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Jon Tobias Jun 2012
Death cures all sickness.
Freud said the goal of all living things is death.
Can I get a witness?

So then it is slow torture for us to do things,
Like keep houseplants and goldfish alive.
Death cures all sickness.

It makes the will to live seem pretentious
When we make it point to continue on, survive.
Can I get a witness?

But I don’t believe in cheating.
Not all living things understand suicide.
Death cures all sickness.

Drunk at night I bear my heart repeating,
That I not go gently into the night.
Death cures all illness.

No, I am bone and breath
And will not strive for death.
Death cures all sickness.
Can I get a witness?
This is a drunken attempt at a villanelle style poem. It was inspired by Paul Gurrieri after commenting on another poem I wrote, "When you Live with Someone who has Alzheimer's Your House Feels Haunted".
CK Baker Jan 2017
Leg off the table
you red face recruit!
put on the offensive
and break down
the bolted door!
you are the soul saver
the peddle maker
the calibrator
with colored handbills
and front line
rhetoric

join the masquerade
in ivy league style!
politicking with
cunning guile
invisalign smile
blackened vile
bleeding the funnel
with gold plate omega
and crocodile shoes

get on stage
and dance you fool!
you are the headline maker
the pantomime juggler
the compromised closer
pull out that 5 page review
(bullet points only please)
and polish those weathered lines!

did you give it your all?
the door tags
and pleasantries
the tidings
and clippings
the irrevocable claims
and postured blames
all those impressionable basics
put to the test?

you know the call
(straight from
those cold academics)
the pie chart gurus
and contract killers
(complete with bone in finger)
whipping their
frenzied crew
in an all night
charade

old yellar
and the gatekeeper
sure seem amused
(sharpening their inquest
behind closed doors)
firing up the shiit storm
with those hostile priicks
and a slew
of insatiable
cures

there’s laughter from the back room
the dripping nose
and wavering hand
the cut white lines
and checkpoint tales
the pipeline romance
and lacking form
(of a basic essential
character!)

soundboard
and narratives
for logging time
slouching on the
steel case
over moot points
ready to play
the 3 weight
butter card
(if need be)

might I remind you
it’s only an inquiry
(with a slight hint of concern!)
surely no
malfeasance
or deception intended
so step back from
the melt down
and cut to the chase!

headlines to breadlines
penthouse to outhouse
those immoral pursuits
have taken their toll
(haven’t they?)
madman or rogue
(you take your pick)
for the scores
and tabulations
are final

shame on you
for the foul play
the bold hypocrisy
and order desk games
the back stabbing blames
and spurious names
just sign on the dotted line ~
this banter
is killing me
Anonymous Apr 2018
Laughter cures ick
She stumbles in sick
She chuckles through tears
Laughter cures fears

Smiling cures cuts
He throws up his guts
He grins in pain
Smiling cures strain

Love cures cries
They decay in disguise
They kiss old corpses
Love cures organs

We lick our diseases
For seasons of pleases
Natalie R Jun 2014
Pimple popping
Lathered deodorant
Awkward tampons
Hair in unwanted places
Drunken nights
Failed hangover cures
Flunked classes
Broken hearts
First kisses and first times
Rebounds
Hookups
Hickeys
Rushes of frustration
These are all
unglamorous occasions
Of a not so florescent
Adolescence
If your an Arctic Monkey's fan, I hope you enjoyed the title :)
Henessy J Beltre Oct 2018
She is raw like cacao
Carries a smell of cinnamon and honey
Natural brown eumelanin skin
Everyone judges not knowing what's within

Sweet like honey,
She cures any emptiness carried in a man
Mix her with sunshine
And she glows within

Beautiful big brown eyes
No one ever takes the time to notice her
People only falsely label her and lack realization
That she's the most beautiful and radiant brown skinned girl

Sweet like honey
Beautiful brown girl
Never lose your fire
Even when the sun may not shine, you'll still always blind them

- Henessy J. Beltre
a poem to remind all the eumelanin skinned girls, including myself, that true beauty is within. we should not have to change our appearances to fit in to society's meaning of beauty. (© Henessy J. Beltre - 10.11.2018)
TonyC Sep 2014
When I'm in a funk
I don't listen to punk
Only rock n roll
cures my soul
Can't help my foot tapping
and trying new moves
to the simple grooves
So c'mon everybody
you cats and chicks
don't let your hearts drop
Lets go to the hop
shake it all over
do the twist
the jailhouse rock
Rock around the clock
Rock n roll brings your smiles back
pitch black god8 Apr 2018
5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face


there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all
and now you understand how came this poem to be writ
in the pitch black
Overthinking is toxic
A torturous endeavor
To find all the pieces
That will solve the puzzle.

"What's wrong with you?"
I try to control my thoughts
Talk myself off the ledge
Convince myself it's unreasonable.

It's not rationale
Not based in facts
Because the facts are missing
Gaps in a story not communicated.

What cures overthinking?
Communication
Transparency
Honesty
Trust.

"What's wrong with me?"
Nothing.
I am simply searching
for the puzzle pieces
that you have decided to hide.
tiaamaariaa Oct 2014
They say love cures all
The heart and soul come together
What they don't know is that sometimes we fall
And the pieces come crashing down like a feather
The heart breaks like a piece of glass
Breaking away into tiny shards
The soul vanishes into gas
Spreading over many yards
Leaves the person stuck
Not knowing what to do
Feeling like they are out of luck
Has them feeling very blue
They say love cures all
Once the person has broken down their wall
-te
Ders Jul 2018
Timing rhymes
Does it heal
Proximity
Close to feel
And this crutch
It’s a spinning wheel
Imagine us getting killed
And then you see it in your sleep
It just repeats and repeats
Sometimes I'm the only hero
And sometimes it's you who's saving me
We watch it on tv
Getting killed in societies across nationalities, we catch you screaming in your sleep
Sometimes you gotta bleed
We'll leave you to patch it up yourself 'cause
You're all you really need
This is what it means to be free
We catch you getting help we lock you up, it's the rules of the games, money paper book tree
Paper cures us all the time in the schools, the libraries, and outdated trees in the courtyards
They say nobody reads ours
Nobody has gotta breathe trees for any hours unless you breed ours
Gotta pay to breathe
Repeat repeat
First breath I'm writing on paper
Breathe in again we on the crystal
Square shining on my face
We're mentally chasing the sun that never satisfies
Looking for light in all the wrong places we're constantly mystified by how it never seems to last

I'll chase the light in your eye a day before I die staring at the fire of the sun as it slips to early morn where Luna's shining in the storm

So fierce but lonely does she seem without the fire burning her soul to gleam so clean

We scream fire ****** bathroom sinks filled the graves the shining metal gleams gory ****** are sipping tears from powder quakes

We rake the crowds with raining sun so one day we pray we'll see the light of glory goddesses to be won

We’re shambling ourselves
We're lying in the muck
Crying ghostly in our sleep trying to beat the sound of screaming sheep

One side of me growing closer to the sun, she weeps, I'm drowning in these sheets
She pulls me closer and questions me
My split soul is a far reach

Why even ask why you're trying
I know what we’re finna keep
I'm glad who I meet
We should shatter in these streets

I know what you're asking me
But I don't think you're saying it quite right
I don't think we have the time
I'm riddling you and me we're questioning

I don't know how to say it fine
How to finesse the letters to make em mine
Dancing phrases of better days but I know I haven't yet paid the price to pay to shave the way of better feelings

But standing in this storm I'm reeling
I'm hiding, cover, summer stealing smiles from off the deep end brothers flaked and waked you out you baked in heat from another paper so timeless easy smoking

Like my father, a toking fighter lighter laugh on the wall to appall and adore show us more the universe is sure that we're lurking for a cure

Lurking in the hard to reach forbidden injustices in the back of memories of these contemplated possibilities rolling over thots like a crusted raw prince’s

Tongues never seem to think of where their words travel whether they keep their mouth shut or mind open maybe closed like the door to this blocked soul

I want to write and I do kind of sometimes get something out of me that I haven’t seen before.
Times like these I can’t get more.
I’m bore such a sore grasping, letting go in the face of someone I adore.
I need you.
I can’t do this without you I need somewhere to keep my heart arrest while I dive into these depths of ***** streets, dungeons in the roots of mind where lies me dead and stagnant.
Disgusting ******* written on walls in these tunnels, gulping all love, dear please spit out your fears you may never know the destinations of your timeless travels.
But I yearn to, I dig deep scratching at my skull trying to figure out who I am and why and who I am supposed to be in this world, I twitch at thoughts of happiness while dreaming of death I plead, for better days and understanding I’ve never been fond of this blissful lie.
We all die we all live we all run to jump to fly as high as we can possibly imagine knowing that one day we will fall only to be picked up by lovers still floating in the trees.
My guardian angels of my soul.
We speak to the trees of ancestors of these trying again to win our hearts back from these time never healing devil memories.
We only sleep to name the trees our memories.
They say our hair contains our memories.
If that’s how you really feel, squeal.
Sofia Paderes Oct 2014
I have hands that won’t keep
to themselves.
They are always rummaging
and dancing and clapping
and snapping and opening
and closing and trying to fix
every
single
broken thing they can find.

And that includes you.

My heart is a bottomless pit for aches.
Not mine, but yours.
It’s almost a cursed thing, how
despite its size being only that of my fist,
my heart always finds a way to squeeze in
some new hurt into the spaces that
before you,
I never knew existed.
There they stay;
and like all things that stay,
with enough time,
become part of their surroundings.
I can’t tell whose cut is whose anymore.

Put me in a room full of people.
Blindfold me.
Spin me like a tornado.
Make me stop.
My outstretched fingers will be reaching
for the most broken souls in the room.

Call it compassion. Kindness. Empathy.
Whatever you like,
but there is a fine, fine line between that
and the way I bleed.
Oh,
how I bleed.
Forgive my boldness when I say
I won’t even try to make you understand
the fact that I do
somehow
understand.
Think of it this way: ripples.
And I always get the last one.

I’m still a child.
I like to play pretend.
I’m a doctor.
I’m a superhero.
I’m the one with all the answers,
all the weapons,
all the magical cures.
Take that!
And that!
Ha! Aha! Ha!
Ha…
Ha.
As the years wear on,
I see that my tools aren’t right,
and that my cape is too tight around my neck.
I don’t have all the answers.
No weapons.
No magical cures.
I’m just a girl trying to play the part that was never hers.

And it’s taken me three volcano boys,
a couple of glass-bottomed hearted girls,
and just about the rest of the world to realize that I
am not
the Savior.

My hands were not made to heal
every heart they rest themselves upon,
or to fill that vacuum inside every man,
one that nothing,
nothing,
nothing in this world will ever
make
whole.

So here.
I let go of every burden that’s been
causing me to stoop and to stumble,
every pressing weight that’s been
keeping me from keeping faith,
every heavy yoke that’s been
causing me to choke on things
I never should have let in
in the first place.

Yet I will continue to love you.
I have come to learn that love
has a lot of ugly before it becomes beautiful,
a lot of hurt before healing’s arrival,
a lot of you before any of me.
My part is done.
These fidgety fingers no longer carry suffering.
Here, let me see yours, though battle scarred and bruised.
You’ve been bearing more than you were built for, beloved.

I think it’s time to surrender.
A spoken word poem written for Atlas, The Polaris Project's event for Imaginarium Manila. We were asked to write a poem of three to five minutes with the theme "Weights: Literal, Figurative, What Have You”.

video link- https://www.youtube.com/watch?v=V2vWyLCM4KE
soundcloud- https://soundcloud.com/sofiyichka/hands
kailasha May 2014
we live in a world of concrete
who needs trees anyways?
we're happy with our gases
the ones that suffocate us
but not as much
as the fresh air.
who needs a healthy environment
anyways?
we have our hospitals
and cures to diseases.
peace of mind?
that's been eradicated completely
and quite successfully might i add.
because life's just not fun
without any complications
and in our case,
they're not even natural.
Sarcasm at its finest, eh?
Tongues Dec 2014
<><><><><><>
If love may be brief
Honor endures
If love makes you sick
Loyalty cures
<><><><><><>
Money
money
sunny smiles
sign up for
new medical trials.

Guilty.

Smith and Nephew
Glaxo Klein

cures for this one
cures for that
cures to kick one
coming back
cures with pills
cures for piles
money
money
sunny smiles.

Curing us of wanting a cure
curing the system
curing the poor

it's the gravy train song
and it chugs on and on
can't find a cure for
that one.
it's 4am whatya expect, Shelley?
Valsa George Mar 2018
‘LOVE’ – What mystique power it wields
In what myriad guise it wraps!
At times a sweet ache so coy to reveal
Or a sudden urge, hard to unveil

Sometimes a deep sensation
A strong surge of emotion
Permeating every atom
Pervading from top to bottom

It heightens the pulse
And makes every nerve convulse
It has left kingdoms fall asunder
And many a mighty man - surrender

Often, like dew drops falling from above
Or the warbling notes flowing out from the grove
It leaves the heart go upbeat in prosody
Changing every sensation into rhapsody

As beams of silver cast by the moon
Or the cold touch of spray in the horrid heat of noon
It soothes, embalms and thrills the heart
Filling the void and leaving no dearth

Love sublime, sure like a candle lit
Consumes itself, and never dwindles a bit
It dispels the gloom and dissipates the fright
Invigorating the soul and healing every hurt

As brilliance to stars, fragrance to flowers
Music to flute or shade to bowers
Love is to Man, freeing him from all sores
Bestowing him the strength to meet all throes

Love can neither be beguiled nor disguised
Nor be stifled or be construed
Love puts all other things into place
And hems life with a lovely lace

Love is all we seek and too scarce to find
A magic thread by which hearts are bound
Hark! It is love that makes the world spin around
And cures all the ills that surround

Oh! Love thou virtues I will defend
Some came in chains
Unrepentant but tired.
Too tired but to stumble.
Thinking and hating were finished
Thinking and fighting were finished
Retreating and hoping were finished.
Cures thus a long campaign,
Making death easy.
Loveless Jul 2016
Knock knock

"Anyone there?" he heard someone saying it while knocking at the door. That one knocking the door had a voice of a child. The voice was soft and with this the old man inside the house guessed the age of child to be probably five to six years.

"Hellooo" the kid said again. He was continuously knocking the door.

Child continued to knock for a little while.

"I know you are inside there, please respond"
Child said pleadingly.

"Go away, no one is here" the old man said furiously. He was frustrated.

"Oh! Here you are" child responded "Dr Adam, I need help, I am..." the child couldn't complete the sentence, and the old man's heard a thud which was supposedly bigger than a knock. Possibly his head had banged against the door. Something had happened, the old man knew.

The old man was a loner but he wasn't heartless to not check on the kid. He bookmarked the page and kept the book he was reading on the table. He stood up and started to walk towards the door. He put down the chain and then opened the door slowly.

The child was holding on the door. As the old man opened the door the child could barely keep standing for some moments and he started to fall near the man's legs. Old man was quick and he put his hand below the child so he couldn't fall on the floor.

The old man grasped the hand of the boy to check his pulse. The boy was still alive though there was something weird about his pulse. It was weak, he could barely sense it and the pulse was low to around forty per minute. He was still breathing. The child was unconscious.

The old man grasped that kid in his arms and took him to his bedroom, situated upstairs on right corner of the house. He placed that kid on the bed which was still as fluffy as a new bed would be. It's been years since that old man was back to his bedroom. He used to sleep mostly in his chair while reading. He placed pillow under the kid's head and went back downstairs to other room.

That room didn't looked like a room, it looked more like a library. The room was large and there were books everywhere. His hand written notes and research was all scattered in the room. And the old man grasped they book he left on the table and continued reading.

Some hours passed and the old man heard the door opening upstairs. The child had woken up, he knew. The old man grabbed some fruits lying in the basket and went upstairs. The kid was just out of the room.

"Hey kid, you can still rest a little, and if you don't want to rest, you can have these fruits and go"

"Dr. Adam!?"

"Yes"

"I'm dying."

The old man was speechless as he heard these words from that little child. Many patients had come to him before, knocking on his door, to help them but he had left his profession because of one accident. All of them had to go back. He didn't even opened his door to anyone before. But now he had a child in front of him, who said he was dying and this left the old man speechless.

"Go to the hospital kid, I can't help you. I do not operate anymore"

"I went to the hospital. The disease I have have no cure. Not a single of them can cure me"

"Then how do you think I'd be able to cure you?"

"My disease makes my heart weaker by the moment it beats"

The old man knew this disease. All he could do was just stare at that kid and listen to him.

"They told me that long ago, a genius researched upon something and came across a cure to everything. And in that time, a kid had the same disease as me. He could die anytime. That genius used his talents to give that kid a new life. He cured that child and that child lived for a day but something happened and the disease of kid returned. This time, a million time worse and the kid died."

A silence followed after the kid.

"That genius was you Dr Adam . You had saved that kid before, even for just some days, but only you were the one to be able to find its cure. Save me doctor. Save me."

"I... I can't..." for the first time in years, the old man was not rude. His voice was trembling. In his eyes was fear. His north had dried up. He couldn't speak another word.

He was taken aback. He was looking in the eyes of that kid and in those little eyes of that kid was hope. Blue eyes of that kid were same as that of Nicholas, that kid the old man failed to save life of.

And the old man went to a state of trance and started to wonder in the memories thirty years back.

He was young back then. He was a genius. He learned to speak when he was just six months old. At three he used to solve maths problems easily that were hard for child double his age. His parents knew he was talented and so they gave him best education they could. He completed his doctorate degree at the age of seventeen when most of the people his age would be looking for what to do. He was a prodigy.

He joined a hospital. And started to operate on people. The operations that looked hard to normal one, he was able to do without a sweat. He wanted to do more. And so he got a home for himself where he could work in peace. He started on researching the cure of everything. He would think, search and experimented alone.

One morning, two years later, he found that any disease can be cured using magic. The magic that provides energy and makes life energy so strong that the body itself heals itself.

He was happy that day. He went to hospital to break out the news to everyone. But on his way, he found a small kid, of five years, laying on the bed.

"Hey kid" he said to the child.

"Hello doctor..."

"My name is Adam. What's your name"

"I'm Nicholas, doctor Adam"

"What happened to you Nicholas"

"I don't know."

"Don't worry, you'll be alright. I promise you"

"Thank you Dr Adam" the child smiled. That smile was so full of feelings that it made Adam more happy from inside. That smile had touched his heart. He just wanted to make that kid more happy by curing him of whatever he had. He made a promise to himself that he would cure that kid before telling upon his research to everyone.

He ran across the hospital and went to the other room where the doctors handling the patients of that room were.

"Hey Robert"

"Hello sir" though Robert was ten years older than Adam but still he used to call Adam sir because Adam was a lot more senior than him because of his knowledge.

"Whats up with Nicholas"

"That small boy"

"Yes"

"Actually, we don't know anything yet"

"What?"

"We've never seen such disease yet"

"What is with that disease"

"His heart is losing strength by the moment it beats. A severe pain was in his heart for unknown reasons pops up whenever. And he sometimes loses his consciousness at random times. That's one of a kind case. He can die at any time."

The young prodigy was speechless for the first time. His thoughts took him to another world. He was broken because he thought he couldn't help that kid. And then he heard a scream coming from the same place Nicholas was in.

He ran back to there. Nicholas was holding his heart with one hand and screaming. The pain was immense. Beyond measure of one's imagination. The eyes were flooded with tears. This view shocked Adam. He had never heard anyone shriek that loud in his whole life.

He went near Nicholas and held him up in his arms. He hugged him close and said that everything will be alright. The child's voice somehow lowered. After some moments, that. stopped crying and just stayed in his arms.

"Save me Dr Adam! Save me" the kid said sobbingly and then collapsed under his hands and got unconscious.

For the first time in his life the doctor felt helpless. He realized how precious life was. And he could not help that kid. The young man started crying. And suddenly a bright idea struck his mind. He thought of using the magic he researched for to cure this child.

"I will save you kiddo, I definitely will" he said to that small kid and then turned to Robert who had followed him

"Robert, can you take him to the operating table please"

"Yes but first tell me what are you going to do"

"I will tell you later. Just trust me and take him to there" Adam gave that kid to Robert and started to go out "I need to go back home for a bit. I'll be back quick" he said to Robert hurriedly and ran back to home. He needed to see the procedure again. He didn't wanted to do any mistake. Though he had not done any experiment to any animal, he was still confident in his research.

He came back to home, took out some notes of his from his book and started to read them. Then after some minutes, he ran back to hospital along with those notes. He just went to the room where the kid was. Robert was there near the table and the child still knocked unconscious and laying on the operating table.

"Thank you Robert. Can you please leave us alone now"

"But what are you going to do now?"

"Cure him"

"But how?"

"I can't tell you now but I will surely cure him"

Robert was still reluctant but he knew that Adam may have come up with some way of curing that child

"Trust me, I will surely" Adam said

And with that Robert finally left from there.

The doctor begin the procedure and he placed his palm on the child's heart tenderly. Then he closed his eyes and then had his other hand up. The other hand was open like he was gathering something from sky inside his hand. He was channeling the energy of the universe too the life energy of the kid.

The man could feel it running through his body. It was like the kid's energy was faint green in color and the energy in his hand was vibrant blue which was intense. The blue energy went from his hand to the other hand was going to the child's energy and making it stronger. But Adam didn't knew why there were two colors of energy. There was something wrong, he felt but nevertheless he continued to channel. Gradually the energy inside kid began to grow and it was full again. Like the color of child's energy was not blue but with little faint green inside.

Adam withdrew his hand. Nicholas was still breathing and seemed to be in good shape. Adam knew he was successful but he knew something,even if it were a little thing, had been wrong. And he sank back in the chair nearby.

After some moments the kid opened his eyes and sat on the table

"How are you feeling kiddo?" he asked standing from chair

"I... I feel... I feel fine doctor" Nicholas said. He was touching his heart like he was wondering what happened. He felt better than before. He felt that he is all alright.

"I feel good doctor" Nicholas said "I feel great" he added. He had a smile on his face. He felt rejuvenated. He was happy. Adam had a sigh of relief.

"How did you do it doctor?"

"Do what?"

"Cure me. How did you cure me? They said that my disease couldn't be cured by any medicine or surgery"

"Well...." Adam didn't knew what to say

"Tell me please. How did you?"

"Magic" and Adam smiled. He had told the truth though Nicholas didn't thought it was truth. This made nicholas laugh.

"Thank you... My magician" and they both started to laugh again. They both were happy.

"Come on now. Let me take you to your bed" and he grasped Nicholas in his arms and took him to his bed.

"I want to go home, not this bed"

"We still need to keep you under observation for a while still kiddo. So be a good boy"

"Ok magician, I will be a good boy"

Robert was there. Looking for other patients. He looked at the boy and observed him. He saw no marks, and realized surgery or something had not been done. And he later real used that pulse of the kid was normal now. And the child was smiling.

"How did you did that sir?" he asked Adam

"Ask the kid, he knows" and Robert looked at the kid

"He did magic doctor" and they both started to laugh while Robert looked puzzled. But Robert knew that the prodigy must have made some discovery and that's how he cured him and Adam want to give surprise to others.

"Congrats magician" Robert joined them.

"Robert can you help me in observing this child. I want to make sure he is all alright"

"I will sir" Robert said

They both did some tests that day along with looking after other patients. The strength of the heart of that boy had returned and heart beat was normal with no pain burst or unconsciousness for whole day.

Adam said final good night to the kid and went to his home to get some rest after informing Nicholas they he will be discharged tomorrow.

Adam dozed off to sleep quick that night. But he had a nightmare. He saw those two energies blue and faint green that were slowly disappearing. Darkness was consuming them both as they mixed. And then there was complete darkness. He heard a terrible scream of pain an then he woke up.

He couldn't wait there. He had to go back to hospital to check on Nicholas again. He dressed quick and ran to hospital. The was doctor Jack at night duty near the bed of that kid.

And that kid was laying silent. Adam held his hand. But he felt nothing. He then tried to feel heart beats but nothing again.

"What happened here?" Adam asked furiously to Jack

"Some minutes ago, we hard a loud scream for just a second or two and we realized it was Nicholas. By the time we reached here, it was all over. His heart had stopped beating"

"No that can't be" Adam said. How heart had broke.

"That disease had no cure Adam. At least you tried" Jack said

"No I should have been able to save him, I could have if I knew more, I could have" the tears of Adam flowed like an endless river of grief.

He left his profession that day. He wanted to search for the answers. He wanted to perfect his magic. He wanted not to let someone else die like that kid again. He made his home a library. He got many books. He kept on studying. He studied so much that many times he forgot to eat for days. Some books he wrote himself while researching upon. And so years passed. Life went on till today when a little child knocked his door.

His state of trance was broken by the scream of that little kid. He was holding his heart as the same way Nicholas did when he was in pain. Adam got himself and got that little boy on bed again. Kid stopped to cry after a little while. When kid had a breath of relief, he said to the old man again

"Dr Adam, I do not have much time left. Please. Help me"

"I have not finished that research yet. I may need more years to finish that cure of everything"

"I do not have years, I may not even have today and you know it"

"Kid, you may meet same fate as that kid. My procedure somehow accelerated that disease because it was wrong"

"I have to die one day if it's a week or I am left with a day after the procedure. It won't matter. I have to die anyway"

"But..." he couldn't say anything more. The child was wise and he was saying up to point.

"Can you please just try. I promise I won't regret it"

Even though thirty years had passed. Adam had made little progression towards that cure to everything. In the meantime he had found out many cures of many other diseases that was thought to be incurable but Adam wanted to perfect his procedure of cure of everything.

"Are you sure?"

"Dead sure" the kid replied. They both laughed a little on that pun.

"Get some rest. I'll be back in a bit"

He was going to do that again. He was going to use magic again. He went downstairs and started to read as much as he can of his notes. He wanted to do it perfect this time. Though he didn't knew how. After some time he went back upstairs.

"Hello again" the child said

"Are you ready kiddo?"

"I am. And by the way, my name is Nick"

"You're still kiddo for me" and they both laughed.

"Lay on the bed and don't move or say anything. Just close your eyes. I'm going to do magic"

"Ok magician" boy said. He was so much alike to Nicholas, Adam thought.

Nick did what he was told. The old man placed one hand on the boy's heart and other hand in exact same position as before years ago. He could feel the energies as he closed his eyes. The energy of the boy was faint green again. And a little more fainter than Nicholas when he was on the operating table that night. Adam felt the same blue energy in his other hand. No he thought. He couldn't put that blue energy again inside that boy. He knew the consequence. He searched for the same green one in outside universe but he couldn't. And then he heard.

"Dr Adam"

It was
I'm too lazy to add all the details in the story. Maybe one day I'll detail it.
Cedric McClester Apr 2017
By: Cedric McClester

Despite some misconceptions
And attacks
Endure for centuries
By us blacks
Let me lay down
Some unknown facts
How ‘bout we start with
Henrietta Lacks

For most of us
After our death
Other than memories
What else is left?
For our survivors
The bereft
Yet her cells live on
It’s a matter of theft

From Henrietta’s
Cancerous cells
A bold idea
Suddenly jells
Spawning cures for cancer
As her biographer tells
And in vitro fertilization
Other things as well

Science took complete advantage
Of her cells
Which they still manage
Though she died of cervical cancer
Her cells provided them
With the answer
To scientific mystery
Check out her cells history











Cedric McClester, Copyright © 2017.  All rights reserved.
midnight prague Nov 2010
the color green
floats around in my mind like a pool of death
bottomless in my heart
thick and dark
flowing completely
and
completely
empty

its all there
but its all gone

I am a human
but I lack all the characteristics
of a human mind
Im frigid
metal like
placid
and emotionless
you bring me forth

and I lay in my tomb
next to all my thoughts of you

death

you have annihliated me
brought me to an end
of no return
my words would never be enough

if times cures
I will feel you a millenium from now
flowing through my blood
as if we just met
for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny *******,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!
poet ninja Aug 2015
Haven't you heard.... love cures all things?
It seeps into your veins,
burning through each layer
like its a second skin?
Its a once in a lifetime connection....
even rarer should you be bestowed
and granted to meet your twin flame.
Silence is comfortable,
beauty peeking through ocular view.
A vision so refined, it caught me breathless
As I stare into her eyes, i see a reflection......my soul...
*"Welcome Home" she whispered,
'Time stood still while i waited for you"
Kassiani Jun 2013
“Studying at ------- University
Would afford me so many opportunities
That I could not find elsewhere…”

Personal statements are always BS
Filled with flowery phrases that
No one
In her right mind would ever actually use
My sentences had started to look like
A thesaurus had come along
And vomited up last night's party all over them
Who even talks this way?
Who can take himself so seriously as to think
That his pompous-assery would go unnoticed?
Moreover,
Who seriously wants to read all of this
Pretentiousness
Splattered all over the page
As though some English major's senior thesis
Had been brutally murdered?

“I am ready to bring my own
Determination and
Motivation
Into the equation to improve the
Lives of patients.”

I am disgusted with myself
For trying so hard
To impress a committee of nameless, faceless
Academics
To convince them
With fancy words and pretty sentences
That I am the best person ever
The more I write
The more I wonder if it even matters
If it's really so important for me to become a
Well Connected PhD
Doctor of Philosophy
Engineer Extraordinaire
Patients are going to keep dying
And there's no guarantee I can do a **** thing about it

“The Institute of Biomedical Engineering teaches engineers
To work side by side with clinicians to deliver
Meaningful healthcare results.”

Meaningful
Healthcare
Results
What a wonderfully vague phrase
It means nothing, really
Not without context
But it's Impressive and Dynamic
A phrase a committee would salivate over
(Because "drool" is too simple a word for them)
It's not enough for me to just come out and say how
For my entire life
I've dreamed of myself as Superwoman
Armed with engineering skills and a well-stocked lab
Ready to take down human suffering
I just want to heal people
And blood makes me faint
So I can't be a doctor
But I know my way around a lab now
And I can make medicines
In fact, that's all I want to do
Is to make new, better medicines
To grow cells and tissues and cures in my bioreactors
To make someone, anyone's life a little less painful
And these things cannot be told in florid prose
Because these are the messy parts of life
These are the parts that ache and ooze and itch
Keeping us up all night
Until words blur together
And all that's left are limbs and bodies and faces
So you can throw your thesaurus out the window
Because it's of no use here
None of the BS is helping anyone
Pretty words aren't going to make
A failing heart grow back
And this personal statement isn't going to
Purge anyone's cancer from their veins
But this person
Untroubled by higher diction
Might just do something useful
Written 6/30/13
Full version has BS written out explicitly, but I try to be more delicate on a public forum... University name redacted because this is on the interwebs where everyone can see it.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
Diana Zuhlsdorf Jun 2014
Deep brown color, messy as it’s eaten.
Like something that failed to crunch.
Brittle yet soft, rough and delicate.
It can be fudgy, chewy or cake-like, topped with walnuts or apricot glaze.
A heavy horse failing to hike the high mountain of crisp.
******* the outside, but not as taut as chocolate-chip cookies, or M&M;’s,
A fragile strength that breaks with subtle touch.
Smooth and moist inside, melted chocolate held together.

Created solely for a royal’s mouth to taste,
Slowly dissolving, sea foam ****** by the damp sand,
A guilty pleasure I cannot live without.
The brownie becoming a beautiful bouquet blossoming
In my chocolate tinted mouth.
It cures whatever ails you,
The flavor empowering any mist of dullness or bitterness.
Forgetting about everything, as he mixed the batter
Creating the perfect combination of smoothness, sweetness,
And the creamy after-taste.
Our favorite thing to bake together.

Friday evening we scurried to the kitchen, creating our own baking contest.
His hazel eyes, swirling with the batter poured in circles,
His lips, whistling to the beautiful sight of brownies, plumping as they bake.

Days later, we would come back to that kitchen,
With the scent of freshly baked brownies still lingering in the air.
We would look at each other’s deep brown eyes
Like the brownies we baked and enjoyed together.
His lips, a wallop of sweetness.
Actually, this poem was an accident. The only thing I was thinking of were literal brownies. I am only 14 years old, please don't sue me.
emmaline Apr 2016
Kurt Queller uses narrative criticism to analyze Mark 3:1-6, the healing miracle story in the gospel of Mark.  Queller’s narrative criticism includes “echoes of the Exodus liberation narrative” , echoes of Deuteronomy’s covenant language and Sabbatical provisions , intratextual echoes in Mark , and independent echoes in the other synoptic gospels.  Queller uses these echoes to fill in the gaps he finds in the story of Jesus healing the man with the withered hand on the Sabbath.
In the beginning of his criticism, Queller lists the gaps in Mark 3:1-6’s narrative that he seeks to fill: the meaning of the withered hand, Jesus’ reason for healing on the Sabbath, His reason for considering the withered hand life-threatening, why it is a choice between good and evil, et cetera.  He begins filling these gaps by referencing intertextual echoes of Mark 3:1-6 in Exodus.  Jesus’ command to the man with the withered hand in Mark 3:5, “Stretch out your hand,” is echoed in Exodus 14:16 where God commands Moses, “stretch out your hand.” When the man with the withered hand stretches out his hand, his hand is restored. Likewise, when Moses stretches out his hand, the Reed Sea parts, resulting in the restoration of the Israelites’ freedom.
Queller’s reference to this echo in Exodus, paired with other echoes he mentions in Deuteronomy, helped me begin to understand Jesus’ insistence on healing the withered hand. Queller was able to use the echoes to fill in the gaps I previously could not fill. In Deuteronomy 15, God’s covenant requires liberal lending and debt forgiveness to the poor on the Sabbath year. God reminds the Israelites that He delivered them from Egypt in verse 15, and He claims that this is the reason for His liberal Sabbatical law. Thus, this Deuteronomic prescription for Sabbath observance is a continuation of the Exodus liberation narrative. Queller mentions these echoes in Exodus and Deuteronomy to draw a larger narrative framework for understanding Mark’s controversial healing story.
In my initial reading, I recognized that a withered hand is not necessarily a matter of life and death. Like Queller, this was a gap that I initially set out to fill. However, I was unable to fill this gap in a way that completely satisfied my confusion on the matter. Queller’s larger narrative framework for this passage led me to a better understanding of why Jesus considered the withered hand worthy to heal on the Sabbath.
According to Queller’s filling of the gaps, the withered hand is an affliction that can be compared to the Israelites’ enslavement in Egypt. The withered hand also embodies the economic predicament of the poor, who remain enslaved to their debt to the rich.  Such enslavement could be a death sentence, which is why the Sabbath requires the liberation of slaves and debt forgiveness of the poor. It seems plausible to me that a withered hand could cause a man to be enslaved and/or perpetually poor. This line of reasoning, provided by Queller’s larger narrative framework, allowed me to truly see how the Sabbath could require Jesus’ healing of the withered hand.
Another gap Queller and I similarly set out to fill is the question of what constitutes as doing good and what constitutes as doing evil on the Sabbath. This gap also arises from Mark 3:4, in which Jesus asks, “Which is lawful on the Sabbath: to do good or to do evil, to save life or to ****?” (Mark 3:4 NIV). In his analysis of this particular part of this particular verse, Queller points out a small important detail that I originally missed. Mark 3:4 does not set the frame for a passive, inner choice between good and evil.  The literal wording says, “to do good or to do evil.” The choice between good and evil on the Sabbath thereby requires action.
While recognizing that required action is problematic for the restful nature of the Sabbath, Queller supports his assertion by referencing Deuteronomy 30. Deuteronomy 30’s prescription for obedience of the Sabbath repeats the active command, “do it.”  Queller illustrates the parallelism between Mark and Deuteronomy by placing Deuteronomy 30:14 and Mark 3:4-5 in a figure side-by-side.  Deuteronomy 30:14 says, “The word is very near to you, in your mouth, and in your heart, and in your hands, to do it.” With this commandment as the framework, Mark 3:4-5 spells out the Pharisees’ failure to do good; It says, “But they were silent . . . grieved at their hardness of heart, he said to the man: ‘Stretch out your hand.’ And he stretched it out.”
From this, Queller concludes, “The ‘word’ to be done is already ‘in [their] mouth’ – but they refuse to say anything in response; it is ‘in [their] heart’ – but their heart is hardened against it. It is ‘in [their] hands, to do it’ – but as Jesus turns again to address the man, our attention is directed back to an inert hand, that, in its current withered state, seems unlikely to do anything.”  From this I am now able to conclude that which constitutes as doing “good” on the Sabbath is acting on the word. The word is completely accessible to us, and we must use our mouths, hearts, and hands to act upon it.
This gap of good and evil action that Queller helps fill also provides further evidence for the necessity of Jesus’ healing of the withered hand. Since the hands are required to carry out good action in obedience of the covenant, the withered hand is an affliction that can breach said covenant. Queller asserts that the withered hand symbolizes “the tangible embodiment of [the Pharisees] unwillingness, despite the ‘nearness’ of the word, to do it.”  Jesus, by necessity, must heal this affliction to show the Pharisees how to act according to the law of the Sabbath; “The stretching out of the hand then becomes a ‘witness against’ those who have chosen to forgo or even prohibit action because of exclusively sacral concerns.”  Without the preceding narrative frame of Deuteronomy, such significance of the withered hand for the Sabbath covenant was impossible for me to comprehend.
Though Queller is certainly helpful in providing evidence that enables understanding of the withered hand’s significance, there are parts of his criticism that I find contradictory and unhelpful. This occurs when he references echoes in Exodus and Deuteronomy to provide a framework for understanding the Pharisees’ silence in Mark 3:4 and hardness of hearts in Mark 3:5. He first relates the Pharisees’ hardened heart in response to Jesus’ plea in Mark to the Pharaoh’s hardened heart in response to Moses’ numerous pleas in Exodus. In my concordance work, I also made this connection. However, Queller and I differ in the conclusions we draw from this observation.
Queller draws from Deuteronomy to provide framework in conjunction with Exodus for understanding Mark’s interpretation of the Sabbatical law. He references Deuteronomy 29:19, which warns against thinking one can receive the blessings of the covenant while breaching it in the inner wanderings of the heart. This passive infidelity of the covenant brings God’s curse to the innocent as well as the guilty. Queller uses this context to explain why his literal translation says Jesus “co-aggrieved”  with the Pharisees because of their silence and hard hearts. The Pharisees’ passive, inner breach of the covenant invoked God’s curse on them, as well as the innocent Jesus, according to Queller.  
When I analyzed Jesus’ reaction to the hard hearts of the Pharisees in comparison to God’s reaction to that of the Pharaoh, I realized that the same Greek word was used to describe Jesus’ anger and God’s wrath. However, the consequences of Jesus’ anger and God’s wrath do not relate as clearly as Queller would lead one to believe. As a result of the Pharaoh’s hard heart, God’s wrath leads to the Pharaoh’s ultimate demise. Jesus’ resulting anger from the Pharisees’ hard hearts, on the other hand, catalyzes his decision to heal the withered hand. This action ultimately leads to Jesus’ destruction alone. Jesus, the innocent character, does not fall to the mutual destruction of the Pharisees, per Queller’s argument. I see no destruction of the Pharisees at all. Instead, Jesus restores God’s blessing of the guilty by becoming the recipient of God’s wrath in their place.
This conclusion, though differing from Queller, is consistent with his interpretation of the withered hand. Queller writes, “The withered hand embodies covenant curses invoked against those refusing to ‘open [their] hands’ in liberal lending, instead killing the poor by freezing credit in view of an impending sabbatical debt amnesty” . If the withered hand embodies God’s curse against the Pharisees, then Jesus revokes this curse when he cures the withered hand. Furthermore, the larger narrative framework of Mark’s gospel echoes this conclusion. Jesus’ crucifixion ultimately pays the debt of sinners and liberates them from God’s wrath.
Kurt Queller’s narrative criticism uses intertextuality, a narrative tool that “evokes resonances of the earlier text beyond those explicitly cited”  and “requires the reader to recover unstated or suppressed correspondences between the two texts.”  Such intertextual echoes he references from Deuteronomy and Exodus provide a larger background for interpreting Mark’s healing controversy. This granted me the ability to fill many gaps in the narrative that I was unable to fill prior to reading Queller’s criticism. In a footnote, he explains that his “metalepsis” uses such intertextual echoes for analysis, and, “In narrative, the resultant new figuration operates at what Robert M. Fowler calls the ‘discourse level.’ Metaleptic signification is thus transacted between an implied narrator and an implied audience – as it were, behind the backs of the narrative’s ‘story-level’ participants.”
The intertextual and metaleptic tools that Queller uses for his narrative criticism have proven to be very insightful and helpful for my understanding Mark 3:1-6 in an entirely new way. Even as I disagree with Queller on certain parts of his argument, these points of disagreement pushed me to deepen my own individual reading of the text. In comparing my argument to Queller’s, I realized just how far my initial interpretation was able to go. This narrative criticism answered a lot of my questions and filled many gaps. However, most of my conclusions about the implications and ultimate consequences of the text remain unshaken.  
Bibliography
Queller, Kurt. “Stretch Out Your Hand!” Echo and Metalepsis in Mark’s Sabbath Healing Controversy. Journal of Biblical Literature 129, no. 4 (2010): 737-58.
This is a narrative criticism in conversation with Kurt Queller's criticism. The in-text footnotes didn't transfer to this website but all quotes are referencing his work, which is cited at the end.
pitch black god8 Dec 2018
I.      the smell of sad

odorless colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling sadding, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will S’s),
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
still stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I,
who has your sadness smell into my skin cells creepily crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face

there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present
Willem Boonzaier Nov 2015
She goes by the name of Zoey-Jane
With innocence in her eyes her smile cures all pain
Harmless arrogance makes her rule the world
When she's not around the atmosphere turns cold

Like an angel her presence felt, happiness and bliss
We are honored to know her, thanks to Jesus Christ
Her kindness can make you melt like butter in the sun
Keep an eye on her as she will make you run

Zoey-Jane my dearest niece
In my heart you fill an enormous piece
brandon nagley Aug 2015
(Niamh Price), this is thy own dedication, thy shortened sentences art lovely, they showeth me mine homeland of Ireland, wherein the druids didst roam, wherein tales went back far and old, as niamh thy soul I feeleth its pain, yet soo amazing thou art friend.

(Gary L), this one is thine own writing, sir, thy friendship is inviting, thy lyrical sense is enticing, as thou doth speak truth when thou seeith it, never quit! On thy works and on thineself, thou art who thou art, a beautiful man, with timeless knowledge.

(SPT), this poem is for thou as a treat, I feeleth thine anguish mix in with thy compassion, thou art a hopeful mansion, filled with words of someone who hath lived age's, thy pages art touching, and I thank thee for thy support and guiding me through h.p.

(Ignatius Hosiana), brother thou art a hopeless romantic like me, hoping for his queen, seeing her only in thine dream's, yet as we scream, as brother's we doth unite! In color of skin's, black and white we overcometh the ideology of hatred, loving the hater.

(Dedpoet), mine Mexican friend, how canst I not loveth thee, thy word's dark, ghetto, and deep, as I've been around hood part's to knoweth enough, the most beauty LIES awake in the hood, the places the rich men overlook, is wherein the eyes of God art .

(Wonderman poetry), brother thy words of Christ uplift me, not a perfect being mineself, thyself showeth me the light in the darkness and thus when I'm down, thine godly loving giveth me help, as thou knoweth brother, love and forgives as Christ taught!

(poetessa diabolica), word's that thou uses art so complex, for thee so I respect, for all thy love thou hath given me, the hope that thou planted me, to showeth me, God still lingers in man's soul's, despite the devil trying to rear around, I thankest thou poetess...

(Donna,) thine little haiku's art a piece of the celestial, thy pieces extraterrestrial, and high up the Angels weep to thy words. Like cures and herbs they giveth me a better day to look to, as like glass, beautiful the words thou uses floweth to heavens moon!

(Rosalind Heather Alexander), speechless I am to thy grace, a Scottish lass as me part Scottish blob and mass, lol, just saying , two bloods of the same kind, now thou art writing thy soul out, keepeth it divine, thy soul canst not go rewind, so love on ahead.

(Soul-survivor), old friend, as we both preach the same predictions shalt we worry of ourn end? No, we shalt continue to showeth love, and giveth others hope, than when we die the Graves not it, but that God's love over-rose, so shalt we, auntie as I calleth thee.

(Icysky), young one please do not cry, the boy's canst seeith the fine stitching God made thee as, thou hath a vessel of rubies, and thou art like a wonderful movie, fast tracked to the best part, icy, let noone breaketh thine heart, and let thy lord guideth thee .

(Joe Malgeri), a freak hippy like me, playing music to the sun, giving lectures highly and fun, thou wilt find a queen like me one day, continue to haveth class, play tunes by night, showeth thy genuine ways. As thou doth, wonderful supporter, HP gypsie!!!

(Anthony Mooney,) an Irish hopeless romantic like me, thy soul hath beauty friend, let not hate overtake, bypass the anger and the heartbreak. Let thy pen jot down thy beauty, making the earth quake, unlike others dear mate, thou hath high class.

(Wolf spirit) ( aka quin,)though we don't talk, I loveth thee mine friend, though even thou doth not like me, thou art one of mine biggest inspiration's, thou art a true passionate, amongst the tribal nations, as I am Cherokee part mineself, thou inspireth me.

(Chris green, )affectionate of the the earth, thy woman Is lucky to haveth a poet by birth, for thy words drip like honey on a summer night, Chris friend, wonderful delight, I thank thee for kindness, for thy hope in refinement, and thou art a king of love.

(Pradip Chattopadhyay,) a man who canst writeth in all perspective, thy profile picture maketh me giggle everytime I seeith it, ( in a good way friend) I loveth thy style, and sense of humor, how thou writeth, and doesn't listen to rumors, a poet!!!

(Dark icE,) I just met thee, but thy sensuality is so delighting and like a dream, thy words sucketh me in as I canst ever get out, thy amour in poem's is a cloud, on which I linger for more of its nectar wet taste, immense in this place, unlike the human race.

(Beth StClair), mine best friend if back in the sixties, we wouldst hath layed flower's around ourn necks and head's, we wouldst hath sang the tunes of the Beatles and the dead, as I wouldst hath sung with Lennon, and zeppelin and thou wouldst hath watched.

(Vicki,) I've already wrote for thou and beth, but thou two art the best, Vicki in the crumby state of Ohio like me(lol) though me and thou aren't from here (were Angels of earth's dream's) thou art a poetic of kings and queens, thou art kind, sweet, and a a peace.

(Impeccable Space Poetess,) thy writing is like thunder. Maketh me laugh cry and rolleth over, I read again, like a books beautiful cover, thou art a friend, a poetry lover. Thou hath intelligence of God and heaven, never let man break thee or hurt thee.poetic!!!

(POETIC T,) a spirit light as a feather, free not a slave, not of this world, a man not a boy, thou hath been through strife and abuse, thy hands art not bound, thou hath cut the noose, please don't leaveth us, we all careth for thee. Friend of mine. And HP.
This is for some poets for now. Gonna make another one in little bit for more lol... Took forever for this!!!!!! Part two coming lol.. And BTW for others I love on here don't get upset *** u aren't in poem yet this is part one... More people to come lol and for u who who see I even use people I love in here who don't like me at all but fact is I love them I don't need noones approval can just show love (:::
M Mar 2015
Here’s to us
to the next generation
Here’s to us
to the first generation with shorter life expectancies than our parents
to the next generation to create the most lethal weapon
Here’s to us
to another generation that is perpetuating stigmas around *** and ****** preferences
to the next generation to create cancer causing chemicals
Here’s to us
to another generation keeping racism and sexism alive
And here’s to us
to the next generation to **** up the next generation!

Yeah, here’s to us and all the distress
we cause
Yeah, and here’s to us and all the mess
we cause

No!
Here’s to us
to the next generation
Here’s to us
to the generation craving to live deeply and fully
to the next generation that will fight for our rights as blacks and whites
Here’s to us
to the generation that understands that sexuality is fluid
to the next generation to walk for; work for cures
Here’s to us
to another generation of protests agains lies and fights won with mighty pens
And here’s to us
to the next generation to create the next generation.
I heard of a shamaness
who cures dogma
lays off documents
on the coast
of her ******,
swings her liberty torch!
and puts on a red cloth.
Her *******, like
speechless
fragile animals
Eyes like poison wells
across the
grand brows
and her smell wrapped
in a burnt sleep
for
ten thousand years.
She cures dogma!

I smoke too much
I dream of an explosion of the silver forests and
I want to fall as beautifully as the ballads tell,
I have held my breath and now I'm entering the coast of her ******...



- Samar Charulingah Godfrey
Ayeglasses Aug 2013
It's a world of music.
Where I cannot dance.

It's a world of sports.
That I cannot play.

It's a world of obedience.
Where I cannot stay.

It's a world of cures.
Where I am still sick.

It's a fast world.
Where I am far from quick.

It's a world of compassion.
That I cannot feel.

It's a world that is fake.
So, what here is real?
You need to be careful what you tell people.
Everyone can talk.
Hal Loyd Denton Mar 2013
Where splendor divest itself in color emotion and tranquility the trade wind unleashes the atmospheric
Tropics boundless seamless the perpetual island teases the slipping away inspirational living dreams are
Evoked the night campfire is filled with haunts replete with the initial beginning of Polynesia and her
Island dance the rhythm of sea and land in unison plays wonderfully and perfectly in the soul perfect
Found its total awareness on this moon drenched coral atoll with softest breath it wooed the palms
Swayed the mist rose its crowning silver garland rose to the heights the nights became the embodiment
Of delight peace was the living feast it swelled with richest thickness you passed among the
Unquestionable effects of such joy a weighted grandeur was exposed it triggered melodious meters
The slow purposeful intoned music had the unparalleled sweetness that beat steady and slow
The deep nature of man was matched it played its own time and space interlude that moment
The sea nymph arose and spoke these words in these pure waters truth will prevail all who
Come and are tangled and wrought with trouble love seems to be in a log jam of one sort or
Another but here nature will reign a strong hold that will beckon like no other place and
Romance will respond hurts and scars and mistake will immerse in healing from the waves the
Sand will pulsate invisible vibrations will soothe and dislodge hard feelings that will flow
Outward to the sea a vacuum will be left and love will rush to fill the empty space the creatures
Of the sea will endow their harmony it will be powerful and free flowing the crusted and
Brittleness of man’s nature will breakup tenderness will express itself through the kindest look
The touch will be sensuous and perform admiral feats that will give way to understanding the
Other’s need selfishly they will gratify the deep longing of their beloved relationships that
Formally floundered now you will know stability found on trust and mutual caring for the others
Needs cures will stretch to impossible needs tears of thankfulness will be the standard bearer
Giving the richest freedom to know expression will be the hallmark of sensitivity a rootedness
Will flourish and grow deep this will mandate such a state of well being an aura
Will surround and envelop you the enabling life will be finally truly and fully yours it’s just a few
Heartbeats away off the beaten path in a coconut cove search and you will find it this is promised to all
Who will put others first
Bob B Nov 2018
For what would be a change of pace,
Check out this unusual place:
Persecuted groups came to create
A place where they could discriminate.
1840s gold rush dreams
Preceded years of get-rich schemes.
Nutty religious cults explore
End-time prophecies galore.
Believe whatever if that's your conviction,
Even if your "facts" are fiction.
You can construct your own reality;
"Whatever goes" is gaining vitality.
Anti-intellectualism
Accompanies attacks on secularism.
Fewer people think it's not odd
For leaders to wait for messages from God.
Satan's causing natural disasters,
For he's out to get us, according to some pastors.
Hustlers hustle the hustled, you see:
Religious theatricality.
Snake oil is sold for a quick fix;
Someone always has a bag of tricks.
Charismatic visionaries
Hope their income never varies.
Though P.T. Barnum is gone, we can say
That humbuggery is here to stay.
Homeopathic cures are widespread.
Devious mediums talk to the dead.
Scare tactics of foreign "invasions"
Keep popping up on numerous occasions.
Some have rewritten the history of the South.
Fake news spread by cyber "word of mouth."
Commingling entertainment and news--
Called "infotainment"--can spread one's views.
Acting out your fantasy makes you feel
That fantasy--NOT reality--is real.
People are duped by made-up scares.
The "National Enquirer" peddles its wares.
Cosmetic surgery transforms features.
People are abducted by strange space creatures.
The fantasy industry proliferates:
Fox News infects all fifty states.
Prosperity-gospel preachers are abounding,
Hoping their spiritual interest is compounding.
The war on the devil is not metaphorical,
For scripture, some say, can't be allegorical.
There are always the paranoid ones
Who fear the confiscation of guns.
Groups attempt to change the rules
So creationism can be taught in the schools.
Anti-establishment's becoming the norm;
Mistrust of experts is taking greater form.
Lies don't matter as long as you
FEEL that what someone says is true.
Some fear "invaders" crossing the border;
Others fear a scary New World Order.
Distrust places the media on trial
And fosters climate change denial.
Some say vaccines do great harm
And GMO foods are cause for alarm.
They say gun laws will only provide
Guns to "bad guys" with something to hide;
That regulations on any level
Of finances are the work of the devil.
A con-man leader will always keep spinning
The fantasy that with him we'll be winning.
That fake news is harmful and only distracts
People entitled to making up facts.
Voter fraud's still the talk of the Right;
Conspiracy theories keep coming to light.
Con artists boldly state:
Conversion therapy makes you straight.
If an alternate universe is in demand,
Then WELCOME, ALL, TO FANTASYLAND!

-by Bob B (11-12-18)

°Inspired by Kurt Andersen's "Fantasyland: How America
Went Haywire"
I

Our ****** dreams, all seedless in the light,
Of light and love the tempers of the heart,
Whack their boys' limbs,
And, winding-footed in their shawl and sheet,
Groom the dark brides, the widows of the night
Fold in their arms.

The shades of girls, all flavoured from their shrouds,
When sunlight goes are sundered from the worm,
The bones of men, the broken in their beds,
By midnight pulleys that unhouse the tomb.

II

In this our age the gunman and his moll
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
down in the yard of day.

They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or ****
Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
Raise up this red-eyed earth?
Pack off the shapes of daylight and their starch,
The sunny gentlemen, the Welshing rich,
Or drive the night-geared forth.

The photograph is married to the eye,
Grafts on its bride one-sided skins of truth;
The dream has ****** the sleeper of his faith
That shrouded men might marrow as they fly.

IV

This is the world; the lying likeness of
Our strips of stuff that tatter as we move
Loving and being loth;
The dream that kicks the buried from their sack
And lets their trash be honoured as the quick.
This is the world. Have faith.

For we shall be a shouter like the ****,
Blowing the old dead back; our shots shall smack
The image from the plates;
And we shall be fit fellows for a life,
And who remains shall flower as they love,
Praise to our faring hearts.
The Whisper May 2013
Another cancer stick to fuel my addiction.
It's society's version of an acceptable affliction.
I love the buzz, the taste, the flavor.
It's like pills and uppers to a whacked out raver.
I enjoy a fine smoke, like now, or when I'm high,
Patiently waiting for death to come by.

Roll another joint, pack another bowl.
To be amongst the stars is my one true goal.
Up in the sky, far beyond the moon.
High as a kite, but coming down soon.
And when the fade's gone and the worries are back,
One big fat bowl is what we will pack.

Lucy in the sky? My, oh my.
She takes my hand and away we fly.
To another world where the body cannot go,
Where you wonder what's real and what isn't so.
The truths are revealed and new questions are found,
Eyes up at the sky and feet on the ground.
It was the hour of dawn,
When the heart beats thin and small,
The window glimmered grey,
Framed in a shadow wall.

And in the cold sad light
Of the early morningtide,
The dear dead girl came back
And stood by his beside.

The girl he lost came back:
He saw her flowing hair;
It flickered and it waved
Like a breath in frosty air.

As in a steamy glass,
Her face was dim and blurred;
Her voice was sweet and thin,
Like the calling of a bird.

'You said that you would come,
You promised not to stay;
And I have waited here,
To help you on the way.

'I have waited on,
But still you bide below;
You said that you would come,
And oh, I want you so!

'For half my soul is here,
And half my soul is there,
When you are on the earth
And I am in the air.

'But on your dressing-stand
There lies a triple key;
Unlock the little gate
Which fences you from me.

'Just one little pang,
Just one throb of pain,
And then your weary head
Between my ******* again.'

In the dim unhomely light
Of the early morningtide,
He took the triple key
And he laid it by his side.

A pistol, silver chased,
An open hunting knife,
A phial of the drug
Which cures the ill of life.

He looked upon the three,
And sharply drew his breath:
'Now help me, oh my love,
For I fear this cold grey death.'

She bent her face above,
She kissed him and she smiled;
She soothed him as a mother
May sooth a frightened child.

'Just that little pang, love,
Just a throb of pain,
And then your weary head
Between my ******* again.'

He snatched the pistol up,
He pressed it to his ear;
But a sudden sound broke in,
And his skin was raw with fear.

He took the hunting knife,
He tried to raise the blade;
It glimmered cold and white,
And he was sore afraid.

He poured the potion out,
But it was thick and brown;
His throat was sealed against it,
And he could not drain it down.

He looked to her for help,
And when he looked -- behold!
His love was there before him
As in the days of old.

He saw the drooping head,
He saw the gentle eyes;
He saw the same shy grace of hers
He had been wont to prize.

She pointed and she smiled,
And lo! he was aware
Of a half-lit bedroom chamber
And a silent figure there.

A silent figure lying
A-sprawl upon a bed,
With a silver-mounted pistol
Still clotted to his head.

And as he downward gazed,
Her voice came full and clear,
The homely tender voice
Which he had loved to hear:

'The key is very certain,
The door is sealed to none.
You did it, oh, my darling!
And you never knew it done.

'When the net was broken,
You thought you felt its mesh;
You carried to the spirit
The troubles of the flesh.

'And are you trembling still, dear?
Then let me take your hand;
And I will lead you outward
To a sweet and restful land.

'You know how once in London
I put my griefs on you;
But I can carry yours now--
Most sweet it is to do!

'Most sweet it is to do, love,
And very sweet to plan
How I, the helpless woman,
Can help the helpful man.

'But let me see you smiling
With the smile I know so well;
Forget the world of shadows,
And the empty broken shell.

'It is the worn-out garment
In which you tore a rent;
You tossed it down, and carelessly
Upon your way you went.

'It is not you, my sweetheart,
For you are here with me.
That frame was but the promise of
The thing that was to be--

'A tuning of the choir
Ere the harmonies begin;
And yet it is the image
Of the subtle thing within.

'There's not a trick of body,
There's not a trait of mind,
But you bring it over with you,
Ethereal, refined,

'But still the same; for surely
If we alter as we die,
You would be you no longer,
And I would not be I.

'I might be an angel,
But not the girl you knew;
You might be immaculate,
But that would not be you.

'And now I see you smiling,
So, darling, take my hand;
And I will lead you outward
To a sweet and pleasant land,

'Where thought is clear and nimble,
Where life is pure and fresh,
Where the soul comes back rejoicing
From the mud-bath of the flesh

'But still that soul is human,
With human ways, and so
I love my love in spirit,
As I loved him long ago.'

So with hands together
And fingers twining tight,
The two dead lovers drifted
In the golden morning light.

But a grey-haired man was lying
Beneath them on a bed,
With a silver-mounted pistol
Still clotted to his head.
Kayden Fittini May 2015
Helpless is how I feel inside
my words fall into countless hollow places
how do I explain my heart as it collides and faces -
your smile which opens new doors
through your kind words I feel all the cures
now I don't know what to say.
Shall I try this...

The love from your heart spills into my sadness
your sweet smelling self evokes my happiness
it searches and finds -
my symphonic truth!
rising above any obstacle shaping the highest length
as it developes into a wonderous fragrant strength.


Derived from the bottom of the earth's power -
is the true embrocher to eat so we can be forever
let's join to become ONE!
your smile still opens new doors
through your kind words I feel all the cures
now I know what to say!
Allow me to try this...

*The love from your heart spills into my sadness
your sweet smelling self evokes my happiness
it continues searching and finding
rising above any obstacle shaping the highest length -
as it developes into a wonderous fragrant strength!
TOD HOWARD HAWKS Jul 2023
What are we to make of one lifetime? Any given lifetime? Is there a goal for everyone? If there is, clearly each goal is not necessarily the same as all the others, though it might be the same, or at least similar to, one or more than one. If there is no goal to any of them, then what is the reason we live? That would be nihilism. Why, in fact, has the human race propagated for untold millennia? In some respects, human life has evolved progressively positively, but in many other respects, it has devolved disastrously. The way each one of us has lived our lives is a function, I believe, of whether we were loved enough, if at all. If we live a loveless life from conception onward, we wind up unconsciously compensating for the emotional dearth we have suffered by accruing wealth, achieving fame, aggrandizing power. If we look at the 3,400 years of recorded history, there have been exponential advances in warfare, but humanistically relatively few by comparison. As of 2023, there are 10,000 diseases that can and do afflict us, but only 500 cures for the ones to which we fall victim. We have been fighting countless wars against our fellow man and killing millions and millions and millions of them, but discovering an exiguous number of cures for illnesses that often **** us. Why this gross, this grotesque, disparity? And we now find ourselves on the cusp of extinction from catastrophic climate change and the existential threat of nuclear holocaust. So, are we here on Earth simply and inexorably to destroy it and all its living creations? Or are we going to have soon enough a worldwide epiphany:  to begin and never stop realizing that first we all need to be loved to love others;  that there is but one land, one sea, one sky, one people;  that the boundaries that now divides us are not on maps, but in out minds and hearts;  that while we live on a small planet, it is big enough for all of us if only we are first loved so we can then love all others.

TOD HOWARD HAWKS

— The End —