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Ariel Baptista Jan 2015
Four old friends
Dead of winter small town
Germany.
Smoke rising from chimneys
From cigarettes, and pipes
From trains riding the rural rails
From city spires
And factories
From airplanes
Airplanes
and Airplanes,
From Airplanes.
Smoke dancing and laughing
Stinging and coughing
Smoke in my hair and jacket
In the pores of my skin
Smoke in my eyes,
Up the hill
And through the woods
Dead of winter
Small town Germany
Four old friends
Walk two by two
Three by one
Four and four.
Walk by the church,
Down the creek,
Up the hills, the hills
And through the woods
Small town
Germany four old friends
Dead of winter
Cigar smoke and beer
Cigarillos in a chain
Smoke from crystalizing breath
And fireworks
Smoke from bonfires
And tailpipes
Smoke from airplanes
Airplanes and airplanes
Smoke from airplanes.
Smoke stains and cigarette burns
Little circles in my jacket
Germany
Four old friends dead of winter
Small town
Smoke tears
Smoke promises
Smoke memories that linger
Like the faint nausea
Of what-the-hell-has-happened.
I watch the **** end of your last cigarette
Crumpled and fading
In the ashtray of that Badischer bar
And your eyebrow twitched
The heart-wrenching shiver
Of what-the-hell-has-happened.
And I whispered:
(airplanes)
airplanes and airplanes
I whispered airplanes.
That’s what the hell.
A merging of my experiences and those of a friend.
Ellen Joyce Jun 2013
And then you're sleeping -
purring kitten curled in pink DMs
all crumpled kisses and angel hair
caught in a dream catcher web.

My heart rests from braying helpless fury against my ribs
from bruising sinew and self
pouring frustration through my veins
in the ache of wanting to make it better.

I'm tracing history, yours and mine in the contours of your face.
Ballerina fingers shimmer in the laugh lines that are you.
My breath bowing to scars of battles that made you,
head cocked in awe of the woman you are.

my heart whispers a familiar promise - together.
For my best friend and soul mate Rachel whose friendship and sisterhood brings joy to my life, light to my dark times and most beautiful companionship to my journey.
Daniel Magner Nov 2012
There's nothing quite like
having your memory erased
the best thing that'll ever happen
the best thing you'll ever taste
are the drugs sliding down
your throat to splash
in the stomach acid
pumping chemicals through your veins

The synapses in my brain
are full of dopamine
and my serotonin levels
are off the charts
On the outside I stand tall
like a steel soldier
but on the inside I'm crumpled up
with a paper heart

How do I tell my mom
I'm on, walk in while
she makes her art, day before her birthday
What words would I even spit
how could I say I just downed
a bottle of codine, she'd disown me
So I stumble up stairs to my
old bed, pictures of my graduation
burn my head, but it's imagination
the room swirls but I'm station...ary

Started off with a bet, kids dared me
When your fifteen you don't
see the bad side, the glazed eyes
rolled back drifting, all you feel
is the lifting and the bass
pumping, through your chest blasting
off real life stress, you can't tell you're a mess
Rolling, feeling like the best

But now I can't sleep unless I'm on
and then I don't dream.
It's time to start taking steps
instead of X, I'll do reps at the gym
I'm done giving in, I done living in
fog, done being gone.

Yesterday me and Tony were on the go
driving slow, on the hunt for blow
picked up, lined up, he handed me the dollar bill
rolled up and I could feel my brain
screaming, yes, my veins aching, yes,
my hands reaching for the dollar but then...

I said no.
© Daniel Magner 2012
A Castillo Apr 2014
The bag exhales its emptiness.
It has run out of things to give,
only a few husks.

I prop my hand under my chin.

My darling puts her kit on the table
and strings the kernels through.
There were all shades of yellow #5.

America's #1 Finest!

She puts them round her neck,
glistening in tv-light,
that nacreous shell of a necklace.

The white noise plays on.

They start to burst, each one of them,
into a different kind of flower—
daffodils, dandelions, daisies—
it was quite a piece.

My hands are so close now, trembling,
and I am hungry.

The white noise plays on.

Quickly I ****** at them, ****** into her,
And my hand comes out empty,
only a few husks.

The petals scatter slowly around us.

The bright, yellow sun is crashing,
And so, too, does that crumpled bag
Into the trash, above which hung

My heavy heart, my sweet
And her finest around her neck.

I prop my hand under my chin again.
BianchiBlue Jul 2014
cooling whiskey flames
pool in the corners
of my eyes, drying
under the afghan
crumpled on the floor
where fallen pieces
from the puzzle of time
count off the ticks
of my grandfather clock
mumu Jun 2018
Evert night at 2 AM
Different poems are written
Different words are scribbled
Different papers are crumpled
But only one thought she had
Yet, word can't help her convey the feelings
"Empty" has much more than herself
"Sad" is not sadder than she thought
"Broken" is more whole than her
"Hurting" ain't just bleeding just like her
And when words can't take the role
It's the blade that play with her
Every cuts has meaning
Everything is her unreleased feeling
Sometimes, words are not enough to tell what we really feel and most words doesn't fit to the emotions we are holding.
The paper was crumpled
Where her tears had fallen from the air
She put everything into the pencil marks on the page
Until the day in which it was torn away
She cried so more when people read the words
And called her strange for feeling something inside

The only thing strange was that she felt what they did
Only so much more
They were too scared to show it
Too scared to write it down
Until that day when her tears streaked
The crumpled paper
In which her feelings were shown

She was one of them too
She knew that they would never know
How it felt to have it all there
On the crumpled paper
Because the paper never called you strange
It knew all too well that pain that you were feeling
And everything that you were going through
She found that crumpled
Piece of paper
Quite relatable
“I may be grown up but I’m only seventeen.”
The faded blue chairs were in rows, as could be expected. The building was old and the air was littered with dust; just like you would expect. The light shimmied through the draperies and tapestries and slithered across the floor in tiny slits that cut the room into pieces. The dark worn floors boasted years of scuffs and scratches. They were no longer mahogany for they were nearly black with age and dirt. The whole place was frozen in time. Even the air was reminiscent of years gone by. When you walked in you could expect to find memories nestled in corners or peeping out from one of the many books strewn around. The place breathed nostalgic fumes. Some might have called it “stale,” but many others would prefer to call it “alluring” or “curious.”

This was not her case. The door ****** the life out of the place as it slammed shut. The reverberations could be felt throughout the entire structure. Her anger fueled her along at a violent pace, sending chills up the drapes and swirling the dust into tornadoes of chaos. The floorboards rumbled and squealed in sheer terror under her feet. If you were here you would likely have tread softly and listened carefully just because you hoped the place was talking to you. But since this is her story and not yours, that is not the case.
She threw her body into the nearest chair and the force almost sent her backwards. The girl and the chair hung in time for a single moment, teetering on the edge of balance, but nothing happened. She kicked her feet up on to the chair in front of her out of utter disrespect.

Each breath that she blew carried venomous thought. Every air molecule expelled from her nose was laced with despise until it fell to the floor, devoid of life. You could feel the place shuddering with every breath. Or maybe she was shuddering. But it wasn’t important.
The girl let one lonesome anguished tear roll off her face, but since she was too strong for crying, she ****** her body out of the chair with every ounce of hatred she had inside. In one swift motion she swathed her face with her shirt to obscure and erase the tear. She stood there, filtering the air through her shirt, refusing to acknowledge everything the place had to offer. She dropped the weight of her head into her palms and bit her lip against the pain. She pulled her face back only to check the shirt. She knew it would be stained. She knew because every other time before it had been stained. She listened for a moment before she glided across the floor toward the nearest window.
When she finally came to a moment of rest, the place sighed in relief. The dust rested and the floorboards managed to quiet themselves. The drapes relaxed and everything paused again, settling back into a time of long ago. The place embraced her like the wind embraces a leaf. It helped her along gently as she was carried away.

Not wanting to be discovered, and not wanting to overstay her welcome, the girl carefully hid her soul behind the heaviest drape and emptily marched towards the door. She traced her finger along the scorch marks that marred the wood. The scars ran deep, evidencing a strong fire that had ravaged the place years before. The door oozed sympathy as the young girl shared her pain. Her heartbeat pounded out her sadness and resounded through the door and back to her. She clutched the **** in her hand and pushed it open. She slid through to the outside. She did not look over her shoulder. She did not carry a glimpse of hope within her. The flame in her heart was extinguished with the closing click of the door. She was outside. She watched as the place got smaller as she walked away.

His name was Devlin. “Dev” for short. It could’ve been “Devil.” It should have been “Devil.” He was the one who called the shots. This was his game; his rules. She was just a player who could be benched at any minute; suspended from the league in the blink of an eye. He knew the world. He had been learning it for years. As if the world was something that could be learned; that could be acquired. He missed the most important lesson for he never learned how to love. He had mastered affection and words spilled off his lips like honey. But love was not yet something he had come to possess.

Regardless of his material possessions, Dev knew he was missing something. He didn’t know what it was or how it could be acquired, or if it could be acquired. He only knew that the gaping black hole inside him was consuming him. There was no fulfilling this insatiable hunger. There seemed to be no solution. Only temporary fixes could easy the longing but with every dose the hole grew deeper.

           She too, knew that beneath his smile there was blackness. Not emptiness. Just blackness. There was no value, no gradation. No. There was nothing to hold on to, nothing to hope for. She would have enough black to cover the entire world if she had wanted to paint. But she was honestly looking to survive.


                Time had gone by, but only by the measure of light. Time had not elapsed to heal her wounds. She had covered miles on the feet of one thought. She had traversed only into one idea during her journey and yet she had already reached her destination. It was easy to fall to your subconscious when your body was tattered. When she stepped through the threshold she almost imagined the place. But she stopped herself because she didn’t want to take the chance of contaminating it.

                Her eyes were closing and the soft carpet looking appealing in all its graying and deterioration. The couch and bed looked inviting but that was suicide. She was fighting the urge. She had too. She had tried to purge her mind but one insignificant monstrous thought plagued her. “Don’t go to sleep until I get back.” Her eyes lingered closed for a moment. How beautiful and welcoming this blackness was. It was gentle and comforting. Her eyes jumped open. How long had they been closed? Surely no more than a few minutes. Fate laughed in her face once again. “I told you: Don’t get to sleep until I get back.”
                The first one was the most painful. Even though her eyes were blurred from pain she could still see the look in his eyes. She had to look. The simple thought of closing her eyes would earn her several more. She clutched the threadbare carpet with all the dignity she could muster and stood like a soldier before a firing squad. Every wince squeezed the tears in her eyes closer and closer to escape, but she held on through the miserable pain. It wasn’t even his hands that hurt anymore. No, it was the iron, or the bat, or even the brick that hurt. When it was his hands, he sympathized with the contortions of her body. He felt her pain. When it was some other object, there was distance between them. Six, five, four, three, two… She could time the blows. When he wasn’t so angry they came faster, just to put the girl in her place. When he was enraged, they came slower. Each hit was followed by an explanation or justification. “You have to learn the hard way.” or “How dare you get blood on your clothes?” The indignation in his voice made her sick. “Don’t look at me like that!” “I love you.” Over time she had learned to smile over time. To lessen the pain.

                …Her face was burning. Every fiber in her body wrenched with pain. Every breath brought tears to her eyes. The shaking was uncontrollable. She never should
have fallen asleep…

                You see on the inside he was just a child who never knew love. But that was her job. To love him. He was one of those “monsters,” or rather a vortex, something to be awed and feared. A display of powerful destruction. But that was the point. He was ******* up everything good while furthering his own self-destruction. He would eventually collapse in on himself. It was inevitable. It was not a matter of time. It was not some probability that fate would determine. It was not plausible to think, no matter what length of time you were thinking for, that time could, and would, heal all wounds. This was not something that would fade into the background and blend into a dull gray. This was not something that could be fixed by a miracle of God. There was no twelve step program with guaranteed results. The only thing that could happen was the elimination of time. If this happened, then there could be change.  


                She had figured it out some time ago. A long while back before she knew the place. The only answer was destruction. You might even call it ******. But since it involved no bloodshed or munitions or hatred, it seemed to be a good idea. Even the victim was ultimately willing to go through with it. The only factor stopping the girl was love. Her love for him. She did love him. She truly and justly loved him. She loved everything about him. She loved him for chaos and instability. The only solution was to destroy time. Without time, there is no way to measure. There is no structure. There are no rules. The only structure is what you make in your mind. That was the easiest way to escape, the easiest way to ignore the pain, to ignore the love.        


                  However much she thought about it, she never thought about it enough. The hours she spent on the floor in utter stillness were useless. When her breath was shallow enough, she nearly died. Her shirt was stained with blood. It was severed from her hip to her elbow. Her face was swollen purple and blue. Four of her ribs were shattered. Her left ankle was swollen. Her eyes were sealed shut by dried tears. Her lips were pale and chapped. She could not breathe out of her nose. It was filled with blood. Her pants were a rolled in a crumpled ****** mess several feet away from her. Her legs were patched with bruises. Her fingernails had blood under them.


This was love.


Eventually. Not relative to time. Not relative to the beating, but relative to her. She crawled over to her pants and began to restore her dignity until a foot crashed down upon her hand, jarring her body into a fetal position on the floor. She forced her eyes to stare at her hand turning from pink to white to purple. She hung her head in shame and hoped for mercy or forgiveness. The crushing weight of the foot began to ease the slightest bit. “You didn’t learn. You never do.” She stood perfectly still, waiting. The foot lifted. He pulled her to her feet and bestowed a kiss upon her forehead. “That’s why I am here: To teach you.” He took the crumpled pants from the floor and removed her bloodied shirt. Then with **** of his head he motioned to the floor. “You will learn the meaning of humble today.” She lay back down and tried to glean warmth from the carpet. She was cold. Desperately cold.
Vicki Kralapp Aug 2012
Waiting for spring to return this winter’s day.
Straining to touch warm breezes of the past.
Caught in this prison of gray and white.
Wishing to break these dark chains that hold me.

Remnants of fall, crumpled like brown paper on the ground.
Straws of pale brown growing up through the snow, ******* it dry.
Seeds and freeze dried fruit lay scattered about under trees.
Bare limbs and stalks drip with liquid glass.

Trees hanging bare, gray in lifelessness.
Winter birds call out, single in their pursuit of leftover meals.
Tracks of animals unknown dot the landscape with patchwork.
Waves of ridges etched in white lead off to nowhere.

Sparse, sun filled days bring brief glimpses of hope.
With the promise of warmth waiting to banish the cold
that holds me to my past and this existence;
waiting for spring to return and thaw this frozen heart.
All poems are copy written and sole property of Vicki Kralapp.
Amber Dec 2013
I never thought I'd have to see her like this so soon. So young. So cold.
I should have listened to her. I should have talked to her more. Seen her more. She always asked me why I seemed so distant from her, I always got frustrated and denied it.

Now she's the distant one.

We would argue often. About communication. Our feelings. Her feelings. She had a very hard life. A violent alcoholic father. She grew up untainted by her surroundings, but scarred. Chronic Anxiety and Depression. She would cry often, and get mad and angry for sometimes no reason. She said she didn't know why it happened; it just did, and that I couldn't understand. That made me angry. Even though she was right; I really couldn't.

I haven't had an easy life in the past few years, but it doesn't compare to hers. I didn't know what is was like to be as depressed as she was. To be as anxious as she was. She would always check up on me, because she always worried about me. I myself, just took it and never did it for her.

What a mistake.

I remember my 17th birthday. She was more excited than I was, and couldn't wait for me to finally see what she had done for me. She was adorable when she talked about it. I spent the day with her and she made me a homemade card themed my favorite video game, and a Key Lime pie from scratch. I love Key Lime pie.
How I wish we could make it together, one last time.

A couple days after my birthday, a package she ordered came and she was ecstatic for me to finally have it. They were custom made genuine dog tags. They had my information on one tag, and a personalized message from her on the other. Her message read, "KNOWING YOU HAS MADE ALL THE DIFFERENCE, AND LOVING YOU HAS MADE MY WORLD." I wear them everywhere, even to today.

But when her birthday came around, I didn't get her anything. Not even a card. She was really upset, and I felt guilty when she mentioned it, so I never did get her anything; I felt it was too late.

Whenever she was happy, she shined brighter than the sun. She smiled and laughed and was goofy. She would make up little songs about how much she loved me, and she would do anything for me. Now, I can only imagine how she felt when I left for the night, not doing anything for her.
I knew she had problems even before she met me. I knew she was chronically sad. I knew she had always been a rock, but had slowly started to erode and needed someone.

Why was I so selfish!?

I notice her mother is crying. Hysterically. They were so close. Her mom was so nice, always inviting me over and cooking for me even when they didn't have much food. Now, she looks like an empty husk of what she used to be. Crumpled on the floor, covered in her own tears, mourning the loss of her world.

My world.

Her younger brother sits with their dad, hugging and crying on each other, as well as the rest of her family. You can almost smell the saltiness in the air from all of the tears.

I've cried as much as I can. When I heard the news, I was in shock. I didn't want to believe she was gone. But eventually I screamed, bawled and raged at my loss. She was the only thing that mattered to me.

Now I stand here, silent and empty. My mind is numb, and all I can do is stare at her. Eyes closed, chest still, but still so beautiful. I had to battle with myself to even come and deal with seeing her like this. I finally move my stiff hand towards her curly hair and stroke it, and slowly move my hand to her shoulder. I imagine her opening her eyes and smiling at me with one of her beaming smiles. But I know it won't happen, and that's when the tears come.

I'll never see her smile, feel her lips against mine, hug her small body again. I can never hear her sweet voice again, telling me, "I love you" with a glow in her eyes.

Why didn't I show her how much she meant to me? Why couldn't I swallow my pride and be a little more caring and thoughtful for her the way she never failed to be for me? Why? I'm sobbing now. I collapse to my knees and rest my hand over hers. She's freezing. I rub her hands instinctively as if it will warm them up, but it doesn't.
I just want her to wake up. I feel as if it's my fault she's in eternal silence now. Apart of the world beyond, when I want her so desperately to be back here with me. I don't want her to leave me. I feel as if I can't live without her, she was the only one I'd ever truly loved, but in the end I failed her. I wanted to spend the rest of my life with her, I should have shown her more instead of using only my words!

I slowly stand up still covered in my tears, and stare at her sleeping body. I watch as one drips down onto her expressionless face. I use my thumb to gently wipe my tear away, just as I used to wipe hers. Now all I can do is think about what could have been, what I could have done, and what will never be.

"I'll miss you." I whisper through my sore choked throat, and kiss her cold forehead.

"I love you."
This is a very touchy short story for me. I did write it myself. I'm not sure exactly what to say about it, other than it's fiction and in the POF of a grieving boyfriend.
emma green Jun 2012
“My heart wanders the mossy mess of wet country, reliving a time when youth had charm, hand held hand, letters were written with not a classroom blot in sight, kisses were blushed.. and boys ran home to hide their eagerness.

Life was what it was, merely a game of engendered differences.”

scribbled the poet with his special pen. Leaning against an oak - as proud a tree as he was a man.

There was no need to make excuses for his silence here. Why apologise for watching space fill with swirling prisms across such a wonderfully vast panorama? So many greens in this god-forsaken county. But it was refuge for someone like him, was an escape route to whatever the future held. Anyway, where he was concerned, guilt was neither muse nor amusing, it merely lay a rough stony path ready to trip the careless walker he‘d almost become.

‘Oblivious to life in the real world’, he’d been told at least once a week for far too many years. He laughed, those words would never be uttered again.

“Shadows
of buttery budding green
dripping flavour ‘cross soil,
moaning,
muttering,
life.to.come.
fruitful.”

He shook his head, trying to be rid of thoughts, emotions: ‘I don’t want to think of her. ‘HA, too late! There and then the six o’clock in the morning drew his woman from the shadows of deception. He smiled. In his ragged mind she became .. she became a sapling formed of malleable clay. ‘I want to shape her.. a touch here and here so her ******* flourish with pleasure. Then, I‘ll stroke her right side.hip.thigh. to where the skin is both silk soft and a touch of treble plaited gossamer, that trimmed topiary of woman awaiting her future.

Who knows, in my next life perhaps I’ll be a sculptor and lay claim to the master’s crown. I’ll become lord of much and more.. why not, someone has to!’

“Memories,
hands soft as sugar spun
in quadrants arched quiescent,
harmonic pleasuring,
all.frantic.full.
ripe as berries brown
and fatal flawed.”

Man scratched the pen against vellum, then.. oh then, heard its crickling cry; remembered the rippling of her moan.. the call of his name.. the echo of his weeping into her. Then her - fingers gripping where space permitted.. palms moist and made fluorescent.. back arching.. hair flying.. falling onto each of the four crumpled pillows. Then, then.. becoming a streaming sway of tressed love battling breath. And the smell of wild garlic filled the air

never to ward off his fears, nor outsmart his demons. He was meant to be taken by the sight of a woman both too good and bad for him.

“Feeling night
a creep of nails tip touch
in devil’s bliss
where all men meet a foe,
but headlong thrills
deep.diving.hot.
as hell”

He took his pen and with a mighty shout, ****** a myriad of dark memories into his own heart - his memories, his memories - not hers. She’d laughed when he asked her to stay with him, to be his .. forever. Until that moment the pen had been softly ****** between his full lips but moved to be gentled between index finger and thumb. Her rampaging words struck home. They broke his silence, they hurt.

Whirling and swirling it over her *******, his pen became a weapon. He taunted her skin with a pen ripe with red ink, swore and wept, swore again. His hand fell screaming into her flesh, not once but a dozen frantic times. Finally her breath became a dense gushing cloud which swiftly rose so dark that, within seconds, once pure angels fell to earth looking akin to a chimney sweep’s boys - unregonisable as once human.

“Harvesting
kiss kiss full lips
gleaming at the point of red,
so sharp whilst ..
poppies parchment pollen
trembling.moisted.dark
unloved”

The body was found months later. It had laid until bronze leaves and golden were drifting upon and across what had once been a face, and now discovered by shocked, sickened walkers. When the police arrived, all they found lying near to the man was a pen and dulled pages within a leather binding.

A forensic scientist is still trying to decipher the wording on the vellum, what words he’s found to date are quite beautiful - or so he told his wife in an aside. She shrugged, he’d always been a strange man. Should have married her own kind .. too late now. Marianne looked away, unused to anything remotely like conversation from him. She smiled, turned the mirror to the wall and waited ..



© 2012 Emma Joy
berry Jul 2014
sometimes i wonder if god keeps a record
of all the times i have been left,
all the times i have been unable to leave.
i wonder if he thinks to himself,
"when will she learn?"
as if he feels my heartache too.
i picture god with a furrowed brow,
hunched over a typewriter,
beginning me again and again,
a mountain of crumpled paper at his feet.
but somehow -
he always ends up at the same point in the story
where i am all ****** palms
and half-hearted hallelujahs
propped up on bruised knees.
spitting up blood & teeth at his feet screaming,
"IS THAT ALL YOU'VE GOT?"
but he doesn't answer.
and i catch myself wondering if the silence
is his way of punishing me for making a deity out of you.
after all, the bible says he is a jealous god.
i could've sworn there was a verse somewhere
that said you weren't allowed to love anyone other than me.
but now that i think about it,
i probably took it out of context.
if i could add a parable to those already existing,
it would be how your chest
felt like church under my head,
and how i thought to myself,
"this is how it would be if he loved me back."
or how you fled my bedroom like a crime scene.
i am still bleeding.
i won't tell you how many times
i cracked my heart in half
trying to be what you wanted.
how my lips on your skin felt judas.
now i am waiting for god to begin me once more,
hoping he'll leave you out of the plot this time
because i don't think i could stand to lose you again.
see, rumor has it he knew you'd leave
and has been trying to make it up to me
since before we'd even met.
my song is one of repentance.
the wood finish from abandoned pews
rotting under my fingernails.
i made sacrifices you didn't ask for.
i have never known
whether my inability to abandon people
is more a strength or a weakness
but so far everyone i've ever loved
has turned into an exit wound,
and myself into a flickering no vacancy sign.

- m.f.
humming slowly
as i sway with this sad song
dancing the rhythm
of this broken sonata
feeling this heartbeat
that started to fade
if only you could see
the dreary tune in this piece
you would rather listen
than see the lyrics within this song
crumpled sheets of paper
scattered all around the floor
with every sheets
there is a written tale of us
seeing this sheets
makes me wonder
when will i be able
to touch the sky?
give me love, darling
give me love cause lately
i am craving for more
give me love, darling
so the tale of these crumpled sheets
will became true
give me love, darling
so this piece will cry with joy
so i beg
like beggar in the street
so i cry
like a baby in a crib
cause lately
i don't understand
why i am craving for more*

give me love, darling

©IGMS 2014
Inspired by the song of ed sheeran
emma jane Mar 2016
My eyelids seem
to be the strongest part of me.
When the rest of my body
falls
into the ocean
of blankets they
float open upon the white water
atop
the waves of sleep.
This is when you come back.
In this mattress I am a piece
of clay and I can still feel the deep indentations of where your fingers
wrapped themselves like Ivy around my hips.
Hips, that stuck out like white flags of surrender and
fell to the ground in a straight line.
I can still hear
you.
I am a broken record,
and your whispers are the only track that plays at this hour.
“You are fat”
“Look at how flat you are Emma, no boy will ever look at you.”
“You are ugly.”
These are the nights when I can
feel the spiderwebs your words wrapped around my ribs and
listen to the way my heart beats constricted
in its cage, your hand still clenched around it.
Can’t you see me bleeding?
Safety lies
beneath my eyelids but you pull them open
I can feel
your icy touch behind my eyes as I stare
coldly at the ceiling.
you demand to be heard.
Did you mean to put your words
in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills?
Do you realize that you stayed with me?
Can you take your stolen midnight hours back and place them on your pillowcase?
Will your eyelids close?
Or can you still hear my cries of protest as your soundtrack plays into the night?
I don't understand?
Did you think it wouldn't hurt me?
Or did you want to live forever,so you put your
fingerprints where you knew they wouldn't fade.
This is almost the completed version of a poem I am submitting to a contest. Please please please leave feedback and suggestions. I really want this to go somewhere. I believe it is a message that people need to hear.
They dont make it
the beautiful die in flame-
sucide pills,rat poison,rope what-
ever...
they rip their arms off,
throw themselves out of windows,
they pull their eyes out of the sockets,
reject love
reject hate
reject,reject.

they do'nt make it
the beautiful can't endure,
they are butterflies
they are doves
they are sparrows,
they dont make it.

onetall shot of flame
while the old men play checkers in the park
one flame,one good flame
while the old men play checkers in the park
in the sun.

the beautiful are found in the edge of a room
crumpled into spiders and needles and silence
and we can never understand why they
left,they were so
beautiful.

they dont make it,
the beautiful die young
and leave the ugly to their ugly lives.

lovley and brilliant: life and suidcide and death
as the old men play checkers in the sun
in the park.
Months of stale, cigarette smoke
and spilt **** water pleasantly
offset the stench of cheap cologne
and ratty, abused furniture.
    
Fictitious stories occupy this tiny, dim
apartment, birthed on the lips of
rebellious juveniles whose tongues
pierce the ears of our elders.

In a forsaken corner, Jeremy lounges
awkwardly on a grubby-plaid sofa that
suitably complements his button-down shirt.  
I join him.

Behind his right ear rests a lonely cigarette, while
another sits snug between his lips, set ablaze
by the 1968 Slim Model Zippo he inherited from
his beloved grandfather.

His transparent sense of self-worth emanates
from his grubby, grease-stained hands, scuffed boots,
blotchy-checkered flannels, and faded blue jeans
that are completely obliterated with holes.

I look into his pale blue eyes, the depth of which
often goes unrecognized.  Jeremy is a soft-hearted,
pudgy youngster with the kind of chunky cheeks
that all grandparents love to torture.  

But his marred, acne-ridden face betrays the transition
that has been forced upon him.  Slowly, his trademark
grin appears across his face – subtle, mischievous, and
typically without reason.  But this time it appears justified.

Jeremy takes a moment’s break from his cigarette to drop two
hits of acid.  A new drug for him, he hopes to find relief from
his seething anxiety, evidenced now by the wide expansion of his
chest as he takes another, more lengthy and powerful pull from his cigarette.

The mundane chatter that fills the room continues, a seeming
necessity to offset any potential awkward silence. I feel as if
this noise is closing in around us.  But just as suddenly as I
feel overwhelmed by this sensation, the noise stops.

I look around, noticing everyone’s eyes staring in my
direction.  Jeremy is still next to me, now giggling
like a little school girl.
I begin to feel sick.

Jeremy swiftly leans forward, giving his
cigarette a premature but honorable
death, eliminating its glow as he smashes
the cherry into tiny bits against the ashtray.

As he sits back against the couch, I can see that
his eyes are now indifferent. Foreign.  With a perplexed
and fascinated stare, he watches the pearly-white smoke
slowly slither upwards towards the ceiling.

There’s no question in my mind that his
soul has fled. Jeremy sinks further into the
couch, turning his vacant eyes in my direction.
I want to *****.

His high-pitched giggle has now subsided into a
low whimper.  Gradually extending his left arm into
the air, he tilts it from side-to-side, examining it as if
an infant discovering his genitals for the first time.  

Bike wheels appear in the corners of the room.
Entertained, his eyes rapidly zigzag from the
corners of the walls to his hands. He asks me
if I can see the wheels. I don’t respond.

Intervals of psychotic emotion begin to cycle. Jeremy’s eyes
fill with tears as he tries to understand the hallucinations
engulfing him.  The expression on his face betrays the reality that
he has stepped onto the never-ending theme-park ride from hell.  

Together we leave and walk to the bus station, Jeremy
walking slowly and whimsically. The bus arrives,
and I hand him a few crumpled, single-dollar
bills as I attempt to instruct him where to get off.  

All I can envision is his mother’s first reaction to her son’s arrival.  
Would she collapse at her son’s knees, crying like a mother whose boy
has come home from war?  Would he forever be an awkward guest
at the dinner table? Would she disown him?  Would he become a feral child?






I no longer know what day it is. I am surrounded by lockers
and students, trapped in a tunnel of shadowy walls.  As I stand
alone, I find myself entranced by the blinding, January sunlight
that floods through the double doors a mile away.

My vision is unexpectedly blocked by a figure
standing in front of me. Clothed in little but jeans
and a bright, white t-shirt, Jeremy stares at me, his eyes
mirroring the emptiness I now feel.  

“Do you have a lighter?”  My hands pointlessly search my pockets for
what I already know is not there. “No, man. Sorry.” A look of confusion
spreads over his face, and I suddenly cannot help but notice the sick irony
of the scene in front of me - Jeremy flooded in light as if born again.  

My thoughts linger here too long, and just as swiftly as Jeremy
appeared, he is a mile away sauntering out through those double
doors. Estranged, I continue to stand here, hoping with
futility that this isn’t the last time I have looked upon him.
Year: 1995
david badgerow Oct 2011
I scribbled
stupid words onto
a wrinkled and *****
piece of scrap paper
and now you're reading it.

I crumpled it up
but then something
told me you'd want
to admire it from
your computer chair
So there
you sit
and here
it is.
Megan McBryde Jan 2014
me and my little friend made a paper airplane. Like me it soars and falls, but instead of soaring again it gets crumpled up and thrown away. To be as crisp and smooth as paper yet so easily torn. Ripped and soggy from your own tears. Never to soar again. I am a paper airplane. Are you?
bored and depressed
JJ Hutton Jul 2013
The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.


I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.
Izzy Apr 2017
I don't think in linear paths
I think in images, not words.
I think through what I see
                       what I hear
                       what I feel

For instance, that night,
I found my sisters body
I saw her lifeless body hanging there
I saw my mother fall to the ground, a strangled mix between a scream and a gasp escaping her lips
I saw the red eyes of my father
I had never seen them before and I've seen them too many times since
I saw the strongest people I've ever known fall to their knees in the rubble of my family
I saw my family fragment, break and stumble under the weight of our grief
But I also saw my family stand up, rise, fight and pull the ripping seams together with our knuckles turning white

I heard my father's panic
I heard my mother's cries
I heard my own disconnected voice as my body and brain worked separately
I heard the voice of the 911 operator in my ear
I heard the sirens
      the ones that now echo in my ears
I hear an unknown voice say "I'm sorry, we couldn't revive her. She's gone," as my mother crumpled into my father.


I felt my blood racing through my veins
I felt my heart pounding in my chest
I felt my muscles moving and tearing and ripping as I ran, fueled by adrenaline
I felt the loss
I felt the icy numbness blanketing my family

I saw a life end that night and dozens of others permanently altered

Her life ended that night and ours changed and came crashing to a halt but we got back up
I got back up

I only hope that wherever she is, she's finally happy

Happier than she was here
Madisen Kuhn May 2013
she was like
        a wilting flower
drained of all things
that kept the others upright

he was like
        a rushing brook
who saw her crumpled and tired,
crowded by overgrown weeds,
and wanted nothing more
than to clear the earth around her
and see her bloom again

so he took all he had
        and poured it into her
and when finally the pinkness
had returned to her cheeks
        she looked back at him
        and saw that

he was now like
        a withering shrub
frail and planted in dry clay

and despite the deep conviction
she had in her heart to restore him
        like he had restored her
all of her best efforts
left her with with exposed roots
and dirt beneath her fingernails

he wouldn’t let her stay
        to continue to try
        to quench his thirst
so she left him with a watering can
and promised he’d soon find relief
Jade Musso Apr 2014
Two bottles of Southern Comfort, Black Keys on iTunes, profile picture with sister, stir-fry, 30 Rock, Gorillaz poster, pancakes at 3 am, spontaneous lunch at Barone, friends with benefits, need a hug, Columbus Day, touch my ****, too much tongue, crumpled into wall in the morning, Urban Outfitters for a t-shirt, silver medal, free Dominos, Workaholics at 12, secret sleepover #2, ******* because i thought that's all he wanted from me and i wanted him to stay, hickey on my neck, studying in a room with the round table, drew a horse on the whiteboard, fill out a police report, Redgates from Firehouse, he looks cute today. Tackled into metal, did I break my back? Jump on it, it's not funny, I'm crying, cold beer, kiss on the porch, stop kissing me in 12, *******, more kissing, blood everywhere, come over, comb through hair. you can stay over again, skips class, uses my shower, makes the bed, come with me to doctor. Vermont secret, Batmobile, on Prius, dune buggies, Phantom Menace, brother-in-law, supermarket in Newfane, stir-fry, statement at 6am. Hurricane, in my basement, halloween at the fire station, knitted scarf headpiece, mother's phone number, red gate sandwiches by Citi Bank across from library. Confirmation party, Chartruese, Coldplay at Mohegan, Torches, enchiladas, screaming, stuffed wolf, comic book finishing touches at 1 am, new roommates, L.O.L., I was going to propose to you - in the hallway, 3 month long orchids, Vermont trip #2, no riding allowed, nap by the fire, bare butts touching over unscented blanket, sapphire ring too big under lamppost in parking lot, happy. Sarasota, hide my eyes with Mosley Tribes, take a walk without me, Game of Thrones, cold sand, hair dryer joke, need eye drops, Ringling Mansion, gator bites, silent walk by traffic, kayak in shallow water, families too different, bike ride to tune of Star Wars, nervous about the summer, panic into shoulder on flight home. ******* in the middle of the night, drive around campus, leave me alone, pack up N-64 games, fight before final presentation - only one group gets an A, instant milkshake and magazines to pass the time, make a pizza, here let's make out again - apparently that isn't so bad, almost forgot my friesian mug and vase by the trailer. Texting *****, sick stomach, Lord of the Rings, try smoking, Magic: The Gathering, first communion, wedding, Chip's Family restaurant, high school graduation that I couldn't sit at, Miya's with the mini *****. Fireworks on hill through trees. Retna laptop with blue cover, HGTV's Next Design Star, I have to leave. this is where I stop.
Madisen Kuhn Jun 2013
currently i am not

     sad

        depressed

               lonely
  
alone

     self-loathing

             insecure
  
heartbroken

     nor breaking hearts


and that makes me feel quite
    
out of
             
               place
because i am surrounded by
  scars

     and tear-streaked (beautiful) faces

  bruised knees drawn up to chests

     dark empty rooms
  broken mirrors

     and trashcans filled

  with crumpled lists of mistakes
and if i could, 
i would take all the

  scars

    tears

     and lonely nights

from the hearts that are broken
                  
                      or breaking
and i wish i could
 cloak The Light i’ve found

    (or did It find me?)

      around cold shoulders

 and wash all the tired feet

   that’ve been blindly stumbling

      in the dark
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-***** sisters
marked me Byron's daughter.

No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
     yea, though I walk through the valley
     of the shadow of death
     I will fear no evil.

II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven     in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her     too late
surrounded with new sons?

Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.

My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.

Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?

When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?

III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load     whispering.

Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters     abandoned
as you had been abandoned
by another Black woman seeking
her fortune     Grenada     Barbados
Panama     Grenada.
New York City.

IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.

V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"

Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?

Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
Thomas Thurman May 2010
When your creator took her crayon box
That day she thought to draw you all alive,
She found a certain green to sketch your locks,
Another green to show you grow, you thrive;
A green of richest thought unlimited,
A green to match the green of your creation,
A green to go, to boldly forge ahead,
A green for lands of peaceful meditation;
  The Greene King, standing proud with all his queens,
  Jack-in-the-green, surrounded by his trees;
  A thousand other shades of other greens;
  The greenness of the deepness of the seas;
And I, I fall and marvel at the light,
A million greens, like fireworks in the night.

That day she thought to draw you all alive
She drew your outline, sketched you, and refined
And shaped your eyes, that surely saw arrive
The laughing people in the frame behind,
The humans, dogs and kittens, trailing plants,
Who fill your background; all you love are here
Around you in the middle of the dance,
And as you watch, still more of them appear
  Beyond your face within the frame advancing
  Children and relatives and loves and friends
  Holding their merry hands in merry dancing
  Extending off beyond the picture's ends;
I know your other folk would say the same:
It's such an honour dancing in your frame.

She found a certain green to sketch your locks,
A deeper green, a perfect green attaining;
And now another from her crayon-stocks;
Refreshing and repeating what's remaining:
She bleaches it and tries another shade
Then leaves it for a while and grows it out,
Returns it to the colours that she made
Begins to work again, and turns about;
  And why this careful labour to provide you
  With perfect colours captured in your hair?
  She knows your colours mirror what's inside you,
  Eternal greens within you everywhere;
And still beneath, the ever-growing you
Shall dye, and yet shall live with life anew.

Another green to show you grow, you thrive;
Out from the snow the snowdrop breaks in flower.
Who could have called this sleeping bulb alive?
Yet buried patiently it waits its hour,
Counting the snowflakes slowly settling
Their weight upon the heavy earth above;
One day its Winter changes to its Spring.
Who can predict the power of life and love?
  Hope that at last the final frost is dead.
  Faith that the Winter dies and Spring shall rise.
  Love for the life that up through blades has bled.
  Joy to a hundred children's waiting eyes;
For every hour it slept beneath the ground,
A thousand wondering eyes shall gather round.

A green of richest thought unlimited.
I try to say I love you every day:
I know I keep repeating things I've said.
Perhaps I'll try to phrase another way:
Suppose I counted all the money ever
From now until when Abel risked his neck
With my accountants, who were very clever,
And wrote it on a record-breaking cheque...
  It wasn't half your empathising, was it?
  Your thoughts are treasured more than bank accounts;
  The bank won't put your loving on deposit.
  And could they take it, given such amounts?
The jealousy of cash makes misers blind,
And who needs money when you have your mind?

A green to match the green of your creation!
She took her time in sketching out your features,
Shading you well, and, drawn with dedication,
You took the pen she gives to all her creatures
And set about some drawing of your own,
Filling the art with arc and line and shade,
Showing your work the care that you were shown,
And making them as well as you were made;
  And much as life your drawing hand was giving,
  Another life from deep within you drew:
  A life, not merely likeness of the living,
  So separate, yet such a part of you:
Who finds your baby-picture on the shelf
And smiles and finds you, showing you yourself.

A green to go, to boldly forge ahead,
Should shine on traffic lights for every person.
If you should find a colour in its stead
That stops you-- not an arrow for diversion,
To Edmundsbury, Hatfield and the North,
Or any other place that's worth the going--
But rather reds that block your going forth;
If traffic signals freeze your days from flowing,
  Your life is green and you deserve the green.
  And if you try to go about your day
  And greens are coming few and far between,
  And reds and ambers blare about your way:
If so, I pray your days to hold instead
All green, and never amber, never red.

A green for lands of peaceful meditation.
You call: Come stand upon my sacred ground,
Come sit and breathe the peace of contemplation,
Come feel the grass beneath, the lilies round,
Come sleep, come wake, and drink the quiet waters,
Come to the maytree, blackbird, waterfall;
Come know yourselves the planet's sons and daughters.
The people pass and pause, and still you call:
  It's waiting for you when you ask to try it:
  Peace (and the air) cannot be bought or sold.
  You'll never gain it if you try to buy it:
  It's not an asset crumpled fists can hold.
All that you have is nothing you can lose;
You stand on sacred ground. Remove your shoes.

The Greene King, standing proud with all his queens,
Guarding a land of oaks and aches and cold.
It's not a normal place, by any means,
This island of the oldest of the old,
Where bow the ancient oak and ash and thorn
In homage to a figure on a hill;
Deep in the hills where Wayland Smith was born
You stand, an English body, English still.
  For odes and age and air and ale have filled you,
  Made you their own and promised you belong;
  And since their homesick longing hasn't killed you,
  I think you'll be returning to their song;
Come, take your time, and sit and drink with me!
What say you to another cup of tea?

Jack-in-the-green, surrounded by his trees,
Had given birth to leafy life aplenty,
He'd introduced his firs by fours and threes,
And sowed his seedling cedars by the twenty;
The field was filled with trunks and twigs and roots,
The soil was sound and fertile, and the fall
Would fill the forest floor with growing shoots,
And none but Jack was there to watch it all
  Until you came to wander through this field,
  To walk within the ways within the wood;
  Your mind was brought to peace, your spirit healed,
  The forest given form and blessed as good;
Jack-in-the-green will wonder all his days:
your presence never ceases to a maze.

A thousand other shades of other greens:
"Leaf", "emerald", "sea", "bottle", off the cuff;
"Viridian" (uncertain what it means),
But there's so many. Names are not enough.
Yet, in another life, your maker might
Have picked you out among primeval glades
To work as keeper of the rainbow's light
And in another Eden name the shades;
  If so, the planet's poets will rejoice
  That, given life together with a name,
  The colours sing a stronger, clearer voice,
  And every hue will never seem the same:
Each of the shades looks loving back to you,
Its namer and the one who made it new.

The greenness of the deepness of the seas:
A home to fish of many a scaly nation.
Follow the shoals; the smallest one of these
Swims as a fishy summit of creation.
Yet every one's indebted to the shoal,
All subtle in their difference from the rest:
A fish of friends, a member of the whole,
A mix of traits, a taking of the best.
  So you and those of us you love so well
  Will grow along with other friends' increase,
  Required ingredients in the living-spell:
  Each person brings a necessary peace.
The level-headed people mix with mystics,
And both are living mixtures of holistics.

And I, I fall and marvel at the light,
This changing light that grows throughout the years,
Extinguished not by hardship nor by night
Nor foolishness nor sadness nor by tears.
When we were separated by the sea
I wished myself amidst your myriad days.
My wish was mirrored in your missing me;
Your maker joined our wishes, joined our ways;
  She placed our hands on one another's heart,
  And you and I began a lifelong learning
  Of one another, like a magic art
  Whose telling grows with every page's turning,
And holds our friendship as a growing bond
Till seventy years old, and still beyond.

A million greens, like fireworks in the night.**
I fear this sonnet never can be done.
So many colours burst upon my sight
I cannot tell the tale of every one.
But I can tell how vast excitement fills me
When all the flying sparkles fill the sky;
I want to tell the world how much it thrills me
To hold you close, reflected in your eye;
  I want to tell in all my earthly days
  And yet beyond, of what you mean to me;
  I want to say I love the myriad ways
  Of what you are and what you'll grow to be;
These counts combining made the building-blocks
When your creator took her crayon box.
Written as a Valentine's present for and about my partner, Fin.

I recorded myself reading the poem at http://www.youtube.com/watch?v=27EykqTr-w8 .
Iska Oct 2017
A puppet girl, all dressed up, with painted lips and lined eyes, stands on her toes as she spins and glides.
Guided by her puppet strings she swirls and twirls around the ring.
Round and round this dusty stage she gets up and dances day after day.
The hands that hold her gentle yet firm show her just how much she must learn.
The hands grow fierce, music harsh,as they pull and push her into a perfect arch.
A string then snaps, poor puppet goes loose, abandoned and alone as they tie her a noose.
A puppet girl, all banged up, with chipped paint and bleary eyes, slumps alone as she starts to cry.
Musical laughter fills the ring, as she hears someone begin to sing.
Clanking clattering across the stage, she drags her limbs out of her cage.
She topples and falls tangled in string, trying to find the source of the singing.
Kneeling before her, with beautiful wings, is another girl living her dreams.
A puppet girl, just like her, moving with ease, unburdened by the need for strings.
"Are you an angel?" she rubs her eyes trying to see if this girl is a lie.
the girl before her smooths over her dress, before gliding into a curtsy and saying "yes."
"I wish to be an angel like you, then I could be free to move."
The angel tilts her head, her smile sly, before opening her mouth to reply,
"As you wish it, it shall be so."
then with terrible grace and ease, she cuts off the strings...
and with it she holds the Poor Puppet Girl's head,
her body lays crumpled up,
shes.... dead.
"Shh." she whispers as she cradles the head,
she spins and glides claiming shes been naughty,
and attaches the puppet girls head on an angels body.
And as the puppet girl blinks her eyes,
she realizes she's back to life.
in a form now free of strings,
she can dance and spin as she may please.
then she sees her body crumpled where it now lies,
and with a shuddering sob she begins to cry.
the angel takes her hand in hers
and with a crazy smile and mad glint in her eyes
she starts to sing:
"hush little one,
now we are the same.
don't worry baby,
no more pain.
Now listen to me child,
let blood fall like blissful rain,
and we shall free those who remain,
free them from these awful chains."
beware the puppet masters.
for they will drive the puppets to the edge of the stage,
until they snap,
and the puppets lie dead
on top of the body pile.
Akemi Mar 2016
We dug up the soil today
Thousands of insects rushed out
Centipedes, beetles, spiders
A crumpled grub writhed in the sun
Too weak to do much else
I’ve always hated agriculture
Fingers tearing plant roots
Sap soaking flesh
A neighbour walked past and said ‘looking good’
And it was the saddest thing I’ve heard all year
2:59pm, March 29th 2016

a mouth
fill it with dirt
fill it fill it fill it
don't let it breathe
by god don't let it breathe
it'll swallow the world
it'll swallow us all
Nishat Firoj Dec 2015
i have taken the idea of you
and i have crumpled it up again,
threw it into the trash can



i have pulled you back out
and i have smoothed you out again,
hung it over the mantel piece
#r #p #d
Arlo Disarray Jan 2017
take a step further, and see what you will find
this can't be all there is

the world is out there
don't keep it waiting
because it won't hold its patience forever

the atlas is in my back pocket,
crumpled and hard to read
the places have all become smudges
as the ink begins to bleed

how many more paces to the X?
how close am I?
when can I finally rest?
I'm not a fan of the way me hearties be talkin' to me
this pirate talk is making me a mess

the paved path ahead is closed for construction
and the signs pointing the other way read "DANGER"
I see another sign in the distance,
but my poor eyes don't work well enough to read it

I keep pacing in a circle
and the ground is becoming worn beneath my feet
my toes are blistered
and I'm too wound up to sleep

I've never been here before,
but it feels like home
and maybe one day, it will be
It is the little things in life, which mean so much
They are very quietly innocent
Like the wondrous feel of a clean bed sheets touch
Infused with an April Fresh Downy scent

Waking up startled at a quarter past eight
Jumping up straight from bed
Thinking worriedly that I am going to be terribly late
Remembering, it’s my day off instead

Coming to terms, that to my name, I’ve not a dime
Accepting my usual penniless lot
Then there in the pocket of my faded jeans I find
A crumpled up, forgotten five spot

Sitting down now with my paper and pen
Searching for words to write
Thinking to myself, my mind has gone blank again
Then finding the ones, perfectly right

To win the lottery or an all expense paid vacation
Would be so incredibly nice
However, I will settle, for these small sensations
Any ole day of my life
Copyright *Neva Flores @2010
www.changefulstormpoetry.blogspot.com
PrttyBrd Jul 2010
70 miles per hour
The highway rushes by
Careless open window wind
Caught like a kite
Lifted to the sky
Open, it dances
Twirling and twisting
Swaying in slow motion
It's invisible smile, contagious
As it flies away free
So lovely as it makes it descent
Swirling in the breeze
Slowing as it realizes its fate
At journey's end it lays
Dusty and crumpled
Forgotten and used
Left by the side of the road
Unsightly, scorned
Torn and stabbed
As it journeys on
Lifted again just briefly
As it comes to rest
At the bottom of a bin
Written as in response to a challenge for Poetic Dreamers.  The inanimate falling item I chose to write about is a plastic grocery bag.

copyright©PrttyBrd 012/07/2010
The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— **, **,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming just the same. I didn’t
Call you to ask you to invite me home.—”
He lingered for some word she wouldn’t say,
Said it at last himself, “Good-night,” and then,
Getting no answer, closed the telephone.
The three stood in the lamplight round the table
With lowered eyes a moment till he said,
“I’ll just see how the horses are.”

“Yes, do,”
Both the Coles said together. Mrs. Cole
Added: “You can judge better after seeing.—
I want you here with me, Fred. Leave him here,
Brother Meserve. You know to find your way
Out through the shed.”

“I guess I know my way,
I guess I know where I can find my name
Carved in the shed to tell me who I am
If it don’t tell me where I am. I used
To play—”

“You tend your horses and come back.
Fred Cole, you’re going to let him!”

“Well, aren’t you?
How can you help yourself?”

“I called him Brother.
Why did I call him that?”

“It’s right enough.
That’s all you ever heard him called round here.
He seems to have lost off his Christian name.”

“Christian enough I should call that myself.
He took no notice, did he? Well, at least
I didn’t use it out of love of him,
The dear knows. I detest the thought of him
With his ten children under ten years old.
I hate his wretched little Racker Sect,
All’s ever I heard of it, which isn’t much.
But that’s not saying—Look, Fred Cole, it’s twelve,
Isn’t it, now? He’s been here half an hour.
He says he left the village store at nine.
Three hours to do four miles—a mile an hour
Or not much better. Why, it doesn’t seem
As if a man could move that slow and move.
Try to think what he did with all that time.
And three miles more to go!”
“Don’t let him go.
Stick to him, Helen. Make him answer you.
That sort of man talks straight on all his life
From the last thing he said himself, stone deaf
To anything anyone else may say.
I should have thought, though, you could make him hear you.”

“What is he doing out a night like this?
Why can’t he stay at home?”

“He had to preach.”

“It’s no night to be out.”

“He may be small,
He may be good, but one thing’s sure, he’s tough.”

“And strong of stale tobacco.”

“He’ll pull through.’
“You only say so. Not another house
Or shelter to put into from this place
To theirs. I’m going to call his wife again.”

“Wait and he may. Let’s see what he will do.
Let’s see if he will think of her again.
But then I doubt he’s thinking of himself
He doesn’t look on it as anything.”

“He shan’t go—there!”

“It is a night, my dear.”

“One thing: he didn’t drag God into it.”

“He don’t consider it a case for God.”

“You think so, do you? You don’t know the kind.
He’s getting up a miracle this minute.
Privately—to himself, right now, he’s thinking
He’ll make a case of it if he succeeds,
But keep still if he fails.”

“Keep still all over.
He’ll be dead—dead and buried.”

“Such a trouble!
Not but I’ve every reason not to care
What happens to him if it only takes
Some of the sanctimonious conceit
Out of one of those pious scalawags.”

“Nonsense to that! You want to see him safe.”

“You like the runt.”

“Don’t you a little?”

“Well,
I don’t like what he’s doing, which is what
You like, and like him for.”

“Oh, yes you do.
You like your fun as well as anyone;
Only you women have to put these airs on
To impress men. You’ve got us so ashamed
Of being men we can’t look at a good fight
Between two boys and not feel bound to stop it.
Let the man freeze an ear or two, I say.—
He’s here. I leave him all to you. Go in
And save his life.— All right, come in, Meserve.
Sit down, sit down. How did you find the horses?”

“Fine, fine.”

“And ready for some more? My wife here
Says it won’t do. You’ve got to give it up.”

“Won’t you to please me? Please! If I say please?
Mr. Meserve, I’ll leave it to your wife.
What did your wife say on the telephone?”

Meserve seemed to heed nothing but the lamp
Or something not far from it on the table.
By straightening out and lifting a forefinger,
He pointed with his hand from where it lay
Like a white crumpled spider on his knee:
“That leaf there in your open book! It moved
Just then, I thought. It’s stood ***** like that,
There on the table, ever since I came,
Trying to turn itself backward or forward,
I’ve had my eye on it to make out which;
If forward, then it’s with a friend’s impatience—
You see I know—to get you on to things
It wants to see how you will take, if backward
It’s from regret for something you have passed
And failed to see the good of. Never mind,
Things must expect to come in front of us
A many times—I don’t say just how many—
That varies with the things—before we see them.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything’s
Recurring till we answer from within.
The thousandth time may prove the charm.— That leaf!
It can’t turn either way. It needs the wind’s help.
But the wind didn’t move it if it moved.
It moved itself. The wind’s at naught in here.
It couldn’t stir so sensitively poised
A thing as that. It couldn’t reach the lamp
To get a puff of black smoke from the flame,
Or blow a rumple in the collie’s coat.
You make a little foursquare block of air,
Quiet and light and warm, in spite of all
The illimitable dark and cold and storm,
And by so doing give these three, lamp, dog,
And book-leaf, that keep near you, their repose;
Though for all anyone can tell, repose
May be the thing you haven’t, yet you give it.
So false it is that what we haven’t we can’t give;
So false, that what we always say is true.
I’ll have to turn the leaf if no one else will.
It won’t lie down. Then let it stand. Who cares?”

“I shouldn’t want to hurry you, Meserve,
But if you’re going— Say you’ll stay, you know?
But let me raise this curtain on a scene,
And show you how it’s piling up against you.
You see the snow-white through the white of frost?
Ask Helen how far up the sash it’s climbed
Since last we read the gage.”

“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”

“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”

“Let him talk, Helen, and perhaps he’ll stay.”

“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”

“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”

“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”

“Lucky for you you did. Lucky for you
You had us for a half-way station
To stop at. If you were the kind of man
Paid heed to women, you’d take my advice
And for your family’s sake stay where you are.
But what good is my saying it over and over?
You’ve done more than you had a right to think
You could do—now. You know the risk you take
In going on.”

“Our snow-storms as a rule
Aren’t looked on as man-killers, and although
I’d rather be the beast that sleeps the sleep
Under it all, his door sealed up and lost,
Than the man fighting it to keep above it,
Yet think of the small birds at roost and not
In nests. Shall I be counted less than they are?
Their bulk in water would be frozen rock
In no time out to-night. And yet to-morrow
They will come budding boughs from tree to tree
Flirting their wings and saying Chickadee,
As if not knowing what you meant by the word storm.”

“But why when no one wants you to go on?
Your wife—she doesn’t want you to. We don’t,
And you yourself don’t want to. Who else is there?”

“Save us from being cornered by a woman.
Well, there’s”—She told Fred afterward that in
The pause right there, she thought the dreaded word
Was coming, “God.” But no, he only said
“Well, there’s—the storm. That says I must go on.
That wants me as a war might if it came.
Ask any man.”

He threw her that as something
To last her till he got outside the door.
He had Cole with him to the barn to see him off.
When Cole returned he found his wife still standing
Beside the table near the open book,
Not reading it.

“Well, what kind of a man
Do you call that?” she said.

“He had the gift
Of words, or is it tongues, I ought to say?”

“Was ever such a man for seeing likeness?”

“Or disregarding people’s civil questions—
What? We’ve found out in one hour more about him
Than we had seeing him pass by in the road
A thousand times. If that’s the way he preaches!
You didn’t think you’d keep him after all.
Oh, I’m not blaming you. He didn’t leave you
Much say in the matter, and I’m just as glad
We’re not in for a night of him. No sleep
If he had stayed. The least thing set him going.
It’s quiet as an empty church without him.”

“But how much better off are we as it is?
We’ll have to sit here till we know he’s safe.”

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.
We can’t be any help by sitting here
And living his fight through with him, I suppose.”


*****************

­
Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.
You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,
He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the *****
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’
‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?
You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.

Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—
You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.
You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.
You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.
Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”

“Fred, see if you can hear what I hear. Come.”

“A clock maybe.”

“Don’t you hear something else?”

“Not talking.”
“No.”

“Why, yes, I hear—what is it?”

“What do you say it is?”

“A baby’s crying!
Frantic it sounds, though muffled and far off.”

“Its mother wouldn’t let it cry like that,
Not if she’s there.”

“What do you make of it?”

“There’s only one thing possible to make,
That is, assuming—that she has gone out.
Of course she hasn’t though.” They both sat down
Helpless. “There’s nothing we can do till morning.”

“Fred, I shan’t let you think of going out.”

“Hold on.” The double bell began to chirp.
They started up. Fred took the telephone.
“Hello, Meserve. You’re there, then!—And your wife?

Good! Why I asked—she didn’t seem to answer.
He says she went to let him in the barn.—
We’re glad. Oh, say no more about it, man.
Drop in and see us when you’re passing.”

“Well,
She has him then, though what she wants him for
I don’t see.”
“Possibly not for herself.
Maybe she only wants him for the children.”

“The whole to-do seems to have been for nothing.
What spoiled our night was to him just his fun.
What did he come in for?—To talk and visit?
Thought he’d just call to tell us it was snowing.
If he thinks he is going to make our house
A halfway coffee house ‘twixt town and nowhere——”

“I thought you’d feel you’d been too much concerned.”

“You think you haven’t been concerned yourself.”

“If you mean he was inconsiderate
To rout us out to think for him at midnight
And then take our advice no more than nothing,
Why, I agree with you. But let’s forgive him.
We’ve had a share in one night of his life.
What’ll you bet he ever calls again?”
Jake Espinoza Sep 2012
Write something about nothing, call it poetry.
Quiet jet-engine speed turmoil indecision on the topic.
Silent bodies, screaming minds, communication desired and avoided
Chance glances, glimpses. Hoofing it.
Write poetry about nothing, call it something, but only in whispers to yourself, pretend to hope to be heard, have interest feigned or genuine directed your way.
        Confusion. Mingled strings of internal conversation.
        Misdirected. I can’t think crooked, focalisation se présente sideways. Self-expression in non-poetic terms seems likely. Saw girls, one on Detroit street, summer clothes and quiet face, scampered inside from the yard littered. Saw her again in the street next to a minor catastrophe, passed her by and looked.
        Let’s take a second to breathe, introduce a silence to the mind so that everything that comes can be better heard. So much background noise, minor thoughts mingle into static, almost impossible to interpret the bemused psychobabble. Empty it out, slow down, relax, and maybe you’ll begin to recognize coherent thoughts; organize the jumble of words fighting to be understood all out of order and as yet meaningless. Thoughts keep revolving, recycling; the girl, she reminded you of Melissa. Same style, a girl whose mood is always a grateful summer to your wintry perspective. Refreshing reminder, easy on the eyes. This girl’s likeness and your friend the poet, separated; his utensils. The paintbrushes he flourished about to create were not wooden and sable but liquid and smoke. That small ******* secret voice suggesting unwholesome things, acts unbefitting of brotherly conduct. He is my true brother, my family; an extension of my own soul. I went to treatment, they broke me down, whittled away at my rough hewn surface to make sculpture, a replica of others, manufactured to meet requirements and specifications deemed necessary for target successes. This talk of will, sacrificing my own, force-fed trust and mantras begetting themselves in circular fashion, turning in sync with the earth’s rotation upon its axis in its course of necessary revolution.
        Expended effort and time saved or served, goals impossible until forgotten, let go empty space ellipsis let god. Self-supplanted in unpredictable incomprehensible present, trying to avoid thoughts of crumpled papers in paper bags serving as receptacles for things undesired or abandoned or too truthful, I’m forgetting what it is to hide from myself which makes it possible to disappear. Tune in to the present, your train of thought – a queue – crowding, crowds rushed and frantic me first says everyone impatiently awaiting their turn for attention. Starved but forgotten proper nutrition. Self-criticism equating to self-analysis – spontaneity – uncontrollable, unforeseeable in the present aromatic mixture of mason jars swarmed with colored lights beautiful dim in darkness in which beer was swilled, time spent in unkempt kitchens nervous, standing walking evading settlement peace or rest, this is excitable discomfort, anything to slow down or feel a surrogate thereof. Forgotten words remembered, past rooms beautiful dim in darkness, proper illumination – see everything just right, not too brightly though not too dark. Living in this room for now, seeing as though immersed, submerged in memory of smiling faces easy laughter, cold-eyes Vera and well-at-ease. There is a wealth of self-acceptance. These people, their faces shine contentment, comfort, and mine is manufactured. I’ve become a factory where everything is sought after and nothing is attained because my goals are intangible, comprehensible but beyond aid, sorry, it’s just the way you are, maybe you’ll know one day, but we can’t help. We don’t waste our time with questions of absurdity, we live in this present moment, and that’s how we do it – no plans until plans come. No thoughts until thoughts come. Easy transitions in conversations, we don’t think of how to be ourselves, we just do it because we slow down, we know we are breathing, and it is not in our nature to forget it. It is not in our nature to live in our heads, to flail in a swell of questions less dense than water, we attend. We simply are.
        This is contentment. This is their seamless skin where mine corresponds to scars and rabid suspicious scratches dug deep. They were content with their surfaces; I was convinced of malice subcutaneous hence the scars and blood breathing open air. It is this suspicion that draws a line, places me on one side, them on another; it is this curiosity intrinsic and ironically unquestioned that digs the trenches in shape of graves. This fatal imaginary need for understanding where there is nothing to be understood. Questions are my poison, self-manufacturing, self-sufficient destruction, coming hot off the assembly line in my skull. Questions incubating further questions error: implement infinite loop, killall. Find the bug, recompile, run. Sit still, learn from the wind and atmosphere you’ve learned to sense which makes you an outsider only because you wanted this somehow. Uncertainty, confused reflection, arbitrary comments; coincidences, conspiracy, breakpoint. Programs running in smooth operation.
        Radiohead blaring, self-conscious self-care, these people enjoy themselves with unconscious grace, they let themselves be and immediately I tear my mind in two to understand what they understand without understanding. It is the nature of love and music that displays the closest correlation. These people are my idealized notion of grace, rendered more so by speed of processing, depth of analysis so that they appear not only graceful creatures, but with grace amplified as if observing them in slow-motion. So much contingent on understanding, contingency notwithstanding if I was comfortable with ignorance, if questions did not occur. These people are appropriate; balanced, no need for brutal introspection, no need to stir up sand composing the sea bed. These people, they understand certain things I cannot as of yet. They understand, they know without knowing that things are the way they are because things are the way they are and that’s ok, we’re ok, and everything is and will always be ok as long as we know well enough to leave well enough alone. We are each other, serving compliments to sainthood.
        ...let go, and be one with us, for love is in our hearts.
It took a few lines to get into it. Also, this is meant to be read aloud, somewhat intensely.
Penelope Winter May 2017
It took sixteen years to become acquainted with my old self.

The self that:

Could not write on crumpled papers,
Or sleep in untucked sheets,
Played her scales robotically,
Left no word incomplete.
Labelled all the cupboards,
Books were organized by name,
This was the life I led.
I never knew that it would change.

it took 4 weeks to fall in love with my new self

the
self
tha
t

writes on ollld receipts,
   kicks the covers        off the bed
     ~lets my fingers play freely~
         not every sentence has an en-
            stores shoes with coffee mugs!!
               writes in mArGiNs to save time
                  not all rules need to be   f o l l o w e d
                    not all poems need to

                        sound the same

who knew that little pill
would teach me how to live
not erase the 'me' that showed
but bring out the 'me' that hid
16 years of worry
of obsessive, anxious thoughts
who knew that little pill
would change me
I,
for one,
did not
.

- p. winter
Chris Voss Oct 2013
Dear Mom,
Hey! How’re things?
So, LA is weird. It’s all sticks and stones and billion dollar homes. Last week on the Metro I forgot my headphones, but it all worked out because there was a homeless man who was naked from the waist down except for a pair of Spiderman underwear with the tag still attached who was singing “Sweet Caroline” at the top of his lungs.
Everyone here is someone important. They live the philosophy of Descartes like scripture.
I think therefore I am... exhausted. I haven’t been sleeping because my mind has taken up running, which means it’s acclimating to the culture here quicker than my body because everyone in this town ******’ loves running almost as much as they love vintage shoes and car horns.
It’s strange though, I can’t shake this feeling that I’ve lost something.
Anyway, I love you.

Dear Mom,
Thank you for the eyes.
Last afternoon a stranger told me they were beautiful, and on a day where every mirror seemed to be of the funhouse variety, it was a welcome compliment.
I’m sorry I haven’t called in a few weeks, please don’t think it’s because I don’t miss you.
It’s just, lately, I’ve been feeling a bit like a marionette whose had his strings clipped.
Slumped and crumpled.
Small.
Collapsed and sprawled cracked in some forgotten corner--the hollow knock of wood bouncing across the walls of this mezzanine dressed in finer things than me that have been fostered by
Father Time and his Mistress Stillness.
And I know how you worry.
You worry ‘til bones bruise and still your skeleton aches to shoulder my melancholy yourself, so I can’t bear to bridge this distance with crestfallen phone calls where the past year locks fully loaded on six-shooter lips--the way heels cling to cliffs edge--before finally, reluctantly, free falling; firing off each round.
Six words aimed with eyes closed as if it were up to God to decide where they’d hit:
“I wish I could come home...”
Then your silent, empty-cartridge, catacomb sigh would just teach this telephone how cavernously a mother’s heart aches for her children.


Dear Dad,
I know it goes without saying, but thank you for the check and the note attached to it.
It’s hard to describe how much home I find in the deft curves of your surgeon’s cursive.
I hope you’re doing well. Last time I saw you, you seemed a bit like a lit cigarette filter tip watching the singe approach.
Maybe it was just the embers of your eyes glazed over by one too many heavy handed nightcaps.
And this isn’t to say the Superman who stayed up late nights holding me through fits of anxiety has up and flown away, this is just to say you seem to be flickering.
This is just to say I hope you still laugh at bad movies with the thunderous bass of July fourth fireworks.
This is just to say I’ve been staying up late nights holding on to yesterday.

Dear Mom,
The care package was unnecessary.
I now have more Skittles than any one human should ever consider consuming in a lifetime. So thanks. I know I told you, at some point, years ago, that they were my favorite… but *******.
Really though, waking up to that box on my doorstep choked me up quicker than a swift kick to the nuts. You have a way of weaving through this heartland like a Middle-American interstate and I love you so much for that. It’s just next time, maybe try something that doesn’t have the nutritional value of flash-fried butter sticks.
But not too healthy. Maybe fruit leathers?
P.S. Keep the homemade fudge coming.

Dear Dad,
Forgive the handwriting of an earthquake.
My hands are shaking again like when I was young. I’ve been finding stillness, though, in between sips of five dollar coffee and midnight cigarette drags beneath and incandescent moon that seems to use breeze hands to play cat’s cradle with strings of smoke.
Life is fast here. It’s all gas pedal and touch-and-go breaks.
P.S. If you see mom, don’t mention the cigarettes.

Dear Mom,
I got your e-mail about smoking and the ensuing health issues it leads to. Graphic stuff. That was super informative and totally unprompted. Thanks for that.

Dear Dad,
...

Dear Mom,
Stop worrying so much, you’re making my bones ache.

Dear Dad,
In my dreams I am a lighthouse with an unfocused beam. I’m searching for something, I just don’t know what.
At least I’m sleeping right?

Dear Mom,
These days blur together with the fading speed of a half-life hardly lived to its fullest.
Was it different for you when you were my age? I shift between a drifting stick stuck in a current and desert stone.

Dear Dad,
In my dreams I’m a lighthouse.
There’s a fog horn distant.
I’m still searching for I don’t know what I’m searching for something and there’s a fog horn far off like it’s from someone elses dream but at least I’m sleeping.

Dear Mom,
Do you believe that streams take sticks where they need to be?

Dear Dad,
Have you dreamt of fog horns lately?
I am a lighthouse looking for a nameless something in fog so thick I should be choking.
But I’m not.
At my feet there are rocks and they’re jagged but I’m not anxious because they stay up late nights holding me.
And in the distance there’s a fog horn that seems to be saying “All is not lost.”

Dear Mom,
Do you think that desert stones are waiting for something?

Dear Dad,
In my dreams a lighthouse is built upon jagged rocks that are shaped like your hands. I’m searching for something and even though my lamplit electric torch eyes can’t touch the sky through this ******* fog, I keep them burning because I should be choking but I’m not, I’m finding stillness in the way breeze plays with smoke strings and far off there’s a fog horn distant promising “All is not lost.”

Dear Mom,
This town is all sticks and stones and broken home drifters.

Dear Dad,
All is not lost.
Jonny Angel Feb 2014
Hand in hand
we strode along the Camino
oblivious to the surrounding world.
Passerbyers could not restrain
their sentiments,
greetings & farewells
escaped lips,
while ours created magic,
locked together,
swirling our tongues,
we tasted soul.

It was our last walk together
and we both knew it.
We had counted stars,
tormented iquanas,
scissored each other
to make goosebumps
& lose sleep.

All of those memories
have stayed intact,
they do not haunt me,
save one.
I remember
watching you wave
from the backseat of the bus
as it drove away,
back into the jungle.

I wished we could
have stayed there
forever, but now,
I keep you with me,
just a crumpled photograph
of your star feet.

— The End —