THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

This is my debut
This is not up for dispute
I have a few things I want to converse with you
God gave me a gift to share with you
Anything and everything of life is beautiful
I’m what you call a living miracle
My essence, my walk, my talk, and my ways
Puts the evil doers to shame
Greatness is my name
Shaakira Rahnae
S H A A K I R A  R A H N A E
Only for the ones who can’t read
I’m everything the maker created me to be
Living my life but reassuring I live out my infamous dream
So that little boys and little girls can seek their destiny just like me
No more fearing
More overcoming
This power I contain you can’t take that from me
ONLY GOD CAN!
Humble and sweet, yes that’s me
I’ll have you adoring the way I speak
Every bit of five feet plus three
Natural hair and petite
Living eccentric and free
Use my thoughts to eat
I repeat
This is my debut
This is not up for dispute
Thank you

.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!

There is one thing you must decide-
Do not deny what you now feel
Delay your plans, forget your pride
Don’t push with doubt, just show what’s real
On love’s debut, you cannot hide.

The news that Jonathan Anderson — a.k.a. J. W. Anderson — would live-stream his fall men’s show exclusively on Grindr, the gay social-networking app, has been the whispered, and then not-so-whispered, talk of the first days of men’s fashion week here. “Now there’s a show that would’ve looked good on Grindr,” one showgoer cracked to another about a collection that featured men in cutout trousers and one very visible pair of thong underwear.

On Sunday, just after 10 a.m., Mr. Anderson’s collection hit the runway and the Internet. Those unsuspecting souls surfing Grindr for lust or companionship were offered the chance to see his show unfold: its polka-dot furs and knitted trousers, appliquéd snails and boxing-boot shoes.

Whether it was what the virtually gathered crowd came to the app for or not, Grindr personnel were sanguine. “You know as well as I do, there are the fashion gays,” Landis Smithers, the company’s vice president of marketing, said in an interview last week. “They love them a show and an exclusive.”

Not everyone was as eager. In the immediate aftermath of the announcement, rumors circulated that model agencies were leery of sending their charges, many of them underage, to participate in the show. (To be live-streamed via Grindr is not the same as to use Grindr, though the company’s terms of service restrict use to those who are at least 18, and in some places, 21.)

But if there were holdouts among the models, it wasn’t immediately evident from the runway, and Mr. Anderson said that he had experienced pushback from potential collaborators only at the outset.

“I think at the beginning there was a bit of unknowingness, which was stressful,” he said. “But I believe in this project. I think it’s very important that brands explore media; I think it’s the only way forward. I don’t see any differentiation between Grindr and Tinder or any sort of dating app, or Instagram. I feel like people now can use any sort of social device to meet people.”The show’s final casting, he added, was “exactly the way it should be.”Among those who saw the show live, without having to resort to the app, the idea was largely popular.The rapper ASAP Rocky, waiting a turn to congratulate Mr. Anderson, expressed an appreciation for the silk pieces in the collection and the good vibes of the Grindr partnership. “I heard about that last minute,” he said. “Gay people supporting gays. That’s what it’s all about: support. I support everybody.”Some wariness persisted. “It is what it is, you know?” said one young model from the show when asked how he felt about appearing on Grindr, before reversing himself and declaring that he was uncomfortable answering the question. He declined to give his name.

“Some people don’t get it,” shrugged Michel Gaubert, the in-demand D.J. who provided the show’s thumping score, “But it’s the gay Facebook.” He called the idea to live-stream the show on the platform “fantastic.”

Certainly the possibilities are large on a platform that engages millions.“Every single person I know is on Grindr,” said Bryan Grey Yambao, better known as the blogger Bryanboy, after the show. (Even assuming some mild hyperbole on Mr. Yambao’s part, the numbers are formidable: seven million users by Grindr’s own estimate, as many as a million or more users are on the platform at any given moment.)He added: “I think it’s a great audience to tap into.”He said that he had downloaded the app that morning but had already deleted it.Whether that suggests less overlap between fashion obsessives and would-be couplers than Grindr might like remains to be seen. But according to Mr. Smithers, by Monday morning (an edited version of the video remained accessible via Grindr for 24 hours following its live debut), Mr. Anderson’s show had been streamed about 100,000 times, about a third of them during the event.

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses-adelaide

Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Huddled flocks pecking around
seasick seasick seasick
Stor-it-all ransacked for tax reforms
jupiter pinetrees form less pyramids a month plus shipping
Monoatomic white gold texas teatree oil of bullfight storefronts
coronas eject breast milk of magnessium sulphate under the table
dealers lower deck slips tips into his cup o soup for 99 cents
landsick landsick rot cod rot cod
dot dash doctor ankh eyes windup toys half price
sentences complete fusion conagra foods lose stock market value
Judgement night of the living end time shared ethical treatments
and other plastic surgeries
hydra lost all the fifties movie stars heads and robots grew back so quickly to take their places everyone pay it forward
ships mast ripping into the ocean spray on tans
compass spun bankrupt Say Jack E onasis
chaste chasis mer ka bah light bringer fire eater
danse macabre four pillars swatch at Sacs on fifth avenue
avec mon couer le chat screams cheshire teeth porcupine all over my new
dress shirt,  that stain is not going to come out
and playground beef factory farmed like high school mindgames
seasick seasick see it see
i see

She really was real in reality where I was too real in your past


It past us by with no pillowfights , mutual loss of trustfunds
we never had
, purposefully failed attempts to make little beastly humans grow in her stomach and burst out like aliens happen in her car on long trips.

lost art of making art artfully with out chiclet teeth blank eyes and jumping breaking stuffand hitchhiker guy twisting wills
by throwing green boxes into the dark on bike trails

or inviting things to watch ***** fountains ,
endlessly cutting out pictures
, orange ice cream menthol cigarettes and choco pyramids ,
fake friends find you when you run away from yourself
so don't play hide and go seek or you might be gone forever until the devil finds you and takes you to jailbird

jacobs ladder rung 9  times and I answered my phone
"Hello ?"  
It was the silence of God on the line.
The cosmic vibration of pure being.
I didn't listen for long enough and ran out of minutes.

you can undercook pork - a little bit of pink
is rather - favourable -
you can undercook beef - a little bit...
let's go full bleu: which has a name... pittsburg
blue...
but please don't slaughter the cow,
send it to the butchers for the cuts...
and then shame it by cooking it well done...
thrice the cow thus dies...
aside from... fish...
well...
i was never a fan of chicken *******...
because whenever someone cooked them:
i.e. my mother - they tended to be... dry...
chicken drum-sticks and the almost grey area
of muscle flesh close to the bone -
these days? the former schnitzel fan has
become a chicken roulade fan...
because the stress for 165°F - and 5 minutes
worth of rest... for the cooked meat...

Ciara - another daughter of U Kʼux Kaj -
she can still be felt in the early night
when walking the streets...
some storms never reach essex -
and that's probably why i decided to grow
my beard long - to feel it combed
by the wind... this elongating chin to match
the moon's scythe -

point being... cooking chicken is unlike cooking
beef or pork... because...
well beef is born from blood -
in the body of another -
the mother - the pork is born from blood -
in the body of another - the mother...
you can undercook it... most certainly:
esp. the beef...
trouble with chicken: is the trouble
with undercooking fish...

to perfect the cooking of chicken meat...
is very much like cooking the perfect
soft-boiled egg...
you want the yoke to be runny...
and the white to be a: ścięte białko...
a coagulated white...
it's quiet amazing how chicken meat
behaves like the egg - the protein
in the atom -
how you have to mind cooking chicken:
for that juicy chicken breast roulade -
in the same way as minding a soft-boiled
egg...

i've never noticed this...
apparently that's the glaring obvious...
it always was!
beef you can undercook: cook it perfectly:
overcook it...
pork you can undercook: cook it perfectly:
overcook it...
chicken? you can only cook it perfectly
or overcook it...
undercooked chicken is a bit like...
finding a raw scallop nugget kiev-esque
in your chicken -

perhaps because: we can eat a poultry abortion:
the egg -
that i forgot or never minded to think:
the meat will behave like the egg -
the protein is borderline with seafood...
after all.. the birds are fish with wings...
that we managed to domesticate
a wolf and breed it with a dingo
and give it a bark...
how did we pluck the hawk from the sky
and gave it marching orders among
the strutting gehenna-game of the wehrmacht
with the geese...

i have no "beef" with the british and their past...
how many zulus became slaves?
hot topic...
if only a people were as fortunate -
not to be landlocked -
the last known invasion dates back to
1066 - nothing is spoken about the ottoman
empire or the mongol empire at the gates...
perhaps other people too...
could have their idle -
and been left to their own devices...
their high tea and all sort of *******...
but i'll still bemoan that...
this language does not have any orthography...
but it does have: n'dubz...
and a york-shyre from peckham and the rest...

- you simply can't undercook chicken...
you can either cook it to perfection...
or overcook... anything undercook is not going
to be eaten!
an undercooked chicken breast roulade?
that's scallop nugget in a kiev-esque chicken..
but why didn't i see it sooner...
how chicken meat would behave like
the egg when it was being cooked?
after all... what becomes of the yoke
when translated into the full-grown chicken?
the internal organs? the bones?
i'm pretty sure the egg-white translates into
the skeleton...
and the bones? it's not like the egg-shell
implodes...

in my hand i hold a chicken's egg:
a poultry abortion...
in my hand, also... a babushka doll...
this: little matron... бaбушкa...
because who would have thought that...
cooking the perfect chicken roulade...
would be akin to... 15 minutes extra...
when working from a soft-boiled egg...
oven-baked of course...
prior to the skin needs to be butter-fried...
and you can't enjoy
a chicken's neck... if it's not poached...
too many bones: not enough meat...
the neck of the chicken needs to poached...

again: one feels inclined to stress the importance
of curating the meat: curing it is one "thing"...
but it's almost an art...
as long as you respect the meat...
i find that most vegeterians or vegans
become thus...
because they have not learned to respect
the meat they're about to eat...

beef you can undercook... the sooner you do so...
the less chance that you'll butcher a second time
with a well-done: eating sand...
wishing it was poppy-seeds itching at the gums
between your teeth...

to respect the meat is to also bite off the heads
of the bones... for the over-cooked marrow...
i once held 30 or so poultry hearts in a cusp of hands...
hands prior to romeo & juliet's amen and kiss...
before i imagined what 30 hearts would otherwise
look like: if i was given the remaining body parts...

or 30 poultry stomachs readied for the broth...
with groats...
i too would become a vegeterian...
if the only chicken ******* i ate in my life
were: usually over-cooked...
dry... simulating imitation cheese
and chalk... the sort of meat: overcooked...
whereby your teeth start to experience
protein glue... and it's hard to pull the jaw
from the skull apart...

i have mentioned pittsburg blue, haven't i?
you can undercook beef and pork...
but you can't undercook chicken...
now unless you want to encounter
a pocket of a raw scallop sensation...
a chicken has to be treated as well as an egg...

most of the time you need to undercook
beef and pork...
but chicken requires...
oh glory be to the poached egg on toast...
the scrambled eggs undisturbed fried on
some pork dewlap...
when you can tell the difference between
the yoke and the whites...

such a versitile creature - this domesticated
hawk... this chicken marshal...
this would be cannibal... i've seen how one
becomes butchered with an axe -
one chicken, one axe - on stump of wood...
the rolling eyes of the decapitated...
the other chickens didn't mind...
they'd run up to the altar with the running
blood of rivers making letter markings
on the woody crumble...
and drink the blood... peck at left-over
flesh from the decapitation...

"gender expressions"... and... what's that?
leftover grammar from french...
translated from inanimate objects:
as being either endowed with a phallus
or a floral pattern -
but in english almost all objects of worded
interaction are gender-neutral!

native tongue "endowement"...
słońce - sun - is feminine...
księżyc - moon - is masculine -
krzesło - chair - i'm siding with masculine...
stół - table - that's clearly "gender neutral" /
alias: hermaphrodite... alias for the *******...
son / daughter of Aphrodite...
kamień - stone - masculine...
góra - mountain - feminine...

and so the heavens opened and became:
short on breath and soul...
the groundwork of earth...
the earth itself... started to nibble
on the delicacy of feet - the wind whispered...
and the echo: and the footsteps...
and the dutch clank convened and called it:
marriage!

how grammar transcended casual english
usage... how it bypassed orthography...
how it never attained orthography...
oh yes... the russian have it...
but... who would have expected it...

n'est ce pas?

what was once the gestalt primer...
that became a rorschach test...
i say: it's either a ink-blotch of a pelvis or a moth...
but with regards to the selfie:
i always require two mirrors...
i still remember the days when someone
would take a photograph of you being:
oblivious...
as if god: the narrator...
convened and descended upon the scene
and imposed directions of keen: montage...

the basis of gender neutrality of nouns...
it can't be extended to encompass verbs...
an oak: dąb - is male...
but a pine - sosna - is female...
all fruit bearing trees are female connotations...

whatever sheryl crow's debut album was...
wasn't alanaise morissette's jagged little pill -
however the conundrum spins with no
favor for the electric currents passing via
Ariel... give me the wind god...
the daughters and barons of: the lesser involved!

because i'm a far cry the alpha...
kindred of the omega... and all that alphabet
of meaning behind letters...
"self-imposed"... less a ******* and more...
feeble guide of watching others get
pleasured by the mantis
and the black widows of tomorrow...

a cactus would grow in my palm should
i witness germany re-united:
at least that's how the proverb stood its ground...
before common or passed on "wisdom"
learned to gravitate toward...
soap bubbles pop... charcoals smoke...
ms amber becomes a river
when there was no river expected...

the tides are hardly shy: they're buying time...
this one last commodity of the rotten mind
of the gambler...
puny prophet - of fate -
alongside the weathermen of a forgotten
afternoon: come birthday prior to noon...
and the fungus umbrellas chat
among themselves in a premature autumn
cascade...

fungus or just... lungs... devoid of a body?

my god: the kids are going after the grammar
that has already absolved them...
knitting mosquitos and lambasting
gherkins' worth of would-be:
pickled cucumbers...

that herring tartar... with dill and juices...
that baltic sushi never to arrive
at the cusp of the Caspian sea...
Molotov shots;
the Russians will always bring glasses
and ***** with them...
because... they somehow can...

- and that's because...
sheryl crow's debut album wasn't
alanaise morissette's...
but never makes the cards of a...
poker-match-up to better not earn
money if all that money is a gambler's
Eden...

- there are better ways to get away with
cooking an egg...
there's this entire myth of...
no poultry sushi...
mein gott! how the meat agrees with
abortions...
you can undercook beef,
you can undercook pork...
but when there are poultry standards...
they're just as risk-aversive as when...
a soft-boiled egg is required...
same with meat...

this direct translation of the atomised meat
in an egg white...
how it needs to coagulate to pristine juice
and all that perfect *******...
and... ****** via the runny yoke...
because i believe there's a puritanical
aspect of all life in general...
when hard-ons are sold
within the quarantine confines
of a viagara episode of: ***** into a hard-on...

chuckles and whittle charlie chaser says:
no man was ever ***** into a hard-on...
no?!
when charlie met chuckles and chuckie
and charles...
it must be a russian "thing"...
they have them... and hide them better...
there's nothing to hide in english...
just bad grammar and trans-grammar....

i.e. чa-чa-чa
            believe me... they managed to fold...
hide the caron in that alice through the looking-glass
of greek mu: μ - or (h)atches open!
how about hiding...  (letovers: č              č
the caron, in russian?          č č             č č         č)
or the H and the Z in english and polish
respective - whole - attached to the S?

epsilon lying back... the toil
of Sysiphus is a bore: шit...
****... and... шarp...
and... mateuш...
    
maybe people... or so we at least,
have inkling to hope to be receptive of...

щ: twice the hiding caron...
it's not that the russians don't use diacritical
markers - they just hide them differently...
the self-exposed vowels...
last of the reminders...
because there's the carpenter's obligation
to chisel a Y into an I...
or at least a J...

to add this currency of momentum is...
to... leave without a memory spare...
whipped along the trail via
a maine ****'s finicky worship of
air that will never translate itself
as being: breathed...

and yes: i drink... i drink to relax
my lexicon from the everyday strict: rules
and obligation of formal mr and mrs
and what doesn't fit into
a metaphor tuxedo...

over-cook pasta: we'll never talk again...
over-cook beef or pork: ditto...

it's an art to treat cooking poultry meat
with a quasi seafood status of scallops...
to curate a soft-boiled egg -
not quiet the abortion portioned
within the confines of a lost shell when
thrown into the dead-bath of
a lobster's litany when the neither alive
nor dead is cooked...

some bloos is necessary when it comes
to either beef or pork...
but you can't just have undercooked
poultry...
the grounded clipped wing marshall:
the decency of cooking poultry has
to be equated with cooking
a soft-boiled egg...

otherwise the common saying:
one apple a day... keeps the doctor away...
well...
one poem a day... keeps the psychiatrist away...
no? who are the circus freaks
the pseudos and the quasis of what...
has to be compensated by mr. rather dr.
surgeons and... the better half of whatever
becomes the butchering degree:
a degree in: what's not to be eaten...
but what has to be left intact
and reused?

less the homosexual yet still la la land...
not quiet cuck...
but still... every time i visited...
and never managed to peer at
the sort of first-person doom shooter experience
that otherwise third party sources would
allow me when...
the best fallatio is done in third-person...
talk about having someone to sit
on your face like...
never the literal metaphor translation
of ****** acts...
face-grubber from alien and...
performing oral *** on a woman...
no... none of it is true!
******* and winding archaic clocks...

some would even call it electricity should
it come from a burning candle!

I bought myself a kite to fly
I tossed it up and ran around
I tried to pull it through the sky
But found it just dragged on the ground.

It landed in the mud, it was mangled, it was done
And thus concludes the tragic tale of the kite I numbered one.

My second kite was different.
It caught a mighty gale
I flew it well, then let it go
And in the end I failed.

It joined released balloons and leaves, whatever else is there
In the *****, lonely cloudland in the out-of-picture air.

I still had hope and so I bought
My final silken bird
I told myself that I would soon
Unleash it to the word.

The kite's debut date got pushed back and further back until
It found a final resting place untested in its skill.

I bought myself three kites to fly
The first two meet ill fates
The third one has a dusty shelf
Where it keeps very safe.

~ dad said she'd be famous ~

"...a doctor
or diva
like lena horne," he said

he'd been doing odd day jobs
and driving cabs deep into the night
through  these mean city streets
since ella's debut
at the apollo

and his smile
grew wider than
jackie o's
reservoir in central park
when this bouncing baby girl
made her grand debut
into his world

the dimples on her
cherub caramel cheeks
were irresistibly pinchable

and those twinkling eyes
knew she'd be spoiled infinitely
like a fruit-fly in a box
of rotten apples

~ reality check ~

....if you look closely
you might still see one dimple;
but the twinkles departed
back in '75

....and the burns
on her fingertips
and blistered lips

....and the bones....
jutting  like the bones
of refugees and anorexics

....missing flesh

...and the tracks
on her forearms
and filthy jeans

.....and the eyes....
shifting like the eyes
of senators and thieves

....telling lies

.....and the rotting corpse
in a black garbage bag
in fresh kills

multiple choices removed
from the doctor
and diva of daddy's dreams

hijacked by dream-killers:
smack
      crack
  and addiction

~ P (Pablo)
(8/1/2013)

With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses

Ana has made her debut once again.
Telling me that I’m not
pretty enough.
skinny enough.
worth enough.
All I want is to look like other girls around me.
To grasp the affection from lovers.
But how do I expect myself to grasp love if Ana is taking every ounce of myself with her.
I don’t even have the strength nor energy to grasp the protein shake that’s been flung right in front of me.
I know Ana is toxic but yet her burning words sound so sweet.
Too sweet.
Her burning words keep me burning countless calories.
Giving me only enough energy to listen to her.
Ana has made her debut once again and I am once again begging her to leave.

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

It's been a bit jarring, this stumble into symmetry,
my good senses
               gluing themselves intact
         like an eleventh-hour craft project.

No string sections swelling for this comeback kid--
the just desserts, in this case,
                             arrive in the form
                             of a steady hum
                             that breezes the past away
                     with the ease of a loose eyelash
           flying in a tropical storm.

It took years to embody this equilibrium,
to approach the mid-morning sun
and not recoil from overexposure,
no longer draped in the sweat-soaked robes
                 of secrecy. I have tripped upon a biome
                 of bravery, fallen into the measurements
                 that require no prickly tampering
                 from the rusty, dulled needle
                of a fraudulent tailor.

Trying to find a place to cry.
How pathetic is that.

Not my house,
My family will ask.
Not my dorm,
My roommate will wonder.
Can't park in my car,
People will pull over.
(People are so ******* kind in that way).

So I'll drive.
And I'll cry.
Like a child
Who didn't get his way.
Which,
In a way,
Is fairly accurate.

But I need to cry somewhere.
The pressure is building up
In my head
In my heart
In the pit of my stomach.
Waiting there
To make its debut.

So I'll drive.
And I'll cry.
And I'll let it all out.
Because I want you
But he has you
And I didn't get my way.
And on second thought no,
Not like a child.  
A child is much more
Mature.

Because I won't apologize
For throwing a fit.
Because I still want you.
So I'll just drive for awhile.
And let it all out
On the road.
Throwing a fit
In my '91 Chevy.

Two people both alike in character
Of the opposite sexes
Sit across a candlelit dinner
In a lovely, fancy restaurant

The room is incandescently lit
With a dimness that balances between ever so bright and ever so dark
Allowing for a gold tinge to envelop the restaurant
But not gold enough to take away notice of the lit candle set upon the White table cloth

The waiter appears and asks the couple
What they would like for dinner
The couple order the food and drink
Much to the waiter's delight the food and drink is expensive

The waiter returns shortly
With a bottle of their finest Pinto Noir
And pours the blood-red wine slowly
Into each of the couple's glasses
And leaves the couple to sip upon their sweet sin delicately

The food is laid out
Triumphant in its debut
A vast smorgasbord of entries
Including frog legs, crab, and delicious ****** steak

The couple prepare their silverware for the battle that is eating

The man stabs his knife into the ****** steak
Cutting it open and spilling the juices all over his plate
He stabs the meat with the fork and guides it toward his mouth
And slowly but surely chomps upon it with the strength of his fine jaw
And swallows the meat into the unexposed mystery that is his stomach

The woman begins to mutilate the frog legs with her knife
Cutting into the once moveable limbs
And stabs the limbs with her fork and brings it to her mouth
And delicately bites the limbs and politely chews
And swallows it into her fine and precious insides

The couple then split the crab legs
Using their bear hands they split the shells open
And remove the meat or **** it right out of the shell
They swallow it whole and do nothing with the shell
Leaving the shell aside to be as still as a carcass

The waiter arrives and asks how the food was
The couple obliged him with their satisfaction
The bill is handed to them and the couple pay it
Leaving a hefty tip
They then leave the lovingly dimly lit restaurant
To enjoy the night that is ahead of them

In Bolivia’s capital city La Paz, indigenous women known as cholas have long been stigmatized for wearing their traditional clothes: bowler hats, handmade macramé shawls, tailored blouses, layered pollera skirts, and lots of elaborate jewelry.

But for the past 11 years, fashion designer Eliana Paco Paredes has been chipping away at that stigma with her line of chola clothing—which she debuted at New York City’s Fashion Week last week. That’s a big deal for a type of clothing that has historically been disparaged in Bolivia because it was worn by poor, indigenous women. For a long time, many indigenous women couldn’t wear chola clothing in certain professions.

Bringing indigenous designs to New York is a huge step for Paco Paredes, though not the first time her clothing has received international recognition. In 2012, she designed a shawl for Spain’s Queen Sofia.

But Paco Paredes’s Fashion Week show is also an important moment for indigenous cholas. Until recently, these women “could be refused entry to certain restaurants, taxis and even some public buses,” writes Paula Dear for BBC News. Such an international spotlight on Paco Paredes’s designs will hopefully increase the acceptance of indigenous women and their culture in Bolivia.

La Paz’s mayor, Luis Revilla, wrote in an email that his city’s response to Paco Paredes’s Fashion Week debut has been a feeling of pride. He hopes that “her designs, which reflect the identity of local woman from La Paz, generate a trend in the global fashion industry,” he says.

“I also hope that in time, people from different geographies of the planet begin to use some of the elements that make the dress of chola,” he says.

Fresh off her Fashion Week debut, Paco Paredes spoke with National Geographic about her clothing and how opportunities for cholas are changing.

What is your approach to your designs?

What we want to show on this runway is the outfits’ sophistication. But the thing I don’t want to lose, that I always want to preserve, is the fundamental essence of our clothing. Because what we want, in some way, is to show the world that these outfits are beautiful, that they can be worn in La Paz by a chola, but they can also be worn by you, by someone from Spain, by a woman from Asia; that these women can fall in love with the pollera, the hat, the macramé shawl combined with an evening gown. These are the outfits we want to launch.

Do you think it's important that you, as a chola, came to Fashion Week in New York?

Of course! I think that it's very important because to have a runway of this international magnitude, with designers of this caliber, with international models, with a completely professional atmosphere, fills me with pride. And it's very important because of the fact that people can see my culture.

Who buys your clothing?

I have a store in La Paz, a national store. Here in La Paz, in Bolivia, this clothing is doing very well, because it's what many women wear day to day.

At a national level I can tell you we have the pleasure to work with many regions: Oruro, Potosí, Santa Cruz, Cochabamba. At an international level, we dress many people in Peru, Argentina, Chile, Brazil, and some products we make go to Spain, Italy. So through this we want to open an international market with sophisticated outfits that are Eliana Paco designs.

We're getting people to learn about what this clothing is at another level, and many women outside of Bolivia can and want to wear these outfits. They've fallen in love with these designs that they can say come from La Paz, Bolivia.

How are opportunities changing for cholas in La Paz?

It's definitely a revolution that's been going on for about 10 years, because the cholas paceñas [cholas from La Paz] have made their way into different areas—social, business, economic, political. And look at this fashion event, where nobody could've imagined that suddenly so many chola designs are on the runway with some of the most famous designers, like Ágatha Ruiz de la Prada, where they have lines of different types of designs at an international level.

The chola paceña has been growing in all of these aspects. And for us, this is very important because now being chola comes from a lot of pride—a lot of pride and security and satisfaction.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

headphones...

   no, really,

headphones...

there's a massive difference
between playing a record
outside the realm
of headphones...

yep, headphones...

because headphones are great,
sure...
    drowning out the mechanically
maniacal sounds of
the drone sound of the hive
of cars, and other clutters
for the ears...

but...
     put a record on,
on a windy afternoon...
**** i'm old...
2009...
the year that the **
released their debut, self-titled
album...

now i'm starting to think:
am i claustrophobia prone
listening to music
on my headphones?
well... not when i'm performing
a juggling act on
the street, whereby i'm
countering agoraphobia
with listening to music
on my headphones
while i walk the open spaces
and sidewinder roads...

i just forgot how good music
sounds, when it fills,
occupies a room...
it's almost like returning to
the status of a fetus...
then music... resonates...
when music, expands,
vibrates,

and when it couples with
the shuffling sound of the wind
passing, swaying, flirting
with the trees?

i'll give the English this point...
the **'s debut,
or alt-J's debut albums...
there's no punk counter
to the haunting, atmospheric
fission of ****** the **** out
of memory...

but i do feel reembodied,
which is not disembodied...

headphones...

    no, not a car radio doing
1 on 1 time while strapped
to a linear projection of movement
and subsequent custard of
stand-still trapped in traffic...

i'm talking:
   music on the stereo...
blasting at volume 16...
incubating you in a room of sound,
with the window open
and the orchestra of the wind
to boot / boost the whole
point of: listening to an entire
album...

mind you... the concept of the album
focused on what the modern song
is / lasts...
    3 minutes, or thereabouts...
so? the album had to add a bit fat 0
to the consensus...
      roughly 30 minutes' worth
for a success story...
             with regards to an album...

no... this is the first time i've experienced
this sort of transformation,
battery dead, last resort...
not exactly papa roach territory of
teenage angst outlet necessities...
more like a sly bagel from
the Gants Hill Jewish bakery...

**** me... the resonance with this album,
when music fulfills the confines
of 3 dimensions,
rather than the 2 dimensions of
headphones...
  
     the background noise back-up...
the cackling magpie,
the wind brushing the trees or at least,
orchestrating an attempt of
confusing itself with the breath of man,
while supposing to play
a woodwind / flute...

so confined: this precision making...
it's like with every passing second
i am born, i am dead,
i am reborn, and death...
            becomes this trivial
choreography that only attempts
to perfect my mortal: stature;
such a humbling experience...
        i pity the people who gesticulate
a furthered accomplishment
of subservience toward a prayer.

That point where perspective fails
Is a sharp and shameless end
A failure, yes I must confess
For I have preached and I have practiced
And yet I have managed to fester a mess
Acquired a weightless collection of because
While fate heckles with his game of luck
Conducting an explicit scene
That has made a joke out of my childish dream
Finding solace in the irregularity of unearthly absolutes
I will carry my sore knees, drag my swollen knuckles
To rescue the sweet of my laborious fruits

An upcoming fashion show, and I don’t mean to be unkind here, is lacking in both. It’s just the way it is. These models are beautifully ordinary people, your neighbours, and their designs are self-crafted, each suiting the model’s personal interpretation of high fashion. It’s the social event of the season. Everyone in the “know” will be there.

Eight models and an emcee will take to the Capitol Theatre stage in Oxford Thursday at 7 p.m. for the third annual Foolish Fashion Show. Foolish is the operative word here. It’s an evening of fun, with each model parading across the stage in four outfits during the show. The fashions are indescribable literally. You have to see them to appreciate them.

The show is the annual fundraiser for the Oxford/Pugwash Unit of the Canadian Cancer Society. To date the show has raised about $5,000 for the society’s Lodge That Gives in Halifax.

The show was the idea of the local unit’s Bev Clark.

“At the time there were no people to canvas door-to-door,” she said. “People were getting older or had less time. There were also other fundraising campaigns going on at the time.”

After seeing a foolish fashion show elsewhere, she decided a similar one would work for the local cancer unit. The first show was a sellout and the models of the evening agreed to take to the stage the next year.

Each designer/model is responsible for their haute couture. With the final result left to their wild, some might say perverse, imaginations the creations are a sight to behold.

Unit secretary and past president Bob Hunsley in his best 007 voice introduces himself as “Bob, SpongeBob.”

“Every good fashion show should include good costumes,” he begins. “Here, our unit president Edna McCormick is wearing her all-weather coat. In this coat she is well prepared for sunshine, rain, fog and snow and all the wind that blows (the coat is adorned with representations of each weather condition). Notice her “son” hat (which is a tribute to her son).”

Jane Smith is new to the Foolish Fashion Show runway.

“I came to the show last year and really enjoyed it. It looked like fun,” she said.

First time jitters?

“Doesn’t bother me a bit.”

This show is one in which you can’t do anything wrong. You show off your creation however you deem fit. It’s all fun.

Tom Kay, is making his modelling debut also. And what will Councillor Kay be strutting his stuff in? Not to give too much away but a muscle shirt like you’ve never seen and shorts will be worn.

Nine-year-old Emma McCormick is also a featured model.

It’s a show not to be missed.Read more here:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

Il a dit, "au debut t'etais belle"
- C'est bon de te revoir, répondis-je.

reprends moi. Je veux parler français à nouveau Je veux boire du vin et danser toute la nuit avec toi. Je ne pense pas que je t'ai jamais vraiment laissé partir. Vous avez toujours été avec moi.

In brighter days she sought escape
A vowel yet to take shape
Reasons faint as loveless lips
Miserly her wicked grip
Common be the traveled road
Debuted was a fate forebode
Heavy though I did not shake
In brighter days she sought escape

You
are
looking
at the
the first
characters
of
my
struggle.
Are you still looking through?

I made a film last night about a man
who hates  neckties—silk, cotton,
and bow.  It is a documentary
of sorts,  that reveals  his
drawbacks, peccadillos,
discrepancies, lies,
and misdeeds.

I am the only character, me,
you can not watch it.
Never.   It is mine
to slowly edit,
and wallow
as I view.

I see you clearly
You cannot hide it
Not like me
Like me
Although you do not know
We're both in the same show
Every cell in my body
Buzzing
An Atomic level
Of anticipation
Waiting for their big
Debut

Untitled 2
by Unknown 2

created from cut up poems at the Jigsaw chapbook debut event (May 27, 2017)


Not being able to fit in and be normal, I fought back and choose to accentuate my differences instead. To take away the sting of the humiliation of being different, I choose to beat my recriminators to the punch. Over the years this freakish, differing defense became the mask, the performance. I perform the freak now to fit in. But this is not an insincere masquerade, but rather one of the many costumes I wear, a reflection of slivers of me. I protect the darkest parts of me by shielding it in light. Trying on different identities
So much so, you’d never suspect I am hiding something. The best place to hide is in the open, where no one would think to look.

As he reached into her robe
She giggled, and handed him his lunch.
“Go to work,” she said.

She sits behind me squawking with an adolescent banter that must seem dire
Her intensity of voice speaks the same thing I had secretly wished for years, but been too afraid to say
“Please pay attention to me.”
Speak, I did, for the very first time
This awkward message of youthful adoration is not exactly communicated articulately
Her only response is, “God, I hate you. Please shut up.”
If I am already taking risks with my life, then I will not be silenced
For once, I will not back down
“You love me. You just don’t know it yet.”


Assembled from works by Ryan P. Kinney

Lagi ka na lang
tourist spot na ayos picture-an,
handa pag may birthday lang,
extreme sport na masayang subukan,
gown pag debut, dress pag kasalan,
leap year pag pinagpala,
blue moon pag may himala,
lakad ng barkada kung tuloy ang aya.
One time, big time.

Kailan ka kaya magiging
tambayan anuman ang dahilan,
kanin sa kahit anong ulam,
basketball na laging andiyan,
t-shirt, shorts, pants na 'di pangmayaman,
a-kinse at a-trenta pag minalas,
new moon, full moon at lahat ng quarter,
fixed date.
Big time, all the time.

Untitled 1
by Unknown 1

created from cut up poems at the Jigsaw chapbook debut event (May 27, 2017)


Why did she do this to me?
Why the **** am I always left alone?
Why am I always so ******* cold?

I have to get out of here
You’ll just have to pull harder
I have raged, cried, smiled, trembled, and laughed.
And you are as pathetic as you are courageous
Scarred, but whole.
I am alive
I’m you



Assembled from works by Ryan P. Kinney

As reviewed by NY Times best selling author
Ellen Tanner Marsh


Any Christian surveying the current state of modern poetry could easily become discouraged, given that much of that poetry can only be categorized as nihilistic. At worst, such poems seemingly promote despair and violence-against society, the church, or even against oneself. At best, they consist of self-centered whining and overdramatic emotionalism, completely devoid of spiritual muscle and ethical backbone.

New author Joseph J. Breunig 3rd, in his fine debut collection Reaching Towards His Unbounded Glory, takes a fresh stride in the opposite direction, in a poetic compilation that should delight anyone who enjoys reading Christian literature as well as poetry. The book comprises over 100 poems of various lengths, although they generally do not exceed one page. In a slight concession to modern poetic style, some of the stanzas are unrhymed, yet all of them speak to Christian themes, such as faith and its testing, seeking a higher road, the state of grace, error and sin, biblical people and events, and personal redemption through God's word.

A common thread that runs throughout the majority of the poems is that individuals- regardless of any mistakes they may have made in the past-can still turn to Christ as their Savior and begin the slow, sometimes painful, but always positive process of redeeming themselves, in developing a new life filled with abundance and spiritual serenity. By reaching for this new and uplifting collection of Christian poems, readers can indeed begin reaching towards God's glory.


For more information, please visit this link:
http://www.squidoo.com/book-isbn-1419650513/



About Ellen Tanner Marsh

Ellen Tanner Marsh was born in Cologne, Germany, in 1956. At the age of three, her family came to the United States for a two-year stay which has since lengthened to thirty-five.Ellen grew up in New Jersey and moved to Charleston, SC, with her family when she was sixteen. She graduated from Clemson University with a Bachelor's degree in Animal Science. While debating whether or not to apply to veterinary school, she published her first historical romance novel, Reap the Savage Wind. When Reap became a New York Times' bestseller, there was no question of continuing with her studies, and Ellen began writing full time. Two further New York Times' bestsellers have followed: Wrap Me in Splendour, and its enormously popular sequel, Sable.With a total of eleven published novels, Ellen has garnered numerous awards, including a Romantic Times Lifetime Achievement Award, as well as appearing on the B. Dalton, Walden, Publishers Weekly, and other bestseller lists. She has over four million books in print and her work has been translated into four languages. They are extremely popular in her native Germany, where several have been included in special edition.Ellen still resides in Charleston, SC. She is married to her high school sweetheart and has two young sons.

.had i not come across the tironian ⁊... my my... what is a 7? did tiro invent a counter to VII? it was not all borrowed numbers from the sankskirt wielding hindus?! tironian... now that's someone you don't hear of much these days, it's all aesop and spartacus... if even that... tiro formerly a footnote in the life of cicero... for a B and a III - stenography's 3... Q and R or IX - stenography's 9... yes, we europeans didn't invent the current numbers... but just imagine... the details of +, - x, ÷ hidden within the jazz hands and counting with your fingers and the abacus... and how you will not find roman algebra... or that the discovery of calculus took both: numbers, and letters... etc. etc., but that we didn't invent numbers... as the slave Tiro... and his stenography of letters... i ascribe stenography as the original proposal for modern numbers... perhaps they would have "thought": II (+) III (=) V... or... oh i forget the cliche of Rome and the seven hills... i see: I, V, X: L, C, D, M... seven hills or what? who needs 10 digits when you can do just fine with... 7? the seven headed beast of revelation... i call that bait... but they built a... ******* coliseum working with: a year is bound to "spelling" rather than counting... CCCLXV... then again... with letters as numbers perhaps all of mathematics was once upon a time only practical, practical architecture... beautiful architecture and what not... glass shards would fizzle out: because of their proportions... imagine geometric-algebra with: letters and letters rather than superscript numbers: yet to arrive from the Raj of india... or otherwise found in ol' Tiro's stenography of letters... tender waiting buds of welcomed may... because we really borrowed numbers from: what was not already in letters, bound, waiting for a steographer to revise the matter of "counting"... all of ancient mathematics was without a hypothetical... without an algebra.... concrete evidence suggests that: a mathmetician was someone who had enough spacial awareness... numbers drafted for taxes and building coliseums... beauty marked by IX + XI = **! quiet odd... i see the 7 headed beast, the roman numerals beside the seven hills of the ancient resting place of papal bones: I, V, X: L, C, D, M... that numbers came to us from the Raj, from Persia? we had a 7 in the form of the greek gamma Γ... all that was required was codifying a looking into a mirror... might i stress the importance of narcissus in this affair? the unconscious of narcissus: Γ | ⁊... aren't i the lucky one... with a leash on the baron of the talk of shattering of mirror: never sounds like the shattering of glass!

as ever, opening a bottle of ms. amber and sitting down
to a sudoku...
to ensure this sponge of a brain slurps up
some wet concrete...

//
   \\
                      __   (⁜)      "oop" □ here
                      ⁁  †               ‗
"oop" □ over
here...   focus points...
the kaleidoscopic eyes...

words to abstract words are not enough...
anagrams are: "abstracts" of words using words...
i'm too tired to play games of this
nature... i want to return to...
VI + IV = X... somewhat daringly... return to...


a box over here: ◰ (yes, like so...
with the isolated number missing,
e.g.
or an ◲...

                     a line of 9: ――――――― here and
now "there" |
                      |
                      |
               ­       |
                      |
                      |
        ­              |    in vertical
                      |
                      |

i've seen how people lock their smart-phones...
•   •   •
•   •   • and whatever ✭ pentagram "zigzag"
•   •   •

   opens it up... a sudoku puzzle, can very much
be a bunch of stacked pentagrams:
                            ✭
                       ­  ✭✭✭
                      ✭✭✭✭✭
                   ✭✭✭✭✭✭✭
the eyes will always wander to-and-fro...
again... what sort of i.q. does the darting eyes?
i'm not that good with crosswords...
as a bilingual i already have a crossword
in my head...
i don't play games of anagrams...

you want to write a cascade poo'em... write this...
otherwise peer into...
this will never make a study of geometry...
this is a 9² "problem"... more like a canvas to
relax in... sudoku says the hiroshima pundit...
i say... it's a 9²: niner squared...
in the UN approved phonetic alpha-beta...
why isn't it the alpha-omega...
choicest of wordings...
i guess an alphabet implies a cascade that...
cascades?

          A                  B                ­  C
   x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

but what if the following narrative...
took place... with the numbers being replaced
by letters... better still, something more simpler...
what it A1(1) - the bracket implying
the number placed in the square A1:
which consists of 9 numbers...
0 is never part of a puzzle... nor should it be...
0 is a number that acts as more a function
of (x) and of (÷)...
you can deem 0 to be involved in addition
and subtrtaction...
but... not really...
0 acts as a prime multiplier and divider...
it's so clearly omitted in addition and subtraction...
that... ancient romans... said 1 = I...
3 = III... while 10 = X....
while 9 = IX and 11 = XI...
and 20 = **...

but what is a 9² (sudoku) puzzle was to replace
numbers with greek letters?
why not greek letters?

however much i put into these scribbles...
maximum effort... minimum return rate... so i will not
do as i anticipated myself in doing:
reaching into a dimension of ambition...
i'd only say... it was much easier calling it a...
A1(1) rather than a Aa(1) narrative...
don't ask me why... perhaps the whiskey has...
"muddled" me...

but...

          A                  B                  C
­   x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

was more simple to solve than

          A                  B                  C
   x     x     1     x     x     x     x     9     1
a x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
b 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
c 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

  borrows from puzzle no. 11,337...
to solve and explain puzzle no. 11,341...

but in between... let's watch the optical
schematic: ▣, ▤ / ▥,
              ▦ / ▩ and ▨ / ▧...
while at the same time: squadron-✭
                       mein gott:
this over-inflated nihon squat and square...
as donal rumsfeld said: the known knowns,
the known unknowns and the unknown unknowns...
because he's not just like...
the bullet-point and the next target practice
of: **** bad... **** all good...
the war criminal Slobo Milošević from
Yugol you-go...
the english isles would know know...
as to why... a mongol invasion would never
set them back a century...
or as to how the ottoman turks teasing...
was only a romance in romania...
because... even if Finland is the quirky odd
kid in the whole bunch of the Scandinavian
sandwich of rar herrings and gherkins
and rye bread...
well sort me out oh please sort me out...
tell me that listening to
these debut albums... or near misses...
silverchair - frogstump...
everclear - sparkle and fade...
stone temple pilots - songs from the vatican gift shop...
it also made sense to be a pre-teen...
listening to these albums
with an uncle with a car... eating cheap
chicken wings while he washed the car
from some next-or-no-other *****-circus date...
after that... it didn't make a sense to own
a car... if there was the bus...
and a dream of riding a horse everywhere...

this little moi: this solo experience...
of the long hair of gods
and the long beards of men...
and the of the sikhs and the devils...
and how it didn't make sense to grow
both at the same time...
long hair in my youth...
while playing, slumpt in...
catch-up-baghdad...
i too thought it was going to be that
simple... a demigod grows long hair...
a demi-imbecile of the most basic
infernal hides the scythe moon
and the chin behind a turban of a beard...
the god with long hair...
the devil and his... beard and itch...
eden of ***** having migrated from
the cushion of underwear:
fully exposed to... not tended to...
or the scrub of stubble...
or what's not... the venus glory sheen...
smoothed or smothered skin
that still belongs to the buttocks of the newly
born...

yes... in between the songs strawberry and
heartspark dollarsign - from everclear's debut...
i too wish i took drugs...
fortunate as i am unfortunate: words and letters
are in x-ray black and white...
what good would licking some mushroom
do for me, or for you?
excesses of colours, among these dams and bridges?
among these sputniks of  precursor numbers?

even if the blanks, were to replaced with a 0
for the other algebra unknown...
tier above... hyperscript a 1 - 9...
i.e.

          A                  B                  C
   0     0     1     0     0     0     0     9     1
a 0     0     0     6     9     0     3     0     4
   0     0     3     0     0     0     5     1     7
   9     0     0     0     1     7     6     0     0
b 3     5     0     0     0     0     0     0     0
   7     0     0     0     5     4     8     0     0
   0     0     7     0     0     0     2     9     8
c 8     0     0     8     2     0     4     0     6
   0     0     2     0     0     0     0     0     0

mirror, mirror on the wall...
who isn't a charlize theron 0 = negation
of them all?
abigail mac is not a *****
doppelgänger of alicia vikander?

no better need to drink...
nonetheless the sun still shines on the question...
sudoku 9²: what it the cardinal numbers
were to be replaced with cardinal letters...
notably greek...
the alpha male the beta male the gamma and
the omega are all covered...
so is pi... given xi (11) is 0...

          A                  B                  C
   0     0     1     0     0     0     0     0     0
a 0     0     0     6     9     0     3     0     4
   0     0     3     0     0     0     5     1     7
   9     0     0     0     1     7     6     0     0
b 3     5     0     0     0     0     0     0     0
   7     0     0     0     5     4     8     0     0
   0     0     7     0     0     0     2     9     8
c 8     0     0     8     2     0     4     0     6
   0     0     2     0     0     0     0     0     0

thus? Iota = 1, A = 2, B = 4, Γ = 7, Δ = 3,
rho (Ρ) = 9, Π =...
B should equate itself to 8 in the stenographic
origin of numbers...
depending on which stenography you decide
upon...
Iota = 1, A = 2, B = 8, Γ = 7, Δ = 3, P = 9....
no lower-case, please...
intuitively: zeta: Ζ = 5...
what's missing? we have: 1, 2, 8, 7, 3, 9, 5...
4 and 6...
                     Η = 4 and Σ = 6...
rubric, please!
1 = I
2 = A
3 = Δ
4 = H
5 = Z
6 = Σ
7 = Γ
8 = B
9 = P...

and how would a sudoku look like... thus?

          A                  B                  C
   0     0     I     0     0     0     0     P     I
a 0     0     0     Σ     P     0     Δ     0     H
   0     0     Δ     0     0     0     Z     I     Γ
   9     0     0     0     I     Γ     Σ     0     0
b Δ     Z     0     0     0     0     0     0     0
   Γ     0     0     0     Z     H     B     0     0
   0     0     Γ     0     0     0     A     P     B
c B     0     0     B     A     0     H     0     Σ
   0     0     A     0     0     0     0     0     0

notably when the following narrative unfolds
and

          A                  B                  C
  ­ x     x     1     x     x     x     x     9     1
1 x     x     x     6     9     x     3     x     4
   x     x     3     x     x     x     5     1     7
   9     x     x     x     1     7     6     x     x
2 3     5     x     x     x     x     x     x     x
   7     x     x     x     5     4     8     x     x
   x     x     7     x     x     x     2     9     8
3 8     x     x     8     2     x     4     x     6
   x     x     2     x     x     x     x     x     x

becomes

          A                  B                  C
   4     8     1     5     7     3     9     6     2
1 2     7     5     6     9     1     3     8     4
   6     9     3     4     8     2     5     1     7
   9     2     8     3     1     7     6     4     5
2 3     5     4     P     Σ     8     7     2     1
   7     1     6     2     5     4     8     3     9
   5     4     7     1     3     6     2     9     8
3 1     3     9     8     2     5     4     7     6
   8     6     2     Γ     H     9     1     5     3

via B1(1) C1(6) C1(8) C1(2) C1(9) A1(9) A3(9) A1(5) A1(6) C3(7) C2(7) C3(1) A2(1) A3(1) B3(5) A3(3) A2(6) A2(2) A2(8) A2(4) C2(4) C2(5) B2(3) A3(5) B1(5) C3(5) C3(3) C2(1) C2(9) C2(3) C2(2) B2(2) B1(2) A1(2) A1(7) B1(8) B1(4) B1(7) B1(3) B2(8) B3(9) B3(6) A3(6) A3(8) A3(4) A1(4) A1(8)... post-script in greek numerals...
B2(Σ), B2(P), B3(H), B3(Γ)...

and if this is bingo... then bingo more... B2(x) and B2(y)...
and B3(y) and B3(x)...
my god... the fun time i'm missing when having
to raise children...
esp. among those superior intellects
of men... who... upon being married...
upon raising children...
return to the manosphere and talk to other
males without harems as if they were:
either constipated... circumcised...
or needing a father figure for that all encompassing
shorthand:
i didn't go to university to study chemistry...
i went... to the university of life!
a supermarket cashier clerk...
was the sort of cocktail shake-up required
for my bottled shampoo!

a ring a capturing a female is enough
qualifications to overlord the conversation
whether by topic or "feel"...
among ones... the la's nostalgia regret...
that would never arrive at blur or oasis
when it came to growing up in 1990s cool
britannia...

coming home to little town Poland...
is a carnival better than landing in Warsaw...
i can't say the same should i come,
and arrive in Loon'don's queue...
or the tubes under tarmac...

but of course drinking would get in the way...
to raising children...
perhaps drinking will allow...
a cameo father-figure role with a ******* child...
akin to: john wayne oscar winner for hard grit...
or: i'll **** my trousers because it's:
gonna be a rainman sort of day...
to start licking windows...
because: fear... prior to the mirror...
and the tongue that would no dare
to usurp the phallus in the serpent analogy...

yes... i noted "wrong"... i made a siamese blunder...
a siamese *** myopia...
two puzzle boxes... "the same" postal box...
the same university level education
of a non-high-school tier drop-out...
esp. because there's still no honda civic
worth a 33 year old to user the tinder app
to bother the wasp hive / harem... or some whatver
future of: this scenario never made it into blade runner...
or the inspiration for blade runner...
the one twin dead talking from the grave about
the future...
perhaps it was original for philip k. ****...
but perhaps... like any poet...
he's the host... and it was jane charlotte ****
speaking playing peek-a-boo from the grave?
there's no future in my writing...
i guess if this isn't "me"... then it's my
maternal great-grandfather and me talking about
shadows and dentists...
last time i had the foggiest...
i had a tootache...
so it's settled...
senior "chopin" and quasi "chopin"...
an internal joke...
how's the family?
family beside the atoms and the period table?
oh fine fine...
after all i heard the myth:
he didn't have any of his teeth pulled out...
but he also threw a tonne of coffe into the river
because certain people in europe even in
the 20th century didn't know what to do with coffee beans...

the spirit of adventure and exploration...
notably prolific in a landlocked
experience of the czech republic or moldova...
or... idaho... or...
i see water i want to see waterfalls...
i want to turn the anchor in a pumpkin carriage
and call the waves my horses!
to call an island a ship!
to call a continent a yawn and backward peoples...
and branch out... like a phototropism...
leaving all these continental europeans
living the nocturnal life of:
growth on **** sort of fungus of a past...

there's certainly a mistake in here...
but... unless you're just watched: shock & awe movie...
or still retain: the times weekly subscription...
what's a pedantry's "safe space" of automated
complications:
oh the joys of not having to cling to passing
a telegraph of genes and keeping it a minimum
of: two adults ******* better produce at least
two replicas... rather than that chinese
1 child per couple failure of ******-short-circuits...
oh the burden of reading some french thinking,
some german thinking...
nothing of a locke mea culpa as
the current phrase: pilate washing his hand
like a o.c.d. sufferer...

Tiro the new Aesop!
🙉 🙈 🙊
           monkey branch, busy cousin
of the follow-through deviation from gravity
in the upsillon - the parabola of a banana...
called the canary dip...
otherwise: my! what a treat!
what greater ambitions to write...
in order to write something
that would never become so quickly screened
like a stephen king novel...
obviously the contra comes from...
the loitering dean koontz...

it must be a curse of the surname...
i have a ****** surname...
well... unless you add... no...
adolf had a surname...
that germans must have found funny...
stalin had a surname...
that the russians must have found funny...
ghenghis simply could: in a present-participle
of: can...
and future present as a pop. surname
in pakistan: khan...
which sorts out the "problem" as to why
there's a stephen king and a dean koontz...
the answer is self-evident...
as i'm sure every smith and handy
becomes a plumber or the better part
of anyone day when he's struggling
with sightseeing and tourism...
of what might become...
the better part of a Thursday burrowing
from Hades into Tartarus.

As a Sports Illustrated model it's no secret that she has the ability to turn heads.

So as Hannah Ferguson marked day 30 of LOVE magazine's video advent she did so in smouldering fashion to ensure her debut was not easily forgotten.

Showing off her moves to the sound of Drake's Hotline Bling, the 23-year-old owned the shoot as she cavorted in a slashed corset dress.

Whipping her hair back and forth, Ferguson appeared to forego underwear beneath the daring form fitted number.

Becoming the definition of sensual, a pair of sheer stockings and Giuseppe Zanotti black patent leather lace-up stilettos completed the cover girl's look.

With her hair worn in its natural state, the beautiful blonde's striking blue eyes are lined with kohl liner while her pout is coated in a shade of **** lipstick.

Preened to perfection, the two minute clip is formatted in slow motion as the Texan beauty, who resides in the Big Apple, seductively gyrated on the floor.

In the film Hannah also displays her comical side as she flashed her pearly white while attempting to do the 'Stanky Leg' dance.

Ferguson's debut sees her join the likes of Kendall Jenner, Cara Delevingne, Rita Ora and Adriana Lima who all featured in the 2015 edition of the online countdown to the new year.

The LOVE magazine advent calendar, now in its fifth year, has seen an influx of 8.2 million views since launching on December 1.

read more:http://www.marieaustralia.com

www.marieaustralia.com/formal-dresses

1968  I remember 1968..
The land of milk and honey.
The war was still cold but not
The Tet. That ***** was hot.

1954 I made my debut. Lotta my boys did too.
** chi Minh amped up his crew.
Can't. We all just get along.

No way LBJ. Young guys all over town stressin the lottery.
The randomness of body bag.
Friday hip deep in rice paddy.
Monday a letter to your moms.