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Connor Apr 2018
-I-

Adoration-
Somnambulists cast
paradise magic, allowing a thimble to fall
upon the floor of our private heaven
(a perfect disquiet to our loving)

We daily reveal our reclusive
sensitivities, a flash (a lowered head, laughing distinctly)
Trailing close behind German poets/path of devotion, a second summit of their passionate influence, rippling generations ago now:

(vineyards caught by grasping suddenness/placating daytime/fig & flame/false tower of Babel, ornamental ruin/he feels owed the sensations of an active spirit, to repent the contrary forces within him/myself)

-II-
                      & upon my reflection in the Cabaret of Hell,
I see a gate perched at the base of my wondrous
Sehnsucht-apparition

                    BLUE MOON                 WALLFLOWER

(or perhaps the other way around?)

Overtaken by oscillating darkness/hall of mirrors (memories)
distorted flashbulb *** and anger

until the acts become indistinguishable from themselves/doubly
******* tigers brushstroked in animal blood... essence of devour/temper/
captivation, incredible lips, pulp teeth, pure excitement all disfigured
& joyous

-III-

My azzurine goddess, faced away in
shame, no wonder why!

(hair let down in a drowsy spill of
uncertain hours, wavering in a sullen high, thickly feeling,
the immensity/pleasure renounced for a cabbalist subliminity)

Mockery of the dead dead dog/blind in boyhood/while
curious ghosts skate across the ice-peripheral of our dreaming

I feel love, and horror/a frigid hand who's body I have dissolved-
-caressing my back tenderly
bordering terrific malevolence

...Later, in another try at my own eternal return, I find my comfort brother, accompanied by an overhead
divination lantern..

pounding! At the sun skull, for you (my cherished)
are of high order
I tempt soaking the cloth,
to steer the intention

..missing black mass, indulging instead
on feverish Damascus perfume

Splash ramp
down. Flesh, wailing
vampire/poet
hidden by darkly earth to inevitably
decay by their self-solitude

(descent writhes in the milk of heartache
and cusps the night firmly in his *****
withering palms)

I refuse this fate, and
in Western-fashion
fire down the city worshipper which was once
I, too        (unmercifully so)

..burying his bones in the Scottish dirt

Terrarium hydrangeas, pale (yourIrises) lipstick daggers
slashing in the white sleeve-
red with epicurean
baptism

-IV-

Big bad wolf
banished to his hole,
I kiss the winter fruit clean from your mouth (succumbing to pinnacles of fire/your lost domain) ******* on pebbles, trying to crack through the surface
like a dragon's egg for pride
(big bad wolf is hungry)
We wear away the season, memorizing the newspapers
which are tossed carelessly to our door. Ah, the kitchen ballet dancers are finally tired..endowed to the triplicate beauty
that we individually define (takes a bit to get there)

You/I privileged to ******* Venice with our mutual
imagination,                              owing to Calvino

To crave eachother
as an Acrobat craves the

trapeze
Audrey Apr 2014
Dancers twirl
Through broken glass,
Blood in ribbons
On the grass.
False laughter fills
The air with smiles,
A collection of fake happiness
For a short and precious while.
Appluad the graceless efforts
Of the sinning ballerinas
As the crowd cackles
Like the call of a hyena.
Bryan Dahl Nov 2013
Tonight would not bridge
Two ordinary days.
Her idea would ignite
His imagination and mould
From the raw clay a vision
Through the churning heavens.
The ballet crafting their bodies
Scene through scene,
She whispers,
He listens,
They lay, as spoons often do.
A last glance over
The flowers and the candle,
Out the window through
The rain, wind, and thunder
Lighting their creation’s sight.

Chasing her through the forest,
She lets him, almost catch her.
Dancing themselves into vines
In a canopy hidden from the wind’s
Muffled thunder.
There, in their haven lush,
Ensnaring so deeply, too soon.
And away he turns himself to stone.
Twisting too tight around
The indifferent mountainous statue,
She snaps herself
And by the time he’s felt it,
Soft enough to turn and see-
See another statue’s backside,
Cold clay remolding into stone.
He stretches himself thin to reach,
Her sepulchral touch lays him out.
She sits, straddles, stares him down,
The lightning cracks behind her eyes,
Splitting her stone heart
Clean through flame,
Incinerating their quiet canopy,

Rising into the storm.
Chasing her through the fire,
She lets him, fan the flames.
Two dancers' violent rhythm
Raging with every touch, until
A tear, or two,
Undo the flames,
Dropping with the rain all in everything,
They fall, fall, fall
Flooding down the mountain
Rushing through the cracks
Left behind in the stone,
Flowing together a river
Through the trees, out to sea.
As two make one body their own,
The currents churning through.

A spiral sparks the children’s learning,
The whirlpool to the maelstrom
Surging their liquid body up
The column that would
This time reach the storm.
The lightning cracks behind their smiles-
Their love undoes gravity’s condensation.
Drifting,
Through the clouds,
Stars,
In each other’s arms,
The ballet crafting their bodies,

They lay, as spoons often do.
Curing Feb 2015
I look out from this little world
with all it's dancers dancing

Mighty trees tickle the sky
The birds in them romancing

If we but stop and listen
we'll hear the music playing

Stop a while and close your eyes
exhale the troubles weighing

Down around your shoulders
Thoughts that cloud your heart

We're only here but for a while
Before we drift apart

Like clouds across the silver moon
we're here and gone far too soon

Then pass into the inky night
Still around, yet out of sight

Some of our clouds stretch for miles
Others stacked in fragile piles

Some full and dark and hanging low
Filled with tears they can't let go

Some so wispy and so light
Their presence a mere oversight

Some whose wrath begets a name
Who form a mighty hurricane

Some who rumble in the night
Hurling lightening left and right

Some dark and brooding, filled with snow
Dumping ice on all below

Some that twist right to the ground
Violently they spin around

Some collide, some drift away
Some prefer night, some prefer day

So let us stop and gaze up high
To find ourselves within the sky
Just looking out the window, yearning to be free
cracked nails with peeling hands
ugly dancers' feet
endless hours of stretching, leaping, bowing, and creating straight lines with no mistakes
you destroy me but, I love every moment of it
Nat Lipstadt Mar 2014
Everything in quotations marks and italics was written by TS Eliot.

eyes knowing glossy men,
sheer women, creatures,
not all artists, but artists,
always thus,
centrifugal, simple

from their core,
emanate, resonate,
expand the exterior
with interior precision sculpting

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity
subsidiaries of centricity,
tributaries of complexity,
oriented to their locality

the simple purpose of inhalation,
to exhale, after transformation,
the calculus of thought into emotion:

"the tongues of flame are in-folded
into the crowned knot of fire and
the fire and rose are one"


the dancers hear the music:

"so deeply that it is not heard at all,
but you are the music
while the music lasts."


**”Quick now, here, now always –
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well"
"Immature poets borrow, mature poets steal." T.S. Eliot (1888 - 1965)

Inspired this evening by the Martha Graham Company, the words and wisdom of TS Eliot, from whom she took inspiration in her choreography of modern dance
Rangzeb Hussain May 2010
Lights dim,
Colour explodes,
For upon the stage there is magic
and in the orchestra pit there is music,
Young dancers robed in elegance
glide across the richly decorated stage,
And the night smiles by
with selection after selection
of sublime ballet confection,
The dancers dazzle and daze,
Their bodies hugging the music's enchanting embrace,
Upon their faces are the smiles of summer and golden radiance,
On their bare backs ripple muscles glowing with the sheen of sweat and glory,
Their breath comes in quick bursts as they fly through the air
and land as gently as a feather on the breath of a nightingale,
The girls are as bright as dawn's first light
and the men so supple and full of ecstatic zest,
These gifted artists were not from the snow-capped streets
of St. Petersburg
or from the steppes of the Bolshoi
nor were they from the giddy heights of the opera at Notre Dame de Paris
nor were they plucked from Covent Garden's glorious school of Royal Ballet,
No, it was none of those rigid and regimented corps de ballet,
For the vibrant and energetic dancers that mesmerised the audience
were living the pure joy of life,
These young men and women were from the poor villages and back streets of Cuba,
They brought the sun's warmth and delight,
They brought the lightning's energy and spark,
They brought the air of vitality and light,
They brought the moon's bewitching sophistication and surprise,
They brought the colour of life to their art,
This was a night of remembrance for the human soul,
What wondrous poetry in motion we can sprinkle and sparkle
if only we let our prejudices seep away,
Come, let go of the rat race sweat and pain,
Just ease back and let your mind be transported
to another time, another place, another type of magic,
Go enjoy a night at the ballet
and see human expression expressed through movement,
Witness tales of myth and wonder without a single word spoken,
One flick of the wrist
or the pointing of a finger
or even a tilted head
can say more and mean more than a hundred thousand spoken words,
Hearts full of love's deep lyrics told their tragic stories
through a mere touch or a caress,
Hearts were lacerated with a single swipe of a glance,
When two lover's shyly held hands and smiled
there was a thundering hush in the Hippodrome,
The lights changed from a cold blue to a pulsating red
and the orchestra showered the stage with glittering notes,
Drama, Music, Dance...

This

was

Theatre.




©Rangzeb Hussain
he weaves home buzzed on bicycle falls asleep telephone rings 3 AM waking him suspects it is Reiko does not pick up receiver momentary pause rings again 5 times does not pick it up truth is he is still weak for her unable to fall back to sleep gets up makes tea ignores steaming cup decides instead on glass of wine watch telephone does not ring again he sips smokes cigarette march winds rattle window stares out at darkness

following week Cal insists they go to tittie bar Odysseus agrees they order 2 for 1 beers steak and lobster 12 dollar special watch vast assortment of ******* clad bare breasted women Cal comments makes me forget about the hell my life is Odysseus acknowledges i hear you their attendance becomes weekly ritual bartenders bouncers dancers managers know them by name Odysseus smiles flirts with familiar athletic flat-chested brunette believes dancers grasp powers wiles of female mystique that current feminist movement condemns Cal warns dancers are all phony all they want is money Odysseus glances away from blonde female gyrating against pole on stage you’re right Cal why am i such a sucker for a pretty girl? creases brow ponders besides everyone’s thoughts and feelings we are our bodies variations of nature unequal characteristics beauty casts unjust hierarchy of privileges what you might refuse a 1000 you will permit with 1 suitably possessing beauty’s fascination beauty corrupts renders us slaves it’s sick like rilke wrote each single angel is terrible think about it Cal doesn’t beauty tend to take advantage and in doing so does all beauty hide some selfish truth? In that self-interest comes loneliness why am i attracted to that selfishness? isolation? Cal looks points replies chill Odys check out puffy ******* at bar

later Odysseus comments i want to write a book about process of growing questioning choosing love over hate aging death Cal remarks me too Odys if you finally write yours swear to me you won’t dress it up with chase scenes murders surprise twist ending just tell the truth about what happens to a person as they go through life keep it real keep it uncompromised
Olivia Kent Oct 2013
Magpie Dancers

Noisy screaming folklore.
Swirled over rail road track.
Firstly one for sorrow.
Soon joined by a mate.
A rash a dash of flapping wings.
Then there were three.
Is it to be a girl perhaps.
My daughters little chick.

A moment later.
Raucous noisy bird number four descended.
Train flashed past.
A flick of silver sparks from emitted from the line.
Hey presto.
Magical mystery bird number five.
Appeared as the train went by.

His entrance not spotted.
Five lucky birds flew over the track.
Magpie number six.
He was the unlucky chap.
Landed on the track.
Train won't stop for magpie.
His number henceforth up!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Jillian Jesser Dec 2015
It is late,
and the beer drips down my throat
                                                             goes to my head
meets the silence
            tomorrow is too hard to think about
                                                                      but tonight
my youth dances with the alcohol
                                                           they aren't good dancers
but no one is watching
and tomorrow is late
Youdont Needthis Jul 2017
A smile is knowing
The dark crease of a well-arched spine
The dewy white lotus petals
The sad title of concubine
The blue glass so plainly beautiful
With its cold smooth sides
A blown vase that sits precious
Atop a dead deer's stretched hide
The hallowed ***** of a portruding illiac
And the decadent crust of a sweet fruit pie

On a black vinyl stage floor
In a room filled with echoing cries
The reverberance loud and hollow
With ears ringing opened wide

The bends of her young tendons
In her ropey pale limbs
They flex and harshly twitch
How a scared and hooked fish swims

The cyclic orbits of planets and lifetimes  
A ballerina's pirouette spins

Now the tarlatan and muslin gets torn to shreds
And the blinding stage lights quickly dim
The wet heat of a hungry tongue
Slaps upon her sweating skin

The audience simply does nothing
Just like the tall plant stalks of the green motel
Or the muddy vines in swamps in Rwanda
Or white wallpaper in the locked rooms of certain hells
The diseases that squirm in tainted waters
Of Liberia's ***** wells
The missing limbs of wartime amputees
Reflected in the golden glint of spent brass shells

Amidst the screams of
NO
STOP
NO
It yells the words
GO
GOD
GO

Through the grinning lips of the manifest destiny
And the arms of Khmer Rouge's killings
Its legs are formed from the many faces of lynch mobs
Its hands are hewn of American prison facilities and county jails
It's dripping deadly doses of fentanyl in local ****** shipments    
And ****** dancers
GO GOD GO GO GOD GO GO GOD GO GO GOD GO GO GOD GO GO GOD GOD GO
Come friend,
I have an old story to tell you-

Listen.
Sit down beside me and listen.
My face is red with sorrow
and my ******* are made of straw.
I sit in the ladder-back chair
in a corner of the polished stage.
I have forgiven all the old actors for dying.
A new one comes on with the same lines,
like large white growths, in his mouth.
The dancers come on from the wings,
perfectly mated.

I look up. The ceiling is pearly.
My thighs press, knotting in their treasure.
Upstage the bride falls in satin to the floor.
Beside her the tall hero in a red wool robe
stirs the fire with his ivory cane.
The string quartet plays for itself,
gently, gently, sleeves and waxy bows.
The legs of the dancers leap and catch.
I myself have little stiff legs,
my back is as straight as a book
and how I came to this place-
the little feverish roses,
the islands of olives and radishes,
the blissful pastimes of the parlor-
I'll never know.
Emma Jan 2015
They say a dancer's feet are never pretty
but have they seen how they move on them?
Anthony Williams Jul 2014
It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely
by Anthony Williams
MANY ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about.  There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood --
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.
We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.
All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.
Now days are dragon-ridden, the nightmare
Rides upon sleep:  a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left:  all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.
III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast ****** out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.
A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.
The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.
We, who seven yeats ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.
Violence upon the roads:  violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A sudden blast of dusty wind and after
Thunder of feet, tumult of images,
Their purpose in the labyrinth of the wind;
And should some crazy hand dare touch a daughter
All turn with amorous cries, or angry cries,
According to the wind, for all are blind.
But now wind drops, dust settles; thereupon
There lurches past, his great eyes without thought
Under the shadow of stupid straw-pale locks,
That insolent fiend Robert Artisson
To whom the love-lorn Lady Kyteler brought
Bronzed peacock feathers, red combs of her *****.
Jeff Gaines Sep 2018
A headless man
in a ******* bar,
see's **** and ***
and thinks its a star.

“She can cook my meals
and **** my socks …
and give me all her money
as our bed rocks.”

“I'll do her friends,
whether they want me to or not.
She'll never leave me,
I'm all that she's got.”

“She deserved that black eye …
God, she never shuts up!
I about died laughing when she told the cops
that the bathroom door beat her up!”

“Those things her Uncle did to her?
Well, I'll do them too.
Who gives a crap about her feelings?
She's just here to *****.”

“And when I'm done with her,
I'll just head right back to the bar …
A little loot, a little blow, a perfect net …
to catch another falling star.”

To him a woman is an object …
No soul, no life, no heart.
And like a spoiled kid with some fancy toy …
He just wants to take her apart.

He really can't help it.
According to science, he was born this way.
And just as some new girl takes to the pole …
there's another like him, and he's destined to find her one day.

Those mirrors everywhere? They aren't there to help you see …
They've a much more evil job.
They're there so she can see and witness herself taking dollars …
from some old, pervy slob.

They cover those walls so the dancers are forced to watch …
what was once, Daddy's little girl.
To convince her she is now worthless on a downward descent …
and falling deeper with every twirl.

Oddly, eventually … she accepts this new self …
in what seems like soft, shiny skin.
The pounding music and the flashing lights …
all there to help her win.

She soon revels in this adoration …
from men she once would never speak to.
*** and drugs and rivers of whiskey …
All there to see her through.

One day she wakes and looks in the mirror …
Thinning hair, crows feet and bruises on her arms.
Daddy's little girl has long gone away …
replaced with a *****'s worldly charms.

"Who have I become?"
"What have I done?"
"I was only looking for a little excitement …
extra money and maybe some fun."

"How did I waste my life away …
and from it, nothing to show?"
"I never saw it coming, all so easy to do …"
A trap … sprung long ago.

A trap so intoxicating … brainwashed without a clue.
She ponders “Who would want me now?”  … Just another fallen star.
She puts on her makeup … and packs her bag …
and heads on back to the bar.

The cheers, the money, the lights, the ***** …
have now become her vows.
The greedy owner, ***** bouncers and catty co-workers …
they are her family now.

Soon enough, it will come to an end.
If not with her dead on the floor cold …
then replaced by a much younger model …
a new, unsuspecting 18 year-old.

And so the cycle starts again …
Through the door comes the man with no head.
In no time at all, the mirrors will do their job …
and she'll end up in his bed.

A dream in a blindfold or a nightmare she refused to wake up from?
It matters not in this instance.
Either path, a dance off a cliff …
A distinction without a difference.
(I wanna start by saying how sorry I am for being gone for so long. Summer is almost done and I promise to be back to read all my followers and fans. This came to me the other day and I wanted to post it.)

I'm not sure what it is about Virgo's and I … Several of my best buds are Virgos and I've had several Virgo girlfriends as well. Whatever the reason, I have many birthdays to keep up with in September. One of them is really sad though. I met her in the Bottle Club that I was spinning at and was immediately smitten. Tall, brunette, HUGE blue eyes and a smile that could stop a train.

It didn't take long for me to figure out that she was there with a group of strippers. That's commonplace at bottle club's. Where else can working gals go after work when the bars are all closed? We were always jammed with bar and restaurant types. The dancers came in droves as well. But she was different. Most all the dancers came wearing … well … lets just say “slinky” clothes. Tight, revealing dresses. Tall, spike heels. Plunging necklines and … oh, you get the idea. But she was different. She had on a red sweater and jeans … and a really cool pair of black and white checkered Converse high-tops.

I thought maybe … just maybe she was a waitress or bartender at their club … not a dancer.

But I was wrong. She came to the booth to make a request (after she caught me staring from the booth at her and the gals dancing). She even smiled on one occasion and I winked at her then played aloof and turned to pull my next record. That did the trick and there she was, chatting with me. After a few minutes, I grabbed her hand and helped her up into the DJ booth. She seemed a bit surprised and her face lit up. She stayed in that booth for an hour. Her co-workers came by one at a time and made goofy faces at her that we were “hitting it off”. I learned much about her in that hour …

She was a feature dancer and traveled to New York, Miami, Vegas, San Francisco, Dallas, Tampa, Orlando, Key West, and even Toronto and Vancouver performing in huge strip clubs. She had every costume you could think of … Nurse, Police Woman, Construction Worker, Jungle Girl (*complete with a “vine” rope to swing on), Mermaid, Nun (YES, NUN!), Cheerleader, Space Girl, Vampire and, if the venue had the rigging for it … she had a real swing to go along with her Southern Belle outfit. This included an authentic hoop dress with a 5 foot hoop at the hem, a silk and lace parasol and a huge Kentucky Derby-style “Bonnet”.  After we got together, I got to see all of them, either as she performed … or as she performed for me in private. She was really amazing. These venues thought so too, apparently. They would fly her in, put her up in a hotel AND pay her to perform. Of course, she also got to keep all her tips as well. She made insane money at this.

Normally, I bypassed the dancers that came to party where I worked. Too much trouble. Too much drama or partying that was too overboard, even for me (trust me, that's BAD!). But she was different. She wasn't a wild, party-crazed girl out of control. She was really smart. Very articulate, mild-mannered and seemed to have quite a head on her shoulders. Her story was different too. She danced to put herself through college. She had a degree in business. But when she went into the real world to start her career, she learned she couldn't make near the money as she had been making. So, she made a decision to just stay put and ramp up her income by becoming a feature dancer and earn a name for herself. She did just that and owned her own new car and really nice condo … outright. Very impressive to say the least. Eventually, I was at her condo so much, I practically lived there. Sometimes, I'd be out at the pool hall with my bud's and find $100 bills hidden in my watch pocket or stuck in my buttoned shirt pocket. She LOVED doing this, no matter how many times I'd begged her not to. “Just takin' care of my man” she'd say with a grin.

She never fell into the usual trappings of that world and kept herself distanced from it. I was so blown away by all this I started to fall in love with her. My poem titled "Every Day", (See it on my page, a link won't work now for some reason) was written for/about her. We had a blast together. She was really amazing in every way. Her place was a constant flow of folks from that world and I witnessed some reeeeeally freaky voodoo over the next few years. One thing I saw that troubled me though, was a young “new girl” and her “transformation”. I have to say that it really bothered me. I watched this innocent young girl, go from being quiet and even blushing at the behavior witnessed at one of our party's, to being a complete horn-dog freak … loud and drunk most all the time … and this took less than 6 months!

I told my girlfriend that it really troubled me and her and I spoke about it at length. That's how I learned all about the world of professional stripping. She told me all about the mirrors and how they make you see yourself as a stripper and not only make you fall deeper down the hole as you accept yourself like this, but that it also keeps you there as well. She also described to me, at length about the “men” in these girls lives as well as the staff that worked in these types of places. ***, of any sort, attracts ne'er-do-wells, sociopaths, people with all sorts of issues … and pervs. So that's the only choices some girls take. Mostly because they don't give them grief about being dancers. The problem is all the other grief these types bring and the fact that these types of men only see them as objects to be owned and used.

I never went to those places after going a few times after I turned 18. It just wasn't my thing. I don't see women as objects. Being someone who studied Psychology and Behavioral Science, I had more fun watching and studying the people in the place, than the dancers. I never had a problem meeting women … I didn't need to pay for one to pretend to like me. Yet another reason I avoided those gals at the bottle club.

As time went on though … the “little” bit of partying my gal did eventually began to be a problem. I was horrified to discover one day, that the “line here and line there” of sniffs she had always done had descended to her using needles! She would wear these finger-less lace gloves. They were VERY **** at first … But one day, she joined me in the shower with them on … I noticed this and tried to take them off of her … she fought me … laughing at first, but then as I pressed it, she got angry. I thought she had gotten a tattoo … but that was not the case … I laughingly wrestled one off to see the “tattoo” and found track marks on the back of her hand. The argument that ensued in that bathroom could be heard down by the condo pool.

I spent the next few weeks trying to talk her off of it. But all that did was make her try and hide it more while swearing sobriety. After finding yet another needle rig, hidden in the bathroom trash can … I moved out. She tried to commit suicide and blamed it on ME in her note. Thankfully she failed, but because I was named as the “problem”, I wasn't allowed to see her. Even her family snubbed me without ever knowing the real truth. There was nothing I could do. A few weeks later I went by the condo. Her car wasn't there and there was a for sale sign in the window. I looked in the windows and the place was empty. She had moved away and that was that.

A few months later … I was awakened, at 7 am on a Sunday WITH a hangover, by a young coworker of mine. I answered the door with gritted teeth and told him “This BETTER be GOOD!”

He had a VHS tape in his hand and reeked of *****. I let him in and he told me that he had stolen this tape from a party he was at because he knew that I would want to see it. I looked at the label as I loaded it into my VCR and could tell by the title that it was a **** tape. I rolled my eyes, turned on the TV and plopped on the couch to humor him. The video opened with a big, white Cadillac convertible going down a wide, palm-lined Hollywood/L.A. Street. There was a football- player-sized black man driving and a beautiful girl with dark red lips, over-sized sunglasses and a silk scarf on her head riding along.

I didn't recognize her at all.

But in the next scene, she had removed the glasses and scarf … it was her … she was blowing him … and on both her hands … were finger-less, lace gloves. I jumped up and ejected the tape. He said “Sorry, Dude … I just figured you would want to know … don't hate the messenger.”

I assured him that I wasn't mad. I asked him to just go and even thanked him so that he wouldn't feel I was angry with him. I asked him to never tell anyone and he never did. I went in the kitchen and destroyed the tape with my bare hands, cramming it all into the bin and cutting myself in the process. There was blood all over the counter, fridge and floor. I cleaned up myself and just went for the **** and my water bed. My roomy woke me up several hours later, a bit upset, and asking about the blood. I told him what had happened and he knew it was tearing me up inside.

He said “So sorry to hear that Bro, I know what she meant to you.”

I told him that it was all good and thanked him for his concern. I told him I'd clean up the ****** mess when I got up. When I finally did get out of bed, I saw that he had cleaned up all my blood and he never said a word about that … or her … ever again. Bless his heart.

Day-before-yesterday was her birthday. I got to thinking about her while riding the lawnmower and our conversation about the “biz” came flooding back … I guess that made this poem come to me. I had to stop and come inside to write it, dripping sweat all over the den. Still … I'm glad I did. If just ONE of those girls reads this somewhere, somehow and it makes her open her eyes … then I have accomplished something. Thanks for the read.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
Nat Lipstadt Mar 2019
letter to elana

for the poet elana bell

~

in a different cafe,
on a Manhattan streetscape where once, years earlier,
violence was the purview of West Side Story gangs,
ruling their internecine non-intersectionality territorial blood lines supremely

nowadays, violence replaced by the frenetic
noises of Lincoln Center theater goers,
student dancers, actors, musicians and poets joining the throng
of those who sup and run,
all hearing their own frantic
curtain calling, saying, announcing,
music dance voices words require your obeisance,
needy for a mutual worshipping reassurance fiat that:

life can be made transcendent
if even for just 90 minutes or 120 pages,
or a 3 minute poem reading


this city of millions requires billions of poems that spoon stirred  
and yet, almost always fail, to squeeze, all of the human essence that is in its ultimate source, clarifying nyc tap water,
containing the storied remnants of a hackable continuous,
single human stanza cell osmosis - a blockchain like no other

two poets sit side by side each in their own lapsed dreams,
she, a published poet of prize and rank, ^
he, a rank amateur whose only prize is his unpublished anonymity,
poetry, is his just a nightly soul cleansing,
an imported remnant of his Marrano piyyutim ancestry

one turns to the other,
in the inexplicable daily crazy miracle
of city fashionistas

in a city where stealing a parking spot, or the
forced squeezing creation of a subway seat space
where physics proves none exists,
are oft the roots of slashing and stabbings faithfully reported
on the 11 o’clock news,  
and trust and/or other encouraging words
are seldom heard and even less demonstrated,
the make-no-eye-contact of Camus’s L’Etranger anomie is the
normative, paranormal, paralysis cloak of we city separatists

“Can you watch over my electronics and stuff?”

Sure says the grayed and grizzled,
an all life long veteran of nyc,
judged to be trustworthy
based on a few seconds of being upsized and downsized,
a car wash (exterior only) perusal
despite a
“no direction home, like a compete unknown, a rolling stone,”  
this signage, yellow star permanently chest-affixed,
conveniently ignored, as it seems impossible
thieves don’t look like me,
don’t likely in their possess,
a distinguished head of gray hair (yeah, sure)

a thank you reward of (or did I imagine it) a lean-in,
a momentary head on a shoulder,
the chit chat now grows earned and earnest,
she confesses her cardinal poetry profession,
eliciting an ‘Oh Boy’ utterance from the poet
of a thousand names
and a thousand textual emendations

a fastidious nyc boundary is brief crossed for one short meal,
till the end when time sensitized IMRL intrudes and
the showtime calls out,
if not now, when? if not me, then who?

I read her poetry later in the praying supine first position of
three AM, and laugh with delight, at the contrast and no compare,
the styles clash and tho the stories told
are both writ in the aleph bet script,
there ends the Ven diagram overlap and
into the night’s coming of a Elvisian blue suede coverlet,
we both disappear, and if not for this recording,
history says, you old man confused, never happened,
just an imaginary poetry ink blot dream breaching...

~

postface:
another poetry book is no longer homeless,
comes to shelter upon my shelf, close to Angelou, far from Whitman,
now all the book’s nooks eyes collectively
reassessing the new old-owner, parsing his syntax,
undecided if his readership is worthy of them,
concluding that all these books are the
man’s owned roughened stones,
to be placed by human hands on the
serpentine curvature of his literary tombstone,
and until all stones fully read,
they all agree,
will they and he
be fully freed,
smoothing his legacy’s edges
Feb. 21 -March 5, 2019
NYC
another true story

^ https://en.m.wikipedia.org/wiki/Elana_Bell
I came to liberate lions from dungeons
I came to share and not stare at you
I came to actualize powers within me
I intend to distribute resources equally
I came to reiterate that all beings are beautiful
I came to make an impact like mountains do
I came to create music with my attitude
I intend that symphonies surround me with their melodies
I intend that children feel safe to open up to me
I came to empower dancers in perpetual motion
I intend to be a witness to the miracles of life’s radiance
I came to scream love songs into forests
I came to hear my own voice echoed by hollow caverns
I intend to create portals that we can travel through
I came to bring back the aurora borealis at all latitudes
Robyn Neymour Nov 2010
Iguana of diamonds,
Sand sea and sun,
Little children in sight,
Attractions of light,
Natives of love,
Decorative cities, what night.

Island’s of the Bahamas beauty as can be,
What more fun than playing with dolphins in the sea.
Creative costumes, dancers so bright,
The music dramatized, Feel the rush it’s a site.
Nothing more beautiful than the island themselves,
Well except the people willing to give help.
Pineapples, peas and rice, pink sand, flamingoes, and some conch salad,
Not forgetting the “KALIK,” cause’ “IT’S A BAHAMIAN TING”.
Blue, Black and Aquamarine, was just described to you,
All in the Islands Love.
Come and enjoy the exciting experience too!
My Bahama Land!

©
© RGN - Nov./3/10

Trying something new...
I was at the bar big ******* surprise I know .
The pub was empty well aside from a few selected drunks but really there more like a modern art display that has to **** more than a toddler .

I sat there good Irish coffee in one hand laptop upon the bar my normal morning ritual
No I wasn't looking at **** I'm kidding of course I was duh what goes better with coffee then watching total strangers ******* a circus ****** but enough about family programming.

I had decided to take a change of pace no I wasn't watching barnyard babes instead get your mind out of the gutter you ******'s who do you think I am the owner of this site?
No I decided to swing by my true stomping ground the true home of Gonzo Hello .

I as always stopped by to check the tombstones of my amigos now long since passed .
They were all there on full display a reminder of a past I truly cant forget.
Then I decided to check out the new who's who of the new Hello .

There poems about Mom and Dad and that first crush and other assorted high school horseshit
that was as about as interesting as watching a marathon of twilight backed up by that closet case
Harry Potter honestly I thought that was a great **** name .

Just then I herd a school bus with it's annoying *** air brakes come to a halt outside the Pub
The doors flew open and fifty or so hobbits came wandering in the bar dear lord was it some sort of strike?

Hey there Gonzo I'll take a Bud Light and a bag of chips please.
Want a coloring book to go along with that Bilbo?
Hey look grandpa just do your dam job and get me a  beer okay?

This strange little hamster must have fallen out of his crib and cracked his skull on his power ranger if he thought I was some sort of man servant I swear do these little ***** get there manners ?
I looked at the group of micro mini people thinking deep and long  and sort of ruff with a slap on the **** before I dared to reply.

Okay you little ******* I'll bite but not that hard just who the hell are you and what in the **** are you doing here?
Were the new in crowd of the site were poets father time!

After almost laughing myself to death I decided to entertain the little hamsters .
Okay short stack but before you ask we don't serve milk and cookies and nap time is whenever you hit the floor.

Hey what's with this stupid *** jukebox there's nothing but music on here done by people who actually play music duh what kind of **** is this.
I believe it's actually called music or as your generations rappers like to call it three mile.
Samples to talk over to your generations ****** music.

Hey old man you better watch it what you hate rap?
No I don't hate rap I hate your rap  by the way number seven your banana split is ready.
Hey I got to pay the bills somehow people I haven't had costumers in like five years .

Look Gonz the leader of the diaper gang  spoke up.
I know were younger but we have a right to be here as well were just trying to express areselves and share are work is that so wrong.

The Jim Jones wanna be had a valid point but I honestly didn't care for my mind was on a much deeper subject the music played as in the corner four little mini ******* hotties in school girl outfits
danced away to some sort of teenage ***** they called music.

I was lost in my thoughts of um like deep poetic **** it's to deep for you to grasp .
I'm kidding I was just watching the show thinking hey I don't have to pay for this?

Gonz hey Gonz earth to Gonz  .
Well everybody I tried I guess we better leave I don't think he's interested  in us having a
open mic  poetry night.

The music had stopped and the mini ***** were almost out the door but like some perverted ninja
I stopped them before they reached it.
Hey what's this I don't want to hear a open mic night duh I'm all about hearing your poetry
especially these little stripper poetry were do you all work I just love your costumes .

Um there are school uniforms pervert the one replied .

Hey look Gonzo It's  cool man we'll just be gone I mean you don't want to serve us and all.
I had to think  fast there leader was talking them almost out the door and I really couldn't afford
another kidnapping charge yet again don't ask.

Hey wait gang I was just ******* with you hell drinks on me what's your name Brittney Veronica Kelly hell it doesn't matter just pull yourself up a high chair and name your  poison.
What will it be beer wine crystal **** I know how you kids love that **** Brittney maybe you'd like a smooth roofie margarita I make the best in town just ask Lily .

Hey man what about that jukebox ?
I pulled out my trusty 38 the everyone hit the floor   as the sound blasted through the room worse than Justin Bieber getting **** ****** in county.
Oh baby baby Nooooo but enough with the foreplay children.

Honestly I never knew a power wheels could go that fast .

***** that jukebox amigo that's what mp3 players are for  .
I blasted some sort of strange music and poured the drinks as the hobbits began to
lose themselves in sort of twisted movements they called dancing dear lord man
they could really hold there drugs .

Then came there spoken poetry crap slash wet T shirt contest .
The party was a mad mad scene  like MTV's real world except with actual humans .

The mini strippers slash go go dancers were just about to get on the bar when all the sudden the doors flew open and the dark Lord himself once again stood in pub.

The room went as silent as when a semi  insane hillbilly on a **** TV show does a interview
and people find out he really is a backwards dip **** .
The dark lord spoke Gonzo!

A voice from under the bar spoke up he's not here *******.
Gonzo get your drunken *** from under that bar before I make my man servant come get you.

I popped up faster than a seventy year old man on ****** .

Hey boss how's it been dam you look great can I get you a drink hey have you been working out?
Look you halfwit clean this party out right now I could ban right this very moment .
Hey now look Adolf I was trying to connect with the hip new younger crowd is all because
I believe that a young mind is a terrible thing not to be totally wasted .

Seize him the dark lord called out to his staff of four halfwits .
I fought hard but eventually feel to the powers of those lady truck drivers let me tell you
those ******* fight ***** it was almost like getting *****  ****** if only I hadn't forgot my whistle.

Beaten shaken without my speak being slurred I was handcuffed and taken away .
And as I was being taken out the door a young little hamster spoke .
Hey Gonzo can I have your laptop yeah kids there real wise ***** sometimes.

The young hamsters all sat outside the pub as I was loaded up in the pinto hey poetry doesn't pay kids.

Goodbye Gonzo we'll miss you said one of the stripper students whatever the **** they were.
Goodbye little ***** I'll think about you often well I mean as long as I can remember.

I watched as the kids were scattered to the wind and my Pub was destroyed .
As I was taken away riding into the sunset like some outlaw in the back of a really ****** car.

Was this the end for are brain dead hero?
Would Hello finally see the demise of the legend slash guilty pleasure of Hello.
Would Timmy finally get out of that well to question his own sexuality?

Would this write ever ******* end?

Tune In next week for the exiting conclusion kids.

We now return you to your regularly scheduled programming .

Stay Crazy.

                                                         ­           Fin
Ma Cherie Jul 2017
the gift of Aurora
is coming
I know,

sometime real soon
so I hear

my dancers in skies
a brilliant light show
an as I will await
you'll appear

I will see you transforming
before my brown eyes
in skies of my mystical lights

oh how long you know
how long I have waited
in all of these endless
dark nights,

to see you as spirit
as I'll be once more
well this is a beautiful thing

the drum I can hear it
a heavenly door
an the angelic songs
that you sing

and I will not fear it
the heavenly shore
and the most loving joy
it will bring

for when I die
I know
I will
again
run
in fields of wheat
an lavender
with you.

Ma Cherie © 2017
Memories of my dead ones....can be overwhelming sometimes but I'm OK tho an Aurora is coming so I am excited. ; ) love you all
Careless dancers,
In a jar made of glass,
Heating up the temperature,
No escape for gas,

Wilting are these dancers,
Their environment is harsh,
Careless they keep dancing,
Ignorance their mask.
Eriko Feb 2016
the blur of four flesh and bones
encompassed with skin and smile
piercing white teeth
and braids spilling over
four dancers swept the floor
joints swept by their melody and laughter

shadows creep in their faces
gaunt brows, twinkling eyes
feet hitting the floor
like brewing thunder
and breaths pouring over
the fragments of yellow light

four, four dancers
they danced like no other
lost to the bliss of movement
simply lost to the rhythm
of the moment
BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































­

























Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers
july hearne Oct 2018
mighty mighty miners  
mining for a heart of cryptocurrency  
mighty mighty houses  
might end up empty  

for fake fortune  
for a drop of wine  
for a speck of grain  
for fake fortune  

nec·ro·man·cers quick with answers
will you be their broke financiers  
will you be their paraplegic dancers  

you've got nothing to lose  
just a shield of children  
wielding weapons  
no one knows how to use  

mighty mighty miners  
mine on empty  
too much vacancy  
in a heart of cryptocurrency  

all one person  
all one horsemen  
all fake fortune  
all one horsemen  

wish NPC weren't too dumb to understand
mighty mighty houses built upon sand
because every time jeff eats an iguana,  
he's got the whole free market in his hands.
*Roky Erickson - I Think of Demons

Micah 2:2
They covet fields and seize them, and houses, and take them. They defraud people of their homes, they rob them of their inheritance.



ISAIAH 5:8 (MSG Version)
"Doom to you who buy up all the houses and grab all the land for yourselves— Evicting the old owners, posting no trespassing signs, Taking over the country, leaving everyone homeless and landless. I overheard God-of-the-Angel-Armies say: “Those mighty houses will end up empty. Those extravagant estates will be deserted. A ten-acre vineyard will produce a pint of wine, a fifty-pound sack of seed, a quart of grain.
Gladys P May 2014
An upscale lounge well known,
For its ambiance and specialty cocktail,
Which includes live entertainment dancers,
On stage, in fine detail.

While a  glamorous female stood in front of the bar,
With a deep sea blue martini, in her right hand,
In an ice cold oversized snifter, dipped in sugar upon the rim,
Where she leisurely stands.

With a pink orchid,
And blue twisted glow stick, placed inside her drink,
Taking rhythmical steps,
Side by side, in sync.

Dressed in a strapless dress, slightly above her knee,
Nicely fitted, in shades of purple, green and teal,
Displaying a genuine soft look,
With such great appeal.

When a young man walked in,
And gazed into her seductive dark brown eyes,
Reaching out his hand,
Asking her to dance, as he passed by.

She was absolutely stunning,
With fair complexion, short black hair, a beautiful silhouette,
And a radiant smile, reliving her early days,
An unbelievable night, quite difficult to forget.

She appeared divine,
Upon the dance floor, mainly surrounded by youth,
Dancing salsa throughout the night,
And mixed melodies, near the DJ booth.
mark john junor Oct 2013
she was given to tragic speechs
at a whisper in the rainswept night
at the top of the cliff
overlooking the bay
the same place she sat and watched his
ship set off to sea
she still remembers seeing him
there high in the rigging
unfurling the sail
and recalls that he may have waved fare thee well
that the last time she would ever see him
the last voyage
of that schooner
which lay broken at the bottom
of some distant sea
with all hands forever to stand at the rail
looking for homecoming
forever seek familiar shore
for a wave dancers last waltz
and there they shall lay
brothers of the sea keeping eternal watch
while pulling line
and singing songs handed down
generation of seafarer to the next
she dreams of him tonight
as she lay thirty year distant
from that stormy night
thirty years waiting to go join him
in the halls of the Almighty's kingdom
Devin Ortiz Jun 2016
I am intrigued by dancers
The body in motion
Weaving through whatever
Medium strikes its composer

Something in its freedom
Strikes rebellion within
To bind their liberation
Illustrating instead in phrases

I don't feel guilty
About my compulsions
Paper shackles and bars of ink
Slaves to the labor of expression
I found that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or ****** movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.

When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.

Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced -
Love is like the lion's tooth.
In the rain in the rain in the rain in the rain in Spain.
Does it rain in Spain?
Oh yes my dear on the contrary and there are no bull fights.
The dancers dance in long white pants
It isn't right to yence your aunts
Come Uncle, let's go home.
Home is where the heart is, home is where the **** is.
Come let us **** in the home.
There is no art in a ****.
Still a **** may not be artless.
Let us **** an artless **** in the home.
Democracy.
Democracy.
Bill says democracy must go.
Go democracy.
Go
Go
Go

Bill's father would never knowingly sit down at table with a Democrat.
Now Bill says democracy must go.
Go on democracy.
Democracy is the ****.
Relativity is the ****.

Dictators are the ****.
Menken is the ****.
Waldo Frank is the ****.
The Broom is the ****.
Dada is the ****.
Dempsey is the ****.
This is not a complete list.
They say Ezra is the ****.
But Ezra is nice.
Come let us build a monument to Ezra.
Good a very nice monument.
You did that nicely
Can you do another?
Let me try and do one.
Let us all try and do one.
Let the little girl over there on the corner try and do one.
Come on little girl.
Do one for Ezra.
Good.
You have all been successful children.
Now let us clean the mess up.
The Dial does a monument to Proust.
We have done a monument to Ezra.
A monument is a monument.
After all it is the spirit of the thing that counts.
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Neajah Brown May 2016
I walk around my neighborhood with my sister
We wear white mask and black coats with hoods
There’s never anyone in the neighborhood
She said
"It's too quiet."

Yet you could hear the sink left on
From houses people forgot they had
Maybe they lost their house keys

"Did you know that before that house was bought, there were squatters ?"
"How do you know?"
"I know because they were teens like me, but they ran out of luck.”
“They had no money, did they?”
“No money for what? Oh, they had money, but not enough.”
“Enough for what?”

I said “Making dreams come true in reality.”

I remember telling my mom what I wanted to do for others in life
Once I got done she asked me
“But what do you want for yourself?”
I said
“To be known.”
She said
“What if your not known like singers, dancers and actors?”

See I hadn't thought that far.

Maybe that's why they became squatters
In a house with broken blinds
There was not a place for them

My sister said
“Maybe their dreams slipped through a crack in the floor of their old house.”
Of the house in which they prayed for things to get better.
Paid light and water bills
And barely made it
She asked if they were lovers
“If they were, I wouldn't know. I doubt it.”

We wipe the condensation from the insides of our mask
With the ends of our sleeves and adjust our hoods
As they adjust their blinds to the outside world.
I understand if you are inspired, but being inspired and copying are totally different. Please do not copy.
Connie Gross Mar 2016
Their costumes are so daring,
sparkling in the lights.
A soft and gentle glow,
she has across her face.
He moves along beside her,
swiftly on his feet.
Placing his hands,
so carefully on her waist.
They glide so gracefully,
together on the floor.
So effortless they move,
together and in form.
The room filled with rythym,
like if you where in a dream.
You must see, the two of them.
He leads the way with swirls, dips and
lifts of high intensity.
The creative generosity,
of movements on the floor.
seductutive and romantic,
the mood at high vilocity.
The passion in the center square.
The two a perfect pair.
A timing of perfection,
Expressive and Effective,
Their bodies demonstrate compassion.
Inspiring are they.
A feeling of excitement  and pure appreciation
the audience has for them.
The finish They did have .
Earning them a standing overation,
whistles in the air.
A gift they have together,
to act as if their one,
dancers with expression,
a passion and with love.
They are very taleneted,
these dancers I have seen.
Ma Cherie Sep 2016
Shadows moving down
these empty, vacant halls
playing with our memories
and dancing on the walls
their voices echo moments
that we painted with our love
as my sadness still recalls
that your in the sky above
as melancholy is drifting
in intoxicating wafts
a time when you were here
when we all felt so safe

this time a slow reminder
to live within today
to be careful who you know
and be gentle what you say
as I reach out for you
the shadows slip away
and knowing in that second
I can't buy back yesterday

I can only remember
how wonderful it all was
and be ever grateful
for the ...time
that we all shared down here.

Cherie Nolan © 2016
Thinking of you Dad. ❤
jeremy wyatt Dec 2010
I'm fretting how the wee girl cried,
how her mama tried,
and bled inside as her angel
all at once distraught
her world in pieces
come to naught.

One little dancers dress forgotten,
one sweet girls day
turned so rotten.

"I want to scoop her up" I heard,
all our minds saying the same words,
GO ON mum, give her a kiss,
a hug or a squeeze, don't be remiss.

Will today live on in her heart,
a ten year old girls day fallen apart?
Or will she be strong , and take her next chance,
the wee little girl with the tears at the dance.
The girl was so sad today, and they tried to get her to join in, she broke her heart and ours too. But there was a lot of love there for her.

— The End —