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jake aller Dec 2019
Snarling Cup of Coffee    




I like to start my day with a hot cup of coffee
I pound down the coffee
First thing I do every day
as the dawning sun
Lights up my lonesome room

Yeah, but not just a simple cup of java Joe, but a ******* snarling sarcastic smarmy cup of coffee

I mean, - we are talking about an alcoholic, all speed ahead, always hot, always fresh, always there when I need it, angry, attitude talk to the hand Ztude, bad, bad assed, beats breaking, beatnik, bluesy, bitter, ******, bombs away, capitalistic, caffeinated up the ***, cinematic, communistic, Colombian grown, Costa Rican inspired, Cowabunga to the max, crazy assed, devilishly angelic, divine, divinely inspired, dyslexic, epic, extreme vetting, evil eye, expensive, ****** vision inducing, Ethiopian coffee house brewed, euphoric, freaky, freazoid, foxy, Frenched kissed, French brewed, funkified, foxy lady, graphic, GOD in my coffee, with Allah, Ganesh, Jesus, Kali, Buddha, Christians, Durga, Hindus, Mohamed, Jesus and Mo and their friend, the cosmic bar maid, Sai Babai, Shiva, Taoists,

Zoroastrians, drinking my god ****** coffee in Hell;

growling, gnarly, happy, hard as ice, Hawaian blessed, high as a kite, hippie, hip, hipster, hip hoppy, hot as hell yet strangely sweet as heaven, jazzy, jealous, Kerouac approved, kick ***, kick my ******* *** to Tuesday, kick down the doors and take no prisoners, grown in the Vietnam highlands by exVietcong, Guatemalan grown, kiss ***, illegal in every state, imported from all over the ******* world,

insane, lovely, loony, lonely, lonesome, malodorous mean old rotten, *******, nasty, narcotic, never whatever, never meh, never cold, not approved by the CIA, not approved by DHS, not approved for human consumption by the FDA, not your daddy’s sissified corporate cup of coffee, NOT DECAFE coffee, not your Denny’s truck driver weak as brown water cup of fake coffee, not your establishment friendly cup of coffee, Not your FBI coffee, Not FAKE Herbal coffee substitute, but a real cup of coffee, not your farmer brothers dinner crap, not made in America for Americans, not safe for work, not your Starbucks average expensive overpriced ****** corporate chain cup of coffee, Not pretentious, Not White House approved, not State Department safe, nuclear, Not Patriotic, operatic, Peets’s coffee approved,

paranoid, pornographic, psychotic, pontific, politically aware, rapping, rhyming, right here, right now in River city, rock and roll up the Yazoo, sad, sadistic, sarcastic, sassy, satanic, schizoid, *******, silly, ****, smarmy, smelly, smooth, snarky, snarling, stupid, stinking, sweet as honey, sweat inducing, symphonic, Trump can’t handle this coffee, vengeful, Wagnerian, wicked, with nutmeg and cinnamon swirls, with a hint of stevia, with a hint of vanilla, with a hint of ***, with a hint of whisky, with a hint of cherry, with a hint of fruit overtones, with a hint of drugs spicing up the coffee, spendific, speeding, splendid, superior accept no substitutes, survived the Vietnam war, the Iraq war, the Afghan war, the first and Second Korean war, World War 11, the war on poverty, the war on drugs, the war on black people, the ****** revolution,

Soulful as a summer’s night in MOTOWN- James Brown approved, TOP approved, Berkeley approved, the coffee that Jimmy Hendrix drank before he died, the coffee that Elvis drank on his last breakfast, the coffee that Barry White crooned as he drank his cup of coffee – and the coffee that made the white boy play stand up and play that funky music, the coffee that made Jonny B Goode play his guitar, and made Jonny bet the devil his soul after he drank his morning cup of righteous coffee and the coffee that make the Rolling Stones Rock and Roll, the coffee your mother warned you against drinking, the coffee that Napoleon drank when he became the Emperor of all Europe, the Coffee that Beethoven drank when he wrote the Ninth symphony, the coffee that Mozart drank as he wrote his last symphony, the coffee that Lincoln drank before he was killed, the Hemingway drank before he killed himself, the coffee that started the 60’s, and ended the 20th century,

the coffee that Lenin drank as he plotted revolution, the coffee that ****** and Stalin drank with FDR as they divided up the world after World War 11, the cup that JFK drank before he was blown away, the coffee Jerry drinks while driving in cars with random celebrities and political figures, the coffee that Jon Stewart drinks before he goes on an epic take down of some foolish politico, the cup of Arabic coffee that Sadaam drank the day he was executed, the coffee that GW and Cheney drank when they bombed Baghdad, the Indian cup of coffee that Bid Laden drank before 9-11 and just before the seals blew his *** to hell, the cup of coffee that Tiger Woods drank with his mistresses while playing a 3, 000 dollar round of golf at Sandy Lane golf course in Barbados, the last legal drug that does what drugs should do, the cup of coffee that Obama drank when he became President, Vietnamese, Vienna brew, wacky, whimsical,

Whisky Tango Foxtrot, wild, weird, wonderful, WOW, Yabba dabba doo! Yada Yada yada Zappa’s favorite cup of cosmic coffee, and Zorro’s last cup of coffee, Good to the last drop rolled into one simple cup of hot coffee   
As I pound down that first cup of coffee
And fire up my synaptic nerve endings with endless supplies
Of caffeine induced neuron enhancing chemicals

I face the dawning day with trepidation and mind-numbing fear
I turn on the TV and watch the smarmy newscasters in their perfect hair

Lying through their perfect blazing white teeth
about the great success the government is having
Following the great leader's latest pronouncements

I want to scream
and shoot the TV
and run out side

Shouting
Stop the world!
I want to get
off this ******* crazy planet"

The earth does not care a whit
about my attitude problem

It merely shrugs
and moves around the Sun
In its appointed daily run

the universe whispers
in my ear
time to drink more coffee
for an attitude adjustment

And I sit down
The madness dissipating a bit
And enjoy my second cup
Of heaven and hell
In my morning cup of Joe

Coffee Revolutions



coffee cup
Coffee led to the American Revolution<span
As patriots drank coffee
To rebel against
the aristocratic English tea

Coffee started the London Stock Market
And started the gossip mills running
Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved
to coffee's magic

I sing my praises
Of the great
glorious coffee lady

Long may she continue
To be my sweet companion

Long may coffee continue
To rule my heart
And set my heart
on fire

Ode to Coffee



Mistress of sacred love
Sacred lady of desire

You start my day
Setting my heart on fire
With your dark delicious brew 

And throughout the day
Whenever the mean old blues come by
You chase them away

With your bittersweet ambrosial brew
Every time I inhale your witch's brew

I am filled with power, light and love
And everything is al right Jack
If only for a few fleeting minutes

I love you oh coffee goddess
In all your magical forms

In the dark coffee of the dawning day
In the sizzling coffee in the mid morning break
In the afternoon siesta break
And in the post dinner desert drink

I love you my coffee mistress
You are my refuge
From this horrid world

And you are my secret lover
Never disappoint me, ever
I've never had a bad cup
Of that I can be sure

Even the dismal coffee
Served at Denny's at 3 am
Is still sweet loving coffee

Even the farmer brother's diner coffee
Excites me and gets me going
Asking for another cup of divine delight

Coffee always is there
It is always on and piping hot
With hidden dark secrets
Swirling in its liquid essence

Coffee is my last vice
My only legal vice left

Coffee does not cheat on me
It is always faithful, always true
It does not turn on its friends

And all it asks in return
Is that you come back
Cup after cup after cup

A good cup of coffee
Is a little bit of heaven
In a cup of dark liquid hell

Coffee is like a drug
But a good drug that does what is should
And never complains

It does not get grouchy
It does not hurt you

It does not make you crazy
But allows the muse to come out
And play with it

Coffee led to the American Revolution
As patriots drank coffee
To rebel against the aristocratic English tea

Coffee started the London Stock market
And started the gossips mills running

Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved to coffee's magic

Yeah
I sing my praises
Of the great glorious coffee lady

Long may she continue
To be my sweat companion

Long may coffee continue
To rule my heart
And set my heart on fire

I love thee
Mistress coffee
And sometimes I think
You love me too

No More Coffee Blues








I love coffee
Always have

And coffee has loved me back
But lately I have soured on her
Soured on the whole coffee scene

On the harshness
of the morning brew
And the promises it makes

As I sip of its nectar
Drawn into its lair

Drinking drop by drop
As the caffeine takes over

Rewriting my every nerve
Turning me into a slave
For its perverted pleasure

Yes I love coffee
But I am afraid

Coffee is a harsh mistress
Demanding so much of me

Promising the sun
And delivering the moon

As I drink her swill
Deepening under her influence

I have the coffee blues
Can’t live without her
Can’t live with her

I try
But tea does not cut it
Not really

***** does not do it
At least not in the morning

Yoga is not enough of a buzz
Nor is the runner’s high

And I am afraid deadly afraid of *******
And speed and drugs and energy drinks

And so I remain a slave to coffee
My only legal drug

As I sip another
and fall under
her seductive spread

Once more failing my resolve
To skip coffee for that day
That morning that moment

I shall never be free of her spell
Ever and she knows it
As she beckons me
Every morning with her intoxicating smell

And I come to her
and drink her brew

And become her slave
again and again

Coffee Ya Du





must drink coffee
have every day
the morning dawns
drinking my coffee as I yawn

Morning cup of coffee 



every morning
I drink my coffee
as I contemplate 
the dawning day

watching the news anchors
blather on and on
drinking my coffee
thinking of life

and my coffee
consumes me
overwhelms me
and at time controls me

after all coffee is a drug
and I am her slave
from time to time

Drinking Coffee in the Morning



in the morning
dangerous mood
felling deranged
watching the news

trigger warning
you are ******* dude
end of the world
the end times come

I drink coffee
in the morning



Coffee *** Killed





His wife has banned my use
by my owner
says he makes too much
of a mess when he uses me

it is not his fault
I want to say
but being a coffee ***
can not speak

and so I am abandoned
thrown out into the trash

and feel very sad
for my owner

who was my friend
he liked me

he keep me going
and I did my job

providing him
with fresh coffee

doing my coffee *** duty
and now it is over

Drinking My Coffee


drinking coffee

drinking my coffee
early in the cool morning
thinking life is fine

everything will be okay
after I drink my coffee

morning coffee



morning coffee

dawning sun 











coffee MGur Poem


coffee

I pray to the coffee gods
every cup of coffee
is like a sacrament to me

I pray as I drink my coffee
that it will fill me
with wisdom

and find peace
with my coffee

as I drink
my devotion

Hot coffee


cup of coffee


take coffee with you
Hot hot coffee, makes my day -

Must drink My daily coffee, as the morning dawns - 

With out my morning coffee

in me,  I feel nothing at all -

Electrified Hot Coffee



coffee is the drug of choice
nothing else will do it
as I drink coffee
Electrified
Hot Coffee

Hot Coffee and Cake


coffee
coffee is the drug of choice
electrified circuits
as I drink coffee
coffee and cake



Coffee Patina



coffee
hot coffee
hot Hellish Heaven
Essence of coffee
the rest of the coffee poems can be found at
jonni inferno Jul 2018
i met her    
in a waking dream    
as i walked beside    
the sylvar stream    
whose chattering laughter    
shifted suddenly    
into a sylvar pool    
of enchanted silence    
a mirrored glaze    
in muted    
misty
dawning rays    
    
her cascading mane    
a crimson flare    
sea-green eyes    
alluring stare    
my heart stopped    
to see her there    
reposed    
'pon a verdant garden lee 
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
dahlia lips    
whispering desire    
vermilion plunder splayed    
spellbound 
by her charms    
heart pounding    
thundering    
captured    
i stay    
an' wi' faire
lithesome beauty lay    
'pon a lush an' vibrant field    
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
we lay there    
lost in time    
locked    
in the silence 
of kindred minds    
an' i knew her name    
tho she spoke it not    
sipped i then
the misty morning dew    
from precious lips
that from me drew    
all that i    
ever thought    
or felt    
or knew
'pon the grasses lush and green    
beside    
the softly glowing mere    
'neath    
the weeping willow trees    
    
soft sings    
the whippoorwill    
the meadowlark    
an' mourning dove    
their voices weaving spells    
for lover's yearning hearts    
in the meadow    
by the way    
where my love an' i    
do lay    
entwined  
'pon the gleaming sylvan shore    
beside    
the shining crystal lake    
'neath
the weeping willow trees    
    
alas    
the dawning days    
were passing
when came malevolence    
within
a thund'ring tempest    
lightnings flashed
in ragged gashes
'cross the heaven's    
stygian passes
an' from those
gnawing caverns
spewed
a raging
howling
demon's brood
an' down flew they
by the sylvar stream
where my love
and i
entranced
did lay
beside
the mystic sylvar lake
'neath
the weeping willow trees
    
then from my arms    
vile creatures tore    
my lifesong    
my heart's blood    
my one    
and only love
her scintillating form    
they ripped    
her silent
piercing cries    
bleeding    
thru my soul
an' took her they  
far from this    
battered    
desert shore    
as her soundless    
painful    
chorus fades    
an' leaves me
here alone    
to lay    
'pon these shifting lifeless sands    
beside    
this sylvar lake of tears    
'neath    
the weeping willow trees    
    
the meadowlark    
her spellsong sings    
thru ebon winter's    
weathering    
the silver stream    
her laughter froze    
this heart    
once fire    
a soulless stone    
    
so now this raven
winged    
doth fly
to scour the bruised    
an' shadowed skies    
to find my dove    
an' bring her home    
to lay
'pon these frozen brittle stones
beside
the darkened sylvar tarn
'neath    
the weeping willow trees    
    
thru timeless age    
an' dangerous realms    
i followed    
her silent    
morbid    
ravenings    
as her grisly    
mewling pleas    
hollowed out my soul    
'til at last    
i found her    
chained an' bound    
lost    
deep within    
peculiar planes    
an' baneful realms    
far from    
the laughing sylvar stream    
far from    
the weeping willow trees    
    
her lament    
of bitter tears    
an' fear    
sliced    
thru my defenses    
a doomed    
pernicious heart    
she was    
wandering    
thru deepest depths    
where madness reigns    
all hope destroyed    
hell's minions    
reveled
unconstrained    
    
my dove    
called i    
my love    
'tis i    
once more    
thrice more  
time  
and time again    
till finally    
she hearkened    
to my voice    
    
true love    
recall us    
you and i    
dancing    
thru ageless realms    
consider us    
twirling    
under heaven's wings    
she
spinning
at my fingertips

an' i  
drew her then    
breathless    
into my arms    
ambrosia lips    
her sweet alms    
from her dark pain    
i did drink    
of her    
malignant sorrow    
i did partake  
my questing    
thirsting hunger    
willingly  
did i sate  
gathering all    
her shattered pieces    
from those altered    
blighted    
reaches
    
chains    
now broken    
i carried her
'pon wings    
of true love's    
sylvar light    
far from    
these darksworn legions    
into    
the dawning night's    
farthest regions    
    
an' there    
close by    
the laughing    
whispering    
sylvar stream    
lay her gently    
'pon the verdant flowing shore    
beside
our gleaming slyvar mere    
'neath    
our weeping willow trees    
    
under glimmering    
starlit heavens    
sing    
the whippoorwill    
the meadowlark    
an' mourning dove    
whose soulful songs    
compose    
for yearning lovers    
charms of hope    
where pools    
the laughing    
sylvar stream    
whose mirrored gaze    
draws us deep within    
celestial    
starlit    
wanderings    
  
as the wind    
whispering
sighs    
thru our hearts  
as we lay entwined    
'pon a verdant garden lee    
beside  
our misting sylvar mere    
'neath  
our silent    
weeping  
willow trees    
      
p j upchurch
Tommy Johnson Dec 2013
You can hear the voices of our peers being silenced, ignored, shunned and distorted.
Staggering out of their bedroom doorways to the street corner to score a dime bag.
Bright, insightful millennials freezing in search of warmth from something to believe in that will encourage them to look forward to see another day.
Where our economy has made financial prudence clear when talking about education, yet price tags of university tuition's skyrocket.
The refused, the ones with hope but no money or scholarships; tread the streets with the echoes of electro house pulsing in their skulls.
Those who strip themselves down and shred their own morals to scraps just to find themselves and to see their own limitations.
Searching for answers to the unknown, to ascertain what they are, who they are and why.
Timid in high school, pushed along with nothing and no one to put their creative vigor into.
The squeakiest wheels that were never even considered to be given a good greasing.
Faculties giving them lethargic hellos on the first day of school, bestowing celebrated goodbyes to them on graduation day, diplomas in hand.
Now are the ones slumped over in a lackadaisical position contemplating how they can afford an education.
They work eight to ten at seven twenty five an hour Monday to Friday; and weekends staying in as not to blow their earnings.
Those who commute to university and balance a job with it, I applaud you.
The bewilderment of adulthood, the overabundance of pressure and responsibility.
Awakened from nightmares of lost opportunities, missed trains and lost contacts.
To step out of bed and splash water onto a severely distressed face and staring into a mirror with a despairing look.
Then hoping a bus to Garfield to bring back weight for all the embryonic smokers not yet at the point of make or break, just save up enough to pave my own way.
Gazing at the town on a roof top, chugging down the tenth…no…twelfth beer of the night wondering how this all happened.
Wild sensations of kissing an attractive stranger, the rush of touching on things never felt, tasting pleasures only the lucky have known.
The passionate, yet dissolute yearning for that ever eluding ******* adrenaline. Pounding, Pounding, Pounding until the culmination of energy has come.
Flip sided to those dizzying, tear jerking thoughts of suicide, annihilation of ones being, the contradictions of their faith in themselves and the people around them.
Unexplainable waves of anxiety crashing onto the shore of a diminutive island of optimism
Striving to look past the panic, the gloominess and fury that may or may not be present. But to remain composed and press forward to what awaits them.
Coffee keeps them going. Cup after cup, late night cramming every bit they can; into their caffeine driven psyches until the indisputable crash and failure.
Packs and packs of menthol cigarettes to calm their rattling nerves but at the same time killing them slowly. Their lives will seem shorter than the time it took to finish one bogey when death is near.
Marijuana induced ventures to run down burger shacks, laughing hysterical in the car ride, eyes heavy with a most ridiculous elastic grin extending from ear to ear. While inside millions of thoughts and realizations of consciously simple speculations and troubles become clear and unproblematic. So the joy is mirrored outside in.
LSD trips in Petruska dancing and singing in the rain! Making music, making love; playing pretend and creating art. Becoming a family while kicking back under the warmth of an illuminated tree on a cool fall night.
MDMA streaming through the body, everything is as it should be
Beautiful, lovely to touch, wondrous to stroke, marvelous to move.
To contact and connect, converse and converge with the dwelling desire to share what you feel with everyone for it would be selfish and unpleasant to keep it in.
Mushrooms oh the emotional overflow I need not say more but ****.
Then there are over the counter candies, Oxycontin, ******, Adderall and Xanax, painkillers and antidepressants. Ups, downs, side ways and backwards.
Selling addiction and dependency legally to kids. Making heroine, ******* and speed easily obtainable to them. Changing the names and giving out prescriptions so the parents can feel like they're actually helping their children but are subconsciously making it easier on themselves because they cannot handle the way their offsprings actually are. Some parents a feel it is the only way, I wish it wasn't so. Becoming zombies, mindless addicts before they even start to mature into puberty. I've seen it, firsthand front row.
Oh, the monotonous, mundane rituals and agendas of our lives. School, work, sleep eat, the sluggish schedules and repetitions of yesterday's conversations and redundancy of itineraries we had plotted months prior.
Same people, the constant faces of boredom that groan in apathy and hold the fear of complacency.
We talk about how hum drum out lives have become and what we could to put some color in our world but don’t.
We speak of how unfair the system is but ultimately confuse ourselves and everyone else due to lack or organization and dedication so nothing is changed.
We speak of breath taking women we want to share ****** fantasies with but can’t even muster enough courage to send a trivial friend request.
Texting away for hours trying to court those who now occupy our minds and possess our hearts hoping they may allow us to acquire their attention and affection. Calling them only to receive futile dial tones and know we are being evaded.
Weeping on and on for seemingly endless time frames of a dilapidated relationship that was so strained that a miniscule breeze could cause it to collapse but still clinging to every memory as if they were vital hieroglyphics depicting your very essence.
Brilliant theories blurted out in a drunken stupor.
Ingenious hypothesis shrouded in marijuana smoked out room.
Remembrance of friends long gone.
The marines, the navy.
The casualties of drug addiction.
The conquerors or their afflictions.
The scholars.
The insane locked away on the flight deck never to be seen again.
Teenage mothers unsure of themselves, abandoned by their families for they believe that they brought fictional shame upon the family’s name. The fate of the child is unclear but the mother’s everlasting love shines through any obscurities in its way.
Dear mother of the new born winter’s moon may the aura of life protect you and your baby.
The father gone without a trace.
He will never know his daughter.
And it will haunt him forever.
Parents bringing up their kids with values and morals, The Holy Bible, mantras and meditation, the Holy Quran, The Bhagavad Gita, and Upanishads. Islamic anecdotes and Jewish parables.
The names all different
The message the same
The stories unlike
Goals equivalent
Faith
Kabala, Scientology and Wicca
Amish and Mormons
All separate paths that intertwine and runoff each other then pool into the plateau of eternal life.
But do we have faith in our country, our government?
They do not have faith in us. Cameras on every street corner, FBI agents stalking social media, recordings of our personal lives and police brutality. 4th amendment where have you gone?
We say farewell to Oresko the last veteran of the last great war. And revisit the Arab spring, Al-Assad’s soldiers opening fire on innocent protesters, one hundred fifteen thousand lay dead. Bin laden dead, Hussein hanged, Gaddafi receiving every ounce of his comeuppance. War, terrorism, the fear of being attacked or is it an excuse to secure our nation's investments across the sea? Throwing trillions of dollars to keep the ****** machine cranking away, taxes, pensions, credit scores, insurance and annuities all cogs in the convoluted contraptions plight.
My dear friend contemplates this every night laying in bed, fetal position; the anxiety if having to be a part of this.
Falling apart on the inside but on the outside, an Adonis, *******, Casanova wanna be. Who worshiped the almighty dollar, gripping it so tightly until it made change, drank until he had his fill falling face first into the snow. The guy who lead on legions of clueless girls wearing their hearts on their sleeves not knowing he had a girlfriend the entire time. Arranging secret meetings in hidden gardens, streaking into the early morning. Driving to Ewing in his yellow Mustang to woo a sado masochistic girl. The chains and whips do nothing to him he is already numbed by the thrill. Then he comes home, lays in bed until one, with no job and having people pay for his meals.
He knows what he does and who he is wrong. He recites and regurgitates excuses endlessly. He cries because he knows he is weak, he knows he must fix himself. I sit on the edge of myself with my fingers crossed hoping maybe, maybe he will set himself straight.
My chum who can talk his way out of any confrontation and into a woman’s *******. Multitudes of amorous affairs in backrooms, backseats, front rows of movies theaters. Selfish, boastful and ignorant, yet woman fling themselves at him like catapulted boulders over a medieval battle field just to say hello. These girls blind to see what going on, for their eyes were taken by low self esteem. A need to be accepted, to feel wanted even only for fifteen minutes. Poor self image, daddy issues, anorexic razor blade slicing sirens screaming on about counted calories and social status. Their uncontrollable mental breakdowns and emotional collapse. Their uncles who ***** them, their parents who split up and confusing their definition of love and loyalty for the rest of their lives. Broken homes, domestic abuse and raised voices, sending jolts of fright into the young girl’s fragile minds. I send my sorrows to you ladies, to see such beautiful creatures suffer then be used and thrown away with the ****** that was just ****** deep into their *****.
Then I see women and men of marvelous stature, romantic in the streets holding everyone and everything in high regards. Finding beauty in anything and anyone. Enjoying every second as if the rapture was over head eating exotic foods from unheard of countries and cultures. Bouncing to the sound of whimsical , reverb ricochets and sense stimulating music. Huffing inspiration to create something out of thin air. Dancing to retired jazz and swing albums as if no time had past since their conception. Wearing bold colors and patterns, thrifty leather shoes or suede.
Dawning pre-owned blazers because why spend hundreds of dollars on new clothes just to look good but feel uncomfortable with a hole in your pocket. Dressing up but dressing down, so class yet urban I love it, chinos, pea coats and flannels so simple but chic.
At night they go to underground dens, sweaty bodies, loud music and freedom. Expressive manifestations glowing fueled with MDMA and other substances to further their enjoyment of the dark glorious occasion. Kandi kids sporting colorful bracelets, not watches for time is of no concern to them, they have all eternity they know that.
Going to book stores, coffee shops just to have some peace of mind and a moment of silence to themselves so that can weave the tapestry of imaginative innovation. Writing their own versions of the same story, endless doors of perception, reading news papers and taking it with a grain of salt. Watching the news on TV with a hand full of salt. Searching for the real story so they can know if the world they all live in is actually safe.
She who made her own way breaking hearts, rolling blunts and making deals. The flower child of the modern age, left the rainy days in search of radiant sunshine, idealistic. Reality was subjective, purple dyed hair, multicolored sweater with sandals on her feet. A ten inch bowl with bud from California packed in tightly. Coming from Dumont to Bergenfeild then on to Philly to Mount Vernon. Off to Astoria and the Heights. Now to Sweden laying in the grassy plains below the mountains. Good for you my friend whom I have loved, may fortunes of unsullied joy come to you and all you meet.
Since you’ve left I have encountered drunken burly firemen just trying to have a good time. Pounding down Pabst Blue Ribbon as if it were water; as if it were good tasting beer. But heroes none the less.
EMT's, young eighteen years old high school graduates, saving lives reviving people who are a mere inch close to death.
Sport stars getting scholarships thanks to their superior skills and strength.
Striking beauty school students who are into making the people of this world a little bit more beautiful on the outside.
All these people, successful, doing things. Departing to their desired destinations. I see inside them, they carry baggage, loneliness and insecurities. I can feel their guilt slowing them down. All have their loads but it’s the way they carry them that shows who they really are. And to me their all gems.
Not far in Paterson I watch the junkies limping across busy winding street, perusing a severely needed fix. “Diesel!” they shout beneath flickering streetlights, asking for spare change and if bold enough a ride to some shady sketchy place. I give them a dollar and politely decline. They’ll die without it. Vomiting up bile and blood, twitches and shivers are all you feel when it’s not in you. They cannot stop, they need help. Why not help them instead of “assisting” those who are homosexual? Cleansing so they can be granted entry to the kingdom of God. Looking down on people who have found love and understanding and a deep attraction to others who just so happen to share alike genitals.
Narrow minded uproars about the spread of AIDS, nonsense! The puritanical onslaught of those who want nothing more than the rest of us, love. "Gay", "****", "******", "queer", how about "kind", "funny", "genuine human being"? The right to be married and divorced should be an option for everyone to enjoy. The strains and hardships of matrimony are yours if you want them. If you don’t agree don’t hate or harm just allow them to be peacefully. Same goes for anything for that matter, Jehovah's going door to door, Mormons from Burbank. New ideas are never a bad thing, they’re not a waste of time. On average you have about eighty years to mull over your options.
Some people don’t live long enough to do so, cancer is rampant, blood diseases, ****** diseases, natural disasters coming right out of left field and blindsiding the innocent bystanders of both hemispheres. Some go through life handicapped, autism is apparent these days. Schizophrenia, Asperburgers, ADD and ADHD. Some lose their golden memories of their many valuable years walking down Alzheimer's Lane, not being able to remember whatever transpired only a few moments ago but revisiting gold nuggets from from fifty-some-odd years ago with ease. Some go through life delusional or bipolar. Some can't even sleep at night but they still carry on. And if assistance is needed it is our job as a race to help our brothers and sisters, no one deserves to be excluded from the gala of life. Or be denied by society and pumped with brightly colored pills from doctors promising a cure but prescribing a crutch.
Finding solace in sincerity.
The serendipity of it all hasn’t been uncovered and that keeps me going.
“Radiate boundless love towards the entire world above, below and across. Unhindered without ill will without enmity.” Oh Buddha the truth as it ever was.
Who is he who keeps these thoughts from the conscious minds of the population?
Who is it that distracts us from the humbling beauty and overwhelming devastation of this place of existence we’re in?
It’s they who do under the table parlor trick behind our backs.
Those who broadcast mind numbing so called reality TV shows without an underlying value or meaning.
Those who produce music, proclaiming extravagance to be the end all be all gluttonous goal we all should aim to achieve.
And those who turn noble causes into money making scams and defile pure ideas.
And of course those who give false promises of easily obtained  bright futures, those who don’t care, those who steal, ****, curse, bad mouth and lie. But still manage to get elected into positions that more or less decide out fates. Monsters, demons, banshees howling inconsequential worries and leaving us deaf to hear the real issues.
The
Alyssa Underwood Aug 2018
We're forced, each man, to walk a trialed path—
resisted trek, uphill through blinding daze
that shrouds with crucible's perplexing haze
till fog-white skies yield quick to black clouds' wrath.
Affliction brims a thorny pack to bear
whilst dewy darkness drenches in the night,
but where is calming lamp to lend us sight?
And who will come to give us saving care?
Here through veil is heard a whisper certain,
then o'er the mountain creeps the dawning day
and with clear eyes we see the brume give way
as God retracts His theatre's curtain,
unsheathing velvet waves whose morning sheen
beyond grey mist splays vast and wondrous green.
~~~

"I will exalt You, LORD,
    for You lifted me out of the depths
    and did not let my enemies gloat over me.
LORD my God, I called to You for help,
    and You healed me.
You, LORD, brought me up from the realm of the dead;
    You spared me from going down to the pit.
Sing the praises of the LORD, you His faithful people;
    praise His holy name.
For His anger lasts only a moment,
    but His favor lasts a lifetime;
weeping may stay for the night,
    but rejoicing comes in the morning.
When I felt secure, I said,
    'I will never be shaken.'
LORD, when You favored me,
    You made my royal mountain stand firm;
but when You hid Your face,
    I was dismayed.
To You, LORD, I called;
    to the Lord I cried for mercy:
'What is gained if I am silenced,
    if I go down to the pit?
Will the dust praise You?
    Will it proclaim Your faithfulness?
Hear, LORD, and be merciful to me;
    LORD, be my help.'
You turned my wailing into dancing;
    You removed my sackcloth and clothed me with joy,
that my heart may sing Your praises and not be silent.
    LORD my God, I will praise You forever."

~ Psalm 30

https://hellopoetry.com/poem/1464179/the-beauty-behind-the-fog/
Shofi Ahmed Jul 2018
When the sun
is a sleeping beauty at night
shining on the Moon!
The night is wake
is a stunner far cuter.
It knows no cold foot
is on the move.

The full wax of the starry
sky keeps awake.
But none could chart a line
exposing a beautiful
night in the veil, no one
says a single word.

The first one perhaps that
dared to open the mouth
only to be speechless
to be lost for word!

Not a night or two ago but
since the dawning of the time!
Jemma Mar 2017
It’s a new day dawning yet we’re still living in the past
Embracing colonialism and saving the rest for last
You know, the rest meaning the other cultures because you think they don’t matter
But it’s time for that glass of classism and racism to shatter
It’s funny how when I go to University I’m rarely taught by people who look like me
No matter how much the white lecturers may try, they will never understand my cultural identity
So don’t get mad if I doze off in your lecture because I just can’t relate
If I speak up I may start the great debate
Learning about Ancient Greeks and those who lived in Rome is fine
But what about the indigenous people of the Caribbean or stories of what went through the slave’s mind?
University is more than just learning about what makes Western culture great
There’s more to this world that we can truly celebrate
America and Haiti both had a revolution
So if we want to make a change we need to come up with a solution
It’s a new day dawning and we plan to decolonise
Despite our obstacles, we will rise
Is the moon tired? she looks so pale
Within her misty veil:
She scales the sky from east to west,
And takes no rest.

Before the coming of the night
The moon shows papery white;
Before the dawning of the day
She fades away.
I must not gaze at them although
Your eyes are dawning day;
I must not watch you as you go
Your sun-illumined way;

I hear but I must never heed
The fascinating note,
Which, fluting like a river reed,
Comes from your trembing throat;

I must not see upon your face
Love's softly glowing spark;
For there's the barrier of race,
You're fair and I am dark.
Staff Sgt. Joseph D'Augustine
a proud Jersey son
whom Thou hast blessed
laid in St. Luke’s ground
for his heavenly rest
April 4, 2012

1.

in a far off province of
God forsaken Helmand,
our dear son Joey
met his untimely end

an explosive crack
a most terrible sound
felled a beloved Jersey son
to the cold cruel ground

working the live wires
of a well placed IED
a deathly burst killed him
it was awful to see  

Staff Sgt. Joseph D’Augustine
in solemn duty fell
fellow brothers in arms
will forever reverently tell

of courage and character
of a dear fallen friend
and how the valiant warrior
met with death at his end

for he was always faithful
to his beloved corps
comrades couldn't ask
a valiant marine for more


2.

details of his death
are not the real story
selflessness and bravery
are but part of his glory

is it brash to
question why he fell?
in a useless bitter war
an embroiled senseless hell

a generation mustered
to fight in the war on terror
serving four tours of duty
in a lost decade of errors

two tours in Afghanistan and Iraq
could a nation ask a man for more?
for he was always faithful to the call
upholding pledges he hath sworn

3.

the burden of war
to a  few confined
it rarely crosses
an American’s mind

incessant war machine
drones on apace
the horror of conflict
so cleverly displaced

with afternoon baseball
and super bowl parties
big disco paychecks
and other selfish priorities

pay hollow tribute
to dear weary troops
when valor is mentioned
we gather in groups

we’ll raise the flag
sing stirring anthems
than its back to the party
pay it no more attention

self styled patriots
wave handfuls of flags
but ask them to contribute
the zeal soon lags

its left to the few
to shoulder burdens of many
fairness is lost
its a democratic calamity

four tours in a decade
an inhumane task
burdens require sharing
its only fair to ask

Joey was always faithful
to the task at hand
willing to step forward
to serve his homeland


4.

in the wake of 9/11
a nation deeply shaken
young patriots stirred
liberty’s call not forsaken

a call to serve answered
to quell the rise of terror
a clear clarion alarm
marks the nature of the era

Joey boldly came forward
to train and learn
the art of warriors
his bright patriotism burned

deployed to Afghanistan
to capture Osama
routing the Taliban
without much problem

but a pacified Afghan
not enough for Bush
he invaded Iraq
another military push

we rolled into Baghdad
adorned with victors garlands
Saddam’s statue toppled
our troops were honored

deposing a dictators
soon turned to occupation
a ****** mission transformed
to build the Iraqi and Afghan nations

once honored liberators
now a conquering force
bestriding broken nations
on a civil war course

military industrialists
stood to profit most
sweet protracted conflict
record earnings to boast

lives bartered for lucre
a region held hostage
the conflict deepened
hostilities hardened

America dipped into
a great recession
the war machine
bled money and
kept on ticking

scooping up contracts
rewarding investors
the dividends of war
heaven sent treasure

continuation of hostilities
preys on a nation's youth
as casualties mount
ill portents forsoothed

a fraction of citizens
bare heartaches of war
gulping measures of despair
to guard a nations door

a nation always faithful
to the holy pursuit of profit
a highest citizens calling
put money into your pocket


5.

our beloved Jersey son
gave a full measure of devotion
in dress blues they shipped him
back across the ocean

on the Dover tarmac
they received his remains
for a last ride northward
to his hometown terrain

repatriated body
bereft of soul saluted
solemn escort knelt
hearts trembled, tears muted

a hearse for a gallant man
flanked by state troop cruisers
to escort the funeral train
assure an honored movement

one last trip up
old thunder road
the storied highway
Joey often trod

the last detail legged up 17
reverent firefighters saluted  
from overpasses
to honor  the woeful scene

as the motorcade passed
the Garden State Malls
frenzied consumers
failed to notice at all

busy window shoppers
didn't to turn an eye
as Joey rolled home
to the sweet by and by

vets interred at the
Old Paramus Church
gently stirred in their graves
reasons for war they search

Channel 12 Chopper
circled its eye in the sky
televised the sad parade
captured many teary eyes

the early spring blooms
colorful petals displayed
maples and forsythias
a royal carpet laid

spring remains always faithful
as the new season turns
offer sunshine and glory
as our sinking hearts burn

6.

motorcycle escort
northbound lane clear
rolling homeward
Waldwick was near

leaves exploding
green shoots budding
****** white maple blooms
natures accolades stunning

the oaks yet bare
just waking from slumber
winters death passing
a sad day put asunder

the motorcade passed
Joey’s home on Prospect Ave
few  envision lifes endings
this woefully sad

red chevy pickup idles
in hoop crowned driveway
never to drain jumpers again
departed children can’t play

the eye in the sky
framed neighbors in mourning
welcoming back a fallen hero
unsettled emotions dawning

neighbors waved Old Glory
from painted stoops and curbs
unsure how this tragedy
visits this blessed suburb

green grass of home
always flush with spirit
tears welled in the eyes
most difficult to bear it

last cruise of the town
sad neighbors stand witness
paying final due respects
and ponder from a distance

what purpose is served
by this man’s passing?
the dead cannot speak
rationale is for the living

the terrible herse
death circles our town
moves through our day
hope of spring drowned

murderer of sunshine
killer of young flowers
budding trees breaking
our hearts an ashen pallor

we remember the beauty
of Joey’s stout face
as it looked on your finest day
exuding pure honor and grace

old vets gather
donning caps and pins
boasting semper fi jackets
jutting tear dripping chins

shaking hands, giving hugs
bearing tattered banners
the hearse ambles onward
we head home in solemn manner

good folks are always faithful
where beloved ones grew
the death of our children
we sadly cannot undo


7.

the bells of St. Lukes
called out from the sky
platoons of limping vets
marched in with pride

pomp and circumstance
requisite dress blues
family, friends, townsfolk
overflowed the pews

doleful bells resound
tolling a mournful reckon
the cost of war mounts
a family’s loss beckons

the casualties of war
falls upon a nation's youth
a seasons page not  turned
a flowing wound not soothed

the wistful cornet calling
floats on the fluted air
the bereaved ***** gently sounds
a congregations somber despair

an unsettling dirge
the parish grows uneasy
nationalist bravado wanes
in the forlorn sanctuary

both church and flag
draped in colors of war
mock stain glass windows
communicants adore

is it a betrayal of the flag
to offer enemies
psalms of reconciliation?
where does true loyalty lay
with God or a warring nation?

afterall this is a sanctuary
where peace and harmony reigns
are we not called to beat swords
into ploughshares as the highest
calling of our Lord?

we are always faithful
to the pathways to war
when the practice of peace
is what we should adore

8.

coughing and whispers
incessant low murmur
a baby cries out
we sit and remember

the crucifers process
in solemnity to greet
subtle ***** notes salute
a coffin draped in Old Glory sheets

the beloved child welcomed
to his eternal repose
priests splash holy water
within the sacred dome

an amazing grace revealed
lifted by marine pallbearers
dearly departed body presented
gently placed at the altar

a grief struck sister
lovingly eulogizes
recalls tonka trucks,
GI Joe’s and cool transformers

a punch in the nose
an approaching wedding
beckoning Eastertide
vacation plans left begging

my second grade class sent
Christmas cookies and cards
to dear Joey and warrior friends
he said it warmed stark winter hearts

he was raised in this church
taught trust and reconciliation
the comfort of the Lords peace
may it surely go with him

for he was always faithful
to sisters, family and faith
his resurrection service
imbues sacredness
to this space

9.

sharp in dress blues
Eddie T USMC Gunny
big 50 caliber smile
offers his eulogy

Bada Bing Jersey Humvee
we called him Joey Calzones
good mood, loved sausages
he tickled the funny bone

always willing to sacrifice
loved the Patriots Tom Brady
a women dominated household
gave him a way with the ladies

his calling explosive ordinances
he said he was livin the dream
March 6th last time we met
knocking frost off cold ones
man whatta scream

a gallant marine,
beloved brother,
a sure friend
he was always faithful
I’m deeply wounded
by his untimely end


10.

the gospel read
the homily offered
Ecclesiastes wisdom
a time for everything
proffered

God never turns
an eye from the beloved
though seasons change
we are not forsaken
never unloved

as loss arrives
surely grief grows
turn away not
wisdom knows

in resignation
love lay dead
diligent intention
banishes dread

our rekindled hope
we rend and sow
our beloved Joey
knew this was so

our favorite son’s
example taught us
now rises on eagle’s wings
to claim his divine justice

Jesus faithfully tramped
the path to an awful death
Joey too fought the good fight
a warrior now gratefully at rest

The Lord holds him close
to the ***** of sure love
a cantors beatific voice incants
Joey’s spirit that forever enchants

The Lord is always faithful
to the bereaved and  beloved
no one ever forsaken
all unconditionally loved

11.

the Holy Eucharistic cup
affirms everlasting giving
tasted to nourish evermore
a libation for the living

singing the Beatitudes
praising peace makers
mercy filled voice and song  
pallbearers lift Joey’s coffin

off to seek his final peace
an earthly occupation ended
he’ll suffer worldly hate no more
down the aisle his coffin wended

the family closely followed
a mother haltingly sobbing
faithful marines came forth
to steady her wobbling

there is no sudden waking
from this terrible dream
the pungent incense rose
to the chapels sacred beams

the stained glass murals depict
the passion of Jesus’s story
illuming a consuming sorrow
in all its grace filled glory

the ***** of death slinks on again
we search for consolation
the recompense of honor blest
leaves a hollow heart wanting
no answers offered to quell the dark
of these terrible life’s moments
only the desperate need to hold onto
beleaguered treasure that sustains us

for we are always faithful
to the things we know
always faithful to the
things we refuse to let go

12.

the color guard and funeral detail
assembled in front of St. Luke’s
the cemetery right next door
the procession a short troop

the living will stumble through
the darkness of separation
seeking elusive answers
of poignant uncertainty;
all gave some, Joey gave all
nothing more required for his
journey through eternity

Joey will always be with us
his stories forever retold
as long as the machinery of
great nations engage
the gears of wasteful war

Joey’s spirit lives
in a peoples desire
for freedom, only if
our hope of peace
is greater than the
need for conflict

Joey’s lifes work
is sure to bear fruit
if those remaining
fight the good fight
by taking up the
task to protect and
expand the values
of liberty we
hold most dear

like our good
friend Jesus
Joey wears a crown
bejeweled with
a ring of thorns
hoisted on a
terrible cross
the sweet
incense of you
meets our nose
we inhale your
earthly presence
beholding beautifully
adorned crucifix,
a reminder of
unjust persecution
and a perfect
resurrection
yet this wretched
coffin remains

pledging allegiance
we rationalize our
stories, articulating
our small parts
in  heroic sagas,
reciting myths of
ourselves, recording
the grim history of
a young marine
surrounded by
a smart color guard,
feasting on todays
eucharist, this
days sweet taste
of  the daily bread
of human sorrow

The priest finishes
his graveside
commendation
of Joey D

Taps conclude
a wind rises
crows take flight
winging over
a stand of budding
Sugar Maples
exploding in white
blooms, reveling
in the glorious
sunshine of this
magnificent day

St. Luke’s stairway to
God Country and Home
smiling portrait of you
forever young

we surround your grave
to bless the earth
you've returned home
to your place of birth

our flowing pride
and salty tears bless
the anointed ground
that you loved best

a proud Jersey son
whom Thou hast blest
laid in St. Luke’s ground
for his heavenly rest

for he was always faithful
to the blessed land
forever at peace
in the soils sure hands

Charles Ives
The Unanswered Question

Oakland
11/10/13
jbm
martin Jun 2014
In the cold grey light of the sixth of June, in the year of forty-four,
The Empire Larch sailed out from Poole to join with thousands more.
The largest fleet the world had seen, we sailed in close array,
And we set our course for Normandy at the dawning of the day.

There was not one man in all our crew but knew what lay in store,
For we had waited for that day through five long years of war.
We knew that many would not return, yet all our hearts were true,
For we were bound for Normandy, where we had a job to do.

Now the Empire Larch was a deep-sea tug with a crew of thirty-three,
And I was just the galley-boy on my first trip to sea.
I little thought when I left home of the dreadful sights I'd see,
But I came to manhood on the day that I first saw Normandy.

At the Beach of Gold off Arromanches, 'neath the rockets' deadly glare,
We towed our blockships into place and we built a harbour there.
'Mid shot and shell we built it well, as history does agree,
While brave men died in the swirling tide on the shores of Normandy.

Like the Rodney and the Nelson, there were ships of great renown,
But rescue tugs all did their share as many a ship went down.
We ran our pontoons to the shore within the Mulberry's lee,
And we made safe berth for the tanks and guns that would set all Europe free.

For every hero's name that's known, a thousand died as well.
On stakes and wire their bodies hung, rocked in the ocean swell;
And many a mother wept that day for the sons they loved so well,
Men who cracked a joke and cadged a smoke as they stormed the gates of hell.

As the years pass by, I can still recall the men I saw that day
Who died upon that blood-soaked sand where now sweet children play;
And those of you who were unborn, who've lived in liberty,
Remember those who made it so on the shores of Normandy.
____________
Jim is a D-day veteran and folk singer who wrote this song. I just watched him perform it on tv at a banquet to commemorate the 70th anniversary.
Read and don't be ashamed to shed a tear for the thousands of young lives lost on that day.
Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

I have whirled with the earth at the dawning,
When the sky was a vaporous flame;
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded, without knowledge or lustre or name.

I had drifted o'er seas without ending,
Under sinister grey-clouded skies,
That the many-forked lightning is rending,
That resound with hysterical cries;
With the moans of invisible daemons, that out of the green waters rise.

I have plunged like a deer through the arches
Of the hoary primoridal grove,
Where the oaks feel the presence that marches,
And stalks on where no spirit dares rove,
And I flee from a thing that surrounds me, and leers through dead branches above.

I have stumbled by cave-ridden mountains
That rise barren and bleak from the plain,
I have drunk of the fog-foetid fountains
That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things, I care not to gaze on again.

I have scanned the vast ivy-clad palace,
I have trod its untenanted hall,
Where the moon rising up from the valleys
Shows the tapestried things on the wall;
Strange figures discordantly woven, that I cannot endure to recall.

I have peered from the casements in wonder
At the mouldering meadows around,
At the many-roofed village laid under
The curse of a grave-girdled ground;
And from rows of white urn-carven marble, I listen intently for sound.

I have haunted the tombs of the ages,
I have flown on the pinions of fear,
Where the smoke-belching Erebus rages;
Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

I was old when the pharaohs first mounted
The jewel-decked throne by the Nile;
I was old in those epochs uncounted
When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

Oh, great was the sin of my spirit,
And great is the reach of its doom;
Not the pity of Heaven can cheer it,
Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
phocks Nov 2014
a warm dawning sun
rises slow on hazy horizons
with winds wildly
blowing
down endless
interconnected currents
we wake up
to birds singing
timeless songs of morning
and our forgotten past
leaves us hanging
like willows weeping
in the rain
from this year's nanowrimo novel
http://phocks.github.io/nanoisms.html
Weeping Willows was selected as the daily poem November 10, 2014
Nick Stiltner Aug 2018
Horns of triumph sound,
showering the day with a golden glow!
Apollo in his blazing chariot rises from the east horizon, reigns in hand as he flies towards the stars with the morning light tethered tightly behind
his shining carriage.

Eyes long blinded ache from the coming morning,
the dew on the grass shines in radiance
and an emerging smile escapes from lips tightly held together.

A laugh escapes!
The head rolls back, the eyes begin to water!
A gasp for air, a friend held tightly to your chest!

The mournful songs of the lasting night fade to blurred memory, drowned in new light.
The flicker behind a smile that was lost in the white moonlight cracks open again, one that was forgotten deep within the darkened cave.

The first time come again!
A child’s giddy laugh tolls from a mouth set in stone.
A stomach full of nervousness, a mind that will not rest.
I exist on a single beam of light in between two oceans of stretching, black infinity, and I walk the line as a tight rope, balancing deftly with my eyes in the clouds, and a pen held tightly in my hand.

Shades of blue, the morning doves throaty coo,
each second leaps and bounds, elastic stretching and it’s twanging rebound.
The tension in the rope that can’t help but reverberate, and love in exasperation, shiver as the chills come once again.

Eyes met twice, a joy to be now with no questions asked, no thoughts but what the others thoughts are, and how long a moment can actually last.

Nostalgic tones of youths throaty chords ring through the dreary sea, sending the still waves tumbling and crashing, setting a tranquil man into motion once again, releasing the tension in a brow long furrowed, in shoulders tightly hunched, and ending the silence of a tongue held once too many times.

The Sun Gods booming laugh echos down the valley,
a reverberating sound that even the soaring eagle must stop and perk his ears too, losing sight of the mouse he had planned for breakfast, forgetting all but that musical tone.

When the light comes, when the dawning sun rises again, let your eyes water and overflow, let your heart swell and stomach twist, let the chills flow like the white capped river, feel the rapids of emotion that erode even the strongest rocks in the way of the current.

Now I am and I am now,
I bathe in the light and let a smile touch my lips, with my arms spread softly apart.
I take a deep breath of the cool morning air, filling empty lungs to the straining brim,
Oh, the first time come again!
Stephan Jul 2016


If I were there I would caress your heart
with the thread of a silken cocoon
Stitched now as one on the eve of the weary,
bound by the light of the moon
Careful to touch oh so soft as a feather,
gentle as spider web tears
Keeping you close on the edge of the tomorrow,
shielding your soul from the fears

Dew drop beliefs on the lawn they are waiting,
prisms of lighthearted scenes
Dandelion clouds offer sweet pea protection,
dragonflies float in between
Watching as breezes of painted day whispers
on kite strings of warm summer fire
Sing with the echoes, repeating their sonnet,
offering all you desire

Though all I have is a poet’s conviction,
spilled now in ink penned to share
Hoping on dreams you will rest in the sunrise,
find a few moments to spare
Taking the hand of this forgotten hero,
trusting in him ever true
Open your eyes for a new day is dawning,
written with love just for you
Lone seabird in a late dawning,
Sickles the gray rays of the sun,
Here on a ridge I can see aways,
Skerries, blasted by seas parade.

The moon fades as sun is rising,
My hair is groped in wind on fire,
In the late morning suns' glowing,
My breath uncatched as the wave.

Lone seabird in old sky forlorning,
Searches for a proud fish breaking,
In the frosts of broke tides trawling,
My heart sails above gusts keening.
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Alyssa Underwood Nov 2015
forgiveness not by epiphany or stealth
but slow dawning through pain's night
thorny ever-conscious struggle for love
which suddenly breaks on wings of light
"I wondered if that was how forgiveness budded; not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night."  
~ Khaled Hosseini
Jack Mar 2014
You whispered your secrets
on breezes of starlight
of moonbeam collections
in night sky desire

Those twinkling phrases
beyond the horizon
which once held the sunset
in blistery fire

Beneath every pine tree
found evergreen wishes
with snow dressing branches
long winters to show

And springtime petunias
bloomed fresh for the season
soft feathery visions
you want me to know

That here as we’re lying
this hillside of splendor
while counting the diamonds
a’ shine up above

Each sunrise of morning
a new days beginning
asleep in my arms is
the dawning of love
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
JS CARIE Nov 2018
At his face it got harder to stare
But in his truth he would glower
Into this looking glass
That looks right back
At the years of age
That washed his face
Over that disgraced fortnight
and it’s dragging scrape

What was his counted,
that ruffling came natural
In a sentiment of the innate
and the inner mechanics of his climate
Co-Walkers, he thought viewed him a cynics ornate
From then on, became perpetually discounted

Though his face got harder to look at
by its contents,
Optics inflamed
and wrinkles elongated
to his whiskers growing skyward
a striking true spruce in essence to become
Nevertheless a bedraggled authentic
Just before a flooding pooled his lids
or the dawning of his tears
Until this vanish to enhance
These characters took on relevance
Apropos of what he saw looking back
The girl, his love, the spirit inside his drive
She could see all directions, like hands on a clock,
Every hour the dialed sun would tower
Giving her all his angles,
She could anticipate all of this,
including all opposites
She could see all that
To her,
His face was not hard to stare
Still chiseled but shaved,
like polished marble glare
Her love was true for years
Opposing claims would be intercepted when asked if during she dabbled in deception
Then immediately accepted their quiz, taking near comfort as she’s done for years  placing her lips closer to his eyes,
she kissed his cheek and licked his tears
Jordan Rowan Dec 2015
It's like a diamond stake pushed through the silence of my brain
It's like a thunder of voices coming down like a hurricane
It's like a forest of gunfire blowing past my bedroom door
It's like the force of a god pushing down on my floor

Whip smart, by all accounts, but lost beneath the sheets
Forced out of a comfort zone and pushed out to the streets
Spastic changing voices like a record out of line
Just speak like you always do and don't **** with my mind

I'm like a tidal wave that only gets halfway there
No shore to erode with no Taiwan to even care
I'm like a promise left on the kitchen table after dawn
Someone will find it but it will be thrown out on the lawn

Born without a spoon but there is silver in my teeth
I'm made out of as much spirit as a plastic, clearance wreath
Dust beneath the stars cancels out the dawning sun
Shine on the bums, the prophets, everyone
Umi Mar 2018
Far on a lunatic sea, filled with tranquility and serenity, love and devotion, some flowers have made it their goal to bloom in purity,
Innocent looking, sweet and with a scent from amongst the heavens,
Tricking their foolish, mindless pray to come closer to them while seeping in spite and hatred, longing for revenge for their reflection,
A soft breeze accompanies the starlit sky, transient moonlight lurks through in a ghastly, bluish horizon as it rises to claim the heavens for his own once he had reached its fullest phase, ahh those phantoms,
Gone mad through a night full of punishment and bloodshed,
Before the petals can scatter in a dawning sky they seek for an intent,
Finally an attempt would be able to be made, a pity human draws near, weeping in sorrow and grief, causing them to shake excitedly
As then their roots would rush out of the ground and imprison him,
Twisted illusion of diversion, as they pierce through skin and bones, dragging his struggling, flailing body underground,remaining unseen
Feeding on his blood, using his corpse as a fertiliser they stay pure,
Moved for one instant, they dive deeper into the soil of this landscape
Hatred twines around them, causing disturbance in their memories,
It is alike to be left in an accelerating world of recurrance, everlasting,
Until the sunrise has dyed the sky in red and everything replicates

~ Umi
Robyn Johnson Aug 2011
Sunrise.
Soft tendrils of illumination
Caress my already
Sunkissed cheek;
The delicate arch of my back
Is warmed by this lover’s awakening.
Sunrise.
The fingertips of him
Leave no part of me untouched
Bathing me in the balmy radiance
Until my body,
my form,
my very being
is surrounded by an ethereal glow.
Sunrise.
Where each dawning
Brings this
Kismet encounter
Between myself
And Apollo’s rebirth,
Leaving me yearning and
Aching for more.
Sunrise.
The troubles and tribulations
Of yesterday’s woes
Are forgotten---
Left behind
In the twilight;
In the shadows where
This beacon
Dares not tread.
Sunrise.
As I
Stretch my arms
And
Reach for the heavens
I am reminded that
This delicate and alluring daybreak
Is short-lived,
Replaced with haste
By the rose-tinted splendor
Of morning.
Sunrise.
To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.
On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that's known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay -
When the angel woos the clay he'd lose his wings at the dawn of day.
GGA Dec 2014
So they say,
the eve of the year last ends
and the year starts anew.
A new day.
A new day.
A new day!

Lets be clear,
it's just a day, like any other day.
Dawning like yesterday.
Ceasing and dawning.
Ceasing and dawning.
Again and again...

The truth is,
it's all up to you.
Make the day.
Each day.
Every day.
Your day.
Jack Jul 2014
~

The morning sun does slowly rise

A lighthouse stands at ease

Its silhouette of days untold

A’ watch on velvet seas



Crimson finds horizon’s fire

In shades of tinted hue

A new day now is dawning as

*I only think of you
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Modern Charon
by Michael R. Burch

I, too, have stood―paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea. I wrote this poem in 2001 after the 911 terrorist attacks.



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times



Distances
by Michael R. Burch

Moonbeams on water—
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.

Originally published by The Poetry Porch/Sonnet Scroll



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,

where it hovers, unsure,
sullen, shy or demure,
in the margins of night,

a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato

and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

Originally published by The HyperTexts



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



escape!!!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



Leave Taking
by Michael R. Burch

Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees,
lament the frolic of the leaves
and curse the bleak November sky ...

Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say—
goodbye.

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," that dates to around age 14 or 15.



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



bachelorhoodwinked
by Michael R. Burch

u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!

u
are
chic
as a sheikh's
harem girl in the sheets
but my castle’s no longer my own
and my kingdom's been overthrown!



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination ...
becoming an angel
(pure love)

and yet You must love Your Self



Self Reflection
by Michael R. Burch

(for anyone struggling with self-image)

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



War is Obsolete
by Michael R. Burch

Trump’s war is on children and their mothers.
"An eye for an eye leaves the whole world blind." ― Gandhi

War is obsolete;
even the strange machinery of dread
weeps for the child in the street
who cannot lift her head
to reprimand the Man
who failed to countermand
her soft defeat.

But war is obsolete;
even the cold robotic drone
that flies far overhead
has sense enough to moan
and shudder at her plight
(only men bereft of Light
with hearts indurate stone
embrace war’s Siberian night.)

For war is obsolete;
man’s tribal “gods,” long dead,
have fled his awakening sight
while the true Sun, overhead,
has pity on her plight.
O sweet, precipitate Light!―
embrace her, reject the night
that leaves gentle fledglings dead.

For each brute ancestor lies
with his totems and his “gods”
in the slavehold of premature night
that awaited him in his tomb;
while Love, the ancestral womb,
still longs to give birth to the Light.
So which child shall we ****** tonight,
or which Ares condemn to the gloom?

Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Keywords/Tags: war, terrorism, retribution, violence, ******, children, Gandhi, Trump, drones



In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom―
that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.

I may have been reading too many gothic ghost stories when I wrote this one! I think it shows a good touch with meter for a young poet, since I wrote it in my early teens.



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.
If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse, then in The Best of the Eclectic Muse 1989-2003



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here—among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire—
What use, O things of erstwhile loveliness?



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

Published by Grassroots Poetry and Poetry Webring



The Harvest of Roses
by Michael R. Burch

for Harvey Stanbrough

I have not come for the harvest of roses—
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer—
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

Originally published by The Raintown Review when Harvey Stanbrough was the editor



White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;

tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...

you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...

and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...

and I know now in life you were unlike me:
your imprisonment was never voluntary.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEee ...
jesus loves and understands
ME!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Uyghur Poetry Translations

With my translations I am trying to build awareness of the plight of Uyghur poets and their people, who are being sent in large numbers to Chinese "reeducation" concentration camps.

Perhat Tursun (1969-????) is one of the foremost living Uyghur language poets, if he is still alive. Unfortunately, Tursun was "disappeared" into a Chinese "reeducation" concentration camp where extreme psychological torture is the norm. According to a disturbing report he was later "hospitalized." Apparently no one knows his present whereabouts or condition, if he has one. According to John Bolton, when Donald Trump learned of these "reeducation" concentration camps, he told Chinese President Xi Jinping it was "exactly the right thing to do." Trump’s excuse? "Well, we were in the middle of a major trade deal."

Elegy
by Perhat Tursun
loose translation/interpretation by Michael R. Burch

"Your soul is the entire world."
―Hermann Hesse, Siddhartha

Asylum seekers, will you recognize me among the mountain passes' frozen corpses?
Can you identify me here among our Exodus's exiled brothers?
We begged for shelter but they lashed us bare; consider our naked corpses.
When they compel us to accept their massacres, do you know that I am with you?

Three centuries later they resurrect, not recognizing each other,
Their former greatness forgotten.
I happily ingested poison, like a fine wine.
When they search the streets and cannot locate our corpses, do you know that I am with you?

In that tower constructed of skulls you will find my dome as well:
They removed my head to more accurately test their swords' temper.
When before their swords our relationship flees like a flighty lover,
Do you know that I am with you?

When men in fur hats are used for target practice in the marketplace
Where a dying man's face expresses his agony as a bullet cleaves his brain
While the executioner's eyes fail to comprehend why his victim vanishes, ...
Seeing my form reflected in that bullet-pierced brain's erratic thoughts,
Do you know that I am with you?

In those days when drinking wine was considered worse than drinking blood,
did you taste the flour ground out in that blood-turned churning mill?
Now, when you sip the wine Ali-Shir Nava'i imagined to be my blood
In that mystical tavern's dark abyssal chambers,
Do you know that I am with you?

TRANSLATOR NOTES: This is my interpretation (not necessarily correct) of the poem's frozen corpses left 300 years in the past. For the Uyghur people the Mongol period ended around 1760 when the Qing dynasty invaded their homeland, then called Dzungaria. Around a million people were slaughtered during the Qing takeover, and the Dzungaria territory was renamed Xinjiang. I imagine many Uyghurs fleeing the slaughters would have attempted to navigate treacherous mountain passes. Many of them may have died from starvation and/or exposure, while others may have been caught and murdered by their pursuers. If anyone has a better explanation, they are welcome to email me at mikerburch@gmail.com (there is an "r" between my first and last names).



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.



The Encounter
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

I asked her, why aren’t you afraid? She said her God.
I asked her, anything else? She said her People.
I asked her, anything more? She said her Soul.
I asked her if she was content? She said, I am Not.



The Distance
by Tahir Hamut
loose translation/interpretation by Michael R. Burch

We can’t exclude the cicadas’ serenades.
Behind the convex glass of the distant hospital building
the nurses watch our outlandish party
with their absurdly distorted faces.

Drinking watered-down liquor,
half-****, descanting through the open window,
we speak sneeringly of life, love, girls.
The cicadas’ serenades keep breaking in,
wrecking critical parts of our dissertations.

The others dream up excuses to ditch me
and I’m left here alone.

The cosmopolitan pyramid
of drained bottles
makes me feel
like I’m in a Turkish bath.

I lock the door:
Time to get back to work!

I feel like doing cartwheels.
I feel like self-annihilation.



Refuge of a Refugee
by Ablet Abdurishit Berqi aka Tarim
loose translation/interpretation by Michael R. Burch

I lack a passport,
so I can’t leave legally.
All that’s left is for me to smuggle myself to safety,
but I’m afraid I’ll be beaten black and blue at the border
and I can’t afford the trafficker.

I’m a smuggler of love,
though love has no national identity.
Poetry is my refuge,
where a refugee is most free.

The following excerpts, translated by Anne Henochowicz, come from an essay written by Tang Danhong about her final meeting with Dr. Ablet Abdurishit Berqi, aka Tarim. Tarim is a reference to the Tarim Basin and its Uyghur inhabitants...

I’m convinced that the poet Tarim Ablet Berqi the associate professor at the Xinjiang Education Institute, has been sent to a “concentration camp for educational transformation.” This scholar of Uyghur literature who conducted postdoctoral research at Israel’s top university, what kind of “educational transformation” is he being put through?

Chen Quanguo, the Communist Party secretary of Xinjiang, has said it’s “like the instruction at school, the order of the military, and the security of prison. We have to break their blood relations, their networks, and their roots.”

On a scorching summer day, Tarim came to Tel Aviv from Haifa. In a few days he would go back to Urumqi. I invited him to come say goodbye and once again prepared Sichuan cold noodles for him. He had already unfriended me on Facebook. He said he couldn’t eat, he was busy, and had to hurry back to Haifa. He didn’t even stay for twenty minutes. I can’t even remember, did he sit down? Did he have a glass of water? Yet this farewell shook me to my bones.

He said, “Maybe when I get off the plane, before I enter the airport, they’ll take me to a separate room and beat me up, and I’ll disappear.”

Looking at my shocked face, he then said, “And maybe nothing will happen …”

His expression was sincere. To be honest, the Tarim I saw rarely smiled. Still, layer upon layer blocked my powers of comprehension: he’s a poet, a writer, and a scholar. He’s an associate professor at the Xinjiang Education Institute. He can get a passport and come to Israel for advanced studies. When he goes back he’ll have an offer from Sichuan University to be a professor of literature … I asked, “Beat you up at the airport? Disappear? On what grounds?”

“That’s how Xinjiang is,” he said without any surprise in his voice. “When a Uyghur comes back from being abroad, that can happen.”…



This poem helps us understand the nomadic lifestyle of many Uyghurs, the hardships they endure, and the character it builds...

Iz (“Traces”)
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

We were children when we set out on this journey;
Now our grandchildren ride horses.

We were just a few when we set out on this arduous journey;
Now we're a large caravan leaving traces in the desert.

We leave our traces scattered in desert dunes' valleys
Where many of our heroes lie buried in sandy graves.

But don't say they were abandoned: amid the cedars
their resting places are decorated by springtime flowers!

We left the tracks, the station... the crowds recede in the distance;
The wind blows, the sand swirls, but here our indelible trace remains.

The caravan continues, we and our horses become thin,
But our great-grand-children will one day rediscover those traces.



My Feelings
by Dolqun Yasin
loose translation/interpretation by Michael R. Burch

The light sinking through the ice and snow,
The hollyhock blossoms reddening the hills like blood,
The proud peaks revealing their ******* to the stars,
The morning-glories embroidering the earth’s greenery,
Are not light,
Not hollyhocks,
Not peaks,
Not morning-glories;
They are my feelings.

The tears washing the mothers’ wizened faces,
The flower-like smiles suddenly brightening the girls’ visages,
The hair turning white before age thirty,
The night which longs for light despite the sun’s laughter,
Are not tears,
Not smiles,
Not hair,
Not night;
They are my nomadic feelings.

Now turning all my sorrow to passion,
Bequeathing to my people all my griefs and joys,
Scattering my excitement like flowers festooning fields,
I harvest all these, then tenderly glean my poem.

Therefore the world is this poem of mine,
And my poem is the world itself.



To My Brother the Warrior
by Téyipjan Éliyow
loose translation/interpretation by Michael R. Burch

When I accompanied you,
the commissioners called me a child.
If only I had been a bit taller
I might have proved myself in battle!

The commission could not have known
my commitment, despite my youth.
If only they had overlooked my age and enlisted me,
I'd have given that enemy rabble hell!

Now, brother, I’m an adult.
Doubtless, I’ll join the service soon.
Soon enough, I’ll be by your side,
battling the enemy: I’ll never surrender!

Keywords/Tags: Uyghur, translation, Uighur, Xinjiang, elegy, Kafka, China, Chinese, reeducation, prison, concentration camp, desert, nomad, nomadic, race, racism, discrimination, Islam, Islamic, Muslim, mrbuyghur



Free Fall to Liftoff
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
                                 and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



The One True Poem
by Michael R. Burch

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Peace Prayer
by Michael R. Burch

Be calm.
Be still.
Be silent, content.

Be one with the buffalo cropping the grass to a safer height.

Seek the composure of the great depths, barely moved by exterior storms.

Lift your face to the dawning light; feel how it warms.

And be calm.
Be still.
Be silent, content.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...



What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Neovictorian/Cochlea, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and Bewildering Stories



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

Published by The Lyric and The Ekphrastic Review



Chit Chat: In the Poetry Chat Room
by Michael R. Burch

WHY SHULD I LERN TO SPELL?
HELL,
NO ONE REEDS WHAT I SAY
ANYWAY!!! :(

Sing for the cool night,
whispers of constellations.
Sing for the supple grass,
the tall grass, gently whispering.
Sing of infinities, multitudes,
of all that lies beyond us now,
whispers begetting whispers.
And i am glad to also whisper . . .

I WUS HURT IN LUV I’M DYIN’
FER TH’ TEARS I BEEN A-CRYIN’!!!

i abide beyond serenities
and realms of grace,
above love’s misdirected earth,
i lift my face.
i am beyond finding now . . .

I WAS IN, LOVE, AND HE ******* ME!!!
THE ****!!! TOTALLY!!!

i loved her once, before, when i
was mortal too, and sometimes i
would listen and distinctly hear
her laughter from the juniper,
but did not go . . .

I JUST DON’T GET POETRY, SOMETIMES.
IT’S OKAY, I GUESS.
I REALLY DON’T READ THAT MUCH AT ALL,
I MUST CONFESS!!! ;-)

Travail, inherent to all flesh,
i do not know, nor how to feel.
Although i sing them nighttimes still:
the bitter woes, that do not heal . . .

POETRY IS BORING.
SEE, IT *****!!!, I’M SNORING!!! ZZZZZZZ!!!

The words like breath, i find them here,
among the fragrant juniper,
and conifers amid the snow,
old loves imagined long ago . . .

WHY DON’T YOU LIKE MY PERFICKT WORDS
YOU USELESS UN-AMERIC’N TURDS?!!!

What use is love, to me, or Thou?
O Words, my awe, to fly so smooth
above the anguished hearts of men
to heights unknown, Thy bare remove . . .



Each Color a Scar
by Michael R. Burch

What she left here,
upon my cheek,
is a tear.

She did not speak,
but her intention
was clear,

and I was meek,
far too meek, and, I fear,
too sincere.

What she can never take
from my heart
is its ache;

for now we, apart,
are like leaves
without weight,

scattered afar
by love, or by hate,
each color a scar.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly ...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleaming
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons . . .
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears . . .
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

"My father!"
"My son!"

NOTE: “Sanctuary at Dawn” was written either in high school or during my first two years of college.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor . . .



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



The Composition of Shadows
by Michael R. Burch

for poets who write late at night

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.

Published by The Lyric, Contemporary Rhyme, Candelabrum, Iambs & Trochees (Poem of the Week), Triplopia, Romantics Quarterly, Hidden Treasures (Selected Poem), ImageNation (United Kingdom), Yellow Bat Review, Poetry Life & Times, Vallance Review, Poetica Victorian



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
She has no concept of time,
but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
time to learn the Truth
and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
She is just certain
that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
through childhood to adolescence,
and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us; it’s time to go.



Spring
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

So often in my busy mind I sought,
Around the advent of the fledgling year,
For something pretty that I really ought
To give my lady dear;
But that sweet thought's been wrested from me, clear,
Since death, alas, has sealed her under clay
And robbed the world of all that's precious here―
God keep her soul, I can no better say.

For me to keep my manner and my thought
Acceptable, as suits my age's hour?
While proving that I never once forgot
Her worth? It tests my power!
I serve her now with masses and with prayer;
For it would be a shame for me to stray
Far from my faith, when my time's drawing near—
God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
Take my good deeds, as many as there are,
And crown her, Lord, above in your bright sphere,
As heaven's truest maid! And may I say:
Most good, most fair, most likely to bring cheer—
God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
God keep her soul, I can no better say.



Confession of a Stolen Kiss
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d'Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!



Charles d'Orleans translations of Rondels/Roundels/Rondeaux

Note: While there is some confusion about the names and definitions of poetic forms such as the rondel, roundel, rondelle and rondeau, these are all rhyming poems with refrains.

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?

I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



The season has cast its coat aside
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside! "

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!



The year lays down his mantle cold
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold! "
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away! "
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his "Trois chansons de France."



Caedmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins—
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair—
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea—
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



Duellem (The Duel)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Two combatants charged! Their fearsome swords
brightened the air with fiery sparks and blood.
Their clashing blades clinked odd serenades,
reminding us: youth's inspired by overloud love.

But now their blades lie broken, like our hearts!
Still, our savage teeth and talon-like fingernails
can do more damage than the deadliest sword
when lovers lash about with such natural flails.

In a deep ravine haunted by lynxes and panthers,
our heroes roll around in a cozy embrace,
leaving their blood to redden the colorless branches.
This abyss is pure hell; our friends occupy the place.

Come, let us roll here too, cruel Amazon;
let our hatred’s ardor never be over and done!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



Il pleure dans mon coeur (“It rains in my heart”)
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

It rains in my heart
As it rains on the town;
Heavy languor and dark
Drenches my heart.

Oh, the sweet-sounding rain
Cleansing pavements and roofs!
For my listless heart's pain
The pure song of the rain!

Still it rains without reason
In my overcast heart.
Can it be there's no treason?
That this grief's without reason?

As my heart floods with pain,
Lacking hatred, or love,
I've no way to explain
Such bewildering pain!



Spleen
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

The roses were so very red;
The ivy, impossibly black.
Dear, with a mere a turn of your head,
My despair’s flooded back!

The sky was too gentle, too blue;
The sea, far too windswept and green.
Yet I always imagined―or knew―
I’d again feel your spleen.

Now I'm tired of the glossy waxed holly,
Of the shimmering boxwood too,
Of the meadowland’s endless folly,
When all things, alas, lead to you!



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze ...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.



Dispensing Keys
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

The imbecile
constructs cages
for everyone he knows,
while the sage
(who has to duck his head
whenever the moon glows)
keeps dispensing keys
all night long
to the beautiful, rowdy,
prison gang.



Infectious!
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

I became infected with happiness tonight
as I wandered idly, singing in the starlight.
Now I'm wonderfully contagious ...
so kiss me!



The Tally
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

Lovers
don't reveal
all
their Secrets;
under the covers
they
may
count each other's Moles
(that reside
and hide
in the shy regions
by forbidden holes),
then keep the final tally
strictly
from Aunt Sally!

This is admittedly a VERY loose translation of the original Hafiz poem!



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



The Lonely Earth
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

The pale celestial bodies
never bid her “Good morning!”
nor do the creative stars
kiss her.
Earth, where so many tender persuasions and roses lie interred,
might expire for the lack of a glance, or an odor.
She’s a lonely dusty orb,
so very lonely!, as she observes the moon's patchwork attire
knowing the sun's an imposter
who sears with rays he has stolen for himself
and who looks down on the moon and earth like lodgers.



Kurds are Birds
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

Per the latest scientific classification, Kurds
now belong to a species of bird!
This is why,
traveling across the torn, fraying pages of history,
they are nomads recognized by their caravans.
Yes, Kurds are birds! And,
even worse, when
there’s nowhere left to nest, no refuge from their pain,
they turn to the illusion of traveling again
between the warm and arctic sectors of their homeland.
So I don’t think it strange Kurds can fly but not land.
They wander from region to region
never realizing their dreams
of settling,
of forming a colony, of nesting.
No, they never settle down long enough
to visit Rumi and inquire about his health,
or to bow down deeply in the gust-
stirred dust,
like Nali.



Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart—
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



grave request
by michael r. burch

come to ur doom
in Tombstone;

the stars stark and chill
over Boot Hill

care nothing for ur desire;

still,

imagine they wish u no ill,
that u burn with the same antique fire;

for there’s nothing to life but the thrill
of living until u expire;

so come, spend ur last hardearned bill
on Tombstone.



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Pool's Prince Charming
by Michael R. Burch

(this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts)

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur just a lowly ant
(or so u were told by a Hierophant).



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never changed, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Beckoning
by Michael R. Burch

Yesterday the wind whispered my name
while the blazing locks
of her rampant mane
lay heavy on mine.

And yesterday
I saw the way
the wind caressed tall pines
in forests laced by glinting streams
and thick with tangled vines.

And though she reached
for me in her sleep,
the touch I felt was Time's.

I believe I wrote the first version of this poem around age 18, wasn't happy with it, put it aside, then revised it six years later.



Besieged
by Michael R. Burch

Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?

Life—is this all we know,
the travail one bright season brings? ...

Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow

and the rout begins.



****** or Heroine?
by Michael R. Burch

(for mothers battling addiction)

serve the Addiction;
worship the Beast;
feed the foul Pythons
your flesh, their fair feast ...

or rise up, resist
the huge many-headed hydra;
for the sake of your Loved Ones
decapitate medusa.



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...
that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.



I Have Labored Sore
anonymous medieval lyric (circa the fifteenth century)
loose translation/interpretation by Michael R. Burch

I have labored sore / and suffered death,
so now I rest / and catch my breath.
But I shall come / and call right soon
heaven and earth / and hell to doom.
Then all shall know / both devil and man
just who I was / and what I am.

NOTE: This poem has a pronounced caesura (pause) in the middle of each line: a hallmark of Old English poetry. While this poem is closer to Middle English, it preserves the older tradition. I have represented the caesura with a slash.



A Lyke-Wake Dirge
anonymous medieval lyric (circa the sixteenth century)
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is "the night watch kept over a corpse."

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and put pull yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



How Long the Night
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast:
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Adam Lay Ybounden
(anonymous Medieval English lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen and matron.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious! "

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



Excerpt from "Ubi Sunt Qui Ante Nos Fuerunt? "
anonymous Middle English poem, circa 1275
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking made their hearts glad;
they enjoyed their games;
men bowed before them;
they bore themselves loftily...
But then, in an eye's twinkling,
their hearts were forlorn.

Where are their laughter and their songs,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy is departed;
their "well" has come to "oh, well"
and to many dark days...



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written much earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

NOTE: The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist, either of which would suggest a dismal day.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face: fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood, " facing a similar fate?



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



If I am Syrian, what of it?
Stranger, we all dwell in one world, not its portals.
The same original Chaos gave birth to all mortals.
—Meleager, loose translation/interpretation by Michael R. Burch

Love, how can I call on you:
does Desire dwell with the dead?
Cupid, that bold boy, never bowed his head
to wail.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, I swear,
your quiver holds only empty air:
for all your winged arrows, set free,
are now lodged in me.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, if you incinerate my soul, touché!
For she too has wings and can fly away!
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, the cuddly baby
safe in his mother's lap,
chucking the dice one day,
gambled my heart away.
—Meleager, loose translation/interpretation by Michael R. Burch

I lie defeated. Set your foot on my neck. Checkmate.
I recognize you by your weight;
yes, and by the gods, you’re a load to bear.
I am also well aware
of your fiery darts.
But if you seek to ignite human hearts,
******* with your tinders;
mine’s already in cinders.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s revealed.
When he’s gone all’s concealed.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s defined;
When he’s gone I’m blind.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron my eyes bug out;
When he’s gone even sight is in doubt.
—Meleager, loose translation/interpretation by Michael R. Burch

Mother-Earth, to all men dear,
Aesigenes was never a burden to you,
so please rest lightly on him here.
—Meleager, loose translation/interpretation by Michael R. Burch

Meleager dedicates this lamp to you, dear Cypris, as a plaything,
since it has been initiated into the mysteries of your nocturnal ceremonies.
—Meleager, loose translation/interpretation by Michael R. Burch

I know you lied, because these ringlets
still dripping scented essences
betray your wantonness.
These also betray you—
your eyes sagging with the lack of sleep,
stray tendrils of your unchaste hair escaping its garlands,
your limbs uncoordinated by the wine.
Away, trollop, they summon you—
the reveling lyre and the clattering castanets rattled by lewd fingers!
—Meleager, loose translation/interpretation by Michael R. Burch

Moon and Stars,
lighting the way for lovers,
and Night,
and you, my mournful Mandolin, my ***** companion ...
when will we see her, the little wanton one, lying awake and moaning to her lamp?
Or does she embrace some other companion?
Then let me hang conciliatory garlands on her door,
wilted by my tears,
and let me inscribe thereupon these words:
"For you, Cypris,
the one to whom you revealed the mysteries of your revels,
Meleager,
offers these spoiled tokens of his love."
—Meleager, loose translation/interpretation by Michael R. Burch

Silence!
They must have carried her off!
Who could be so barbaric,
to act with such violence,
to wage war against Love himself?
Quick, prepare the torches!
But wait!
A footfall, Heliodora's!
Get back in my *****, heart!
—Meleager, loose translation/interpretation by Michael R. Burch

Tears, the last gifts of my love,
I send drenching down to you, Heliodora.
Here on your puddling tomb I pour them out—
soul-wrenching tears
in memory of affliction and affection.
Piteously, so piteously Meleager mourns you,
you still so precious, so dear to him in death,
paying vain tributes to Acheron.
Alas! Alas! Where is my beautiful one,
my heart's desire?
Death has taken her from me, has robbed me of her,
and the lustrous blossom lies trampled in dust.
But Earth-Mother, nurturer of us all ...
Mother, I beseech you, hold her gently to your *****,
the one we all bewail.
—Meleager, loose translation/interpretation by Michael R. Burch



You ask me why I've sent you no new verses?
There might be reverses.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me to recite my poems to you?
I know how you'll "recite" them, if I do.
―Martial, loose translation/interpretation by Michael R. Burch

NOTE: The irascible Martial is suggesting that if he shares his poems, they will be plagiarized.

You ask me why I choose to live elsewhere?
You're not there.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me why I love the fresh country air?
You're not befouling it there.
―Martial, loose translation/interpretation by Michael R. Burch

You never wrote a poem,
yet criticize mine?
Stop abusing me or write something fine
of your own!
―Martial, loose translation by Michael R. Burch

He starts everything but finishes nothing;
thus I suspect there's no end to his stuffing.
―Martial, loose translation by Michael R. Burch

NOTE: Martial concluded his epigram with a variation of the f-word; please substitute it if you prefer it.

You alone own prime land, dandy!
Gold, money, the finest porcelain―you alone!
The best wines of the most famous vintages―you alone!
Discrimination and wit―you alone!
You have it all―who can deny that you alone are set for life?
But everyone has had your wife―she is never alone!
―Martial, loose translation by Michael R. Burch

You dine in great magnificence
while offering guests a pittance.
Sextus, did you invite
friends to dinner tonight
to impress us with your enormous appetite?
―Martial, loose translation/interpretation by Michael R. Burch

To you, my departed parents, dear mother and father,
I commend my little lost angel, Erotion, love’s daughter.
She fell a mere six days short of outliving her sixth frigid winter.
Protect her now, I pray, should the chilling dark shades appear;
muzzle hell’s three-headed hound, less her heart be dismayed!
Lead her to romp in some sunny Elysian glade,
her devoted patrons. Watch her play childish games
as she excitedly babbles and lisps my name.
Let no hard turf smother her softening bones; and do
rest lightly upon her, earth, she was surely no burden to you!
―Martial, loose translation/interpretation by Michael R. Burch



Alien Nation
by Michael R. Burch

for a Christian poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
must have felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Burn, Ovid
by Michael R. Burch

“Burn Ovid”—Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imaging watery folds
of pale silk encircling her waist.
Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling—

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to "Burn, Ovid" is also set at Faith Christian Academy, in 1972-1973.



honeybee
by michael r. burch

love was a little treble thing—
prone to sing
and (sometimes) to sting



honeydew
by michael r. burch

i sampled honeysuckle
and it made my taste buds buckle!



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Huntress
Michael R. Burch

Lynx-eyed cat-like and cruel you creep
across a crevice dropping deep
into a dark and doomed domain
Your claws are sheathed. You smile, insane
Rain falls upon your path and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you—"On!"
Heed, hearts, your hope—the break of dawn.



Ibykos Fragment 286 (III)
loose translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse



Ince St. Child
by Michael R. Burch

When she was a child
in a dark forest of fear,
imagination cast its strange light
into secret places,
scattering traces
of illumination so bright,
years later, she could still find them there,
their light undefiled.

When she was young,
the shafted light of her dreams
shone on her uplifted face
as she prayed ...
though she strayed
into a night fallen like woven lace
shrouding the forest of screams,
her faith led her home.

Now she is old
and the light that was flame
is a slow-dying ember ...
what she felt then
she would explain;
she would if she could only remember
that forest of shame,
faith beaten like gold.

This was an unusual poem, and it took me some time to figure out who the old woman was. She was a victim of childhood ******, hence the title I eventually came up with.



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Kindred
by Michael R. Burch

Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?

Did you burn once,
before you became
so remote, so detached,

so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?

What is the dawn now, to you or to me?

We are as one,
out of favor with the sun.

We would exhume
the white corpse of love
for a last dance,

and yet we will not.
We will let her be,
let her abide,

for she is nothing now,
to you
or to me.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Remembrance
by Michael R. Burch

Remembrance like a river rises;
the rain of recollection falls;
frail memories, like vines, entangled,
cling to Time's collapsing walls.

The past is like a distant mist,
the future like a far-off haze,
the present half-distinct an hour
before it blurs with unseen days.



Resurrecting Passion
by Michael R. Burch

Last night, while dawn was far away
and rain streaked gray, tumescent skies,
as thunder boomed and lightning railed,
I conjured words, where passion failed ...

But, oh, that you were mine tonight,
sprawled in this bed, held in these arms,
your ******* pale baubles in my hands,
our bodies bent to old demands ...

Such passions we might resurrect,
if only time and distance waned
and brought us back together; now
I pray that this might be, somehow.

But time has left us twisted, torn,
and we are more apart than miles.
How have you come to be so far—
as distant as an unseen star?

So that, while dawn is far away,
my thoughts might not return to you,
I feed your portrait to the flames,
but as they feast, I burn for you.

Published in Songs of Innocence and The Chained Muse.



Currents
by Michael R. Burch

How can I write and not be true
to the rhythm that wells within?
How can the ocean not be blue,
not buck with the clapboard slap of tide,
the clockwork shock of wave on rock,
the motion creation stirs within?

Originally published by The Lyric



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published by Writer’s Gazette, Tucumcari Literary Review and The Chained Muse



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



Tillage
by Michael R. Burch

What stirs within me
is no great welling
straining to flood forth,
but an emptiness
waiting to be filled.

I am not an orchard
ready to be harvested,
but a field
rough and barren
waiting to be tilled.



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” ― W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars―the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.

The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.

I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.

This sonnet is written from the perspective of the great Irish poet William Butler Yeats in his loose translation or interpretation of the Pierre de Ronsard sonnet “When You Are Old.” The aging Yeats thinks of his Muse and the love of his life, the fiery Irish revolutionary Maude Gonne. As he seeks to warm himself by a fire conjured from ice-encrusted logs, he imagines her doing the same. Although Yeats had insisted that he wasn’t happy without Gonne, she said otherwise: “Oh yes, you are, because you make beautiful poetry out of what you call your unhappiness and are happy in that. Marriage would be such a dull affair. Poets should never marry. The world should thank me for not marrying you!”



I Know The Truth
by Marina Tsvetaeva
loose translation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind is calming now; the earth is bathed in dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll sleep together, under the earth,
we who never gave each other a moment's rest above it.



I Know The Truth (Alternate Ending)
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind caresses the grasses; the earth gleams, damp with dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll lie together under the earth,
we who were never united above it.



Poems about Moscow
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

5
Above the city Saint Peter once remanded to hell
now rolls the delirious thunder of the bells.

As the thundering high tide eventually reverses,
so, too, the woman who once bore your curses.

To you, O Great Peter, and you, O Great Tsar, I kneel!
And yet the bells above me continually peal.

And while they keep ringing out of the pure blue sky,
Moscow's eminence is something I can't deny ...

though sixteen hundred churches, nearby and afar,
all gaily laugh at the hubris of the Tsars.

8
Moscow, what a vast
uncouth hostel of a home!
In Russia all are homeless
so all to you must come.

A knife stuck in each boot-top,
each back with its shameful brand,
we heard you from far away.
You called us: here we stand.

Because you branded us criminals
for every known kind of ill,
we seek the all-compassionate Saint,
the haloed one who heals.

And there behind that narrow door
where the uncouth rabble pour,
we seek the red-gold radiant heart
of Iver, who loved the poor.

Now, as "Halleluiah" floods
bright fields that blaze to the west,
O sacred Russian soil,
I kneel here to kiss your breast!



Insomnia
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

2
In my enormous city it is night
as from my house I step beyond the light;
some people think I'm daughter, mistress, wife ...
but I am like the blackest thought of night.

July's wind sweeps a way for me to stray
toward soft music faintly blowing, somewhere.
The wind may blow until bright dawn, new day,
but will my heart in its rib-cage really care?

Black poplars brushing windows filled with light ...
strange leaves in hand ... faint music from distant towers ...
retracing my steps, there's nobody lagging behind ...
This shadow called me? There's nobody here to find.

The lights are like golden beads on invisible threads ...
the taste of dark night in my mouth is a bitter leaf ...
O, free me from shackles of being myself by day!
Friends, please understand: I'm only a dreamlike belief.



Poems for Akhmatova
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

4
You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...

to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...



This gypsy passion of parting!
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

This gypsy passion of parting!
We meet, and are ready for flight!
I rest my dazed head in my hands,
and think, staring into the night ...

that no one, perusing our letters,
will ever understand the real depth
of just how sacrilegious we were,
which is to say we had faith,

in ourselves.



The Appointment
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I will be late for the appointed meeting.
When I arrive, my hair will be gray,
because I abused spring.
And your expectations were much too high!

I shall feel the effects of the bitter mercury for years.
(Ophelia tasted, but didn't spit out, the rue.)
I will trudge across mountains and deserts,
trampling souls and hands without flinching,

living on, as the earth continues
with blood in every thicket and creek.
But always Ophelia's pallid face will peer out
from between the grasses bordering each stream.

She took a swig of passion, only to fill her mouth
with silt. Like a shaft of light on metal,
I set my sights on you, highly. Much too high
in the sky, where I have appointed my dust its burial.



Rails
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

The railway bed's steel-blue parallel tracks
are ruled out, neatly as musical staves.

Over them, people are transported
like possessed Pushkin creatures
whose song has been silenced.
See them: arriving, departing?

And yet they still linger,
the note of their pain remaining ...
always rising higher than love, as the poles freeze
to the embankment, like Lot's wife transformed to salt, forever.

Despair has arranged my fate
as someone arranges a wedding;
then, like a voiceless Sappho
I must weep like a pain-wracked seamstress

with the mute lament of a marsh heron!
Then the departing train
will hoot above the sleepers
as its wheels slice them to ribbons.

In my eye the colors blur
to a glowing but meaningless red.
All young women, at times,
are tempted by such a bed!



Every Poem is a Child of Love
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

Every poem is a child of love,
A destitute ******* chick
A fledgling blown down from the heights above―
Left of its nest? Not a stick.
Each heart has its gulf and its bridge.
Each heart has its blessings and griefs.
Who is the father? A liege?
Maybe a liege, or a thief.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...

their skeletal love―impossibility!

This is one of my Poe-like creations, written around age 19. I think the poem has an interesting ending, since the male skeleton is missing an important "member."



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs!...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you!...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



W. S. Rendra translations

Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances.

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.

Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.

And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.

How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.

THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.

Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals?, international, travel, voyage, wedding, relationship, mrbtran



Shadows
by Michael R. Burch

Alone again as evening falls,
I join gaunt shadows and we crawl
up and down my room's dark walls.

Up and down and up and down,
against starlight―strange, mirthless clowns―
we merge, emerge, submerge . . . then drown.

We drown in shadows starker still,
shadows of the somber hills,
shadows of sad selves we spill,

tumbling, to the ground below.
There, caked in grimy, clinging snow,
we flutter feebly, moaning low

for days dreamed once an age ago
when we weren't shadows, but were men . . .
when we were men, or almost so.



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Victor Hugo "Love Stronger Than Time"
loose translation/interpretation by Michael Burch

Since I first set my lips to your full cup,
Since my pallid face first nested in your hands,
Since I sensed your soul and every bloom lit up—
Till those rare perfumes were lost to deepening sands;

Since I was once allowed those pleasures deep—
To hear your heart speak mysteries, divine;
Since I have seen you smile, have watched you weep,
Your lips pressed to my lips, your eyes on mine;

Since I have sensed above my thoughts the gleam
Of a ray, a single ray, of your bright star
(If sometimes veiled), and felt light falling stream,
Like one rose petal plucked from high, afar;

I now can say to time's swift-changing hours:
Pass, pass upon your way, for you grow old;
Flee to the dark abyss with your drear flowers,
but one unmarred within my heart I hold.

Your flapping wings may jar but cannot spill
The cup fulfilled of love, from which I drink;
My heart has fires your frosts can never chill,
My soul more love to fly than you can sink.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star...
how beautiful,
how wonderful
we are!



Published as the collection "Modern Charon"

Keywords/Tags: Charon, Styx, death, ferry, boat, ship, captain, steering, helm, wheel, rudder, shipwreck, disaster, night, darkness, 911, 9-11, mrbch
Tryst Sep 2015
What Hope Remained?

What hope remained when hope for hope was spent?
        When putrid plumes dulled morning into night
        Hope lived in heart-struck deeds of bold intent,
        As mortals wept and earthborn angels went
        With downcast eyes to clamber heavens height.

What hope remained when hope for hope was spent?
        When panicked sirens wailed a lost lament
        And backs were bowed beneath ungodly weight,
        Hope lived in heart-struck deeds of bold intent
        As boots bore souls up treadmills burnt and bent
        To scale a void devoid of dawning light.

What hope remained when hope for hope was spent?
        For those in sight of angels heaven sent
        Atop the world to aid their mortal plight,
        Hope lived in heart-struck deeds of bold intent.

        When wingless brethren conquered feared ascent
        To gift last hope to all who saw their might:

                What hope remained when hope for hope was spent?
                Hope lived in heart-struck deeds of bold intent.



In The Fall

I chanced upon a stranger in the fall,
Cosmetic garb of office black and white
Portraying calm demeanor of his plight
As shadows panicked on a stricken wall,

And oft' I find my mind in numb recall
To look upon that helpless human kite
Who tumbled from the terrors of a height,
Yet graceful as an eagle in a stall

Before it plummets earthward --   'Neath the pall
Of twisted steel rended by follied flight,
That stranger lives forever in the light
Suspended in iconic timeless sprawl.

        I wonder, in the briefness of his fall,
        Did he derive the meaning of it all?
What Hope Remained: In memory of the three hundred and forty three firefighters of FDNY that fell on Tuesday 11th September 2001, who fought without hope to bring hope to the lost.

In The Fall: Dedicated to "The Falling Man" of Tuesday September 11th 2001, in memory of him and those like him who chose the manner of their own end, when the only choice on that day of days was how, not if or when.
nivek Mar 2015
into loves forging flame
I offer my heart to burn
all the dross of attachment
to fall away from me
and to be free again to love
a pure love transparent flame
of blue and green and red
the dawning of a new day.
Akemi Oct 2013
Chapter 1

There was a woman. The cost to love her was your life. No other payment but a sending off, a revolver cocked to your temple’s side.
There was no spite in your death, just business.
Hell of a business to run.

I was protecting someone. Never been one to stick around, but this drag had carried for the past year. That gang-owned joint lay but two doors and a cold alley away. Popular place, maybe not the classiest but it had its patrons. Packed with your essentials: pool tables, dirt-licked walls and chairs, mean folk mixed in with the nice. Old fashioned joint with a history. You could almost feel it when you walked in. That small pressure when it’s about to rain? Felt like that had been building up for a decade there.
Some Madonna owned it. Names elude me, but she was just another front; as was the barkeep, the hired bouncers and those mean-eyed slingers that spoke loud in company, silent alone. Heh, almost like an old-fashioned saloon. Who the hell am I in this tale of cowboys and crooks?
I was holed up in that apartment block for the winter. Stiff drapes covering a stiff cold that seeped through the cracks anyway. Cold chills to wake to, and the whiskey don’t warm a **** thing. Maybe it was the ache of a past flame that led me to her. That old touch had languished and misted away in the night of some long dead memory, leaving an old kiss from a young lover on my shivering body. It grew faint with every year’s passing. I struggle to remember this keepsake.
Every night.
I was a no name protector protecting a no name ghost of a man. Yeah we knew each other. I’m no stranger to keep past talking terms . . . but, hell if I remember his name, how we got into this **** situation and why. Mind’s a little off. Been like that for years.

It was a stumble through the wrong door at the wrong time. Some spiteful voices in the back of the joint or the back of my mind telling me I’m headed for hell and ain’t coming back. See, every day is a crossroad, and I happened upon the worst one yet.
I remember that flaking paint; grime-covered white on a moulding door **** near off its hinges. That suited me, and I hated it. Maybe I grew sick of wandering the same way and turned my life on its spinning head. Spun me all the ways I couldn’t face. Saw a glimmer that fate had readied for me. Don’t think I’ve looked at anything with such eyes since; nor have they looked back at me.
The room was a cramped, dilapidated hellhole like every other room, but with her laying on that bed of hers . . . she was the only clean thing in the whole of this cursed city. Save, she wasn’t clean. No such thing exists; no such thing as clean since your adolescent innocence, and even that went up in flames. Hell, in a city like this I wouldn’t be surprised if the skeletons we kept so tightly locked in our closets outnumbered us ten to one.
Should have remembered that when I saw her, but my mind lay a blank canvas and I couldn’t help but fill it with all the details of this pretty bird. Even those that weren’t there.
No Name yanked me out quick. Never seen him so pale, ghosting further and further from a human being. He’d been running so long I don’t think he even knew what he was running from anymore. His past? Some cop chase from years back, ending with blood stains and shaky hands? A dead kid in the arms of a suicidal wife? Maybe he’s running from himself. Fear in the capacity we contain, and fear in the ways we unleash it around loved ones. I don’t blame him for running. If I was a worse man I’d run from him as well.
Now No Name has it all figured out, even if he won’t let on; and that bird in there ain’t part of the plan. Cash cash, first train out to some no name city for this no name man. In this together, he keeps repeating, like some broke down record player that only plays one song. Well I guess we share more similarities than I’d like to think so.

One night, about a month after settling in that old apartment, I hear raised voices. Not uncommon, but something about this still night woke some fear inside me. A fear I needed to meet with my eyes, a score to settle with myself. Sounded like some ******* outside was hoping to bring down the sky with volume alone. No type of gentleman, just a no ***** kid who doesn’t know the difference between command and screaming like a babe.
One gets you respect. Now, the other. . . .
I open those stiff drapes with stiffer fingers. Brush that layer of frozen breath and mist to find some mid-twenty good for nothing punk holding a struggling figure. The apartment ain’t exactly ground floor but even up here I can spot the difference between a gent and a sally. Some broad was in trouble.
Grab that six shooter, old man. The holster smooth from years of wear, small frays on the weathered jacket rubbing against goose-pricked skin. Comfort clothing that never really brings comfort. Not anymore. Guess I’m as bad as No Name. I’m just repeating routine.
Out the hall, no doors left in this apartment block. Stolen, broken, ain’t exactly your family fun lifestyle we’re living. No Name’s holed up in this fortress of upturned furniture and dresser-barred doorways. Lights flicker from between the cracks. The devil ain’t gonna bother with the door, I tell him. He doesn’t reply. Maybe he’s a religious man with one too many sins above his head.
There’s another yell and I feel my blood rise, hairs picking up static, a storm brewing inside that clenched stomach of mine. Take a tumble down the stairs in my haste. **** crooked balsa wood. Those stairs are gonna end me one day, I swear.
Ground floor. I slam that kitchen door and it cracks against the brick wall outside. ****. No Name’s gonna burst an artery. Call out for that ******* punk but he’s already eyeing me up. Only a few steps away and I can see the white in his eyes. No . . . those are his pupils. Wide, all cloud-like, he’s ******* dusted up. . . . Almost like looking into the past. Thrice-cursed ****. I’m in trouble.
This ain’t some lover’s quarrel, some twisted ****’s thought of a good way to end the night. This is a dusthead addict and I’m out of my league. His mid-snarl distorts and stretches past his cheeks and that devil grin sends an electric jolt from the wires of my brain to my heart.
This six shooter is as good as a pea gun against a Smiley.
He’s spouting some glossolalia drifts, layering it like an abominable duet. The coked-up boy in me yearns to understand again, but stiff joints and washed-out dreams have made me a cynic. Ain’t no beauty when you’re tearing things apart to see it. ******* Smiley’s on the edge and he’s ready to pounce right off. If that broad’s sobbing didn’t **** at those heart strings of mine I’d be running for my ******* life.
I lift that pea shooter and aim it straight at that devil smile.
He howls. Glass shatters from above. Some black monstrous thing comes speeding at me. I leap through that apartment doorway in time to see ******* Smiley consumed by it. All sharp, all solid that beast slams into Smiley, screaming loud enough to wake this dead city twice over. Smiley thrashes, he splays out to the ground, the beast’s seared flesh erupting in front of me. A piece slices past my cheek and I’m on the ground in tears. I hear No Name scream an incomprehensible curse above. I’m bawling now. Through my tears I spot that chunk of flesh. ******* balsa wood. Thrice-cursed balsa wood.
No Name had thrown a piano out that barricaded window of his. Tears of pure comedy, that’s what left my face. A Smiley taken out by No Name, I’ll never live this down. His mangled body lies under polished wood. Someone’s yearly worth gone in a second of frantic panic, reduced to twisted wires and cracked ivory. To see something so beautiful destroyed in seconds makes me wonder if the Smiley had gotten the better of us after all.
That broad’s in shock. Splinters covered every inch of ground save that around her; looked like a comet, trailing emptiness behind.  Should have noticed it then that something wasn’t right with that scene. Perfectly unscathed beauty sitting there with not a single scratch nor splinter on her, but I was too **** amazed I was alive. Knelt close to her and caught a whiff of some exotic scent on her skin. Some flower. Saw her face and it added another colour to that filling canvas of mine. This pretty bird from the joint. The one men died for. At least No Name had saved one life worth saving, funny it happened to be the one who could take yours in a night.
Names elude me, but the way I remember her . . . the way I remember her is Blossom, for when she came into my life she gave colours to my black and white memory, colours I didn’t know existed, and my black and white morals took a turn down some dawning grey-blurred alley.
So I’m a ******* gentleman and I walk Blossom home while No Name shifts furniture above us. Scrapes of hard wood against wood, filling that void in his once impenetrable bastion. I told you No Name’s got it all planned out already. Guess I’m just here for the ride.
Welcome to the paranormal neo-noir gangster world of Devil Smiles.
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Dead Rose One Apr 2018
Abbreviations of the Life Human

these little stories, bejeweled poeticals, long tall tales,
short-held breaths from the savings account breast,
all slow withdrawing-dawning,
all are but the abbreviations of the life human

my fav of course,
the one, the twenty six
the aleph best bet

<•>

4-16-18 10:47pm
a mondo Monday survivors prayer
Dominique Oct 2018
Droplets tap the dusty windows
Tipping pleasure on the pane
Dribbles every time the wind blows
Prophesize a hurricane

Kisses linger on the backseat
Desperate to delight in more
Suffocated by the heat, but
When it rains, it starts to pour

Panic storm that quickly closes
Smashing waves upon the sand
Tension tearing up the roses
Stuttered poems, shaking hands

Though the pressure keeps you floating
And the ocean licks its shore
There's no way of sugarcoating
Once it rains, it has to pour

Stick a finger in your ceiling
Let the plants hang onto youth
Sunday jazz, petrichor feeling
Hear it tripping on the roof
Smell it shifting all around you
Leaking through your drying veins
Leave your stagnant dragonfly blue
Open up into the rain

When it rains, it pours
I'll blossom being yours

Downpour cleans the ***** traffic
Rippling madly down the drain
Paints the artist something graphic
While he's waiting for the train

Laughter echoes in the morning
Licking soil and clouds to raw
From the vision that's been dawning
Once you rain, it has to pour

Spitting bombshells pelt your raincoat
Tears in quiet pools of green
Holes inside your getaway boat
Water's sweet but can be mean

You've avoided all the warfare
But the stars rampage for more
Douse the thin comfort you still wear
Once it rains, it starts to pour

Stick a finger in your ceiling
Give the plants a thirsty truth
Fairy lights and freedom feeling
Tunes of our torrential youth
Smell it changing all around you
Bursting through the shrivelled veins
Leave your crippled summertime hue
Open up into the rain

When it rains, it pours,
I'll bloom so much being yours
We're a perfect storm, I guess
Fire has been stopped with less

When it rains it has to pour.
Rain brings change when we most need it
IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
Marcus Lane Mar 2011
Sunshine,
Birdsong
And children drunk on
Lemonade
And laughter.

That Welsh picnic
Has lasted forty years
And will last forty more
In daydream

And nightmare.

The stream babbled
Over pebbles,
Fern fronds
Brushed our sun-browned shins

Till the dead sheep
Slugged us in the guts.

Bloated and bulbous,
The body dammed the stream,
Its lifeless eyes
Crawling with life.

Those pearly marbles were
A child’s looking glass into death.

The rocks we hurled at it
In reckless revulsion
Were the screams
Of violated youth,

And those empty dead sheep thuds
The dawning of our mortality.
© Marcus Lane 2010

— The End —