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"dantes" poems
Imperfect doesn't exist when it comes to you to me you are impeccable in every single way. In fact, you define it. Perfection = You. You make me feel like i'm enveloped in a fantasy. The butterflies you give me, that blushing smile you put on my face. Did you know that you are breathe-less My cherished affection? I would run a million miles just for you. You are worth everything. Whenever we are apart it is truly never the same. I cannot imagine my life without you. Meaningless is the world without you in it. You give my heart purpose. You give my life worth. I know our love is rare. I love you more as each day phases past. Loving you less is not applicable My emotion and passion is deeper than the last circle of Dantes Inferno. Nothing in this distorted universe could describe the passion I contain for you. That pumping muscle in my rib-cage keeping all that love. It is the ticking time bomb not one man should fear. My love is the unexplainable, and the unexplained is the unexplained because it is too much deep to comprehend. You, and I create We. I love you.
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Apr 21, 2012
Apr 21, 2012 at 9:39 PM UTC
You, I and We...♥
It's not the fear that brings about the images the painter paints. The words the writer writes. The shapes the sculptor sculpts. Or the sounds the musician brings. It's the knowledge that there is more than the trash filled gutters. The windowless bars and loveless street girls. The foreign commerce you are expected to buy and the life you've been trained to sink yourself  into while still dreaming of oh so much more. Some gifts shine and cast rainbows in the light and some gifts expose the darkness we all know is there but still refuse to see. The masses look to make a Hero out of the artist. They set prices on the works and attempt to understand the view. This craft here comes in waves. All there is to do is try to keep up with the demands of this ongoing battle for time. Time to sacrifice more to the machine. Less time for all the bad things. More time for the gift. My need to shy away from the crowds in order to create hand woven magic in the dark. The need to challenge Platos view. The need to feel the numbing cold of Dantes Hell. The need to live out my days in Bukowskis harsh vision of the world. The gears of their clocks keep grinding. Grinding like a junk yard tweekers teeth. My remaining pages remain unfilled and the sun has already set on my tomorrow.
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Jun 19, 2015
Jun 19, 2015 at 11:15 AM UTC
The Artist And The Second Hand
Hault! For ye who gazed with awe in the depths of humanity. Hault! For ye who trims the roses of Eden! Hault! For ye who resights in deep meditation on the top of reeds tower. Hault for ye who called upon Al-Assad. Hault I say for vincent lost his faith and so will you! Hault I say for I love him yet her too! Hault I say for this generation of **** Hault I say for all but one!. My minds full of ideas But surely you'll like none Because they leave the chance of me becoming a helpless *** for the politict who thinks all must be rich, I think you're a cowardly ***** When the sun goes down, the moon must rise; and you say this is divine? Dantes had it! Why should I not!? Power and freedom is all I want But to you man of the comittie, I'll do what I want- and I'll have no pity!. By keone friesen.
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Jan 17, 2014
Jan 17, 2014 at 9:27 PM UTC
Hault!
This soul survives on hope alone. Chained up and burning. tear stained and laughing. Shut out this version of living and blackout the time. Artificial lighting brightens nothing. This unemotional winter remains as unforgiving as a vengeful heart. I'm in the midst of Dantes version. Chattering teeth, blue black numbing digits. Curl into the corner and pour it all out in words. Yesterdays thoughts documented for a better day. Mutilated as Van Gogh, troubled as the artist. I'm aggressive with this, I have no other choice but to remain honest. Accepted the association with failure. Long to be remembered for this.
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Mar 24, 2014
Mar 24, 2014 at 10:08 PM UTC
Cold As Hell
outside of my window i watch the town turn into a skeleton of the summertime the trees have all starved themselves and withered away the road covered in a dull cold fog as if God himself ripped and erased the gold sketches of July how odd I miss the afternoons I spent boxed in a cubicle stacks and stacks of meaningless endless work on the edge of my desk, like a poor boy in an assembly line but when id come home you'd lay me down like a hot cup of coffee countdown my vertebrae with your fingertips like a boy in an old attic and i was your archive i was that page in the encyclopedia i was that record in the juxebox and when id fall asleep, i was the kid  on Christmas Eve maybe the world around us was blazing in dantes inferno maybe the world ran out of fossil fuel countries filed bankrupt the apocalypse begun or aliens attacked maybe everyone fled to the moon and the earth was nothing but a disposable waste but what would i care under your arms i didnt even complain about the weather
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Jan 3, 2015
Jan 3, 2015 at 3:48 AM UTC
love poem #6
Confirmation of what I thought Although I breath I'm just like Mort Walk the earth day after day A swinging brick keeps my pace I don't blame others for my decent I live in Dantes circled hell I've lost count of which circle I'm in No longer trying to reason it The minutes hrs days the weeks None belong in truth to me We squeeze as much as we possibly can Then the clock stops, goodbye my friends So check and measure those vital signs Just don't come and ask to ever check mine Zombies are not the living dead It's those who live within their heads
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May 31, 2013
May 31, 2013 at 8:18 AM UTC
Vital signs
the count of monte cristo sounds so much better after two glasses of sweet wine, the rim resting gently against chapter 5 “This philosophic reflection,” thought he, “will make a great sensation at M. de Saint–Meran’s;” and he arranged mentally, while Dantes awaited further questions, the antithesis by which orators often create a reputation for eloquence. How great this will make me look, in other words, this fine comparison between two similar things. and I find myself smiling, like one would over the renewal of past lovers, past books the direct gaze of persons no longer strangers, beneath waterfalls wings spread vaguely vulnerable and somehow liberated.
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Sep 18, 2016
Sep 18, 2016 at 5:05 PM UTC
Rust and Wine.
Just a throwaway poem Not meant to mean anything So if you've read it You'll forget it But I imagine fish out of water She thought she did what's right He seemed like a good guy Now he's high as a kite And somewhere there is a sun That doesn't want to shine Because the world below Doesn't want a year without it Well we've been to Dantes hell Some got lost in the deepest part But not me, no, never I made it out So that I could write throwaway poems That no one should care about
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Dec 1, 2015
Dec 1, 2015 at 3:55 PM UTC
throwaway poem
Coming soon...
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Sep 19, 2014
Sep 19, 2014 at 11:01 PM UTC
Dantes rein...
Writing poetry is dead easy if you have two precious documents before your very eyes. The two documents in question are The Divine Comedy; by some 13th century Italian bloke called Dante Aligheri, and any copy of the Iliad that’s lying about the joint. You will also need a full-length mirror, a tin of Brasso and an English/Italian dictionary. When you have assembled this lot you can commence discovering whether or not you are a Dante, or just chancing your luck as a wannabe Homer Having assembled all the necessary paraphernalia, you can begin your quest to become a poet, or discover that you are just another lost soul who wants to copyright spelling mistakes and grammatical errors in order to make a fortune from the literary outpourings of desperate to be Dantes everywhere. (Think about it, that’s not as dumb as it sounds nor is it as dumb as you will be if you attempt it.) That’s your first lesson in Danteness and Homericness. Writing literature is a paradoxical experience, and never a contradiction. So, you may have to shove Hegel out the window and line the floor of your pet hamster’s cage with the complete works of Marx. Now you are approaching the very personal and very revealing bit of this exercise to discover whether you are a potential Dante or not. But, as always, there’s a but: before that, you may wish to check out a few historical precedents. Check out Chaucer Shakespreare. Milton, Pope. Shelley and Keats, and after the death of the Good Lord Byron, you might want to move abroad to Ireland and The USA, to get the best out of literature by having a glance at Yeats, Hopkins, Whitman and Emerson. Then there are a couple of Russian poets: Akhmatova and Ratushinskaya . Africa has the Nobel Laureate Soyinka, who shouldn’t be missed. Rabindrinath Tagore is beyond words and there is a Chinese poet named Wei Bo who is also a sublime read. World literature is like world music, a surprise around every corner- Now this is the wonderful part of your poetic odyssey. At this point you get to look in the mirror, a lot. But first a word of caution: mirrors can be very strange, if not downright frightening things to see yourself reflected in. Put on your bravest countenance and look straight into the glacial glossy glare, and tell yourself you’re not scared of a piece of silver painted glassery that looks back at you every time you glance at it.
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Aug 14, 2018
Aug 14, 2018 at 12:49 PM UTC
The Secret of Writing Dead Easy Poetry
Writing poetry is dead easy if you have two precious documents before your very eyes. The two documents in question are The Divine Comedy; by some 13th century Italian bloke called Dante Aligheri, and any copy of the Iliad that’s lying about the joint. You will also need a full-length mirror, a tin of Brasso and an English/Italian dictionary. When you have assembled this lot you can commence discovering whether or not you are a Dante, or just chancing your luck as a wannabe Homer Having assembled all the necessary paraphernalia, you can begin your quest to become a poet, or discover that you are just another lost soul who wants to copyright spelling mistakes and grammatical errors in order to make a fortune from the literary outpourings of desperate to be Dantes everywhere. (Think about it, that’s not as dumb as it sounds nor is it as dumb as you will be if you attempt it.) That’s your first lesson in Danteness and Homericness. Writing literature is a paradoxical experience, and never a contradiction. So, you may have to shove Hegel out the window and line the floor of your pet hamster’s cage with the complete works of Marx. Now you are approaching the very personal and very revealing bit of this exercise to discover whether you are a potential Dante or not. But, as always, there’s a but: before that, you may wish to check out a few historical precedents. Check out Chaucer Shakespreare. Milton, Pope. Shelley and Keats, and after the death of the Good Lord Byron, you might want to move abroad to Ireland and The USA, to get the best out of literature by having a glance at Yeats, Hopkins, Whitman and Emerson. Then there are a couple of Russian poets: Akhmatova and Ratushinskaya . Africa has the Nobel Laureate Soyinka, who shouldn’t be missed. Rabindrinath Tagore is beyond words and there is a Chinese poet named Wei Bo who is also a sublime read. World literature is like world music, a surprise around every corner- Now this is the wonderful part of your poetic odyssey. At this point you get to look in the mirror, a lot. But first a word of caution: mirrors can be very strange, if not downright frightening things to see yourself reflected in. Put on your bravest countenance and look straight into the glacial glossy glare, and tell yourself you’re not scared of a piece of silver painted glassery that looks back at you every time you glance at it.
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