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Craig Dotti Mar 2010
Those Chicago kids danced till' they were teary eyed in them **** crepe-soled shoes

He said to me, "Mamma I walked my little crepe-soled shoes into the heart of the South and said 'Hello World!'"

And God be ****** if he wasn't wearing crepe-soled shoes when we beat the man out of that ****** trash

His body lay there
lacerated and bruised like goin' ten rounds with Rocky Marciano. His face was like a sack of potatoes with holes in it. On his feet were spats, no, crepe-soled shoes.

Did you hear the news?
Black boy's struttin' his stuff in his new soul-shoes

As we lit his things on fire that ***** *******'s crepe-soled shoes just wouldn't burn but once they did, the flame would not go out
Robin Carretti Aug 2018
Where do we meet
    Oh! No He_*
Getting onto
the next courses
Oh La- La "Cheri"
K>ANSAS>>City

_ Prime spot pretty

 let's >- jump ))) To Love
Please raise the horses

What a skirt steak in her
Petticoat Junction
Going to Kansas City affection
Different tribe or breed
What needs to love me
tender Elvis meet Beavis Buthead
    More  T.L.C  
computer DOC Tick Tock
IRS taking a meat beef
chunk is everybody drunk
IOS what is really the meat
Business Politician Trump

Subscribe well done
Cooked or rare spooked
Taking a Spin City kick
She got canned and licked
The prime meat hot seat

The ******* who arrives
first class steak knifes
Ms. Pork hard chew 
Mr. Beans second rate
Dark pumpernickel
Saloon *******, he
is eating
The young tender
chicken leg

High five thigh? Hands
up Robin Fly
Save the meat "let it be"
  "Let it Be" Beatles
The beat Colonel deep fried
Grade A rare meat slicing

Eating in a board meeting
The pig meat market
of pricing

Doe a deer
he loves
International beer
A very sensitive time
Slaughterhouse no way out
His poker face meets
potato heads beef jerky
Surrender Weds
maple smiles picky
The rich Syrup
Disney Mickey Mouse
Kansas City Wonder
meat house

The beauty of animals
"Moms kettle she is talking
to Parrots" meat
the market for rings riot
Six enemies making
6 rounds
Six servants 666 carats
Robin smiles heartily
"Campbells Chicken" little


He's the Beef Man stew
If you only knew

He's spitting tobacco chew
She peels the potato for the
meathead bad to the
T-bone Dachshund I Bone

Garlic knots heart of the
Sausage wearing the
meat corsage Superbowl
My sweet basil good soul
Grilling your bullhead
Pirate Ribeye steak pupils
Mr. "Billygoat" Bachelorette
Hair flat crepe Suzette

Moms Korean style fuss
coleslaw
what a seesaw
Playing Porgy and Bess
 Scarlet the red rare meat
Rolling stone baking pin
Mississippi one or two
Under my meaty thumb

Comes in three-4-5-6- Lucky 7
-Crazy 8 furries
Nine meat ribs-10 babies
with bibs
Hungry Man meat when!!
Country plaid tablecloth
"Kansas Men" of the cloth
The Pig approval
Kansas City Mayor
new arrival

Family together eating
Don't eat our animals
Why is life so unfair
Feeding the poor
with cans
The bad cut of meat devil
this is not the "Grade A"
This is not a ring
circus trainer Bullseye

Robin coffee animal-friendly
Two peas in a pod I pods
  I tune like Gods
Were the luckiest people to have
animals  

The Floridian with dog murals
Palm trees green thumb
plants sunshine events
The symphony dog tails
of hunts
Whats to compare her twilight
eyes hold the moment stare
Talk to the animal's hearts care
The barbecue all the meat men and the women who love their fruit listen to the Owl lady how she hoots those Kansas city slicker boots and the Hehaw have a good time with family and friends treat the animals with tender loving care
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
There it was on the calendar, Saturday May 11,2013. Big red circle around the date and written in black pen in the middle…SPELLING BEE. Plain as day, you couldn’t miss it. One of the biggest days of the school year for geeks and nerds alike.





Today was the day. In two hours, The 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee, would begin.  This was a huge event in the history of Thomas Polk Elementary School. It would be one of the biggest, if not THE BIGGEST in the history of The Twin Counties.



There would be twenty-one schools represented with their best and brightest spellers. The gymnasium would be full of parents, grandparents, brothers, sisters, aunts, uncles, and media representatives. Yes, invitations had been sent out to both of the local papers in The Twin Counties, and both had replied in the affirmative. Real media, in Thomas Polk Elementary School, with a shared photographer….the big time had come to town.



Inside the gymnasium, work had been going on all night in preparation of the big event. The Teachers Auxiliary Group had set up bunting across the stage, purple and white of course, for the school colours. The school colours were actually purple and cream, but, there was a wedding at Our Lady of The Weeping Sisters Baptist Church later, and they had emptied the sav-mart of all of the cream coloured bunting and crepe paper. So, white it would be.



It looked spectacular. There were balloons tied to the basketball net at the south end of the gym. It wouldn’t wind up after the last game, so something had to be done to hide it. Balloons fit the bill. There was three levels of benches on the stage for the competitors, a microphone dead center stage and two 120 watt white spot lights aimed at the microphone.  Down in front, was a judges table, also covered in bunting and crepe, with a smaller microphone sitting in the middle. There was a cord connecting it to the stage speaker system, taped to the gym floor with purple duct tape, just to fit in. Big time, big time.



The piece de resistance sat at the right side of the judges table. An eight foot high pole, with an electronic stop watch and two traffic lights, donated from the local public utilities commission, in red and green. The timer had been rigged up by the uncle of one of the competitors, possibly to gain an advantage, to help keep the judges honest in their timings. Besides, it looked fancy, and it had a cool looking remote control.











The gym was filled to capacity. One hundred and Seventy Five Entrants, visitors, judges and media were crammed into plastic chairs, benches, and whatever lawn chairs the Teachers Auxiliary were able to borrow, that weren’t being used for the wedding at the Baptist Church. It was time to begin….



The three judges came in from the left of the clock, and sat down. The entrants were all nervously waiting on stage on the benches. The media representatives were down front, for photo opportunities, of course.



Judge number one, in the middle of the table clicked on the microphone in front of him and turned to the crowd. In doing so, he spilled his water on his notes and pulled the duct tape loose on the floor in front.



“Greetings, and welcome to the 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee.” There was some mild clapping from the family members, along with a few muffled whistles and two duck calls from the back. The weak response was due to the fact that most of the parents either had small fans (due to the heat), donated from the local Funeral Home, or hot dogs and beer (from the tailgating outside), in their hands. Needless to say, it was still a positive response.



The judge carried on…”Today’s competition brings together the top spellers in the region of the Twin Counties to do battle on our stage. All of the words used today, have been selected from a number of sources, including Webster’s Dictionary, from our own school library, Words with Friends from the inter web, keeping up with modern culture, and finally from two books of Dr. Suess that we had lying around the office. Each competitor will get one minute to answer once his or her word has been selected. We ask that you please refrain from applause until after the judges have confirmed the spelling, and please no help to the competitors. We now ask that you all turn off any electronic media, cell phones, pagers, etc. so we can begin”.



He then turned to the stage and asked all competitors to remove their cell phones and put them in the bright orange laundry basket, usually reserved for floor hockey sticks. Each student deposited their phones, all one hundred and thirty-seven of them in the basket.  We were ready to start.





“Competitor number one…please approach the microphone and state your name and your school” said Judge number two. Judge number two would be in charge of calling the students up, it seemed. She was the librarian at Thomas Polk. She had typical librarian glasses, with the silver chain attached to the arms, flaming red hair, done up in a bee hive uplift, just for the event, and was called Miss Flume. She was married, but, being the south, she was always addressed as Miss.



The first student advanced to the front of the stage. She had bright pink hair, held in place with a gold hairband, black shoes, and a yellow jumper. She looked like a walking number 2 pencil. The two duck calls came from the back of the gymnasium along with scattered applause. All three judges turned and looked to the back, and then turned to face the young girl.



“My name is Bobbie Jo Collister, I am a senior at Jackson Williams School of Fine Arts and Music”. “Thank you Bobbie Joe” said Miss Flume. Bobbie Jo, smiled nervously and put on her glasses. “Your word is horticulture” announced Judge number one, “horticulture”.  Bobbie Jo took a breath and without asking for a definition, usage, root of the word or anything, just ripped through it without fail in three point two seconds, according to the mammoth timepiece at the end of the table. After conferring, the judges clicked on the green street light and she sat down, amidst more duck calls and clapping.



Student number two went through the entire process as did students three through eight. Each one had glasses, no surprise there, and were all dressed in monochromatic themes. Together, they looked like a life sized box of crayolas ready for a halloween party. Each child spelled their words correctly and were subsequently cheered and applauded.



Student nine then approached the microphone, stopping about a good seven feet short and three feet right of it. “My name is Oliver Parnocky” squeaked the lad. “I go to George W. Bush P.S 19 and am a senior.” Miss Flume, grabbed the small mike in front of her and said “Oliver…put on your glasses and move over to the microphone.” She leaned into the other judges, and said “He goes to my school, he doesn’t like wearing them much, and he’s always outside at recess talking to the flagpole after everyone else has come inside”.



“Oliver, please spell Dichotomy” said Judge number one. Judge two started the clock and they waited….and waited…then out burst this voice….DICHOTOMY…D I C H O T O M E E, , no, wait..D I C K O….****!” The crowd erupted in laughter, Oliver was busted. The judges conferred, and after informing poor Oliver they had never heard it spelled quite that way with an O **** at the end, they triggered the red light and Oliver left the stage to sit in the audience with his folks.



The next three kids, all with glasses, like it was part of an unwritten uniform dress code for the day, all advanced and sat down. The next entrant, number thirteen, luckily enough stood from the back and struggled down to the front of the stage. There were gasps and some snickering from the crowd. She was taller than the previous competitors,  and a little more pregnant as well. “Please state your name” said Miss Flume. “My name is Betty Jo Willin and am a senior at

Buford T. Pusser Parochial School”. At this announcement there was a cheer of “Got Wood at B.T. Pusser” from the crowd. The judges turned, asked for silence and the offending nuns returned to their seats. “Miss Willin, how old are you exactly?” asked Judge number one. “Twenty Two sir”. “And you say you are a senior?” “Yes sir” came the reply. Betty Jo was shuffling a bit as the pressure on her bladder must have been building standing there in her delicate condition. After conferring, judge number one said “That sounds about right, your word is PROPHYLACTIC”. The few people in the crowd that knew the meaning of the word laughed, while the rest continued eating their hot dogs and drinking their sodas and beers. “Please give a definition sir..I don’t believe I know that word”. The judges looked at each other with a definite “I’m not surprised” look and rattled off the definition. When she asked for usage, the judges really didn’t know what to do. Should they give a sentence using the word or explain the usage of a prophylactic, which regardless would have been too late anyway.

After a modicum of control was reached, she attempted the word, getting all tongue tied and naturally messing it up. The red light was triggered and she left the stage.



More strange outfits, bowties, hair nets, jumpers, clip on ties, followed. It looked like a fashion parade from Goodwill and The Salvation Army rolled into one. Most attempted their words and were green lighted onwards to the next round, while those who failed, were red lighted back to the crowd and the tailgate party in the parking lot. As each competitor was eliminated, the betting board that was being manned outside by one father was updated with new odds and payouts.



The first round was approaching an end with only three kids left. “Number nineteen please approach and state your name” said Miss Flume. He plume of red hair was starting to sag and was sliding slowly off of her head due to the humidity in the gymnasium.



Number nineteen came forth, glasses, tape across the bridge like half of the previous spellers. He was wearing the most colourful shirt that any of the judges had ever seen. It was not from Dickies, they surmised. “I go to J.J. Washington P.S 117 and my name is Mujibar Julinoor Parkhurloonakiir”. The judges froze. He obviously was new to the district. They had never heard a name like that before, ever. Not even in Ghandi. This was a powerful name. There had been sixteen cominations of Bobby, Bobbie, Billie, Jo, Joe, Jimmy, Jeff, Johnson and Jackson prior to Mujibar. Stunned, judge one asked “Son, can you spell that please?”

Mujibar, not sure what to do, spelled his name, unsure of why he was being asked to do so. “Thank you son” said Miss Flume. The odds on the betting board in the parking lot changed right then.



“That boy is gonna win fer sure” said Jimmy Jeff Willerkers. Jimmy Jeff ran the filling station two concessions over and had fifty bucks on his nephew Bobby Jeff, who had already flamed out on “yawl”. “How was he supposed to know  it had something to do with boats?” asked Jimmy Jeff. “That Mujibar is gonna win…jeez, he’s been spelling that name for years….anything else is gonna be easy breezy.” The odds went down on Mujibar and the money was flying around that parking lot faster than the rumour that the revenue people were out looking for stills in the woods.



“Mujibar…please spell SALICIOUS”…asked the now red pancake headed Miss Flume. Doing as he was told, Mujibar, spelled the word, gave the root, a definition and a brief history of the word usage in modern literature. Judge number one was furiously scribbling down notes, and trying to figure out how he would get a bet down on this kid before round two started.



Entrant number twenty from Jefferson Davis Temple and Hebrew school advanced which brought up the final entrant from round one. “Number Twenty-One please advance to the front of the stage”. After adjusting his glasses, after all he didn’t want a repeat of what poor Oliver did, he approached. “My name is C.J. Kay from William Clinton P.S 68” Judge one, confused by the young man’s name asked him to repeat it. “C.J. Kay” said C.J. “What is your full last name boy, you can’t just have a letter as your last name….what is the K for?” “Sir, my last name is Kay”, said C.J. “It’s not a letter”. “It most certainly is son…H I J K L…rattled off judge one. “It has to stand for something, you just can’t be CJK, that sounds like a Canadian radio station or worse yet, one of them hippy hoppy d.j fellers my granddaughter listens to. What is the K for?”. C.J said sir “My name is Christopher John Kay… not K, Kay” and then spelled it out. This only confused judge one more than he already was, and the extra time figuring out his name was doing nothing to Miss Flume’s hairdo.



“Christopher John….please spell MEPHISTOPHOLES “ said Judge one, after realizing he was never going to find out what the K was for. The crowd was getting restless and wanted to get to the truck to get re-filled and change their bets. C.J. knocked it out of the park in 2.7 seconds…”faster than Lee Harvey Oswald at a target shoot in Dallas”, one man said.



After a ten minute break, to get drinks, ***, re-tape some glasses and prop up Miss Flumes ruined plumage round two was set to begin. This went faster as the words were getting tougher, although randomly selected, judge one was inserting a few new words to keep his chance of winning with Mujibar alive. PALIMONY, ARCHEOLOGY, PARSIMONIOUS, TRIPTOTHYLAMINE , and many other words were thrown at the competitors. Each time the list of successful spellers was reduced, and the amount of clapping and the duck calls were less.

The seventh round began with just Mujibar, B.J. Collister and C. J Kay left. Before the round began the judges reminded the crowd that the words were random, and to please keep the cheering until the green light had been lit. There were more duck calls at this announcement and very little applause. Jerry Jeff was still manning the betting board, the tailgate barbeque was done, and there was only about thirty people left in the gymnasium.



The balloons on the basketball net had long since lost their get up and go, and were now hanging limply like coloured rubber scrotums and were flatter that Miss Flumes hair, which incidently, was now starting to streak the right side of her face from sweat washing out the dye. She was beginning to look like an extra in a zombie film with a brilliant orange red streak across her forehead.



“C.J.” said judge one, “please spell ARYTHMOMYACIN”. C.J. gave it a valiant effort ,but unfortunately was incorrect and the red light sent him off to the showers. This left B.J. Collister and the odds on favourite, Mujibar. The crowd was down to twenty seven now, Bobbie Jo’s folks and Mujibars immediate family.



Round after round were completed with neither one missing a word. Neither one blinked. It was a gunfight where both shooters died. These two were good, and it was never going to end. Judge one leaned over and told the other judges, “we have to finish this soon….I’m due at the wedding over to the Baptist church for nine o’clock to bless the happily marrieds and drive them both to the airport. They’re off to Cuba for their honeymoon.” The others agreed…”C.J. please spell MINISCULE said Miss Flume”. She did so, without a problem. This caused judge one to yell out “Holy Christmas” just as Mujibar got to the microphone. Thinking this was his word, he started as the judges were giving him his word. Seizing the opportunity to end it…judge one woke up judge three who red lighted poor Mujibar, ending his run at spelling immortality. “Sorry son, you tried, but, today a Mujibar lost and a B.J won.”. Before he tried to correct himself, knowing what he had just said didn’t sound quite right, Miss Flume congratulated both finalists and began the award presentations.



Thankfully, next year the eighty eighth version of The Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee will be in the other county. Now the job of sorting out the cell phones in the orange basket begins. By the way, Betty Jo Willin had a boy …you can just guess what she named it!
not a poem, as you can see...it's a rough draft of a short story. I would love feedback on the content, not the spelling or grammar as it is in a rough stage still and needs editing.
Robin Carretti Aug 2018
Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair

strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove

Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers
freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures


Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star

Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub

The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples
Sage spice mighty divine but when its mixed love can be jinxed watch out. But just keep singing her "Sage way" her garden is magnificent in every way just pray
Kate Richter Aug 2023
today i saw myself as a crepe myrtle blossom

bursting magenta, dripping with life

so full and juicy and lotus-eating

demanding of attention

not only for an earthly beauty,
but for the allure of aliveness

how could i ever feel contempt for a body like this?

so i promise myself-
next time the comparison monsters of my mind try to take control

i will remember myself as a crepe myrtle blossom
Lucky Queue Oct 2012
I want to go back, back to my New Orleans
This place that I call New Orleans is actually Louisiana
But still, the gorgeousness of this dirt and grime
The live oaks stretching over the 6-lane wide streets,
Touching leaftips, making a canopy over the passerbys
Crepe myrtles showering streets with lacy pink faerie dresses
Smells of beignets and seafood fill the French Quarter
Intense, consuming, warm, loving sun burning through your shirt
In New Orleans to say horses sweat, men perspire and women glow
is to be ridiculous.
In New Orleans everyone sweats like pigs.
As for the grime I mentioned, this exists mainly in
the sidewalks cracked by live oaks which make an adventure of every walk down the street
And in any semi-deserted street
To have a Mardi Gras or St. Patrick's Day without a parade and citywide party is to toss aside traditions and the New Orleanian way
The New Orleanians are welcoming, hearty and heartwarming, tough and unafraid to talk to a stranger on the streets.
An old black man once greeted me with 'konichiwa' as I walked past
A middle aged white man once struck up a conversation with us as he realised we had shared the same ferry earlier in the day
An old asian woman conversed familiarly with our family at Cafe Du Monde simply because we are Vietnamese as well
A teenaged white boy waved at us as we drove past him jogging
A different old black man stopped and serenaded my siblings, mother and me with his trumpet just because we smiled
Several young mothers and women have stopped my mother to gush  over my siblings and me, usually when we were very small
I, myself, have given directions to a tourist or two, lost near Cafe Du Monde or the levee,
And I hope that the warm smiling spirit of the Big Easy will remain forever immortal.
Homesick...
Cné Mar 2018

The cycle of the seasons
once again presents a change.
Greens and blues are now the colors,
as the scene has rearranged.

Crepe Myrtles shed their blossoms
in blizzard, pinks and reds,
And bulbs with care once planted
now emerge from flower beds.

I walk upon a sea of blue
that waves with every breeze.
Bluebonnets on the Texas plains,
a view that's sure to please.

They ripple with the grass
in tempo with the wind.
How lovely to just sway and hear
the message that they send.

It seems as though the world awakens,
stretching with a yawn.
As luscious grass emerges
from the brown muck on my lawn.

Bluebonnets are the official state flower of Texas. The shape of the petals on the flower resembles the bonnet worn by pioneer women to shield them from the sun. Their blooms only last a couple of weeks.

As an extension of Lady Bird Johnson's efforts at highway beautification, she encouraged the planting of these native plants along Texas highways and are now a common sight in the springtime. This time of year, driving along the highways all over the great state of Texas, you will find, car loads of families pulled over to use the sea of blue as back drops for family photos.
I don't know how it started

But it's an annual event

But I don't think that an egg hunt

Is the best way to present

The story of our saviour

Chocolate eggs you go and find

I don't think that's the image

That the church wants in our mind

Every year since I was little

Our family made a choice

Either host the Easter Dinner

Or go hunting for eggs and toys

This year we chose the egg hunt

It was better than the meal

But our egg hunt went all wonky

In fact it all was so surreal

Most years twenty people

Showed to hunt about the yard

so setting out some easter eggs

Didn't seem so hard

But this  year, thanks to facebook

People showed up by the score

When all was done the count was

One hundred twenty four.

With that many people coming

A family meeting then took place

One hundred twenty four people

This was way off base

With Uncles, Aunts and cousins

Grandparents and the rest

some new plans would be needed

to execute this test

I thought about logistics

There was only so much yard

To run an easter egg hunt

Was going to be hard

I checked the list of children

Eighty seven kids or so

But I said that we would host it

So I could not tell them no

I called up all the Uncles

Told them come around to plan

They all showed up as suggested

All fourteen, to a man

We needed eggs and then some

Chocolate, mallow...every kind

We had to hit the stores fast

We had to buy up every kind

Baskets, ribbons, bows and stuff

stuffed rabbits, all they had

We had near ninety children

And we could not have them sad

We drank and set agendas

We all planned out our attack

They would all come out before hand

And the goodies, we'd unpack

The women met as well though

Dying eggs would be their task

They got 100 dozen large eggs

and some colouring to mask

The last time plans were handled

on a scale as big as this

Was on D-Day for the Allies

And we knew that didn't miss

We had crepe paper for streamers

Balloons and chocolate logs

but the one thing we'd forgotten

We also had twelve dogs

We had to keep them busy

While we figured out just how

We were going to hide all of our presents

And we had to figure NOW!

We called up to the kennel

To book them all in for the night

But, they didn't have the space so

We'd have to make do with our plight

Two days before Good Friday

All the parents showed to meet

We would plan and hide the goodies

We would all be so discreet

We would hide the eggs on Friday

While the kids all went to pray

Then we'd come back here  for dinner

And we'd finish Saturday

It was easy, a no brainer

We would pull it off....with ease

It would take great execution

And the children would be pleased

On Friday night they all arrived

And were given tasks we all could handle

We all went out to the yard to hide

The eggs, by lighted candle

We stuck them up in trees and then

In bushes by our gnomes

We hid them in the veggie patch

We hid them in our home

When finished we'd put eggs and toys

Of every shape and size

We were all so ****** tired

We could barely blink our eyes

The next day all our work  was shot

When we went outside to see

That night after we'd finished

Some raccoons came out of the tree

twelve hundred eggs and four raccoons

Two skunks and nineteen rats

Decided that they like out smorgasbord

And to them then...that was that

Hard boiled eggs of every size

For them to come and eat

After surveying the damage

We vowed we'd not be beat

We set to work and dyed more eggs

another nine hundred in all

We sent all of the mothers out

To buy gifts at the mall

We'd lay them out before the hunt

We didn't care when they got hid

We had to have an easter game

For eighty seven kids

We strung the streamers through the house

We wrapped the willow tree

It looked just like "The Party Place"

Had blown up...just for me

We put balloons up everywhere

The kids would be surprised

Uncle Jack would wear a bunny suit

It was a good disguise

With lots of work and alcohol

We'd get this egg hunt done

And come hell or come high water

The children would have fun

On Sunday they came back from Church

And I want you all to know

That we had a real nice dinner

For we overlooked the snow

While sitting in the church pews

Hearing tales of Easters Past

A storm came in so vicious

And it came in really fast

By the time we'd reached the garden

There was one foot on the ground

It had snuck up on us quickly

And it didn't make a sound

So the egg hunt never came about

We took them out for lunch

It'll be our last time trying this

At least that is my hunch

If it comes down to a choice now

To ever utilize my home

For an egg hunt here at Easter

I won't answer the phone!
Arj Mar 2014
I want to lay in my bed
Next to you
At seven in the morning.

"Crepes?"
"Crepes." You say.

I get up
and start the crepe maker

I put out the Nutella
And cut bananas
And pull out the jar of lingonberries that
I love
Even though nobody knows
What lingonberries are.

You ask for peanut butter
And we both know I'm allergic.
But I have a jar
Because I know that
You love it.
Tommy Sheldon Feb 2013
Determined petals
Pierce the snow,
Refusing to wait.
Shades of violet,
Red, then yellow;
Mocking folded crepe paper,
On white marble floors
Advancing to overtake the scene;
An insurgent force,
So lithe, so pure.

Conquering in swaths,
With delicate bravado,
As if  to challenge
The old mans icy grip,
While placating senses
Of the observant few;
Such a display
Of resistance,
To winter's rule

Now, slowly waning;
As the moments nigh,
But will return once again,
To defy a February's
Cruelty.
Even with record snow fall they can't be stoped.
A Mareship Sep 2013
(There’s something that I keep in my pocket, a piece of dental floss, flavourless now, chewed to a white nothing by my own mouth to wring out every strand of his DNA, but now it just tastes of me and nothing else.)

My sister was wearing a black dress made of crepe. I remember it so well, the way it scrunched up in my fingers like paper, my knuckles juxtaposed against the colour, white with tension, against a bottomless backdrop of black. I held onto that dress like a terrified child. For that moment, it was the only thing that existed for me.

gotta sit here, gotta stay, gotta sit here.

(Memories of bumblebees with their innards hanging out,
“make it start mama, make it start!” it’s a common reaction amongst children so I’m told.)

I did not feel his soul sliding past me. I didn’t feel a thing, not a single thing.
Is it the same as turning off a TV? Energy dispersing into the ether? A kettle boiling, bubbles stilling? How can he have just…stopped?

He stopped.

I have felt many things in my life. The whole spectrum, from dizzing highs to drug doped ecstasies, suicidal jaunts to white-edged nothingnesses. But I had never felt abandoned before. Not truly, sincerely, abandoned. Marooned. Bitter. Desperately bitter. Terribly, terribly frightened and deeply alone.

There’s nothing like the smell of flowers to jolt the senses.

I let go of my sister’s dress and walked – not ran -  but walked out into the daylight.
I remember that I had my head held high - I could have just been going for a smoke, going to make a phone call, going to check that the sky was still up in the air and not down on the floor like a carpet of bluebells , but when I reached the door of the church I started to run.
I ran right in front of cars – **** it! – across the road to a half deserted carpark, winding through the cars like a ******, and slunk down to the floor in front of a parked white van. I thumped my head against the cool metal of the bumper and started to shake. I remember my body feeling somehow too big and too small all at once, I remember laughing at one point because it seemed like the right thing to do. My shaved head hit my knees with a thwack.
I’m not here, I’m not real, I’m a black and white thing, I’m just a black and white thing...
But I was real, and there was no escaping it. All of it was real. The carpark was real. The flowers were real. The only thing that was not real was the thing that mattered the most.
“You ****.”
I got up. I started to kick the van, kick the wall behind me, and kick the air.
You read about it in stories and you see it in films, people losing their marbles and hitting out, heroically bleeding from the knuckles, stinging, saying ‘ah, ah.’ None of that happened for me. I hit so hard I thought I’d broken my hand, but my bones are ******* stubborn. The world is ******* stubborn. My mouth felt like it was bleeding, but it was just laced in a cobweb of spit.
“You ****! You ****! You ****!”
I took off my suit jacket and draped it over my head, pulling it tight; a black ghost in a carpark in the countryside.
I felt an arm wind its way around my waist, and the rustle of crepe.
I sobbed up my grief like catarrh, the lining of my jacket wet with spit and the inevitable chawing tempest of tears that caved in my stomach like a perfect punch.
“I’m losing my mind.”
My sister grabbed onto my hand and squeezed, hard.
“No you’re not, Arthur.” She said to me, with certainty.
“No you’re not.”
sort of felt like I wanted to write this tonight, not well written but from the heart at least - in fact, from the very bottom of it
preservationman Aug 2015
I got a plan
You all are part of my caravan
My cousin went to Paris, France
Here was my chance
I told her to bring back a Paris Cap
So what do you think of that?
But thinking now, I should have asked for the foundation of the Eiffel Tower
Now that would have taken a lot of power
My cousin couldn’t store it in our bag
Perhaps top security and that would be a drag
My next idea was to take the Eiffel Tower apart piece by piece
This is some plan I love Lucy show would do
But I wouldn’t expect my cousin to pursue
But the French would be losing an art
I would really be telling the French, the Eiffel Tower must depart
Yet I must be clever and smart
However, would I place instead?
Why not a Giant Crepe Suzette
Do you think the French would notice?
Obviously they would
It is my thinking of should
Then the possibilities of could
I guess the Eiffel Tower I will never get
It was a hope but now a regret
The Eiffel Tower being its Paris stay and being my let.
Needle, needle, dip and dart,
Thrusting up and down,
Where's the man could ease a heart
Like a satin gown?

See the stitches curve and crawl
Round the cunning seams--
Patterns thin and sweet and small
As a lady's dreams.

Wantons go in bright brocade;
Brides in organdie;
Gingham's for the plighted maid;
Satin's for the free!

Wool's to line a miser's chest;
Crepe's to calm the old;
Velvet hides an empty breast
Satin's for the bold!

Lawn is for a bishop's yoke;
Linen's for a nun;
Satin is for wiser folk--
Would the dress were done!

Satin glows in candlelight--
Satin's for the proud!
They will say who watch at night,
"What a fine shroud!"
Glenn Currier Jun 2023
I can decide if I will let go
and enjoy the moment
with the crepe myrtle across the way
and swing in the breeze with the sunflowers
or
if I will pull the shade of fear over my eyes
and attach to my feet the weight of worry.
At an airport garden in Hong Kong
I sit and refresh my traveling spirit
amidst an effusion of lucky bamboo
Crepe white and fuchsia orchids
coyly fan their geisha faces

The Morning Sun, at first a pale opal ember
climbing over slumbering, stone-washed
mountains

Roars into brilliance
like a golden Peacock Dragon
strutting through China blue skies

I smile inwardly....
let the moment sweep me off my feet
Breathe in......
colors, sights, sounds
gifts....fullness
judy smith Jul 2015
Getting married on a beach, mountaintop, remote villa or rustic rural setting is a romantic ideal for many brides.

But what does that mean for the wedding dress?

Should you go formal or footloose? Will your gown fit in your suitcase?

A bride having a "destination wedding" should think about versatility when choosing a gown. She must be "concerned about being comfortable, more so than your typical bride. She has to contend with weather and terrain, making her gown choice critical to how at-ease she feels on her special day," says Lori Conley, senior buyer for David's Bridal.

Christine Pagulayan of Toronto and her fiancé, Ian McIntyre, jetted to Costa Rica in 2013 for a resort wedding.

"I had a (dress) style in mind: strapless, low back, white with ruching. Initially, I thought about going short, since we were going to get married on a beach, but I then realized that even if it may be heavy or sweaty, I wanted a real wedding dress. So we found one that had a gorgeous train, but it also had a bustle so I could dance," Pagulayan says.

Some dress trends for destination brides:

• LIGHT FABRICS AND SHORT HEMS: Many traveling brides favor lightweight, airy fabrics.

"Chiffon and organza are always favorites. Full trains can be cumbersome if you're navigating sand or grass," says Conley, of David's.

"A lot of brides opt for the ease of a sweep train," which just grazes the floor.

David's destination-friendly dresses include styles in full or tea-length tulle, soft lace or chiffon, Conley says. Fabrics that travel well for brides wanting a more structured gown include silk gazar, georgette and crepe, which are "lighter-weight versions of silk faille and Mikado," says Carrie Goldberg, associate fashion editor for Martha Stewart Weddings.

J. Crew's Karina short dress, for instance, has a flapper-esque fringe, and is covered in corded lace. • SEPARATES: "Tops and bottoms are not only easier to pack, they allow for mixing and matching fabric and fit to get a silhouette that feels unique to your personal style," says Goldberg.

Separates work for any destination, she says: "A full organza skirt may appeal to a bride getting married on the beach; pairing it with a delicate silk camisole suits the location. The same skirt would suit a mountaintop affair when paired with a fur bolero or a fine knit."

J.Crew's Sloane poly-cotton long skirt has a simple, draped profile; a silk cami top embellished with beads, crystals, sequins and paillettes in a floral motif creates a dressy look.

At David's Bridal, there's the crisp Mikado cropped top balanced by a flowing, organza ball-gown skirt, creating a modern silhouette.

• COLOR: Let the venue inform your choice of hue, Goldberg says.

"A sunset wedding in Napa pairs beautifully with a blush gown, while the colors of an Amalfi Coast wedding may inspire the bride to opt for something blue."

• VERSATILITY: For bridesmaids — or perhaps even the bride — White House Black Market has a clever option: a short or long pull-on gown with a customizable top. You can adjust the straps on the "Genius" dress to make a halter, one-shoulder or cap-sleeved version. Easy to pack, affordable and available in a range of colors, these might be a good option for a group of bridesmaids.

• FOOTWEAR: Flats or wedges are ideal for beach or garden: "The more surface area the sole of your shoes have, the easier it will be to walk," says Conley.

Keep in mind that satin or grosgrain might get stained by grass or sand.

Another option for beach brides is "foot jewelry," an accessory that does away with the need for an actual shoe.

read more:www.marieaustralia.com/formal-dresses-adelaide

www.marieaustralia.com/plus-size-formal-dresses
Lyn-Purcell Jun 2020
╰⊰✿´ℒ♡ⓥℯ'✿⊱╮
Honey pale and so whip-light
Hints of vanilla,
Wheat flour, milk, sugar, eggs
Whisk smooth with butter
Sweet or savoury
Choose fillings
Fry!
╰⊰✿⊱╮
Twenty-sixth Epulaeryu! ^-^
The Pâtisserie collection continues, haha!
Crepes are a guilty pleasure of mine.
Personally, I love mine with some lemon and honey.
Powdered sugar sprinkled on it with some berries on the side.
And the best part is that they can be sweet or savoury!
Br back with more soon!
Much love,
Lyn ***
Àŧùl Jan 2016
Land of the mummies,
Not at all the mothers,
The fabled dead people,
Draped in crepe bandages,
Appearing creepy to kids,
Ranging from Aegyptus,
To high above the Andes.
My HP Poem #967
©Atul Kaushal
Crepe myrtle blooms, pink like the blush of fever
roots growing from the broken bones and spirit
but drinks from the lingering passion of past lovers.

Your footsteps are the creeping of violets throughout
the garden, yet I can feel your touch on the air as it rains,
your memory like the wood smoke from across the street.

I lick my lips, apology and sin, at the tip of my tongue.
To Emily pt. 2
Doofinity Jul 2015
As a child I had a perfect red balloon.
I took delicate strips of crepe paper,
dipped them with paste, and formed a fragile shell around it.

Growing up, crepe paper turned to newspaper, smudged with ink from words marking time.
Paste was no longer strong enough, so I found glue, and occasional stickers to strategically place over gaps.

Aged on and weathered, the strips of newspaper presented carelessly crumpled and shredded.
Glue was replaced by mud of my tears and settling dust from constant construction. Random gems occupy minor dents to deter the eye.

I've built a paper mache heart, strengthening it as life's hardships pay their respects.
Layers upon layers hardened it to be sturdy and solid.
The balloon deflated long ago, but the structure remains. It's cracked, has holes, but holds a nostalgic beauty like that of a well loved antique rocking horse .

I fear though, my demons look up with hallow eyes from down in the depths,
and see a pinata...eager to beat it for the treasures collected inside.
Day lilies and dragonflies
in Arkansas June
boy do I need a sombrero!
not a cloud in the sky
and I pray for a genteel breeze
to cool my brow
The crepe myrtle has
crept its way into
my heart
From dawn to dusk
She stands unscathed
shocking pink candelabrum
boisterous laughter of
school children on vacation and
belly flops in chlorine blue green pools
brings to mind a delightful dip
in a secluded, sylvan
mountain stream
where I can with palms folded
Love brimming
salute the Summer Solstice
Addie Eliades Aug 2012
i touch my finger to my lips,
the cue for Nonnie and me to bow our heads, close our eyes, and hush,
our secret to polished silver and earl grey.
Bless our family, and the needy,
and all the other sheep i count
in grandfather clock rhythm.
Milanos water my mouth from their poise-in crepe cups as
my eyelashes, in squint-scope, filter
antique sunshine flooding the window, pouring all over the tea set,
dusting Nonnie's prayer
to flush the face powder
on her cheeks, once she opens her eyes and smiles,
into a blush.
Verisi Militude Oct 2010
Oldest thing I ever did see,
Skin a mountain range of
Crumpled/crinkled crepe paper
Peaking in altitudinous pouches
Under his eyes, dragging with
Their weight dewlapp jowls
Down to a waddling,
Flabby neck, eyes camouflaged
Under light, fuzzy swatches of cotton,
Mouth slack and vacant, dribbling.
Hobbling with a stoop, knees bowed,
Back arched at an angle, a
Tilted arrow. He tottered over to me,
Inches, feet, miles, years too young,
Smiled brightly to reveal an empty,
Gummy mouth rimmed with
Birthday cake, pallid arms
Outstretched, head splotched with
A thin, wispy cloud of hair,
Half-full and forgotten baby’s bottle
On the carpet behind him.

How quickly they do grow.
A cyclist in a purple turban and salwar pants
whizzed past us as we trudged up the steep hills

of Arlington, Virginia

His gaze caught mine 
just a starry
flash in the bucket

wordless soul communion
that said so much



Do you know what religion he is?
queried my hubby, David
"Sikh...I think" still reflecting
on our brief exchange


David and I were in town for our niece's wedding 

and also on vacation
enjoying the sights and plethora
of attractions that flourish in the capitol
city, Washington, DC


As I surveyed the beautiful capitol
abounding with lush gardens, parks,
magnificent magnolia trees and
fragrant pink and white crepe myrtle

I couldn't help observing the rich diversity
of people and cultures working and living

here


"Where are you from?" I asked our taxi driver

"I'm originally from Ethiopia,"
a waiter in a restaurant told us
he was from Morocco...another person from Egypt...
India...China and so on…



USA has a diverse topography
heavenly mountain ranges, verdant forests,
fruitful farmlands
span outward to luminous blue shores

The racial, political, cultural diversity of our
great nation is what makes us so 

unique and special
It's in our DNA, and literally in mine, 

a real melting ***

All Americans have one thing in common:
our thirst for liberty and freedom

These words from the Memorial of Abraham Lincoln
are brilliant with truth and timeless with love:

"I leave you, hoping that the lamp of liberty
will burn in your bosoms until there shall
no longer be a doubt that all men are
created free and equal." ~Lincoln
Amy Longworth Sep 2012
If
There is no doubt about it:
You have always loved me.
A leonine love.
A love that swells in the womb and the heart
From the very first twinkle in the eye.

Hit play.

Your eyes are swampish,
Mistrustful and marinated in cheap wine,
Shot through with blood, preserved in your own saltwater.
Those alligator eyes
That watch your girls,
Watch your girls board a train and draw away
Into the rest of their lives.
Leaving you stewing in twelve years’ worth of regret.

Years ago,
I used to pinch your forearms -
Watch the skin crepe up
Between my four year old fingers.
Thin blood. Tired skin.
Silently you eat your breakfast of pills and toast at the kitchen counter.
Throw in a horrid hacking cough to remind us you’re still here.
You always write everything down.
As if to tattoo it into your memory.

If you’ve locked the door behind you, it’ll be alright.
If you’ve got half a bottle left.
If you’ve left no trace on the bathroom carpet.
If you’ve woken up in the morning.
You can feel my eyes watching you.

You spend your days watching
Daytime TV, eating salad cream sandwiches and
Hit the bottle at a safe distance from noon.
Safe enough.
Your lipsticks have gone stale,
Now it’s porous skin, sweat stains, grey hair.
I find you poring over bank statements and local newspapers.
Scouring for a job, you say,
And clippings of your daughters
At school functions, clasping exam results.
You keep them in a cereal box that we covered in paint
Age five. We’re in double figures now.
I get drunk on weeknights.

Rewind.

Hold me.
Ball of flesh and screams
And you’ve got your whole life ahead of you.
Wk kortas Sep 2018
They’d found him, emaciated and tick-ridden,
Down near the docks on Smith Boulevard,
Surrounded by several fellow tabbies
Possessed of the apparent inclination to disregard any taboo
Enjoining them from enjoying one of their own as a hors d’oeuvre.
He’d weighed no more than eight pounds or so,
Closer to six if you scraped off the mats and vermin,
But he’d gotten over that in short order,
As his diet consisted of fried chicken livers
And any bits of tuna sandwich his owner might leave lying about
(Though Jerry Kiley was not a small man himself,
And philosophically opposed to the notion of leftovers as well)
So before long he became utterly Falstaffian
(As Father Maguire from Sacred Heart tut-tutted,
Why, that tom is three stone if he’s an ounce;
He gets any larger, and I’ll have to insist
You kick another two bits into the plate
)
And Kiley had to fashion him a bed from a milk crate
Buttressed with sheet metal
Taken from a vat at the old Beverwyck Brewery.

He’d lived well (Better ‘n me, Jerry often lamented)
Though too well, perhaps,
And he’d fallen prey to the maladies of the leisure classes:
Gout, diabetes, a wheezing which sounded for all the world
Like distant cows lowing in a fairly stiff breeze.
The vet had given him any number of pills and potions,
But it all was no match for his appetite,
And he’d ended up taking the gas before he turned five.

It was decided, in the course of conversation and consolation
At the North Albany legion post bar,
That such a kind and devoted soul
Deserved a send off befitting a noble gent.
A collection was scraped together in short order,
And a viewing-***-wake took place at Jack’s Lunch
(Just up Broadway from Jerry’s place.)
Vittles Tuomi made a jerry-built coffin
Fashioned from the now-vacant cat bad,
And John Itzo snagged some fake flowers and a crepe-paper bird
From the brim of his wife’s old hat
(They being perched on a can of tuna soldered to the box
With the intent of nourishing him on his trip to the afterlife,
Jes’ like the pharaohs, according to Vittles.)
As the services progressed, some of the boys floated the notion
That the guest of honor should (under the cover of darkness, natch)
Be interred at St. Patricks, but Father Maguire,
Attending the do as the feline’s ex officio spiritual advisor,
Gently reminded the prospective pallbearers
That His Grace the Bishop had denied burial in consecrated ground
For lesser offenses, and it was finally decided that burial
(It was assumed that he’d been responsible
For an unknown number of progeny, and it was also rumored
That he had a brother or twelve up in Watervliet)
Would be private and at the convenience of the family.
(AUTHOR’S NOTE:  This piece, such as it is, is built on the foundation of
an anecdote entitled “Langford, Prominent Cat, Dies” which appears in William Kennedy’s Riding the Yellow Trolley Car.  The anecdote is pithy and witty; this piece certainly is not the former and most likely comes up short on the latter.)
Bruised Orange Apr 2013
I was a bruised orange,
That round piece of fruit that had been dropped, over and over again.  
Dropped so many times, my insides had turned to sour mash.
(It was a distasteful sort of mush.)
I hid my mushiness behind an exterior of bright orange skin.

(I thought I had fooled everyone but myself.)

He swept into my life, in backward fashion,
Giving himself away to erase the disasters of my wounds.

He was eraser crumbs.
His history, one of being casually swept from the page
As others made their revisions.

Had he not been there?  
Life would have dug a hole through my crepe paper heart,
Scraping and scratching
With its hard, unforgiving end.

But he was eraser crumbs;
He slid easily across my page.
soul in torment Sep 2013
A cardboard box some building blocks
some scissors and some string
four paper plates two Apple crates
a frizbe and a spring

A roll of tape a sheet of crepe
Some paint pots and a brush
five lolly sticks eight lego bricks
quick Ted we have to rush

Pram wheels four maybe one more
***** driver and some screws
A saw some wood there that looks good
With this we cannot lose

place two wheels square right under there
and ***** the screws in tight
Now same again that's done now then
let's fit the seat alright

The Apple crate will look so great
when painted red and green
The box cockpit is where we'll sit
and steer this wild machine

Add blocks and bricks and Lolly sticks
to make my dashboard bright
spare wheel on back now all we lack
are fireflies for our light

Jam jar ******* tight that looks alright
now place them there just so
what's that you said dear mister Ted
you want to have a go

The boxcar race is taking place
so we will have to run
I'll pull you steer were oh so near
to having so much fun

The starting line now grip the line
as dad gives us a push
We're building speed taking the lead
as past them all we whoosh

The end in sight Ted please hold tight
and please don't move about
Ten yards now nine we're doing fine
eight seven six... look out

FIVE more to go let's start to slow
the wheels with the brake
what's that you said dear mister Ted
we've made a big mistake

No brakes oh no two yards to go
and then the three bar gate
but wait just look it's off the hook
and open wide... oh great

1 yard we won the race is run
and yet we still race on
past in a flash we end up SPLASH
Stuck in the village pond

We may be wet but don't forget
we won a victory
For Daddy said that me and Ted
could have a winners tea

So party cake till bellies ache
and then it's time for bed
From bits of trash we made a splash
me and my best friend Ted
Lotte Jan 2014
She calls herself Ethel Du May if you were to ask
But it's not her name, not really,
Even she's not sure what it is anymore

Metal framed glasses with a wonky arm
Skin like crepe paper coated in a layer of polyfilla
With rouge a plenty upon her cheeks, her lips and teeth

Her petite frail frame drowning in gaudy colours and faux fur
Rows upon rows of beads wrapped tightly round her neck
Long pointed red talons, the only decoration upon her delicate fingers

Sitting at the bus stop awaiting the number 21 to town
The time, quarter past nine, she sits and waits
Pressing her menthol cigarette to her lips and tutting looking at her watch

A designer handbag placed upon her lap filled with secrets
Boiled sweets, an address book, anais anais perfume
A hip flask of sherry, metal handcuffs and a spare pair of knickers

She smiles at strangers, at no one, at memories
She's lived a life you only read about in storybooks
And poems
Milan Nicole Mar 2011
we are bound by crepe paper chains
and fooled into thinking they're steel.
and we allow these things to hold us back,
and prevent us from really knowing how to feel.
happiness is in the distance
when it could be at our feet.
we struggle with these paper chains,
then foolishly face defeat.
our personal view is distorted,
with a vision so blind to our light.
we constantly live with a beauty unseen,
keeping our souls from taking flight.
whenever we try to stay built
we end up being nothing but broken.
bottled up, these feelings burn the mind,
but we keep them with struggles unspoken.
Lyzi Diamond Oct 2013
He was long-winded
and going on about
physics, about gravity
and the processes with
which it associates,
about how you can
blow lightly on a
precariously assembled
house of cards to see
it fall over but if you
remove one of the great
mortared stones from
the base of one of the
great mortared pyramids
the structure stands tall
and sturdy, a forever
remnant of one great
injustice and remarkable
innovation.

In the dusty garage that
day his glasses covered
in gray soot and greased
fingerprints on side of
face and shoes with caked
mud from the recent rain
that quickly turned to
cerulean sky as the clouds
were whisked by so quickly
it looked like they were
being pulled by some great
and holy wind, beckoned
to festoon someone's poorly
timed outdoor wedding and
force crepe paper flowers
to stick to stucco walls like
wheat paste.

You think you need to
talk to a person when
you have a problem,
but those automated
systems were created
in the images of people
who were created in
the images of other
people who were
created in the image
of God or some other
restless celestial being,
perhaps a dying star
or an asteroid hurtling
and on a trajectory to
startle a species primitive
and struggling to survive.

The vast mathematical
implications that determine
the universe are sometimes
a bit too much for dinner
conversation, so our chats
turn quickly to local sports
teams and the evening news.
Caroline Grace Oct 2011
This one here's me aged three
at a trestle table for little ones,
snapped with a box Brownie
at the Miss Rosebud parade.

Fresh as a daisy in crepe paper petals
under an eternal sun.
There's my brother dressed as a magpie...
just out of shot.

I remember that dress.
Yards of love sewn into a snowdrift
of crisp petals tumbling into my lap
under the Singer where I sat shuffling

impatiently to the machine's rhythmic rattle,
mesmerized by my mother's puffed-up feet
on the treadle,
my brother's whining cry...
just out of shot.


copyright © Caroline Grace 2011
Mote Apr 2015
I
expression for not in my culture
take it all  slice of alternate                
-universe
all height it   all is   all talks  at last
II
it happened to the fuel what was
need to power it the apparatus I
-needed a
time machine if im ever going to
be anything other than this effing
nun I have to go back do something
take some action wrap again crepe
paper around the limbs nail christ to
the wall I want one of those when I
-come back
a hard body pantries full of fuel
have to go back and snort the hologram
ignore the urge to change my name to
-at the end of the world
III
-sinkholes
opened up next to a chrysler
wormhole to no-work-day to
a little late for the rodeo we
set an orange cone there its
raining underground where    
- the circus
is an all year thing an
elephant jumps a pink horse
sings my mothers evil step
mother  tells me not to wear
******* and tights at the
same time   I think thats
nasty  I tell about papas             
 -aliens
she says its his fault her
birth control failed now she
has to ask him for money
IV
the middle fuzzy like a      
-peach colored
static bloom I believed you
were better and now I would pay to
waterfall over paint samples   
-dissolute
stand solid in the end of the world
glasses full of muck fell off an
escalator got a scar in the shape
of a stiletto or maybe an asteroid    
-they  think of
a knife what cuts in the trim this
riddlin man this feral cat living      
-life
on a soft backseat  
oh and the driver
-being translucent

— The End —