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Sarina Aug 2013
your sobbing on the telephone basically became,
did he ever love me enough
to wish that I was his first & not
just his last

because it comes every daybreak
because moonlight's
so much more quiet than sun

I fall asleep counting lies instead of sheep
then the cold bodies

coo
coo coo coo
& replace any warm-blooded creature myths gave

your songs about trust are now
just broken promises

(they matter too)

coo
coo coo

there is pressure in your stomach
where you want to make me shut up & stop now
so we pause

for you to replace yourself
with someone less calm

but the moonlight is so much more quiet than a
sunrise
I have dawn inside me &
intend to ***** it out onto your shoes

fertilize the flowers
so a whole meadow grows facing you

birds coo
(they matter too)
coo, coo coo, coo coo coo

we talk about this 'til my lids can close safe,
did he love me enough to wish that I was
his first
or just a really good last

because I tried to be really *******
great to you

& mornings
have always been hard to bury
behind my eyes
coming second after some really great nights.
Come and hide from them tonight
They come for your blood, keep out of sight
They coming looking for victims, seeking a neck
They will find you and feed when they peck

The vampire pigeons are going coo coo coo
The vampire pigeons are coming after you

Oh no, be so quiet, because they are here
I can see them bobbing and I feel fear
Blood red feathers and they show their crest
They are here to feed then escape to the nest

The vampire pigeons are going coo coo coo
The vampire pigeons are coming after you

What can we do? there is no where to go
Can anything ever stop this evil foe
But at last we are safe, I never thought of that
They are fleeing, they are running from the cat

The vampire pigeons are going coo coo coo
The vampire pigeons are coming after you
copyright Chris Smith 2009
William Marr May 2020
it must be a childhood playmate
calling from outside the window
with a soft low voice
coo coo coo
waking me up early in the morning

a partridge
a dove
a lingering owl
or you
a tired wanderer on the earth
returned to play
hide-and-seek
Gigi Tiji Feb 2015
tricklin' down
the railroad tracks
tickle laugh
forward back
movin' and a groovin'
rockin' and rollin' and I
can't seem to take
my eyes off you
and I just wanna
roll around with you
and yer rollin' 'round
my head, coo coo!
yer rollin' 'round
my head, coo coo!
Francie Lynch Jun 2018
We're mostly gregarious and polite,
Like most of you.
We too have our diplomatic trips 'n bumps;
We never cozied to Dicky;
But welcomed ex-pat refugees
For safe and sound reasons.
After the jimmy-rigging, how many re-pated?

And we gagged on the impeachables, all fuzzy and bitter.
He called the father that ******* in Ottawa;
And Pierre wore that moniker like The Order of Canada.
When you're not liked by one, you're a dove.

You should visit CANDU.wow
It has it all.

How is Supreme Leader managing?
Are his...
Are my people... sitting at attention.

We could real news a bomb a la Kim Jong,
Or flip a stone down at Port Huron.
We won't.
But we could if we weren't
The Great White North, so accommodating, so polite,
So Coo loo coo coo coo coo coo cooo! nice...
(for now)
The thing about dictators is, you don't know you have one til it's too late.
The CANDU is the largest nuclear reactor in the world, and used for all the ingredients needed for heat and intense heat.
There are 35 million Canadians who are the biggest importers of merchandise from 35 States, south of the border. A lot of people are going to be out of work.
"Coo loo coo..." is the theme song to the Bob and Doug McKenzie show on Second City.
the
     sky
           was
can    dy    lu
minous
            edible
spry
        pinks shy
lemons
greens    coo    1 choc
olate
s.

  un    der,
  a    lo
co
mo
      tive        s  pout
                               ing
                                     vi
                                     o
                                     lets
wordvango Aug 2016
where
at this o'clock
are you this hour
the big hand barely moving
as I stared
at it
the little one goes round and round
dizzily
and still I have four more hours
'til
I jump out that small door
calling
coo coo
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
Mateuš Conrad Sep 2017
pray to god, you don't have the ambition of being an artist, under the wing or the roof, of a father who's a professional in either carpentry, roofing or any other industrial trade: your supposed "work" will be greatly unappreciated, or even ridiculed, esp. in an age when en masse piracy of artistic expression is not scolded, whipped, invited to a sojourn in an iron maiden, or straight off the word go: pay you ******* pleb, you ******* philistine - take to admiring a brick wall, than a ******* rembrandt instead; now choke on those giggles.

what could be worse than a transition from
the i.r.a. to islamic state terrorism?
i really feel, nay, i really pity the english,
for being such, absolute contemptible *****
to have managed to transition from
one type of terrorism to another,
oh so quickly, and stealthily -
   personally i prefer to drop a skiving
venomous tongue into the affairs of today
& tomorrow than a bomb -
at least it has the decency & potential
to cushion the more serious blows...
      well i know that some people are bad
at counting, or the basic arithmetic,
   but the continual ignorance of diacritical
"arithmetic" makes the ****** greeks look
overladden peacocks donning jewels...
come on! it's basic arithmetic,
  if you can't do the heimlich on the umlaut
on ö into a grapheme œ - or the same
with the æ in the case of ä...
   just count, count for ****'s sake!
     pattern become paa qui -
        and *** becomes poot -
        i admit that other diacritical marks
do not have this simple interpretation -
you know what, forget it,
don't learn linguistics -
    just learn the diacritical idiosyncrasies...
i mean: how can a language remain lost
within a people, who sometimes manage
to utter the words: how do you say that?
   or: i'm not even going to pronounce that...
fine! give me a woodpecker's worth
of an onomatopoeia, or just the dumber:
                     coo coo qi chew!
i can't believe i'm saying this as an acquirer
of a language, that no native has or had
managed to spot...
          and only english, with its lack of
diacritical indicators has managed to fathom
the perfect zoo of accents,
               they even crafted the zoo of accents
into a pseudo indian caste system...
  oh **** me, it's there, just spend a day on
a construction site...

so what will it be? a scolding tongue,
         a damning tongue, or the next bomb?
my offer: take it or leave it,
         or pick up the next body parts...
i've simply had enough of this ignorance,
if the greeks are applying diacritical marks,
so should you! mind you: clear syllable incisions
in words, would do miracles to the phenomenon
of dyslexia, given that i find dyslexia
being an exclusive anglophone phenomenon...
and what do you do phenomenons?
  you turn them into kantian noumenons,
or boxes, or the *per se
or: res per se,
  my... that ticks off both the revision of
pre-existentialism: phenomenology -
  and combats the cartesian model of
  the res cogitans...
**** it, i'll be the first to announce it:
res per se has just replaced the cartesian
        res cogitans...
   oh yeah: here's to thinking being replaced
by a slingshot, with being, being a strain,
       a cushioning pre-release boiling point;
hence the combination of res per se
  and res vanus - i'm empty up to a point,
then, out of nowhere, something akin to this,
happens.
      
- and yes, i don't like my parents,
   i stopped calling my father by his initial,
and instead started calling him sixtus IV -
patron saint of the sistine chapel -
yep, i don't like with my parents -
i live with my patrons -
     we disagree on a lot of things:
primarily my drinking habits, and my
drunken sudoku carousels -
           but when we don't disagree i make
the dinner...
             and when we do i simply jest at:
i'm done with this catholic mea culpa
*******... done, no post-scriptum to add;

- and yes, that just goes to show
why all of current art reaching the masses
is absolute drivel...
   a bit like eating a mouthful of cinnamon
followed by a dollop of humus
         then snorting a line of pepper.
Emily Pidduck Mar 2014
Coo,
silent dove resting
Your babies been crying
Though lying in the fox's jaws,
Coo
Tribute to all those mother's who keep pain from their children at all costs. Yes, both children and mother could be "in the fox's jaws", whichever affects you more.
Yenson Aug 2018
Commissar Dumbrov of The Red Republican Army at his desk

Grego, Grego , what is happening with the Regal in the Gulag
Is he mad yet, has he hanged himself and committed suicide

No Commissar, he is writing poetry and growing fat like a pig

Are you crazy, this is a ****** Revolution, not ******* poetry class
Did you not put him through the program.

We did Commissar, we hounded and tormented him, we persuaded his wife to break his heart, we fully destroyed his career, we isolated him, we ruined him financially, we made the proletariat hate him,
we taunted him and provoked him everywhere, we scandalized his name and reputation, we bugged him, we oppressed him, we bullied him, we made him friendless, we invaded his privacy, we mocked him and depressed him, we tried to confuse him, we mix him up. we harassed him with noise, we've terrorize him we've done everything and more. he has not been with a woman for 20 years.

AND HE'S WRITING POETRY, what a pack of ******* fools you are, that's the trouble with you ****** Proletariat, you have no brains, must be all the ****** gruel you lot eat, your ******* brains didn't develop properly, all you ******* know is how to be ***** and violent, any wonder these Elitists see you as nothing but animals. that great Leader of the Revolution wrote, I forget his name now, he wrote that the best and only way to deal with these Elitists is to attack their minds, **** up their ****** brains, make them paranoid and fearful. drive them crazy, turn them into jabba labba locos, dribbling at the mouth locos crazy,

We tried Commissar, we did all the things to make this happen, we spent a lot of time and effort on this, we used all the grape-vines and contacts we have, we even threw the Kitchen sink at him. So far, nothing.

You threw the ******* Kitchen sink at him, what's that for, the Kitchen sink belongs to the State, its not meant to be thrown at ******* Elitist Dissidents.

Its a manner of speech, Commissar.

Now you are a Comedian, are you, a ******* Revolution is going on, we are creating a Classless Society and Equality for all and you are making stupid jokes!

No Commissar, I mean we utilized all resources so far, we have continually harassed him, we have created so much disappointments, betrayals, let-downs, frustrations for him, but he still remains calm, stoical, composed, dignified, erudite and sane.
maybe its true that these people are a different breed. Its frustrating for us and quite honestly, embarrassing!.

Shut up, are you saying he's some sort of Regal Rasputin, even that ****** one, we got in the end, now you're saying this one is bullet-proof. Have you tried Advanced Slander, spread the nastiest rumors about him. So bad to make him take his own life. Who was it that said,  “Show me the man and I'll show you the crime”

It was Comrade Beria, Commissar. Yes Commissar, we have framed him many times and made thumped up allegations against him. We have done all that Commissar, we even said he walks like John Wayne or a broken crab.

Who is this John Wayne, are you a time-traveler now?

Have you tried spreading the rumor that he goes to the Cementry at night and sleep with dead women, he digs up.

No Commissar, I don't think even the stupidest Proletariat would believe that one.

Have you tried spreading a rumour he has *** with a dog.

Commissar Natashavo hasn't been anywhere near him, Commissar

Are you being funny again, Grego

No Commissar!

So what is happening right now with our Mr Invincible Elitist Poet Romanov or whatever his name is,  the MAN that you ******* useless Republican comrades, can't drive mad or make commit suicide, a simple thing, that we have done thousands of times. Why is it that when we do these things to those Class-traitor Proletariat, they die or go raving mad loco coo coo  within six months.

The Proletariat are brainless  cowards Commissar, they can dish it out but they can't take it, Commissar, that's why its so easy for us Senior Members of the Po-lit-Bureau to manipulate and control them. As regards our MAN we are still actively harassing him, we are presently mixing him up again, mentally and doing voice to skull tactics with him. We also make sure he remains frozen in a time warp. This is useful in allowing us to demonstrate to the imbecilic Proletariat that we are powerful and can control people and events, this makes sure they realize our capabilities and might and of course, fosters espirit de corps. It keeps them all in line.

Well that's good thinking Grego, yes, that's good, as regards our Poet, why don't we just blast off his *****.

We did Commissar, but he grew bigger ones!

Are you being funny again, Grego, do you want to be sent to the Gulag in Siberia to keep the Poet company.

No, Commissar, I have a date tonight with Commissar Natashavo!
jeffrey robin Sep 2010
lovers!

slit wrists!

---------

such a story
told so gently

----------

lonliness

making us sick
jeffrey robin Sep 2010
lovers!

slit wrists!

---------
---------

lonliness

making us sick
The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history
Zak Krug Mar 2016
Click, clack
bucket hat
won't that ghost go home.
Flying around the moon,
silent in the smoke,
in a spaceship made of stone.

Voyage of the ******.
It begins with one.
The man was once a great explorer,
reduced to
the time between six and noon.

Recovery is a process that takes
lies, and
deceit, and
moon light.
Shining through window panes and
smelling of sulfur.

Coo coo achoo.
God bless you.

If the apple rises up in revolt,
what would Newton do?

The world is full of monsters and cheap drinks.
Yes,
the two go together.
Sometimes they hide behind ghosts.
Expect the unexpected to tell the truth
in jazz bars and to
use ***** needles.

Clack, click
the rumors will stick in
the adulterers mind.
Which is funny because the punchline,
wraps around the world,
like a snake crushing the Golden Goose with monstrous jaws.

The ghost struggles to shake hands while,
watching the street collect dust.

The man dies.

So,
now there are two.

Swirling and spinning,
crisp and clean.
The house will be demolished.
Brick by brick by brick by brick.
Windows don't break,
they shatter like glass.
Which makes sense over time.

What if the ghost can't go home?
Then,
there will only be two.

Coo coo bless you.
Cut off before the big finale,
***** curtains dropping
hints that,
the spaceship with be destroyed.

Death will come for the man.
The ghost will go home.
Click,
clack.
There is no bucket hat on the moon,
only the sound of trucks rumbling.
The moon,
like all cheeses,
spoils
the child and spares the rod.

Dish, dash, doom.
Hair slicked back,
the man is lowered into the grave,
looking like fire.
No tombstone reminder.
Just green grass and
mistakes made for two.

Watching in the rearview mirror as the world turns,
finally,
the man is an explorer once more.
Notes are only optional if you make them feel special.
Rachel Cloud Jun 2014
Doors, both ways,
and a journey, each
and yet so far,
you’ll never reach!
Like a mad bird
Tom Orr Apr 2013
Coo
The pigeon dove's
is my favourite sound,
the quintuple coo
not so profound
Standing in the sand, smelling salty waters,
Of the Caribbean seas, through the cold vibrant breeze.
Watching all the tall, happy, swaying coco nut trees,
And when you sniffle a little of the bake and shark it makes you want to sneeze.

Then take a walk in our rivers and cook up a curry *** or stew,
With fish coo coo and a little calla-loo.
and you take a bite and you taste buds and glands spring water of the delicious flavors that makes you say mhmmm.    

Afterwards you can visit the reefs and see the dancing colors of the under water reefs,
Of the Caribbean seas, where I'm from and would always love to be.

But tho forget, it's Carnival time so come in your costumes and with your coolers because you're coming out to fete,
And tho forget, when you step out on "D" road of jouvert morning until night listen to the Soca music,
And let it rap you up and run through your ears with melodies that will make you want to bep.

Oh yes the Caribbean dream, where every man's a king and every woman's a queen.
Sarah Nielle Feb 2015
Tiny hands barely able to hold a bottle,
now drink out of one,containing toxins.
Tiny ears that used to hear bad words and coo,
now spit them like wildfire.
Tiny mouths that would be forced to take icky medicine,
now pop pills and insert drugs into their being.
Tiny eyes looking at life as a breeze,no cares in the world,now turn into
eyes that crave attention but don’t care what we have to do to get it

We are spoiling the pure bodies we once had.
People are sleeping around,
when I remember the worst thing you could do is hand-hold.
We take the things we had as kids,
and ruin them.
We honestly take the cuteness and turn it into ...
well that's for you to decide.
You pick if your morals are guided with a compass,
or thrown away like garbage.
Who am i to judge?
But I've also learned,these days,My darling..
This is adolescence.
Mateuš Conrad Oct 2015
coo coo... coo coo... polly mama *******... polly mama *******.*

how about a magic trick?
i’m going to make this
onomatopoeia disappear...
o!
ta-da!
it’s... it’s a pigeon and a parrot... a london dungeon pigeon
and a macaw representing a paradise of the urban cancan lagoons...
even though the cannibal girls' **** dangled to tangle in
with a spider's oral imagination to feed rather than please.
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
I am taken from Yunann to the
coastal Province of Fujian, where
boats sail fair as fishermen fish. I
land by a pond with waters cascading
down boulders and rocks as old as
time itself.

~ ⚘ ⚪ ⚘ ~
But even though there are trimmed
and hale blades of green, there is a
single flora, the corona of the water
Not the chrysanthemum with its svelte,
curling petals of the gelid transition
from the crimson leaves of autumn
kissed by the rathe winters.

~ ⚘ ⚪ ⚘ ~
Instead it is a single fuchsia lotus
bud,a pristine and graceful soul
unperturbed by murked waters.
As I get a closer look, the lotus
open slowly into full bloom and
with it, the golden essence -
ethereal, a star that throbs like
a heaven's dream, and it appears -
the phoenix.

~ ⚘ ⚪ ⚘ ~
Its plumage a brilliant shade of
red-gold, and wings and long tail
beset by iridescent streaks and jewels.
Slim-legged, clawed feet of a deep azure
and eyes, such a blight blue-green.
Looking to the sky, it releases such
a melodious cry and a star falls
a throbbing silver-white. It glides
to my hands and it is revealed,
another glorious Pearl Moon.

~ ⚘ ⚪ ⚘ ~
With a peck of its beak, the Moon
cracks once more and my nose is
besieged by leaf pellets scented o'er
and o'er with fresh jasmine blossoms.
Seaweed green with licks of marigold
and shaped after the Phoenix's hot
eye.

~ ⚘ ⚪ ⚘ ~
Unlike the Dragon's Pu'erh pearls,
this aroma is dainty in its sweet floral
with a kiss of green; I can taste the sugar!
Velveteen on my tongue! A brew worthy
of chosen Kings and Queens. I notice that
the light of the Phoenix begins to fade.
As our eyes meet, it cries once more, a
sweet and happy cry born of Elysia,
before it fades away in gust of wind.

~ ⚘ ⚪ ⚘ ~
The lotus petals fall off and float,
becoming soft rose-kissed boats;
the leaves have yellowed, browned
and wilted. All that remains is a
dry stamens but I see that the
ovaries are beginning to
flourish...

~ ⚘ ⚪ ⚘ ~
'Ahh,' my eyes now open, dazed,
'The Phoenix Eye pearls. Such a
fine golden liquor you will become!'
Anihana smiles, 'Indeed, My Lady.'
'I assume the final batch is its twin
sister?'
'Yes, My Lady. Jasmine, Green and
Lily pearls.' Anihana places the
burr-oak caddy down to grab the
caddy maple-wood.

~ ⚘ ⚪ ⚘ ~
'Each pearl, all laboured with love,' I
coo. 'Such fresh tender herbs rolled into
blessed pearls that are either fermented
or sit with it's blossoming flowers for
many days and nights. Cover the Pu'erh
and the Jasmine Lily. I wish to be cleansed
by the Phoenix Eyes.'
'Yes, Sweet Queen.'
~ ⚘ ⚪ ⚘ ~
Part five of my Jasmine Pearls free verse!
Enjoy! ^-^
Lyn ***
N Schlegel May 2013
I think it’s actually real this time,
That I'm waking to sweet bird songs,
not the cancerous “Cuck-coo” from some clock at the end of her hall.

When I wake,
I want to see sunlight burning holes in window ledges,
feel the chill flowing down my cheeks
fighting the warmth falling up from my feet.
I want to smell that sick stench that says I stayed out one shot too late,
taste the combination of this and those that feel like trash behind my teeth.
Forget for that brief instant between this and what comes next,

That last night wasn't really love.

That the girl-on-my-right used to be the girl-who-could-ride
that too many drinks plus too many winks leads to  "My place?"
No hers.
that too many drinks plus too little cash leads to "Taxi?"
Let’s walk.
That too many drinks plus two a.m. leads to, well,
You know.

Before falling asleep I feel ashamed at forgetting her name
turn on my side, close my eyes, and wait for the Sunrise.

Only to be roused by the of the **** cuckoo at the end hall.
I want to punch Daffy Duck in the face,
break the road-runner’s neck,
introduce Donald to rotisserie,
and tie Tweety to the tail of a cat.
All I think of is rage
I could burn the clock, burn the house, burn... burn out, and pass out.

This morning is real, it feels real, at least the hangover does.
Last night's emotions are technicolor fantasies, only as real as the beak on an animated bird.
The sun slips through the blinds and finds a rainbow trail of clothing,
starting at the door and ending with our own little *** of gold.
I roll out of her arms and slide down that road
turning it into a line of lacy wears.  
Sneaking down the hallway I feel the sun’s warmth
and hear the birds chirping, calling me to the door.
Behind me, I hear the cantankerous pretender
crying from his wooden nest on the wall.
His sound almost as sorry as his message,
lamenting he can never break his cycle.
never can wake up and feel
what's actually real.
First post, older poem.
CA Guilfoyle Jun 2012
high up in the tree
you greyish feathery dove
do you coo for love?
CA Guilfoyle May 2015
high up in the tree
a lonesome feathery dove,
does he coo for love?
Logan Robertson Oct 2017
We're out at a bar splitting a good night of cheers
Drinks and laughter flowing among peers
Double shots dance around the table
Tonight's the moment, tomorrow's a fable

We garnish the laughter with Halloween
What's your costume, how do you swing
A chorus of "I'll dress up as a cowboy"
Is met by a few rolling eyes, "I'll address their convoy"

Not to be excluded is the gay guy in back that chimes in
And competes with the rolling eyes, cowboys are mine
Laughter of reveries spills faster than the drinks
A 80's song, When Doves Cry, continues to play over the links

A women crashes the party and exhorts the group
Come on guys put your wings on, fly the coup
Halloween's around the corner, make a splash, make waves
Find your muse with a costume that stands up, and raves

Look out to the horizon, the rarefied air, and trick for treats
Find my tunnel of love with a costume that beats
After a pause, a coy smile surface on rolling eye's lip
Oh Melville come with me, come with me, and take a dip

Double shots dance around the table

Logan Robertson

10/19/17
Near four weeks later, moby **** (Melville)  left the stage with 80 views and no comments. Thank you for nothing. The writer purposely veiled this poem as not to spoon feed your intelligence with a play on words. Think again about a costume that would make a splash and evoke rolling eyes to take a dip. The last line refers to the doves, friends, figuring out the riddle, their eyes (double take/shot) taking furtive glances at each other. A planned sequel to this poem was canceled.
SC Kelley Oct 2018
My eyes bleed with exhaustion.

My thoughts are fuzzy like my brain is stuffed with styrofoam.

My body sinks into the ugly carpet floor of my basement.

My mouth tastes sour with the flavor of an unslept soul.

I lie here writing instead of sleeping because it feels like the only thing I can do well, consciously.

My back aches with an elders pain at late seventeen.

I crave the warm embrace of my bed but am too stuck like sap to move.

I'm rambling here in my brain instead of resting my frigid existence.

My thoughts are slow and choppy now with the hesitation of drifty words.

My rusted, chipping ears hear nothing but silence and a distant coo-coo clock.

The chirps of a bird only found in my dark, dusty insanity.

The world weighs upon children such as these in a universe such as this.

I'm just, tired. Tired...

~S.C. Kelley
Take it as you will. This **** is crazy.
This Advent moon shines cold and clear,
  These Advent nights are long;
Our lamps have burned year after year,
  And still their flame is strong.
"Watchman, what of the night?" we cry,
  Heart-sick with hope deferred:
"No speaking signs are in the sky,"
  Is still the watchman's word.

The Porter watches at the gate,
  The servants watch within;
The watch is long betimes and late,
  The prize is slow to win.
"Watchman, what of the night?" but still
  His answer sounds the same:
"No daybreak tops the utmost hill,
  Nor pale our lamps of flame."

One to another hear them speak,
  The patient virgins wise:
"Surely He is not far to seek,"--
  "All night we watch and rise."
"The days are evil looking back,
  The coming days are dim;
Yet count we not His promise slack,
  But watch and wait for Him."

One with another, soul with soul,
  They kindle fire from fire:
"Friends watch us who have touched the goal."
  "They urge us, come up higher."
"With them shall rest our waysore feet,
  With them is built our home,
With Christ." "They sweet, but He most sweet,
  Sweeter than honeycomb."

There no more parting, no more pain,
  The distant ones brought near,
The lost so long are found again,
  Long lost but longer dear:
Eye hath not seen, ear hath not heard,
  Nor heart conceived that rest,
With them our good things long deferred,
  With Jesus Christ our Best.

We weep because the night is long,
  We laugh, for day shall rise,
We sing a slow contented song
  And knock at Paradise.
Weeping we hold Him fast Who wept
  For us,--we hold Him fast;
And will not let Him go except
  He bless us first or last.

Weeping we hold Him fast to-night;
  We will not let Him go
Till daybreak smite our wearied sight,
  And summer smite the snow:
Then figs shall bud, and dove with dove
  Shall coo the livelong day;
Then He shall say, "Arise, My love,
  My fair one, come away."
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Waverly Mar 2013
Across town, there’s no across. It’s just the town.

The dogs being fed by master, master toys,
Makes dogs bend, cower, quiver, then shoots dog
Out of the bow. Dog gnaws air through gritted fangs,
Finalizes his stupidity, gives up on his own self-confidence,
And lets it roar with a hand up his ***.

The pigeons coo, cluck, ****, fly,
Coo, cluck, ****, fly,
Coo, cluck, ****, fly.

Foxes run around the yard chasing tails,
Motives based in circles,
Saving slowing down and puking for death
as they Yap like pups.

Master watches from a high gallery
of Windexed windows so clean,
That you can see master’s muscles tightening as master laughs.

happiness and darkness.

Cars, trains, automobiles,
Flying machines, high ideas, fulfillment,
Continuation, carbon and all things irrelevant,
Master loves you.

In town, Pop tells the kids he’s on his way,
Mama shatters into a million brilliant pieces,
And Grandad’s sigh comes out his mouth with the care of a habit.

The kids are corralled into the basement to play,
mess with each others genitals, and put on azalea dresses
And heavy suits with black ties.

With all the venom of moths
They let their little mouths flutter in the dark,
as Mama and Poppa hurl everything they can.

Master gets drunk on equilibrium,
High on acid, perks, dipped bud,
Brushes teeth with alcohol
And spits out his/her teeth in the morning.

Way after the dogs were put to bed to tuck their tails in their legs,
The foxes following suit, the pigeons in the middle of the mess, somewhere.

Mom, Pop, Kids, Grandad, finished talking in low voices around 11:16 pm.

As they shredded the charade, ashamed at all its pieces,
Their mouths watered; I have no hope.

Across town, it’s not a town,
It’s a random house.
Any insult you could throw my way
Is true.

I'm worthless in every single day
Who knew?

When I'm near children I shy away
Not coo.

And when I'm angry, terrible things I say
You'll rue.

I **** sunshine's shining rays
With blue.

About people, every waking moment pray
They'll shoo.

And every sin which others lay
I do.

So every insult thrown my way
Is undeniably true.
Heavy Hearted Apr 2017
A - the atrocity that my life has become
D - the damage, and still,  im not done
D - the denial, the doom in the vile,  dangerous, daunting; forever defile
I - the image I fake of myself, I- my constant &chronic; bad health.
C- the cost of a chemical wealth.
T for the tension, paranoia and fear. Yet it’s the letter that symbols it’s here.  
I - irrational, insensible, intense. I - irresistible iridescence .
O- for the option that I didn’t take, O for the others that still I forsake.
And N for nervous. Nauseous. Night. N, the neophyte, turned narcissist knight.

Transparent to everyone, how its hold is too true
So clear its invisible, Addiction did coo:  

“when you wake and feel my crave,
and all my charms  different behave;
resistance, strength, pain & choice,
may mute my spell,  quiet my voice.”
“embrace what little light is shed”  suggested addiction, faintly he said:

“For I can **** the best man dead,
with only shadows in their head.”
Lin Cava Aug 2013
The Kestrel and the Dove

Friday night
Saturday afternoon
Sunday in the morning
you are quiet
a ghostly wisp;
a gossamer veil:
a scent on the breeze

I recall the doves
cuddled together in their tree
coo-cooing gentle love songs
even as they sleep
and I wonder
Are you coo-cooing once more?
…and is she of the same feather?
…does she sing to you a different song
in the same coo-cooing voice she crooned
before
in your not so long ago past?

Your need is strong
to be turtle-doving,
softly loving
and though your tune
is soft and haunting
in those refrains from long ago
you are different,
forever changed.

You are a kestrel,
set free, at last.

The Kestrel and the Dove
though together for this brief hour
can never again
be bound by love.

Lin Cava
31-August-2013
OPPOSITE my chamber window,
On the sunny roof, at play,
High above the city's tumult,
Flocks of doves sit day by day.
Shining necks and snowy bosoms,
Little rosy, tripping feet,
Twinkling eyes and fluttering wings,
Cooing voices, low and sweet,-

Graceful games and friendly meetings,
Do I daily watch and see.
For these happy little neighbors
Always seem at peace to be.
On my window-ledge, to lure them,
Crumbs of bread I often strew,
And, behind the curtain hiding,
Watch them flutter to and fro.

Soon they cease to fear the giver,
Quick are they to feel my love,
And my alms are freely taken
By the shyest little dove.
In soft flight, they circle downward,
Peep in through the window-pane;
Stretch their gleaming necks to greet me,
Peck and coo, and come again.

Faithful little friends and neighbors,
For no wintry wind or rain,
Household cares or airy pastimes,
Can my loving birds restrain.
Other friends forget, or linger,
But each day I surely know
That my doves will come and leave here
Little footprints in the snow.

So, they teach me the sweet lesson,
That the humblest may give
Help and hope, and in so doing,
Learn the truth by which we live;
For the heart that freely scatters
Simple charities and loves,
Lures home content, and joy, and peace,
Like a soft-winged flock of doves.

— The End —