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"cropping" poems
Selfies, I can smell the desperation, from here. odors of worry; rippling anxities of uncertainity. two dimensional, instantaneous impressions, pixelated presentations, and Teenage frustrations. up tilted camera. held against the light, Illuminating eyes , and eradicating spots. that looks like a good one. Vicarious representation; of how good one could look, fallible and hopeful. big bosomed dame showcasing blessed cleavage, pulsating the adolescent bulges. delivered to metal passenger, thereafter shown among peers. networked to unknown. Friends who'd never met eye, or touched skin, or even spoke. self conscious cropping of images. fat and fearful. wasted hours, dying for love. False dream of captivating the messes with her selfie. The very ugliness of impressions. Oh, how shallow we've became. The denial of the impact of aesthetics. laughable, torrents of judgement Skinny, fat, ugly, behold their desperate eyes behind the selfie.
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Jul 14, 2014
Jul 14, 2014 at 4:35 PM UTC
Shame of the selfie
There's an awkward thrill I feel like wicked-wet rabies – Oh. Ah. Oh. To gaze over photos of the woman I created. With my warped perception, saturating and cropping everything into delicious oblivion. I am the knife as well as the ingredients that sauteed her together in a camera flash. She sits hot like heaven. And I want to stare at her picture all day until she comes to life. The woman I created, I hang up like perfected rotisserie and fall in love with her accidentally every day. Looking into those precisely underlined tiger-sex eyes of startling navy. Knowing their true dullness. Hissing at the free-swinging curls and the hours behind them. Loving the lie. The flowy top and sleek trousers gliding down lovely as Niagara over chaffing chub; all hidden. And thighs; unshaven. And that topical smile everyone likes to see, waiting to plummet into suicide like a kite hanging in one tight second. Her image is my greatest False accomplishment. I hang my portrait up on a wall of the internet for people of the world to migrate to the photo exhibit, my little show-off room. They make offers and toss compliments with their “I like this. I like this." nonsense. They don't know that the girl in the portrait, she isn't organic. They seem not to notice that she is something of a chemical flower. Her face is my face, only with whiteout poison-paste smoothed over twice. And they want to stare at her picture all day until she comes to life. Gazing upon her believed-to-be beauty, as I hang my paintbrush, she bites her body still as a painting, bruised and needled into perfect frame. She cries like Jesus Christ, as she is stared at, but not seen. I am the artist as well as the object. And the woman in the portrait is nothing, but dot after dot of manipulated color. And we want to stare at her picture all day until she comes to life.
0
Sep 7, 2014
Sep 7, 2014 at 9:52 AM UTC
Selfies
There's an awkward thrill I feel like wicked-wet rabies – Oh. Ah. Oh. To gaze over photos of the woman I created. With my warped perception, saturating and cropping everything into delicious oblivion. I am the knife as well as the ingredients that sauteed her together in a camera flash. She sits hot like heaven. And I want to stare at her picture all day until she comes to life. The woman I created, I hang up like perfected rotisserie and fall in love with her accidentally every day. Looking into those precisely underlined tiger-sex eyes of startling navy. Knowing their true dullness. Hissing at the free-swinging curls and the hours behind them. Loving the lie. The flowy top and sleek trousers gliding down lovely as Niagara over chaffing chub; all hidden. And thighs; unshaven. And that topical smile everyone likes to see, waiting to plummet into suicide like a kite hanging in one tight second. Her image is my greatest False accomplishment. I hang my portrait up on a wall of the internet for people of the world to migrate to the photo exhibit, my little show-off room. They make offers and toss compliments with their “I like this. I like this." nonsense. They don't know that the girl in the portrait, she isn't organic. They seem not to notice that she is something of a chemical flower. Her face is my face, only with whiteout poison-paste smoothed over twice. And they want to stare at her picture all day until she comes to life. Gazing upon her believed-to-be beauty, as I hang my paintbrush, she bites her body still as a painting, bruised and needled into perfect frame. She cries like Jesus Christ, as she is stared at, but not seen. I am the artist as well as the object. And the woman in the portrait is nothing, but dot after dot of manipulated color. And we want to stare at her picture all day until she comes to life.
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47
Spilled ink. Old film. Crumpled paper. The click of a shutter. Pens dying. Wiping lenses. Flashlights under the covers. Struggling with a tripod. Daydreaming. The Rule of Thirds. Tattered pages. Beautiful sunsets. Coffee shops. Skittish animals. 3 am. Cropping. Always thinking. The horizon line. The frantic search for pen and paper. Frustrated with trying to capture the beauty of the world In a small package.
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Jun 30, 2018
Jun 30, 2018 at 6:57 PM UTC
On being a poet and a photographer
Hashtag my soul away, so many can see it I’m waving my hands saying hey look at me Posting pics, statuses and videos Can’t do it quietly I want them all to See Envy me and make me their fantasy A few likes on this post is not enough I deserve to get liked like I’m roylaty adore me while you stare at the pictures I spent hours cropping, adding more filters to guard my insecurities Before I hashtag it, I dress it with perfection Cut out any ugliness, clean up the mess Show the world purity because if they see the negative their words will expose my insecurities Behind this screen I found a secured me That is the side I only want them to see So I hastag popular tags so they can all see The better side of me
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Aug 7, 2018
Aug 7, 2018 at 11:31 PM UTC
#hashtag
Every day around me I realize how lonely my life is. Lonely in mind. Lonely in heart. Lonely in my loneliness. Surrounded my muffled happiness of others and blurred out faces. My eyes a camera, only focused on the terrible places. Only focused on the things that hurt me. Cropping out even the slightest of positivity. And I suppose from a certain angle my eyes will see some light. But I'm so accustomed to the angle where the room's not so bright.
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Jan 27, 2014
Jan 27, 2014 at 9:58 PM UTC
Camera.
Why were you born when the snow was falling? You should have come to the cuckoo's calling, Or when grapes are green in the cluster, Or, at least, when lithe swallows muster For their far off flying From summer dying. Why did you die when the lambs were cropping? You should have died at the apples' dropping, When the grasshopper comes to trouble, And the wheat-fields are sodden stubble, And all winds go sighing For sweet things dying.
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3.2k
A Dirge
Two antagonists joined and evolving... prevailing scarcity far rarer abundance a forked pattern through millennial time new century visions holistic... technology sightings viewing through lenses holographic wholeness appearing in parts... promises of science now simply profound clear water and plenty hungry billions soon fed innovations cropping from the boisterous crowd... standing robots astute heavy labor performed... global nervous system growing and formed by the web... residue and waste becoming power transformed... optimism breaking long history's confines questions large and looming give pause... the antagonists mentioned are they soon to transform? abundance and scarcity new parents new consciousness birthing... awareness with awe in one simple moment? ancient spiritual light is it now flowing holographic vessels to fill? what might the newborn be named? should she simply be called... enough? this name also naming a bright center glow... daughter scarcity now absorbed and lining her abundant light... new strength new vision a new fork in our road?
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Jun 2, 2012
Jun 2, 2012 at 11:27 PM UTC
Abundance
fragments of life scattered on the photoshop floor discarded moments deleted before fully developed urgency depicted as living for today overexposing the instantaneous cropping a disjointed existence from the bitmap of impatience why the aversion to time's darkroom where future's blur slowly comes into focus giving clarity to the contiguous splicing realization from potential cut to ending... a panoramic view of destiny's horizon where paths converge but never vanish
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Dec 6, 2013
Dec 6, 2013 at 9:07 PM UTC
Pixelated Perspective
shakin like a bacon eater takin down a bird feeder cedar creatures rollin up a doobie they be suing me for truancy I shoo a flea from chewin me a wrap of lettuce fed us said us fellas sellin head amounts of coke we oughtta **** a bowl of hope my soap and rope fill up my closet I deposit positively. Stop to mop it cropping photos,potting soil,oil spotting wrapping lettuce wraps and leftovers in foil I'm American and spoiled
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Aug 22, 2014
Aug 22, 2014 at 1:05 AM UTC
lettuce wrap together
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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Apr 6, 2013
Apr 6, 2013 at 2:46 PM UTC
Something in the Sparkle of Reflection
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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5
the sun burns red in the west The lovers meet in secret Following their hearts in the cropping darkness It is big and brave For the passionate lover He would hand it to her love tonight Hoping that she would cherish it Even when he will be away She gives him hers Tells him "be strong and intact Return safe my love I will be waiting for you" The heart, That little body part habouring all issues Makes all decisions The heart, it strengthens the soldier in the battle front Singing to him songs of courage Reminding him of his sweet love at home Love from the heart is true and passionate Its different from lust and is bound to last The battle is love Even though the war is different He kills for love she is the only thing in mind She gets broken a few times taunted by sociopaths Telling her 'they will never come back" She has waited for times and times But the heart stands all the tests Most of the times The heart that lordship of mind and body Guides everyody Decisions of the heart You can trust He thinks with the mind for tact but nomatter what He follows his heart; even though he is bruised and hurt The mind fills him with doubt but the heart tells him to fight Reminds him of heroes and sweet ********** Turns him to a matador the eyes give him sight but the heart fills him with insight Hugging him tight it neutralises his fright He marches right Into enemy territory She is barely making through They think she should remarry News of fallen soldiers devastates her heart Man's strength is from within the heart Courage is not from spears Not arrows and swords... That small body part! Emperors and conquerors Lovers and soldiers listen Fathers and Mothers They listen to the heart He creates devastation Wrecking the enemy camp As his battalion joins in His heart moulding him Into a hero That small body part Endures all in patience As she waits Saying its never late ...a time of jubilation Victory cries are heard Those back are few But they removed the enemy By conviction of their hearts He is a legend The man after everyone's hearts She is joyous As she runs into his embrace The heart That small body part Endured it all A soldier's heart...
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Dec 22, 2015
Dec 22, 2015 at 7:48 AM UTC
A Soldier's Heart
the sun burns red in the west The lovers meet in secret Following their hearts in the cropping darkness It is big and brave For the passionate lover He would hand it to her love tonight Hoping that she would cherish it Even when he will be away She gives him hers Tells him "be strong and intact Return safe my love I will be waiting for you" The heart, That little body part habouring all issues Makes all decisions The heart, it strengthens the soldier in the battle front Singing to him songs of courage Reminding him of his sweet love at home Love from the heart is true and passionate Its different from lust and is bound to last The battle is love Even though the war is different He kills for love she is the only thing in mind She gets broken a few times taunted by sociopaths Telling her 'they will never come back" She has waited for times and times But the heart stands all the tests Most of the times The heart that lordship of mind and body Guides everyody Decisions of the heart You can trust He thinks with the mind for tact but nomatter what He follows his heart; even though he is bruised and hurt The mind fills him with doubt but the heart tells him to fight Reminds him of heroes and sweet ********** Turns him to a matador the eyes give him sight but the heart fills him with insight Hugging him tight it neutralises his fright He marches right Into enemy territory She is barely making through They think she should remarry News of fallen soldiers devastates her heart Man's strength is from within the heart Courage is not from spears Not arrows and swords... That small body part! Emperors and conquerors Lovers and soldiers listen Fathers and Mothers They listen to the heart He creates devastation Wrecking the enemy camp As his battalion joins in His heart moulding him Into a hero That small body part Endures all in patience As she waits Saying its never late ...a time of jubilation Victory cries are heard Those back are few But they removed the enemy By conviction of their hearts He is a legend The man after everyone's hearts She is joyous As she runs into his embrace The heart That small body part Endured it all A soldier's heart...
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88
I seem to have aged twenty years over the last two especially since turning seventy - a personal view. From the outbreak of the ****** virus two years ago there's been a gradual decline in health for this I know. Although testing negative in the last week of November other health issues have been cropping up in December. I somehow think that my time may be coming around for where the body is to be laid to rest in the ground. Morbid thoughts such as the above are dominant today and with some people they don't easily just go away. In my particular case my right side has been affected and hobble around like some disabled person detected. I wonder how long it'll be before I won't be able to cope with doing all of those various things that range in scope from washing and cleaning to the other domestic chores which need to be done on a regular basis and time scores. Unless I can afford to pay for someone to help with it all if circumstances don't improve and my back's to the wall I may have to consider going into an old people's home or in some place where you're restricted to freely roam. Another possibility would be to invite someone else in that's compatible to shack up with and share the 'load-in' or even perhaps the other way around that is practical without being negative and deemed unjustly skeptical. Someone in whom similar interests and ideals are found all those things that are decent, life enhancing and sound. Already it's getting to the stage when I'll need to cut my hair something I used to be able to do by myself in the past there but now I can barely raise my right hand up to my head and the whole thing is a procedure I'm beginning to dread. ------------------- As everybody gets older and experiences the change they may notice their movements are becoming restricted in range. _____________________
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Apr 7, 2023
Apr 7, 2023 at 5:52 AM UTC
Old Age Blues
I seem to have aged twenty years over the last two especially since turning seventy - a personal view. From the outbreak of the ****** virus two years ago there's been a gradual decline in health for this I know. Although testing negative in the last week of November other health issues have been cropping up in December. I somehow think that my time may be coming around for where the body is to be laid to rest in the ground. Morbid thoughts such as the above are dominant today and with some people they don't easily just go away. In my particular case my right side has been affected and hobble around like some disabled person detected. I wonder how long it'll be before I won't be able to cope with doing all of those various things that range in scope from washing and cleaning to the other domestic chores which need to be done on a regular basis and time scores. Unless I can afford to pay for someone to help with it all if circumstances don't improve and my back's to the wall I may have to consider going into an old people's home or in some place where you're restricted to freely roam. Another possibility would be to invite someone else in that's compatible to shack up with and share the 'load-in' or even perhaps the other way around that is practical without being negative and deemed unjustly skeptical. Someone in whom similar interests and ideals are found all those things that are decent, life enhancing and sound. Already it's getting to the stage when I'll need to cut my hair something I used to be able to do by myself in the past there but now I can barely raise my right hand up to my head and the whole thing is a procedure I'm beginning to dread. ------------------- As everybody gets older and experiences the change they may notice their movements are becoming restricted in range. _____________________
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34
#I'm as lonely as a station at night. The december mist and the moon peaking high over the iron fence dulled the low volt into weird halo. But like bats I reap the rewards of night. The buzz of the crickets rose in crescendo from the undergrowths around the track sounding as unreal as the silent platform abruptly cropping up on nowhere land doubtful if ever a train would notice it. *Days are dull actings dancing to strings yielding nothing to let you know you. I'm in full vision before the lightless mirror opening up alone but with the many faces the dreary day ruthlessly hid from me.* The mist was engulfing the iron railings and when a distant engine whistled there was no track or platform but only the lone flyer hung on the moon like a bat glued to the scent of night.
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May 9, 2018
May 9, 2018 at 10:39 AM UTC
The Lonely Flier
Grace Before Meals Sunday afternoon, a year ago. Early but late afternoon, end of July sun still high enough to provide a loving and kind warmth through fractus clouds, But doing double duty and Supplying continuous eye candy via riots of razzle-dazzles glistenings upon the prima facie of my friend, my boon companion, my bay. Sitting on a weathered Adirondack chair, grayed like me, a solitary outpost, our third Musketeer, it so belongs where I find it, in the corner of the yard, hard by a white picket fence and footed by an out cropping,     a patch of wild grass uncarpeted, we are aligned, the chair and I, in so many ways, we accompany each other beach-facing, one unit, designed by man but nature-made of, and signed by her in a cursive, gentle script as follows: **Quiet, please, for this is a place of our mutual quiet contemplation.** These regal chairs are tinged with green moss stains, as I am tinged with silver streaks so we laugh at each other and we laugh together, delighted to share the grandeur of the pleasure of the exactness of this precise moment. The bay claps its waves in honor of the symmetry of the trinity of man, wood and water, a more perfect union My woman calls to me, supper is ready and I smell the onions and the raisins and the love that singes our shared salted air With deep regrets and promises solemn, Adieu, Adieu my friends, bay and chair, sunlight extraordinaire, wait for me! This poem but my R.S.V.P. an oath of return sworn, for I am man, placed here only to sing the praises of my earthly delights, my truest friends, I sing of thy grace, Grace Before A Meal
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Aug 3, 2013
Aug 3, 2013 at 4:06 AM UTC
Grace Before Meals
Grace Before Meals Sunday afternoon, a year ago. Early but late afternoon, end of July sun still high enough to provide a loving and kind warmth through fractus clouds, But doing double duty and Supplying continuous eye candy via riots of razzle-dazzles glistenings upon the prima facie of my friend, my boon companion, my bay. Sitting on a weathered Adirondack chair, grayed like me, a solitary outpost, our third Musketeer, it so belongs where I find it, in the corner of the yard, hard by a white picket fence and footed by an out cropping,     a patch of wild grass uncarpeted, we are aligned, the chair and I, in so many ways, we accompany each other beach-facing, one unit, designed by man but nature-made of, and signed by her in a cursive, gentle script as follows: **Quiet, please, for this is a place of our mutual quiet contemplation.** These regal chairs are tinged with green moss stains, as I am tinged with silver streaks so we laugh at each other and we laugh together, delighted to share the grandeur of the pleasure of the exactness of this precise moment. The bay claps its waves in honor of the symmetry of the trinity of man, wood and water, a more perfect union My woman calls to me, supper is ready and I smell the onions and the raisins and the love that singes our shared salted air With deep regrets and promises solemn, Adieu, Adieu my friends, bay and chair, sunlight extraordinaire, wait for me! This poem but my R.S.V.P. an oath of return sworn, for I am man, placed here only to sing the praises of my earthly delights, my truest friends, I sing of thy grace, Grace Before A Meal
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49
Before hearing about your death I began a novel inspired by you and your struggle with the truth-- The truth of who you were, what you wanted of life and of me. And it became a journey into the past, into a life that had happened before we met, decades ago, and after we parted for good, I wove a new life out of remnants, of things I knew or just supposed. And like a good researcher, I told of your parents' failings, the darker side of love. Of your grandmother and friends, and even your cousin who brought you to me, Luring you out of the homogeneous crowd and into our perfect valley-- "the land of spires and dreams". I even spoke warmly of our artless love and our drifting apart like ghost ships. After our second parting, when you left the mortal coil, I tried not to reminisce about us, for the story was yours, not mine, But I fear that a mirror kept cropping up behind me and around corners, erasing mystery. Narcissus caught me time and again. Even so, I created times for you that I had never seen or heard. I have you swimming off La Jolla, traipsing on mountain paths in the wilds of British Columbia, or arguing with your wife in that mansion you dreamed of. I invented a girl you would like and two kids who loved you in spite of everything. Your memories of me became less urgent, locked in a chess box, in songs or on film, hidden away. I analyzed your youth, your vanity, lust, boredom, mistakes and age. And when it came time for you to make a decision: to stay or go again, either west or east, I stopped and looked over your life, rolled out flat, like the American plain from western crags to eastern city and like a broken record, the choice shuttled back and forth, not letting me decide for you. Glancing at a photo of your childhood home, I realized at last, not that you had died too soon, but that I really never knew you.
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Apr 10, 2022
Apr 10, 2022 at 6:00 PM UTC
I Never Knew You
Before hearing about your death I began a novel inspired by you and your struggle with the truth-- The truth of who you were, what you wanted of life and of me. And it became a journey into the past, into a life that had happened before we met, decades ago, and after we parted for good, I wove a new life out of remnants, of things I knew or just supposed. And like a good researcher, I told of your parents' failings, the darker side of love. Of your grandmother and friends, and even your cousin who brought you to me, Luring you out of the homogeneous crowd and into our perfect valley-- "the land of spires and dreams". I even spoke warmly of our artless love and our drifting apart like ghost ships. After our second parting, when you left the mortal coil, I tried not to reminisce about us, for the story was yours, not mine, But I fear that a mirror kept cropping up behind me and around corners, erasing mystery. Narcissus caught me time and again. Even so, I created times for you that I had never seen or heard. I have you swimming off La Jolla, traipsing on mountain paths in the wilds of British Columbia, or arguing with your wife in that mansion you dreamed of. I invented a girl you would like and two kids who loved you in spite of everything. Your memories of me became less urgent, locked in a chess box, in songs or on film, hidden away. I analyzed your youth, your vanity, lust, boredom, mistakes and age. And when it came time for you to make a decision: to stay or go again, either west or east, I stopped and looked over your life, rolled out flat, like the American plain from western crags to eastern city and like a broken record, the choice shuttled back and forth, not letting me decide for you. Glancing at a photo of your childhood home, I realized at last, not that you had died too soon, but that I really never knew you.
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60
I cut myself to see the blood the contrast of red to the white surface to check if there is still a heart beating underneath the smooth finish I cut my children but they don't notice it is more like mental cropping. I cut emotions into bitesize portions they can play with and learn to become good cutters themselves My husband is a cutter too he cuts attention into little appetizers of affection and serves it around wearing a big generous smile the biggest pieces are reserved for the screen and the xbox controller I cut myself open online words gush out of the open wound luring predators to feed on dangerous conversations inviting the Devil to join as I don't trust the angels who once lured me into this...
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Mar 31, 2013
Mar 31, 2013 at 7:29 AM UTC
A Family of Cutters
Wee little moors, giant over bog, Sparkle in the lilles, loll within a frog, In a flash of dragonflies - fires the sun, All the meadow rising, spirits overcome! Wee bright moors, cropping round a meadow, Songbirds singing dear, hummings in the nettles In minnows of logged pools - reeds set fire to sun All the gold of fens rising, spirits overcome!
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Feb 20, 2016
Feb 20, 2016 at 12:44 PM UTC
Little Moors
Dear Abba,            To spiritually photoshop, or not to spiritually photoshop: that is a recurring question. I’ve gotten pretty good at cropping and resizing to keep an impressive façade, but the emptiness behind it is the telling thing, telling me that something about the life I’m living is off the tracks. I’m not the biggest fan of mirrors but I realize they do serve a purpose: showing me the reality, the real me. I’m a ragamuffin, always have been, and yet You love me, the real me. Amazing.
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Aug 1, 2016
Aug 1, 2016 at 2:16 AM UTC
A Ragamuffin Prayer
She’s a walking beauty I fell in love with her extravagance Every moment is magnificent Her innocence is my perfume Just her presence alone lights up the whole room So picture perfect I’m zooming in for a better view Cropping out the background Centering my focus Her mind is so open Her thoughts are so outspoken This girl is not me This girl is who I want to be
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Jan 26, 2016
Jan 26, 2016 at 7:59 AM UTC
HER
She knew so well, she was broken Grazed by the dark episodes of her life But for a reason not well spoken She bottles up her pretty lies. Too soon, oh Heaven. How do I despair? Should You becalm the sea, why not seemingly fair? Questions and tempest, in just a minute stare All, in a trice, turned out as an awful nightmare Hovering over the memories, hearts are still in pain Tears are carefully hidden, sore wounds she'd rather feign. I knew I wasn't dreaming, but for once I'd like to know. Can we still dream much further despite a losing show? Such a lax image, she tends to portray Religiously, so patiently, she never goes astray At the darkest edges of her discernible universe Beyond our keenest senses, she buries a pitch black curse. Shame on me, my steadfast wishes, I can hardly collect. Another revolution yet; oh, how do I deflect? Like a western avalanche, her days came rolling by As if they're going out of hand, over her head, we can testify She can just give up, or give another shot, no one seems to know But in her mind, she knows just why she was there all from the word go. I know to whom I shall only concede, never to a ruthless battle. Disjoint, unarmed, I could always be; but my faith, no one can throttle. And so the tale of this one staunch damsel never ended wrong She might have had some tough good byes, but that made her strong Cropping out the tragedy from the frame, she tries to recover from drama Star-crossed, perhaps, but not til she stops becoming the one tough Andrea.
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Sep 29, 2013
Sep 29, 2013 at 5:11 AM UTC
Andrea
She knew so well, she was broken Grazed by the dark episodes of her life But for a reason not well spoken She bottles up her pretty lies. Too soon, oh Heaven. How do I despair? Should You becalm the sea, why not seemingly fair? Questions and tempest, in just a minute stare All, in a trice, turned out as an awful nightmare Hovering over the memories, hearts are still in pain Tears are carefully hidden, sore wounds she'd rather feign. I knew I wasn't dreaming, but for once I'd like to know. Can we still dream much further despite a losing show? Such a lax image, she tends to portray Religiously, so patiently, she never goes astray At the darkest edges of her discernible universe Beyond our keenest senses, she buries a pitch black curse. Shame on me, my steadfast wishes, I can hardly collect. Another revolution yet; oh, how do I deflect? Like a western avalanche, her days came rolling by As if they're going out of hand, over her head, we can testify She can just give up, or give another shot, no one seems to know But in her mind, she knows just why she was there all from the word go. I know to whom I shall only concede, never to a ruthless battle. Disjoint, unarmed, I could always be; but my faith, no one can throttle. And so the tale of this one staunch damsel never ended wrong She might have had some tough good byes, but that made her strong Cropping out the tragedy from the frame, she tries to recover from drama Star-crossed, perhaps, but not til she stops becoming the one tough Andrea.
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28
Man vs. Man at each other's necks Eight and a half million living now wrecked. Hero defined as a medal and a grave. How many souls did those deep pockets save? So by the end, of those lasting four years, Many men fought while living in fear. Did action gain comfort for all your misdeeds, Cutting and cropping to get what you need. What does choice mean to men that have all? Is it just a lark, a game of cup and ball? Or is it power that comes into play, To corrupt younger minds and all that they say? Will the wealth of the world help in the end, When you're drowning in the ashes of a million dead men? Your lily-eyed soldiers won't keep you afloat, As you sink down slowly on your small lonely boat. So while you sit and wait at those pearly white gates, Your judgment now chosen, thus sealing your fate. Blind, controlled and tortured by all those you wronged, The master now puppet, in hell you belong.
0
Apr 18, 2010
Apr 18, 2010 at 11:55 PM UTC
Warmonger
I was going to write a poem    about how I stood on the corner after    work, gripping a squishy handlebar with    my left hand and holding K’s flip phone    in the other. My stomach flip-flopped across JFK blvd, down 20th street, and to that little alleyway where I stood alone for a while. An old lady stared at me...    did I trigger a happy memory of her    youth,    or was she just smirking at the beads of    sweat on my forehead and disintegrating    soles of my ballet flats?    My black dress slouched over my body    like I was going to a  funeral. And even though my acro class was yesterday, I still felt upside down. There’s no way I could stay in a handstand that long, but I would’ve done it if it gave me a different explanation for why I was so sick. Inside of me were those cropping rainbow scribbles that I used to make on Paint, you know, the ones that seemed like they could create a picture but ended up turning into shaking lines? I could feel the lack of your presence, I could FEEL your not being there. As the minutes passed and I kept standing and waiting my face drooped and it was hard not to cry right there on the spot. It was just past lunchtime but there was still a steady flow of businessmen filling the sidewalk. They glanced at me but I just looked away because they were my father's age and gave me familiar half-smiles. I said that I was going to write a poem because I didn't have enough energy to do anything but list words, but I guess this just turned into a ****** one.
0
Jan 11, 2017
Jan 11, 2017 at 12:56 PM UTC
Vulnerable
I was going to write a poem    about how I stood on the corner after    work, gripping a squishy handlebar with    my left hand and holding K’s flip phone    in the other. My stomach flip-flopped across JFK blvd, down 20th street, and to that little alleyway where I stood alone for a while. An old lady stared at me...    did I trigger a happy memory of her    youth,    or was she just smirking at the beads of    sweat on my forehead and disintegrating    soles of my ballet flats?    My black dress slouched over my body    like I was going to a  funeral. And even though my acro class was yesterday, I still felt upside down. There’s no way I could stay in a handstand that long, but I would’ve done it if it gave me a different explanation for why I was so sick. Inside of me were those cropping rainbow scribbles that I used to make on Paint, you know, the ones that seemed like they could create a picture but ended up turning into shaking lines? I could feel the lack of your presence, I could FEEL your not being there. As the minutes passed and I kept standing and waiting my face drooped and it was hard not to cry right there on the spot. It was just past lunchtime but there was still a steady flow of businessmen filling the sidewalk. They glanced at me but I just looked away because they were my father's age and gave me familiar half-smiles. I said that I was going to write a poem because I didn't have enough energy to do anything but list words, but I guess this just turned into a ****** one.
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24
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
0
Sep 14, 2015
Sep 14, 2015 at 8:27 PM UTC
a revisionist's dialectics on salvaging
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
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