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Paul d'Aubin Feb 2016
Trois Poèmes sur l’été en Corse et Letia
L’été Corse

L'été est la saison bleue
tant attendue, tant espérée
quand le froid de l'hiver vous glace,
quand le printemps pleure à grands eaux.
L'été s'installe quand le soleil
brule, hardi, de tous ses feux,
que la lumière devient reine de jour
et que les soirs s'étirent et se prélassent
Les fleurs et plantes du Maquis
ne sont pas encoure roussies
et forment comme un tapis bariolé de couleurs.
Les senteurs nous embaument
de leurs sucs capiteux
et nous nous croirons presque
dans une vaste parfumerie à ciel ouvert.
La mer parfois ridée de mousse blanche
devient parfois turquoise, émeraude ou bleu outre-mer.
Mais le soir venu le soleil se plonge
dans des rougeoiements varies
qui irritent et bariolent l'horizon.
Alors que s'assombrit ces curieuses tours génoises trapues ou rondes qui faisaient mine de protéger les anciens.
Et sont autant de rappels des périls barbaresques durant les temps médiévaux et modernes



                                                      *
Le café de Letia Saint Roch

Il est dans ce gracieux village de Letia, à flanc de Rocher, un endroit ayant résisté à la disparition des commerces. C'est le café de Toussaint Rossi, placé au cœur du village et tenant lieu de salle commune. Ce centre de vies, de rires et de joie comporte un antique et majestueux poêle en fonte, et des décors muraux faits de multiples coupes d'anciennes victoires aux tournois de boules et de foot et chargé des espoirs à venir. Surtout, les murs sont décorés de gravures austères de Sanpiero Corsu et de Pascal Paoli, attestant de l'attachement des villageois aux temps forts de l'histoire Corse. L'hospitalité est depuis bien longtemps assurée par l'excellent Toussaint Rossi, lequel fait aussi le partenaire des parties de belotes contrées. Maintenant sa nièce Emmanuelle apporte aujourd'hui, à ce café,  son dynamisme souriant et son sourire enjôleur. A l'occasion de la Saint-Roch et du tournoi de boules, «Vincent Battesti»,  la salle prend des airs de café-concert et cousins, amis et villageois entonnent le répertoire des chants «nustrale», lequel dure parfois **** dans la nuit quand scintille un peu l'Esprit du village. Aux anciennes chansons de nos parents : «la boudeuse» et «Il pescatore dell'onda» s’ajoutent les succès nouveaux comme «Amerindianu» et l'admirable chant du Catalan, Lluis Llach,  «l'Estaca», traduit en langue Corse. Les voix s'accordent et les chœurs vibrent à l'unisson, sur ce répertoire commun qui arrive à élever le sentiment d'unité et à souder les valeurs des êtres.

                                                               *


Le pont de l’embouchure du Liamone,

Sous la fausse apparence d'une large rivière tranquille se perdant dans les sables,
Le «Liamone», prenant sa source sur les montagnes de Letia peut se révéler torrent furieux.
Cependant il se jette mollement dans le grand bleu en s’infiltrant par un mole de sable.
Cet endroit est magique car il mêle, mer et rivière, poissons d'eau douce et de mer,
La plaine alluviale qui l'entoure est large et propice aux cultures,
ce qui est rare dans cette partie de la Corse aux côtes déchiquetés.
Il annonce les vastes plages de Sagone dont la plus belle,
mais non la moins dangereuse fait face à l'hôtel «Santana».
Le nouveau pont du Liamone a des formes de grand oiseau bleu,
Et déploie des deux ailes blanches sur les eaux vertes de la rivière.
Cet endroit peu hospitalier aux nageurs car l’on à pied que peu de temps sur de fins galets tranchants
Il l'est en revanche très agréable aux poissons et aux pêcheurs,
car il mêle les eaux et le plancton
C’est aussi un endroit magique pour celles et ceux qui goûtent par-dessus tout,
La Liberté sans contrainte, le soleil, une vaste étendue de sable et les points de vue,
car plusieurs promontoires ou collines inspirées sont encore coiffées de vestiges de tour,
et le regard porte **** comme pour surveiller et protéger les populations des antiques razzias barbaresques.

Paul Arrighi.
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
Paul d'Aubin Jan 2016
Fougères en Corse

Petits, elles nous faisaient peur par leurs frémissements,
sous la caresse du vent et par leur tournoiement,
de vert sombre et de senteurs acres de rivière.
Elles nous paraissaient animées d'une vie mystérieuse,
de landes, de lutins et d'enfants disparus ou dérobés,
Ces fougères nous les nommions : «Fizères».
Elles étaient pour nous source d'effroi et de maléfices,
Jamais nous n'aurions consentis à nous perdre dans l’ondulements de leurs vagues vertes, sous peine d'être aspirées par un magnétisme maléfique,
et devenir prisonniers de leurs immensités feuillues.
En automne, leurs couleurs se transformaient en dorées et en feux,
comme une chevelure rousse déployée ou la robe du renard roux, si vif.
Et quand le vent souffle, leurs feuilles font grand bruissement,
comme les tuyaux d'orgue d'une nature en remuement.
Alors les elfes et les esprits des défunts
Semblent s'en donner à cœur joie au-dessus la rivière «Catena»,
Et même les châtaigniers massifs semblent comme entraînés par le vent dans cette sarabande moins réglée que celle d'Haendel.

Paul Arrighi
Croon thy words
In a tune loud.
Wrap me ****
In a white shroud.

Yell thy whine
for my chained soul,
What shall determine
The dead one's parole?

Solace me dear
For death I Fear.
Strange is yet
That All I hear!

Dead one fears
As corse is hurried.
Don't haste to the yard
Where bones are buried!

Since I hear,
Speak to me dear.
As far I am unalive
Azrael won't arrive
And
Speak to me a lie
Until I die.
Monologue of a corse, hearing people's elegies for his death.
Paul d'Aubin Feb 2015
Pourrais-je un jour; réparer l'injustice
faite à mon père ?


Il fut à vingt ans caché par les bergers du village de Muna parmi de pauvres bergers qui vivaient aussi sainement que sobrement dans leur village parfumé de figuiers et sans route autre qu'un chemin à peine muletier quand l'ordre ****-fascistes tenait l'île sous sa coupe.  Puis mon père  fut mobilisé avec la jeunesse Corse apprit l'anglais sur le tas dans les forces françaises d'aviation formées alors aux Etats-Unis,
La guerre il fit l'école normale de «la Bouzareah» à  Alger puis nommé instituteur en Kabylie ou il rencontra et fut tout de suite Simone, amoureux de notre mère aussi institutrice mais native des Pyrénées,  nommée elle-aussi dans la vallée de la Soummam  ou débuta l'insurrection de la Toussaint 1954 (alors que j'avais sept mois et étais gardé par une nourrice Kabyle nommée Bahia). Mon père dont ses amis enseignants étaient pour la plupart  Corses ou Kabyles prit de sérieux risques en qualité de syndicaliste du SNI; «Libéral politique»   dans un temps porteur pour les  extrémismes et les surenchères   et donc à la fois cible potentielle des ultras des deux bords il n'hésita pas à  faire grève et m'amena manifester à Bougie/Bejaia, ou sur la route je vis une tête coupée qui me hante encore, lorsque sept inspecteurs d'Académie furent exécutés par l'O.A.S.

Nommé de l’hiver au grand froid de 1963, professeur de collège d'Anglais  dans le Comminges cher à son épouse, à Valentine, il n'avait pas encore le permis et sa fameuse  2 CV bleue qui devint légendaire et venait régulièrement nous voir Régis et moi,  qu'il pleuve et/ou  qu'il vente, sur une mobylette jaune.

Il perfectionna régulièrement son anglais tous les soirs en écoutant les programmes radios de la BBC et passa même à ses élèves  sur un magnétophone à banque qu’il avait acquis le succès des Beatles; "Yellow Submarine". Mais il ne comprit rien aux événements de 1968 qui heurtèrent sa vision structurée du Monde  et bouleversèrent tant ma propre vie. Qu'aurait-il pu comprendre, lui l'admirateur de l'homme du 18 juin à  cette  contestation anarchique et multiforme de l'institution scolaire  dans laquelle, il avait donné beaucoup de lui-même ?

Plus ****, ayant pris cette retraite, rare espace de Liberté personnelle, ce grand marcheur se mit enfin à parcourir de nouveau Maquis et Montagnes et ce n'est sur rentré **** le soir dans son humble demeure après avoir déjeuné d'une «bastelle» et d'un bout de fromage de "Giovan Andria «qu’il améliorait sa dans sa chambrette ayant sous les yeux le "dictionnaire de la Piève d'Evisa", pour redonner à la langue Corse sa beauté et sa dignité et restituer par ses propres mots choisis ce vrai temple de la nature et de la Beauté sauvage que forme cette île Méditerranéissime.

Paul Arrighi
Il s'agit d'un bref rappel entre prose , histoire et souvenirs poétiques d'enfance de mon pére André Arrighi ( Professeur d'Anflais) tel que je le perçois maintenant qu'il n'est plus .
Paul d'Aubin Jul 2016
La plage de la tour Génoise
de Sagone en Corse.

Sur le mol étendu
De la crique aux rochers
Ou le sable nous offre
Un couchage argenté
Et d'où le clapotis
Des vagues qui se meurent
Offre un balancement
Si propice à la sieste
Nous ne nous lassons pas
De regarder la mer
Qui se montre si douce
Mais peut, être, féroce
Mais nous n'y songeons pas
Occupés à laisser
La torpeur nous saisir.
Mais le meilleur moment
Est quand le soleil
S'étire, paressant
Sur l'horizon, comme
Une orange mure.
Un zeste de fraîcheur
Vient nous revigorer
Et un léger zéphyr
Aiguise notre incessant
Besoin de nous bouger
Alors que nous étions précédemment apaisés.
Une salinité un peu plus épicée
Fait songer aux poissons,
Peut être que ce soir ?
Là-bas sous les « paillotes »
et d’autres «brises de mer»
où des cuisiniers s'affairent
Pour nous donner envie
De découvrir quelques saveurs
Et ces vins blancs si frais
Qui font claquer la langue
Et vont si bien avec des poissons grillés,
Ce soir, aucune restriction
Ni régime fâcheux,
Laissons l'austérité
A ses propagandistes intéressés
Et vivons selon ce moment
Ou vivre est une fête.
A Sagone, ce soir,
Comme si cette fête
Ne devait pas finir.

Paul Arrighi
Paul d'Aubin Jul 2016
Aux bords de la rivière « La Catena » en Corse

Elle porte un nom qui signifie «chaîne»; mais est bien au contraire expérience de Liberté.
Dans les temps féodaux, un seigneur de la Cinarca, y fit construire une place forte,
Dont il ne reste plus que quelques pierres éparses et le baptistère,
Ainsi que des rumeurs d'un cruel massacre, jamais éteintes, par les siècles.
L'été, sa musique de roches se joint à la fraîcheur pour en faire un lieu de détente et de pur bonheur,
Pourtant les rocs de granit en obstruent parfois le cours et font ressembler ce torrent à une rivière peuplée par des géants de pierre et de quelques noyés violacés rejetés par ses colères.
Son grondement ininterrompu laisse planer comme une symphonie  fantastique de dangers diffus.
Les truites «fario» n'en sont pas absentes, même si trop pêchées, elles se nichent au plus profond des creux et anfractuosités des rochers.
Les rires des enfants, le ruissellement de l'eau si fraîche sur la peau sont le sourire de celles et ceux qui savent admirer ce temple vert,
et contempler sur ses bords cette flamboyance  de la  nature propre à apaiser  l'inquiétude des êtres.
La musique monotone de son courant pousse à la sieste, le plus furieux des « hommes pressés ».
Et « la Catena » a l'air de nous dire : « sachez écouter ma musique et prendre le temps de vous poser un peu ».

Paul Arrighi
Andre Baez Feb 2014
Four walls are screaming...

Lying here awakened by the deafened sound of silence
Casually existing in a manifestation of neighborly violence
Is a martyr of selfish explanation and station
In the mix for chairman on the way the satan
Gates open for him when he travels from his lair,
But travel comes in spurts of gravitational voids,
Filling up with meals as they enter without choice,
Or any sense of repair for what's there,
Entering crevasses and other openings along surfaces,
That allow one to feel worthlessness,
Never hoisting the trophy given to those whom represent perfectness,
Perfectionist can't resist the temptations to conjure mist,
To make sure and valid that works of art are works of fact which exist,
To be or not to be or create or mislead,
Proceeded by apologies that mislead atrocities,
Across cities so wickedly the deadliness of it all is least thrilling,
As a result of the bland toast experience that leaves most chilling,
Spine tingling, neck wringing, spinal tapping, and wired napping,
Saran wrapping over mouths made by ACME,
Causing destruction much like what's seen on TV,
And bought at your local pharmacy,
Where they farm human beings much like cattle, count the sheep?
Because you're snoring, sleeping through class again and looking bummy,
Roaring is coming from the bottomless pits of your tummy,
You devour the tiniest bits of crumbs and feeling crummy,
Misused sense of self existence is persistent to make you nothing

Because four walls are screaming
The world is yours
The world is foreign
The world is burned
The world is corse
The world is hoarse
The world is worse
The world it turns
The world it yearns
The world is yours
The world is yours
The word is yours
The word is yours

Shadows in the brightness of the dark,
Spread across expansive spaces of empty walls,
Suffocating the echoes formed by creaking halls,
Hand rise and fall while final gasps are drawn,
Choked sounds leaving as they enter withdrawal,
Enter into my senses stating that the beauty lies in dawn,
Drawn faces lie on skulls where lines are made of chalk,
The rest of the skeleton remains but must be bought in bulk,
Off branded and made by foreign nations,
Easily paid for with easy to find replacements,
The mind is not a terrible loss when you've only ever had half,
To lose another half would only be half as bad,
Half as much mind to get up out of the shield of bed sheets,
Half as much mind to walk, any given day, across any given street,
100% percent chance at the fate which awaits me,
Yet the safety net in place fools me to believe,
That a life without risk is worth living,
As ant piles form in any which place along the floor,
And the handles continuously fall from the doors,
Clothes, dishes, and homework, pile up into chores,
A fatal scene of tragedy reminiscent of noir,
Ambiguity remains in what lies just beneath,
The surface as the crust of earth acts as a sheath,
While the remainder of it grows rotten due to the cheats,
The liars and the friars who act as moonlit buyers,
Of incomplete factions and fractions of complete mishaps,
Perhaps an axe to the frontal lobe would loosen up control,
My eyes are scar filled and leaking massive amounts of soul,
The soil is darkening with fertilization,
While the source material is dying from being wasted,
It's the typical atypical response to taunts and trails of peril fraught,
With sounds emanating explaining the cause of a shot,
Straight through the heart piercing through the rock,
Cries to forget everything that's been taught, "it's a crock!"

Because four walls are screaming
The world is yours
The world is foreign
The world is burned
The world is corse
The world is hoarse
The world is worse
The world it turns
The world it yearns
The world is yours
The world is yours
The word is yours
The word is yours

To be happy or give family,
Satisfactions of being right you see,
Interactions of puppets tied to string,
Tears next to taxes they're filing,
Humming songs meant to sing,
Has long been the main thing,
To act yet never do the real thing,
It's a monstrosity of honesty,
Honestly saying you are not a thing,
You have no talents you aren't interesting, it's sickening,
That it's truly what they believe,
And thus extend it to fresh psyches,
Of their children like Socrates,
Faith in their words is philosophy,
Till one broke away from topography,
Stopping streams of tears in their streaks, it's done, it repeats,
But all in all is all that he needs,
To defeat the menacing grins to have them at his feet,
Groveling knowing in time that he'll be king,
The sequences flourish from new daisies to trash heaps,
It's a lion stalking and napping among sheep,
The bygones are gone by yet the goodbyes never cease,
The will of the strong is hoisted up by the weak,
But the weak were those who made up the soul of the strong,
The weak were once knights but turned into pawns,
To check into their mates and remain on call,
To stir up disaster by setting up the alarms,
Their charms through voice never lent psalm,
Through all dampening storms he always remained calm,
Even within the shelter of his apartment home,
Ignorance of the outside world didn't disperse of his wounds,
The shreds of skin, metal tasting flesh torn,
Separate the ligaments of the clothes worn,
Mercurial mental in the midsts of complete war,
Picture frames crowd around on the floor,
Commodities in short supply have dissolved,
A death will occur in a mystery solved...

Because four walls are screaming
The world is yours
The world is foreign
The world is burned
The world is corse
The world is hoarse
The world is worse
The world it turns
The world it yearns
The world is yours
The world is yours
The word is yours
The word is yours
Paul Arrighi Mar 2014
Notre ami, le Mouflon

Parfois ses cornes tire-bouchon e font ressembler le mâle à un faune farceur,
Peu haut sur pattes mais véloce, le Mouflon se révèle un remarquable Athlète bondissant de rochers en rochers,
Escaladant les rocs avec effronterie, il se   rend parfois en été ou lorsque la nourriture se fait rare, au cœur des clairières et dans le creux des vals
Pour goûter avec gourmandise ces mets de choix que sont pour lui les baies, glands, faînes, châtaignes et surtout les mannes du frêne à fleurs,
Le Mouflon est, avant tout animal des cimes et des à-pics ; il est aimant de tous les lieux inaccessibles sans le secours de jumelles ou de téléobjectifs.

Pour Mouflons et Mouflonnes, la saison de l’amour est l’automne ce qui révèle un goût de seigneur,
Car la vêture des clairières est alors rougeoyante de beauté, à l’instar de tapis persans,
Le Mouflon ne serait-il pas animal sauvage certes mais romantique car il se plait à admirer l’encolure des Mouflonnes, qui s’harmonise si bien avec les couleurs automnales ;  
Mais pour les Mouflons, le plaisir d’amour doit rester subtil et ne pas verser dans ces luttes meurtrières : l’ami Mouflon est un épicurien qui donne leçon de sagesse à tous les jaloux.

Le Mouflon fut longtemps, le maître des Montagnes et du maquis Corse qu'il ne partageait qu'avec l’aigle royal, les sangliers les plus hardis et quelques bandits ou patriotes traqués,
Mais trop chassé par certains Hommes, dépourvus de sagesse et à la gâchette trop faciles, il faillit disparaître de son île emblématique.
Aujourd'hui il revient de l'île sœur, la Sardaigne, mais reste encore plus caché dans quelques massifs impénétrables comme le «Monte Cinto» et les «aiguilles de Bavella».
C’est ainsi que la Corse retrouve l'un de ses plus beaux animaux dont le nom de ses enfants, "I Muvrini", a fait le tour des scènes du Monde pour magnifier son emblème et sa terre nourricière, la Corse.
Paul Arrighi
How sweetly shines, through azure skies,
  The lamp of Heaven on Lora’s shore;
Where Alva’s hoary turrets rise,
  And hear the din of arms no more!

But often has yon rolling moon,
  On Alva’s casques of silver play’d;
And view’d, at midnight’s silent noon,
  Her chiefs in gleaming mail array’d:

And, on the crimson’d rocks beneath,
  Which scowl o’er ocean’s sullen flow,
Pale in the scatter’d ranks of death,
  She saw the gasping warrior low;

While many an eye, which ne’er again
  Could mark the rising orb of day,
Turn’d feebly from the gory plain,
  Beheld in death her fading ray.

Once, to those eyes the lamp of Love,
  They blest her dear propitious light;
But, now, she glimmer’d from above,
  A sad, funereal torch of night.

Faded is Alva’s noble race,
  And grey her towers are seen afar;
No more her heroes urge the chase,
  Or roll the crimson tide of war.

But, who was last of Alva’s clan?
  Why grows the moss on Alva’s stone?
Her towers resound no steps of man,
  They echo to the gale alone.

And, when that gale is fierce and high,
  A sound is heard in yonder hall;
It rises hoarsely through the sky,
  And vibrates o’er the mould’ring wall.

Yes, when the eddying tempest sighs,
  It shakes the shield of Oscar brave;
But, there, no more his banners rise,
  No more his plumes of sable wave.

Fair shone the sun on Oscar’s birth,
  When Angus hail’d his eldest born;
The vassals round their chieftain’s hearth
  Crowd to applaud the happy morn.

They feast upon the mountain deer,
  The Pibroch rais’d its piercing note,
To gladden more their Highland cheer,
  The strains in martial numbers float.

And they who heard the war-notes wild,
  Hop’d that, one day, the Pibroch’s strain
Should play before the Hero’s child,
  While he should lead the Tartan train.

Another year is quickly past,
  And Angus hails another son;
His natal day is like the last,
  Nor soon the jocund feast was done.

Taught by their sire to bend the bow,
  On Alva’s dusky hills of wind,
The boys in childhood chas’d the roe,
  And left their hounds in speed behind.

But ere their years of youth are o’er,
  They mingle in the ranks of war;
They lightly wheel the bright claymore,
  And send the whistling arrow far.

Dark was the flow of Oscar’s hair,
  Wildly it stream’d along the gale;
But Allan’s locks were bright and fair,
  And pensive seem’d his cheek, and pale.

But Oscar own’d a hero’s soul,
  His dark eye shone through beams of truth;
Allan had early learn’d controul,
  And smooth his words had been from youth.

Both, both were brave; the Saxon spear
  Was shiver’d oft beneath their steel;
And Oscar’s ***** scorn’d to fear,
  But Oscar’s ***** knew to feel;

While Allan’s soul belied his form,
  Unworthy with such charms to dwell:
Keen as the lightning of the storm,
  On foes his deadly vengeance fell.

From high Southannon’s distant tower
  Arrived a young and noble dame;
With Kenneth’s lands to form her dower,
  Glenalvon’s blue-eyed daughter came;

And Oscar claim’d the beauteous bride,
  And Angus on his Oscar smil’d:
It soothed the father’s feudal pride
  Thus to obtain Glenalvon’s child.

Hark! to the Pibroch’s pleasing note,
  Hark! to the swelling nuptial song,
In joyous strains the voices float,
  And, still, the choral peal prolong.

See how the Heroes’ blood-red plumes
  Assembled wave in Alva’s hall;
Each youth his varied plaid assumes,
  Attending on their chieftain’s call.

It is not war their aid demands,
  The Pibroch plays the song of peace;
To Oscar’s nuptials throng the bands
  Nor yet the sounds of pleasure cease.

But where is Oscar? sure ’tis late:
  Is this a bridegroom’s ardent flame?
While thronging guests and ladies wait,
  Nor Oscar nor his brother came.

At length young Allan join’d the bride;
  “Why comes not Oscar?” Angus said:
“Is he not here?” the Youth replied;
  “With me he rov’d not o’er the glade:

“Perchance, forgetful of the day,
  ’Tis his to chase the bounding roe;
Or Ocean’s waves prolong his stay:
  Yet, Oscar’s bark is seldom slow.”

“Oh, no!” the anguish’d Sire rejoin’d,
  “Nor chase, nor wave, my Boy delay;
Would he to Mora seem unkind?
  Would aught to her impede his way?

“Oh, search, ye Chiefs! oh, search around!
  Allan, with these, through Alva fly;
Till Oscar, till my son is found,
  Haste, haste, nor dare attempt reply.”

All is confusion—through the vale,
  The name of Oscar hoarsely rings,
It rises on the murm’ring gale,
  Till night expands her dusky wings.

It breaks the stillness of the night,
  But echoes through her shades in vain;
It sounds through morning’s misty light,
  But Oscar comes not o’er the plain.

Three days, three sleepless nights, the Chief
  For Oscar search’d each mountain cave;
Then hope is lost; in boundless grief,
  His locks in grey-torn ringlets wave.

“Oscar! my son!—thou God of Heav’n,
  Restore the prop of sinking age!
Or, if that hope no more is given,
  Yield his assassin to my rage.

“Yes, on some desert rocky shore
  My Oscar’s whiten’d bones must lie;
Then grant, thou God! I ask no more,
  With him his frantic Sire may die!

“Yet, he may live,—away, despair!
  Be calm, my soul! he yet may live;
T’ arraign my fate, my voice forbear!
  O God! my impious prayer forgive.

“What, if he live for me no more,
  I sink forgotten in the dust,
The hope of Alva’s age is o’er:
  Alas! can pangs like these be just?”

Thus did the hapless Parent mourn,
  Till Time, who soothes severest woe,
Had bade serenity return,
  And made the tear-drop cease to flow.

For, still, some latent hope surviv’d
  That Oscar might once more appear;
His hope now droop’d and now revived,
  Till Time had told a tedious year.

Days roll’d along, the orb of light
  Again had run his destined race;
No Oscar bless’d his father’s sight,
  And sorrow left a fainter trace.

For youthful Allan still remain’d,
  And, now, his father’s only joy:
And Mora’s heart was quickly gain’d,
  For beauty crown’d the fair-hair’d boy.

She thought that Oscar low was laid,
  And Allan’s face was wondrous fair;
If Oscar liv’d, some other maid
  Had claim’d his faithless *****’s care.

And Angus said, if one year more
  In fruitless hope was pass’d away,
His fondest scruples should be o’er,
  And he would name their nuptial day.

Slow roll’d the moons, but blest at last
  Arriv’d the dearly destin’d morn:
The year of anxious trembling past,
  What smiles the lovers’ cheeks adorn!

Hark to the Pibroch’s pleasing note!
  Hark to the swelling nuptial song!
In joyous strains the voices float,
  And, still, the choral peal prolong.

Again the clan, in festive crowd,
  Throng through the gate of Alva’s hall;
The sounds of mirth re-echo loud,
  And all their former joy recall.

But who is he, whose darken’d brow
  Glooms in the midst of general mirth?
Before his eyes’ far fiercer glow
  The blue flames curdle o’er the hearth.

Dark is the robe which wraps his form,
  And tall his plume of gory red;
His voice is like the rising storm,
  But light and trackless is his tread.

’Tis noon of night, the pledge goes round,
  The bridegroom’s health is deeply quaff’d;
With shouts the vaulted roofs resound,
  And all combine to hail the draught.

Sudden the stranger-chief arose,
  And all the clamorous crowd are hush’d;
And Angus’ cheek with wonder glows,
  And Mora’s tender ***** blush’d.

“Old man!” he cried, “this pledge is done,
  Thou saw’st ’twas truly drunk by me;
It hail’d the nuptials of thy son:
  Now will I claim a pledge from thee.

“While all around is mirth and joy,
  To bless thy Allan’s happy lot,
Say, hadst thou ne’er another boy?
  Say, why should Oscar be forgot?”

“Alas!” the hapless Sire replied,
  The big tear starting as he spoke,
“When Oscar left my hall, or died,
  This aged heart was almost broke.

“Thrice has the earth revolv’d her course
  Since Oscar’s form has bless’d my sight;
And Allan is my last resource,
  Since martial Oscar’s death, or flight.”

“’Tis well,” replied the stranger stern,
  And fiercely flash’d his rolling eye;
“Thy Oscar’s fate, I fain would learn;
  Perhaps the Hero did not die.

“Perchance, if those, whom most he lov’d,
  Would call, thy Oscar might return;
Perchance, the chief has only rov’d;
  For him thy Beltane, yet, may burn.

“Fill high the bowl the table round,
  We will not claim the pledge by stealth;
With wine let every cup be crown’d;
  Pledge me departed Oscar’s health.”

“With all my soul,” old Angus said,
  And fill’d his goblet to the brim:
“Here’s to my boy! alive or dead,
  I ne’er shall find a son like him.”

“Bravely, old man, this health has sped;
  But why does Allan trembling stand?
Come, drink remembrance of the dead,
  And raise thy cup with firmer hand.”

The crimson glow of Allan’s face
  Was turn’d at once to ghastly hue;
The drops of death each other chace,
  Adown in agonizing dew.

Thrice did he raise the goblet high,
  And thrice his lips refused to taste;
For thrice he caught the stranger’s eye
  On his with deadly fury plac’d.

“And is it thus a brother hails
  A brother’s fond remembrance here?
If thus affection’s strength prevails,
  What might we not expect from fear?”

Roused by the sneer, he rais’d the bowl,
  “Would Oscar now could share our mirth!”
Internal fear appall’d his soul;
  He said, and dash’d the cup to earth.

“’Tis he! I hear my murderer’s voice!”
  Loud shrieks a darkly gleaming Form.
“A murderer’s voice!” the roof replies,
  And deeply swells the bursting storm.

The tapers wink, the chieftains shrink,
  The stranger’s gone,—amidst the crew,
A Form was seen, in tartan green,
  And tall the shade terrific grew.

His waist was bound with a broad belt round,
  His plume of sable stream’d on high;
But his breast was bare, with the red wounds there,
  And fix’d was the glare of his glassy eye.

And thrice he smil’d, with his eye so wild
  On Angus bending low the knee;
And thrice he frown’d, on a Chief on the ground,
  Whom shivering crowds with horror see.

The bolts loud roll from pole to pole,
  And thunders through the welkin ring,
And the gleaming form, through the mist of the storm,
  Was borne on high by the whirlwind’s wing.

Cold was the feast, the revel ceas’d.
  Who lies upon the stony floor?
Oblivion press’d old Angus’ breast,
  At length his life-pulse throbs once more.

“Away, away! let the leech essay
  To pour the light on Allan’s eyes:”
His sand is done,—his race is run;
  Oh! never more shall Allan rise!

But Oscar’s breast is cold as clay,
  His locks are lifted by the gale;
And Allan’s barbèd arrow lay
  With him in dark Glentanar’s vale.

And whence the dreadful stranger came,
  Or who, no mortal wight can tell;
But no one doubts the form of flame,
  For Alva’s sons knew Oscar well.

Ambition nerv’d young Allan’s hand,
  Exulting demons wing’d his dart;
While Envy wav’d her burning brand,
  And pour’d her venom round his heart.

Swift is the shaft from Allan’s bow;
  Whose streaming life-blood stains his side?
Dark Oscar’s sable crest is low,
  The dart has drunk his vital tide.

And Mora’s eye could Allan move,
  She bade his wounded pride rebel:
Alas! that eyes, which beam’d with love,
  Should urge the soul to deeds of Hell.

Lo! see’st thou not a lonely tomb,
  Which rises o’er a warrior dead?
It glimmers through the twilight gloom;
  Oh! that is Allan’s nuptial bed.

Far, distant far, the noble grave
  Which held his clan’s great ashes stood;
And o’er his corse no banners wave,
  For they were stain’d with kindred blood.

What minstrel grey, what hoary bard,
  Shall Allan’s deeds on harp-strings raise?
The song is glory’s chief reward,
  But who can strike a murd’rer’s praise?

Unstrung, untouch’d, the harp must stand,
  No minstrel dare the theme awake;
Guilt would benumb his palsied hand,
  His harp in shuddering chords would break.

No lyre of fame, no hallow’d verse,
  Shall sound his glories high in air:
A dying father’s bitter curse,
  A brother’s death-groan echoes there.
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Ivan Brooks Sr Nov 2018
Dear future,
Before the rapture,
I was born here,
There was greenery everywhere.
Before the great wars,
It was the advent of smart cars,
And information technology,
Many people embraced diversity,
In some places in the old world.
Of corse I lived to be old
It was the era of smartphones
And the invention Of drones.
This was before the end,
When beaches still had sand
And the great oceans still had fishes
That we cooked them in nice dishes.

Dear future
I was here,
Before the great flood
We grew our food.
We ate meat
and grew wheat.
The earth had trees
And honey bees.
Flowers blossomed in summer
In case you may wonder
What happened to us,
Earthlings lost focus
And abused nature.
That was the era of pop culture,
When everything was good
And few were in a good mood,
And ninty nine percent were poor,
Few lived in huts without a door
Yet they managed a smile,
And many walked the extra mile.
Even though situations were dire
Few managed to love and share.

IB-Poetry©
26/11/2018
Just invade we wiped out someday,this is my letter to the future.
Apollo’s wrath to man the dreadful spring
Of ills innum’rous, tuneful goddess, sing!
Thou who did’st first th’ ideal pencil give,
And taught’st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho’ last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
  ’Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish’d by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th’ ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro’ the sky.
  Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
  Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op’ning morn,
As when Aurora fills the ravish’d sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
  Wherever, Niobe, thou turn’st thine eyes,
New beauties kindle, and new joys arise!
But thou had’st far the happier mother prov’d,
If this fair offspring had been less belov’d:
What if their charms exceed Aurora’s teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
  Now Manto comes, endu’d with mighty skill,
The past to explore, the future to reveal.
Thro’ Thebes’ wide streets Tiresia’s daughter came,
Divine Latona’s mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia’s prophetess began:
  “Go, Thebans! great Latona’s will obey,
“And pious tribute at her altars pay:
“With rights divine, the goddess be implor’d,
“Nor be her sacred offspring unador’d.”
Thus Manto spoke.  The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
  Niobe comes with all her royal race,
With charms unnumber’d, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav’nly Venus, ’midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
“What madness drives the Theban ladies fair
“To give their incense to surrounding air?
“Say why this new sprung deity preferr’d?
“Why vainly fancy your petitions heard?
“Or say why Caeus offspring is obey’d,
“While to my goddesship no tribute’s paid?
“For me no altars blaze with living fires,
“No bullock bleeds, no frankincense transpires,
“Tho’ Cadmus’ palace, not unknown to fame,
“And Phrygian nations all revere my name.
“Where’er I turn my eyes vast wealth I find,
“Lo! here an empress with a goddess join’d.
“What, shall a Titaness be deify’d,
“To whom the spacious earth a couch deny’d!
“Nor heav’n, nor earth, nor sea receiv’d your queen,
“Till pitying Delos took the wand’rer in.
“Round me what a large progeny is spread!
“No frowns of fortune has my soul to dread.
“What if indignant she decrease my train
“More than Latona’s number will remain;
“Then hence, ye Theban dames, hence haste away,
“Nor longer off’rings to Latona pay;
“Regard the orders of Amphion’s spouse,
“And take the leaves of laurel from your brows.”
Niobe spoke.  The Theban maids obey’d,
Their brows unbound, and left the rights unpaid.
  The angry goddess heard, then silence broke
On Cynthus’ summit, and indignant spoke;
“Phoebus! behold, thy mother in disgrace,
“Who to no goddess yields the prior place
“Except to Juno’s self, who reigns above,
“The spouse and sister of the thund’ring Jove.
“Niobe, sprung from Tantalus, inspires
“Each Theban ***** with rebellious fires;
“No reason her imperious temper quells,
“But all her father in her tongue rebels;
“Wrap her own sons for her blaspheming breath,
“Apollo! wrap them in the shades of death.”
Latona ceas’d, and ardent thus replies
The God, whose glory decks th’ expanded skies.
  “Cease thy complaints, mine be the task assign’d
“To punish pride, and scourge the rebel mind.”
This Phoebe join’d.—They wing their instant flight;
Thebes trembled as th’ immortal pow’rs alight.
  With clouds incompass’d glorious Phoebus stands;
The feather’d vengeance quiv’ring in his hands.
     Near Cadmus’ walls a plain extended lay,
Where Thebes’ young princes pass’d in sport the day:
There the bold coursers bounded o’er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul’d the fury of his flying steed.
“Ah me,” he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser’s mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion’s bed,
Was struck the first, first mingled with the dead.
  Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th’ impending storm the sailor sees
He spreads his canvas to the fav’ring breeze,
So to thine horse thou gav’st the golden reins,
Gav’st him to rush impetuous o’er the plains:
But ah! a fatal shaft from Phoebus’ hand
Smites thro’ thy neck, and sinks thee on the sand.
  Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo’s hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan’d,
Together languish’d, and together groan’d:
Together too th’ unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang’d its snowy hue.
He flies to raise them in a kind embrace;
A brother’s fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch’d him (so the fates decreed:)
Soon as the arrow left the deadly wound,
His issuing entrails smoak’d upon the ground.
  What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t’ extract the crime-avenging rod,
But, whilst he strives the will of fate t’ avert,
Divine Apollo sends a second dart;
Swift thro’ his throat the feather’d mischief flies,
Bereft of sense, he drops his head, and dies.
  Young Ilioneus, the last, directs his pray’r,
And cries, “My life, ye gods celestial! spare.”
Apollo heard, and pity touch’d his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom’d to fall,
The fates refuse that arrow to recal.
  On the swift wings of ever flying Fame
To Cadmus’ palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express’d her anger and surprise:
“Why is such privilege to them allow’d?
“Why thus insulted by the Delian god?
“Dwells there such mischief in the pow’rs above?
“Why sleeps the vengeance of immortal Jove?”
For now Amphion too, with grief oppress’d,
Had plung’d the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona’s shrine,
How strangely chang’d!—yet beautiful in woe,
She weeps, nor weeps unpity’d by the foe.
On each pale corse the wretched mother spread
Lay overwhelm’d with grief, and kiss’d her dead,
Then rais’d her arms, and thus, in accents slow,
“Be sated cruel Goddess! with my woe;
“If I’ve offended, let these streaming eyes,
“And let this sev’nfold funeral suffice:
“Ah! take this wretched life you deign’d to save,
“With them I too am carried to the grave.
“Rejoice triumphant, my victorious foe,
“But show the cause from whence your triumphs flow?
“Tho’ I unhappy mourn these children slain,
“Yet greater numbers to my lot remain.”
She ceas’d, the bow string twang’d with awful sound,
Which struck with terror all th’ assembly round,
Except the queen, who stood unmov’d alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell’d hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb—indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
  One only daughter lives, and she the least;
The queen close clasp’d the daughter to her breast:
“Ye heav’nly pow’rs, ah spare me one,” she cry’d,
“Ah! spare me one,” the vocal hills reply’d:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
   “The queen of all her family bereft,
“Without or husband, son, or daughter left,
“Grew stupid at the shock.  The passing air
“Made no impression on her stiff’ning hair.
“The blood forsook her face: amidst the flood
“Pour’d from her cheeks, quite fix’d her eye-*****
  “stood.
“Her tongue, her palate both obdurate grew,
“Her curdled veins no longer motion knew;
“The use of neck, and arms, and feet was gone,
“And ev’n her bowels hard’ned into stone:
“A marble statue now the queen appears,
“But from the marble steal the silent tears.”
In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m
I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other’s face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other’s aspects—saw, and shrieked, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!
Paul d'Aubin Mar 2016
Littérature et Politique

(Prose poétique en  souvenir de la lecture de Carlo Levi docteur, peintre, militant antifasciste  et écrivain)

Je ne pourrais assez remercier mon père, André (Candria en Corse),  qui pour me permettre un jour de comprendre la langue Corse qu'il n'avait pas eu le temps de m'apprendre car il enseignait déjà l'anglais,  me fit choisir l'Italien, en seconde langue au Lycée Raymond Naves.
Cette classe d'Italien cristallise les meilleurs souvenirs que j'ai eus de ce Lycée qui n'était pas d'élite,  au sens  social de ce terme menteur mais bien plus important, jouait alors,  ce  rôle de creuset social dont nous semblons avoir quelque peu  perdu le secret. J’eus la grande chance d’y connaître  mon meilleur ami, Roland P.., qui aujourd’hui, hélas, n’est hélas plus  mais dont l’Esprit demeure et qui  fut  l'ami si compatissant et fraternel  de mon adolescence tourmentée,  quelque peu Rimbaldienne.  Mes Professeures d'Italien étaient toutes des passionnées et si nous ne nous mîmes pas suffisamment, par paresse, à la grammaire; elles réussirent, tout de même,  à nous  ouvrir grand la porte de cette langue somptueuse,  l’Italien,  si variée et l’amour  de la civilisation Italienne qui a tant irrigué l'art et le bonheur de vivre. Parmi les romans que ces professeures de ce Lycée Laïque  et quelque peu «contestataire» (encore un terme qui s’est évaporé sous la gangue de l’aigreur et de la passion funeste d’une nouvelle intolérance pseudo-jacobine et pseudo « nationaliste »  )  nous firent connaître, il y a  dans ma mémoire et au plus haut de mon panthéon personnel, «Le Christ s’est arrêté à Eboli» écrit par le docteur de Médecine,   devenu rapidement, peintre et militant antifasciste de «Giustizia e Libertà», l’ écrivain Carlo Levi. Son  chef d'œuvre incontesté : «Christo si é fermato a Eboli» («Le Christ s’est pas arrêté à Eboli.») a fait le tour du Monde.

Envoyé  en relégation par  le «Tribunal pour la sûreté de l’Etat» créé par les fascisme (dans ce que l’on nommait le  «confino», dans le petit village d’Aliano en Basilicate,  pour le punir de ses mauvaises pensées et  de ses quelques minuscules actions politiques menée sous la chape de plomb totalitaire en ce  lieu, si perdu que même le Christ, lui-même,  semble-t-il, avait oublié, tout au moins métaphoriquement de s’y arrêter, Carlo Levi, au travers d’un roman presque naturaliste fait un véritable reportage ethnologique sur la condition des paysans et journaliers pauvres que l’on nommait alors : «I cafoni», (les culs terreux, les humbles, les oubliés d'hier et  toujours).

Contrairement à trop d'écrivains contemporains qui fuient les questions qui fâchent et surtout la question sociale  ( il est vrai que j’entends dire même par nombre de mes chers amis d’aujourd’hui  qu’il n’y aurait plus d’ouvriers, ce qui est inexact ;  il est  hélas bien exact qu’il n’y a plus guère d’écrivains provenant des milieux ouvriers, paysans et plus largement populaires. ) A l'inverse de notre littérature européenne contemporaine, laquelle s'est très largement abimée dans le nombrilisme ou,  pire,  la rancœur racornie et nihiliste, Carlo Levi,  lui, a réussi à atteindre la profondeur la condition humaine  et la véracité des plus grands peintres de l'Esprit ,  tels les écrivains Russes comme Gogol , Gorki , Tolstoï et Soljenitsyne, dans «le pavillon des cancéreux» ainsi que les écrivains Méditerranéens à la « générosité solaire » comme le crétois Nikos Kazantzakis  (dans la liberté ou la mort), Albert Camus, dans «la Peste» et  Mouloud Feraoun  (dans son  «Journal»).  Bref dans son roman, Carlo Levi va au plus profond de la tragédie intime et collective des êtres et ne masque pas les ébranlements sociaux,  et les Révolutions à venir qui font tant peur à notre époque de «nouveaux rentiers» de la finance et de la pensée  sans jamais verser dans le prêchi-prêcha. Ce sont de tels écrivains, sortis du terreau de leurs Peuples,  le connaissant  et l’aimant profondément,  qui nous manquent tant aujourd’hui. Ces écrivains furent d’irremplaçables témoins de leur époque comme Victor Hugo, avec «Les Misérables» avec ses personnages  littérairement immortels comme  le forçat en rédemption,  Jean Valjean, la touchante Cosette et bien sûr le jeune et éclatant  Gavroche. Ils restent au-delà de toute mode et atteignent l'Universel en s’appropriant la vérité profonde de ce qu’en Occitan,  l’on nomme nos  «Pais» ou la diversité de nos terroirs. Encore un immense merci à mon père et à mes professeures; il faut lire ou relire : «Le Christ s'est arrêté à Eboli». Car si nous regardions un  peu au-delà de notre Europe  tétanisée de peur et barricadée,  il  y a encore bien d'autres Eboli et encore tant de «Cafoni » méprisés, brutalisés et tyrannisés dans le Monde d'aujourd'hui !
Paul Arrighi
Paul d'Aubin Jul 2014
Samedi  12  juillet 2014
"FULGURANCE DES ETRES,  DES LIEUX ET DES MOTS" (RECEUIL DE PAUL ARRIGHI)
J’ai bonheur  de vous faire connaître  l’édition,  ce  mois de juin 2014,    du livret de mes  poésies intitulé : «Fulgurance des êtres, des Lieux et des Mots».
Ce livret édité à compte d’auteur par   "Paul Daubin éditeur" et imprimé par la COREP. Il  comprend 104 pages avec 21 pages d’  illustrations, provenant pour la plupart de mes photographies en couleur.
La belle préface, aussi perspicace qu’emphatique est l’œuvre de mon ami,  l’authentique Poète Toulousain Christian Saint-Paul.  
   Ce Livret traite  sous les cinq chapitres  suivants:
- 1°) « Souvenirs d’Enfance »; ce sont mes  souvenirs les plus lointains de mon enfance en  Kabylie (Bougie et Akbou)  et à Luchon dans les Pyrénées.
-  2° )  Dans « Sur  les Chemins de Toulouse »,  je dépeins le Toulouse des quartiers de ma jeunesse, le faubourg Bonnefoy, Croix-Daurade, le  Lycée Raymond Naves des "années ardentes et tumultueuses" (1965-1972) ,  puis les autres  quartiers  pittoresques de Toulouse où j’ai résidé,   après mon retour en 1992 dans cette belle ville,  sans bien entendu oublier la Bibliothèque de recherche "Périgord" qui est pour beaucoup  mon lieu havre de Paix intérieure et mon  "refuge spirituel".
-  3°) «La Corse, L’ile enchanteresse»,  correspond à des poèmes en Français sur La Corse surtout la région de Vicu et le canton des "Deux Sorru", sur les  lieux et les arbres souvent emblématiques de cette île qui aimante et capte ses amoureux et ses fidèles et leur rend leur attachement au centuple.
- 4°) Les «Poésies de Révolte et de Feu » décrivent mes passions parfois mes indignations. Aujourd’hui que j’ai  atteint soixante ans, l’âge de la sagesse, j’ai encore  gardé vivant cette faculté de m’indigner et parfois  de me révolter. Les poèmes nous parlent  du grand poète Italien Giacomo Leopardi,  de la « Retirada » blessure faite à l’Esprit jamais refermée pour les enfants et les amis de  "Toulouse l'Espagnole",  de Mikis Theodorakis, de l'assassinat de John Lennon et de l'action et de la dérision de  Coluche, etc  
- 5 °) Le  « Renouveau des saisons et petits bonheurs »  traite  des saisons tout particulièrement des somptuosités de l'automne,  des lieux que j’ai aimés,   de la création et de la boisson du  vin et ce n'est pas le moindre de mes reconnaissances,   de nos compagnons les Chiens.
Le prix de vente proposé de dix euros est au strict prix de revient.   Pour l'acquérir  il vous  suffit de m’envoyer un chèque d’un montant de dix euros et une enveloppe timbrée au tarif normal   mentionnant  votre adresse postale  pour que je sois en mesure d'effectuer  l' envoi postal.    
                            
    Paul Arrighi
  
  
Adresse : Paul Arrighi -  20 Bd de Bonrepos- Résidence "La Comtale" - Bat C - Bal 7 - 31000 – Toulouse (Francia)  
  
Courriels : paul54.arrighi@numericable.fr
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
O lachrymarum fons, tenero sacros
  Ducentium ortus ex animo; quater
    Felix! in imo qui scatentem
      Pectore te, pia Nympha, sensit.

               GRAY, ‘Alcaic Fragment’.

   When Friendship or Love
   Our sympathies move;
When Truth, in a glance, should appear,
   The lips may beguile,
   With a dimple or smile,
But the test of affection’s a Tear.

   Too oft is a smile
   But the hypocrite’s wile,
To mask detestation, or fear;
   Give me the soft sigh,
   Whilst the soul-telling eye
Is dimm’d, for a time, with a Tear.

   Mild Charity’s glow,
   To us mortals below,
Shows the soul from barbarity clear;
   Compassion will melt,
   Where this virtue is felt,
And its dew is diffused in a Tear.

   The man, doom’d to sail
   With the blast of the gale,
Through billows Atlantic to steer,
   As he bends o’er the wave
   Which may soon be his grave,
The green sparkles bright with a Tear.

   The Soldier braves death
   For a fanciful wreath
In Glory’s romantic career;
   But he raises the foe
   When in battle laid low,
And bathes every wound with a Tear.

   If, with high-bounding pride,
   He return to his bride!
Renouncing the gore-crimson’d spear;
   All his toils are repaid
   When, embracing the maid,
From her eyelid he kisses the Tear.

   Sweet scene of my youth!
   Seat of Friendship and Truth,
Where Love chas’d each fast-fleeting year;
   Loth to leave thee, I mourn’d,
   For a last look I turn’d,
But thy spire was scarce seen through a Tear.

   Though my vows I can pour,
   To my Mary no more,
My Mary, to Love once so dear,
  In the shade of her bow’r,
  I remember the hour,
She rewarded those vows with a Tear.

   By another possest,
   May she live ever blest!
Her name still my heart must revere:
   With a sigh I resign,
   What I once thought was mine,
And forgive her deceit with a Tear.

   Ye friends of my heart,
   Ere from you I depart,
This hope to my breast is most near:
   If again we shall meet,
   In this rural retreat,
May we meet, as we part, with a Tear.

   When my soul wings her flight
   To the regions of night,
And my corse shall recline on its bier;
  As ye pass by the tomb,
  Where my ashes consume,
Oh! moisten their dust with a Tear.

  May no marble bestow
  The splendour of woe,
Which the children of Vanity rear;
  No fiction of fame
  Shall blazon my name,
All I ask, all I wish, is a Tear.
When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.

How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.

Our own ****** pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.
Neon Robinson Oct 2016
Tipsy daze were just foreplay
for the passionate midnight sexcapades.

Every Sunday
Drinking champaign,
Not practicing self-restraint
Sneaking into privet estates
Dive into the grotto pool.

My late night wicked pagan lover,
Two lonely hearts bonded over confessions in the dark.
We were nympholepts in retrospect.

All clinquant, in gold light
But turned to heathens, in the night.

Dancing in rhythmic eruptions of fevered delight.
Wondering eyes are tantalized
You are luxurious, feral, **** boy personified.
I was mystified by the wild & eroticized by the style.
A Huckleberry Finn identical twin, ohh but of corse
-You had a Porsche.
Come away, come away, death,
  And in sad cypres let me be laid;
Fly away, fly away, breath;
  I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
          O prepare it!
My part of death, no one so true
          Did share it.

Not a flower, not a flower sweet,
  On my black coffin let there be strown;
Not a friend, not a friend greet
  My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,
          Lay me, O, where
Sad true lover never find my grave
          To weep there!
Once, and but once found in thy company,
All thy supposed escapes are laid on me;
And as a thief at bar is questioned there
By all the men that have been robed that year,
So am I (by this traiterous means surprized)
By thy hydroptic father catechized.
Though he had wont to search with glazed eyes,
As though he came to **** a cockatrice,
Though he hath oft sworn that he would remove
Thy beauty’s beauty, and food of our love,
Hope of his goods, if I with thee were seen,
Yet close and secret, as our souls, we’ve been.
Though thy immortal mother, which doth lie
Still-buried in her bed, yet wiil not die,
Takes this advantage to sleep out daylight,
And watch thy entries and returns all night,
And, when she takes thy hand, and would seem kind,
Doth search what rings and armlets she can find,
And kissing, notes the colour of thy face,
And fearing lest thou’rt swol’n, doth thee embrace;
To try if thou long, doth name strange meats,
And notes thy paleness, blushing, sighs, and sweats;
And politicly will to thee confess
The sins of her own youth’s rank lustiness;
Yet love these sorceries did remove, and move
Thee to gull thine own mother for my love.
Thy little brethren, which like faery sprites
Oft skipped into our chamber, those sweet nights,
And kissed, and ingled on thy father’s knee,
Were bribed next day to tell what they did see:
The grim eight-foot-high iron-bound servingman,
That oft names God in oaths, and only then,
He that to bar the first gate doth as wide
As the great Rhodian Colossus stride,
Which, if in hell no other pains there were,
Makes me fear hell, because he must be there:
Though by thy father he were hired to this,
Could never witness any touch or kiss.
But Oh, too common ill, I brought with me
That which betrayed me to my enemy:
A loud perfume, which at my entrance cried
Even at thy father’s nose, so were we spied;
When, like a tyran King, that in his bed
Smelt gunpowder, the pale wretch shivered.
Had it been some bad smell he would have thought
That his own feet, or breath, that smell had wrought.
But as we in our isle imprisoned,
Where cattle only, and diverse dogs are bred,
The precious Unicorns strange monsters call,
So thought he good, strange, that had none at all.
I taught my silks their whistling to forbear,
Even my oppressed shoes dumb and speechless were,
Only, thou bitter sweet, whom I had laid
Next me, me traiterously hast betrayed,
And unsuspected hast invisibly
At once fled unto him, and stayed with me.
Base excrement of earth, which dost confound
Sense from distinguishing the sick from sound;
By thee the seely amorous ***** his death
By drawing in a leprous harlot’s breath;
By thee the greatest stain to man’s estate
Falls on us, to be called effeminate;
Though you be much loved in the Prince’s hall,
There, things that seem, exceed substantial.
Gods, when ye fumed on altars, were pleased well,
Because you were burnt, not that they liked your smell;
You’re loathsome all, being taken simply alone,
Shall we love ill things joined, and hate each one?
If you were good, your good doth soon decay;
And you are rare, that takes the good away.
All my perfumes I give most willingly
T’ embalm thy father’s corse; What? will he die?
Mackenzie A Wood Dec 2013
"You're gambling death."
The skeleton laughed.
While shuffling a deck of cards,
the skeleton sat across from me.
Grinning.
I was  starting to feel uncomfortable..
No.
Maybe the right word is trapped?
How did he get here?
"I don't gamble."
I snapped to the bones that configured the human skeleton sitting across from me...
in my bed.
"That's sad."
He sounded really sincere.
But still he was smiling,
Still he was lingering.
And as of now, I was getting a tiny bit mad.
I just wanted this thing to leave....
"If I were you I wouldn't want to loose this game." He hissed.
Of corse with a skeletal smile
that presented teeth such as those of a crocodile.
I watched the bones of his hand through the corner of my eye as he spoke reaching for a card.
Noticing that the crevices of his bones were flooded with dust.
"Any old memories you want to reminisce?"
He said it mockingly.
He continued,
"Nothing to say, boy?"
"You're covered in enough dust to have plenty stories for  us both, bones. Go on head and get us started won't you?"
Nigel Morgan Oct 2013
They sat like two birds roosting in a tall tree. Only the tall tree was a room where a fire had been made up, but was not yet alight. It was early autumn and a mild evening. She had not drawn the curtains because there was a still a little light left in the sky. She enjoyed watching the darkness gather before she would light the lamp to sew, to stitch. He had lit a candle on the small table by his chair in preparation for an evening’s reading. He was looking at her slight shape in the candlelight, looking at her small hands folded in her lap, then stroking the cat beside her, then touching her hair lightly; finally she opened her sewing basket.

He rose deliberately, shaking off the stiffness felt in his limbs from a day on their small-holding, and went to the bookshelf behind his chair. As the lamp was as yet unlit the rows of books slept in darkness. He felt their spines, many he knew, and many knew his touch, and as he moved his forefinger nail from book to book there was momentarily an irregularity, a surface he did not recognize. He pulled out the book and took it into the light: Inferno Dante Alighieri.

He thought he knew all his books, most he had read many times over. They were his dear friends, their dear friends because her books were there too. Their library made up a world of thought and imagination. He did not know Dante’s Inferno. He knew of it. He had read many an inscription from it. He had even learned a terzetto from the Paradiso, once, many years ago, in a different life than he led now:

Tu non se' in terra, sì come tu credi;
ma folgore, fuggendo il proprio sito,
non corse come tu ch'ad esso riedi".

You are not on the earth as you believe;
but lightning, flying from its own abode,
is less swift than you are, returning home."

Holding Inferno in his hands he realised the woman had now drained from her gaze the last dregs of the evening light, and seemed suddenly changed. She was wearing something other than he had thought she had worn previously. Her dress was silk, and long and cream and gold, and securing her hair, a thin golden band. Her shoes were slippers  . . . but she rose from her chair and their colour and texture were lost in the dark shadows that covered the floor. And he, he was changed too: a long green cloak, a toga-like cloak, some kind of cap on his head, his hair, his hair long and grey, and sandals on bare feet.

She lit the lamp and immediately they both saw the painting above the empty fireplace had changed, had been transformed, replaced by Henry Holiday’s masterpiece Dante and Beatrice. The painting shows the couple at the bridge of Santa Trinità in Florence. Beatrice deep in conversation with her friend Monna Vanna ignores Dante’s impassioned stare and stance.

The woman held the lamp to the painting. She knows this painting and remembers in an instant standing before it in the Walker Art Gallery in Liverpool. That day, that lunchtime, she was in love, and her lover stood next to her. She was so in love, and her lover, she knew, adored her. She recognized Dante’s stance and stare because she had seen her lover stand and stare so. Many times. It had been a lunchtime assignation and she had worn all black with almost-pink shoes. And here, and now, they stood again, still lovers, but also the dearest friends, and for the rest of their lives they had so sworn.

He still held the Inferno in his hands, and it was as if commanded by a voice that wasn’t any recognizable voice but a silent message from beyond and afar. ‘Whatever you read will come to pass.’

And so opening the book at random he read, ‘We drew now closer . . .’

He turned to her and said these words aloud. He placed the book on his small table and brought his body in its unusual costume to stand facing this finely dressed woman who wore her fine clothes with the scent of roses mixed with some eastern aloed fragrance. He brought his hand to her pale cheek and noticed the gold ring on his finger and the finely manicured nails, hands that had not laboured today in the 12-acre pasture.

She opened her lips to speak and, rather breathlessly said:

"Le cose tutte quante
hanno ordine tra loro, e questo è forma
che l'universo a Dio fa simigliante.

"All things, among themselves,
possess an order; and this order is
the form that makes the universe like God.

She knew no Italian, a little German from singing Schubert lieder to his tentative fumblings on the parlor piano, but certainly no Italian.

She picked up the Inferno from his small table, and just as he had, opened a page at random and read:

‘We drew aside and found a space . . .’

And so they did, draw aside, and she, with the Inferno in her hand, led him out of their sitting room along the stone-flagged passage to their front door, and lifting the latch opened the door . . . onto daylight, a Florentine street. They were close to the Ponte Santa Trinità, but also to the church that bares its name, with its celebrated Sassetti Chapel brim-full with sumptuous frescos telling stories from the life of St Francis and considered Domenico Ghirlandaio's masterwork.


*To be continued . . .
keki Jan 2011
-PROLOG-
                



               A whooshof air playing with a tender long brown hair, a wave of flips of curly hair. AS the sun sets in the mountains of Colorado with a misty glow on the pure crystal snow. As I glaze in the beauty, I turned around in a grunted sigh and walk to my bran new house in the middle of no where. I said walking back to house with my family "why did my **** step-dad have to bring us here in this dump, pssh I hate him so much!!" with my flench curled up and my knuckles turning white, teeth clenching, kicking rocks to take all my anger on. Crossing down by the bank of mystical waterfall that held frozen and was a piece of art to any who hates water still would make it beautiful. Passing by with full rage of anger reaching my sister with a graden rose dress, black sandles to surrounds her newely fresh scab formed on her righ knee, but with a smile thats lights up this dull place. Man that girl can always cheer me up even im ****** at the world i could never be mad at my sister i thought whiled walking slowing down a wave a brushy grass that any person or animal could fall on....before my sister could reach me in a small peice of my eye caught something it was a man in black clothing sticking his hand out saing "rachel." pause "rachel come... come..." and slowly dissapeared. As I stood in shock my body froze in fear it felt a trap of death and slowl everthing went black out all i could hear were faint screams of my sister before it blocked out for good. " Sister!!! Wake up!! MOM!!!! DAD!!!!!!! COME HERE!!!!!" Jennifer said with crystal water tears holding my hand trying to wake me up but failed to. "Honey did you hear something?" my mother tilted her head while she unpacked the car. " What were you saying teresa i could not hearyou i was getting everthing settled in thehouse but thenyou called me so what i-" richered got cut by a bloddy screem in the near distance in the woods. "MOMMY!!!! FATHER!!!!" the both parents look in shock and dropped every thing and dashed out the front lawn. "mommy.....father...where are you..."jenniferjust cried there hopeless while I laid there in silence. "Oh my god Jennifer are you alright what were screaming about" mother said worry in her eye while killing Jeniffer with a big bear hug. " What in gods name made you scream like that" Richered said frowning and getting with a cocky attituded. Jennifer ploted out mother's strong arms and raced down to me where I still laid dead silence. " what the hell, where is she going... holy sh-" my mother was about to scream like akiller was after but she calm her self and went to jennifer's side and was nearly about to cry. " Don't worry teresa she's breathing so thats a good thing lets take her to the doctors before anything else happens and jennifer could you explianed what happened to your big sis please it would help alot." Richered said begging for help. "umm well she was going down this hill then she froze in fear as she saw something bad then the next thing pwoof going down twumbling and she went blank" Jeniffer said looking in her eyes with very much concern.
                     with about a three hour car to doctors the family of four came rushhing for help "excuse me ma'ma can you help me...im in a diffuclt spot please helpmy daughter in law" Richered said with a firery pumped up voice. " Yes sir whats the problem" the young blond teen siad as typing on the computer to comform the document to acces the doctor. " My daughter she fainted and wont wake up and its been over 4 hours can you please help her" Richered said sheepishly as finder his wife and her younger child right behind him and my mom carring me. "Ok sir just put her on hospital bed room 34 please and you may visit her after the docotor comes to see her but for now just wait here in the wiaitng room. about an hour passed the docotor who was taking care of me came in the room saying " Mr. and Mrs. randof may you come with me." he said with a demading tone. "Yes sir may my daughter come to?" mother said trying not to show fear in her voice "of corse" he said while letting the family through the back door then the hallway that leads to my room. " she up but we dont know what happened...so we need to go to the hospital to checked up by more higher professionals." the doctor eyed my in like what in the world happened. There was an akwarad silence until my step dad intruded that peace and manage to say " w-well ok and now Rachel would you care to explian what happed to you" Richered said while to strengthen his tone back. " yes..." I paused to re-gain my memory " So I took a walk and walked back to house but i passed the frozen lake that froms like a waterfallbut its frozen so i saw Jennifer and i was  about t call her name but then i saw a person in a black robe sticking his hand out liketrying to grab me it kept on sayin Rachel..Rachel come come and when i turned completely it was gone completely like if it were a ghost and then i felt a horror shock come over my body and could the world turning black then only hearing Jennifer's faint screams of concern and down I fainted then went to silence...." I finaly said with lifting my head slowly and with a greck bolt in my eyes I looked right behind them there was again. With seeing it again it turn pale with tearns rolling down my eyes like waterfalls and hushed to cold knock out.
that was page 1iposting the pages differently so comment if i sould contunie the story
Stíofáinín Jan 2020
Once there was a water dragon. He was brilliant and blue and he knew the depths of the sea like no other. Once upon a time a spider laid it's tiny eyes on him. This spider saw how wondrous and free the water dragon was and decided to silently follow him only so as to be close. The dragon, once observant noticed this but decided what's the harm. He let the spider look on as he continued to be himself. One day the spider realised it had something inside of itself that wanted to be free too and it bit the beautiful water dragon. The bite was venmous and the dragon could feel it corse through him and before he could even muster a thought against it, he wanted it. He wanted it and everyday the tiny spider would come to bite him again. The dragon knew this was wrong but he thought, that tiny spider all alone and everyday it comes back to bite me, that must be love. That tiny venom I feel in my heart must be love. And so he kept it.
The spider came from the ground but there was never a way back so it just stayed close to the dark. The cold places where there was little light and slowly those places became the dragons home too. He didn't swim in the light anymore. He didn't swin at all. His beautiful blue faded to grey and he forgot the sun. The spider continued to bite him every day until that last time when it borrowed itself right underneath his skin and then, the spider was swallowed whole.
The spider was called
Lie.
The water dragon thought, at last it is dead now I can be free again. I can go back to the water now. And he did try, he tried to escape the cave but when he started to see the light again he had to turn away. His head was hung. The spider lived inside of him now and even if it was forever only in that tiny place, he knew he would not escape and inside he felt it and in the bottom of his soul he knew the spiders name.
Lie.
He was trapped but at least now he could see the outside or watch as it went by. He could even feel the water again and float, floating was better than nothing at all, and he accepted his fate. He was content and he could be happy with being content and he wasn't even all that grey anymore. Mostly grey but still so magnificently beautiful. So he would watch the world but no one could ever see him because all they could know was a sad angry thing that is only called a shame because the dragon that once was is no more.

Once there was a beautiful water dragon...
Now no one remembers, no one searches because of what they might find...
Lie.
It's better forgotten.
The dragon became a thing that was lost to even a single thought but if there ever was one it went like this.
Beware of that hidden thing, he was once something you may have spoke of. That's all.

But the same water dragon was still there somewhere and he himself knew this much and in everything that was enough.
That's what he wanted to believe.
It wasn't real though.
One day a curious girl found his dwelling, he was sure she'd be too afraid but admittedly nervous as she was she did not look away. Her wide eyes only grew. She touched his face and whispered "beautifil" he unclenched and began to free himself from a rigid position he'd been wrestling with for what seemed like lifetimes. The girl lost her footing quick realising too late that she stood on the dragons tail. She fell back off the cliff from the cave right into the sea.
The dragon thought, if I do this now if I save her then I can remember myself. I will never be grey again but I'll remember that it was not me. If I go out into that sea now I might not ever be able to find a way back here and even though I know this is not home.
this is my only home.
But the girl was drowning.

The dragon saved the girl and he brought her back to his home and there she woke and said "I love you dragon, you have saved me but you are most beautiful in the light. You do know that don't you?" And she gazed at him in wonder but he just hung his head because he could not forget what he believed the girl should never know.
Lie...
He remembered that spider who was long dead now but part of it would forever remain inside of him.
The girl slid down and caught his head in her hands, smiled and pushed him back into place.

"I found you dragon, I FOUND YOU!!! That means you are mine and I say you cannot live here like this anymore. I will take you with me and we will find someplace beautiful for you to swim again so you can be what you are, so you can feel the sun. I want that for you, dragon. You know why"

"don't say no ok! let's just go far away from this cave now because I love you and I won't ever leave you here but I am a girl, dragon. And I need to see the sun and I want that and that is a freedom that you could never know confined to this cave"
The dragon came so close he was almost inside of the girls wide eyes. His huge, deep, warm breaths on her face made her skin come alive like she was in command of countless living creatures, breathing in her veins. Powerful. That is what he made her.
The dragon said, I saved you didn't I! You know why but please don't ask these silly things. I will not leave here now because it is my home somehow but you can come here anytime you like and see me. Looking at you makes me happy and you know, you know I'll love you but just don't try to move me now because because I am so much bigger than you tiny girl and know this, I have already tried. Nope! I am not going anywhere so don't even ask.
The girl smushed her face into some kind of unnatural expression and huffed.
"I'll show you dragon"
She kicked his tail and ran right up to his ear and whispered.
"I am not afraid of you. I saw that spider once and I know you feel it too and dead as it may be that spider will always borrow down deeper and deeper unless you just let it be free. The dead have left marks all over you. something a girl could never imagine, dragon. I see that and I do not have to know but you should know this, I am not afraid!
And I'll be back tomorrow, and tomorrow and all of eternity because I will never leave you alone here dragon.
And tomorrow, I will make you smile.

Tomorrow the girl came back. She scaled the slippery wall with a world of belongings on her back and when she reached the top where the dragon called home she flung what could have been all of her tiny life's worth out on to the hard rock. She yelled
"I am here, dragon"
And the dragon appeared. He slowly wrapped her in his cold skin and he said nothing. The girls face looked disappointed so he tightened his grip but she sighed and wriggled free and looked at him in the eye.
The girl laughed.
The dragon was in awe of how anyone could escape his grip and he did indeed seem defeated almost but the girl just smiled at him and said "silly dragon, you know that I am too small, you could never hold me"

"But dragon, this is the predicament now you see, I have told you that I am a girl who needs so many things and the sun and the sun but you are my only sun and that is the only warmth that I want to know now and I don't know how to tell you I was wrong. I only need you and I've taken all these things here with me so to make you admit what you yourself already know. You have said it and not said it in too many ways so now you just need to let it be. You dragon, you love me. You have saved me and now I will save you too"
The dragon still said nothing so the girl continued.
She stood the ground, taller than she was and proclaimed.
"THREE THINGS I WILL PUT IN FRONT OF YOU
Not to sway you but to show you how to look and see what is real. This is all I have dragon, so it will work because you will not tell yourself that it cannot.
Just see"

"First,
I took these three strings, sangen. And sometimes I can melt colours so you may not feel grey anymore and I will write and sing for you a million songs if you promise to always open your eyes for me.
Secondly,
All of my words which have now fallen right here in front of you. You really should open your eyes and see, it's like an endless haiku.
And third,
What else do I have of value save for myself and who knows how much value is in that. But third, it is spilled out clear. Honesty dragon. All of my honesty and I am not a perfect girl, not at all but I will accept whatever you show me because I only want to see you and I am not afraid"

"look"
she asked the dragon and she showed him her heart and all the times her tiny frame had cracked trying to get it out.
"I was not always this either but it is enough dragon, even if we are the only ones who ever know. You are still alive in here.
We are.

The dragon spoke and he said, ok girl I am listening. I am looking so show me. Then the girl whispered
"I know the spider all too well"

"it camouflages itself as something innocent but it was never that. I have been bitten by a spider too and I know what it never wants you to see"

"it can never rest even when you know its dead and the further down it digs the more eggs it lays inside of you, dragon and the only way it stops is if you set it free and I know that feels impossible but all you need to do is show me. Then it is gone and you will be free. I can see its marks on you, it's all over you poor dragon, but it is dead now so please let it go"

"I am only because I had looked at that spider everyday until I wasn't afraid, so I picked it out from inside of myself and threw it away. I cannot do this for you, dragon but I can stay here and make you smile while you find a way to let it go. But, just show me and I promise you it will go and don't worry I know I am small but I am not weak and I am not afraid of you and I will still stay"
The dragon spoke again but only to say,
stay here just don't say anymore.
Sleep now.
But the girl refused to tire and finally the dragon grew strong enough to show her.
Look now, you see it can never come away and I will never let it go now because I am afraid.

The girl saw the spider and it was in the dragons beating heart. She kissed his heart and told the dragon.
"it's ok, dragon. Thank you for showing me this"

For several days and nights they slept until a day the girl awoke. She was alone in the dragons empty cell and she walked to the opening where a light broke through and stumbled over a dried out tiny corpse of something that was once called
Lie...
And she looked far out through the cracks onto the waves and there he was like she had never seen him before and yet somehow it was entirely fitting to her image of what she knew the dragon could be. He was blue again and so fast and when he moved she could feel it through the bones. 

The dragon came back to the girl but still he said nothing. His breath was so close to her again that all the tiny creatures she never let die ran back through her veins and she knew. She was alive.
The girl climbed on the dragons back and he said said
Now, we can go home.
May be just a silly thing but I'm still wanting to put this here
Paul d'Aubin Nov 2015
Jeudi   le 05     novembre  2015

Très cher (e) s  ami (e)s  de «Hello Poetry»,

J’ai bonheur de vous faire connaître l’édition, ce mois de novembre  2015, de la nouvelle édition de mon  livret de mes  poésies intitulé : «Fulgurance des êtres, des Lieux et des Mots».
Ce livret édité à compte d’auteur par «Paul Daubin éditeur» et imprimé par la COREP. Il comprend 104 pages avec 21 pages d’illustrations, provenant pour la plupart de mes propres  photographies en couleur.
La belle préface, aussi perspicace qu’emphatique est l’œuvre de mon ami, l’authentique Poète Toulousain, Christian Saint-Paul.  
Ce Livret traite sous les cinq chapitres suivants:
- 1°) «Souvenirs d’Enfance»; ce sont mes souvenirs les plus lointains de mon enfance en  Kabylie (Bougie et Akbou) et à Luchon dans les Pyrénées.

- 2° )  Dans «Sur les Chemins de Toulouse»,  je dépeins le Toulouse des quartiers de ma jeunesse, le faubourg Bonnefoy, Croix-Daurade, le  Lycée Raymond Naves des «années ardentes et tumultueuses» (1965-1976),  puis les autres quartiers  pittoresques de Toulouse où j’ai résidé, après mon retour en 1992 dans cette belle ville,  sans bien entendu oublier la Bibliothèque de recherche «Périgord» qui est pour beaucoup mon lieu havre de Paix intérieure et mon «refuge spirituel».

-  3°)  «La Corse, L’ile enchanteresse», correspond à des poèmes en Français sur La Corse surtout la région de Vico et de son pays (les Pièves)  sur les lieux et les arbres souvent emblématiques de cette île qui aimante et capte ses amoureux et ses fidèles et leur rend leur attachement au centuple.

- 4°)  Les «Poésies de Révolte et de Feu» décrivent mes passions parfois mes indignations. Aujourd’hui que j’ai  atteint soixante et un ans,   l’âge de la sagesse, j’ai encore su gardé vivant cette faculté de m’indigner et parfois  de me révolter. Les poèmes nous parlent  du grand poète Italien Giacomo Leopardi,  de la « Retirada » blessure faite à l’Esprit jamais refermée pour les enfants et les amis de  «Toulouse l'Espagnole», de Mikis Theodorakis, de l'assassinat de John Lennon et de l'action et de la dérision de  Coluche, etc.  

- 5 °)  Le  «Renouveau des saisons et petits bonheurs» traite des saisons tout particulièrement des somptuosités de l'automne,  des lieux que j’ai aimés,  de la création et de la boisson du vin et ce n'est pas le moindre de mes reconnaissances, de nos compagnons les Chiens.
Paul Arrighi (Toulouse/Ajaccio)
                                               *
Adresse : Paul Arrighi -  20 Bd de Bon repos- Résidence «La Comtale» - Bat C - Bal 7 - 31000 – Toulouse
Courriel : paul20.arrighi@numericable.fr
willy knight Apr 2010
"See! warp is stretched
For warriors' fall,
Lo! weft in loom

'Tis wet with blood;
Now fight foreboding,
'Neath friends' swift fingers,
Our grey woof waxeth
With war's alarms,
Our warp bloodred,
Our weft corseblue.

"This woof is y-woven
With entrails of men,
This warp is hardweighted
With heads of the slain,
Spears blood-besprinkled
For spindles we use,
Our loom ironbound,
And arrows our reels;
With swords for our shuttles
This war-woof we work;
So weave we, weird sisters,
Our warwinning woof.

"Now Warwinner walketh
To weave in her turn,
Now Swordswinger steppeth,
Now Swiftstroke, now Storm;
When they speed the shuttle
How spearheads shall flash!
Shields crash, and helmgnawer
On harness bite hard!

"Wind we, wind swiftly
Our warwinning woof
Woof erst for king youthful
Foredoomed as his own,
Forth now we will ride,
Then through the ranks rushing
Be busy where friends
Blows blithe give and take.

"Wind we, wind swiftly
Our warwinning woof,
After that let us steadfastly
Stand by the brave king;
Then men shall mark mournful
Their shields red with gore,
How Swordstroke and Spearthrust
Stood stout by the prince.

"Wind we, wind swiftly
Our warwinning woof.
When sword-bearing rovers
To banners rush on,
Mind, maidens, we spare not
One life in the fray!
We corse-choosing sisters
Have charge of the slain.

"Now new-coming nations
That island shall rule,
Who on outlying headlands
Abode ere the fight;
I say that King mighty
To death now is done,
Now low before spearpoint
That Earl bows his head.

"Soon over all Ersemen
Sharp sorrow shall fall,
That woe to those warriors
Shall wane nevermore;
Our woof now is woven.
Now battlefield waste,
O'er land and o'er water
War tidings shall leap.

"Now surely 'tis gruesome
To gaze all around.
When bloodred through heaven
Drives cloudrack o'er head;
Air soon shall be deep hued
With dying men's blood
When this our spaedom
Comes speedy to pass.

"So cheerily chant we
Charms for the young king,
Come maidens lift loudly
His warwinning lay;
Let him who now listens
Learn well with his ears
And gladden brave swordsmen
With bursts of war's song.

"Now mount we our horses,
Now bare we our brands,
Now haste we hard, maidens,
Hence far, far, away."
Njal's Saga
Paul d'Aubin Feb 2016
Les deux Oliviers de Paomia,

(Un épisode de l'exode de «Mainotes  en Corse»)

Ridés, bossus, ces deux oliviers ressemblaient au passeur de l'Achéron,
veillant aux portes du fleuve de l'enfer.
Ce n’étaient pourtant que des pousses venues de Sparte,
Replantées sur la terre Corse, pour nourrir une colonie d'émigrés.
Ces oliviers furent même bénis par des popes,
Puis soumis aux êtes brûlants, au sirocco dévastateurs,
Mais ils avaient tenus debouts avec leurs nervures noueuses,
et ni les entailles des hommes, ni le feu du ciel, ni les orages dévastateurs ne leur avait fait baisser rameux,
Grecs et Corses s'étaient affrontés pour cette terre si bien plantée et cultivée,
Mais ce n'était pas simple jalousies, ni rivalités de cultivateurs et de bergers,
Il s'agissait d’affaire d'honneur et de désaccords avec Gènes qui avait donné ce qui ne lui appartenait point.
Ils en virent; ces oliviers noueux, des saisons de félicité, de récoltes riantes d'olives et de figues,
Ils entendirent aussi les conques de guerre et les cris effroyables lors des sièges de Paomia.
Et puis un jour, les «mainotes» subjugués sous le nombre durent quitter la terre qu’ils avaient éveillée de leur sueur.
Ils s'en vinrent résider à Ajacciu, y exercèrent d'autres métiers en attendant des temps meilleurs.
Puis Marbeuf leur construisit Cargèse, plus près de la mer et les anciennes terres de Paomia furent désormais délaissées pour le pacage et les transhumances.
L'Eglise elle-même et les pierres les maisons s'écroulèrent;
Mais jamais ne disparurent ces deux oliviers gardiens des lieux, véritables cerbères des temps antiques.
Ils veillaient désormais sur la quiétude des geais, des renards et des bandits.
C'était un peu comme si l'esprit  et les vertus de l'ancienne Sparte et de Paomia la neuve s'étaient fécondés et avaient donné enfantement à ces deux Oliviers.

Paul Arrighi
michelle Dec 2013
If you're a gas stove
I want to be propane
I want to fuel you.
And I know I sound pretentious
up here
making a stupid, messy stab
into the heart of poetry.
Forcing it to bleed
an open wound
I don't know how to do this
I don't know how to make you see
these ******* characters
that form words
when words morph into lines
then to stanzas
then a ******* poem.
Just a bunch of broken sentences
but I guess that's why
they say poetry is for broken people
to mend their broken hearts.
Love for the loveless
hope for the hopeless
poems are broken
just like all of us
us broken people with plastered smiles
and Hello-Kitty band-aids
holding together
our shattered hearts.
Such a beautiful art
to be so broken.
Like butterflies
fluttering in the calm breeze.
****.
I've always hated butterflies
and butterfly knives and butterfly band-aids.
So what am I going on about?
As my heart looks to my brain
it whispers softly,
"Shh...I got this."
Well then heart, might I ask you something?
What
The
****
What do you have?
My sanity, that's for sure.
Do you even understand what you're doing to me?
Huh? Do You?
No.
You don't see how when you break free
free of those butterfly band-aids holding you together
you're not fixed
you're still crumbling to ****
taking me down with you.
Because then my body
listens to you and says,
"Oh, I'd better crumble down too!"
STOP!
I don't want to be a ******* poem
full of pretentious *******
I don't want to be a broken sentence
maybe a cracked one.
Because let's be honest
a whole sentence isn't real
nothing is whole
there's always gotta be a crack
or a chip
which is what allows us to break
and to crumble
to become nothing
but charred remnants
we've all been thrown into a pit of fire
as people watch and laugh.
Like we're some sort of freak show!
Perhaps we are.
Put here to entertain.
When I was young,
I was scared of freak shows.
How could that lady bend like that?
Wouldn't that blade cut too deep into that man's esophagus?
Maybe that was the point
we want to feel
our days and nights are full of the same pointless banter.
Becoming so numb to who we are,
we long for a feeling of adrenaline
to corse through our veins
and assure us
we're alive.
You wake up and plaster on your best smile.
What if you don't?
What if you let yourself cry?
Well that, would be feeding yourself to the sharks.
They want to watch you bleed
and taste your pain between their teeth
as you slip down their throat
like you're the sword and they're the man in the freak show.
You're nothing of fear to them.
However
fear pulses through your veins
perhaps that's how you became so numb.
You feared the carnies in the freak show
and the strangers in the street
as their shoulders brushed against your's.
Raised in a bubble
but all bubbles POP
now don't they?
What they don't know
when all those sharks swallow you
is that you were never fixed
your insides are still a pile of broken shards of glass
so you're choked on
spit into the air
not even a ******* shark wants someone so broken.
So tell me now
why is poetry placed on such a high pedestal?
No one loves so broken a man
but they're mystified at the words one can place on paper
in broken sentences
to a ******* stanza
we gawk at the people
who's words flow like rivers
and eyes are nothing but black holes
poetry is supposed to be dark, deep.
But,
when you're truly so numb and empty,
do you have that depth?
I think so
I think that when you have an empty hole where your heart belongs
then you're able to feel the emptiness.
You plunge your hand into your chest
and brush the emptiness between your fingers
just like sifting pink sand at a tropical resort
little pieces of glass mixed in,
eating away at that hand
placing little cuts so you never forget
you're being branded on the outside
branded by the inside.
By the only one you cares
but also the only one who couldn't
give a **** if you live or die;
yourself.
Abandoned by the ones you love
rejection
your papers passed through
and they were slammed
with a big red stamp
reading,
NO.
They turned their backs
as you fell through fire
and met the devious sharks mouths
forever is a hollow word
filled with nothing but the air
they breathe out as
they whisper it into your mouth
the taste filling from them
to you
it seems like a kiss of life.
Giving you a reason to stay
but you notice something...
off
something strange
its like milky,
bittersweet chocolate
seeping into the cracks
in the lungs
you thought
would save you
but they only crack more
under the pressure of the slimy goo
and leave you wondering
your thoughts pounce at you
like a puma hunting prey.
Did they ever even love you?
no.
The bitter symphony of their voice
floods your thoughts
and you know
they never told you the truth
it was all
a trick
for a cliche
masquerade ball.
Paul d'Aubin Aug 2014
Nos jeunesses avec Monsieur Snoopy


C'était le noble fils d'Isky
Yorkshire au caractère vif
Betty l'avait eu en cadeau
De Ginou, comme un joyau.
Dans ses jeunes ans, vêtu
d'un pelage noir et boucle.
Il semblait une variété
d'écureuil plutôt qu'un chien
Mais sa passion était de jouer
Et de mordiller aussi .
Mais ce chiot était déjà
Un jeune combattant téméraire.


Venu avec nous a Lille
Il apprit a courir les pigeons du Beffroi.
L'été prenant le cargo avec nous pour la Corse,
Il débarquait aphone ayant aboyé toute la nuit.
Dans l'île, ce chien anglais se portait comme un charme,
et se jouait des ronces du maquis.
Il dégotta même une ruche sauvage d'abeilles près du ruisseau le "Fiume".


Mais de caractère dominant
Et n'ayant pas appris les mœurs de la meurtre,
Il refusa la soumission au dogue de "Zeze"; "Fakir",
qui le prit dans sa gueule et le fit tournoyer sous la camionnette du boucher ambulant.
Il en fut quitte pour quelques jours de peur panique,
Puis ne manqua point de frétiller de sa queue pour saluer le chef de meute selon la coutume des chiens.


Rentrés a Lille, je vis un film de Claude Lelouch,
Ou un restaurateur avait entraîné un coq a saluer les clients,
Aussitôt, je m'efforcais de renouveler l'exploit avec Snoopy juche sur mon épaule ou l'appui tête de notre Fiat.
Mais ce chien indépendant et fougueux ne voulut rien entendre.
Las et envolées les idées de montreur de chien savant.


Le chien Snoopy n'aimait guère l'eau, ni douce, ni salée,
mais une fois plonge dans les flots,
de ses pattes il se faisait des nageoires pour rejoindre sa maîtresse se baignant dans les flots.


Âgé  de seize ans, la grande vieillesse venue,
dont le malheur veut qu'elle marque le cadrant de cinq fractions de vies d'hommes,
Une année fatidique le désormais vieux chien fut gardée à  Luchon par mes parents pour lui éviter le chenil du cargo,
Aussi un soir attablés au restaurant "La Stonda" nous apprimes l'affligeante nouvelle,
Le vivace Snoopy n'était plus, Je nous revois encore les yeux baignés de larmes comme si nous avions perdu, la meilleure partie de notre jeune âge.
Car il fut le premier chien de notre âge adulte,
Notre fille Celia mêla ses pleurs aux nôtres,
et cette nouvelle pourtant bien prévisible apporta une touche de chagrin à ce mois d'août d'ordinaire, si plein de Lumière et de soleil.

Nous avions perdu notre premier chien et notre grand ami de ceux qui ne vous trahit jamais.
Snoopy fut pour nous notre premier amour de chien.
Solide cabot au poil argenté, aux oreilles en pointe dressées au moindre bruit.
Il accompagna nos jeunes années de couple, alors sans enfant,
et enjolivait notre vie par sa fantaisie et ses facéties.
Joli descendant des chiens de mineur du Yorkshire, il sut nous donner pour toute notre vie l'amour des chiens anglais.

Paul Arrighi
Juliet Escobar May 2014
In depths of my unfathomable psyche
Submerged I find myself floating around in the ‘shallow’ societal sea of our world.
Oh but it is not ‘shallow’ you’ll see
It is a deep blue ocean that withholds great mystery;
& those who see it as ‘shallow’
Are only those who stand in clouds of constant oblivion; Ceasing the inhale of beauty, intellect, and individuality.
In the depths of my unfathomable psyche
Throughout every passing day
I observe, I listen, and I take into account the things that are done and said by every individual person I come across.
Now here I sit, in the complete abduction of the beautiful, yet merciless monster called insomnia, without fail of corse accompanied by her sister solitude;
& I reflect.
In the depths of my unfathomable psyche
I realize that in order to best express the realization of my reflection…
I must let my walls down; so I will.
And now that I have…
The word to describe the feeling that takes over ‘me’ in this very moment is one that acquires the ability to depict ones exact feelings in a way I do not obtain.
In the depths of my unfathomable psyche
I feel lonely because I know that the odds of me meeting someone as insane as me are slight; yet I feel appreciative because I couldn’t imagine possessing such an ugly, close minded, and indifferent insight.
I feel a type of sadness that could only emerge from a person that fears never getting to experience the comfort that comes from acceptance; yet i feel overwhelming excitement and longing in the midst of my hopeless romantic type daydream of the possibility that I will find my somebody that does not seek to comprehend or figure me out but will accept ever corner and color I currently am and everything I have yet to become
I feel pitty for the average;
Yes I am not sane
Yes I am not average
And yes the depths of my true thoughts I have not learned to control; but my insanity is and will always be the fuel to my potential.
Young Oak! when I planted thee deep in the ground,
  I hoped that thy days would be longer than mine;
That thy dark-waving branches would flourish around,
  And ivy thy trunk with its mantle entwine.

Such, such was my hope, when in Infancy’s years,
  On the land of my Fathers I rear’d thee with pride;
They are past, and I water thy stem with my tears,—
  Thy decay, not the weeds that surround thee can hide.

I left thee, my Oak, and, since that fatal hour,
  A stranger has dwelt in the hall of my Sire;
Till Manhood shall crown me, not mine is the power,
  But his, whose neglect may have bade thee expire.

Oh! hardy thou wert—even now little care
  Might revive thy young head, and thy wounds gently
    heal:
But thou wert not fated affection to share—
  For who could suppose that a Stranger would feel?

Ah, droop not, my Oak! lift thy head for a while;
  Ere twice round yon Glory this planet shall run,
The hand of thy Master will teach thee to smile,
  When Infancy’s years of probation are done.

Oh, live then, my Oak! tow’r aloft from the weeds,
  That clog thy young growth, and assist thy decay,
For still in thy ***** are Life’s early seeds,
  And still may thy branches their beauty display.

Oh! yet, if Maturity’s years may be thine,
  Though I shall lie low in the cavern of Death,
On thy leaves yet the day-beam of ages may shine,
  Uninjured by Time, or the rude Winter’s breath.

For centuries still may thy boughs lightly wave
  O’er the corse of thy Lord in thy canopy laid;
While the branches thus gratefully shelter his grave,
  The Chief who survives may recline in thy shade.

And as he, with his boys, shall revisit this spot,
  He will tell them in whispers more softly to tread.
Oh! surely, by these I shall ne’er be forgot;
  Remembrance still hallows the dust of the dead.

And here, will they say, when in Life’s glowing prime,
  Perhaps he has pour’d forth his young simple lay,
And here must he sleep, till the moments of Time
  Are lost in the hours of Eternity’s day.
If, dear Anthea, my hard fate it be
To live some few sad hours after thee,
Thy sacred corse with odours I will burn
And with my laurel crown thy golden urn.
Then holding up there such religious things
As were time past, thy holy filletings,
Near to thy reverend pitcher I will fall
Down dead for grief, and end my woes withal:
So three in one small plot of ground shall lie—
Anthea, Herrick, and his poetry.
Paul d'Aubin Oct 2013
Mon Père, ce grand Chêne,

Je le croyais indéracinable, en ses terres,
Comme ce chêne Corse, sur la roche, poussé.
Il nous semblait si grand, il paraissait si fort,
Si longtemps résistant aux grands vents de la vie,
Sous les châtaigneraies et parmi les bruyères,
Il marchait, puis rêvait.
Parfois, il m'amenait, dans son refuge,
y faisait provision de «corned-beef» et de lait
en boite "gloria", et aussi de «bastelles»,
et ces repas hâtifs me semblaient un festin.
Mais plus que tout, je goûtais si belle liberté.
Disparues les contraintes.
D'un pas de montagnard, il nous menait, souvent,
En ces lieux de granit, qui semblaient son domaine.
Il me mit dans les mains, sa fine carabine,
dont j'aimais le canon à l’acier effilé ;
mais avant que je presse, le geai était parti.
Il ne me gronda pas.
Le soir, si peu dormeurs, avec Régis, mon frère,
dans la chambre aux obus, des tués de quatorze,
dont un panier d'osier exhalait tant les truites,
Nous le savions dormir dans la chambre à côté,
nous ne cherchions pas trop, sommeil prompt à venir.
Je lisais de vieux livre.
Et puis nous descendions, furtifs vers la rivière,
encaissé dans les roches le «Fiume grosso» grondait.
Mon père nous racontait qu'il y avait dormi
avec quelques amis, à la flambée des feux.
Et le bruit lancinant était une musique
qui malgré le soleil nous tenait éveillé.
Magie des eaux profondes.
Quand un jour de détresse, je perdis «Nils le prince»
ressentant mon chagrin, il me facilita
L’achat d'un jeune chien, je l'ai encore au cœur,
ce cadeau si exquis, qui fut baume sur plaie
Merci de m'avoir fait, ce présent plein d'amour.
La tendresse d'un père.
Il vécut si longtemps, que je ne prêtais guère,
attention au torrent qui se faisait ruisseau,
aux blancs cheveux venus, au dos un peu voûté,
tant les fils ont besoin de croire invincible
Le père qui fut grand à l’aube de leurs vies.
Besoin de protection.
Un père est une force qui paraît infinie
pour le jeune enfant qui en a tant besoin
peut être imaginaire, qui soutient et le guide.
Alors devenu homme, il découvre un soir
que le chêne vacille, s'appuie sur une canne.
Il est désormais seul.
Paul d'Aubin – Toulouse,
«Poésie élégiaque»,
En l'honneur de son père André Dominique,
dit, Candria », décédé le 29 novembre 2010.»
Canaan Massie Jan 2013
The feeling of your words on my skin,
Is so addicting,
I feel your words corse through my body,
And mend with my white blood cells,
As if a cancer that'd I wouldn't dare treat.
The consonants settle in my fingers and toes,
And the vowels and "Q" go straight to my lips,
Making me virtually speechless,
As I jabber gibberish and tongues.
I feel your verbs in my limbs,
Like an energy that makes me seem supernatural.
I see your nouns float from your mouth,
And sink to the ground,
In order of relevancy from closest to farthest.
I hear your adjectives chirp,
Like songbirds at dawn,
And I whistle back,
Just so I can hear their reply.

— The End —