Archie Monroe, the swollen bell ringer of Lavender Moor,
Is looking to sell his copper claw,
His wartime Horlick’s pedals,
And his ferocious bone lick with its wet mink sheath.
He half believes in two thirds of a God every other end of the day.
He believes in St. Clank, and the spanking of the parable,
He believes in the Holy Bee and the miracle of the monocle.
He's walking all lookable
He talks about succulent;
The warm unbuttoned government;
The other worldly succubus,
And tickled sinners such as us
Who never want to make a fuss.
The curled up nurse of Russia Road is building ghosts of crimson brick,
Hurting the sick, and Christmas pale
With the poisoned tip of her sharpened nail.
She nestles by comparison with the dullards of noon.
Who would have thought it expensively cruel
To do it in the dentist froth,
Now that she's lost in Hoxton Square?
Barely able to breath;
Hairy and ****;
Sticky to the last.
See the violent and widespread bed spasms of Arbuckle’s bottle,
And the lamp lit cancer of corrosive blue whining,
The ill mannered throat-goose
And the manicured miscarriage of Mendleson's twenty fourth mother.
Felix was peeling
We knew it to be true,
Even back then
In the pickled omentum.
The pompous rebuffs and the transparent gloves of yawning;
It seemed not she like.
See the museum’s scratched trumpet mask of medical sod,
And the soft dissection of the ink *****.
Implements of ticking and slip with the slow itch and clop.
The anatomy doll, all green and glad;
Its uncertain internal shrinking of Crippen;
The skull’s Baron of the Intact Apparent.
She cradles her parents in terrified liver
Resembling dill with an unusual, excitable finish.
Meanwhile out in Kraków:
The idiotic London guillotine shop
Shows eight obscene operation reveals trembling on a saucer.
This, I'm unafraid to never say, is not almost uncertainly bowel pay.
