Submit your work, meet writers and drop the ads. Become a member
V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the
Cyprian, who stirs up sweet passion in the gods and subdues the
tribes of mortal men and birds that fly in air and all the many
creatures that the dry land rears, and all the sea: all these
love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor
yet ensnare.  First is the daughter of Zeus who holds the aegis,
bright-eyed Athene; for she has no pleasure in the deeds of
golden Aphrodite, but delights in wars and in the work of Ares,
in strifes and battles and in preparing famous crafts.  She first
taught earthly craftsmen to make chariots of war and cars
variously wrought with bronze, and she, too, teaches tender
maidens in the house and puts knowledge of goodly arts in each
one's mind.  Nor does laughter-loving Aphrodite ever tame in love
Artemis, the huntress with shafts of gold; for she loves archery
and the slaying of wild beasts in the mountains, the lyre also
and dancing and thrilling cries and shady woods and the cities of
upright men.  Nor yet does the pure maiden Hestia love
Aphrodite's works.  She was the first-born child of wily Cronos
and youngest too (24), by will of Zeus who holds the aegis, -- a
queenly maid whom both Poseidon and Apollo sought to wed.  But
she was wholly unwilling, nay, stubbornly refused; and touching
the head of father Zeus who holds the aegis, she, that fair
goddess, sware a great oath which has in truth been fulfilled,
that she would be a maiden all her days.  So Zeus the Father gave
her an high honour instead of marriage, and she has her place in
the midst of the house and has the richest portion.  In all the
temples of the gods she has a share of honour, and among all
mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the
hearts.  But of all others there is nothing among the blessed
gods or among mortal men that has escaped Aphrodite.  Even the
heart of Zeus, who delights in thunder, is led astray by her;
though he is greatest of all and has the lot of highest majesty,
she beguiles even his wise heart whensoever she pleases, and
mates him with mortal women, unknown to Hera, his sister and his
wife, the grandest far in beauty among the deathless goddesses --
most glorious is she whom wily Cronos with her mother Rhea did
beget: and Zeus, whose wisdom is everlasting, made her his chaste
and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to
be joined in love with a mortal man, to the end that, very soon,
not even she should be innocent of a mortal's love; lest
laughter-loving Aphrodite should one day softly smile and say
mockingly among all the gods that she had joined the gods in love
with mortal women who bare sons of death to the deathless gods,
and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises
who was tending cattle at that time among the steep hills of
many-fountained Ida, and in shape was like the immortal gods.
Therefore, when laughter-loving Aphrodite saw him, she loved him,
and terribly desire seized her in her heart.  She went to Cyprus,
to Paphos, where her precinct is and fragrant altar, and passed
into her sweet-smelling temple.  There she went in and put to the
glittering doors, and there the Graces bathed her with heavenly
oil such as blooms upon the bodies of the eternal gods -- oil
divinely sweet, which she had by her, filled with fragrance.  And
laughter-loving Aphrodite put on all her rich clothes, and when
she had decked herself with gold, she left sweet-smelling Cyprus
and went in haste towards Troy, swiftly travelling high up among
the clouds.  So she came to many-fountained Ida, the mother of
wild creatures and went straight to the homestead across the
mountains.  After her came grey wolves, fawning on her, and grim-
eyed lions, and bears, and fleet leopards, ravenous for deer: and
she was glad in heart to see them, and put desire in their
*******, so that they all mated, two together, about the shadowy
coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters,
and him she found left quite alone in the homestead -- the hero
Anchises who was comely as the gods.  All the others were
following the herds over the grassy pastures, and he, left quite
alone in the homestead, was roaming hither and thither and
playing thrillingly upon the lyre.  And Aphrodite, the daughter
of Zeus stood before him, being like a pure maiden in height and
mien, that he should not be frightened when he took heed of her
with his eyes.  Now when Anchises saw her, he marked her well and
wondered at her mien and height and shining garments.  For she
was clad in a robe out-shining the brightness of fire, a splendid
robe of gold, enriched with all manner of needlework, which
shimmered like the moon over her tender *******, a marvel to see.

Also she wore twisted brooches and shining earrings in the form
of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her:
'Hail, lady, whoever of the blessed ones you are that are come to
this house, whether Artemis, or Leto, or golden Aphrodite, or
high-born Themis, or bright-eyed Athene.  Or, maybe, you are one
of the Graces come hither, who bear the gods company and are
called immortal, or else one of those who inhabit this lovely
mountain and the springs of rivers and grassy meads.  I will make
you an altar upon a high peak in a far seen place, and will
sacrifice rich offerings to you at all seasons.  And do you feel
kindly towards me and grant that I may become a man very eminent
among the Trojans, and give me strong offspring for the time to
come.  As for my own self, let me live long and happily, seeing
the light of the sun, and come to the threshold of old age, a man
prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered
him: 'Anchises, most glorious of all men born on earth, know that
I am no goddess: why do you liken me to the deathless ones?  Nay,
I am but a mortal, and a woman was the mother that bare me.
Otreus of famous name is my father, if so be you have heard of
him, and he reigns over all Phrygia rich in fortresses.  But I
know your speech well beside my own, for a Trojan nurse brought
me up at home: she took me from my dear mother and reared me
thenceforth when I was a little child.  So comes it, then, that I
well know you tongue also.  And now the Slayer of Argus with the
golden wand has caught me up from the dance of huntress Artemis,
her with the golden arrows.  For there were many of us, nymphs
and marriageable (26) maidens, playing together; and an
innumerable company encircled us: from these the Slayer of Argus
with the golden wand rapt me away.  He carried me over many
fields of mortal men and over much land untilled and unpossessed,
where savage wild-beasts roam through shady coombes, until I
thought never again to touch the life-giving earth with my feet.
And he said that I should be called the wedded wife of Anchises,
and should bear you goodly children.  But when he had told and
advised me, he, the strong Slayer of Argos, went back to the
families of the deathless gods, while I am now come to you: for
unbending necessity is upon me.  But I beseech you by Zeus and by
your noble parents -- for no base folk could get such a son as
you -- take me now, stainless and unproved in love, and show me
to your father and careful mother and to your brothers sprung
from the same stock.  I shall be no ill-liking daughter for them,
but a likely.  Moreover, send a messenger quickly to the swift-
horsed Phrygians, to tell my father and my sorrowing mother; and
they will send you gold in plenty and woven stuffs, many splendid
gifts; take these as bride-piece.  So do, and then prepare the
sweet marriage that is honourable in the eyes of men and
deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet
desire in his heart.  And Anchises was seized with love, so that
he opened his mouth and said:

(ll. 145-154) 'If you are a mortal and a woman was the mother who
bare you, and Otreus of famous name is your father as you say,
and if you are come here by the will of Hermes the immortal
Guide, and are to be called my wife always, then neither god nor
mortal man shall here restrain me till I have lain with you in
love right now; no, not even if far-shooting Apollo himself
should launch grievous shafts from his silver bow.  Willingly
would I go down into the house of Hades, O lady, beautiful as the
goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand.  And
laughter-loving Aphrodite, with face turned away and lovely eyes
downcast, crept to the well-spread couch which was already laid
with soft coverings for the hero; and upon it lay skins of bears
and deep-roaring lions which he himself had slain in the high
mountains.  And when they had gone up upon the well-fitted bed,
first Anchises took off her bright jewelry of pins and twisted
brooches and earrings and necklaces, and loosed her girdle and
stripped off her bright garments and laid them down upon a
silver-studded seat.  Then by the will of the gods and destiny he
lay with her, a mortal man with an immortal goddess, not clearly
knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen
and hardy sheep back to the fold from the flowery pastures, even
then Aphrodite poured soft sleep upon Anchises, but herself put
on her rich raiment.  And when the bright goddess had fully
clothed herself, she stood by the couch, and her head reached to
the well-hewn roof-tree; from her cheeks shone unearthly beauty
such as belongs to rich-crowned Cytherea.  Then she aroused him
from sleep and opened her mouth and said:

(ll. 177-179) 'Up, son of Dardanus! -- why sleep you so heavily?
-- and consider whether I look as I did when first you saw me
with your eyes.'

(ll. 180-184) So she spake.  And he awoke in a moment and obeyed
her.  But when he saw the neck and lovely eyes of Aphrodite, he
was afraid and turned his eyes aside another way, hiding his
comely face with his cloak.  Then he uttered winged words and
entreated her:

(ll. 185-190) 'So soon as ever I saw you with my eyes, goddess, I
knew that you were divine; but you did not tell me truly.  Yet by
Zeus who holds the aegis I beseech you, leave me not to lead a
palsied life among men, but have pity on me; for he who lies with
a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him:
'Anchises, most glorious of mortal men, take courage and be not
too fearful in your heart.  You need fear no harm from me nor
from the other blessed ones, for you are dear to the gods: and
you shall have a dear son who shall reign among the Trojans, and
children's children after him, springing up continually.  His
name shall be Aeneas (27), because I felt awful grief in that I
laid me in the bed of mortal man: yet are those of your race
always the most like to gods of all mortal men in beauty and in
stature (28).

(ll. 202-217) 'Verily wise Zeus carried off golden-haired
Ganymedes because of his beauty, to be amongst the Deathless Ones
and pour drink for the gods in the house of Zeus -- a wonder to
see -- honoured by all the immortals as he draws the red nectar
from the golden bowl.  But grief that could not be soothed filled
the heart of Tros; for he knew not whither the heaven-sent
whirlwind had caught up his dear son, so that he mourned him
always, unceasingly, until Zeus pitied him and gave him high-
stepping horses such as carry the immortals as recompense for his
son.  These he gave him as a gift.  And at the command of Zeus,
the Guide, the slayer of Argus, told him all, and how his son
would be deathless and unageing, even as the gods.  So when Tros
heard these tidings from Zeus, he no longer kept mourning but
rejoiced in his heart and rode joyfully with his storm-footed
horses.

(ll. 218-238) 'So also golden-throned Eos rapt away Tithonus who
was of your race and like the deathless gods.  And she went to
ask the dark-clouded Son of Cronos that he should be deathless
and live eternally; and Zeus bowed his head to her prayer and
fulfilled her desire.  Too simply was queenly Eos: she thought
not in her heart to ask youth for him and to strip him of the
slough of deadly age.  So while he enjoyed the sweet flower of
life he lived rapturously with golden-throned Eos, the early-
born, by the streams of Ocean, at the ends of the earth; but when
the first grey hairs began to ripple from his comely head and
noble chin, queenly Eos kept away from his bed, though she
cherished him in her house and nourished him with food and
ambrosia and gave him rich clothing.  But when loathsome old age
pressed full upon him, and he could not move nor lift his limbs,
this seemed to her in her heart the best counsel: she laid him in
a room and put to the shining doors.  There he babbles endlessly,
and no more has strength at all, such as once he had in his
supple limbs.

(ll. 239-246) 'I would not have you be deathless among the
deathless gods and live continually after such sort.  Yet if you
could live on such as now you are in look and in form, and be
called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you --
ruthless age which stands someday at the side of every man,
deadly, wearying, dreaded even by the gods.

(ll. 247-290) 'And now because of you I shall have great shame
among the deathless gods henceforth, continually.  For until now
they feared my jibes and the wiles by which, or soon or late, I
mated all the immortals with mortal women, making them all
subject to my will.  But now my mouth shall no more have this
power among the gods; for very great has been my madness, my
miserable and dreadful madness, and I went astray out of my mind
who have gotten a child beneath my girdle, mating with a mortal
man.  As for the child, as soon as he sees the light of the sun,
the deep-breasted mountain Nymphs who inhabit this great and holy
mountain shall bring him up.  They rank neither with mortals nor
with immortals: long indeed do they live, eating heavenly food
and treading the lovely dance among the immortals, and with them
the Sileni and the sharp-eyed Slayer of Argus mate in the depths
of pleasant caves; but at their birth pines or high-topped oaks
spring up with them upon the fruitful earth, beautiful,
flourishing trees, towering high upon the lofty mountains (and
men call them holy places of the immortals, and never mortal lops
them with the axe); but when the fate of death is near at hand,
first those lovely trees wither where they stand, and the bark
shrivels away about them, and the twigs fall down, and at last
the life of the Nymph and of the tree leave the light of the sun
together.  These Nymphs shall keep my son with them and rear him,
and as soon as he is come to lovely boyhood, the goddesses will
bring him here to you and show you your child.  But, that I may
tell you all that I have in mind, I will come here again towards
the fifth year and bring you my son.  So soon as ever you have
seen him -- a scion to delight the eyes -- you will rejoice in
beholding him; for he shall be most godlike: then bring him at
once to windy Ilion.  And if any mortal man ask you who got your
dear son beneath her girdle, remember to tell him as I bid you:
say he is the offspring of one of the flower-like Nymphs who
inhabit this forest-clad hill.  But if you tell all and foolishly
boast that you lay with ric
Juhlhaus Jan 2019
I am a stone.
Long ago my mother gave me birth.
From her molten womb in the cooling rain I took shape.
Wind and water gently washed me
And smoothed my hard edges.
Through riven clouds the bright sun warmed me,
And the gray mist wove me mossy coverings.
Day after day I listened to the wind in the heather
And the cry of sea birds wheeling overhead.

Men found me on the mountainside,
Stripped me of my mossy cloak
And hauled me away on a cart of wood,
To be used for the glory of God.
With sharp tools and hammer blows they fashioned me
And gave me hard edges.
They stacked me high on top of other stones,
Fitted me snug and sealed me in.
Through narrow windows the bright sun colored the floor below,
And in the darkness voices rose with scented smoke,
Singing of the glory of God.

Men warred with other men, took each other’s lives,
And threw down what they had raised up.
Scorched by angry flames, I fell
From that high place to lie broken in the ashes.
Wind and water gently washed me
And smoothed my hard edges.
Through riven clouds the bright sun warmed me,
And the gray mist wove me mossy coverings.
Day after day I listened to the wind in the ruins
And the cry of sea birds wheeling overhead.

A shepherd found me in the grass
And carried me away in his arms.
He nestled me alongside other stones
To keep wandering sheep away from deadly cliffs.
Though riven clouds the bright sun warms us,
And the gray mist weaves us mossy coverings.
Day after day we listen to the wind in the heather
And the cry of sea birds wheeling overhead.
I would not have thought a stone could possess a soul, until I visited Scotland. This poem was inspired in part by a visit to the ruins of the Cathedral of Saint Andrew. I composed the poem a few months later, after a friend suggested I write an essay describing my spiritual journey through disillusionment and doubt. As I pondered this, it seemed that no essay could ever convey my bound-up thoughts and emotions, but a poem might begin to do so.
2 Mother's Days
Came & went away
2 Mother's Days
I cried the day away

© From A Mother's 💔
5/12/20

Stress is a b*tch
It steals your joy
It makes u itch

© From A Poet's ♥️
5/11/20


Co-vid
Inspired by Jolene by Dolly Parton

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

Your symptoms come n a disguise
The media spreading all your lies
W/ scare tactics & fear mongering
Your gift to us makes us all cuss
We can't b who we were once
And we cannot compete with u
Co-vid

We dream about u n nightmares
U r on the news, u're everywhere
There's no escaping u @ all
Co-vid

But we can't easily understand
How you can take women & men
But u don't know what they mean 2 us
Co-vid

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

U could have your choice of homes
But we can't just go out & roam
Home's the only place 4 us
Co-vid

I had to write this song to u
Our very lives depend on u
And whatever u sent our way next
Co-vid

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

Co-vid! Co-vid!

© From A Quarantined Poet's ♥️
4/19/20

Covid-19
U r obscene
We once were free
But we couldn't see

U stole that
From us
Til we
Wanna cuss

We can't see
Our fam
And u don't
Give a ****

We can't see
Our friends
Will this
Pandemic end?

Some can't go
To work
U're just a
Big ****

Kids can't
Go to school
Now parents
Have to enforce rules

© From A Quarantined Poet's ♥️
4/8/20

Quarantine
Day 33!
***!
Woe is me!

Quarantine
Day 33!
Who r u &
Who is she?

Quarantine
Day 33!
Washing hands
To meet demands

Quarantine
Day 33!
Only go to work
Don't get perks

Quarantine
Day 33
I work full-time
But not he

Quarantine
Day 33
Shopping carts
6 feet apart

6 feet apart
And no hugs
6 feet apart
Don't share cootie bugs

© From A Working Quarantined Poet's ♥️
4/11/20

N response to another poet's poem

We too are essential
And get paid small
For the work we do
For travelers and all

To find place of rest
At our hotel
We're practically the only ones open
As u can tell

I'm also a caregiver
Keeping people healthy
Although with covid-19
Not many r wealthy

We're all n this 2gether
All over the world
Hopefully future changes come
Soon to the weather

Don't matter the color of skin
Black, white or brown
We're all stuck in
All over every town

© From A Poet's ♥️
4/11/20

The 12 Months Of Lockdown

On the first month of lockdown all over my small town,
Jobs laid off, people stayed home!

On the second month of lockdown all over my small town,
People got bored
Jobs laid off, people stayed home!

On the third month of lockdown all over my small town,
Online jobs,
People got bored
Jobs laid off, people stayed home!

On the fourth month of lockdown all over my small town,
Video chats
Online jobs,
People got bored
Jobs laid off, people stayed home!

On the fifth month of lockdown all over my small town,
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the sixth month of lockdown all over my small town,
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the seventh month of lockdown all over my small town,
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the eighth month of lockdown all over my small town,
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the ninth month of lockdown all over my small town,
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 10th month of lockdown all over my small town,
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 11th month of lockdown all over my small town,
Virtual church attendance
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 12th month of lockdown all over my small town,
Wear face masks & gloves
Virtual church attendance
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

© From A Quarantined Poet's ♥️
4/11/20

We're 'spose 2 b locked down
But it don't look like it
But all over my town
Ppl r pitching fits

They cannot go c
Their own family
They cannot go do
What they intended to

They r stuck inside
W/ family they hate
W/ rules 2 abide
They can't go out on dates

They will get over it
(Not b4 they pitch a fit!)
Or they'll get a ticket
(And they can't afford it!)

© From A Quarantined Poet's ♥️
4/12/20

People wear frowns
And they wear gowns
People wear face masks While doing tasks

Pretty soon they'll wear
Coverings for their shoes
Just like doctors
And surgeons do

People wear gloves
Afraid they'll get sick
Like God up above
Couldn't heal them that quick

© From A Poet's ♥️
4/12/20

Easter n quarantine
This is obscene!
Easter n quarantine
Covid-19, u r really mean!

© From A Quarantined Poet's ♥️
4/12/20

I can't c my kids
He still says they r his
He teaches them hate
Now that Morgan is 8

Roy's following too
And I don't know what to do

© From A Mother's 💔
4/14/20

He found another way
For DSS to say
That I cannot c
Not even #3

He's using the system
To benefit him
To brainwash them
Against me & William

© From A Mother's 💔
4/14/20

Happy birthday
To u all
Sorry that I
Couldn't call

© From A Poet's ♥️
4/20/20

"Boredom"
Inspired by: "Jolene" by Dolly Parton

https://youtu.be/Ixrje2rXLMA

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

Your torture is beyond compare
U drive us to the brink w/ dares
W/ nothing left to do but stare around
Your smile is like evil disguised
Your voice telling all kinds of lies
And we've run out of things to do,
Boredom!

They talk about u on the news
You're streaming w/ the largest views
There's nowhere we can escape u
Boredom!

And I could easily understand
How you have need to recruit us
But you don't know what sanity is
Boredom!

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

U could choose other planets
But u have chosen planet Earth
Seems we're the one for the job
Boredom!

I had 2 get this off my chest
So we can actually get some rest
I hope there is not another test
Boredom!

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

Boredom! Boredom!

© From A Poet's ❤️
4/21/20

If I cuss like a sailor
And dress like a tailor
Then my mouth would b *****
Even passed the age of 30.

© From A Poet's ♥️
4/22/20

If it smells like a trout
And u can't stay out
B sure to use protection
So u won't get an infection

© From A Poet's ♥️
4/22/20
I really want
To c my dad
But he only
Makes me mad

© From A Poet's 💔
3/22/20

Photo inspiration

Kissing in the rain
Washes away the pain
Even if it's in the shower
That takes over an hour
The hot water will run out
Then cold water comes out the spout
And then kills the mood
So we move to the room
Things r heating up now
There's no turning back now
Let's keep the momentum going
Now that our juices r flowing

© From A Poet's ♥️
5/12/20

2 Mother's Days
Came & went away
2 Mother's Days
I cried the day away

© From A Mother's 💔
5/12/20

Stress is a b*tch
It steals your joy
It makes u itch

© From A Poet's ♥️
5/11/20


Co-vid
Inspired by Jolene by Dolly Parton

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

Your symptoms come n a disguise
The media spreading all your lies
W/ scare tactics & fear mongering
Your gift to us makes us all cuss
We can't b who we were once
And we cannot compete with u
Co-vid

We dream about u n nightmares
U r on the news, u're everywhere
There's no escaping u @ all
Co-vid

But we can't easily understand
How you can take women & men
But u don't know what they mean 2 us
Co-vid

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

U could have your choice of homes
But we can't just go out & roam
Home's the only place 4 us
Co-vid

I had to write this song to u
Our very lives depend on u
And whatever u sent our way next
Co-vid

Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our health!
Co-vid! Co-vid!
Co-vid! Co-vid!
We're beggin' of you please don't take our wealth!

Co-vid! Co-vid!

© From A Quarantined Poet's ♥️
4/19/20

Covid-19
U r obscene
We once were free
But we couldn't see

U stole that
From us
Til we
Wanna cuss

We can't see
Our fam
And u don't
Give a ****

We can't see
Our friends
Will this
Pandemic end?

Some can't go
To work
U're just a
Big ****

Kids can't
Go to school
Now parents
Have to enforce rules

© From A Quarantined Poet's ♥️
4/8/20

Quarantine
Day 33!
***!
Woe is me!

Quarantine
Day 33!
Who r u &
Who is she?

Quarantine
Day 33!
Washing hands
To meet demands

Quarantine
Day 33!
Only go to work
Don't get perks

Quarantine
Day 33
I work full-time
But not he

Quarantine
Day 33
Shopping carts
6 feet apart

6 feet apart
And no hugs
6 feet apart
Don't share cootie bugs

© From A Working Quarantined Poet's ♥️
4/11/20

N response to another poet's poem

We too are essential
And get paid small
For the work we do
For travelers and all

To find place of rest
At our hotel
We're practically the only ones open
As u can tell

I'm also a caregiver
Keeping people healthy
Although with covid-19
Not many r wealthy

We're all n this 2gether
All over the world
Hopefully future changes come
Soon to the weather

Don't matter the color of skin
Black, white or brown
We're all stuck in
All over every town

© From A Poet's ♥️
4/11/20

The 12 Months Of Lockdown

On the first month of lockdown all over my small town,
Jobs laid off, people stayed home!

On the second month of lockdown all over my small town,
People got bored
Jobs laid off, people stayed home!

On the third month of lockdown all over my small town,
Online jobs,
People got bored
Jobs laid off, people stayed home!

On the fourth month of lockdown all over my small town,
Video chats
Online jobs,
People got bored
Jobs laid off, people stayed home!

On the fifth month of lockdown all over my small town,
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the sixth month of lockdown all over my small town,
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the seventh month of lockdown all over my small town,
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the eighth month of lockdown all over my small town,
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the ninth month of lockdown all over my small town,
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 10th month of lockdown all over my small town,
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 11th month of lockdown all over my small town,
Virtual church attendance
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

On the 12th month of lockdown all over my small town,
Wear face masks & gloves
Virtual church attendance
Hosting watch parties!
People went crazy!
Pay your bills online!
Toilet paper hoarding!
Honey-do projects!
Homeschooling!
Video chats
Online jobs,
People got bored
Jobs laid off, people got sent home!

© From A Quarantined Poet's ♥️
4/11/20

We're 'spose 2 b locked down
But it don't look like it
But all over my town
Ppl r pitching fits

They cannot go c
Their own family
They cannot go do
What they intended to

They r stuck inside
W/ family they hate
W/ rules 2 abide
They can't go out on dates

They will get over it
(Not b4 they pitch a fit!)
Or they'll get a ticket
(And they can't afford it!)

© From A Quarantined Poet's ♥️
4/12/20

People wear frowns
And they wear gowns
People wear face masks While doing tasks

Pretty soon they'll wear
Coverings for their shoes
Just like doctors
And surgeons do

People wear gloves
Afraid they'll get sick
Like God up above
Couldn't heal them that quick

© From A Poet's ♥️
4/12/20

Easter n quarantine
This is obscene!
Easter n quarantine
Covid-19, u r really mean!

© From A Quarantined Poet's ♥️
4/12/20

I can't c my kids
He still says they r his
He teaches them hate
Now that Morgan is 8

Roy's following too
And I don't know what to do

© From A Mother's 💔
4/14/20

He found another way
For DSS to say
That I cannot c
Not even #3

He's using the system
To benefit him
To brainwash them
Against me & William

© From A Mother's 💔
4/14/20

Happy birthday
To u all
Sorry that I
Couldn't call

© From A Poet's ♥️
4/20/20

"Boredom"
Inspired by: "Jolene" by Dolly Parton

https://youtu.be/Ixrje2rXLMA

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

Your torture is beyond compare
U drive us to the brink w/ dares
W/ nothing left to do but stare around
Your smile is like evil disguised
Your voice telling all kinds of lies
And we've run out of things to do,
Boredom!

They talk about u on the news
You're streaming w/ the largest views
There's nowhere we can escape u
Boredom!

And I could easily understand
How you have need to recruit us
But you don't know what sanity is
Boredom!

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

U could choose other planets
But u have chosen planet Earth
Seems we're the one for the job
Boredom!

I had 2 get this off my chest
So we can actually get some rest
I hope there is not another test
Boredom!

Boredom! Boredom!
Boredom! Boredom!
Please give everyone something else to do!
Boredom! Boredom!
Boredom! Boredom!
Please before we go insane inside!

Boredom! Boredom!

© From A Poet's ❤️
4/21/20

If I cuss like a sailor
And dress like a tailor
Then my mouth would b *****
Even passed the age of 30.

© From A Poet's ♥️
4/22/20

If it smells like a trout
And u can't stay out
B sure to use protection
So u won't get an infection

© From A Poet's ♥️
4/22/20

We pay rent
And don't c a cent
Of it in air
And she doesn't care

© From A Poet's ♥️
5/3/20

Photo challenge

I caught Tinker Bell!
The devilish little sprite!
She has been causing hell!
When she is out of sight!

© From A Poet's ♥️
5/3/20
Brittany Wynn Feb 2015
TRIGGER WARNING*

They met at a dance recital.

His eerie blue eyes watched her, stalked her,
riveted by sinewy skin and the way her legs stretched and parted
skillfully, seductively: she knew how to captivate her audience.

They had mutual friends.

Her curiosity thirsted for more, for she had been taken
over by an empty lust, broken by another, but the way he spoke:
she felt as pretty as his charms sounded.

They went on a date.

He kissed her, pinched her, and spread those legs
that comprised his fantasies, not caring about the bruises he left
when he took off her lacey coverings, pinning her to the floor.

They learned more about each other.

She saw the empty, carnal look in his eyes, but her pleas
and shoves were not enough to lessen the weight of him, to push
his hands or his hips away, as he broke her over and over again.

They ended the night with a kiss.

He grabbed her face like a starving man grabs his first meal,
forcing an intimacy she could never get back, but he said,
“You liked it, didn’t you.”

They kept in touch.

She tried blocking his calls, his messages, asking her if she’d
come over to his place. Like the continuous force he prodded her with,
the pounding in her head beat out a thumping heart-line of no’s.
Nigel Morgan May 2015
In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible
Nigel Morgan Feb 2013
Prince Niou had removed himself from Kaoru’s company and the warmth of the wood-burning stove. Under the shelter of the steep karawa eaves he stood to watch the snow, to watch it fall, fall relentlessly, relentlessly. But for the biting cold he might have been watching the blossoms fall and scatter, those intricate, delicate flowers that, as you looked up at them in the trees, were in tessellation with the sky. It was Kisaragi (late February) when winter shows little sign that spring might appear. So now the time of deep snows in the mountain fastness where Kaoru’s family estates straddled part of the necessary journey from Edo to Kyoto.
 
The snowfall mesmerized Niou. It held such a purity of disordered motion, He stretched out his arm to feel the soft touch of the flakes on his embroidered sleeve. He imagined Ukifune’s touch would be like that of this falling snow, a pattering of fingers, a sweep of her long, long hair. She, Kaoru’s mistress, had left earlier in the afternoon to journey safely across the mountain passes to her lakeside home before the heavy snow fall set in. He had been close witness to Kaoru’s passion for this delicate flower picked from across the mountains to grace his country house his wife would never visit in winter. And now Prince Niou had, in just two days of polite proximity, lost his heart and all reason to this girl-woman, this woman-girl. She seemed beyond conventional description such was her beauty and her graceful manner. When her eyes rose to his he lost the composure he knew his station demanded. But Kaoru in his own infatuation and glowing with the pleasuring he and Ukifune enjoyed seemed oblivious to the Prince’s covert gaze.
 
This evening Kaoru had already drunk more than was sensible. But darkness was drawing in, and the duties, what little he allowed himself, were over for the day, except to entertain his eminent friend. He had allowed himself to be carefully boastful of Ukifune’s charms and beauty. His words made frequent veiled suggestions of their moments of pleasure together in this winter world of silence where lovers would part the screens and stand folded in each other’s arms to witness the white world of snowfall decorate the mountain landscape.
 
Prince Niou had already decided that as his friend fell into stupor then sleep, and that would be soon, he would set out across the snows to seek Ukifune’s path, to capture her for himself, to declare his love and passion. As she left he had passed a note to her maid telling her not to be surprised by a night-time visitation. He knew that a journey in falling snow would take many hours and it would probably be dawn before he could approach her mountain retreat, a small house by a lake. There, it seemed, she withdrew from the complexities of court life to find the peace and balance necessary to sustain her beauty. She had described the joy of witnessing the intricate twilights and blood red dawns of winter, of watching the birds rise from and return to the oft-frozen lake. She and her maid would drift idly in her boat watching the black, dense water lap too and fro, until the cold required a return to warmth and comfort.
 
It was to be a hard journey. Niou, though prepared with stout boots, an extra cloak and shawl, knew he would flounder into drifts along way. Only his long staff would save him from ignominy. His saw his path blessed by the light of a half moon and together with a myriad of stars arching across the heavens, he would triumph. He had borrowed items of Kaoru’s clothing, his hat and staff, his bag and winter cloak. To all intents and purposes as he approached Ukifune’s home he would appear as his soon to be cuckolded friend. His thoughts remained fixed on  Ukifune. He longed for the moment when she would raise her eyes to him from her pillow, in surprise, in wonder he hoped. He considered how his cold body would join with her warm body in the infinite caress of love’s first passionate meeting. He would then carry her wrapped in her bed coverings to her boat and, having secured her comfort, pole out into the lake and there join with her as the moon looked down from the dawn sky.
 
Later they would exchange poems:
 
Niou
​Snow upon hill, ice along frozen rivers:
​​There for you I trod, yet for all that never lost
​​The way to be lost in you.

 
Ukifune​
*Quicker than the snow, swirling down at last
​​To lie by a frozen lake, I think I shall
​​Melt away while aloft yet in mid sky.
Lora Lee Apr 2016
Poetry is a mask in reverse
created from just a mere spark
bringing to light
who we really are
out of the depths of the dark
       Despite ourselves      
we try to hide
in the realms of our daily lives
and then poetry's
visceral therapy
weaves magic spells
from our fingers
     right out
                 of our minds
Suddenly, there is no choice
but to allow those masks
to be dropped
like a sudden change of fancy
at a medieval ball:
Naked eyes for coverings
are swapped
Yes…the command is given
ornate masks slip
with a splat upon
the floor
Suddenly, all dancers look
upon each other's faces
discovering treasures
they knew not before
Pregnant silence reigns
and only then
does the true dance begin
in bransles' or corantos' countered moves,
a new quiet
drowns out the din
Let it commence!
in festive air,
all attempts to hide
are in vain
Subtextual glances
and heady music
create sensual tension
profane
      The wine is flowing
smiles glowing
and soon release will
bear fruit
as the dance is danced
without inhibition
and all pretenses
start to uproot
And so it is
in poetry…
All those masks
are thrown down
the words just
                        trip
                              from beyond our lips
making magic
from adjectives and nouns
Now, our words drip upon the paper
revealing the secrets divine
our souls are coaxed out from the layers
melting your
sparkling poets' hearts
into mine
BTW a bransle and coranto are examples of traditional medieval line dances
5/6/00 3:49 PM
I am transcribing this mornings’ writings.
It is 11 a.m. I have been naked all day.  So many windows to look through, both physically and in the mind.  
I have been near silent the whole time I have been in this house.  I find it so strangely familiar here.  It fits; it all fits in the mysterious cosmic way I have yet to discover.
*I am a person who visits ‘his house when he is on trips.  And here I find myself on a trip or two indeedy.  The house, thought 1, I love his style.
It makes me think of what I want for myself.  There is fantasy and reality to indulge in here.
Reality is the space and freedom.  Space for all things special and ordinary.  I miss space and order.  He has all the thought provoking areas of interest of a real home.  The colors are rich, deep blue, burgundy, and browns, all used in an artful mix of styles.  Oddly pondering here because I would choose many of the same pieces myself.  Every room has space for dancing, which I have done naked a few times here now.
Everyone else is watching big screen movies.  I am in the other living room on a big brown leather couch; still naked, touching all of ‘his things with my body.  
I awoke this morning to the sound of the modem.  I swear it is the perfect alarm clock for me!  You know I get excited every time I here the perfect connection.  
My dreams were vivid awake and asleep because ‘he is on a trip and I am sleeping naked in the master bedroom.  There is the possibility he could have come home at anytime.  I had spent 6 hours already that night naked in his home without his knowledge.  Everyone is used to me being naked when we come stay here.  I don’t want to put clothes on here, in this house.
It is not the people around seeing me naked in the yard sunbathing, or running around the big house with big windows which have no coverings btw.
It is the space and atmosphere that draws out my facets.  This space sparks my exhibitionist in a feisty way. * All the ***** massages for me to relax and enjoy, just being papered to highs. *  
The white leather couch and a 60-inch screen for movies- others are sitting in the chairs and on the floor.
One joins me on the sofa.  Everyone is watching a movie, so am I when my eyes are open.  I am on the couch on my stomach, with a pillow under my hips and my head.  My legs spread wide, there I am being touched inside and out constantly.  I moan, open my eyes and see the many eyes on me and the ’s.  I close my eyes and smile and say “watch the movie you guys geez”, giggle, wiggle and moan again.  The surround sound covers some of my whimpers.  
As soon as the movie was over I walked to the master bedroom and turned on the light.  HIS clothes, files, and suitcases were still on the bed.  WoW he really could come home.  I wanted that bed!
-We- cleared the bed and I jumped in the middle and put ‘his pillow under my ***.  I don’t know ‘him, but I love his style and I wanted to *** on his bed and pillows.  The fact that I come here and stay naked all over his things excites me, and he has no idea.  And yes, I came all over the master bed, we ****** madly!  I know the others heard my bells and chains clinking at a feverish pace.  I listened to the sounds ‘his bed made.  I fully enjoyed his headboard, grabbing his oak poles, feeling each one up and down, as I was getting closer to coming.  Ahhh my hand finds a broken bar, I think how it must have been broken by ‘him doing what I was at that moment.  That moment I came.
My mind was so in this “space”, that after we were spent I jumped up and ran to the pool.  Everyone else was still wake and followed me outside.  Skinny-dipping after hours of pleasure is the best recovery!  Wooo Hooo!  
I was the only one naked – still, I didn’t mind and neither did anyone else.  They were announcing to me when the pool jets came on, giggles, they wanted me sitting on them.  A wind picked up and I went inside, everyone followed me in.  
We all watched Eyes Wide Shut, and then everyone went to his or her separate rooms.  
I took ‘his room, I love the big space, the many doors and windows all left open, so nice and free.  I stood beside ‘his bed and slowly dropped my chains and bells beside his slippers on the floor.  I sprawled about on his sheet and fell into a light sleep.
I was dreaming that there was a camera taking pictures of me, while I was replaying in my dream the real conversation I had with ‘him the night before.  He was asleep on the phone, I called and he never fully woke up to give my message to his roommate.  I listened to him breath, and I spoke quietly to him, softly and sweetly, he spoke back a few times and then I hung up.  But in the dream I was having it was *******, and I was talking in my sleep, in ‘his bed.  What a twist of cosmic ways.  With all the dreams: of the snap shots and the discovery of me in his bed, ****, alone and moaning **** me.   In my dream I was saying it, and I know the other people in the other rooms could hear me speaking my mind in my sleep.  The rooms are close by indeed.
Awoke by the modem with 5 hours of sleep, I was stiff bodied, yet excited to wake up in ‘his bed.  It was 8:30 a.m. I rolled over and moaned loud enough to draw attention to myself, knowing it would work .
I kept my eyes closed and softly said how sore my ribs and back were.  The hands of the night before returned to rub my body once again.  After a few minutes of morning massage, I smiled, giggled and rolled off the bed and darted to the pool.
Naked morning sunshine, I love it, jump in the pool and by the time I got fully wet the coffee came to me.  Everyone was eating breakfast poolside while I skinny-dipped my body into a limber state.  After breakfast everyone jumped in the pool with me, but I was the only one naked.  We all swam for 30 minutes or so.  I spotted the lounge chair and decided to sunbathe Seconds after my body reclined, the hands and oil came to pamper me once again.  I was spread out in full view of all in the pool, getting slicked up al over, with oil and such.  It felt great inside and out, I didn’t care that everyone was watching me get my ***** satisfied.  I was vividly aware of where I was, out in the open space and the freedom of space, as I thought my *** rose in the air and my body twitched repeatedly.  I heard the voices in the pool, and felt the sun on me as I came hard, right there in front of everyone.  Hell, I needed help getting up off that chair, and an oiled hand took mine, and led me to the master bedroom.
The master’s bed now has oil on the sheets and the headboard, and the wall.  I left myself all over his things.  He will know some of my essence whether he knows it or not, I will.  Here I sit naked in his den loving every naked minute of it.
I am back from being oil girl.  Being bent over people spreading glistening oil on nakedness, my *** got a lil bit to much sun!  I go to the master bedroom again, everyone is still poolside.  I try on things, because they are left out on the bed.  You know how I always ask what a mans' favorite pair of pants are?  Well there was 501’s in my size, I couldn’t resist sliding him on me, loving how they fit my ***.  I went back outside and paraded around showing how good ‘his pants fit me.  “Do you have underwear on?” I was asked, I laughed and said no.  I got an odd look from the people.  I danced off to the bedroom and put them back, knowing how he fit was enough.
Right now I am sitting outside writing and a camera is pointed right at my *****.  So I shall stand up for a few shots.  I got up and stood on the table and spread for some close ups, ****, ok enough sun, my **** are red.
After delivering a few drinks poolside, I return to ‘his bed, laying on my belly, thinking, pen in hand.
I hear the shower turn off and I close my legs, I feel the wet drops hit my back, as he sits on my legs.  He is holding them together with his weight.  I feel the oil hit my back, sliding down the crack of my ***.
The lower back massage becomes two bodies sliding against each other.  At first his hands slide between my tightly pressed thighs.  My hips grabbed and lightly lifted, raising my *** in the air, yet tightly holding my legs together.
A breath on my neck touched me at the same time he entered my ***** once again.  My pen never left my hand.  I was focused.
I go for a smoke and jump back into the pool, knowing its time for me to leave soon.  As I enter the main room, in just *******, I pick up my lotion and start putting it on my arms.  Hands from behind gently take the lotion and begin putting it on my sunburned back.  I defiantly feel the fact that I have ******* on as the hands reach my lower back and slowly pull them off……
This was my first husbands last attempt to keep me as his wife by taking me on a weekend to his friends house with a pool.
The story is very telling that my mind is truly not on present, but on what is not there. By saying this I almost ruin the erotica of it..but the psychology of the the story is rich too..
I wrote that day and the next paragraph by paragraph, each hour or so.
Who else was present is everyone who always saw me naked and saw it as no big deal. I was a nudist, they knew it. Its all very true...
Katie Katie Jun 2016
A new species still being studied-

They have a compulsive obsession with mutilating their bodies
They yank out hairs in the place on their face made for expression
Daily they scrape off natural hairs from their limbs
And from under them, considering the act as simple hygiene practice

Some will even lay in a chamber of radiation to cook skin browner
And smear a smelly cream to make the skin look slimy shiny and '****'
They scorch their head hair to change the texture for a day
And they draw on their faces with crayons made from wax and oils

They prioritize displaying of the body shape over movement
With their tight denim body coverings and waist clinchers
They wear coverings of their feet with a stick replacing the heel
To look physically attractive, despite the injuries and lesions

They're expected to keep a casing over their chest tissues in public
They hide their pheromones with alcohol and fake smell of plants
They keep private and hidden that they perform excretory acts
And they're never content with the meat casing they're trapped inside

Only (almost) satisfied looking at their reflection and seeing a lie
Mateuš Conrad Oct 2018
.when did i realize there was no point in lying? people who are pathological liars tend to forget, the scrutiny of memory; my god, memory has a bias for scrutiny, why do you think the powers-at-be are relentless in exhausting it with scholastic examination, marking, the whole rubric of needless demands?! lying also erodes the capacity to engulf and, keep, memories... telling the truth, counter-wise? memory becomes a cinema... whenever i remember something, i remember it because it was truthful, and it becomes a subversive cinema reel that i sometimes tune into... point about pathological liars, they're just like the pristine students in the days of high school... they end up being the best students... given? for the lie to be true, they have to remember the lie, word for word, by a demand that demands them to disclose it, and they can't make variations... you have to keep the lie as intact as an eye aiming to bite into that forbidden apple... you deviate... the lie implodes... lie covers lie until what takes place, is, until enough coverings the original lie is covered with, a naked statue emerges... satan's original sin was a lie... man's "original" sin was... that it was altogether... "original"... to transcend the stated law; you can't be a liar, and have a ****** faculty for memory... you lie, bad, real bad, if you don't have photographic memory... bad liars make bad killers / accusers... to lie... you need to remember the original focus of the subsequent thread! and there's only one thread of events... you can't juxtapose what happens contrary to what is thought, because thought is a theta-precursor of a moral: ought... plus we're mortal! **** only happens once for us paupers of existence!

you know, sometimes you have to bring a few songs back
into your abode having walked the nightly death toll..
the maneouvre,
   the manouevre...
the manouvre...
**** it... it's French, which is worse than English
on the number of surds and what equates into the clarification
of syllable...
there's this son of a site manager on site at where
my father works...
he asked...
for the spelling of the word: T O R C H...
there are only two syllables!
   tor-ch! chitty chitty lucky fucky thai bang bang!
it's not even natives who are proud...
proud as in: up-keeping something...
these ******* make us look silly
defending their culture...
seriously?
you can spell T O R C H?
   give me a breather...
                        i'm not joking when,
i try to joke, that these people exist...
apparently the claim that we're all literate
isn't true...
i know the authorities promised us
a literate mass of people...
but apparently that's not true...
the whole:
but it's the 21st century argument... ???
gone, out the ******* window,
we're starting over...
it's not happening!
no chance in hell!
i'm not buying this *******
quest for an en masse literacy project...
no... sorry.. not happening...
   i don't, speak, French...
   and even though the English primary school
system is superior to the secondary schools,
esp. the faith schools...
  i should be speaking a third language
by now...
   namely German, which is why i'm teasing
using it...
French? no! no! i don#t understand
the logic behind hiding syllables
and exposing sometimes unnecessary
diacritical marks!
**** don't float,
moreover: it doesn't flow!
it's not a ******* river,
or a **** exposed to a high concentration
of fat!
no!
         it's not happening!
whatever the English think that
somehow speaking French will do to their
children... it's... gone!
i'm not thaat honk of a clumsy
**** facet... forget it...
they might have the better good...
but in terms of linguistics?
is Dianna Specer alive?
thought so...
   i wouldn't dare to even send my shadow
into that custard clumsy clown
show of a mine field of mistakes:
just readied for my mistake to take place...
but as you do,
walking back home,
in the scary streets of outer suburbia...
scary men, scary witches...
ooh... can get a man better
than a ******...
                 that famous, "supposed":
thrill of the chase...
more like:
i've got one, let's have another one...
hope you're enjoying your harem
you little camel jockey...
i'll side with the Iranians
and the Bangladeshi...
never the ******* undertaker
of the desert switch and frivolity -
isn't... "frivolience"
and adjective, without an affix, -ness?
yes, -ness is an affix,
not a suffix...
           a quality agitator of
a, somehow, mundane word...
but rarely does it happen,
coming home with songs
that begin and end
with rotting christ's
(greek black metal)
                     Κατά τον δαίμονα εαυτού
album,
and begin with
the soft moon's album,
of the same name, debut...
rarely...
        usually my way of thinking
is such shrapnel material
that i notice the difference...
this time i couldn't...

i couldn't help that instance,
in my memory cinema
with regards to an incident in the night...

i write fast, so i don't lie,
i'm probably prone to write
faster than you read...

the traffic incident involving
two cars parked prior to an X
junction with a pack
of deer in the middle of it,
and me walking past from a drinking
session in a field of wheat,
drunk like a skunk,
noticing a young deer-ling
looking back at me...

so i gave it the chase...
i charged at it...
the flock of deer with their offspring
ran down the road,
and jumped over the fence,
and into the opening of
a field, subsequently into a forest...
so i managed the traffic incident...

now...
   am i lying?
and i would lie because.... ?
what, likes, shares the whole sha-bang of
using social media?
     em...
   i groove to the clash's
rock the casbah...

   sure, three mares,
about five young Bambi types...

BUT...

   what if a, ******* stag was there
to boot?
Santa not getting enough horn
*****?!
       how am i supposed to know
if a harem just lost its
alpha met, and is standing
disorientated in human
cement territory?

                 i'm not a child...
   i get bored, as i got bored of
lying, a long time ago...
           it's pointless to make *******
impressions on people,
which, you will evidently never meet once
more...

             yeah... deer, no i didn't count
how many there were...
i'm pretty ******* sure there
wasn't a stag in sight..

otherwise i'd be musing how many
imaginary acorns i could shoot from
my ***... with those antennas
shoved up my ***...

but traffic problem solved...
what was funny was that i didn't finish
my beer...

   Santa...
on an imaginary sleigh,,,
deer in front, no reins...
running like a madman
with a can of beer in one hand.
kelvin mungai Sep 2015
[[ ****]]
blood pooling around her
there she lay sprawled
eyes glazed,motionless with no stir
she is another victim to succumb
to this heinous inhuman act
the mission is accomplished
the criminal thinks
freely he walks
head and shoulder held high
among mortals he laugh
life goes on ,another life gone
my sister,mum and aunt
the daughters of eve are endangered
my brother,dad and i
the all sons of adam
are the perpetrators
fear exists among our female species
they fear to be stripped off their
coverings
they live in a nightmare of being
stripped off their dignity
unwillingly be disrobed and be
robbed
they fear being deflowered and
defiled
out of her will she was forced
naked and spreadeagled
vitruvian man style she lay
her case was a repetition of a biblical
story
dinah and the sons of shechem
blood freely trickled between her
open pelvic
life seeped out of her misused shell
did she really deserve this???
who will end this atrocity?
who will fight for the girl child?
toddlers and grannies
shamelessly chauvinist male defiles
them
its against the word
its against the unwritten codes
it's unafrican
it's evil
my anger is frothing
like a volcano the lava is heating up
my pen is crying for the female child
i will shout this from rooftops
on the skyline i will write it
this battle is ours and we have to
fight
protection we've to offer
[[the chronicles of the dumb speaker]]
Thus, then, did Ulysses wait and pray; but the girl drove on to
the town. When she reached her father’s house she drew up at the
gateway, and her brothers—comely as the gods—gathered round her,
took the mules out of the waggon, and carried the clothes into the
house, while she went to her own room, where an old servant,
Eurymedusa of Apeira, lit the fire for her. This old woman had been
brought by sea from Apeira, and had been chosen as a prize for
Alcinous because he was king over the Phaecians, and the people obeyed
him as though he were a god. She had been nurse to Nausicaa, and had
now lit the fire for her, and brought her supper for her into her
own room.
  Presently Ulysses got up to go towards the town; and Minerva shed
a thick mist all round him to hide him in case any of the proud
Phaecians who met him should be rude to him, or ask him who he was.
Then, as he was just entering the town, she came towards him in the
likeness of a little girl carrying a pitcher. She stood right in front
of him, and Ulysses said:
  “My dear, will you be so kind as to show me the house of king
Alcinous? I am an unfortunate foreigner in distress, and do not know
one in your town and country.”
  Then Minerva said, “Yes, father stranger, I will show you the
house you want, for Alcinous lives quite close to my own father. I
will go before you and show the way, but say not a word as you go, and
do not look at any man, nor ask him questions; for the people here
cannot abide strangers, and do not like men who come from some other
place. They are a sea-faring folk, and sail the seas by the grace of
Neptune in ships that glide along like thought, or as a bird in the
air.”
  On this she led the way, and Ulysses followed in her steps; but
not one of the Phaecians could see him as he passed through the city
in the midst of them; for the great goddess Minerva in her good will
towards him had hidden him in a thick cloud of darkness. He admired
their harbours, ships, places of assembly, and the lofty walls of
the city, which, with the palisade on top of them, were very striking,
and when they reached the king’s house Minerva said:
  “This is the house, father stranger, which you would have me show
you. You will find a number of great people sitting at table, but do
not be afraid; go straight in, for the bolder a man is the more likely
he is to carry his point, even though he is a stranger. First find the
queen. Her name is Arete, and she comes of the same family as her
husband Alcinous. They both descend originally from Neptune, who was
father to Nausithous by Periboea, a woman of great beauty. Periboea
was the youngest daughter of Eurymedon, who at one time reigned over
the giants, but he ruined his ill-fated people and lost his own life
to boot.
  “Neptune, however, lay with his daughter, and she had a son by
him, the great Nausithous, who reigned over the Phaecians.
Nausithous had two sons Rhexenor and Alcinous; Apollo killed the first
of them while he was still a bridegroom and without male issue; but he
left a daughter Arete, whom Alcinous married, and honours as no
other woman is honoured of all those that keep house along with
their husbands.
  “Thus she both was, and still is, respected beyond measure by her
children, by Alcinous himself, and by the whole people, who look
upon her as a goddess, and greet her whenever she goes about the city,
for she is a thoroughly good woman both in head and heart, and when
any women are friends of hers, she will help their husbands also to
settle their disputes. If you can gain her good will, you may have
every hope of seeing your friends again, and getting safely back to
your home and country.”
  Then Minerva left Scheria and went away over the sea. She went to
Marathon and to the spacious streets of Athens, where she entered
the abode of Erechtheus; but Ulysses went on to the house of Alcinous,
and he pondered much as he paused a while before reaching the
threshold of bronze, for the splendour of the palace was like that
of the sun or moon. The walls on either side were of bronze from end
to end, and the cornice was of blue enamel. The doors were gold, and
hung on pillars of silver that rose from a floor of bronze, while
the lintel was silver and the hook of the door was of gold.
  On either side there stood gold and silver mastiffs which Vulcan,
with his consummate skill, had fashioned expressly to keep watch
over the palace of king Alcinous; so they were immortal and could
never grow old. Seats were ranged all along the wall, here and there
from one end to the other, with coverings of fine woven work which the
women of the house had made. Here the chief persons of the Phaecians
used to sit and eat and drink, for there was abundance at all seasons;
and there were golden figures of young men with lighted torches in
their hands, raised on pedestals, to give light by night to those
who were at table. There are fifty maid servants in the house, some of
whom are always grinding rich yellow grain at the mill, while others
work at the loom, or sit and spin, and their shuttles go, backwards
and forwards like the fluttering of aspen leaves, while the linen is
so closely woven that it will turn oil. As the Phaecians are the
best sailors in the world, so their women excel all others in weaving,
for Minerva has taught them all manner of useful arts, and they are
very intelligent.
  Outside the gate of the outer court there is a large garden of about
four acres with a wall all round it. It is full of beautiful trees-
pears, pomegranates, and the most delicious apples. There are luscious
figs also, and olives in full growth. The fruits never rot nor fail
all the year round, neither winter nor summer, for the air is so
soft that a new crop ripens before the old has dropped. Pear grows
on pear, apple on apple, and fig on fig, and so also with the
grapes, for there is an excellent vineyard: on the level ground of a
part of this, the grapes are being made into raisins; in another
part they are being gathered; some are being trodden in the wine tubs,
others further on have shed their blossom and are beginning to show
fruit, others again are just changing colour. In the furthest part
of the ground there are beautifully arranged beds of flowers that
are in bloom all the year round. Two streams go through it, the one
turned in ducts throughout the whole garden, while the other is
carried under the ground of the outer court to the house itself, and
the town’s people draw water from it. Such, then, were the
splendours with which the gods had endowed the house of king Alcinous.
  So here Ulysses stood for a while and looked about him, but when
he had looked long enough he crossed the threshold and went within the
precincts of the house. There he found all the chief people among
the Phaecians making their drink-offerings to Mercury, which they
always did the last thing before going away for the night. He went
straight through the court, still hidden by the cloak of darkness in
which Minerva had enveloped him, till he reached Arete and King
Alcinous; then he laid his hands upon the knees of the queen, and at
that moment the miraculous darkness fell away from him and he became
visible. Every one was speechless with surprise at seeing a man there,
but Ulysses began at once with his petition.
  “Queen Arete,” he exclaimed, “daughter of great Rhexenor, in my
distress I humbly pray you, as also your husband and these your guests
(whom may heaven prosper with long life and happiness, and may they
leave their possessions to their children, and all the honours
conferred upon them by the state) to help me home to my own country as
soon as possible; for I have been long in trouble and away from my
friends.”
  Then he sat down on the hearth among the ashes and they all held
their peace, till presently the old hero Echeneus, who was an
excellent speaker and an elder among the Phaeacians, plainly and in
all honesty addressed them thus:
  “Alcinous,” said he, “it is not creditable to you that a stranger
should be seen sitting among the ashes of your hearth; every one is
waiting to hear what you are about to say; tell him, then, to rise and
take a seat on a stool inlaid with silver, and bid your servants mix
some wine and water that we may make a drink-offering to Jove the lord
of thunder, who takes all well-disposed suppliants under his
protection; and let the housekeeper give him some supper, of
whatever there may be in the house.”
  When Alcinous heard this he took Ulysses by the hand, raised him
from the hearth, and bade him take the seat of Laodamas, who had
been sitting beside him, and was his favourite son. A maid servant
then brought him water in a beautiful golden ewer and poured it into a
silver basin for him to wash his hands, and she drew a clean table
beside him; an upper servant brought him bread and offered him many
good things of what there was in the house, and Ulysses ate and drank.
Then Alcinous said to one of the servants, “Pontonous, mix a cup of
wine and hand it round that we may make drink-offerings to Jove the
lord of thunder, who is the protector of all well-disposed
suppliants.”
  Pontonous then mixed wine and water, and handed it round after
giving every man his drink-offering. When they had made their
offerings, and had drunk each as much as he was minded, Alcinous said:
  “Aldermen and town councillors of the Phaeacians, hear my words. You
have had your supper, so now go home to bed. To-morrow morning I shall
invite a still larger number of aldermen, and will give a
sacrificial banquet in honour of our guest; we can then discuss the
question of his escort, and consider how we may at once send him
back rejoicing to his own country without trouble or inconvenience
to himself, no matter how distant it may be. We must see that he comes
to no harm while on his homeward journey, but when he is once at
home he will have to take the luck he was born with for better or
worse like other people. It is possible, however, that the stranger is
one of the immortals who has come down from heaven to visit us; but in
this case the gods are departing from their usual practice, for
hitherto they have made themselves perfectly clear to us when we
have been offering them hecatombs. They come and sit at our feasts
just like one of our selves, and if any solitary wayfarer happens to
stumble upon some one or other of them, they affect no concealment,
for we are as near of kin to the gods as the Cyclopes and the savage
giants are.”
  Then Ulysses said: “Pray, Alcinous, do not take any such notion into
your head. I have nothing of the immortal about me, neither in body
nor mind, and most resemble those among you who are the most
afflicted. Indeed, were I to tell you all that heaven has seen fit
to lay upon me, you would say that I was still worse off than they
are. Nevertheless, let me sup in spite of sorrow, for an empty stomach
is a very importunate thing, and thrusts itself on a man’s notice no
matter how dire is his distress. I am in great trouble, yet it insists
that I shall eat and drink, bids me lay aside all memory of my sorrows
and dwell only on the due replenishing of itself. As for yourselves,
do as you propose, and at break of day set about helping me to get
home. I shall be content to die if I may first once more behold my
property, my bondsmen, and all the greatness of my house.”
  Thus did he speak. Every one approved his saying, and agreed that he
should have his escort inasmuch as he had spoken reasonably. Then when
they had made their drink-offerings, and had drunk each as much as
he was minded they went home to bed every man in his own abode,
leaving Ulysses in the cloister with Arete and Alcinous while the
servants were taking the things away after supper. Arete was the first
to speak, for she recognized the shirt, cloak, and good clothes that
Ulysses was wearing, as the work of herself and of her maids; so she
said, “Stranger, before we go any further, there is a question I
should like to ask you. Who, and whence are you, and who gave you
those clothes? Did you not say you had come here from beyond the sea?”
  And Ulysses answered, “It would be a long story Madam, were I to
relate in full the tale of my misfortunes, for the hand of heaven
has been laid heavy upon me; but as regards your question, there is an
island far away in the sea which is called ‘the Ogygian.’ Here
dwells the cunning and powerful goddess Calypso, daughter of Atlas.
She lives by herself far from all neighbours human or divine. Fortune,
however, me to her hearth all desolate and alone, for Jove struck my
ship with his thunderbolts, and broke it up in mid-ocean. My brave
comrades were drowned every man of them, but I stuck to the keel and
was carried hither and thither for the space of nine days, till at
last during the darkness of the tenth night the gods brought me to the
Ogygian island where the great goddess Calypso lives. She took me in
and treated me with the utmost kindness; indeed she wanted to make
me immortal that I might never grow old, but she could not persuade me
to let her do so.
  “I stayed with Calypso seven years straight on end, and watered
the good clothes she gave me with my tears during the whole time;
but at last when the eighth year came round she bade me depart of
her own free will, either because Jove had told her she must, or
because she had changed her mind. She sent me from her island on a
raft, which she provisioned with abundance of bread and wine. Moreover
she gave me good stout clothing, and sent me a wind that blew both
warm and fair. Days seven and ten did I sail over the sea, and on
the eighteenth I caught sight of the first outlines of the mountains
upon your coast—and glad indeed was I to set eyes upon them.
Nevertheless there was still much trouble in store for me, for at this
point Neptune would let me go no further, and raised a great storm
against me; the sea was so terribly high that I could no longer keep
to my raft, which went to pieces under the fury of the gale, and I had
to swim for it, till wind and current brought me to your shores.
  “There I tried to land, but could not, for it was a bad place and
the waves dashed me against the rocks, so I again took to the sea
and swam on till I came to a river that seemed the most likely landing
place, for there were no rocks and it was sheltered from the wind.
Here, then, I got out of the water and gathered my senses together
again. Night was coming on, so I left the river, and went into a
thicket, where I covered myself all over with leaves, and presently
heaven sent me off into a very deep sleep. Sick and sorry as I was I
slept among the leaves all night, and through the next day till
afternoon, when I woke as the sun was westering, and saw your
daughter’s maid servants playing upon the beach, and your daughter
among them looking like a goddess. I besought her aid, and she
proved to be of an excellent disposition, much more so than could be
expected from so young a person—for young people are apt to be
thoughtless. She gave me plenty of bread and wine, and when she had
had me washed in the river she also gave me the clothes in which you
see me. Now, therefore, though it has pained me to do so, I have
told you the whole truth.”
  Then Alcinous said, “Stranger, it was very wrong of my daughter
not to bring you on at once to my house along with the maids, seeing
that she was the first person whose aid you asked.”
  “Pray do not scold her,” replied Ulysses; “she is not to blame.
She did tell me to follow along with the maids, but I was ashamed
and afraid, for I thought you might perhaps be displeased if you saw
me. Every human being is sometimes a little suspicious and irritable.”
  “Stranger,” replied Alcinous, “I am not the kind of man to get angry
about nothing; it is always better to be reasonable; but by Father
Jove, Minerva, and Apollo, now that I see what kind of person you are,
and how much you think as I do, I wish you would stay here, marry my
daughter, and become my son-in-law. If you will stay I will give you a
house and an estate, but no one (heaven forbi
Minuscule Ego Jun 2018
A low moan escapes her lips as the ****** hits
She lay basking with a sated feeling
The coverings all wet from perspiration
Believe me, this isn't an infantile conversation
He placed light kisses on her bare shoulders
She felt how intense he was against her thighs
And heard the testosterone's fueled manly claims
That came as a whisper for a magical scene
She’d realize he was not solely hers
So she just cleaved to enjoy the moment
Leaning crabwise, he slide within her fountain
They both cried with anticipation
The highest form of their admiration
Heavens’ gates unfurl
Times seems to halt for a second
There could have been an explosion
But he paused, new position.

He has never been interested in a single relationship
At least not anymore- promiscuity suits him just fine
With her curvy body, pumped breast and his small statue
They tangle together- entrapped within their own tier
Some call him a ****, although they be circus jokes
He be content and blue ***** free- shining bright for all to see
Letting em live their judging lives
And make those mistakes they thought he would make
He has never seen himself going without the white packet scenario
It’s all about self-importance
One that leads easily to pandemonium
But being promiscuous was assuring
The less you give- the less hurt you receive
Life is short, but there’s much to achieve
One cannot be caught slacking
Those hands are clocking
Day and night without cessation
He’s no expert
But I’m sure you admire his aversion
And believe it or not
The better our efforts- the wetter our treasures
A promise that our goals will exceed the ****** pleasures
Seeing that our thoughts recreates the Today
Let me redefine the topic.

He thinks of her as a pineapple
Chipping off her cries to reach the fountain
Till she openly veto yes! in all excitement
As he plunged in the deep of her mountain
Screaming twas some lustful announcement
That mimic a sedative smile, and a softer groaning
Activating him to go wild again tearing her lotus
She cries! He moans: “I’m just teaching a lesson”
His manly locus was indeed a blessing
Its thrusting brought out the louder racing
Making em both bobbed like a drum set
Nobbling feelings begun shaping within his breast
His noble ****** was moving towards the heavens
They were climbing the unobtainable heights
That could make their explosion vast
And leave her screaming his name
Like forever admiring his fame
He’d hoped to have done enough
But will hate to get deeply involved
For promiscuity was the affliction
That diseased him ages ago
And it met him just fine.



For an icon- Wale
“We are not perfect beings; we all evolved from our mistakes to make a better one.”
judy smith Mar 2016
Capturing scenes from fashion shows in the past, Glamourizing Ladies And Men modeling hosted their annual spring fashion show.

The event was a runway-style fashion show, with looks recreated from GLAM’s past. The show also featured talents ranging from poetry and singing to painting.

Patrick Davis, a senior general studies major, and Christina Brown, a freshman biological sciences major, hosted the show.

The introduction of the show was called “Once Upon a Time.” The scene was from a 2012 show and centered on a little girl’s favorite fairytales taking a twisted turn in her dreams.

It opened with the little girl getting told bedtime stories from her father.

After getting the stories read to her, the rest of the GLAM models emerged from under her bed and began to torment the little girl.

The ladies of GLAM then emerged for a scene named “Pop Art.”

“Pop Art” was created in 2012 and incorporated the use of recyclables such as newspaper, duct tape, water bottles, cups and more in the model’s outfits.

The models were dressed in outfits that they created.

The first model wore a dress made out of a plastic bag and yellow caution tape.

The next model wore a dress that was fitted and made of plastic bags and duct tape.

There was a flare skirt made out of newspapers, and another skirt was made using old magazines.

There was also a fitted skirt made only of caution tape and a flare skirt made of white foam cups.

The final outfit of the scene was a dress made of black plastic bags and caution tape. The caution tape was also made into a necklace.

The following scene was titled “Lust/Burlesque.”

Burlesque was created in 2013 for GLAM’s Halloween show “The Seven Deadly Sins.” It incorporated tasteful dancing and runway style walking.

This scene opened up with three models dressed in all black attire, performing a dance routine.

The models hit the stage in several costumes, many of which were handmade by the models themselves.

One model wore black shorts, a black cropped shirt and blue high heels with blue and white wings.

Another outfit used a cheetah print swimsuit, with pink coverings and a back piece made of twigs and feathers.

Alexis Scott, a junior pre-nursing major, performed her poetry piece titled “Honest Truth.”

In her poem, she spoke about a broken relationship with her father. She also spoke about hiding all of her feelings and often putting on a fake smile to the world.

“Yesterday I tripped on my self-esteem and landed on my pride,” Scott said.

The next scene of the show was titled “Concrete Jungle.”

This scene was adopted from a 2014 show and featured business attire with a fashionable twist.

Outfits from this scene included a pleated black dress with white stripes at the bottom, a gray handbag, and black heels.

Another outfit included a purple blazer, a crème and yellow floral printed top, black dress pants and black high-heeled shoes.

A model wore a blue fitted miniskirt, a black and white cheetah print satin shirt and black heels.

The scene after this was titled “Criminology” and was taken from a 2011 show titled “FAME University.”

This scene gave a glimpse into the mind of a woman when she has snapped.

The scene opened up with red flashing lights with four models doing a dance routine to Beyoncé’s “Ring the Alarm” and a monologue.

The monologue told the story about how each woman killed their husbands. The models wore outfits such as black shorts, black leather shirts, black boots and black high heels.

In a talent section, while Keyana Latimer, a sophomore sociology major sang, she was accompanied by Taleiya Baker, a junior music education major.

While they were singing, D’Ajah Douglas, a freshman studio art major, and Yasmine Washington, a freshman studio art major, painted pictures while Latimer also performed a tap dancing piece.

The show concluded with a final walk from all of the GLAM models wearing black and purple shirts with GLAM Modeling written on them, blue jeans and high heels.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
CharlesC Oct 2013
clouds brisk and fleeting
deciding cover or flow
of warmth of the sun..
a cycle of change for
our instruction on high..
as this evening's moon
fullness is one day away..
or warm sun partiality
with those cover clouds..
origin of our longing
must lie elsewhere
there in our depth where
cycles lives whole...
Madeleine Apr 2015
I want glyphs inked into my skin
A needle to caress and stab
Crying stains as an apology for the pain
Leaving behind a mark
But not a scar
Never a scar
A reminder, a promise, proclamation
All the sigils that ever were
Etched into our coverings
Leeching into bone
Changing and reminding
I want something permanent
Even if I change
Nat Lipstadt Aug 2019
Alaska:
“though the whole world should be mad at once
though the elements should be changed, though the angels should rebel: yet verity (irrefutable truth) cannot lie.”  
                                                         ­                  Erasmus of Rotterdam

<> <>

for BJ Donovan, a fine, fine poet
<><><>

verity, irrefutable truth, cannot lie,
or belie it’s non-contradictory nature,
even, in a small airport, a one runway affair,
somewhere in Alaska
ribboned tween icy crags and dagger-ous peaks,
low cloud coverings of sub-zero visibility,
that inquire, in an indigenous tongue
of the flying fool pilots,

“really?”

if I or you ask me why I’m here,
Alaska,
the answers come in only three Heinz varieties,
true or false positive, no differentiation needed,
the other, is called
“one who doesn’t know how to ask”

you know him,
the simpleton, the simple one, me,
who can’t frame the question without

risking that he frame himself

betraying and displaying his woeful ignorance,
a veneered confidence of knowing so little about much

in the shed, a/k/a
‘the terminal,’ we wait,
me and an ex-Buddhist priest,
head stubble shaved, of course, round horn rimmed glasses wearing,
stone washed jeans blue, the color of his eyes,
reflecting mine as well as the blue glacier ice
surrounding us both, we,
the extraneous human eagle interlopers

showed him the Erasmus quote, provoking one of them,
thin lined, whimsical, eye-glinting smiles of those
who know the answer
to the knotty ones, or,
know better, that knotty questions one asks himself
when high up in the mountainous glacier ranges,
get answered just by silent patience

he smiled for an eternity of
at least five minutes,
my heart pulsating big time,
this modern man anticipating, in his calm, dulcet two tones,
his understanding of another ancient translating another,
even more ancient, speaking:

”the world is indeed mad,
through neglect letting the elements warp, glaciers melt;
the angels have indeed rebelled at the
foreseen fated falsehoods perpetrated,
verity,
torn asunder,
and the line between balance and imbalance,
so jaggedly ripped in too many places that verity a victim
so badly assaulted, its face is no longer identifiable by AI, worse,
so covered, dying, undiscoverable.

but you ask!
ask of yourself, asking of others, and tolerating
uncurled, uncut uncertainty, you retreat and reconsider,
this then is your answer!
it is the
ASKING,
that is verity, itself! there can be no lying thing in the
quest of questioning
that accepts, rejects, and unceasingly asks again^

this is a the only irrefutable truth and what it asks of you:

never accept the illogic of belief, let your own eyes be the best judge;
ask and ask thrice, be satisfied that being disastrously dissatisfied
is the norm, the mean,
the line toward a perfection that may not ever exist(ed)
for our flaws define us, thus so much greater is our truths when we
we reshape them, ourselves, for verity itself is not so hard to find,
but the finding of one self is too difficult for most


for asking is too painful,
too primordial, and why I am no longer a priest nor teacher,
but a simple observer of the answers that can be found in the
silences of places,
the Alaska’s inside of us,
where nature’s sets
an open table for anyone
wiling to just ask...”
8/18/19
S.I., N.Y.

^”It is not in the asking, but in the searching and wrestling that we gain clarity.”
Come, Madam, come, all rest my powers defy,
          Until I labour, I in labour lie.
     The foe oft-times having the foe in sight,
  Is tired with standing though they never fight.
Off with that girdle, like heaven's zone glistering,
        But a far fairer world encompassing.
  Unpin that spangled breastplate which you wear,
That th' eyes of busy fools may be stopped there.
     Unlace yourself, for that harmonious chime
  Tells me from you, that now 'tis your bed time.
      Off with that happy busk, which I envy,
  That still can be, and still can stand so nigh.
Your gown going off, such beauteous state reveals,
As when from flowery meads th' hill's shadow steals.
        Off with that wiry coronet and show
      The hairy diadem which on you doth grow;
  Now off with those shoes, and then safely tread
   In this love's hallowed temple, this soft bed.
   In such white robes heaven's angels used to be
   Received by men; thou angel bring'st with thee
    A heaven like Mahomet's paradise; and though
     Ill spirits walk in white, we easily know
     By this these angels from an evil sprite,
Those set our hairs, but these our flesh upright.
      License my roving hands, and let them go
       Before, behind, between, above, below.
          O my America, my new found land,
  My kingdom, safeliest when with one man manned,
       My mine of precious stones, my empery,
     How blessed am I in this discovering thee!
      To enter in these bonds, is to be free;
    Then where my hand is set, my seal shall be.
      Full nakedness, all joys are due to thee
    As souls unbodied, bodies unclothed must be,
   To taste whole joys. Gems which you women use
   Are like Atlanta's *****, cast in men's views,
     That when a fool's eye lighteth on a gem,
    His earthly soul may covet theirs, not them.
  Like pictures, or like books' gay coverings made
      For laymen, are all women thus arrayed;
     Themselves are mystic books, which only we
       Whom their imputed grace will dignify
     Must see revealed. Then since I may know,
        As liberally, as to a midwife, show
  Thyself: cast all, yea, this white linen hence,
      Here is no penance, much less innocence.
     To teach thee, I am naked first, why then
  What needst thou have more covering than a man.
S R Mats May 2015
Antiquity was waiting to breathe
And awaiting the moisture of lungs.

A hole, eyeball wide, offered just a peek;
Along with an ancient mote,
Which flew from eternity into sight.
Remarkable things were seen!

In the heat the buzz was slight.  
As was the bite.  But, ultimately,
The fevers started burning in the night
(For after all, the cobra had eaten the yellow canary).

How your coverings and remains sparkled like the sun!
Thousands of years of hiding suddenly undone.  

But, we all rot together, eventually eaten.
quimx Jul 2016
Dying animals trapped in barbed wire
Man-made men all flailing to conspire
To cross the sea of destiny for hope
to design their own form of misanthrope

Building fences of ignorance and tears
for the respect of their own group of peers
Creating borders to destroy their own wealth
to hasten the decline of their own health

Living animals limitless and free
with untold abundance and scarcity
Roaming the planet to frolic and breed
to the farthest reaches spreading their seed

Happy with total harmony and peace
with no concept of coverings or fleece
Communicating only by their senses
unless of course they start building fences
Wk kortas Oct 2018
He’d been able, after some gentle persistence,
To wheedle his way into the place
(He’d been vaguely recognized by the caretaker,
A certain affable familiarity his stock in trade, after all)
And he had been decidedly deliberate in his search for the shoes,
Though he’d been quite certain where he’d left them,
Simply hoping to drink this all in just one more time
But though the rooms were ostensibly unchanged
(He'd noted the odd knick-knack and piece of bric-a-brac
Had been secreted out, to be preserved or pawned)
They held no fascination for him now,
Simply concoctions of hardwood flooring,
Decorative wall coverings, staid pieces of furniture
(Indeed, the paterfamilias of this whole mélange
Increasingly beyond his recall-- he could hearken back
To a certain hail-fellow-well-met in his demeanor,
And he'd had an affecting smile,
But he was unable to conjure any further details
From the recesses of his memory)
And with nothing else to moor him to these silent rooms,
He'd slipped on the ostensible reasons he'd come in the first place
(Their uppers maintaining their whiteness
Through any number of bleachings,
The soles worn to a near smoothness)
And, nodding perfunctorily to the mansion's steward,
He slipped away, heading to some other party
Carrying on in more or less perpetuity,
The battered bottoms of his shoes
Leaving just the faintest marks as he crossed the dunes,
Soon to be buffed away altogether by the breeze.
AUTHOR'S NOTE:  For the uninitiated, Ewing Klipspringer was a party-guest-***-squatter who shows up here and there in The Great Gatsby.
I once caught a gaze that you deemed to spare me,
Your eyes were Andromeda, your hands adored me,
I believe you fell for my sardonic wit and charm,
And knowing my heart would do you no harm.
I was lead to your chamber and then,
It was as if I'd entered Heaven.
-
I smelled the rain from outside your window,
The petrichor and your graceful perfume,
Drunk with lust I stepped forward,
Hoping you were ready to be adored.
You stopped me and sat me down
On a cushion, then kissed my crown,
Then you backpaced with a viscious smile,
And danced for me and all the while,
I couldn't resist you, I didn't try,
If I layed you down, I wouldnt let you just lie.
-
Twisting to your intoxicating tune,
I couldn't but stare and watch you move,
Piece by piece, you shed your coverings,
And second by second, plucked at my heartstrings.
You stalked forward, my heartrythm cracked,
Sitting in my lap now, hands on my back,
It was so vivid, so real, so adorabley twisted,
The creatures in us, to feel, to visit.
-
Your scented bodice enticed me still,
Your lips were parted, nostrils flared as well,
Your eyebrows were arched and quite intrigued,
Your eyes showed me everything you wanted to see.
Avast, alas, a glimpse of the past
You move my hands to your chest and as
I grasp gently your hands go down,
They reach for what you need endowed,
Your fingers then trace the ink marks on my chest,
And then lay on my left side to feel beating breast,
Eyes, they're alive, they cast aside,
You then embark upon a wild ride,
My shirt you lift, my belt undone,
You bite my neck for the sake of fun,
I caress your ribs, your perfect skin,
I am the epitome of sin.
-
You turn around and tease me now,
Back arched and leaned against my chest, and how
You move so delicately and with all vehemence,
I want to know your passionate violence.
-
"To bed then my dear",
I hear you say,
"My darling, it would then make my day",
Your hand on my chest, mine around your neck,
You mount atop and in all bedecked,
In sulfurous longing, and hiding a biting lip,
You take me for a sensuous trip.
Arise, dear goddess, I know not this love,
It's new to me and all above,
Every ****** a moan,
And silence from  I,
I try so hard to please,
I love your breath and rolling eyes.
Faster rotations and deeper depths,
And then you seek to give punishment,
To a crawl you stop, slow and so shallow,
You are the siren that shall be hallowed,
Intensity and pleasurable frustrations,
But with a coy smile you spare me lustful aggrevations,
You return so slowly to increased mach,
In ecstasy, my thoughts all to you flock,
Nothing appeals like the words you speak,
Amidst a room so vastly bleak,
In my ear you gently ******,
The thoughts become real with no protest,
My, oh my, the night goes by,
And time lost is gained with you and I,
Never and forever hold no ground here,
I make you quake, I want to hear,
Hear the longings within yourself,
As I unleash all of your hells,
Faster and harder it comes to fruition,
Taking eachother until submission.
William A Poppen Jun 2015
Nature's contributions cascade along the steep trail.

Numerous white patches and yellow splotches

set on a blanket of green

amid immense coverings

so blue that it seems parts of the sky have fallen.  

Pinks protrude like boulders in a creek

while reds try to hide around rocks and crevasses.

Faded petals,

past announcements of spring

now reside alongside signs of birth,

buds seeking an identity.

Arrays of mature blossoms parade full and ripe

along a path of short lives and slow deaths.

Fallen relics, grey and mossy

display across the emerald carpet,

a memory of another time.
Nat Lipstadt Nov 2014
early risen,
life's au courant
contextual issues
are all bad bus driver dream driven,
visualizations of sonograms
of erred memories,
road forks, unwisely chosen,
incorrect in retrospect,
look back notion thoughts,
and fears of the
good works in process
never finished,
these are all the best ****
too early,
highly reliable,
internal/infernal
alarm clock

waken only to plod the dark,
upon the cool wood floors,
without any slippered coverings,
closet buried unavailable
(no treasure noisy hunting
in the dark permitted,
while the party of the second part,
yet sleeps)

the floored bottom chills
do not succeed
in comforting a mind
instant awakened-enflamed
by a long lived life recalled recapped,
of inaction and interactions,
thrones lost by
choices guided by fear and not
risk,
that in summation,
too many debtors-in-possession
of rose colored
minus signs

so the companions constants,
these well-worry-worn floors,
now refuse me,
no more to repeat,
what all too oft
they have before,
wisely spoken:

too early, man,
too late, fool,
the answers
required/sought
upon our ashen wooden countenance
cannot be elicited nor derived,
go back to bed
there, perhaps,
find what you need,
somewhere,
between the day's rising orb,
the Lady Luck of
a woman's heat,
the grand canyoned
Pachelbel cannon,
the Bach adagios
soulful sweet,
the answers could begin,
the endings,
perhaps can find
you and show
the restart signs positively
new directional


yet obedient to the old nether-wisdom
of these inanimate intimates,
(that are classified now as
sourpusses &  ex-best friends),
off to
back-to-bed,
self-dispatched,
arriving amidst the departing darkness,
being infiltrated by new day
dawning light suffusions,
with coffee armed,
pillows plumped,
all done with
church mouse quietude,
lest I wake the
party of the second part

into bed returns
the prodigal son,

uh-oh,

the poem ***** stiffens

cannot be refused,
it offers me
this challenged relief and a challenged
pleasure:

Subtext

commandeering and commanding:

dispense what you cannot say,
but wish for all to understand,
teach them how to write the literary
subtext
of one man's life


his fantasies *******,
thoughts of world-over trips
upon which his poems trip,
thinking thoughts
of meeting you
first time and fittingly,
reunions of longtime knowing
mutual souls, the lovely perfection
of the guarantee of
better days past
and better yet,
of better days
yet to come,
of first embraces,
longingly overdue,
but happily
familial familiar
even upon initial conception

motioned potions notions
of what he would do
when that lottery ticket
comes true,
seeing hazy
visions of loined, coined children babes naves
as someday adults,
from a future past of
a collection of visions
happily well imagined

now in bed,
dancing (quietly) to a Strauss waltz,
all his sisyphean tasks unmasked,
and peace in his heart,
returning to supreme reign,
re-gifting it all forward,
in a subtext contextually
poem within herein

the coffee now cooled,
the mental dispensary instead,
has issued
a scrip
prescribed and commissioned

write yourself,
one poem,
overly long and rambling,
as always,
(knowingly he smiles at his own critique)
this poem
to be issued
from his ******-brain,
amniotic-bathed,
anointed and by appointment
to her majesties,
The Queen of Hearts
and the
Red Queen,
entitled:


Subtext

the scrip reads:
"take once a day,
life clarity should return
sooner than later,
which is to say
medically and medicinally
eventually,
which is far, far better
than never"

the meds imbibed
the coffee reheated,
and while
waiting for its effects,
the subtext of a man
who drinks drams
of lives of poetry
for all
sees his future dreams
and happily awaits
their completed execution
Danielle Jones Apr 2011
i think cavemen were beautiful
with their primitive actions to
sculpt bare rocks and minerals
into tools to reach out to hearts.
they had their own language,
like countries i've never been to
or tribes i wish to witness
because even the minimum
was pure and enough
to keep their thoughts racing,
to push them to feel life
through fingertips and dancing.
i think this earth used to be
beautiful, with gallons of
salt water surrounding
one entity, we were once
all connected before
we were able to take our
first gasp of oxygen,
before we could communicate
how the earth was not flat
and circulated to
let the light take over the
heavy and forget what
heat is during the
ice coverings for 90
shaded days.
i think we forgot how to
really let our blood
strengthen our bodies,
using complex chemicals
to ease reality because
we know we are wrong at times
and right when we can't turn
back centuries.
we breathe to taste our
own ignorance,
when really we should be
breathing to feel alive,
but the numbers don't
change and we tend to
only care for ourselves.

cavemen gave and gave and gave
until they couldn't breathe in the
light anymore and the energy
moved on to the next,
like how ionic bonds
result in a positive
or negative charge.
sometimes our structures
aren't so step by step,
but our feet can take over
for that.

it is our time to take over and
****** our ideas out for the taking,
but i'm nervous we won't make it.

i'm scared that everything we've known
will fall down to the mantle of our
beautiful planet because
my generation
was too worried
about the little
things.
© Danielle Jones 2011
"Love, Love is a verb. Love is a doing word.
Fearless on my breath. Gentle impulsion
Shakes me, makes me lighter."
                ~~~
Snipping, mechanical apparatus of air
pushes around, the slightest elements of sound
unknown torment, blowing
leafs strewn through the corridor.
A reverse vacuum, no bag
only the earth
which perpetually maintains
the forceful stream of words
like
"snip" and "blow;"
they are verbs,
just like "love"
only harsher.

Your decisions don't merely impede the flow of days
relocating things that would like to stay
like crunchy leaves, unacknowledged beneath feet
until cries of ecstasy are heard by neighbors
who have nothing to step on.

Those discarded vestigial coverings would,
with a gentler blowing
have turned tepid, flaccid and freed.
Emerging from a snow covering
thawing and lying there, unashamed of their repose
shriveled and fully reclosed, recumbent.
Protecting from rough, sodden clothing, parts that can’t be hidden any other way--
diverging water toward infrastructure needs more urgent and vital
fallen leafs would not only **** grass, but let flowers grow
flowers of intimacy and exuberance
touching the hands of young women.

The sounds escaping mouths of leaf blowers are a demand--
they are a type of love lacking tenderness
myopic utterances of planning committees
who don’t know love is a doing word,
like snip and blow, an impulse, only gentler.
Ordinances are the "circumcision-for-hygiene-purposes" of urban planning,
never seeing that leaving things concealed by Fall
is the best way to see Spring
and experience the joy of new awakening.
They should let each leafy-******* grow,
covering our shaft, our ground.
Prevent the pleasure-impeding growth of grass!
And the earth will continue to cry
out!
Tiny sensations of pressure
moving delicately along its surface,
cause soil to writhe with lost control
then erupt with wild flowers and shrubs.
And if not these, then at the very least,
trampled torsion of plodded soil
covered by desperate human debris, collecting upon it
showing what we try to hide:
our wastefulness and discarding of things we really need
ripping off our closeness sheath
and replacing it with dark, green, translucent barriers
of grass
and blowing machines with blades
their maintenance demands.

Our apartment complexes have ambient
tones of industrial malls
when your procedures are taking place
you cut and snip and blow.
Maybe your attempt at concealment
has been a revelation.
But the fearlessness of love
I feel
is something you thought you could snip
and blow.
MMXII
(This is a revision of "For ****'s sake with the leaf blowers?!?")
A group of people conspired against me at my birth
to remove a very important piece of my body
(circumcision, not castration-- this is purposefully vague in the poem,
as I feel it limits certain possibilities).
This is something I'm just beginning to write about.
Circumcision should be discussed more.

In contemporary society,
I have to deal with the sound of leaf blowers
and lawn mowers-- but I also get the benefit of
listening to Massive Attack's song "Teardrop"
which is like being rocked to sleep gently.
vircapio gale Oct 2013
awakened cows chewing
a mountain pass
dawn warms their massive eyelash rows
clinging drops of dew
spark in rhythm with the cud

darkness rumbles distant now
clouds dispersed to other nights
while metaphoric bull unhinged resounds
the cosmic rut

must i hide my love for this
unweave my judgment from my sight?
what in me defies all sacred holiness forever sung?
bees will ravish even newly opened buds
who am i to battle with the lightning's surge?

presumtuous coverings
can net me willing lustful
stars i see a field i open fertile
ecstaticly unblessed enough

lost heroic i had thought to know
pretends a second thrum
i see in random eyes the breaking sky
and lightning branches over snaking crevices
a sound of faultlines folding free
tectonic sexplay deep
in lava belly
far behind the summit mount--
there i see the sun a base as well
earthen seedbeds heating heights of life

space is cracked!
vast width enwombs the narrowness i preen
in nervure's shine,
a sponge mycelial with soak of raining
carbon underground
the drumming hoofbeats shake and settle
days dehiscing spinning sun
to somber eve in active rest
dreaming pasture real
within a trailing effort's ease
based on a translation of the hymn "To Indra [primarily a deity of the thunderstorm]", x.89; from R.T.H. Griffith, "The Hymns of the Rigveda, 2 vols. (Benares: E.J. Lazarus and Co., 3rd ed., 1920-6)
Brad Pietryga Nov 2011
Briskly moving through brisk weather
Death under each step I take.
Time is up now, minds are turning
Fear and freeze about to break.

Polyester coverings buttoned tightly around her
Similar to feelings unable to unfasten.
Bound around her neck and made of fur,
Slide it off in a fit of passion.

Building up slowly during late autumn months,
Sadness and anxiety and desire.
Desire.
Desire.

Craving, itching, lusting for more;
Locked in an apartment and confined.
Books are my company and in them I explore
All of the worlds that have made my mind blind.

The girl with polyester coverings,
Hang up your coat.
It is time for a rediscovering
Of your very first note.
Robyn Feb 2013
7:43 AM - Period 1 - Symphonic Band
I hid behind a bank of instrument nooks, each beaten, worn and termite chewed to ruddy brown and grey colors. Doors of old supply cabinets with peeling, plastic, paper coverings squeaked in a draft that no one could find. I kept my backpack against the trumpet section, just around the corner from the door, where no one could see me. Class started eight minutes ago, but Mr. Rants was gone as usual, and our student substitute Nick, was not not here yet. I unhooked the metal clasp on my Fossil backpack, searching around in the front backpack for my gum. I popped it in my mouth and bit down. Crack! Stale.
In a side pocket I found a tube of mascara I had shoved haphazardly in due to my rush from the house this morning. I untwisted the cap and wiped the tip of the brush on the rim, looking for a reflective surface. In the cubby directly in front of me was a trumpet case and a harmon mute. A shiny harmon mute. I stared at my warped reflection in the surface and laughed at myself. I thought "Only a real musician would do her makeup using a trumpet mute." I stabbed myself in the face leaving a long streak of gooey black on my nose. "******" I whispered and licked my finger to wipe it off. I laughed again, my hand still at my face. "This is one of those significant moments" I realized. "I'm not sure why though."

2. 4:21 PM - After School  - Way Home From Orthodontist Appointment
She stroked my hand, which was flat against my leg. "Sorry honey, just because I am a little disappointed because of what happened doesn't mean that." I was silent, staring straight through the windsheild. She sighed and pulled her hand away. I fiddled with a rubberband, my legs crossed beneath me in the passenger seat. I was hurt; I thought we were done talking about this. Hadn't she forgiven me? Like it mattered. Telling her was the right thing and there's nothing more I can do. Light Gives Heat by Jars of Clay came on the radio and as I looked through the rain, repeatedly punching my window, I felt something well up inside me. The feeling that actors must get in dramatic movie scenes. Closing my eyes, I imagined I was in a movie. That it was about me, that I would win whatever I wanted in the end and that I was clever and beautiful. "This is a significant moment" I thought. "But not like this morning, not at all."
I looked over at her, she was expresionless, tapping her finger gently on the steering wheel.
"Maybe I'll post something about this on HelloPoetry later." I thought.
Katelyn Mar 2014
dust of the aching parts
of your heart and let
yourself fall down
reach inside and untie
knots, replace them with ribbon
and tie pretty bows around your lungs
remind yourself breathing is apart of living
remind yourself as long as your two feet touch the ground
the ribbons cannot come undone

shed off ***** plastic coverings
replace them with silk
treat it like you sleep in it

because you do

dust the dirt off your shoulders
and let yourself smile
reach inside and clean out memories
you no longer need to cherish
replace them with a good book
remind yourself laughing is apart of living
remind yourself as long as long as you wake up in the morning
the story will still continue
Smith Oct 2013
In the cool night of childhood
I saw the heavenly glass
Through flecks in the dusty sky
Wandered in the vast, wild wood

Climbing in the walnut tree
Lolling on the dawn's dew grass
Cloud coverings shifting by
Prayer budding from out of me

I dozed unanswerable and free
Weary, glad, and wholly good.
theo holland Oct 2011
See me.
More than the imagined in your mind,
   more than the prescription from their lies,
   do not let them create me without your vision.

See me.
My body stripped bare of its coverings,
   my body stripped down to the simplest from,
   let me be sculpted so in your thoughts.

See me.
And do not fear my vulnerability,
   and do not shut me out of your mind,
   for fear of my passion and your calm.

Understand me.
Through your eyes gazing without fail,
   through your eyes I will fear no evil,
   only hear the softest sigh of love and sight.
natalie Jul 2014
When we arrive at the beach, the oppressive sun has
begun his slow, creeping descent towards the gap in
the dunes where, if one stood at the very crest, he
might see the swampy bay, tufted in tall, thin grass
and dotted with ospreys and cranes. I carry a bag
depicting a bastardization of the American flag, and
he tugs the narrow mesh cart with cartoon wheels across
the flesh-toned sand. The crowd of hungry beachgoers
is thinning, and the lifeguards have just begun to lug
their tall wooden stand back from its perilous proximity
to the gentle breakers. I walk just a few paces behind
my father, until he stops, asking, “Is this a good spot?”
I nod, never before remembering a time when he
sought my approval for a seaside roost. After ******* our
umbrella—blue-green, as though reflecting in canvas
the fluctuating shades of the mutable Atlantic—deep into
the cool sand, and setting the two chairs firmly in its chilly
shade, he asks, “Wanna swim?” Again, I nod, stripping
until I wear nothing but a mint green bikini and sunglasses.
Leisurely, we stroll towards the small waves and wade into
the just-right water gradually. Subconsciously, I am again
just three or four footfalls behind his frame, as if I cannot
continue any deeper until he has tested the sea, and each
step forward is a promise that everything is okay,
and I may proceed with caution.

Our steady immersion suddenly releases in me a torrent
of memories. I see myself, maybe seven, planted next
to him on the beach, where the sand is only just damp,
digging holes with our hands so that a small pool of
icy liquid slowly emerges, and then cupping the sand
and carefully dripping it along the edges to create a
system of fortresses and castles melting in the breeze.
I see him explaining to me, age nine, the proper way
to bodysurf, and I feel once again a sudden fear that
the salty water will fill my nostrils and cause that
choking burn that I detest to this day. I remember
him laughing that hearty guffaw as I was, invariably,
thrown from my boogie board in the aftermath of a
particularly large wave, skinning my knees against
the broken shells dotting the rough ocean floor. I
hear his careful instructions about the proper and
improper behaviors when ****** into a rip tide—
swim horizontally, he’d say, and if I didn’t understand
the word, he’d clarify that it meant to follow the beach,
because following the sea was certain death.

When our waists have just begun to adjust to the
temperature, I overhear the father of a girl who is
about the age I was in these memories exclaim that
a pod of dolphins has come quite close, and upon
looking, I see their gray bodies slithering in and out
of the deeper water. I nudge my father and point, and
we both marvel at this rare occurrence. Thousands of
seconds pass, and this time he is pointing off in the
distance, saying, “They’re still hanging around. Must
be a school of fish or something.” When I ask him if
he knows why they are within swimming distance,
he tells me confidently that it must be due to the
water’s unseasonable warmth, and I know in my
heart and in my brain that he is correct, as usual.

After the dolphins have disappeared, I say that I
am done swimming, that I want to start the Marquez
tome weighing heavily upon my conscience and that,
besides, we shouldn’t leave our valuables alone for
too long. He simply shrugs, as if to say, “Why would
you want to get out of this ocean?” almost as though he
didn’t realize thievery is such a common occurrence
at the Jersey shore. From my haven in the shade, I
feel goosebumps emerge as my father’s shirt deepens
from heather gray to taupe. Before leaving the
house our family has visited every summer for over
a decade, I borrowed his brand new headphones—he
was so excited to tell me that they don’t knot—and
their bulbous coverings, when stuck in ears on a
windy beach, create the sort of howling found in
1970s horror movies, my own personal FX. Despite
the fact that I have just surpassed one quarter of a
century in age, I still see him, a few years past the
half-century mark, turn around, squinting, until he
sees me safely planted in the plastic chair, as safe
as a father could hope his oldest daughter to be.
Nat Lipstadt Feb 2023
Compare and Contrast (the foliage of the heart)



<>

My work is loving the world.
 Here the sunflowers, there the hummingbird - 
equal seekers of sweetness.
 Here the quickening yeast; there the blue plums.
 Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
 Am I no longer young and still not half-perfect? Let me
 keep my mind on what matters,
which is my work, which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
 The sheep in the pasture, and the pasture.
 Which is mostly rejoicing, since all ingredients are here,
Which is gratitude, to be given a mind and a heart
and these body-clothes,
 a mouth with which to give shouts of joy
 to the moth and the wren, to the sleepy dug-up clam,
 telling them all, over and over,
how it is
 that we live forever.


This is the first poem in Mary Oliver's collection Thirst, titled,
“The Messenger."

<>

Ruler of the Universe, grant me the ability to be alone; may it be my custom to go outdoors each day among the trees and grass among all growing things - and there may I be alone, and enter into prayer, to talk with the One to whom I belong.

May I express there everything in my heart, and may all the foliage of the field - all grasses, trees, and plants - awake at my coming, to send the powers of their life into the words of my prayer so that my prayer and speech are made whole through the life and spirit of all growing things, which are made as one by their transcendent Source. May I then pour out the words of my heart before Your presence like water, O L-rd, and lift up my hands to You in worship, on my behalf, and that of my children!


-Rebbe Nachman of Bratslav

<>

too early on a Sunday morning for a trick or treat question,
still bed-bound @ Nine AM, browsing the internet state of the world,
it’s pre-my-walk on First Ave., in my Manhattan
concrete habitat pasture, where it’s gray and grayer
reveals of raggedy grass, certainly no sheep, and the only flowers
arrayed will be those with price tags fronting the bodegas
that are busy preparing breakfast for thousands of New Yorkers

trick question?

indeed! there is NO contrast, save the compare the kinetic similitude
of three kinfolk prayers, amidst frightfully unchanging headlines of
the dreary state of the world - weather report prototypical,
war, death & destruction, whiny celebrities and sports “heroes,”
editorials preaching, a vast quietude of no one’s mind changed,

but, always the but…

my work is loving the world, the grimy solitary blades of grass, true survivors, hosted & sprouting in dirt cracks miraculously,
letting the foliage of my heart blossoming in early morn warmth within my body’s extremities, clothed coverings of wintery wool,
confess my facts (“no longer young and still not half perfect?”),
filling the styrofoam cups of begging, wretched yearning refuse,
planting sprigs of mint green dollars in blanched froze hands,
wondering to myself, which one is
the masked messiah?

these are the growing things in my fields, 70 years familiar,
the fruits and flowers of my life, are street crated>corners,
a panoply of vest corner garden-parks,
and the people!
people of every color and shade, what variety hath man wrought?


my eyes lack
not for anything, plenty the stimuli joyous within the astonishing spirit and life of all things blooming in hostile soil and you
may yet see the mark of
Abel joy upon my forehead, in my eyes, and see lips whispering this prayer~poem while being birthed, but in a word, a single word,
a pouring, best summarizing of a rebbe’s blessing
shouting out, anointing, appointing:


~Hallelujah~


Sun Feb 19 2023 9:15 AM
NYC
lipstadt
Lakin Dec 2015
If you crave
discovering the pit
of fire,
shower the floor
with your coverings
and summon lust
under white linen
while my hungry
eyes make a
meal of you.

Or, if you
fantasize of glowing
gates drenched in
golden glory,
keep silent
prayers tucked under
your tongue,
and don’t let
God hear you
say my name.
The path's deviation a lifetime's privation

Some degradation.

Like the spinning of yarns

Like spiders in barns

Like old men and soldiers I am tied to the boulders

Like Marley and chains

Like toothache and pains and loss with no gains

Here come the rains.

Like I'm ticked off with this

Like no Woman no kiss and no one to miss.

Like snakes that go hiss I crawl and I writhe

I tell terrible lies like I'm a prince not a pauper

Like I've two sons not a daughter.

It’s like I'm not to blame

There’s something wrong with my brain

Like I'm mad or insane.

Like a slow moving train or a triangular mangle

An obtuse acute angle.

Like I've done this before and put out like a *****

Like the clothes that I wore

Like my teeth again sore.

I am a transient being I don’t like what I'm seeing

In the mirror I look and like the words in a book

Which crackle and shackle  my feet to the ground

I hear the witches cackle but I can’t make a sound.

Like a flute that’s gone mute or a trombone with no tone

I dangle my hope I don’t think I can cope.

Like the suns shining rays

Like I've burnt out my days so now I sit and I laze

Remembering faces and place coverings and carapaces.

Hiding in shells

Hiding from yells.

Like I'm missing life out but then it gives me a shout

And says come and stand in the light

Like get out of your night and walk into the dawning

Now is your morning.

Dance and be part of the beat of your heart

Like you were weak but be strong

Like you'll not wait for long

For your plate to be filled.

The earth in your soil tilled and what will grow there

Is a whole crop of care and a piece of the part

Of the birth of your start.
Wrote this in Jan 2011..haha and thankfully still as mad as a box of monkeys.
S R Mats May 2015
Early to bed
Never to rise,
Circling around a thought
That keeps me paralyzed;

Here,
In the womby-tomby
Safety of my coverings
I begin to realize;

I don't want to remain unborn.

— The End —