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"deliberate" poems
like that pill bitter Sunday morning (after) with a nauseating hack the previously uneventful Tuesday derailed in surrealistic tale with Auntie and Jack (and a quarter of fate) in the 748 on a night flight from Sherwood to Lore reverberating waves of imminent summer haze river flats and flower fields fly weights and silver bait shredders and shysters and open gates (into those everlasting and sweated journeys of hope) bloods and strays and florentine grays (reminiscent of Rockwell fame) running horses and overgrown country lanes morning grace and gentle cheer eyes clear on the river pass *blunted paddles for those ancient and not so willing suckers!* duke making his own way (to the corner club) Parsons and Poe stream from the torn screen door cricket cadence and symphony of the Deere calm and deliberate in the soft and silent fields meadows open for grazing (guineas scamper across the till) pocket apples fill the country ripe air drunken bees and chestnuts and electric fingers strike the surface pool (a cedar strip wedged on the white wash dock) baited bull heads set to cast evenings with hearts and Nolten Nash may flowers bloom across the grass ~ time unmatched ~ with blue jays and river bends and channel cats ...and that warm and recurring Coleman drift
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May 16, 2017
May 16, 2017 at 11:36 PM UTC
Flowerfields
If (WO)men are the ones that suffer an exacerbated amount Of the violence, the **** the abuse, and everything that comes with and from struggle and alienation; it is because of their femininity that men at times have come to believe that their contributions soften institutions. That at times throughout history neither capitalism, neoliberalism nor revolutionary experiments like that of Cuba have placed femininity as compatible with progress or resolution. In which case femininity must be hidden, silenced, or displaced with no purpose or place to belong. Thus everyone closely associated with this femininity such as homosexuals, transgendered (WO)men, and "effeminate" males, (ignoring, subverting and negating the lesbian identity because of their gender) have come to be marginalized by a structural system of exclusion. (WO)men carrying the highest burden for originating the associative distinction Homosexuals battling to find love by constantly having to assert their masculinity Transgendered (Wo)men afraid of expressing their through identity. Lesbians fighting to legitimize their own identity separate from the directives ascribed onto them by virtue of being born women. Males who are labeled effeminate because of their sympathy toward those who struggle and are alienated. And every other individual who refuses to deliver to give a marker to their identity and a degree to their femininity. Hold fast in your femininity and embrace the rancor that society grants you As a homosexual I speak with you brother and sister, not for you Realize that our self-ascribed degrees of femininity and identity are as revolutionary and transformative, and thus necessary, as those of Che Guevara, Mohammed Ali, Harriet Tubman, or the Dali Lama. That because we have decided to embrace our degrees of femininity, problematic to any movement, at one point or another, we have inadvertently decided to align our selves with those who are alienated the most by the systems in which they live. So that in this way we must make our struggles deliberate and political. Let our degrees of femininity become legitimizing banners of solidarity for anyone who suffers in any corner of the world.
0
Mar 10, 2013
Mar 10, 2013 at 12:48 AM UTC
Revolutionary Solidarity (Embracing Our Femininity)
If (WO)men are the ones that suffer an exacerbated amount Of the violence, the **** the abuse, and everything that comes with and from struggle and alienation; it is because of their femininity that men at times have come to believe that their contributions soften institutions. That at times throughout history neither capitalism, neoliberalism nor revolutionary experiments like that of Cuba have placed femininity as compatible with progress or resolution. In which case femininity must be hidden, silenced, or displaced with no purpose or place to belong. Thus everyone closely associated with this femininity such as homosexuals, transgendered (WO)men, and "effeminate" males, (ignoring, subverting and negating the lesbian identity because of their gender) have come to be marginalized by a structural system of exclusion. (WO)men carrying the highest burden for originating the associative distinction Homosexuals battling to find love by constantly having to assert their masculinity Transgendered (Wo)men afraid of expressing their through identity. Lesbians fighting to legitimize their own identity separate from the directives ascribed onto them by virtue of being born women. Males who are labeled effeminate because of their sympathy toward those who struggle and are alienated. And every other individual who refuses to deliver to give a marker to their identity and a degree to their femininity. Hold fast in your femininity and embrace the rancor that society grants you As a homosexual I speak with you brother and sister, not for you Realize that our self-ascribed degrees of femininity and identity are as revolutionary and transformative, and thus necessary, as those of Che Guevara, Mohammed Ali, Harriet Tubman, or the Dali Lama. That because we have decided to embrace our degrees of femininity, problematic to any movement, at one point or another, we have inadvertently decided to align our selves with those who are alienated the most by the systems in which they live. So that in this way we must make our struggles deliberate and political. Let our degrees of femininity become legitimizing banners of solidarity for anyone who suffers in any corner of the world.
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20
Such vulnerable desire. Eclipse pupils, wide like the moon. Corrupted mind, wet with ********** In this darkness will you know me? Touch me, I am here. I cant bother my time with a creature that left me stricken, yet I want you still, even after all the agony you dragged me through. There’s something in your eyes that I need for myself. The night is my relief, take me as I am. Trust for me…feel for me…down on those knees for me. Claim my name again. I want to hear it dripping from that perfect mouth of yours. The wonders I’ll perform on you. I want to hear you whining. I want to taste your disease poisoning my lips. I want to see deliberate submission. Having you under me, having you for myself. To have my way with you, to want you this bad. Staring into these hollow eyes, you’ll be crawling towards me again. Begging on the floor. Begging for me. The view below me so pretty, your body so writhing.   My mouth on your neck, come weak for me. Hands on your throat, I feel you. You are my obsession, release yourself. You belong to me.
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Oct 18, 2022
Oct 18, 2022 at 5:28 PM UTC
Submission
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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17.9k
The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
***Crossing the room in slow motion She watches his muscles move in the moonlight Oh how they glisten in anticipation Sit my pet, in a whisper At her feet he waits with bated breath So pleased at his obedience Proceed Such a simple command He inches closer His eagerness evident in his silence In his omission of a proper response An outfaced palm and he stops short Sitting back on his feet, hands in lap, eyes to the floor I'm sorry Ma'am, he says That is evident by his failure to respond He knows what is coming Grabbing the back of his hair she forces his eyes to hers Position, she says disgustedly She leans back in the armchair as he pulls her hips to the edge He lifts one leg and gently places it over the arm Then he positions the other in the same manner Sitting back on his feet, facing the floor His arousal is evident, as is his moist anticipation Respire. The word is grunted through gritted teeth He leans into heaven Hovering an inch away Slow deep breaths He breathes in her essence wanting nothing more Than to bridge the gap with his tongue White satin and peekaboo lace She runs down the rules of his punishment Will you touch the Goddess No Ma'am Will you drool on the Goddess No Ma'am Will you move without permission No Ma'am How long will you hold your position As long as my Goddess sees fit...Ma'am Good boy His breath is slow, deliberate, and heavy The heat of it permeates the thin fabric She runs her hand over the object of desire Accentuating the outlines of what lies beneath An accidental whimper Silence! A gruff command Followed implicitly In a slow and graceful motion A hand slips under the fabric Opening her flower releasing a hint of nectar The scent grows exponentially upon the unfurling of petals A glistening finger touches him just above his lip Is that what you want? It's a rhetorical question Yes please What will you do to get it Such a simple question with but one answer Anything you please, Goddess Stick out your tongue He does so in silence, careful that he does not touch her She uses his wet flesh to wipe her finger clean Closer she whispers Now, within a half inch he breathes her in deeply Mesmerized by the dewy goodness held behind the smooth satin Watching desire grow in painfully slow motion He blows out on the growing dampness As he waits for her next command***
0
Jul 2, 2015
Jul 2, 2015 at 11:20 AM UTC
Rules of Engagement
***Crossing the room in slow motion She watches his muscles move in the moonlight Oh how they glisten in anticipation Sit my pet, in a whisper At her feet he waits with bated breath So pleased at his obedience Proceed Such a simple command He inches closer His eagerness evident in his silence In his omission of a proper response An outfaced palm and he stops short Sitting back on his feet, hands in lap, eyes to the floor I'm sorry Ma'am, he says That is evident by his failure to respond He knows what is coming Grabbing the back of his hair she forces his eyes to hers Position, she says disgustedly She leans back in the armchair as he pulls her hips to the edge He lifts one leg and gently places it over the arm Then he positions the other in the same manner Sitting back on his feet, facing the floor His arousal is evident, as is his moist anticipation Respire. The word is grunted through gritted teeth He leans into heaven Hovering an inch away Slow deep breaths He breathes in her essence wanting nothing more Than to bridge the gap with his tongue White satin and peekaboo lace She runs down the rules of his punishment Will you touch the Goddess No Ma'am Will you drool on the Goddess No Ma'am Will you move without permission No Ma'am How long will you hold your position As long as my Goddess sees fit...Ma'am Good boy His breath is slow, deliberate, and heavy The heat of it permeates the thin fabric She runs her hand over the object of desire Accentuating the outlines of what lies beneath An accidental whimper Silence! A gruff command Followed implicitly In a slow and graceful motion A hand slips under the fabric Opening her flower releasing a hint of nectar The scent grows exponentially upon the unfurling of petals A glistening finger touches him just above his lip Is that what you want? It's a rhetorical question Yes please What will you do to get it Such a simple question with but one answer Anything you please, Goddess Stick out your tongue He does so in silence, careful that he does not touch her She uses his wet flesh to wipe her finger clean Closer she whispers Now, within a half inch he breathes her in deeply Mesmerized by the dewy goodness held behind the smooth satin Watching desire grow in painfully slow motion He blows out on the growing dampness As he waits for her next command***
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69
I wear no mask, no deliberate one, I wear a smile while I'm seen, But don't remove it because im pretending, While you're not looking, my face falls, But only for while I feel lonely, The second someone speaks to me, I'm happy again, And when you stop, I'm lonely once more.
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Jan 17, 2015
Jan 17, 2015 at 3:16 PM UTC
mask?
Currently online. Two chat heads active. My fragile heart though, in one. Friends online: 87. Last seen: 16:43. Really, ignoring me? But who are you talking to? Delivered. Delivered. Is this deliberate? Are you busy, are you with someone? Who is he? Don't you see what you do to me? — Minutes since message sent: 320 or more, Years together: best part of four. I’m not counting but Is he the one from your instagram? Friends nearby: 6. Last seen: 23:55. Nevermind. Flick up to clear all apps, And with that my heart, Night.
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Jun 14, 2017
Jun 14, 2017 at 4:45 PM UTC
Last Online.
Fantasizing Feeling Needing Something scarce is eating at my melancholy. As I deliberate, a vigor burns beneath my blood. I get so warm thinking about his hands griping my hips. My cheeks flush at the thought of his skin pressed heavily against mine. Unalloyed ecstasy His subsistence is the key that reveals my coffer. I beg to feel his breathing For him to cognize how much I want to gratify his every desire. Slow motion when I fantasize. A room bursting of fine riches I could erupt with gratification. A gentleman who can pleasure me both with innocence and sensuality. Rarity that comes as one. He demonstrates loves configuration, he bestows complexity and certainty. One could ****** with the thought of his supportive charisma. I weaken at the awareness of his reciprocated needs. The definition of love is embraced through his actions. Bleeding perfection, he is untouchable. He makes me feel amity. He is the dream I want to feel as I shut my eyes at dusk. I can sense him so close, yet when I open my eyes I’m alone. He is what every women searches for.
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Jul 12, 2021
Jul 12, 2021 at 10:41 PM UTC
Sense
by rgpage face down she rests her naked form head turned from her lover's glance. eye's closed she lies and knowingly waits, (a) loving touch starts passion's dance. his huge hand moves across her back with strokes the touch of butterfly wings. upon her creamy skin so smooth its path now set toward splendered things. his pace a slow deliberate score her passion's breath he brings, from touch so soft, igniting sparks with love her breath now sings. his steady course she knows so well with every touch as if it's new. her sparks of passion love's embers light, love's embers loving hue. down past her rear with feathered touch just knowing where to go, behind her knees his fingers dance to passion's steady flow. their hips now in synchronic dance, love's voluntary ride, she feels his passion grown so hard, now pressed against her side. he cups her breast so gently as if it were a flower, its ****** earlier soft and small now hard with passion's power. and in her ***** great sparks erupt her soft and pleasured flesh. with juices flowing, desire's high to meet love's natural crush. now she turns to meet his lips her passion running high. with savage hunger she pulls him in her hunter now the prey. tables turned their urge well matched desire holds the pace. she takes control and guides his love with feminine stealth and grace. to places only she could know where sparks ignite small streaks of light, that illuminates her soul. together they fend love's tempting end to stay their lover's dance. to take control and reach their goal the essence of their romance.
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Jan 16, 2012
Jan 16, 2012 at 6:35 PM UTC
passion's dance
by rgpage face down she rests her naked form head turned from her lover's glance. eye's closed she lies and knowingly waits, (a) loving touch starts passion's dance. his huge hand moves across her back with strokes the touch of butterfly wings. upon her creamy skin so smooth its path now set toward splendered things. his pace a slow deliberate score her passion's breath he brings, from touch so soft, igniting sparks with love her breath now sings. his steady course she knows so well with every touch as if it's new. her sparks of passion love's embers light, love's embers loving hue. down past her rear with feathered touch just knowing where to go, behind her knees his fingers dance to passion's steady flow. their hips now in synchronic dance, love's voluntary ride, she feels his passion grown so hard, now pressed against her side. he cups her breast so gently as if it were a flower, its ****** earlier soft and small now hard with passion's power. and in her ***** great sparks erupt her soft and pleasured flesh. with juices flowing, desire's high to meet love's natural crush. now she turns to meet his lips her passion running high. with savage hunger she pulls him in her hunter now the prey. tables turned their urge well matched desire holds the pace. she takes control and guides his love with feminine stealth and grace. to places only she could know where sparks ignite small streaks of light, that illuminates her soul. together they fend love's tempting end to stay their lover's dance. to take control and reach their goal the essence of their romance.
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50
My oh my , dear oh my Why sole me , deliberate shy Arrouse me in meself inner sanctum To cause penises go wild erectum Why me frail and naive Touched and grabbed feels so tactile Breached and pinched gets me unleashed Fortold and shadowed narrows me leached Oh how i humble and crumble for pain Pleasuring may not be enough, but not in vain Showering me until it rains Pumping my blood through my veins Widely and unique i scorge and emerge Make me *** till i purge Bright and shiny i humbely traverse For a non-stoping reverse
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Apr 6, 2010
Apr 6, 2010 at 3:54 AM UTC
Memoirs Of a ******
Strip of fabric folded Darkening the day So that you not see Desire radiating *** cherry red Soft hands clapping Flushing the cheeks And then you smile I want to be your teeth So that your tongue Is constantly touching Feeling and licking Black cat arched back Fingers arachnid running Descending and deliberate I want to be your teeth
0
Jun 2, 2021
Jun 2, 2021 at 4:18 PM UTC
Oral
the people whose job is to understand the multiverse can't figure this world out rid·dle                      ˈridl/noun: riddle; plural noun:   riddles 1.                                 | a question or statement intentionally           phrased so as to require ingenuity     in ascertaining its answer or meaning,                typically presented as a game; a person, event,   or fact that is difficult   to understand or explain. "the riddle of her death" [puz·zle ˈpəzəl/verb: puzzle; 3rd person present: puzzles; past tense: puzzled; past participle: puzzled; gerund or present participle:                                              puzzling 1.                          cause (someone) to feel confused because              they cannot understand or make sense of something: "one remark he made puzzled me" synonyms: perplex, confuse, bewilder,        bemuse, baffle, mystify, confound;         faze, stump, beat, discombobulate "her decision puzzled me" perplexed, confused, bewildered,        bemused, baffled, mystified, confounded,                              nonplussed, at a loss, at sea;              flummoxed, stumped, fazed, clueless,              discombobulated "a puzzled look on her face" baffling, perplexing, bewildering, confusing, complicated, unclear, mysterious, enigmatic, ambiguous, obscure, abstruse, unfathomable, incomprehensible, impenetrable, cryptic "his explanation was rather puzzling" antonyms: clear think hard about something difficult                    to understand or explain; "she was still puzzling over this problem                      when she reached the office"      | [      ] think hard about, mull over, muse over, ponder, contemplate,                                      meditate on, consider, deliberate on, chew over,                     wonder about "she puzzled over the problem"   solve or understand something by thinking hard; synonyms:                       work out, understand,    comprehend, sort out, reason out, solve, make sense of,    make head(s) or tail(s) of, unravel, decipher; informal:                figure out "she tried to puzzle out what he meant" noun: puzzle; plural noun: puzzles 1. [                 ], [           ] (                 ); a game, toy, or problem designed     to test ingenuity or knowledge; short for jigsaw puzzle                    (see jigsaw) a person or thing that is difficult to understand or explain; an enigma: "the meaning of this poem will always be a paradox" synonyms: enigma, mystery, paradox,        conundrum, poser, riddle, problem, quandary;                      "the poem has always been a puzzle"   late 16th century (as a verb): of unknown origin: synonyms: puzzle, conundrum, brainteaser, problem,       unsolved problem, question, poser, enigma,                        quandary; informal:       stumper "an answer to the riddle"                    verb/archaic verb: riddle; 3rd person present: riddles; past tense: riddled; past participle: riddled;          gerund or present participle: riddling 1.             speak in or pose riddles. "he who knows not how to riddle" solve or explain (a riddle) to (someone). "riddle me this then" Origin Old English rǣdels, rǣdelse ‘opinion, conjecture, riddle’;   related to Dutch raadsel,    German Rätsel,      to read
0
Jul 23, 2018
Jul 23, 2018 at 12:19 AM UTC
1. [Linear Z]
the people whose job is to understand the multiverse can't figure this world out rid·dle                      ˈridl/noun: riddle; plural noun:   riddles 1.                                 | a question or statement intentionally           phrased so as to require ingenuity     in ascertaining its answer or meaning,                typically presented as a game; a person, event,   or fact that is difficult   to understand or explain. "the riddle of her death" [puz·zle ˈpəzəl/verb: puzzle; 3rd person present: puzzles; past tense: puzzled; past participle: puzzled; gerund or present participle:                                              puzzling 1.                          cause (someone) to feel confused because              they cannot understand or make sense of something: "one remark he made puzzled me" synonyms: perplex, confuse, bewilder,        bemuse, baffle, mystify, confound;         faze, stump, beat, discombobulate "her decision puzzled me" perplexed, confused, bewildered,        bemused, baffled, mystified, confounded,                              nonplussed, at a loss, at sea;              flummoxed, stumped, fazed, clueless,              discombobulated "a puzzled look on her face" baffling, perplexing, bewildering, confusing, complicated, unclear, mysterious, enigmatic, ambiguous, obscure, abstruse, unfathomable, incomprehensible, impenetrable, cryptic "his explanation was rather puzzling" antonyms: clear think hard about something difficult                    to understand or explain; "she was still puzzling over this problem                      when she reached the office"      | [      ] think hard about, mull over, muse over, ponder, contemplate,                                      meditate on, consider, deliberate on, chew over,                     wonder about "she puzzled over the problem"   solve or understand something by thinking hard; synonyms:                       work out, understand,    comprehend, sort out, reason out, solve, make sense of,    make head(s) or tail(s) of, unravel, decipher; informal:                figure out "she tried to puzzle out what he meant" noun: puzzle; plural noun: puzzles 1. [                 ], [           ] (                 ); a game, toy, or problem designed     to test ingenuity or knowledge; short for jigsaw puzzle                    (see jigsaw) a person or thing that is difficult to understand or explain; an enigma: "the meaning of this poem will always be a paradox" synonyms: enigma, mystery, paradox,        conundrum, poser, riddle, problem, quandary;                      "the poem has always been a puzzle"   late 16th century (as a verb): of unknown origin: synonyms: puzzle, conundrum, brainteaser, problem,       unsolved problem, question, poser, enigma,                        quandary; informal:       stumper "an answer to the riddle"                    verb/archaic verb: riddle; 3rd person present: riddles; past tense: riddled; past participle: riddled;          gerund or present participle: riddling 1.             speak in or pose riddles. "he who knows not how to riddle" solve or explain (a riddle) to (someone). "riddle me this then" Origin Old English rǣdels, rǣdelse ‘opinion, conjecture, riddle’;   related to Dutch raadsel,    German Rätsel,      to read
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74
Bury me with my poppy. My greatest memory; my simple joy. Spring time brings brightness-- colors other than white. A flushed landscape from stamen performing as paint; replicating a sleepy orange yellow, green, red I contemplate picking the poppy to keep for myself. Life feels large like the sparkling lake-- that cold sunny hour when you sat by a fire bordered by icy rocks. The earth sheltered in poppies. We all expect moments without an end. Post-bloom petals fall flat before falling away. Miracles can be a curse or a blessing, brave or cowardly, Swallowing up certainty. Poppy tears slowly release memories-- a crisp deliberate euphoria. I leave behind the orange flower. Appreciation is not lost.
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Oct 8, 2013
Oct 8, 2013 at 9:29 PM UTC
Poppy
Neither clown nor child nor black nor white but verticle and a questioning innocence dressed in night and snow: The mother smiles at the sailor, the fisherman at the astronaunt, but the child child does not smile when he looks at the bird child, and from the disorderly ocean the immaculate passenger emerges in snowy mourning. I was without doubt the child bird there in the cold archipelagoes when it looked at me with its eyes, with its ancient ocean eyes: it had neither arms nor wings but hard little oars on its sides: it was as old as the salt; the age of moving water, and it looked at me from its age: since then I know I do not exist; I am a worm in the sand. the reasons for my respect remained in the sand: the religious bird did not need to fly, did not need to sing, and through its form was visible its wild soul bled salt: as if a vein from the bitter sea had been broken. Penguin, static traveler, deliberate priest of the cold, I salute your vertical salt and envy your plumed pride.
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5.6k
Magellanic Penguin
Longing to abscond with time Run away to breathe and live Looking for truth beyond the horizon Restless soul breaking free This heart wants to settle For it’s run an emotional gamut Tattered, worn out like old shoes Quietly ticking, limping along Then, like electrical therapy You ignited a spark deep inside Blood flows with purpose Deliberate beating with resilience It keeps on running For you
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Feb 11, 2015
Feb 11, 2015 at 8:43 PM UTC
Keeps on Running
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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Sep 16, 2018
Sep 16, 2018 at 6:45 PM UTC
The Medical Clarinettist
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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35
All the experiences from life's coffers I'm willing to take To commit into text with deliberate romanticism My brand of unspoken poetry with sense only I can make To rebut my mind's skeptic cynicism
0
Nov 8, 2015
Nov 8, 2015 at 7:34 PM UTC
Individualism
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
0
Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
my tainted love affair a blood covenant continues negative on the balance sheets a constant power struggle my soul and unwavering obedience the prize secretly a grudge grows (encouraged by continual love famine inclined by love withdrawal punishment) poisoning the source uncomprehensible to me why i am always found unworthy fathers love, blessing and protection unattainable withdrawal, nonacceptance and deliberate bad wishes fertilizes the acre what will the harvest be tug of war for my sanity my Heavenly Father and mum vs the enemy and dad forge in this firepit born among ashes
0
Jan 27, 2014
Jan 27, 2014 at 2:40 AM UTC
dad and i
There is something special about poetry. Something about how there are line breaks and deliberate diction that draws your senses into something melancholy. The way it can be purely fiction or nothing but the truth and it’s all up for interpretation by someone who stumbles upon it scribbled on a napkin in a nearby nook of a bookstore. How when you complete a poem that you’re particularly proud of, its satisfying and provides a sense of purpose. But the hardest part about poetry, is sharing a selection you love, with someone else. The nervous feeling as they read it, and the mounting disappointment as you realize, that the work you’re so in love with doesn’t connect with their pleasure centers as it does with yours. Don’t let this be discouraging. For I believe that if you love something, then it doesn’t matter if no one else does. Because if it makes you happy, that’s all that ever matters. And if a poem comes from your soul not everyone is going to love it, but maybe you’ll find someone who does, and you’ll be able to talk about all of the things that make a poem special, and the way there are line breaks and deliberate diction that draws your senses into something melancholy. And you can fall into circular patterns with someone who gets what it feels like to have your poetry appreciated.
0
Apr 4, 2014
Apr 4, 2014 at 12:47 PM UTC
Pressure
Nothingness. Imagine nothingness. That nothingness which is nothing of the nothingness we are all familiar with: Not that nothingness which is nothing but empty space and time Like when you open an empty room. No. That nothingness where nothing truly exists: Not space, Not even time. A singular point. Imagine a singular point. The ultimate singular point that contains all possible points In the development of the universe Come out and expand From the birthing of time, the instance of The Big Bang, (Which by the way is not a large explosion, as the words imply, but a silent rapid expansion) Pushing the envelope Where nothingness begins. Chance. Imagine chance. The random occurrence of events: Of fundamental particles colliding and uniting Or annihilating each other, Giving rise to protons, neutrons and electrons; Giving rise to the periodic table, To compounds, both organic and inorganic, To macromolecules. Billions of years. Imagine billions of years Gone by, And billions of galaxies filling the sky: Stars and quasars and pulsars Planets and comets and meteors ***** nilly hurtling through Dark matter and ever expanding space, Yet inanimate still , A single cell. Imagine a single cell Form inexplicably so, In a staggeringly highly improbable way As carbon molecules combine, Start to throb and pulsate: Chance bringing forth life In a barren and otherwise Lifeless universe. Consciousness Imagine consciousness Purposive, willful, deliberate Feelings Imagine feelings Love, compassion, hatred Imagine all in a universe that came out of itself from nothingness. It is hard, of course, For after all, we are creatures of somethingness! But at this point You must have seen the Point Of all the ramblings and turns in the trajectory of my thought Tracing the evolutionary course of the universe From nothingness and that singular point That without God All things are After all Pointless! . And so, Let us not deplore, as a great poet once did, That this world “so various, so beautiful, so new Hath no joy, nor love, nor light Nor certitude, nor peace, nor help for pain…” For what else should we expect Of a cold, unfeeling universe? What? Give us some Novocain?
0
Jul 16, 2013
Jul 16, 2013 at 4:36 PM UTC
The Point of All These
Nothingness. Imagine nothingness. That nothingness which is nothing of the nothingness we are all familiar with: Not that nothingness which is nothing but empty space and time Like when you open an empty room. No. That nothingness where nothing truly exists: Not space, Not even time. A singular point. Imagine a singular point. The ultimate singular point that contains all possible points In the development of the universe Come out and expand From the birthing of time, the instance of The Big Bang, (Which by the way is not a large explosion, as the words imply, but a silent rapid expansion) Pushing the envelope Where nothingness begins. Chance. Imagine chance. The random occurrence of events: Of fundamental particles colliding and uniting Or annihilating each other, Giving rise to protons, neutrons and electrons; Giving rise to the periodic table, To compounds, both organic and inorganic, To macromolecules. Billions of years. Imagine billions of years Gone by, And billions of galaxies filling the sky: Stars and quasars and pulsars Planets and comets and meteors ***** nilly hurtling through Dark matter and ever expanding space, Yet inanimate still , A single cell. Imagine a single cell Form inexplicably so, In a staggeringly highly improbable way As carbon molecules combine, Start to throb and pulsate: Chance bringing forth life In a barren and otherwise Lifeless universe. Consciousness Imagine consciousness Purposive, willful, deliberate Feelings Imagine feelings Love, compassion, hatred Imagine all in a universe that came out of itself from nothingness. It is hard, of course, For after all, we are creatures of somethingness! But at this point You must have seen the Point Of all the ramblings and turns in the trajectory of my thought Tracing the evolutionary course of the universe From nothingness and that singular point That without God All things are After all Pointless! . And so, Let us not deplore, as a great poet once did, That this world “so various, so beautiful, so new Hath no joy, nor love, nor light Nor certitude, nor peace, nor help for pain…” For what else should we expect Of a cold, unfeeling universe? What? Give us some Novocain?
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74
We all look up to the same sun. To the same moon we confide. We all look at them the same... Hoping for the light of day... Wishing for peace at night. Unfortunately... It seems that they are not just. For their light is selective. It is not available to those heavily shrouded in the dark, drenched in tears. It seemingly favour those who'd shamelessly croon for their boon. Miscreants who shirk their responsibilities and fears. I beg you... Guardian of day and sentinel in twilight. May your arms be kind and fastidious. May your reach be deliberate, purposeful and extensive. Find those who cry but without voice. Cradle those who've made decisions without the luxury of choice. Shed some love so they could see past their laboured breaths in mud. Raise them to their feet so that they might have a fighting chance to live.
0
Jul 31, 2016
Jul 31, 2016 at 1:21 AM UTC
Rueful Request
#The Battleground Beneath Her Skin (A Physiology of Light and War) Before it reaches her; even before her breath draws it in, I break myself down..   not as surrender,   but as choice. Each particle stripped bare, each atom exhaled made clean by the reckoning of my own dark, infused with the stubborn weight of light earned, not borrowed. Within the responsibility of what   leaves me, I enter the quiet union— the kneeling choice to align with the hand of God, to let even my smallest fragments carry His capacity to heal. Every airborne particle, accountable, deliberate, refined enough to cross the distance, to enter her without deception. Beneath her skin, a war unfolds. It is not loud, not made of swords, but of smaller things.. things unseen by eyes, but never missed by the marrow, the blood, the quiet trembling of cells that have known both wound   and wonder. Light and dark.. not in theory, but in matter thread themselves through every atom, every strand of her being. Not metaphor, but measurable: *the way shadows lean into the soft chambers of her lungs, the way light, when chosen, can rewrite the blueprints etched into the bloodstream.* This is the battleground.. her body, her breath, her most involuntary places. Where no poetry of seductive manipulation.. no whispered counterfeit can cover what is real. Only substance speaks here. Only intent. Only what survives the fire of accountability earns the right to stay. The particles come; stripped down, atomized, refined.. not by accident, but by the slow, steady grind of volition. They enter her; through breath, through pores.. *through the quiet, relentless openness that even fear cannot close completely.* And inside-- the war begins. ..   ..   ..   .. Mitochondria spark— tiny engines deciding what stays, what burns away. Capillaries widen, rivers branching through her like tributaries willing to carry what is real, what is earned, what is Light. The counterfeit falters here. Pretty words mean nothing to oxygen. False portraits dissolve beneath the chemistry of truth. The cells remember;   they choose. And as the Light infuses the quietest corners of her.. her thighs, her hips, the soft stretch of her waist; there is no seduction, no trickery. Only the hard-won intimacy of substance made pure. Not by the blending of oils, not by the friction of skin, but by the deeper, unseen alchemy of what enters, what lingers, what refuses to bow to darkness. The battleground is hers now. And though the shadows  will not yield easily, they cannot claim her; not where light has been chosen, earned, metabolized. The war is not over, but benea.th her skin, within her blood, *Light has begun to rise.* #
0
Jun 28, 2025
Jun 28, 2025 at 11:54 AM UTC
Airborne (Part I)
#The Battleground Beneath Her Skin (A Physiology of Light and War) Before it reaches her; even before her breath draws it in, I break myself down..   not as surrender,   but as choice. Each particle stripped bare, each atom exhaled made clean by the reckoning of my own dark, infused with the stubborn weight of light earned, not borrowed. Within the responsibility of what   leaves me, I enter the quiet union— the kneeling choice to align with the hand of God, to let even my smallest fragments carry His capacity to heal. Every airborne particle, accountable, deliberate, refined enough to cross the distance, to enter her without deception. Beneath her skin, a war unfolds. It is not loud, not made of swords, but of smaller things.. things unseen by eyes, but never missed by the marrow, the blood, the quiet trembling of cells that have known both wound   and wonder. Light and dark.. not in theory, but in matter thread themselves through every atom, every strand of her being. Not metaphor, but measurable: *the way shadows lean into the soft chambers of her lungs, the way light, when chosen, can rewrite the blueprints etched into the bloodstream.* This is the battleground.. her body, her breath, her most involuntary places. Where no poetry of seductive manipulation.. no whispered counterfeit can cover what is real. Only substance speaks here. Only intent. Only what survives the fire of accountability earns the right to stay. The particles come; stripped down, atomized, refined.. not by accident, but by the slow, steady grind of volition. They enter her; through breath, through pores.. *through the quiet, relentless openness that even fear cannot close completely.* And inside-- the war begins. ..   ..   ..   .. Mitochondria spark— tiny engines deciding what stays, what burns away. Capillaries widen, rivers branching through her like tributaries willing to carry what is real, what is earned, what is Light. The counterfeit falters here. Pretty words mean nothing to oxygen. False portraits dissolve beneath the chemistry of truth. The cells remember;   they choose. And as the Light infuses the quietest corners of her.. her thighs, her hips, the soft stretch of her waist; there is no seduction, no trickery. Only the hard-won intimacy of substance made pure. Not by the blending of oils, not by the friction of skin, but by the deeper, unseen alchemy of what enters, what lingers, what refuses to bow to darkness. The battleground is hers now. And though the shadows  will not yield easily, they cannot claim her; not where light has been chosen, earned, metabolized. The war is not over, but benea.th her skin, within her blood, *Light has begun to rise.* #
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123
The Grump put on his morning face. Wiped away crystallised grit , Straight out of her teared up eyes. My goodness this poem is shaped out of **** A deliberate ploy, For she is woman, and he is boy. He had a *** change, Normally grumpy is male, hee hee, Today grumpy is me. The last Sunday of a somewhat sulky year. Look deep in my eyes and surely you'll see a tear. I don't cry..... Why ever should I ? Mentally strong as a freaking ox, Manipulative as a silver fox. A wicked sense of humour. Thank f**k , Without that I'd probably have no luck, Not out on the pull. That just isn't cool. Ladies don't. This lady can't be bothered! (C) Livvi
0
Dec 28, 2014
Dec 28, 2014 at 9:11 AM UTC
GRUMPY