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Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava
NuurSeraph Sep 2014
My fateful thoughts
have broken me
as I am not sure
that which feeds
from what~
My
temperamental
Life
cradles an irritable
bellyfull of volatile
nourishment,
to pay for last respects
Indeed.
Like will birth Like~
as if braiding colorful
compliments on
two Lovers' wrists.
My devil Red steel,
I brand You~
Bound together
forever
Cuff to Cuff
by clasping
Crocodile teeth
Jude kyrie Jan 2017
Infidelity Is Fatal
A short story
With a twist
By
Jude Kyrie

Henry knew she was cheating on him.
No specific proof but he got that bitter feeling in his gut,
you know the kind that's always right.
Little things bothered him.
Like Meg not getting home until 6:45 when she finished work at 5 pm.
What was happening with the missing hour
that she should have been home.
Probably ******* some lover somewhere.
She always said oh I called in at the Mall
or ran into Betty her best friend
and stopped at Louie's Bar
for a glass of chablis.

The other thing was the phone calls.
She would put the phone down as soon as he came in the room.
Redial gave no answer at all but that was just a signal
he had read about lovers morse code
Let it ring three times to answer
or wait for the second and third call.
Yes for sure she was ******* someone.

No wonder Meg was stunning at thirty-five
her figure was great she spoke softly and was kind.
The first to offer her help to any worthy cause.
Decorated the church at Christmas and Easter.
She was a beautiful woman.
And some ***** was trying to take her away from him.

The final straw was the trip to LA she said she had to go there
for a meeting but LA was not in her territory.
Henry forbade her to go
but she got angry for the first time in twelve years of marriage
and told him to mind his own ******* business.
Jesus, she never swore.
For sure her lover would be with her
making a patsy of Henry with
Meg moaning ******* in the hotel bed

Then the doozy
he found the gold cufflinks with a small diamond in.|
He knew they were not for him
he never wore cufflinks in his life except on his wedding day.
He did not even own a shirt with a folded french cuff.
Yep, it was a gift for lover boy.

The phone rang it was seven o'clock it was Meg.
Hi Honey, I am going to be really late
I was at the mall and met the Bryants
we are going for a drink want to join us.

He had herNo I am meeting up with David
Evans for a poker game I will be late too he lied.
He knew for certain she was with lover boy at some ****** hotel
He probably had her down to her Bra and ******* right now.
The rage screamed in henry's chest.

The phone rang again
It was actually David Evans his best buddy.
He told him the full story about Meg
and her lover leaving out no detail
David felt he was losing it
Look, Henry.
Megs loves you she's as straight as an arrow,
You are just worrying about nothing.
Meg would never ever cheat on you buddy.
Then he told him about the cuff links
They were hidden in her ***** draw.
He had found them in his search for evidence.
He said silly they are probably a Christmas present for you.
No way, said Henry.
No way. I don't use Cufflinks.

David was worried Henry sounded like he had lost the plot
Look, Henry, I am coming over let's set up a game of pool
Get your good scotch out Buddy.

Henry put the receiver in its cradle|>
Then he went to the desk in his Den
in the locked drawer he pulled out a smith and wesson.45
And slid in in his belt.
It took him three hotels to find her
Her BMW that he bought her
was parked in the back of the carpark
Meg was in it as was a man was in the passenger seat.
He crept closer it Sam Bryant
Megs best friends husband

He was a homely fat **** with a big gut.
What the **** could she see in that loser?

He must have a **** like a ******* horse thought Henry.
But he tapped on the window with his gun
Meg saw him a shocked look on her face Henry what are you doing?.
Don't pretend you don't know you cheating ***** he yelled.
Put the gun down Henry for god's sake.
They ran away to the hotel bar and henry followed them in
He caught up to them and pulled his gun out pointing it a Sam's head
What the **** do you cheat on me with this fat ***** for?
I had a dog that was not as ugly as him
and I shaved its ***
and made it walk backward cried, Henry.
What do you mean said, Meg?
You think Sam and Me are having an affair, Henry?
She almost laughed.
But she was cool really cool.
It"s obvious, the ******* cufflinks.|
They are for you at Christmas.
you been in my drawers again Henry?

Well, Sam, you get ready to pay for your sins he said.
he lifted the gun into sam's face.
A woman screamed from the door
Henry, please don't hurt my husband, we got kids.
It was Betty sams wife.

I told you we were going for drinks henry said Meg
Put the gun down.
I even asked you to join us remember?

The door opened again two policemen with revolvers drawn
pointing at henry one shouted drop the weapon NOW!
Henry turned to face them
his gun pointed in their direction.
Then six shots from the police revolvers
blasted Henry into eternity.
He lay dead upon the floor.
mEg knelt by his body weeping.

The funeral went by quietly
only a few people attended.
Henry was regarded a bad news in this town.

It turned out the gun in Henry's hand
could not have fired anyway.
The firing pin was removed

A month later

The gossip column in the local rag had a story

Meg Williams and David Evans
Are pleased to announce their marriage
At the St Jude’s Church of Salvation.
Ms.Williams is an investment adviser
and widow of Henry Williams.
The wedding is on Saturday the 9th of February
The couple will be honeymooning in LA
Where the bride said they shared
their first romantic moments together


The only hole in Meg's story was fixed later.
She placed the shirt with french cuffs in her closet.
Wrapped in pretty Christmas paper with a note.
To Henry with all my love.
Meg

It was not needed
But God knows who Henry had blabbed
the cuff links story too.
Better to be safe than sorry
Smiled Meg
As she dropped the firing pin
of a Smith and Wesson .45 revolver
Into the drain twenty miles from her home.

The End
Just because you are not paranoid
does not mean there's no one
out there that wants to stick a knife in your back
Jude
1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i
Bad Jokes Inc Jun 2014
I hate white people
who stop me from stealing their stuff
and bring in the po po
who put me in hand cuff.

Now I'm in jail
cannot post bail
eating out of a metal bowl
while being ****** in my *******.

Then it occurred to me
what I am supposed to be
so I became a basketball player
and changed my name to Lebron James.

Chris Bosh wants to be more than homies
ever since I was drunk and he groped me
he wanted my ****
i think he was sick.

Spoelstra is an ***
I ****** hate him.
he needs to die
before I cram a basketball in his wife.
Eric Spoelstra is my love.
I dress slowly and carefully.
I hate to rush on those days.
I pull my socks up with care,
Sprinkle some powder on my body,
A little aftershave.
It’s almost a ritual now.
I look at the black pants
And step into them.
As I do, things change.
I become what I am about to do.

I put on the stiff shirt,
Loving the elegance,
At least for that day.
Then the vest and tie.
I usually have a little trouble
With these and the cuff links.
The cuff links remind me that
I am alone.
How strange that fingers so skilled
And virtuosic would fumble
With these cuff links.
I wish there were someone
Who could help.

The jacket comes last.
Then I am ready.
I always think the
Same thing when I
leave my house:
I think
The next time I walk through
The door, I will have done it.
But several times I’ve been wrong.
I had forgotten something and
Had to rush back.

I always try to plan enough
Time, but it seems that I
Never do.
I would like a little more time
To get ready before walking out.

I have gratitude for the people who have
Come to hear me.
I feel
Love for them.
I am no longer afraid.
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
Ottar May 2014
take the darkest moments
look to the heavens
the rarest jewels, stars.

take the wettest of days
look to the heavens
the rarest jewels, tears of the sky

take the brightest of clear days
look to the heavens
the rarest of jewels, the sun

take the lowest of moments
look to the heavens,
the rarest of loves, you

All looking down on
this wreck of human flesh,
decay is okay as long as it won't stay
or stink, or turn black, the pink,
part that still has a pulse from the heart.

Roll back the cuff, cut it off if you must,
please tell me, you feel a pulse, touch me.
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
Хейли Apr 2014
You always looked good in dark suits with golden buttons on your cuff. Those were always a nice touch, to stand side your perfect figurine.
You were everything I once wanted. But now, you really aren't.

I see the rushing of the real truths of you, swell into your own hands, dropping a ball, losing your own special touch of sportsmanship with not much of a fuss. You're letting yourself lose the game.
Just letting ***** of truth squirt out through your veins.

You're losing your grip right out from your own polished finger tips and dripping red of blood.

You constantly try to pull white handkerchiefs of innocence from the wrists of your cuffs. But, those handkerchiefs are all just red...
Don't try and gamble a bad hand if you can't keep up. You never could keep a good bluff.
Keith J Collard Aug 2012
Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.
mosquitoism Mar 2014
Modesty;
something
that
a synagogue,
a church,
a mosque
or a temple
doesn't** have.



mosquitoism
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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Suicide Prevention Hotline Need help?
In the U.S., call:  1-800-273-8255  

At the end of your rope?  Be an ***** Donor!  
      
Organdonor. gov | Becoming a Donor, organdonor.gov | Become a Donor, www.organdonor.gov/become.asp There are many reasons why people suffer end-stage ***** failure & need an ***** transplant & why others are not accepted as ***** donors.

Phone:   804-782-4920,  

So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
Mitchell Dec 2012
She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an
Nupur Chowdhury Sep 2018
I log into the network of my self-esteem,
To see the hearts and the wows and the laughs flooding in.
A simple 'like' wouldn’t cut it anymore
‘Likes’ were so 2010, even 2010 was bored.

‘Cause that’s the zeitgeist of the age, you see,
A tendency to wear hearts on sleeves.
Loves and kisses are a dime a dozen,
With a million friends and followers double.

National debates and social justice petitions,
Real crises, distorted renditions.
High definition photos of disaster zones
Flash up against cat videos on every smart phone.

Snapchat filters do not lie,
Just tell a story of hours gone by;
Selecting the perfect background, the ideal shade
To express love on the dozen’th date.

But that’s the zeitgeist of the century,
A tendency to wear hearts on sleeves.
To document in minute detail, with extensive pictorial evidence
Clockwork days of humdrum nonchalance.

And perhaps the generation that came before
Would call it vanity, vainglory, or something more.
But it ain’t like they were without their sins,
We didn’t invent tabloid columnists.

And now that we are at the end,
Let me sign off with this request:
Like, comment, and share your love
Let your heart fall out of your shirt cuff.
K G May 2017
The basin drains her polluted blood as wine envelopes morose
Every minute is a memory, onset of her blanketed comatose
Vying in a fog of icons and myths, words always fail them
From every misread evil that is disposed of improperly
From every neighbor or friend eternally mute again
From every gilded pattern that leaves a cuff for the eyes
From every fetching barroom, where all such nadir lies
KG
Connie Buchan Oct 2013
I am writing here, just off the cuff.
Some have a problem. I don't find it tough.

It's not very late but I find my mind slow.
Soon it will be off to bed I do go.

My eyes, they are heavy. Hard to keep open.
In slumber land soon, and dreamin', I'm, hopin'.

I like when I dream and best when remembered
Walls of protection easy surrendered.

I dream in colour, a rainbow is painted
Life as I want it, not reality tainted.

So I'll say goodnight, see you tomorrow.
Shut out the world and all of its sorrow.

The next day will dawn, all shiny and new
A good time for me and I hope also you.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Andrew Rueter Jan 2018
You see me as the bacteria
And yourself as the antibiotic
I see you across the cafeteria
Acting psychotic
Because of what I find ******
You treat me like I'm toxic
But you're seen as normal
So I hide beneath the coral
To avoid your aggression
That will teach me a lesson
About correctly guessing
Where your fists will go next
You tell me I want it like ***
This is your way to flex
To show you have an edge
You single out the marginalized
There's no way you'll hedge
When you have harm in your eyes
And then use charm as a disguise
To make me cry over spilt milk
Because I am not of your ilk
For I am as soft as silk
Like the sheets I want to roll in with you
Instead you shoved my face into poo
As my ***** grew

I think of killing myself
With my gun
When I think of filling myself
With your ***
While pretending I'm your son
And swallowing you like gum
Those are my ideas of fun
Yours is to tell me to run
From your intensely penetrating fists
That make me regret my penetrating wish
As you brandish the weapon
From the movie Inception
That launches you into my dreams
Giving my thoughts a singular theme
As my mouth continually screams
I was born on the wrong team

You wanted to exhibit your power
In this seemingly arbitrary hour
So you broke my nose
To show off for your hoes
An off the cuff
Attempt to be tough
But I found it deeply affecting
When I could feel your hatred injecting
Making me wonder if I'd ever be free
After I saw the only ending I could see

You move to strike me again
This time I have my mac 10
That I brought to school
For a one sided duel
You changed the trajectory of my life
By changing the trajectory of my bullets
You taught me about strife
You taught me how power is the coolest
You taught me to move on to your friends
Their lives I must remember to end
This is the message I'm choosing to send
When they sat back and watched the hate
Like it was 1938
I lost my sympathy
After being treated differently
And gained a ruthless anger
That turned me into a stranger
So I let the automatic gun spray
Faster than they could pray
For their hoots and hollers
I shoot their collars
Creating shade in the halls
That I make when they fall
The feeling goes to my *****
I become strangely intoxicated
By the death of those who hated
So I go back to your dead body
And do what you felt was so naughty
And now there is no one even around for you to tell
That I ****** your corpse while you watched from Hell
Thomas Thurman May 2010
When your creator took her crayon box
That day she thought to draw you all alive,
She found a certain green to sketch your locks,
Another green to show you grow, you thrive;
A green of richest thought unlimited,
A green to match the green of your creation,
A green to go, to boldly forge ahead,
A green for lands of peaceful meditation;
  The Greene King, standing proud with all his queens,
  Jack-in-the-green, surrounded by his trees;
  A thousand other shades of other greens;
  The greenness of the deepness of the seas;
And I, I fall and marvel at the light,
A million greens, like fireworks in the night.

That day she thought to draw you all alive
She drew your outline, sketched you, and refined
And shaped your eyes, that surely saw arrive
The laughing people in the frame behind,
The humans, dogs and kittens, trailing plants,
Who fill your background; all you love are here
Around you in the middle of the dance,
And as you watch, still more of them appear
  Beyond your face within the frame advancing
  Children and relatives and loves and friends
  Holding their merry hands in merry dancing
  Extending off beyond the picture's ends;
I know your other folk would say the same:
It's such an honour dancing in your frame.

She found a certain green to sketch your locks,
A deeper green, a perfect green attaining;
And now another from her crayon-stocks;
Refreshing and repeating what's remaining:
She bleaches it and tries another shade
Then leaves it for a while and grows it out,
Returns it to the colours that she made
Begins to work again, and turns about;
  And why this careful labour to provide you
  With perfect colours captured in your hair?
  She knows your colours mirror what's inside you,
  Eternal greens within you everywhere;
And still beneath, the ever-growing you
Shall dye, and yet shall live with life anew.

Another green to show you grow, you thrive;
Out from the snow the snowdrop breaks in flower.
Who could have called this sleeping bulb alive?
Yet buried patiently it waits its hour,
Counting the snowflakes slowly settling
Their weight upon the heavy earth above;
One day its Winter changes to its Spring.
Who can predict the power of life and love?
  Hope that at last the final frost is dead.
  Faith that the Winter dies and Spring shall rise.
  Love for the life that up through blades has bled.
  Joy to a hundred children's waiting eyes;
For every hour it slept beneath the ground,
A thousand wondering eyes shall gather round.

A green of richest thought unlimited.
I try to say I love you every day:
I know I keep repeating things I've said.
Perhaps I'll try to phrase another way:
Suppose I counted all the money ever
From now until when Abel risked his neck
With my accountants, who were very clever,
And wrote it on a record-breaking cheque...
  It wasn't half your empathising, was it?
  Your thoughts are treasured more than bank accounts;
  The bank won't put your loving on deposit.
  And could they take it, given such amounts?
The jealousy of cash makes misers blind,
And who needs money when you have your mind?

A green to match the green of your creation!
She took her time in sketching out your features,
Shading you well, and, drawn with dedication,
You took the pen she gives to all her creatures
And set about some drawing of your own,
Filling the art with arc and line and shade,
Showing your work the care that you were shown,
And making them as well as you were made;
  And much as life your drawing hand was giving,
  Another life from deep within you drew:
  A life, not merely likeness of the living,
  So separate, yet such a part of you:
Who finds your baby-picture on the shelf
And smiles and finds you, showing you yourself.

A green to go, to boldly forge ahead,
Should shine on traffic lights for every person.
If you should find a colour in its stead
That stops you-- not an arrow for diversion,
To Edmundsbury, Hatfield and the North,
Or any other place that's worth the going--
But rather reds that block your going forth;
If traffic signals freeze your days from flowing,
  Your life is green and you deserve the green.
  And if you try to go about your day
  And greens are coming few and far between,
  And reds and ambers blare about your way:
If so, I pray your days to hold instead
All green, and never amber, never red.

A green for lands of peaceful meditation.
You call: Come stand upon my sacred ground,
Come sit and breathe the peace of contemplation,
Come feel the grass beneath, the lilies round,
Come sleep, come wake, and drink the quiet waters,
Come to the maytree, blackbird, waterfall;
Come know yourselves the planet's sons and daughters.
The people pass and pause, and still you call:
  It's waiting for you when you ask to try it:
  Peace (and the air) cannot be bought or sold.
  You'll never gain it if you try to buy it:
  It's not an asset crumpled fists can hold.
All that you have is nothing you can lose;
You stand on sacred ground. Remove your shoes.

The Greene King, standing proud with all his queens,
Guarding a land of oaks and aches and cold.
It's not a normal place, by any means,
This island of the oldest of the old,
Where bow the ancient oak and ash and thorn
In homage to a figure on a hill;
Deep in the hills where Wayland Smith was born
You stand, an English body, English still.
  For odes and age and air and ale have filled you,
  Made you their own and promised you belong;
  And since their homesick longing hasn't killed you,
  I think you'll be returning to their song;
Come, take your time, and sit and drink with me!
What say you to another cup of tea?

Jack-in-the-green, surrounded by his trees,
Had given birth to leafy life aplenty,
He'd introduced his firs by fours and threes,
And sowed his seedling cedars by the twenty;
The field was filled with trunks and twigs and roots,
The soil was sound and fertile, and the fall
Would fill the forest floor with growing shoots,
And none but Jack was there to watch it all
  Until you came to wander through this field,
  To walk within the ways within the wood;
  Your mind was brought to peace, your spirit healed,
  The forest given form and blessed as good;
Jack-in-the-green will wonder all his days:
your presence never ceases to a maze.

A thousand other shades of other greens:
"Leaf", "emerald", "sea", "bottle", off the cuff;
"Viridian" (uncertain what it means),
But there's so many. Names are not enough.
Yet, in another life, your maker might
Have picked you out among primeval glades
To work as keeper of the rainbow's light
And in another Eden name the shades;
  If so, the planet's poets will rejoice
  That, given life together with a name,
  The colours sing a stronger, clearer voice,
  And every hue will never seem the same:
Each of the shades looks loving back to you,
Its namer and the one who made it new.

The greenness of the deepness of the seas:
A home to fish of many a scaly nation.
Follow the shoals; the smallest one of these
Swims as a fishy summit of creation.
Yet every one's indebted to the shoal,
All subtle in their difference from the rest:
A fish of friends, a member of the whole,
A mix of traits, a taking of the best.
  So you and those of us you love so well
  Will grow along with other friends' increase,
  Required ingredients in the living-spell:
  Each person brings a necessary peace.
The level-headed people mix with mystics,
And both are living mixtures of holistics.

And I, I fall and marvel at the light,
This changing light that grows throughout the years,
Extinguished not by hardship nor by night
Nor foolishness nor sadness nor by tears.
When we were separated by the sea
I wished myself amidst your myriad days.
My wish was mirrored in your missing me;
Your maker joined our wishes, joined our ways;
  She placed our hands on one another's heart,
  And you and I began a lifelong learning
  Of one another, like a magic art
  Whose telling grows with every page's turning,
And holds our friendship as a growing bond
Till seventy years old, and still beyond.

A million greens, like fireworks in the night.**
I fear this sonnet never can be done.
So many colours burst upon my sight
I cannot tell the tale of every one.
But I can tell how vast excitement fills me
When all the flying sparkles fill the sky;
I want to tell the world how much it thrills me
To hold you close, reflected in your eye;
  I want to tell in all my earthly days
  And yet beyond, of what you mean to me;
  I want to say I love the myriad ways
  Of what you are and what you'll grow to be;
These counts combining made the building-blocks
When your creator took her crayon box.
Written as a Valentine's present for and about my partner, Fin.

I recorded myself reading the poem at http://www.youtube.com/watch?v=27EykqTr-w8 .
Bunhead17 Nov 2013
[Intro:]
'Sace, 'sace
'Knock one, 'knock one
Mustard on the beat, **

[Hook:]
Shirt, shirt by Versace
***** you better **** sumn
**, Hoes wanna knock one
***** you better **** sumn
Shirt, shirt by Versace
***** you better **** sumn
**, Hoes wanna knock one
***** you better **** sumn

[Verse 1: Kirko Bangz]
I just bought a shirt for tonight, **
And it cost five-hundred (Better **** sumn!)
I seen a bad ***** at the light, oh!
My car cost two-hundred (Better **** sumn!)
Uh, got 'Sace on the chain
Louis, that's my side **. Versace, that's my main
'Sace in the car so that's 'Sace in the lane
All day I dream about Versace on the linen
****** at work and now she bugging me. Versace John Lennon.
I only want the ***** if she expensive
**** the ** in Versace, had some boojie *** children
Doing what I’m suppose to do
I'm in Versace my ****** they in 'Sace too
Ain't no fun unless we all get some
If I'm *******, then my ******, they ******* too

[Hook:]

[Verse 2: French Montana]
Hundred-Thou' what I'm buying here?
Talking lion head (***** better **** sumn!)
Hundred-Thou' on these Cuban Links.
Medusa Face (***** better **** sumn!)
And my shirt eight-hundred
And just copped a honey (***** better **** sumn!)
These bottles they hundred
I just copped a hundred (Man, ***** better **** sumn!)
Got syrup by the liter. *****. Homie, Ima beat it
Catch the ***** like Jeter haa
Picture a ***** balling the ***** get to calling
******* get to fallin
Kamikaze. Shirt by Versace
Know my diamonds flash paparazzi
Give a **** about a hater
I be getting to the paper
**** ***** get your weight up haa

[Hook:]

[Verse 3: YG]
It's YG 400!
Shirt Versace, ******* is a hobby
I love a ***** that **** **** so sloppy
In high school she was a **
Hundred dollar bills on the floor
***** you better **** sumn!
And that's straight up
I prefer a bad ***** with no make-up
I got my cake up. Ya'll playas say sumn
I'm never paying for ***** and I'm never going bankrupt
My shirt's Versace. ***** red like Rudolph
Try to rob me I'll **** back that shooter
Trying to count how many ******* ***** I ate
Why you do that? Cuz I love how it taste. Ooo!
Me and Kirko on that purple
Geeked up like Urkel
Middle fingers in the air I don't trust you *******
Spent my money on me so I can ******* *******. Ooo!

[Hook:]

[Verse 4: G-Haze]
Got a shirt by Gianni
In your main ** that's where you can find me
Why these haters want to mean mug me
Cuz I'm coming down clean and they ******* wanna **** sumn
Trick you better **** sumn
Stepped in the party make a ***** wanna cuff sumn
Po-Po that's a No-No
Give me Ocho-Cinco!
Uhh, **** that ****** by Versace when I hit from the back
She gon' call me "Papi" while she sit up on my lap
Sip syrup lean and I got it from the trap
But I ain't a dope boy
Shirt by Versace got me feeling like a coke boy
Gold grillz, gold chain, LMG be the game
***** you better **** sumn!
i Love this song... lyrics "Shirt by Versace" By: Kirko Bangz ft French Montana, GHaze, & YG.
The Wicca Man Jul 2013
I could answer your questions with a simple, off-the-cuff explanation but have ended up writing this essay: the more I thought about what you’d asked, the more the I felt it warranted a fuller explanation so I will try to explain why I call myself a Wiccan and how I come to be following the Wicca Path. And apologies in advance for the length of this!

As well as my love of Literature, I love History with a similar passion. My degree was in English and History and although I specialised in Shakespearian and post-Shakespearian literature and Modern History, I have a long held fascination with Celtic and pre-Celtic history, beliefs and spirituality. It is the mysticism of the Old Religion that seemed to attract me most and I found myself drawn particularly to the Celtic and Welsh mythology and have read extensively about it: Cornwall and Wales (mid Wales in particular) are my two favourite places in the world. I have read a lot about Celtic and pre-Celtic history, beliefs and religion over the years, both fiction and non-fiction.

Although Jewish by birth, I was brought up by my father who was a confirmed atheist so I lost out on any formal religious influence as I was growing up. Perhaps because of his views, I developed a distrust of formal, mainstream religion. That’s not to say I felt I had no spiritual beliefs at all, it’s just they were untapped and unidentified; I felt I was reaching out for something but it never took on any tangible form, rather like in a dream when you cannot see clearly the faces or forms of the inhabitants of your dreams.

By the time I got into my forties, I realised there was something seriously lacking in the spiritual side of my life. These beliefs were compounded by three events:

    * reading James Lovelock's Gaia theory [which inspired me to write one of my favourite stories, Gaia's Last, published here];
    * my discovery of Jean Auel's Earth's Children series of books , Clan of the Cave Bear, etc. which go into extraordinary detail of Cro-Magnon peoples' belief in nature spirits, worship of The Mother and Shamanism;
    * a sudden change in my circumstances that forced me to re-evaluate every aspect of my life and my existence.

It was at this time I began to research the Old Religion: paganism, nature-worship, whatever you want to call it, and this led me to discover Wicca.

The more I read about it, the more I realised it fitted in with my current state of mind and outlook on life. Maybe there is a sense of escapism inasmuch as the roots of Wicca look backward to a simpler time and as I was having difficulty coping with the complexities of the changed circumstances in my life at the time. Wicca seemed to offer exactly the spiritual needs I was lacking.

That is not to say that Wicca is old-fashioned and out of date. Rather the contrary in fact. Whilst its roots acknowledge the Old Religion, Wicca is relatively modern having been developed by a guy called Gerald Gardner who published a book called Witchcraft Today in the 1940s I believe which re-established in the public eye the old pagan beliefs that have been around since the dawn of man. These beliefs never really disappeared even through the worst of the atrocities perpetrated against followers of the Old Religion [The Burning Times ]. (And just to make an important point about the title of the book and Wicca in general, Witchcraft in the pagan and Wicca context is NOT Black Magic or Satanism as the tabloid press or mainstream religion would have you believe; it could not be further from them. It is simply an acknowledgement of the existence of natural forces that can be used or channelled by those who choose to learn these ancient skills).

I have seen Wicca [and other forms of Paganism] referred to as Green Magic and that seems the perfect definition; it is immensely comforting to work so closely with the natural world and to feel such a part of it.

So for me, Wicca is an ideal spiritual antidote for the impossibly fast-paced, self-serving lifestyles we all seem to be caught up in these days, often through no choice of our own. It is as valid a belief system as any other practised throughout the world and is nothing like the forms of Wicca popularised in the media with TV shows like Charmed and its ilk!

Wicca is it is not something to be taken on lightly - Wicca practices should be treated with the same reverence as those in any other belief system. It requires study, practice and dedication.’

I have to confess to have been lacking in all three since I originally wrote this so have vowed to myself to rectify these shortcomings. I feel excited about my rekindled sense of spirituality and more at peace with myself for making this decision.

Go in Love & Light!
I hope people don't object to my posting this; I am a passionate believer in freedom of speech and of expression. I hope people here are open to these views, which are mine and in no way do I want to foist my views on anyone or indeed, cause offence.
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
Skip Ramsey Oct 2014
Off the cuff,
Not my best stuff,
Kinda rough,
Never good enough.

Willing to share,
But ya gotta bear,
With me there,
'Cause its got minimum flair.

Still gonna try,
My skill may run shy,
But I give a fly,
Hoped you like it, Bye!
Got called on in a guild chat to make a poem on the spot. This is it.
The Noose Sep 2013
Unveil your true self to the masses

Unveil what you choose to
perpetuate

They won’t like you for who
you are

They only like the pieces you present to them in an off the cuff facade

So you wear that mask

Some are more comfortable than others

Of course you know this.
Yancey Jan 2019
I'm exhausted with life
Lost all enthusiasm for it
I get nothing done..
falling behind .
I feel I'm losing touch.
Seems
the hat drops more frequently
never in the same spot
causing both my eyelids to quiver
nails digging in the skin
palms cuff my ears
trying to mute the sound
when it lands.
Withstanding as much as I can
before I black out .
Waking up
eyes sore matted shut.                      
The lump in my throat still there from
  the night before.
Never cared so little.
Never have I just stopped watching
    the moon fall asleep
having my coffee
telling the sun
good morning
This is
Riptide Aug 2014
She has a way of tormenting you
In every direction you try take
She gives you a curfew
Hoping, probing, that you, too, slip through the cracks.

I wanted to be a astronaut
To explore the universe
To find my destiny
Through the black hole
And out
Spaghettified or not
When my now cuffed-mind
Soared the air
With wings dispersed in the wind
Still when she didn't care
And thought I was harmless

She tried shooting me down
And got one through a wing
Now I think I want to be an accountant
Mediocre and sane

But who wants to have sanity
When you can be in it?
So I crashed into Hyperion
And as high as I am
She still sends her vicious winds
To try and cut me down

But her torment crafts precious stones
So in the interim
I'll hold on
Hoping that I can un-cuff my mind
Keeping a birds-eye view
Like a leopard waiting for its ****

So that one day
I can glide the universe
Wings distributed out wide
Skillful and experienced
So she can never shoot me down

Now
Perched on Hyperion
Patient and vigilant
I wait
#Hyperion is the tallest tree in the world. If you have any questions, just inbox me or comment.
A little Indian temple in the Golden Age. Around it a garden;
around that the forest.  Anashuya, the young priestess, kneelinq
within the temple.
Anashuya. Send peace on all the lands and flickering
corn.  --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other.  -- Hear, and may the indolent flocks
Be plentiful.  -- And if he love another,
May panthers end him.  -- Hear, and load our king
With wisdom hour by hour.  -- May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
Vijaya [entering and throwing a lily at her]. Hail! hail, my
Anashuya.
Anashuya. No:  be still.
I, priestess of this temple, offer up
prayers for the land.
Vijaya.  I will wait here, Amrita.
Anashuya. By mighty Brahma's ever-rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
Vijaya. My mother's name.
Anashuya [sings, coming out of the temple].
A sad, sad thought went by me slowly:
Sigh, O you little stars.! O sigh and shake your blue
apparel.!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars.! O sing and raise your rapturous
carol
To mighty Brahma, be who made you many as the sands,
And laid you on the gates of evening with his quiet hands.
(Sits down on the steps of the temple.)
Vijaya, I have brought my evening rice;
The sun has laid his chin on the grey wood,
Weary, with all his poppies gathered round him.
Vijaya. The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
Anashuya. See-how the sacred old flamingoes come.
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; chase him away,
Far, far away.  I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice.  I told you so.
Now cuff him off.  He's off! A kiss for you,
Because you saved my rice.  Have you no thanks?
Vijaya [sings].  Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you
hold
The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your car-
heads peer,
With all your whirling hair, and drop many an azure tear.
Anashuya. What know the pilots of the stars of tears?
Vijaya. Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the North,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while -- -
Anashuya [going away from him].
Ah me! you love another,
[Bursting into tears.]
And may some sudden dreadful ill befall her!
Vijaya.  I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Anashuya. Vijaya, swear to love her never more.
Vijaya. Ay, ay.
Anashuya. Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden peak; enormous shapes,
Who still were old when the great sea was young;
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!
Vijaya. By the parents of the gods, I swear.
Anashuya [sings]. I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so
newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows
truly,
Shoot on him shafts of quietness, that he may ever keep
A lonely laughter, and may kiss his hands to me in sleep.
Farewell, Vijaya.  Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
[Vijaya goes.]
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingoes; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping:  give him dreams of me.
Sam Newton Apr 2015
Always off the cuff with my words and my ideas
Trying to flesh out all my thoughts and calculations
There seems we never get to enjoy our time in the dark
The allegory of the cave keeping us safe and feeling smart.

Its very late where I am. Starch white moonlight keeping me warm.
But just across a couple states, a couple bodies of water, a few more Geographical boundaries to endure we can find a new place. In fact, one can find a new place even closer... Though it may feel completely new to one who had not had the ability to perceive this area. If we count our senses how many do we really have? How much more does a particular emotion from one interaction make one feel than a sight, or a sound, or a smell? Or does the fact that we attach ideas to our senses with images make it another form of perceiving an area unknown to one before? The allegory of the cave again. How can we perceive the light if it is blinding? For whatever faith may be to one, it is the human heart which seeks it out. The curiosity from down south. A movement in the human core to believe that everything....will....be....okay. Faith. In something. It is important to find it in every interaction. Utility. Make it purposeful to oneself. Because no one wants a parasite. Contribute something meaningful because everyone needs insight.

Its like conversation, a trade off. The perks of trading an idea, the benefit you didn't know existed until its utility delivered itself to you.
The idea of convenience and luck, yet denouncing any omniscient plan.
What reckless beings we are to find solace in so many places, yet no where at all, when given too much thought. The study of entropy engrosses me with fraught. I am chaotically decaying everyday. Every human is. Its called dying, and one can only die if one is living, so enjoy the fact that one day you get to experience death and even create new life. It means only that you will be able to perceive differently however you may believe.

Now don't go seeking it out, but understand where it lies about.
Death is all around us.
But so is life, and life takes time and energy to enjoy. Be spontaneous because the natural world is. Understand it because you are a part of it. Enjoy outbursts. One mind controls a microcosm of interactions enveloped in emotion and imagery and sound and smells all in the same place. We just have to use our memory. Everyone has their own Mind Palace. A collection of ideas and random thoughts and things which stuck to the wall that is our meaningful existence. What are yours? What makes you tick when there's no time left? What is your eternal clock?
If not religion then what?
Birdy To Be Free May 2016
Bind my ankles with your satin rope
Keep me here for I cannot run
Cuff my wrists and hold them up
For I cannot fight when ur lips toutch mine
Throw me on the bed
And thighten my chains
Your hand closing around my neck
Shivering by your tender toutch, so cold
Leaving marks, leaving scratches
Struggle is useless
Submit
Submit
S U B M I T
Submit to you
For I am yours
To play with
To break

**An object
Mateuš Conrad May 2020
an entire day of abstaining from "syringe",
whoever said it was:
the perfect dis-satisfaction -
supposedly it passes as quick as someone
puffing on crack...
                well...
                      the first cigarette...
when "quitting"... after years of 20 a day...
and this quitting: because no cheap
ciagarettes on the horizon from moldova...
or bulgaria...

    the first hit... feels like electricity...
i can feel it from my head...
right down to my toes...
          in my heels...
the tingling at first... then it all subsides...
into a sensation of a thrown stone
into the stomach:
like a nun jumping a bungee...
i feel like a teenager... who first sipped
alcohol...
the carousel of intoxication -
yet: so contained...
        there's the thrill and an
insurmountable number of adjectives
to the sensation:
face like a sponge head like blitzkrieg
theatre...
         i'm "quitting"...
well... 10 years exposed to the numbing...
perfect the ritual:
i guess i must...
    how long will it last... long enough:
to base the drinking on what becomes
the cigarette: on the peripheries:
and closure...

must i take any more revelation drugs...
apart from what's taxed and legal...
a solipsistic cigarette and some
gomme syrope: putting ms. amber
into the refrigerator...
              
i can feel the horde the tsunami from
a fat head through
a whirlwind dropped into my stomach...
and then the magic toes: tingling...
of course: i'm "quitting"...
quitting as much as...
mellow lou reed contra iggy pop
when bowie was with him in berlin...

"quitting"... the initial hit is over...
the first impressions...
the formality is thrilling...
then comes the diffusion:
the informality of fractions and percentages...
from the brain... the nerves...
perhaps the heart...
and the last place to look into:
the liver...

         and other... soft-tissue glue parts...
and the ritual:
a packet of benson & hedges...
wrapped up with about 10 rubber bands...
it has been waiting for me
for the entire day...
and now that the night is here...
a day when an apple tree was planted
along with a cherry tree...

the garden is looking more and more
presentable for sale...
but before the sale: it must be enjoyed...
i never thought that...
a cigarette: after... this short prospect
of abstinance...
is almost like the first...
but when coupled with the whiskey...
hell... i can't remember the last
time i drank and it felt like...
i was a teenager: under-age drinking
in one of those ****** clubs that
high-school girls go to find boys
with cars... out of school without
a-levels...
and boys go... to find... ms. ambers...
and jazzy gits of mr. fuzzy mr. funny...
the bavarian brothers: the weisers...

please! please! more...
these days of "quitting"...
             because what could be fun
about an absolute cold-turkey...
when you have a stash of...
  600 cigarettes... and... if the math is
about right...
and since the free movement of
people is a rapunzel dream off-the-cuff...

600 cigarettes... if i get it right...
move from 2 per ritual of going to bed...
into 1... that's... either a year
with missing 56 days somewhere...
no rolling tobacco though...
look m'ah! no bongs no syringes!
look p'ah! no snorting bleeding nose...
no... plum bruises from...

as long as there's an inhibition period...
a period of: i wish i could send
a postcard from... Basildon, Essex...
to... someone obliterated by a craze-maze
of lights... like... whatever...

i just heard stories...
                  about the effects of other drugs...
but... it's not like they come back...
with straitjackets to rekindle old flames
of "crossing the threshold" within
the confines of tobacco and alcohol...
moderately: well: not to quote the ideal
units consumed...
     i'm pretty sure i read some pickwick papers
today and... dickens "forgot" some...
conjunction words...
unless of course: his style...
                    -open            
                          to question-
                        esp. adjectives that...
or is it... nouns that act like this that and the other:
as if verbs...
            
    roughly half an hour... the full extent of
a cigarette...
the very first is probably the same
as the "very first" when you're "quitting"...
from circa 20 per day...
to 2-a-day...
                      "quitting" and first getting
hooked...
           the whiskers and fire fathers
                                   of the apache
              are a balancing act that follows...
oh sure... i'll quit smoking...
when the ritual is over...
i have left the casual smoker behind...
somewhere... over coffee...
over the tradition of that cigarette after
a meal: the digestifs smoke-up...
i left these smokers behind...
the nervous smokers...
the waiting at a bus-stop smokers...
the after *** smokers...

          the day is coming to an end...
i'm going to enjoy some music...
drink a little... i'll start calling this smoking
cigarette pattern... what? what else?!
my tobacco ramadam!
chances are... i'll still be unable
to appreciate roxy music...
   and the english dandy...
                       the music is here...
the little bit of *****... and the "pipe"!
here comes my face...
here comes the zoo...
            
             but i'm quitting... "quitting"...
the wolf of wall st. -
                      drug addict... that all depends
on how you treat tobacco...
the cigarette... abstaining for a day...
after a "hiatus" from healthy breathing...
viruses and car zinc and lead exhausts...
cow farts...
                  
    a terrible way to treat tobacco...
i find... is the casual... informal way...
a bit like... internet access...
whoever grew up with it being stationary...
like... a telephone... or a phonebox...
it was never carried:
always a returned to:
like a swizz safety-deposit box
in a bank... that could...
bypass tax regulations and subpoenas...

the good old days...
saturdays the park... the high street...
the car park... climbing to the top
and spitting phlegm bombs at people...
peter ******* richardson...
and kieran o'mahoney...
samuel richards...
         a ****** among the irish...
in england...
then again: richardson...
eh...
                                   ascot?
      i.e. a shcoot?!
                    the break between my first
ritual cigarette...
         and my closing affair for the night...
whether i drink less or not...
in the middle of the night
i wake up on the floor...
         i sleep on the floor for about
an hour... two demons want to ****
in my bed... then i'm thrown back into
the bed of cushions and mattress...
  only yesterday i killed someone in my dream...
and i was... like the zodiac killer...
anonymous...
i heard hook & sinker teases of:
the crime scene read like a crime thriller...
to appease the ego...

two days running thrown out of bed...
this is a terribly composed...
it is... "quarantine" poetics...
i'm "quitting" smoking...
                   i'm making tobacco...
i'm giving tobacco ritual rites...
                   no lazy tobacco smoking...
end of the day... ms. amber in hand...
maxing out on 2!
the next two? the next day...
              the same packet of cigarettes...
2 inside with a lighter...
wrapped up using about 10 rubber bands...
a like-for-like replica of
pin-heads "tattoo geography"...

       yes... because... someone's nearing
the snorting olympics?!
           if all you were given...
was tobacco and alcohol...
             the first one... oh! mein! gott!
it feels like being a teenager... once more...
and experiencing the alcohol carousel
for the very first time...
tobacco? that came later...
after the alcohol... after the ****...
the **** came in age 21...
the tobacco came in... age 21.09...
whatever that implies...

                      it's nice... though...
absitance... you wait for the entire day...
by the of it... some variant of... tourette's kicks
in... it's all very nice asking for
cupcakes and bagels...
scones and daffodils:
or... suicide by: lily-of-the-valley...
i.e. room filled with them...
and no ventilation...
talk about... no hanging... projects...
of Seneca cutting wrists in a bath...
just... getting drunk...
and being allowed to fall asleep
in a vacuous room filled with
lily-of-the-valley bouquets...

             we can talk about suicide... no?
when... it's... beautiful? no? ha!
how was the hemlock... prescribed?
as a drink?
             i... it's almost irritating that...
i will not write anything more sensible
after i take the 2 cigarette to the grave of sleep...
no matter...
i wasn't hoping to invest in much:
today gave me enough.
Brody Blue Aug 2017
I gazed into his eyes like beads of sweat
Blacker than the empty spacious depths
Around the little bridge-like tiny speck,
An ember on His hearth
We only think is worth
Its broken wharfs.

He said to me: "Son, don't fear empty bluffs.
They may be steep but they're not steep enough."
And judging by the ace tucked in his cuff,
I knew he would be true
And his tale would be true too
About the wharfs.

"Throughout the many vicious centuries
The motor of it always seems to freeze
Until the kindled flame does hit the breeze
And thaws its frostbit joints
And burns the hand that points
Out from the wharf."

He cleared his throat and then he said aloud:
"Is piety reaped from fertile ground?
Or by the planter's hand is it endowed?
The answer lies in strife
So mount the throne of life
Far from the wharf."
A song about an improver.
Trevon Haywood Dec 2016
This past year was a ******
Looking back, it kinda makes me wonder
How it came and went and **** near took everyone under
Its crazy out here and even though it was tough
I'ma run it back, this is 2016 Rap Up

Denver won the Super Bowl, Cam came up short
Leo got his Oscar and El Chapo got caught
They got mosquitoes with the Zika, so don't get bit
Peyton and Kobe Bryant both called it quits
I gotta admit, Fam, I get mad as ****
When I swipe my card and they say "No, You gotta use your chip"
**** Daniel, "Hamilton" was lit
Who let Kanye West get 53 million in debt?
And Rihanna went to work without taking a pause
ISIS popping and y'all worried about bathroom laws?!?
Come on, fam
How that sound?
So we out here standing up
Just so y'all can sit down?
Warriors went on a streak and then they got served
Panda was a hit and we couldn't understand the words
Huh, and Khaled kept snapping
These youngins keep mumbling
I guess y'all call that rapping
I've seen "Stranger Things", come on dude
Y'all out here shooting gorillas and punching kangaroos
Janet Jackson pregnant at 50, dog
So for you ol' broads, there might be some hope for y'all
I ain't throwing shade, it ain't that deep
**** I don't want nobody out here ******* with me in these streets
Then Birdman ran up on Charlamagne
And Lil' Wayne still not 'puttin' respect on his name'
Michael left Kelly trying to get paid
But the world stopped when Beyonce dropped Lemonade
She slayed, and over-shared
And ya'll still trying to find out about 'Becky with the good hair.'
As far as questions, I got one
"Hey Hov and B, is y'all finished or is y'all done?"
Son, I don't know if it was fake
I know KD did the running man challenge all the way to Golden State
The whole year made no sense
Dog, we live in a world without Muhammad Ali and no Prince
Then Gucci came home
And he looked so different y'all was like, "naw, that's got to be a clone"
Y'all was glued to y'all phones
And LeBron got it done for the Cavs and brought the chip back home
Snapchatting all over the place
I swear to God, if I see one more girl with a dog on her face
It was a sad year for sure
Instead of being woke though
Y'all wanted to play Pokemon Go!
And rap got weird, should we be concerned?
Young **** in a dress, Yung Joc got a perm
And everybody was in the Presidential race
Ryan Lochte, Oh he gets the Michael Phelps' face
Game and Meek beefing, Hillary and Trump
Kap took a knee, T.I., Brad Pitt got dumped
And Trump said he going to build a wall on the border
Ya'll will probably go to flip bottles water
The snow storm had the East underground
The kept shooting black men but wouldn't shoot killer clowns
They kept telling us to use our voices
Knowing **** well they ain't really give us no choices
Get an iPhone with no headphone cord
Or get a Galaxy and go and meet the Lord
See they go low, and we go high
You only got two friends. Why you trying to go Live?
I'ma miss the Obamas, I don't wanna see them go
My prayers to everyone that we lost in Orlando
The Oscars were so white they had to get Chris Rock
And the album of the year had to be Anderson.Paak
Cubs finally Won, Usain was on fire
Melania Trump hired the wrong ghostwriter
I'm petty with the manners
'Cuz I think Kim K. got robbed by Joanne the Scammer
Ooouuu
Biters keep testin' me
They making rappers, but they ain't got the recipe
Huh, Yeah that's facts
Shout to Young M.A. for bringing New York back
And I hear y'all talking about "Kanye is fine"
Well to us it look like Kanye done lost his mind
Cowboys kept ballin', them boys in the zone
Bryson Tiller came along, kept telling us "Don't"
I'm highly favored
I clap back on my haters
I be the beans, greens, potatoes, tomatoes
The mannequin challenge, oh, that's how y'all feel?
The World moving dog, we can't just stand still
Beyonce made sure y'all got in formation
One time for Phife Dawg from the Zulu Nation
Did Drake bag J.Lo? I say kinda
But y'all was all up in arms over Rob and Chyna
And that's a new level of female pimping
Biggest L of the year goes to Hillary Clinton
You ask me, man, I thought she had it made
You ask me now, ****, I think we all got played
Another sign of the times
And now the whole World laughing at us, sounding like ChewbaccaMom
2016 was a bully and a punk
On top of that, now we gotta deal with Donald Trump?
Pardon me, as I vent
Bro, we made a reality star the President
And that just makes me sick
Talking about, "We gotta give him a chance." Naw
I ain't got to give him ****
It's going to be hard to cope
Because you can't have progress, dog, if you don't have hope
More pros, less rookies
And if America's ours, how we let it get grabbed by the *****?
They say I sound mad, off the cuff
Oh, I sound mad? Y'all don't sound mad enough
So from here on out, we gotta set the tone
Y'all protect yourself and protect your own
And way too many people got called back home
2016 you can go, and I'm glad you're gone
Felt like a long bad dream
I'm wishing you love and life, Welcome to 2017.

Skillz 12/31/2016.
Vanessa Martin Aug 2013
I want to write in hyroglrifics to conceal my words from myself, cryptic messages not i, not no one, can unravel.
Instead thoughts lay beside my heart on my sleeve
This same sleeve that got ripped open a long time ago, and ever since i have become an involuntary show and tell
Yes I've tried fixing it but the staples, awkward and painful, hold place until next time
There is always a next time
I took the shirt to the physician and she told me it was broken beyond repair
And the best that I could hope for is these makeshift staples, strewn along where the label used to reside inside the cuff. It used keep my secrets in. And not let anything out.
See, then I had the choice. I could unbutton the cuff and occasionally I would, but devoid of choice makes one warier than the average warrior.
Back when the shirt first ripped, in that crucial bit just tucked away under the cuff, I used to pester the doc about the possibility of a transfer. She fed me all the words that I longed to hear, but now I realise she had the choice. Her words were nothing more than a bandage laden with cotton wool. Just temporary. But they cushioned me at the time.
Hey, at least she gives me staples on prescription.
I shot it dead but it won't die
I am effin sick of apple pies and Kentucky fries
and MacDonalds tries to **** me in to happy meals,give me some gin,let me get ******,wake me up if I have missed a thing.
Burger King is on the phone,please put me down or in a home,I'm effin sick of fast food quick Krap,slap me please,don't give me burgers with cheap cheese or onion rings or anything,give me some gin,something quick,Nando's getting closer and I am feeling sick again.

Why does it rain on my parade?
I played the eat well,get well game but it's all the effin same to quick fix.sticks and stones and chicken ****** bones that fill the effin air,fast food effin restaurants appearing effin everywhere,I'm effin sick of it,filling me with effin effluent,I'm effin getting effin fluent in talking effin ****,
give me a gin
let the effin gin work its effin way right in
and let me go to sleep.
Poetry by MAN Apr 2014
For you I want to look my best
A suit wears a M.A.N to impress
Fresh hair cut..beard nicely trimmed
Designer cuff links I'm in it to win
Ring your door bell...you open the door
Bouquet of flowers from ceiling to floor
Fulfilling fantasies make love to your mind
No words spoken could ever define
Take you out dancing you are my Queen
Conquering your desires to become your King
Hold you close caressing your skin
Make your heart flutter from my Devilish grin
Leaving memories on your body as I touch
Forget about time there is no rush
No limit..providing endless inspiration
Passion boils bodies dripping perspiration
Tangled tongues twisting tasting ecstasy
Discovering we share a destiny
My duty to my lady on good manners I stand
Rest your head on the chest of this Gentleman...
M.A.N 4-22-14 ♏.
Michael DeVoe Feb 2014
I've become acutely aware of the gravity in the fact that all I said to her was that I don't want to be the one who starts all of our conversations anymore
And that since then we have had no conversations.  
I don't think I will be rid of the haunting that this is my fault until I am haunted with the fact that it may be hers
In so making her not the woman I wanted for
Nor the woman I was all too eager to give myself for
Thirdly making me that man who opened his rib cage exposing his heart for her taking
Only to collect dust, rain drops, and those twisty helicopter things that fall from trees in the autumn
All from being left open so long on a very windy day when she saw what my heart was stretching to offer her and chose to leave it there
Couldn't I once be the one worth taking
Or at least notice when she's not the one worth opening up for.

There are days I wish God hadn’t built me with a zipper for a sternum
You know I don’t always mean to show them everything
It’s just sometimes I forget to zip it back up after I take it on walks to the liquor cabinet
My heart is a bow-tie drinking Manhattans at the center table with a chair full of friends and a twinkle in his eye
My tongue is a rolled up cuff drinking whatever’s on special at the end of the bar confusing, “I’ll have another” with proper conversation
My mind has an unplugged mini fridge in the corner with two luke-warm ciders waiting for a chance to celebrate...remembering to brush my teeth
Depression is a funny sort that way, it’s all her fault, right up until you remember how hard it is to brush your teeth everyday
At which point it’s either your own fault, or we’ll try again tomorrow.

Knowing is not half the battle when the battle is not being waged in your head
Knowing it is all going wrong is just another reason to never put on the helmet and see what the battle may bring
Seeing what right looks like on Pintrest is not motivation to check my zippers
It is the battle cry my stomach gives my lungs after lunch
It is the battle cry the fists of my mind give my heart when we are alone
It is a crop duster driven by the Morton’s Salt Girl, who never misses the open wounds of my torn innards strewn about an open field after losing the battle for the day.
I am a slug on your porch and I shrink with every grain
And you will never hear me scream
It’s just so tiring to tell someone you hurt and have no blood to prove it.

I do not much dream for stars or skinny girls anymore
I am afraid of what their sharp edges will do to my fingertips
I’m just looking for something I can hold on to
Someone who will remind me that I have a place here
If that place is only to take up oxygen
Sometimes I let my dreams get away from themselves and I dream of great magical things:
Like being loved back
Feeling important
Sleeping peacefully

On occasions I even see myself at work opening a love note in my lunchbox from someone who felt compelled to take the time to tell me they love me
It always swells my heart
Makes me want to be a better person
To get out of bed
Run a marathon
Sing an opera
Lift a weight
Sky dive
Read a book
High five a stranger
Take a dancing class
But then I wake up and look across my room at just how far away the light switch is and decide I must be afraid of the dark
Since I never remember to turn off the light before lying down and I never have the strength to get back up

I dream most of all of having someone to tell me the things I need to hear
To give me a purpose
A vision
A reason to live
To stop letting me find better excuses
To yell in my ear or write me a note that says,
“You are worth it, every minute, every cent, every effort.  You are worth it, because you will become a great man and because I love you, and because you are destined to change my world, and because your son needs you, and because you are brilliant, and because the world needs your words, because I need your words”

But the only notes I get are the ones I put into my own lunchbox as a reminder come noon-time
That even if for no other reason than because I said so,
I am worth it
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
A B Perales Jun 2016
Photographs taken on glass plated negatives.
Capture moments such as the Hangman
in the town square with the crude cut eye holes
in a dusty burlap executioners hood.

Pictures tell more than just a story.

Magicians meet in secret.
They sit around with their deep hats.
Shirts worn with Mother of Pearl
square cut cuff-links on the
ends of deep sleeved, steam
pressed, thin cotton shirts.

They meet in silence and sit in a pentagon formation
awaiting a secret to be shared.
None ever are yet the meetings are still held.

Men and only Men who all consider themselves
apart from the Lower men with their Lower wives.
Whose children they see as gifts for their Gods.

Small funny hats and small strange
aprons and a long sleeve shirt with mother of pearl
square cut cuff links.
No secrets here are ever revealed.

Young Virgins with innocent white, long skirted dresses
wear Baby's Breath halos atop their combed,
braided hair for protection.
Running through fields of wild honey suckle
brushing the palms of their hands
along the opened flowers.
Spreading pollen as they move across the field.

A ****** faced stranger who wore his
guns hung low across the hips the way killers do,
watches from atop his restless stallion.
Gamebirds stood stone still with the grass
as the stranger fixed his eyes on the plains below.

With his gloved magic hand he feels
his square cut cuff-link through the
gloves worn leather hyde and
prides himself on his patience
before moving in for the ****.

— The End —