Nightbird perches high
beneath the shooting stars
that dapple the bouquet
    of sleepless peace
... his soft downy breast      
    has lent breath
to the sweet April afterglow
     heaving with song

The mystical feathered troubadour's
     swooning echo
A melodic twilight serenade
conjures a moonstruck metamorphosis,
sprouting magical wings of flight;
rousing a lonely heart's esprit
     to fly away unfettered
     in constellations of song

How dare imaginings spilled from the big dipper
enchant such an enrapturing magic spell?
It's so far to fall from swinging on a star!
It's so far beyond nearing crescent moon
     when you wish upon a star  

Thereupon struck by a bewitching bolt of starlight;
Dropping asudden as a shooting-star!

    Rolling like trailing thunder;
        tucked and tumbling ―
             somersaulting,

           celestial rumbling
blossoming with an unearthly joy

A nascent winged heart splayed bare,
soars upon cresting wind waves;
    dreaming of that shapeless  
          w h o  o  o  o  s h ―
         gathering beneath
        ~ uplifting wings ~

  Suddenly ― gliding freely,
       winging gracefully
  upon wafting star drift glitter;
lilting lightly upon the arising cadence
of nightingale's melodious fluted song

Nightingale sings sweet April perfume
beneath the star shed lamplight twinkle

... and it makes no difference if it's only a dream
    if my heart had wings


imagined by:   Jesse Stillwater

ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little

1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.

daring nightmare treason dapple
creeping dark withering day chaff
    starling; cast a frail song sharply
into redrimmed ears
                                             telracs
                                 dekcen
                        raor
                           !
sly mirroring the captivating decay
                of this slain
        day

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.

What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.

The bright sun’s rays
Are dappled as they strike
The manicured greensward.
He, tall, lithe, teeth all aglow
In cream slacks and pastel blouson,
She, fair and fairylike in acres of shimmering gauze,
Alight from the auto
At the site of their ‘manger al fresco’
Let us call them Justin and Jocelyn.
The basket is heavy
No matter.
He lifts it clear to carry
She gasps, he grins.
In minutes the scene is set
The rug, the plates, the glasses
The pate, the cold chicken,
The fruit….the wine.
He deflowers a bottle of Moselle,
Wishing it were her.
Guessing as much she blushes.
Ants retreat to nests
Wasps attack alternate targets
Flies zoom elsewhere to feed.
And all the while the sun
The golden sun continues to dapple.


The rain is not quite horizontal
As Joe and Judy
Run from the bus stop
To the stony beach.
Not quite horizontal
But driven off the sea it tastes salty.
He, ordinary, average, in a dampening grey mackintosh.
She, hair bleached in a sister’s frock and jacket
Holding hands,
And hold each a sandwich
Cellophane wrapped.
Squatting against the seawall
They eat.
Wet eyes flash bright signals.
Joe has a small thermos
Its vegetable soup,
And somehow a hardboiled egg appears,
To share.
The rain continues its attack.

Perch on their water perch hung in the clear Bann River
Near the clay bank in alder dapple and waver,

Perch they called ‘grunts’, little flood-slubs, runty and ready,
I saw and I see in the river’s glorified body

That is passable through, but they’re bluntly holding the
pass,
Under the water-roof, over the bottom, adoze

On the current, against it, all muscle and slur
In the finland of perch, the fenland of alder, on air

That is water, on carpets of Bann stream, on hold
In the everything flows and steady go of the world.

Turn your dapple gray diffuse light daydream
Towards the flashlight painted cloudscape I have made for you
And before the drafted owl coos I have collected in bottles and hung from this tree
For you
I have walked through fine winged butterflies and soft twilit moss
Over sun scorched sand and in the relief of white noise water
Which
Like the circle of your arms
Tucks my dark away in the bottom of some drawer
That we may find and laugh over through our old eyes wrinkled with years of delight
Our home is walking through a stream
Steps slowed in the thickness of water

An indifferent ache swirls in the silence
throbbing like a dancing candle flame;
no one understands the heart of silence
moving the darkness with its ancient dance

Its voice is only felt but never heard
the way it whispers the reality it bears;
disrobing the nakedness of a fragile heart
exposing inherent truth deep in disguise
retouching the chaos passing of love laid bare

Unspoken emotions that nobody hears
float around a muted tongue benumbed by fear
doubt is a bitter taste that knows not love
searching for a labyrinth to begin to wend a better way
trying to feel the unfelt warmth of love in an endless cold
waiting on a frozen emptiness that never thaws

No one understands the haunting fear,
... surly it couldn't happen again ― and surly it will,
a heart stifled silent,  silence doth loudly peal
                poignant dreaded words:

                 "It's not you ― it's me ,.......
      I love you but I'm not in love with you"

and like winter dreaming for the sun to reappear,
to come back again and dry the memory of fallen tears,
a hushed heart falls off the earth lost in ether shadows lay
mooning in the lonely silence within moonlit dapple

When you pull love too close ― it will push you away
some silence heals ― a dissonant silence cuts to the bone

       Only the lonely feel a silent voice sigh
         Only one hears a silenced heart die ...


               harlon rivers ... March 2018

Dapple-throned Aphrodite,
eternal daughterf God,
snare-knitter! Don't, I beg you,

cow my heart with grief! Come,
as once when you heard my far-
off cry and, listening, stepped

from your father's house to your
gold car, to yoke the pair whose
beautiful thick-feathered wings

oaring down mid-air from heaven
carried you to light swiftly
on dark earth; then, blissful one,

smiling your immortal smile
you asked, What ailed me now that
me me call you again? What

was it that my distracted
heart most wanted? "Whom has
Persuasion to bring round now

"to your love? Who, Sappho, is
unfair to you? For, let her
run, she will soon run after;

"if she won't accept gifts, she
will one day give them; and if
she won't love you -- she soon will

"love, although unwillingly..."
If ever -- come now! Relieve
this intolerable pain!

What my heart most hopes will
happen, make happen; you your-
self join forces on my side!

Gold shed upon suckling gold,
The time of the bole blackens,
Of the dark mounted through dapple,
While in the sealed apple
The seed cradled toward cold.
A gold on gold spent,
Put by from an elm in its years
Now its gilded of days,
Over turf’s dishevelment;
Where all which is green sickens,
All the fresh shall be sere.
All which is green sickens,
And it is but for a time
Those embered veinings blaze
A year’s delirium;
Or neared of other space,
Unportioned azure shall close
One of more, and which is,
One which goes.
Let the little pupils that will,
Of vision, gaze for salt
To whet their gazing, wit
In one weather is high
From burrow and lair, by
Nether providences’ default
An all’s accrued.
And apposite, beyond
Such primer beholdings, has
Its long accounting known


The beetle’s morsel thus
Was rich, and the slug’s bed on
The oak’s generations, deep
Over the lark’s bones.
In slough of Edens fast
Wit in one weather shall stand,
While millennia nibble at
The sensual apple
Toppled it net,
Plenty in the palm of the hand,
And the fallen not fallen, not lost
From out its certitude—
For our unbeggaring
Has been gross. Few and late
To cherish an immoderate
Wish, hope’s calculus,
Love’s hope; few to miss,
From natural tally ******,
In the lime-girdled space
Of choice, where alone
Man can abandon what
Is only his own;
And in cold and tarrying
Their rearisers sleep:


While to the granite cheek
Light’s purples bring
Infinite their ministering,
And past our finial
And ragged crests, to keep
Time’s ambient stood,
Propose horizons from
Their shadowy quarries; while,
In an unwandered wood,
Or under the indifferent foot,
Is let fall, let fall a fruit,
Through eternal leisures down,
For but time’s unravelling.

Hips hunkered, rise to dapple-blue-toned dusty seat
Flush arch cheeky blush, excitement
Droll eye-glazing blue pupil toned in sleepy drug haze
Wind whipping wild air rushing through tempered glass
Wubing whoosh of wheeled blacktop pavement
Colored in eerie sunshade yellow
Lined, darting-flash gold white boundary crossing  
Tight knuckles, two hand hold
Blinking brown doe-eyed drowsy heavy lidded
Lolling head knocked back, head bash rested caressing faux blue
Ploom of dust
Dry-mouth open to catching fly’s
Or what’s left of dank-infused air
Quiet stillness

Blond hair crawling in busy wind,
Equally as gone
Thumping, jolting-momentum  
White line boundary lost, wheels ended grass
Ditching down, dirt slid slide
Floating weightless suspended-nightmare phase

Snapping,
Awake! Awake!
Screaming slotted terrified,
Panic! Painful-heart-wrecking rob breath
Nose dive, mounded metal drive inching closer
Hairs-breath away

Afraid, screaming ****** ****** inside sealed lips
Brown eyes; lid white
Hands upon steering slack, loose light
Asleep, peaceful in calamity
Unnatural shake and tumble
Nail dug bleeding ache
Skidding gravel, tree lined doom
A god not believed in a prayer ensued
Shaking, the calm unglued
“Baby, wake I beg you!”
Brown quick electric wide
Screaming, Screaming
“Oh my God! Why!”
Swerve snake skin peelout
Black lane orange in night
An almost death.

reign on my charade, but risk the dapple
the first to kayak to mars. Jester, you say?
Messers Metro, Goldwyn and Meyer shan't have floundered
if you had taken the turtleneck, roughshod

reign on my charade, but risk the dapple
the first to kayak to mars. Jester, you say?
Messers Metro, Goldwyn and Meyer shan't have floundered
if you had taken the turtleneck, roughshod

Down I go into the gray and brown.
I hit the sides, like being in a cradle that is
rocked too fast.  It's an abrupt catastrophe.
I didn't see this one coming; but I felt it, like
the slight rumble of an earthquake, or like the
false dawn, before the real light yawns, and
opens the sickly day.
It's just another ending, dapple and down.

Your fingers dapple the contours of my face,
like layers of a warm blanket
you peel back and
rest beneath my skin.
This sheer vulnerability.
I'm prejudiced to feel unguarded
and I'm afraid.
Not of you, but of love.
Of the things it would do to me.
Of the scars it will leave behind.
God, I'm trembling again...

Your kisses calm the waves
crashing against my skull.
I'm terrified
of love
and the autopsy it would do on me
once I'm lifeless after you've left me.

Still breathing but not alive.
I don't want to be a casualty of love again.
My stitched together brokenness will
surely break this time again under it's heavy toll.

But I'll do it again, for you and for me.
Because I love you. And Us.
I'll set aside the love for me, to love you more.

More than everything,
Because I love *love.

‘Just where do you think you’re going, girl
With those ribbons in your hair?’
‘I’m off to the world of Make Believe
To the Hart Midsummer Fair.
They say there’s a Magical Fairy Ring
Where the maids dance round a pole,
Where the step of a dainty pair of feet
Can win you a *** of gold.’

‘There’s Lords and Ladies and Dukes and Kings
Come down from the Castle Kragg,
Wearing their Crowns and jewels and rings
And they roast a new killed Stag,
There are clowns and jugglers, Gypsy bands
And the Phantom Fiddler’s there,
Playing an ancient Irish jig
At the Hart Midsummer Fair.’

‘The gentlemen from the town come down
All dressed in their best array,
Looking to win a country maid
To hang off their arm that day.
And those as willing, the auctioneer
Takes maids from the countryside,
Bangs his gavel and calls the odds
For the sale of a country bride.’

‘I’ll not have you at the County fair,
You can stay at the farm by me,
We’ve been affianced for over a year
And wed in a year, we’ll see!’
‘I’ve waited long for your promise to wed
But nothing has come about,
I’ll not be wed to an Ostler, when
A gentleman calls me out.’

He locked the maid in the pantry, so
She wouldn’t get out that day,
But she slipped the lock, and changed her dress
And managed to get away.
She went the way of the hidden lane
On the old grey dappled mare,
And rode on over the hills to find
The Hart Midsummer Fair.

She was late for the clowns and jugglers
She was late for the Fairy Ring,
She wasn’t too late for the auctioneer
Who told her to come right in.
She couldn’t see who was bidding for her
But she took it with a smile,
It must have been some fine gentleman
For the bidding was done in style.

‘Four pounds I’m bid, for this comely *****,
Four guineas to you out there,’
Another pound brought his gavel down
‘I believe that you’ve won her, sir!’
They tied a blindfold over her eyes
And her wrists were bound with cords,
She had to walk for a dozen miles
Tethered behind a horse.

The horse’s hooves had a hollow ring
As they hit the cobblestones,
The walls were damp and the air was filled
With a smell like drying bones.
Her ‘gentleman’ took the blindfold off
And her knees began to sag,
She’d sold herself to the Pantler of
The household, Castle Kragg.

The Pantler, so very old and grey
With a blind, white staring eye,
He said that she’d be the scullery maid
There were pots and pans to dry,
There wasn’t a single window in
The kitchen, down below,
She ****** the money he’d paid for her
And she begged him, let her go.

‘That’s not enough,’ said the wily serf,
‘To free you from these grounds,
If you want to purchase your liberty
It will cost you twenty pounds.
Your value is in the work you’ll do
Both here, and under the stairs,
If you pay your shilling a week to me
It will take you seven years!’

That night she slept on a pile of sacks
And she ****** the man away,
She said, ‘You’re not going to touch me
For as long as you make me pay!’
But late that night in the pale moonlight
A horse’s hooves were heard,
And a shadow crept to her bedside,
Whispered, ‘Don’t say a single word!’

He led her up to the courtyard where
There stood the dapple grey,
Hoisted her up behind him, spurred
The horse, ‘Now let’s away!’
She clung on tight to the Ostler she
Had spurned, without a care,
And laughed when they crested the hillside
As the breeze blew through her hair.

The banns went up the following day
They were married in the fall,
She said, ‘I finally got my way,’
And he answered, ‘Not at all!
‘You only married an Ostler, not
The Pantler under the stair.’
‘An Ostler’s all that I wanted since
The Hart Midsummer Fair!’

David Lewis Paget

some rather dark nights
seems the moon's on vacation . . .

1.
Look, here comes courage
Dragging the moon in its teeth
While stars dapple in its tangled fleece
Go on, you!
Go and put the moon back up in the sky
Where it belongs

2.
Tenebrous nite falls on square
Yet a caged moon shines courageous slivers
Most haunting melodies
Then that dark figure appears
Trying to steal it away

With black birds flapping round him
Like a sombre halo over him
He slinks off into the welcoming shadows.

3.
Girl with long blonde plaits
sits on water-lily petal-pads
In the middle of a mild mere
Mauve moon lies tame in her still palms
But the wrong notes suddenly play out
Harmony not quite jacked up

4.
Elemental whirlpool explodes
As sceptred figures hunch in red dust
A flash of green sky
white elephants drown in shallow puddles
angels sit on the edge of blue teacups
while thoughts crisscross

and moon hops away
galaxial order pleased


put the moon back
where it belongs

let it hang there . . .
in the sky*




S T, 20 July 2013

Beech trees like cathedral pillars soar
To vaulted ceilings oozing dapple-green,
Where twinkling sunlight, filtering to the floor
Dilutes the dusky darkness in between.

A concert hall, acoustically tuned
To amplify each tremorous touch of stick
On wood, where silent magic is cocooned,
Responding to the scuffled tap and tick

From scrunching undergrowth, where dusty death
And dried decay seep back to nature’s store,
To resuscitate with pungent earthy breath
The spirit of the leafy forest floor.

Our moments collect in concentric rings about the nexus
Of a first embrace, adorned with Autumnal colors and scents -
We lovers blend, cupped gently below the stir of flecks and dapple.
Each leaf high up quivers in the bouquets and knows when to let go,
Fly and fall to earth.

Whispers from a rustling canopy climb down the bark encasements
Of these tall and somnolent trees, thirsty leaves that clatter and kiss,
Wink awake – brilliant – hold our gaze and suspend our hearts.
In a pirouette amidst the amity of recollection and premonition -
We shimmer in an iridescence of saffron on copper – remember this.

Moments light up, each one, for just an instant, the last of our lives;
Each conveniently the beginning of forever and forever smiles at us.
Rippling across the cycles of solstice and equinox, we radiate –
A nostalgic procession toward unmade memories, like tree rings.
We fly and fall in love.

in the rictus of an amethyst eve lays
the indomitable promise of cotton festering
under salient groves of hot fingers licking
the ridge of supple *******. in profusion dapple
   crescent lips and sickle rivers running heavy
drunk limbic tickling breathes. so wet. the damp
ember carousing. in fragrant discord. all sensual
clamor violently. in verily know my limbs and every
atom of my dew

    for i shall sprawl upon your effigy the clusters
of my heart

The small rock representing your birth
engraved deep into a necklace
proving your worth
to the world
and to you

you,
the one sitting there
staring out into a moonlit sky
the thousands of twinkling stars
dapple the sky
as the whooshing wind whispers
belonging

You
the proud dark eyed girl
standing tall along an old wooded pier
the spray of the sea splatters your face with its salt
bellowing waves crash underneath your feet
shouting,
You belong

And You
are still here
one of many
on this earth
loved and guided
through this life and to the next
and you,
**belong

loot the ***** boot the rich
Hang the snitch emancipate the
itch madness a bit saintly
Pitch a fast curve kick sadness
to the curb of broken dreams
It seems a thing of the past blast
passed the failure your always
will be searching for that someone that is me you irritate my peace of mind when will you finally leave me alone the thirst for success
Irresistible i cant reach without you in the drivers seat a deadbeat\

rhino walking softly carries a big
gun to compute the poverty disburse the novelty mute the donkey
Shoot up the ****** groove\
superb lock stock two smoking barrels manup positions dapple improve\
dry too flimsy ripple status quo fluid stain wet into a puddle strain\
stable ground disintegrate cry squabble hone grin refute scrabble tunnel\
cruising off a shotgun bang what up with that thang show her off hang *****\
sting know how ripe ***** in demand bite inflicting raw election dangle TLC\
exposed suckle foreplay bare the doom shielded knuckle brass boots ******* HooT\
BooM on blast mettle to the pedal sass passing windows fast exhaust throttle\
fastlane straddle last shrine wine tire popping the wealthy snoot channelside\
stealthy snoop crank dogg sly filthy in hind charlie brown restrain grand sighs\
define the grime be kind foresee the crime rewind lakhaim frame spine spinning\
wheel ordeals repeal sick figures concealed pinning children against frontal lobes\

memory versus\

skulls lost salam to lucifer in a frantic relay replay demonic delay foiling shalom\
band alaykoum in purse fulfilling evil curse droopy eyed fools drooling pearl pool\
diluting verses sheet smarts versions saluting sheer farce shuffling back\ rank pipe crack\
tears smear contract around virus rooms chasing bail resisting a ***** toned\
smears contract around virus rooms chasing bail resisting a ***** toned\
frown talking to walls of jail houses crowned end dead thread landfill clowns\
bumping heads bunk bed trash courthouse playground twisting ***** fits\
battered butter mutter peace cross the street forgetting to put up and fight\
shiest with height heist barren on the other side green lyres setting fear steep lower\
reflection revel mirrors deflection inflicting Ghostface highness pace rhymeless chase Killah\

stoke shady slim phone in remaining senses detain impurity capitulating dexterity fuse\
recluse stan granting badass roundhouse kicks rudimental trick chant chatterbox vamp\
underworld stick centerfold haunting Rancid activate superlative octave erupt glee\
sharply whiplash ash out the masses entrance serendipity multiply sentimental divide\
invincible prime knowledge footprint stepping benign modicum rootline stem enticing\ cognizant fledge camaraderie hack feasibility snare clear spear stupes stare look at\
that rearview it's you ******* a pornstar in the backseat rampaged **** dripping slit swept\

weeping tantric rendition ******* loose rocking out sweep companions check and replace\
**** tighten up crews shock and strut byob bend righty tighty string along aim gift dames\
chauffeur fate slate teams honor razzle the green fire dazzle gardens retire kinder\
inspire **** arthur passion swords struck within pyramid empires cured she'll always\
                          love you truly madly deeply combined nocturnal eternal WH navel\

I'd paint you in dreamscapes—
visions of rolling hills
and fields of autumn leaves,
your form draped in grass
and sunset dapple—
porcelain, delicate beauty,
a work of art, the way I see you

I want it to be night.
I want it to be raining.

Sitting in the stale car, looking through the rain-glossed windows
The raindrops cut through the thin steam emanating from the headlights and dapple in the glow

The rain shivers through my jacket;
Sleeps against my skin

Add: the cold plastic steering wheel, cracked by time and use
Add: the dead air of the car, increasingly humid
Add: the faint sound of our breathing
Add: the quickly fogging glass

The roof is alive with the pummeling, dancing drops and their reflection from the grim black steel and the memories of summer still living in the peeling paint and the time that we sat on your car and dented it but we told your mom it was a falling branch

These memories die into a regular, irregular cut-time autumn jig
I try to sync, but only sink.

You've found the key.

The car starts and we drown in the din.

we are not clean in the way that clouds pound lightning down on golf carts. we are circumspectral.
we soil by way of true love tossing cankers and spleen-balloons by strobe-light.
we have ginger eyes that scheme the tombs of our docile rictus
and the barbed lush of our offending reconcile.
we are not clean where the filth is excellent, but where the pollution is exquisitely the least meaning.
full of some Life in the Death.

my dearest, my darkest... yes we have no sphere without the cubicle and useless timepiece.
we have no light. save the dapple from a distant blur, upon the surface of a placid lake
of chill fire. a remote scope of reason on the fringe of a boundary
we had no faith in, but a religion to hate with.
we came from the sacred and bled
for the fake **** that drove us
Mazzy.

I'd Fade Into You.
and be some kind of real.
and you'd have to be.

I was dark and it was bright
the moon shades were at half tyne
and I wept
I felt confused but I carried on
through shedding dapple bright.

And it was very dim in the forest
of palms and swaying trees
but still I carried on
bravely as if he were still alive.

Dreams lost,
like golden fields
of youth.

Hay bales dapple
my mind;
if only that
appaloosa could
nibble me now.

Dandelions and clover
for the
pretend wife,

a **** dog and
lots of lonely
acres for the
real boy.

Damnably grey, I sink into
A lightless sea.  My breath falls
In gasps of air, my eyes
Shut as gas rises.  Dear Pity

May you have my lungs fill with
Cold, watery iron until the
Sharks carry my pieces like
Prayers to fishing boats.

Stuck in the colloid
Of my wasteful life I create
My own shadow - malachite jaw
Swallow me before I am

Forced to burn the belly of
A whale.  Moon thief lends
My paper body a dapple of stolen
Light to dry my soggy skin.

If only the black water could
Clean between my numb ears -
Instead it sits tepid and full of
Mosquitos leaking with eggs and blood.

All I wish is for a wind to
Uncloud me, for air to inflate
Me.  I breathe, I breathe -
More fool I.

We dapple our kiss
hot white Zinfandel

and like the blind groping for
doors, you open me

longingly for warmth,
one hearth we coalesce.

Day opening, the blind’s tug and lift,
there on the counterpane, cards,
a nest of gifts tied with golden thread
serrated to the touch, bowed too
with deft hands, a box when un-papered
reveals a (stone-like shell-like) form
picked from a south-facing beach
and woven round to make
(harp-like warp-like) a loom
to weave the waves play.


Holding in her small hands,
the still-to-be-given gift
(beyond all gifts this bright day)
the stroke, the brush
of fingertips on the harvest field
of a bare arm, she unbows,
pulling preciousness so close
that between themselves
a shared to and fro comes
to the very moment of joy.


To walk out
on the springiest day
closing the door
on house and home,
taking off to a near-
distant hill now glowing
in greens and holding above
itself a tableau of blue and white
and grey clouds bringing
cool wind to bare knees.


Never an intrusion
on nature’s ambience
(our footfall on the path,
the wind breezing
through sun-dapple trees)
your voice’s song
sings out in the crisp air.
Quite under your spell words
turn and fall like the flowers
from a blossomed pear.


Once over the river
and up the glen,
following a stream,
passing self-sheared sheep,
a gradual climb with a
view forming behind us.
Horses relaxed in fields
then galloping furiously.
Cries of curlews now,
chuckles of grouse.


Lapwing
Flop and flap wing
Tumble over bird
In the moorland
Sky turning the
Cold May wind
Over and over
No steady state
In this brisk air
Lapwing.


On to the moor
and we stop,
backs to a rock
for a baked brownie treat -
coffee and cake and a vista of valleys.
Alone in the sunshine
we celebrate her success
(with smiles and a kiss)
of this chocolate confection
(a high 9.6 on the outdoor scale).


This empty place
so full of sky,
so rich in views
across and over and
down to folding valleys,
then up to far far-distant hills.
Stopped by a circle  
of twelve standing stones,
cold fingers reach
for a warm hand.


A stanza-ed stone
straddling a stream,
a paragraphed poem
breaking the unbroken thread
where water unbinds
and hangs at the waterfall face.
Pleased to be found
(and after a trek)
this stanza-ed stone
at Backstone Beck.

a breaking of a tooth
a crackle crunch of pain
and a perfect dapple
of a dying drying oak
coming together
in the eyes and ears of a storm

that's the place to find all your days
to remember all your sinewy sins
to let the honey-heavy heat of shame
wash you clean
down to your yellowed toes

that's the place to cry
and to listen and to lie

your red rosy fingers blurring your face
and your ordinary eyes
just a common brown

they could always see
so well

Memories of us fall like
snowflakes, beautiful, fragile,
evanescent as they melt
into the tears that dapple
my blue bed.
My hair flows like the river,
frozen,
just like the day we met,
just like the heart that resides within,
no longer brave enough to beat for you
when you are framed
in black and white.

There once was a girl
with dapple plump cheeks
who looked to the sky
to see if the heavens may leak
from them some message or sign
from somewhere in the divine that could
answer her questions, no matter how meek
this girl grew into a lady and explored the world
no matter how vast
this was her chance
to turn her
what ifs
into
realities

there was a little wolf and he just long to be
a cowboy in the west riding high and free
he bought himself a stetson and some cowboy suits
then he bought some stirrups and put them on his boots
bought himself  some guns of the very best
then a sheriffs  star and pinned to his chest
he mounted on his horse a nice big dapple grey
then off into the sunset the wolf he rode away
he became a lawman in the great wild west
then became a sheriff of the very best