who are ladies think they might like a small friendly gesture of affection from me please take it as that. We are after all so far away that it could never come to more but like a small birthday present it's the thought that counts. Isn't it?
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Feb 18, 2016
Feb 18, 2016 at 2:43 PM UTC
An Emoticon '}x{'
Her hair smelled of Rubber erasers Late nights Spilled cappucino But somehow still looked beautiful. She was like her grades, a perfect 10/10 Sharp eyes denoting a wide mind that Every day I wanted to dive into. I was wrapped around her finger Like the pen she'd always chew on When she'd look at me with fire in her eyes. I love you Bienne. give me the **** ughhhh b0ss pls can i habeda pu$$y pls
0
Mar 6, 2016
Mar 6, 2016 at 9:04 AM UTC
Gentle Gentle Dragon
* Phae, light phoe·nix /ˈfēniks/ Nix, night **...burning itself on a funeral pyre and rising from the ashes with renewed youth to live through another cycle.     -a person or thing regarded as uniquely remarkable in some respect.** Joseph Campbell The Sun on it's daily journey rises with shining rays upon it's sides at the horizon; the wings. The Sun is symbolically an Eagle who rises at dawn and soars the day until time for rest. The Hero's journey is based on these movements. ⁽ᑫᵘᵃᵐ ˢᵘᵘˢ ˢᵉⁿˢᶦᵗ⁾ PHOENIX Night and Day combined in a cycle denoting the Sun's journey. ⁻ᴵᵇᶦᵈ I am born again so I must journey, Paused in a trepidation noon to my respite, Moon she follows me spirit sends my sojourn, I burn on horizon my form to ashes, Tested by the darkness lair of that beast. Eclipsing the New Moon broken her to pieces. Followed by the dark By my vanquished foe! I arise anew, again Dawn, day, dusk, night. Naivete The Fall Ashes Katabasis Tribulation Rebirth Enlightenment/Ascension King 8 OGDOAD Og(cK): aga/okto/octo Eight ⁻ˢᵘᵐᵉʳᶦᵃⁿ/ᴳʳᵉᵉᵏ/ᴸᵃᵗᶦⁿ Do(u)/ At: place of serpents Place, temple/serpent, snake ⁻ˢᵘᵐᵉʳᶦᵃⁿ/ᴱᵍʸᵖᵗᶦᵃⁿ The place of Serpents Council of Eight Serpentine Gods Duat Heaven(s) The eight unknown actions -deities of elemental materials Vasus ⁻ᴴᶦⁿᵈᵘ Sun Sky Moon Stars Night Weather Water Nature A PILLAR DJED pillar/spine ...connected to the serpent upon the rise. THE DRAGON'S MOUTH SPEWS FORTH FIRE 6 The fire of the Sun- THE DRAGON IS WISE/ALL-KNOWING WITH A KEEN GAZE For the Moon is thought- ⁻ᴴᵉʳᵐᵉˢ/⁻ᴳʳᵉᵉᵏ ⁻ᴴᵒʳ⁻ᵐᵃˢ/⁻ᴱᵍʸᵖᵗᶦᵃⁿ And Charon means keen gazer- ⁻ᴳʳᵉᵉᵏ INSIDE HIS WINGS ARE EYES, MANY EYES -stars- Gigi Ig-gigi Eyes, many eyes- ⁻ˢᵘᵐᵉʳᶦᵃⁿ BES A beast made up of animal parts- ...parts of the Zodiac/the animal circus ⁻ᴱᵍʸᵖᵗᶦᵃⁿ ZU-Bird Zu ⁻ˢᵘᵐᵉʳᶦᵃⁿ SOKAR So ⁻ᴱᵍʸᵖᵗᶦᵃⁿ *Zu-So:/ˈzō/sō/; Action/the sigil of Saturn, a repeated action: -actions that repeat 8 ⁻ˢᵘᵐᵉʳᶦᵃⁿ <A FOURTH ALBUM WITH FOUR TITLES> 8 *KRONOS ⁻ᴳʳᵉᵉᵏ SET ⁻ᴱᵍʸᵖᵗᶦᵃⁿ Saturn ⁻ˢᵘᵐᵉʳᶦᵃⁿ 8 ...and his number is Eight... ...eight turned sideways is, t i m e OG r      e    p    e    a    t    s I         N         F        I         N         I          T         Y
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Feb 8, 2018
Feb 8, 2018 at 6:34 PM UTC
Phoenix(notes)
* Phae, light phoe·nix /ˈfēniks/ Nix, night **...burning itself on a funeral pyre and rising from the ashes with renewed youth to live through another cycle.     -a person or thing regarded as uniquely remarkable in some respect.** Joseph Campbell The Sun on it's daily journey rises with shining rays upon it's sides at the horizon; the wings. The Sun is symbolically an Eagle who rises at dawn and soars the day until time for rest. The Hero's journey is based on these movements. ⁽ᑫᵘᵃᵐ ˢᵘᵘˢ ˢᵉⁿˢᶦᵗ⁾ PHOENIX Night and Day combined in a cycle denoting the Sun's journey. ⁻ᴵᵇᶦᵈ I am born again so I must journey, Paused in a trepidation noon to my respite, Moon she follows me spirit sends my sojourn, I burn on horizon my form to ashes, Tested by the darkness lair of that beast. Eclipsing the New Moon broken her to pieces. Followed by the dark By my vanquished foe! I arise anew, again Dawn, day, dusk, night. Naivete The Fall Ashes Katabasis Tribulation Rebirth Enlightenment/Ascension King 8 OGDOAD Og(cK): aga/okto/octo Eight ⁻ˢᵘᵐᵉʳᶦᵃⁿ/ᴳʳᵉᵉᵏ/ᴸᵃᵗᶦⁿ Do(u)/ At: place of serpents Place, temple/serpent, snake ⁻ˢᵘᵐᵉʳᶦᵃⁿ/ᴱᵍʸᵖᵗᶦᵃⁿ The place of Serpents Council of Eight Serpentine Gods Duat Heaven(s) The eight unknown actions -deities of elemental materials Vasus ⁻ᴴᶦⁿᵈᵘ Sun Sky Moon Stars Night Weather Water Nature A PILLAR DJED pillar/spine ...connected to the serpent upon the rise. THE DRAGON'S MOUTH SPEWS FORTH FIRE 6 The fire of the Sun- THE DRAGON IS WISE/ALL-KNOWING WITH A KEEN GAZE For the Moon is thought- ⁻ᴴᵉʳᵐᵉˢ/⁻ᴳʳᵉᵉᵏ ⁻ᴴᵒʳ⁻ᵐᵃˢ/⁻ᴱᵍʸᵖᵗᶦᵃⁿ And Charon means keen gazer- ⁻ᴳʳᵉᵉᵏ INSIDE HIS WINGS ARE EYES, MANY EYES -stars- Gigi Ig-gigi Eyes, many eyes- ⁻ˢᵘᵐᵉʳᶦᵃⁿ BES A beast made up of animal parts- ...parts of the Zodiac/the animal circus ⁻ᴱᵍʸᵖᵗᶦᵃⁿ ZU-Bird Zu ⁻ˢᵘᵐᵉʳᶦᵃⁿ SOKAR So ⁻ᴱᵍʸᵖᵗᶦᵃⁿ *Zu-So:/ˈzō/sō/; Action/the sigil of Saturn, a repeated action: -actions that repeat 8 ⁻ˢᵘᵐᵉʳᶦᵃⁿ <A FOURTH ALBUM WITH FOUR TITLES> 8 *KRONOS ⁻ᴳʳᵉᵉᵏ SET ⁻ᴱᵍʸᵖᵗᶦᵃⁿ Saturn ⁻ˢᵘᵐᵉʳᶦᵃⁿ 8 ...and his number is Eight... ...eight turned sideways is, t i m e OG r      e    p    e    a    t    s I         N         F        I         N         I          T         Y
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118
Perhaps it was her voice itself, clear and simple, Unalloyed by any classically trained fol-de-rol, Or possibly the nature of her faith Displayed with such clarity, such transparency By that very instrument, But in any case, she had utterly bewitched the populace Of the place known as Ahwaga by her distant cousins, And when she stood on the Delaware & Hudson platform The next morning, they had cheered her lustily, All but begging her You must return to us, But the train had lost its footing on a sharp grade Mere hundreds of yards before making the station at Deposit, And she was lost in the carnage and conflagration. The townspeople she had said her farewells to that morning Were distraught, their feelings a mix of grief And an odd sense of culpability, a nagging misgiving That perhaps this was an omen, some augury Denoting that their own faith was not up to scratch, And so they had taken her back to their own burgh To bury her in a manner befitting her piety (She had been travelling with siblings, But they acquiesced to the plan, though how willingly Not wholly apparent at the time, And made no clearer through the ramble of time) And so she was laid to rest in a plot Surrounded by ornate fencing, her grave marked By an obelisk pointing unambiguously to her Heaven, And it is said that, on autumn evenings When the breeze rustle the dying leaves just so, You can hear the spirits of her Mohawk brethren Come down from Quebec, murmuring songs Telling of the spirits living in the trees and hedgerows, Spoken in the ancient tongue Of the languid, unhurried Susquehanna far below.
0
Jan 29, 2018
Jan 29, 2018 at 8:37 PM UTC
The Obelisk For Sa-Sa-Na Loft
Perhaps it was her voice itself, clear and simple, Unalloyed by any classically trained fol-de-rol, Or possibly the nature of her faith Displayed with such clarity, such transparency By that very instrument, But in any case, she had utterly bewitched the populace Of the place known as Ahwaga by her distant cousins, And when she stood on the Delaware & Hudson platform The next morning, they had cheered her lustily, All but begging her You must return to us, But the train had lost its footing on a sharp grade Mere hundreds of yards before making the station at Deposit, And she was lost in the carnage and conflagration. The townspeople she had said her farewells to that morning Were distraught, their feelings a mix of grief And an odd sense of culpability, a nagging misgiving That perhaps this was an omen, some augury Denoting that their own faith was not up to scratch, And so they had taken her back to their own burgh To bury her in a manner befitting her piety (She had been travelling with siblings, But they acquiesced to the plan, though how willingly Not wholly apparent at the time, And made no clearer through the ramble of time) And so she was laid to rest in a plot Surrounded by ornate fencing, her grave marked By an obelisk pointing unambiguously to her Heaven, And it is said that, on autumn evenings When the breeze rustle the dying leaves just so, You can hear the spirits of her Mohawk brethren Come down from Quebec, murmuring songs Telling of the spirits living in the trees and hedgerows, Spoken in the ancient tongue Of the languid, unhurried Susquehanna far below.
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34
.you could possibly rewrite the sudoku puzzle, using letters, i.e., to replace 4, 6, 8, 9... with D, b, B and P... alternatively the lowercase b with Q. .                          i really have to stop borrowing                from the Zen concept of ensō - with what the "circle" represents -    namely? heihō, i.e. the "square" - namely, what comes after absolute enlightenment, strength, elegance, the universe,      and mu (the void) - i.e., alternatively: the nu, or?   the filling...             heihō is an elevated noun denoting a sudoku puzzle...       it begins with the key and lock analogy, borrowed from greek: Φ (insert the key)        θ (turn it, open the door,    and subsequently enter) - all sudoku puzzles begin like so...     □ that becomes Φ, θ    that becomes #     that subsequently becomes ■ -    after many instances of    —, |, / and \ considerations... this idea only came to mind, bothered by an obstruction on the 10,050 puzzle... 0    0    0 0    4    2 1    3    9 2    7    5 4    6    8 8    9    4 3    2    0            } these three blanks 0    0    7                    i was concerned with...                           1   0   0                           0   0   5                           0   6   0                       ___________                           x   y   z                       ___________                     (    6    5   1  )                     (    5    1   6  )                     (                1 )   **** no alternatives... and given there's a fractional choice, conundrum, i.e. there are only two viable choices?       well? neither. the solution? i had to be patient with it, after all, it's akin to Zen "circle" concept, namely?   you can't make a mistake - given you're using such, "primitive" tools as a pen on paper... 5     8     6     4     3     9     2     1     7 7     4     2     1     6     8     3     9     5 9     1     3     5     7     2     8     6     4 1     3     9     7     2     4     5     ζ     6 2     7     5     3     8     6     9     γ     1 4     6     8     9     5     1     7     3     2 8     9     4     2     1     5     χ     7     3 3     2     1     6     9     7     4     5     8 6     5     7     8     4     3     1     2     9 yet this wasn't the pinnacle of the evening...    some "madwoman", singing, in the night... the most beautiful songs... it was hard not to listen, given she went on for about 3 hours... kept singing and singing... sometimes giving    a frivolous explanation to someone trying to interrupt her...     a woman in love...     just kept singing and singing...      defiantly english - i can't recall the last time i heard a woman sing so beautifully - not armed, standing behind a microphone, on a stage -    with a band behind her... this girl's voice had but one stage: the night -    and her backing band?          simply the moon; and an appreciative audience of one... moi.
0
Aug 2, 2018
Aug 2, 2018 at 8:00 PM UTC
Heihō
.you could possibly rewrite the sudoku puzzle, using letters, i.e., to replace 4, 6, 8, 9... with D, b, B and P... alternatively the lowercase b with Q. .                          i really have to stop borrowing                from the Zen concept of ensō - with what the "circle" represents -    namely? heihō, i.e. the "square" - namely, what comes after absolute enlightenment, strength, elegance, the universe,      and mu (the void) - i.e., alternatively: the nu, or?   the filling...             heihō is an elevated noun denoting a sudoku puzzle...       it begins with the key and lock analogy, borrowed from greek: Φ (insert the key)        θ (turn it, open the door,    and subsequently enter) - all sudoku puzzles begin like so...     □ that becomes Φ, θ    that becomes #     that subsequently becomes ■ -    after many instances of    —, |, / and \ considerations... this idea only came to mind, bothered by an obstruction on the 10,050 puzzle... 0    0    0 0    4    2 1    3    9 2    7    5 4    6    8 8    9    4 3    2    0            } these three blanks 0    0    7                    i was concerned with...                           1   0   0                           0   0   5                           0   6   0                       ___________                           x   y   z                       ___________                     (    6    5   1  )                     (    5    1   6  )                     (                1 )   **** no alternatives... and given there's a fractional choice, conundrum, i.e. there are only two viable choices?       well? neither. the solution? i had to be patient with it, after all, it's akin to Zen "circle" concept, namely?   you can't make a mistake - given you're using such, "primitive" tools as a pen on paper... 5     8     6     4     3     9     2     1     7 7     4     2     1     6     8     3     9     5 9     1     3     5     7     2     8     6     4 1     3     9     7     2     4     5     ζ     6 2     7     5     3     8     6     9     γ     1 4     6     8     9     5     1     7     3     2 8     9     4     2     1     5     χ     7     3 3     2     1     6     9     7     4     5     8 6     5     7     8     4     3     1     2     9 yet this wasn't the pinnacle of the evening...    some "madwoman", singing, in the night... the most beautiful songs... it was hard not to listen, given she went on for about 3 hours... kept singing and singing... sometimes giving    a frivolous explanation to someone trying to interrupt her...     a woman in love...     just kept singing and singing...      defiantly english - i can't recall the last time i heard a woman sing so beautifully - not armed, standing behind a microphone, on a stage -    with a band behind her... this girl's voice had but one stage: the night -    and her backing band?          simply the moon; and an appreciative audience of one... moi.
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88
Between the Author And the Reader, The Text lies waiting. The Author, Only partially aware Of All Intents and Purposes In spite of careful diction, Forms a multi-messaged bolt To drive full meaning Home. The Text, Scripted in language, Printed on paper, Inked in pixels, Floated in air, Carries meaning in a leaking bucket Denoting and Connoting Implications only. The Reader, Seeking something Not even realized, Comes partially engaged, Intent to dabble Or to glean Or find some thought On which to meditate. Somehow in this tenuous state Between mortal thinkers, Ideas cross synaptic bridges - Through the air and light, Tempered by time, Culture-cured, Enriched by vocabulary, Electrically ignited... Combustion!
0
Feb 12, 2012
Feb 12, 2012 at 11:18 PM UTC
Combustion
i've seen the commentary... but let's do the ratios... youtubers sometimes tend to boast about their subscribes, notably dr. steve turley, 100K (100,000) and styxhexenhammer666   30K (30,000)...    yes, i know that a chris isaack track is, a tad bit too much reminiscent of Abba... point being? my turn... so...         the ratio... i have 138 followers... but my post popular "poem" ranks at around    4,700 views... an average dr. steve turley video ranks in at 20,000, and with subscribers numbering 100,000...           whole styxhexenhammer666, 30,000 subscribers, but at average counts of views at hovering past the 1,000 mark... now the ratios... please let me be wrong, please let me be wrong... 0.5 for dr. steve turley lopsided ratios: 100,000 / 20,000.... styxhexenhammer666 comes in at 30... 30,000 / 1,000... me? i come in at... ha ha! 5,700 / 138 34.057...            i'm not boasting... but i hate to see decent people boast about their prescription rates, but then...                  0.029... but within the confines of    giving an answer back... you get the picture... their viewers plummet... the ratios do not add up... i'd boast, sure as hell i'd boast... but... i sorta don't feel like it... i never saw the bonus side of boasting when it came to numbers... more subscribers, than views?            big ******* problem... so... proud, concerning, what?! oh... wait... i just figured this out differently... 0.033 (styxhexenhammer666) and 0.2 (dr. steve turley)... oh wait... dr. steve turley: circa 74,000 subscribers... and the average viewership of a video circa 21,000?     3.52....               0.02837.... ola! village people!           counter ratios... views : subscribers counter to subscribers : views (in ratio)....             that age old relativism of "success"... give me a minute, i need to work on the schematic rubric... views : subscribers | subscribers : views (a) ~5700 ÷ 138 (a) 138 ÷ ~5700 = 41.30 = 0.024 (b) ~1000 ÷ ~30,000 (b) ~30,000 ÷ ~1000 = 0.033 = 300 (c) ~21,000 ÷ ~70,000 (c) ~70,000 ÷ ~21,000 = 0.284 = 3.52 (a) denoting me, (b) denoting sythexenhammer666 (c) denoting dr. steve turley so wait, give me a minute... since we're all so happy ******* a boasting match... i have... less subscribers... but more views... than people who have more, subscribers... but less views? i know i'm fiddling with the numbers... but to use but one instance... i have more views than i have subscribers... while these youtube vloggers have more subscribers than they have views... interesting... but if everyone's going to be playing the ******* numbers game... i thought: might as well bring by bucket and ***** into this sand-pit, and see if i can play along with these kids... citing my attempt at a massive ***** you never know: it could work!
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Oct 13, 2018
Oct 13, 2018 at 8:44 PM UTC
ratios against youtubers
i've seen the commentary... but let's do the ratios... youtubers sometimes tend to boast about their subscribes, notably dr. steve turley, 100K (100,000) and styxhexenhammer666   30K (30,000)...    yes, i know that a chris isaack track is, a tad bit too much reminiscent of Abba... point being? my turn... so...         the ratio... i have 138 followers... but my post popular "poem" ranks at around    4,700 views... an average dr. steve turley video ranks in at 20,000, and with subscribers numbering 100,000...           whole styxhexenhammer666, 30,000 subscribers, but at average counts of views at hovering past the 1,000 mark... now the ratios... please let me be wrong, please let me be wrong... 0.5 for dr. steve turley lopsided ratios: 100,000 / 20,000.... styxhexenhammer666 comes in at 30... 30,000 / 1,000... me? i come in at... ha ha! 5,700 / 138 34.057...            i'm not boasting... but i hate to see decent people boast about their prescription rates, but then...                  0.029... but within the confines of    giving an answer back... you get the picture... their viewers plummet... the ratios do not add up... i'd boast, sure as hell i'd boast... but... i sorta don't feel like it... i never saw the bonus side of boasting when it came to numbers... more subscribers, than views?            big ******* problem... so... proud, concerning, what?! oh... wait... i just figured this out differently... 0.033 (styxhexenhammer666) and 0.2 (dr. steve turley)... oh wait... dr. steve turley: circa 74,000 subscribers... and the average viewership of a video circa 21,000?     3.52....               0.02837.... ola! village people!           counter ratios... views : subscribers counter to subscribers : views (in ratio)....             that age old relativism of "success"... give me a minute, i need to work on the schematic rubric... views : subscribers | subscribers : views (a) ~5700 ÷ 138 (a) 138 ÷ ~5700 = 41.30 = 0.024 (b) ~1000 ÷ ~30,000 (b) ~30,000 ÷ ~1000 = 0.033 = 300 (c) ~21,000 ÷ ~70,000 (c) ~70,000 ÷ ~21,000 = 0.284 = 3.52 (a) denoting me, (b) denoting sythexenhammer666 (c) denoting dr. steve turley so wait, give me a minute... since we're all so happy ******* a boasting match... i have... less subscribers... but more views... than people who have more, subscribers... but less views? i know i'm fiddling with the numbers... but to use but one instance... i have more views than i have subscribers... while these youtube vloggers have more subscribers than they have views... interesting... but if everyone's going to be playing the ******* numbers game... i thought: might as well bring by bucket and ***** into this sand-pit, and see if i can play along with these kids... citing my attempt at a massive ***** you never know: it could work!
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