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Content, the false World's best disguise,
The search and faction of the Wise,
Is so abstruse and hid in night,
That, like that Fairy Red-cross Knight,
Who trech'rous Falshood for clear Truth had got,
Men think they have it when they have it not.

For Courts Content would gladly own,
But she ne're dwelt about a Throne:
And to be flatter'd, rich, and great,
Are things which do Mens senses cheat.
But grave Experience long since this did see,
Ambition and Content would ne're agree.

Some vainer would Content expect
From what their bright Out-sides reflect:
But sure Content is more Divine
Then to be digg'd from Rock or Mine:
And they that know her beauties will confess,
She needs no lustre from a glittering dress.

In Mirth some place her, but she scorns
Th'assistance of such crackling thorns,
Nor owes her self to such thin sport,
That is so sharp and yet so short:
And Painters tell us, they the same strokes place
To make a laughing and a weeping face.

Others there are that place Content
In Liberty from Government:
But who his Passions do deprave,
Though free from shackles is a slave.
Content and ******* differ onely then,
When we are chain'd by Vices, not by Men.

Some think the Camp Content does know,
And that she fits o'th' Victor's brow:
But in his Laurel there is seen
Often a Cypress-bow between.
Nor will Content herself in that place give,
Where Noise and Tumult and Destruction live.

But yet the most Discreet believe,
The Schools this Jewel do receive,
And thus far's true without dispute,
Knowledge is still the sweetest fruit.
But whil'st men seek for Truth they lose their Peace;
And who heaps Knowledge, Sorrow doth increase.

But now some sullen Hermite smiles,
And thinks he all the World beguiles,
And that his Cell and Dish contain
What all mankind wish for in vain.
But yet his Pleasure's follow'd with a Groan,
For man was never born to be alone.

Content her self best comprehends
Betwixt two souls, and they two friends,
Whose either joyes in both are fixed,
And multiply'd by being mixed:
Whose minds and interests are still the same;
Their Griefs, when once imparted, lose their name.

These far remov'd from all bold noise,
And (what is worse) all hollow joyes,
Who never had a mean design,
Whose flame is serious and divine,
And calm, and even, must contented be,
For they've both Union and Society.

Then, my Lucasia, we have
Whatever Love can give or crave;
With scorn or pity can survey
The Trifles which the most betray;
With innocence and perfect friendship fired,
By Vertue joyn'd, and by our Choice retired.

Whose Mirrours are the crystal Brooks,
Or else each others Hearts and Looks;
Who cannot wish for other things
Then Privacy and Friendship brings:
Whose thoughts and persons chang'd and mixt are one,
Enjoy Content, or else the World hath none.
An Uncommon Poet Sep 2014
Every course should be marked on content.
In todays schooling we ask students to write final essays or regular essays to discuss their knowledge in a specific topic. However, marks are deducted for minor sentence errors, grammatical errors and style errors. But does that mean they don’t have sufficient knowledge about the topic or that the content of the essay does mean standards? No. Students lose marks for unrelated reasons. Grammar is not content. Grammar is grammar. Content could be excellent while the grammar is horrible. Philosophers potentially had the worst grammar ever, however we have glorified their thoughts for centuries.
This is where schooling has changed. And this is how schooling needs to change. Writing an essay is irrelevant to knowledge about a topic. Writing skills and understanding of content do not intertwine. If I wanted someone to apply knowledge they learned from a topic an essay is perhaps a very irrelevant way of doing so. Why judge someone on something that is, in today’s society exposed to interferences? Interferences such as grammatical errors.
If I wanted to know someones knowledge about a certain topic and wanted them to apply logic and theories they learned from courses, why not talk to them rather than using paper as a pigeon to share ideas? If it was spoken I can’t say “you lost marks because you didn’t put a period here and a comma there.” If it is spoken, you will still be able to notice if the student understands the topic. This way there is not interferences. It is strictly about content of knowledge and the students ability to apply what they have learned into specific views about a question I would have for them.
If I asked a teacher to have a class discussion where everyone had input, how would the teacher grade them? On quality of their answer, and clarity. Clarity being their ability to get to the point. However, if it is not clear, can the student make it clear for the rest of the class? Because what sometimes isn’t clear for one person, could be unclear because they are not as intelligent to be able to understand. The other student might not be so stupid because he said it in a way that is unclear. Maybe the listener is stupid because they didn’t understand? However, if the student can make it clear then their quality of the answer enhances and they will receive a higher grade.
For instance, if this was a formal essay that attempted to answer “What is wrong with schooling?” I would lose marks because I asked questions. Asking questions for some reason is not allowed? Is it informal? No. But society tells us we shouldn’t ask questions we should instead assume something and make a statement because that imposes confidence in a thought. But, if I was questioning certain aspects of something would that prove that I have sufficient knowledge towards one topic? Wouldn’t that impose that I have enough knowledge to understand details and question them? But hey, don’t formulate that statement in a question. It’s stupid. Question everything because you will never know all the answers regardless of all the resources.
By discussing a topic, the answers are direct. Content may vary depending on how much the student learned (providing the teacher is good at teaching and the proper course are in place). If the student struggles to understand a topic it will be evident in the quality of their answer. We can still see if the student is trying too hard (which is never a bad thing to set the standard high, shoot for the stars), or if the answer they have is someone else’s because they aren’t necessarily answers that they would have or words that they would use. But that is an assumption. Never assume, instead question. We can still notice if the student paid attention the course lectures and successfully answered the topic question with detail, reference, questions, relations, and application of knowledge that was taught to the student.
Just because a student can’t write a thought out on paper, does not mean they didn’t understand it. **** I used contractions, I would lose more marks there as well. See what I mean, a highschool teacher would tell me that I can’t say “Can’t” I was supposed to say “Can not” because that is formal. What is formal? Who said that is formal? Jim Joe Bob down the road? Who cares, does the student understand the topic or not? Stop docking marks for things unrelated to the subject.
If this was a writing course it would be understood why a student would lose marks for grammar and word choice and sentence structure or clarity. But students lose marks in History essays for word choice, and in political science for forgetting a period and in gender studies for saying “you” in a final essay. These are unneeded reasons for losing marks. At the end of the day does the student understand the historical importance of the topic? Or does the student understand the importance of the judiciary amongst the political system? Or does the student understand that sexism will only negatively impact society? If no, then he or she gets a bad mark, if yes, they get a good mark. Stop making up reasons for bad marks.
However, one will say; “Well what if the quality of the essay is so ****** I can’t even understand their knowledge?” This proves the instability of essays. Don’t ask for an essay. Ask to talk to the student about the topic. You’ll know if he or she understands. Just like when you go to a retail store and ask for advice about a product. We know if the associate knows what they are talking about, if they have no idea or if they are just telling us what they learned from training (which isn’t bad). Teachers potentially train students in a certain area. Why not ask a question which enforces them to apply the knowledge which they gained from the training to their answer? The teacher will know if the student knows what they are talking about (because they paid attention in training/class) or if they have no idea (because they did not understand or pay attention). Even if they retell you everything that was taught to them. Don’t they know something about the answer? Yes, it’s not the most enriched content because it was your own words but the student learned something right? Isn’t that why they go to school? To learn?
Another will say; “But we can’t escape writing. We have to do it everyday. A person must know how to write.” Fair. But why not teach writing in a writing course? One where the student will be marked on their ability to be clear in writing, or their ability to be grammatically correct, or their word selectiveness, or the sentence and paragraph structure. This seems like an appropriate course to deduct marks for incorrect application of knowledge. However, another person will ask; “then how do you teach structure and grammar?” Through exercises. Ask them to write a paper. Go through assignments as a class, encourage class participation and discussion. If the student doesn’t talk, the teacher will know what they understand therefore, how are they to give them anything but a bad mark? It’s at the student’s discretion but the proper systems need to be in place.
An example; how many people have gotten a paper back, looked at their grade and put the paper away? Did not even look at the corrections or suggestions for reasons why the mark was so poor or decent? Every one. Why not give a student a second chance? Why not scare them to do their best? Try this: Ask students to answer a question, any question. Have them hand it in 10 days from the assigned date. Students who want a good mark will use their time wisely to proof read, get the proper references and apply the correct knowledge. Students who want to get by will start two nights before. Once the papers are handed in, edit them. Once finished, return them without a mark. Wait for the students reaction. They will come up to you asking “what’d I get?”, “why isn’t there a mark?”. Tell them that, they aren’t getting a mark, they need to read the corrections and implement them. Have the paper due in three days. Once the papers are submitted, grade them. There will be less grammatical errors. At least for the students who took the time to read the corrections and implement them. The students who did not, will not receive a high grade a potentially face the threat of a failing grade. Hand the papers back with grades. Once this is done, ask for them to write another essay on a different topic. A topic such as “Should capital punishment be reinforced in Canada?” This topic is ok because you can write about any topic, its still writing. Writing is not confined to topics such as grammar, story writing or essay writing. Writing has infinite topic possibilities. But once the essay topic is given out, tell them they have 10 days to hand it in. Once handed in, give them a grade. Don’t give the chance for editing this time, and see if there is less errors for each student, ask to sit down with them and compare the errors that were made. In this way the student will learn and most importantly remember why and why not to write in certain structures while adding certain grammatical content.
With this exercise the student will learn how to clearly write, but it will take a while. It should be mandatory that students take a writing course throughout elementary and secondary school because the statement is true “we cannot escape writing”. Everyone must know how to write. But in society we struggle to remember that, just because someone can’t write something doesn’t mean they do not understand the topic. If I was to ask Einstein to write a topic on the differences of between time and space in APA format, His content would very well achieve high academic standards but his grammar and format would be god awful. It would be horrendous. He did not know how to write in specific manners, he would use his resources to learn but that was because from what we know he wanted to achieve in the highest manner possible. But he understood the content, and isn’t that what is most important? O the other hand, if I asked him to tell me about the topic, would it be more credible? Would it blow someone’s mind because they couldn’t take away marks. He would receive 100% on everything because he understood the content. That’s all that matters. For those who want to write, take writing courses. Or in today’s society, every context course is a writing course, as students are not be graded on their quality, rather, they are being graded on writing abilities. So to conclude, are we teaching history, science, politics, law, child and youth studies or are we just teaching students how to write without expanding their knowledge of the topic. We can’t base content off of what is written down,  interferences are infinite. ****, I used “can’t”. Sorry.
ShowYouLove Mar 2018
You say you want to be happy
You say you want to live well
You say you want to be satisfied
But you’re not I can tell
If you only had this one thing
More time, more money, more of that
But, when you do, peace it doesn’t bring
No matter what you have
It never seems to be enough
I want you to be happy
I want you to live well
I want you to be satisfied
I want to give you peace
Be content with who I am content with who you are
Be content with what you have and where you are
I am the one who can be your true happiness
I can help you see how much you are blessed
I have you right where you need to be
I have a plan a future that you don’t yet see
You worry about what lies ahead
But you miss what I’ve just said
Be okay to live in today to live right now
Things tend to work out someway somehow
Be content to stay with me
Place your hand in mine
Listen grow and learn to see the sign
Be content to walk with me
As we travel along the way
Be content to rest in me
To be silent and to pray
Lay your burden down place your troubles at my feet
Trust that I am in control I will give you what you need
Be content to sit with me
To speak not, but be still
Be content to cry with me
For I too cried upon the hill
Be content to laugh with me
To dance and sing and run
And celebrate with me when I find the lost one
Be content with me for I am more than enough
I won’t leave you when things get tough
I softly call your name in the middle of the storm
Cry out to me and I will keep you safe and warm.
When you wonder when you doubt
That there is any way out
Cling to me and you will see
The sun slowly begin to appear
You will know and you will grow
There is nothing you need to fear
Be content with me my child
Let me be enough for you
BB Nothing Nov 2015
The content boy visited his content home
Hugging his parents with content and enjoying his content friends
They shared content times with one another and helped keep the boy content
Though some uncontent thoughts did come, but he was able to replace them with content ones
All was content during the visit and this made the boy content about the future
dj Mar 2014
[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:

overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.

[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything

[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.

[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.
Steve Jong Un Apr 2015
[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:

overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.

[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything

[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.

[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.
No copy pasterino pls
Nigel Obiya Jan 2013
Every piece I write
Is a piece of me…
Of the turmoil, the calm, the violence… or the peace in me
I wonder, when I am dead… how shall they remember me?
For I have a lot of content in my poetic diary
A lot…
Of content…
In my…
Diary
I have written my whole life down one would notice, if one paid attention
Every frustration, every smile, every frown… written down more out of self expression
Than to seek attention
Pieces and records of what I was feeling or thinking at particular times and dates... I could care less if they made a wrong impression
For I have a lot of content in my poetic diary
A lot…
Of content…
In my…
Diary
I’m past trying to get published
Pouring one’s soul into a piece, just for it to get rubbished?
That’s not for me… I have too much respect for my poetry
It may not be in print… but when I read something I wrote a year ago I see it right there, my personality… it’s right there, and I know it’s me
For I have a lot of content in my poetic diary
A lot…
Of content…
In my …
Diary
If you read through all my work
You read through me… I could even risk it being said that whoever has done so
Knows who I was, who I am… and maybe even who I will be
That person will know… does know… and that person knew me
For I have a lot of content in my poetic diary
A lot…
Of content…
In my…
Diary
And one thing that both the old and the new me
Agree on
Is that…
We are and probably always will be…
Content…
With all the content…
In our diary.
Mateuš Conrad Sep 2018
.there always comes a threshold of tedium, esp.around this time, when two sides are at each others' throats... you can't escape it, both sides are at each others' sides... you're either collateral, or the, "supposedly", dumb spectator... you're in it no matter what, but the point being: there's no winning or losing invoked, or involved... but after a while: the stale quality of the drama, the persistent repetitiveness of the content become - so ******* dry... you give off a whiff of a prune mentality worthy of an atypical English soap operatic manoeuvring... basic said to basic: i'm just tired of one side telling lies, but i'm also tired of the other side exposing the said lies... i'm tired of both.... it's pretty much me quintessentially, scratching my itching genital region whenever i hear one side and the other, attacking each other... scratching my itchy genitals is more entertaining than wartching these sides argue for the same ******-momentum: money! i'm starting to see: neither side having the high-ground... it's simply tiresome... and, as a message to content creators vs. legacy media outlets.. as a content ingesting mechanism of an individual worth: sorry... no... by now i can't tell the difference... what was once a dichotomy, has become a dualism... click-bait... i figured: i can't be expected to fathom a bias, either side... as far as i know... the alt.-media could be, just as well, covert mechanisms of the same paradigm of spewed opinion... who the **** is to say that these unique, supposedly "unique" youtubers are not subcontractors of the major media contracting apparatus? i realized there's a need to stop buying revenue, primarily based on the exfoliation of the exploitation of drama... i'm not smart, but i am drunk, and attentive... big ******* difference! and i know what a threshold of tedium implies... i know when original content becomes exhaustive... it implies: the content is no-longer original.

you'd think you'd be able
to escape the playground
drama sequence. of events,
given how people
make money n youtube...
apparently
that's not the case...
  i think i'll need another
whiskey to write this "critique"...
like a whiff of
bothersome flies...
    like: but unlike:
a whiff of bothersome flies...
fusiliers to the common
"rain" of canon fire...
        so much drama!
too much, to be exact...
        a vanity ****,
with anything but
the without attempts at claiming:
fair...
   to make videos
in order to simply make excuses...
what a waste of time...
    take up a career in drinking,
then you'll see what
sort of stupid **** sober people
get up to!
and, these, are,
sober, people? yes?!
  my god...
        if they're sober,
and i'm drunk...
           maybe i should stop drinking
and join the funfair of
soberness!
   then again...
god i abhor the drama
of some pumpkin mope glass
akin to a chimney-sweep
in the form of:
pittance for a Cinderella...
  the jokes goes along the lines
of:
back east there's a Cabaret...
back in the west there's the comedic
monologue of a stand-up comic...
back east there's no soap-opera...
back in the west:
   there's no tele novella -
which only old women
appreciate...
but there's soap opera:
which, even the english
class teachers advised not to watch,
encompassing girls as young
as 15...

with the said advice...
   how wonderful to be made
esteemed of...
     i could never blog using
video...
the whole medium is plighted
with an implosion...
           it imploded by the "sentiment"
to simmer solipsism...
   it's way beyond an echo
chamber...
   it's a claustrophobia...
i could never make video content...
because as far as i know:
only lazy people watch videos...
while the diligent people
read anything at all...

    i've grown tired...
simply... tired...
              of the video content...
i also remember the glory days
when i'd listen to music
on youtube...
  and later buy the merchant's
allure of goods...
pristine physical artifacts...
via the uncensored suggestions...

i hate drama...
the faking, the blood-sports,
you name it...
    for a while i tuned in...
now i'm thinking
about coupling
last.fm with youtube.com...

   i never paid, and i was also
never paid...
my concerns are not the concerns
of the creator throng...
    tired?
is tired the most simple word
to bind to an excuse?
no...
              i hate imploding
drama;
that gets me...
              
no wonder i write:
  it's overtly selective within the domain
of the regards to who actually
digests the content...
      video my lazy...
     video my lazy...
          writing has an imbedded
censorship,
that is a pseudo-censorship...
     thankfully more
women read, than the men that talk.
zebra Oct 2017
Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

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IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition
Lexi Smith Sep 2015
I am free
Free as a bee
Free to be.
Whoever I say
Is me.

I can be by myself

I am strong.
Stronger than the gust of wind trying to knock me down.
Stronger than the comments of society that say I can't do it.
Stronger than the fear within us all try to rip out our hearts and tear through us.
Stronger than I ever needed to be,
Because I wanted to be.

I am content.
Content with my life and the way I'm living it, which is probably different than yours.
Content with my body so that when I walk by in the dress that I bought because it was on sale and cute as hell and you make comments, I smile and say it's great isn't it?
Content with the family I have, and the friends I surround myself with.
Content with the job I have, whether or not I have people who treat me like a dog because I'm a server.
I'm content with my late night Netflix binges, and my early morning runs.
I'm content with life.

I'm mentally independent.
Independent enough that I know at the end of the day I just need me.
Independent enough to know that I can be there for myself.
Independent enough that being there for others is a great joy and privilege.
Independent enough that I can go eat at a restaurant alone.
Independent enough that I can spend my own money on myself.

I don't NEED anyone.
If you're in my life, it's by choice.
I WANT you there.
So don't lose that privilege.
I've gotten rid of people who didn't appreciate me and who left me out to dry.
Don't think you're an exception.
You wanna be in my life?
Show me.
anastasiad Oct 2016
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Molly Pendleton Aug 2011
I am content
But not happy
But surely content
But surely eased
To sit here
And never change

Content to see
As you mature
As you grow
As you blossom
While I’m unmoved
And never change

Content to stay
Never learn maturity
Never grow new
Never discover blossoming
I wallow alone
And never change

Content to wait
As you tire
As you decide
As you leave
Knowing I’ll stay
And never change
Very similar to my older poem 'Contently Cowardly' but not the same. Hence the new title.
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A
Its sad times when doing Gods will makes you a deviant..
Cause society tells us to be content with sleaziness..
Content with *******..
Content with arm robbery..
Content with doing foolish acts without apology..
It's sad times when there's goat disguise as sheep.
And the other sheep can't see..
All they can see  are the a-like features..
So they continue to eat..
Even though everything that's pleasing to see isn't good for the soul..
Just because it glitters doesn't mean that's it Gold..
You cannot be content with the opposition
Even if its in the form of a celebrity or a politician
To say your a Christian and then condone the unholy is a contradiction
Following Christ is not a neutral position..
Its a spiritual and literal decision to change how your living
So to live for Christ is to cause friction..
With society ...
The church is the worlds resistance..
Yet the worlds prescription
Christ hands of healing..
Who is really down to be a witness
Openly active not a secret agents in Christ mission
Dan Headrick Jun 2014
Don't close your eyes
let the light hit them
let me wonder
who you are
and where you'll take me
Tryst Sep 2018
If “content” is the narrative,
Wee daubed lines on a page —
A book without superlative
Would fill the content gauge

And if “content” is bits and bobs
Left in your grandpa’s trunk —
A pair of broken door knobs
Would serve as content junk

But if “content” is happiness,
The peace of being whole —
One errant daub, or bob the less
Denies a content soul.
Stick a lolipop
into the mouth of moments
your life is a child
and somewhere in there
you give a flying ****
about the moon
and no it's not cheese.
That mouth knows what dirt tastes like
but that wont stop me from pouring caramel
and cigarettes over it.
I need a fix
of candied dirt
and addiction.
I'm not afraid of the eclipse
because I'm already hooked on the dark.
So lock the door
&
draw the curtains
&
be content.

The tide wont be knocking
no matter how much you
want it to fill the room
or how big is your sweet tooth
because
hunger
is BIGGER
and eventually
anything will do.
So thank the moon we were wearing seat belts.
Otherwise we might be vegetables
eating only exhaust
like Hiroshima
force fed the sun
because
you only make war on an empty stomach
or with an insatiable hunger.

Be content

for the civilians and their children
who only know the taste of war.
Idiot flavored idiots with a hint of
dead mothers
that will bore a cavity so big
it'll put holes in the head
of kindergardens everywhere.
Who write their valentines on bombs.
Who's love murders buildings,
topples families,
plowing through bodies on city streets all to reach
nobody.

Be content

for the people
who aren't
you because when parents ******* in a box
you call a country means
you don't care
you put genocide on the menu
and there are some things that just wont do.
As I grow weary of rivaling chefs pointing fingers
in circles forever
becoming a porthole to the ****** business
becoming the unsuspecting manhole for
the human animal's existence

in crossing.

Mothers may find safe shelter in the sewers
but it reeks of prepackaged liberty
express delivery
to
every where.

Be content.

Because to start a revolution means living it
and what better way,
to ******* a reckless pace
that finishes first in hunger,
starting fist fights with other people's lives
and forgets even sooner,
than
to
be
content.
Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Labyrinth Mar 2014
You making me uncomfortable in my own living room
Isn't a living room supposed to be;
Somewhere you feel safe
Somewhere you feel relaxed
Somewhere you feel content?

Why you gotta destroy my zone,
Why you gotta destroy my home?

I want to feel safe
I want to feel relaxed
I want to feel content.

But you have taken those feelings away from me,
You have taken my lounge room,
And in this bedroom I stay,
Because it's the only place I can feel
Safe, relaxed and content.
btw, i'm sorry mum

20.03.2014
September Roses Feb 2018
Brighter than the blinding flares of the sun, shimmering outward with power of thousands of stars
yet comforting
yet soft.
Filled with oceans crashing and wild, turning over ships, rushing under a powerful storm.
yet still
yet calm.
Filled with wonder and curiosity, yearning for the unknown, desperate for enlightenment
yet wise
yet content.
Eyes so wide, so deep, filled with delicate roses, the power of mighty warriors, elegant as the flowing dress of Venus, filled with souls of thousands, with passion, with yearning, with desire.
Filled with beauty
Filled with you.
judy smith Jun 2015
To beat the blues, declutter the mind and trim that waistline... there are far more reasons to stay hydrated than to quench the thirst. Here's how to do it...

Hydration is central to the most basic physiological functions of the body such as regulating BP and body temperature, blood circulation and digestion. But having enough water is one thing and keeping the body well hydrated another. Hydration comes not just from sipping water but from a diet high on water. One needs to have a variety of fruits and vegetables that have a naturally high water content to replenish the electrolytes in scorching summer.

EAT YOUR WATER

"The primary way of hydration is drinking plenty of clean water ******, but about 20 per cent of our intake comes from foods, especially fruits, vegetables, drinks and broths. Hydrating food not only corrects the water balance but also replaces essential salts and minerals," adds Manjari Chandra, therapeutic nutritionist. Aqua foods provide volume and weight but not calories. Grapefruit, for example, is about 90 per cent water and half a grapefruit has just 37 calories. High water greens and fruits contain essential vitamins and minerals, bioflavonoids (compounds believed to prevent heart disease) and antioxidants that slow down the aging process. They are also high in fibre, which keeps you feeling full for longer and helps the digestive system run efficiently. They can provide al most all vitamins and minerals and correct nutrient deficiencies.

WEIGHT WATCHERS

If you thought the list of hydrating foods ends with the usual suspects like cucumbers, watermelons and tomatoes, you are wrong. Some offbeat natural hydrators include leeks, spinach, peppers, carrots and celery. In fact, celery comprises mostly water... qualifying as a great snacking option. It can also curb sweet tooth cravings, which will help you stay slim and keep away from acidic sweets. "Eggplants are a fabulous weight loss kitchen staple. This versatile ingredient has low calories and is rich in fibre that boosts satiety. Grape fruit has been hailed as a weightloss superfood globally for its cardio protective, antioxidant and appetite-sup pressing qualities. This high fibre, juicy fruit has the ability to lower blood sugar levels and control a voracious appetite," says Jia Singh, travel, food and wellness writer.

MOOD AND MIND

People usually don't consider water as a mood enhancer. However, studies have proved otherwise. Even mild dehydration can alter a person's mood, energy levels, and ability to think clearly, according to two studies by the University of Connecticut's Human Performance Laboratory. Mild dehydration is defined as an approximately 1.5 per cent loss in normal water volume in the body. It is important to stay properly hydrated at all times, not just during exercise, extreme heat, or exertion. This is because water gives the brain the electrical energy for all t, its functions, including r thought and memory processes. When your brain is functioning on a full reserve of water, you will be able to think faster, be more focused, and experience clarity and creativity.

MUSCLE POWER

We all know the importance of exercising, getting enough protein, calories and rest in order to build muscles.But water consumption is as important for muscle wellness and lubrication of joints. Water composes 75 per cent of our muscle tissue! So, if your body's water content drops by as little as 2 per cent, you will feel fatigued. If it drops by 10 per cent, you may experience health problems, such as arthritis and back pain. When you're well hydrated, water provides nutrients to the muscles and removes waste so that you perform better.

TOP SUMMER HYDRATORS

Strawberries: They rank highest in water content in comparison to all other berries. Berries are powerhouses of antioxidants that are cardio protective, good for your eyes, skin and nails and even help prevent inflammation and chronic illnesses.

Carrots: They are almost 90 per cent water, are rich sources of vitamin A and C and have tons of betacarotene that keep cancer at bay.

Zucchini: Zucchini is a popular summer squash made of 95% water. It is a good source of dietary fibre, vitamin A, C and K, folate, magnesium. It is best to use it fresh and raw in salads because cooking leads to loss of water.

Bell Peppers: Sweet bell peppers are amongst the veg gies with the highest water content. They are also a great source of vitamin C.

Iceberg lettuce: Health experts often rec ommend substituting it with darker greens like spinach or romaine lettuce for higher amounts of fibre and nutrients such as folate and vitamin K. It's a different story, however, when it comes to water content. Crispy ice berg has the highest amount of water amongst the lettuce family.

Spinach: It may not be as hydrating as iceberg lettuce, but spinach is usually a bet ter bet overall. The leafy vegetable is rich in lutein, potassium, fibre, and brain-boosting folate.Read more here:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses
Mateuš Conrad Nov 2016
man, a shattering of woe against the shoreline of synonymous
due applause - or kindred with the devil,
burrowing to circumstance the saharan shadow,
tipped shortest via noon,
                    how experience
    humanity without a language,
that god brokered, and not sanctify
Pontius Pilate as the saving grace?
  lava mea mani mundi -
wash my (mandi(ble)) hands clean (purus) -
aristocrats of Pompeii... ugly *******;
       differed - as was the price
of entering Oxbridge.
                 which is why the content
of dreams was questioned, rather the context...
because who was the narrator, after all?
                  why didn't Freudian theory
question the narrator, but instead superimposed
itself as the gravitas narrator: combining both
content and context of dreams?
                   i find it scary that Freud
managed to toy around until the point where
he found a dysfunctional dummy staging horror
that lacked all necessities of a ventriloquist
       framed toward a subplot: embedded in needing one.
  is Freud the only person to provide narration
for the phenomenon of dreaming?
                i still find dreams caged in Kantian noumena...
i.e., why do they happen in the first place?
        i think it's strange that dreams occur in the first place,
that's the context question,
  Freud already answered the content question:
****** Pythagorean truce: it's called all geometric shaping
fits the answer: *******.
      yes, that's me done & dusted...
                           i'm just wondering about what need
we have within Darwinism to dream... what are
the evolutionary downsizing benefits?
isn't dreaming a delusional cauldron that disturbs
our will... or is Hollywood dead and our fancies
are no longer fanciful... what would a history
of dreams reveal, merely Joseph as the sole
dream architect?
                     Freud was but a man,
he said something about the content of dreams,
he didn't say anything about the context of dreams,
i can't find anyone to explain to me
                a need for a context and a need to dream...
i guess the people who dream are as easily
impregnated with a summary of Voltaire's Candide...
that this is: the best of all possible worlds...
          sure, but inscribe upon this world
a concentrated censorship of dreams...
       let me dream the last thing i might see
and give it all the mechanics of what others dream of
to the tilt of fully-embraced enhancement fakery...
             i will still not understand how you managed
to lodge a photon inside my cranium, or why there's
a need for me to dream, that's Freud point + on the content,
but that's also Freud point minus given the context...
    not if i have to hammer a thousand nails into
planks of wood will a dream matter to me....
             by god, make your money from analysis
dream content, but you'll end up a pauper analysis
dream context... are our lives so dandy and simple
that we retreat from political hierarchies
                            and what needs to be addressed
and with tails dragged between our hinds
                  we create foci for translating dreams into
a realism that can never be realised, because being
a realism, it's only a superficial version of
the pain that reality is?
                  yep, so much "wording",
and how many breaths did you inhale and exhale
while i said that? me too, on words: too many.
             Freud can have his content-invoking
affirmation of life and the subsequent prejudices...
but Freud cannot have a context-angling depravity
     to forward life, and consequent pejoratives
being suitor:
             for those who dare not think
                    are easily converted to dreaming...
and those who care to not dream,
   are ushered into the most obscure thinking
   that has not parallel with celebrated thought
akin to Einstein or Newton... but then again,
the celebration of dreams have only one representative,
and he's biblical... oh sorry: mythical.
yet that's where it all begins,
and it is a great sacrifice... to abandon the comforts
of dreams, in order to think uncustomary
   or even murky, uncelebrated thoughts...
                         to think the mundane and non-applicable
insistences... and then dream nothing,
and then see humanity's impecible practibility
  in the do rather then the lost assertive of be,
for humanity does the most, and is the least...
  for every hundred of do instances,
there's but a hundreth of a be instance worthy a mention;
meaning? do the plumbing...
       chop the timber, fix the electric...
                    no one tells people to reach a frantic embodiment,
or calls for an impersonal god that might leave them
   personal & authentic... everyone always asks for a personal
god that leaves them impersonal... robo-tectonic akin
  to Islam... thus ascribing: quantifiably nihilistic...
                   is my life too unbearable to continue or
unbearable to convene such a life, and quote:
  "simply nodded" on my Christmas greeting card...
******* cha cha cha...
                             i ain't a trebuchet,
but i'll swing a plum with a pair of knuckles
should you need more lip-balm for a smooch;
i'm just jittery about the date you'll test me.;
because the other-half-of-me was particular
about that dietary schematic of anorexia;
some said it was cool amphibian akin to ambiance
and hence the strobe light and break-dancing epileptic:
                       coffers full of chuff!
o lookie lookie, who the ****** unit of the
daffy bunch: quack squint-mc-dire...
no wonder she says her name's Chelsea postscriptum.
st64 Feb 2014
“I know you're tired but come, this is the way...

In your light, I learn how to love.
In your beauty, how to make poems.
You dance inside my chest where no-one sees you,
but sometimes I do, and that sight becomes this art.”*        ― Rumi


1.
“You and I have spoken all these words, but for the way we have to go, words are no preparation. I have one small drop of knowing in my soul.
Let it dissolve in your ocean.

A mountain keeps an echo deep inside. That's how I hold your voice.”
― Rumi


2.
“Do not feel lonely, the entire universe is inside you.
Stop acting so small. You are the universe in ecstatic motion.

Set your life on fire. Seek those who fan your flames.”   ― Rumi


3.
“The way of love is not
a subtle argument.

The door there
is devastation.

Birds make great sky-circles
of their freedom.
How do they learn it?

They fall, and falling,
they're given wings.”                          ― Rumi


4.
“The morning wind spreads its fresh smell. We must get up and take that in, that wind that lets us live. Breathe before it's gone.

Sorrow prepares you for joy.
It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow.
Whatever sorrow shakes from your heart, far better things will take their
place.”                                     ― Rumi


5.
“You are so weak. Give up to grace.
The ocean takes care of each wave till it gets to shore.
You need more help than you know.

Be a lamp, or a lifeboat, or a ladder. Help someone's soul heal.
Walk out of your house like a shepherd.”
― Rumi, The Essential Rumi


6.
“You think you are alive
because you breathe air?
Shame on you,
that you are alive in such a limited way.
Don't be without Love,
so you won't feel dead.
Die in Love
and stay alive forever.

I want to see you.
Know your voice.

Recognise you when you
first come 'round the corner.

Sense your scent when I come
into a room you've just left.

Know the lift of your heel,
the glide of your foot.

Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.

I want to know the joy
of how you whisper
“more”...                                                       ­     ― Rumi


7.
“When you go through a hard period,
When everything seems to oppose you,
... When you feel you cannot even bear one more minute,
NEVER GIVE UP!
Because it is the time and place that the course will divert!

The cure for pain is in the pain.
In Silence, there is eloquence. Stop weaving and see how the pattern improves.

The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.”                                       ― Rumi


8.
“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.

Moonlight floods the whole sky from horizon to horizon;
How much it can fill your room depends on its windows.”
― Rumi, The Essential Rumi


9.
“Keep walking, though there's no place to get to.
Don't try to see through the distances.
That's not for human beings. Move within,
But don't move the way fear makes you move.

If you are irritated by every rub, how will your mirror be polished?

Start a huge, foolish project, like Noah…it makes absolutely no difference what people think of you.”   ― Rumi


10.
“Do you know what you are?
You are a manuscript oƒ a divine letter.
You are a mirror reflecting a noble face.
This universe is not outside of you.
Look inside yourself;
everything that you want,
you are already that.”
― Rumi, Hush, Don't Say Anything to God: Passionate Poems of Rumi



11.
“Out beyond ideas of wrongdoing
and rightdoing, there is a field.
I'll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

What you seek, is seeking you.”                             ― Rumi


12.
“The lion is most handsome when looking for food.

Pain is a treasure, for it contains mercies.
Love comes with a knife, not some shy question, and not with fears for its reputation!

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way, eager for you
Without shoes or shawl
I want you to laugh
To **** all your worries
To love you
To nourish you.”                                          ― Rumi


13.
“I was dead, then alive.
Weeping, then laughing.

The power of love came into me,
and I became fierce like a lion,
then tender like the evening star.”                        ― Rumi


14.
“Suffering is a gift. In it is hidden mercy.

Come, come, whoever you are. Wanderer, worshiper, lover of leaving.
It doesn't matter. Ours is not a caravan of despair.. come, even if you have broken your vows a thousand times. Come, yet again, come, come.

But listen to me. For one moment - quit being sad. Hear blessings
dropping their blossoms
around you.

I closed my mouth and spoke to you in a hundred silent ways.”
― Rumi


15.
“The breeze at dawn has secrets to tell you. Don't go back to sleep!
You must ask for what you really want.
Don't go back to sleep!
People are going back and forth
across the doorsill where the two worlds touch,
The door is round and open
Don't go back to sleep!

These pains you feel are messengers. Listen to them.”
― Rumi, The Essential Rumi



16.
“Like a sculptor, if necessary,
carve a friend out of stone.
Realise that your inner sight is blind
and try to see a treasure in everyone.”                    ― Rumi


17.
“Let the lover be disgraceful, crazy, absent-minded. Someone sober will worry about things going badly. Let the lover be.

There are lovers content with longing.
I’m not one of them.”    ― Rumi, The Essential Rumi


18.
“There is a secret medicine given only to those who hurt so hard they can't hope.
The hopers would feel slighted if they knew.

You were born with potential.
You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness.
You were born with wings.
You are not meant for crawling, so don't.
You have wings.
Learn to use them and fly.”          ― Rumi


19.
“Forget safety.
Live where you fear to live.
Destroy your reputation.
Be notorious.

Inside you, there’s an artist you don’t know about… say yes quickly, if you know, if you’ve known it from before the beginning of the universe.”
― Rumi


20.
“Let yourself be silently drawn by the stronger pull of what you really love. It will not lead you astray.”     ― Rumi





"On a day
when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day.”
                                               ― Rumi






S T – 25 feb 14
Rumi - born to native Persian speaking parents in 1207.
Died 1273 AD.
Rumi (an evolutionary thinker) believed passionately in the use of music, poetry and dance as a path for reaching God.
Roberta Day Oct 2011
I want to sleep forever and reside in my dreams
           To frolic through a collage of different spectacles and scenes
                An escape from the insufferable, cruel world at large
I want to sleep forever

I want to sleep forever so I can live in my dreams
           The ruler of the lands, the queen of all kings
               With nothing to fear but the darkside of the conscience
I want to sleep forever

I want to sleep forever and fight my inner demons
        Provide peace of mind for all bothered and exhausted
              Float on utter bliss; those monsters, I'll never miss
I want to sleep forever

I want to sleep forever and never show sadness again
        Bright, long-lasting smiles on weekly sullen days
             Created and maintained in a variety of ways
I want to sleep forever

I want to sleep forever to erase everything
       I want to sleep forever and feel warmth again
           To bathe myself in content that won't ever end
Let me sleep forever
I CALL on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old ***** have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.
He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.
Silk blocks my ability to see
Soft pads circle my ears shutting me into silence
Music begins to flow coursing through my body
Jumping as hands grasp slender ankles
Fur circles one then the other
Turned around and around so disoriented
A hard bump knocks at the back of my knees
Buckling and graze the chilled feeling they land upon
Gasps escape parted lips
Melodic music seems to beat forcefully with each movement
Chills flow through naked flesh

A voice reverbs in my ears
"Are you nervous ****?"
"Y-y-eees" trembles out thinking it had to have sounded like some little girl instead of the mature woman kneeling here
Morose tones begin to play
Calloused palms greet soft ones
Pulling quick and efficient succulent flesh lays across
a thick padded cushion

The drums beat frantically, I realize it is my heart beat
No music playing last the time, my breathing comes through rushed paniced
Inhaling deeply filling lungs then blowing out forcefully
Soothing frazzled nerves, repeating the breath
Hands separate, one wrapped in something unsure what
then the other, they are pulled straight out
Allowing ample globes of blush coated tips to reveal to any that watch

Crying out at the forceful pulling,  rearranging of limbs
Thoughts run rampant scrambling calm with slight fear and confusion
Body jerks as the apparatus moves beneath my spread flesh
I feel my belly tight as muscles **** and pull tight and repeats
Crying out as booming dark music explodes in my mind
The movement jerking beneath again
Unable to fathom how I look I feel a breeze slither over pale half moons
Finger run along the inside of the restraint as something pulls it further away from the other, then repeated
Chill air hits my heated moist ***** sending goosebumps all over

My body fully supported arms up with back arched exposing glorious flesh
Legs parted wide as waist is supported by the bench
"Who do you belong to"? He asks.
" No Ones"
A slice of fire then a second close by erupts pain across the backside
Teeth sink deep into my lower lip as the same words come through the headset
Senses impaired heighten every syllable
Still ******* air from the first blows as four reign down upon my  
arched back, tasting blood as teeth cut through plump skin

Thick fingers grasp the hairs upon nether lips yanking
Digits knead the skin of my *** soothing the first marks
Feeling the tug on hairs again, squirming as the moisture flows the cavern, body begins to move
Yet again "Who do you belong to?"
"Myself" I say proudly
Again heat, white hot, kisses thee skin
One, two, three, four, five
Labored breathing panics me
Fingers grtip and knead the marks, it is not pleasurable but it hurts not either

Thin pieces dance across my body
I figured out it had to be as flogger
He was an expert, especially with this contraption leaving everything but my stomach bottom of thighs urtterly exposed to the wicked implement
The tongues begin touching all over as I strain to hear and see
Nothing but blackness and morrocan drums playing tribal beats
Lightly stroking, followed by searing bolts of lightening touch silk flesh,
Breathing raggedly, gasping for air, pressure building in the pit of my stomach

As the flogger hits every piece of exposed white
Fingers massage puffy lips that swell to protect the golden pearl
Not hearing him he chuckles knowing he has me
Thump goes the flogger, chains clank as I squirm
Pressing towards his hand wanting to be touched that special way
Pleading escapes, I cringe knowing I have made that mistake
Something slides into my throbbing center, stretching my walls
I know I am soaked as I feel pinches against flogged streaked skin
"Please" I cry
Again he asks "Who do you belong to?"
I form the y sound suddenly changing to once again "Myself"

The implement is left inside my love tunnel
Vaginal walls gripping and releasing
My breath catches hard in my throat as something cool
bites hardened peak,
Breath let's out with a loud moan as the other peak is trapped in the vice grip
Hair is cinched tight pulling the upper body up more
The clamps bite harder
He turned my head towards his as lips touch I feel an excruciating heat soar through my succulent peaks
Tears flow across cheeks gliding down until we both taster the salt

His teeth sink into my lip as the hand twists the chasing, the other the chain to the clips torturing my *******
My velvet reaches out to run across the teeth
He releases the bite as our tongues clash like symbols
***** throbs as it struggles to not drop the object
Pressure still building, traitor body plays to his tune
Rejecting nothing
Balking not at all
Wanting, needing, yearning for this
Our tongues dance as he pulls and releases that murderous pleasure wreaking havoc over the numbing rosebuds
Fiery locks are released
Fingers remove the implement deeply embedded in my sweet honey
Digits slide deeply into my well
Pushing against them yearning for deeper

I feel the pumping in and out
Each ****** grows harder and goes deeper
My hair being used as an anchor
Burning the scalp as it pulls
He must be able to hear the music as each move is punctuated with the caressing noise
The headphones are removed relief flows over as I can hear

He whispers "Who do you belong to?"  He asks again
I feel his fingers pull out causing a sense of loss
Something presses sat my entrance pushing lightly
Trying to glide over the honey
Lifting on tip toes pushing back
Feeling the thick mushroom push into their tight entrance
Gasping for air as he growls loudly trying to fight plundering
Needing my answer first
The tip teasing me without mercy
Pulls and releases my hair

I feel something strange being smeared in my thick juice
The warm presses against my clenched puckered hole
Crying out as he teases both orifices
My body strains tight like a bow drawn for firing
"Please oh please **** me, take me"  
I feel both openings being pushed against more
Knowing he won't do much more unless I give in
He pushes the egg deep into my tight ***
Cries of pleasure float over the music still playing in the room
His hard length still teasing the slippery tunnel
Leaning over pressing my body hard against the contraption
Growling out "Who do you belong to?"
You! You! You!
His **** rams home plundering my overly taut well
Buried to the hilt my cries louder than the night

He begins to move in Ernest
Taking and consuming His
My body being played like a well oiled machine
Slamming into me, our bodies slapping
Skin to skin
Pressure building faster as I was already close to exploding
He knows I am close
Salt from the sweat drips into my mouth
His hand yanks the egg from my *** starting the spasms
Rippling over his rock hard length
His growl rumbles within vibrating upon my back

Pace grows faster, frenzied
I feel juices dripping down my thigh
My love tunnel overflowing with essence
Crying in frustration I scream harder
The machine moves as he pumps in and out
Loud moans flow out as the movement let's him go deeper

The music is crescendoing cannons errupt
As he plunders the chain is suddenly ****** based
A reaction like dominmos begins
Hips buck against his as sdpasms caress his ****
Floods of honey burst free coating his implement
Flowing down my thighs as the explosion rocks through my body
Riding every ****** as his teeth sink into my neck
The shooting **** hits my wall spewing until empty
Laying against my body, his sweat mixing with mine

Both breathless and satiated for a spell
Blindfold and restraints removed
Lifting me up as my legs give out like they were jello
Cradling my head to his chest
He lays me upon silk
Eyes close as lethargy begins to settle
Soothing ointment is rubbed into red stripes
"Sleep Mine". He whispered
" Yes Master" she says sleepily

A smile crosses his rugged features
Finally he had pushed past that wall
She is Mine he thinks
I won't let her forget, took way to long for her to admit
Next time perhaps he would try a cane
Moving her on through
The joys of pleasure and pain
Property of Jennifer Humphrey copyrighted.  Please do not use without giving credit to the author.  I can prove it is my work so please write your own don't steal mine.   JH
Alysia Michelle Jun 2015
i am becoming content
with

silence
in a world where silence
is often very

disquieting


i am becoming content
with silence
in a world that demands
to be heard


i am content
being silent
sometimes it is nice
just to sit back
and listen

i am content
in your silence
because words
are not always
necessary

the world is filled with so much noise
and not all of it is worth listening to

can you be content in silence?
can you be content being silent?
are you content with my silence?

as i sit here in silence i ask
these questions
but i receive no answers



only silence.
Scatts Feb 2015
He's beautiful, I have already mentioned this to him
but I keep on insisting because I think it's not really clear for him yet
that his beauty is both inside and outside

I mean, apart from his noble heart
and niceness befitting of a prince;
apart from his ideas and his way of thinking, his strings of thoughs
that I love to follow and where I also love getting lost in;
apart from the beauty of his likes and loves
(because you are what you love, if after all love transforms you,
and thus I am he and he is I)
even if you took apart all of his being and essence
he would still be beautiful

because he is beautiful, no matter how you see him
although he sees himself and he is not content
he is beautiful in his signature brows
in his shoulders where I anchor and his fingers which I entwine with mine
he is beautiful from the wrinkles in his face and his combed hair
to his feet, wearing shoes two sizes bigger

he is beautiful, no matter how you see him
but he is on his most when he is honest,
when he shows himself weak: in his most pure and human state,
and that usually happens at night,
either with his mind a little blurred by a little alcohol
while his tongue runs and can't say anything but urgent truths,
dyed with that love that not even alcohol can erase;
either in my arms, moved by sweet whispers, his eyes releasing tears
that rise modestly like cotton
but, as they roll, have the shine of a gemstone;
or if not by early morning while we share a single bed,
naked and iluminated by the lights of my alarm clock

he is so beautiful when he lets you see him vulnerable
or he lets you see him in love
or he lets you see him without even noticing that you're seeing him:
he is so beautiful all the time
and he is not content

he tells me he is not content, when his arms hold me tight
and his chest seems sculped exclusively for my hands;
he is not content, my best kept secret,
the boy that looks cute and shy in front of everybody's eyes
and I know in so many different layers;
he is not content being so short and so pale
being that I could use the porcelain analogy to describe his skin,
but his porcelain was adorned with freckles, and marks, and moles
and I have never seen such fine, pretty, warm porcelain
(porcelain is cold and your arms are always warm)

and his dark hair contrasts with his light skin, and his eyes go along:
black lights, stars of Bethlehem that guide the way
to reach to his pink lips that, if you kiss,
you could swear you can find salvation
or a miracle; something strange happens because it's not normal to be moved by such great happiness,
and if his mouth is salvation, the touch of his hands is holy grace

he is not content when I could honor his body
and his spirit and mind,
when my mouth could paint masterpieces in his chest
because he doesn't see shape but I see colours
and I don't know if he believes if god is an artist
but if he doesn't see himself as art, it doesnt matter
since even so, art goes all over himself like a bindweed

since even so, when god said
"let there be light"
I'm almost sure that he was made.
How can he not see this?
Ellie Stelter Nov 2013
i don't want for anything.
i don't have a single
deep-seated desire
running about in
my brain,
driving me
crazy.

i have everything that i need.
i don't lie awake at night
i don't wonder
i don't ask what if
i don't
i don't

what will it take to convince you
that i don't need anything?
i don't want anything
i am content
i am content
i am content
i am content
i am content

but what if i
JustChloe Mar 2014
It's harder than you think to be content
to be happy without looking at someone else
so if you ever have trouble
if you might think your ugly
just remember our differences aren't reasons to be jealous
but God's fingerprint
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play set run self forget coming hope word future dead wish burn music emotion rain stop gaze pleasure glass one's what's lies sense wake hit remain real work bad stay open brain art seek space present happy spent acid pill social we've they're half-light used land held gotta help lie path finally listen actually longing rave water cold seeking caught energy reflection information anymore venturous goes came red hide start truly hand evil divine subtle matter kind lonely yes told eternity keeps line black edge ego context dusk horizon gonna spiritual tripping dimension data die white **** seen means care getting saw places sure freedom looking hurt fool wind flow search chance la took broke existential summer content flowing belief praise empyrean empathy discovery chemical aeon couldn't who's turn forth bit question eye judgement pray passion sound personal worth memories sanity accept universe embrace lack knows free makes rise language decide consider temporal society gain wander conscious stuff religious comprehend particle psychedelic metaphysics you've entheon absurdia entactus maybe ready fate realize family meant return perfect learn miss spirit doubt rest loved minds health moving mortal bring expression sleeping cast lines purpose quiet known strange infinite king months madness haze depths ate party patterns oneself psychedelion inside guess crowd later silent clear soft breath hours hate dust forgotten arms drink fast year war longer close searching morning ashes calm beauty darkness different justice fell friend shadows knowing fine youth heavy standing sweet enjoy explain vain simple chasing hidden ends smoke gold heaven follow point person breaking necessary today relief action cool possible bass generation lying listening machine yeah substance hath engine forlorn problem subject intangible study effort quantum definitions dopamine psychedelics we'd sigma cybran apotheon isn't empathion clouds practice gave warm wanted stand poem wait storm met asleep course skies crime surely grow depression write loose fair ecstasy knew dreaming humanity waves share taken simply faith playing sands view fix winter afraid began wise welcome comprehension sought late big zero table says bliss changed repetition everybody blame unto maze understanding mr explore states ignore addiction venture define teenage american humans billion she's wasn't 'til sonder walk smile tonight speak dance skin blood breathe fears illuminate worse peace girl crave easily emotions feelings **** having force ways lets catch meet hair doors worlds hearts destroy heard walking near hurricane wisdom lights second suicide ignorance fresh waking sadness grand happiness appear rising scared save join adventure neon outside alike liberty particles wonderful compounds killed somebody grace merely closer company desert master twisted realm respect trance ridiculous *** exile pondering noble dangerous absurd nation progress culture contradiction perceive irish urban phenomena cyberspace scoreboard psi ain't you'd mydriasis entheogenesis **** ones taste throw watch painting room alas lay history spend apart sea staring poet fact cut smell happened admit river wasted brought leaves making answer sorry glow learned decided grasp breeze bed begin pretty floor lived sole sand cure awake sight tears barely kept running safe roam willing prefer mist heads asked prose wandering sounds imagine looked hour growing recognize soon falls mirror treat ***** brother climb hero problems granted digital proud changes birth quest age spring aware doing witness names amazed ****** despite takes condition intoxication level beginning worked pupils decision object insanity rhythm medium quality weather physical false process strife individual journey doth code effects abandoned channel judge notions moral swear experienced greater chain natural thunderous cleanse determine shivering hallowed plus reckon caused adolescence media superposition addict connection indigo ethics survived definition reasoning internet feedback vibrancy serotonin cyclone hacker sardonic surreality virtuality here's he's sunyata temporality ******'s empathos apotheotelos flash shining green forever anger carry son moon selfish written supposed feed ya quite loop hooked pure feet hole paper flag sick voice burning attention fly utter wicked tremble endless form infinity talking piece shores verse chest rules food placed plan hallelujah called gun fading drinking emotional measure inspiration suffering belong west read sly instead bear erase furious shame conclusion drunk roll ******* depressed calls taught died defined tire everyday answers sacred acknowledge speaks perfection games ground spoke stood motion sway keeping pretend hell movement magic park key spin kick sake jump hanging animal begins orange streetlights fade crazy honest warp puppet chained survive apathy chains claim prey science diamonds begging grip tale hang powerful wonderland heal dealing plant twice painful daylight mastery desires recall school conviction miracle yearn empyreal weekend actual court value chalk hurts humankind rabbit eggs potential offers temporary pupil atlas nostalgia serenity happens yearning ponder hypothesis worthy witnessed ideas azure tools alpha curiosity consume singularity typhoon revelation stimulant liberate application projection criminals communication throes fraternity enables actuality starshine ethos apotheosis sardonicism aren't mind's teleology empatheon entheos hear mydriatic transcendention fight tear ash minutes wanna taking nights forgot tales lest desire lust darkest single shine slow allow destruction money comes anxiety contemplate nostalgic offer continue happen ink brings brave created holding create thunder produce talk sail philosopher creating distant illuminating drive dancing ease wishing higher pass excuse figure essence angel hopes child ahead sigh using door vast loves awaits strong tornado ok sorrow immortal ghosts certain remains stained insane reached lot discovered plain poison streets killing ending tried session vs poor woke stare watching grass slick emptiness falling box painter series children virtues awareness clean rolling reach advice heavens rend half cherish bay started relax focus laughed ashamed fiend melody drop exhale void occurs beneath win chose robes thrall shield ended sons normal sunrise road forged onward burden actions unlike colors curious street observe chosen silence shades returns technology race vengeance swept bag civilization strive reconcile trouble cloud described replaced substances whilst finding euphoria dear chemistry events deal message eternal masses beliefs vision apparent honestly dr seeing idea domain soar books frames rule law pleasures eat dread bare blaze raise compassion kindness wandered objects expressed sin declare mistake smoking drum heavenly honor lands fountain renew happening aspect gotten issues divinity teach matters pills goal follows significant job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window 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chances abuse palm week existed ignorant blind dice sheep agree joke spy spill odds immeasurable *** pushing wanderlust softly midst presents blade guided ripped round ball lovely rhythms beats cars glaze wash fates evening vein gloss juvenile sides faces graces month circular rung wheel rises permeates father supreme portal liked rip fades october sitting grin showing surrounded explored opened confused wall quietly deftly scene sighs lingering radio altered evaporated suns dreamed vibration important appetite exactly devil inhabiting brains ordinary beckons constant local organic soothing linger meditation moonlight lads height ethereal simplicity kinda cigarette suggest violence blew bombs arise trips predict surface guy movements grey car stepped large bank forward landed lied ancient purely crash direction inspired release warned melodic rhythmic telling mysticism blues riddle blur floating drama neck lover nerve poisonous glare factory wage character suburbia escaped gates suspended followed pierced hall marks ruled influence functioning contained losing stopping effect electronica relate fed temper facts dependent malleable convey bent delve horror wolves won lacking certainly fooled temple oblivious watches extension molecular random subtlety rem price sear covers truths judging stage frost conditions victory millennium realised confront trickster eve daughter defines awoke terror remembere
Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
Big Virge Oct 2014
EVERYDAY ... In this country ....
They're telling us ... LIES ... !!!!!
from Thatcher ... to ... Blair ....
To ... "Good Old" ... "HESELTINE" .....
  
So let me explain ....
why i've put this in rhyme ....
  
The army's had ... SECRETS ...
THEY ... "DON'T" ... talk about ... !!!
  
So read these words ... CLOSELY ... !!!
cos' now ... it's come ... " OUT " ... !!!
  
Policies on recruitment ....
were .... "STRICTLY" .... Defined ....
Black soldiers ... WEREN'T ... Welcome ... !!!!!
on ... "WHITE" .... Army Lines ...
  
They say it's been happening ...
Since .... NINETEEN FIFTY-SEVEN !!!!!
  
But somehow ... i'm thinking ...
it's been ... "ALL THE TIME" ....
  
This to me though ... is ... COOL ... !!!
and is ... NO SURPRISE ... !!!!!
it's just .... POSITIVE PROOF ....
of the ... LIES ... they've disguised ... !!!!!
  
as a youthful ... PROUD BLACK ... !!!!!
I REMEMBER ..... THE HATRED ..... !!!
and .... Racial Attacks .... !!!
  
There was ... "NEVER" ... ANY BLACK
in the ... UNION JACK ... !!!!!
These ... UNCLE TOM ... Blacks ....
Should ... "REMEMBER" ... THAT ... !!!!
  
They like to suggest ....
Black people are ... "*****" ... !!!
  
Well, YES ... that is ... TRUE ...
  
"SOME" ... Black people ... ARE ... !!!
  
But it's ... WHITE GIRLS ... I see ....
who like ... "****" ...
Up Their ... **** ... !!!!!!
  
So ...........
for them .... to say ....
English people ... have ... " CLASS " ... !?!?!
is just ... "ONE MORE LIE" ....
and is truly .... A .... FARCE !!!!!!
  
Now this thing with ... "Armed Forces"
NOT wanting ... "us ... BLACKS" ... !!!!!
is ... "Cool with me !!!" ... but ... !!!???!!!
when ... MUSLIMS ... " ATTACK " ....
  
They'd better believe .....
They should ... COVER ...
Their Backs ... !!!!!
  
Cos' ... THE TRUTH ... is out now ...
and this ... I DO ... BACK ... !!!!
  
The Army ... SHOULD ...
...... " ETHNICALLY " ......
Cleanse OUT ... The Blacks .... !!!!!!!!!!
  
Oh they'll be ... ALRIGHT ... !!!
when their army's ... ALL WHITE ... !!!
  
So to those who hate ... ******* ...
have a read of ... The Words ...
in the ... FOLLOWING ... Verse ...
  
Go fight your own fights ... !!!!!
cos' Black people have died ....
"PROTECTING" ... YOU Whites ... !!!!!
  
who suggest that ... us ... BLACKS ....
Shouldn't have ... Civil Rights ... !!!!!!!
  
My feeling is that .....
STEPHEN LAWRENCE ... Is ... ONE ....
whose family ... "SUFFERED" ...
from an ... English Law ... CON ... !!!
  
Film footage did show ....
Those White .... HOOLIGANS .... !!!!!!
were ... READY ... to ... **** ... !!!
Any Black ... and just ... Run ...!!!...
  
But when court time came ....
They were given ... FREEDOM ... !???!
  
Well ....
To Stephen's ... DAD ...
and to ... Stephen's ... MUM ...
  
I'm writing this verse ....
cos' the way it was ... Handled ...
was ... "TOTALLY" ... " WRONG " ... !!!!!!
  
See .... The BBC showed ....
How .... Police Training ... goes !!!
  
That ... " Racists " ... get recruited ... !!!
and ... "WELCOMED" ... to the ... FOLD ... !!!!!
  
But People ... Only Know ...
cos' the ... "HIDDEN CAM" ... Showed ...
that .... RACISM'S .... hidden ....
like ... "COVETED" ... Gold ....
and that's when ... THE RACISTS ...
be acting .... ALL BOLD .... !!!!!
  
But catch them ....
on ... Their Own ...
when their ... "BNP Buddies" ...
are sitting ... AT HOME ... !!!
  
In Black Company ....
They're in ... " THE DEADZONE " ... !!!!!
  
They Quickly ... Transform ...
into .... " ALI G ... mode " .... !!!
  
"I've got LOADS of Black friends ...
so ... what's happening bro !!!???!!!"
  
Meantime we are told ....
"EQUALITY" ..... is in sight .... !!!
  
Now I ... DON'T LIKE ... using
"EXPLETIVES" .... when I write ... !!! ...
But ... i've got to say ... THIS ...
  
"That ain't ... ******* RIGHT ... !!!!!"
  
So ...  i'm fighting ...
...... RACISM ......
These Days ......
when I ... WRITE ...
  
while Police just ... DELIGHT ...
in ... beating Black Folks ....
til they're .............
  
"BLACKER than ....
  
NIGHT" .... !!!!!
  
Can this really be right ... !!!?!!!
  
These ... RACIST ... whites .... ARE ....
  
OHhhhhhh ...... Soooo ..... POLITE ... !!!
  
But ...
Don't want to ... "INVITE" ...
A time or place ....
where ... BLACK and WHITE ...
Can ... Try to... "UNITE" ......
  
But .... it's okay now ....
cos' Blacks be acting like ... Whites ....
now they're in the ... " LIMELIGHT " ...
  
Every ******* ... is ... "BLINGING" ....
with ... Custom Made ... Jewellery ...
  
"Correction" ..... ofcourse ....
that line should say .... "ICE" ....
  
See ... we ... DON'T ... Talk About....
Our .... "HUMAN" .... BLACK LICE ... !?!?!?!
  
Those ... " KILLING " ... Their Brothers ....
just for a slice ....
.... of ....
  
" Uncle Sam's Pie " ......
  
Well ....
The same rules ... apply ... !!!
  
The U.S. .... just wants them ...
to ... lay down ... and ... DIE ... !!!
  
cos' they ... Like The ... " British " ...
are just ... " FULL OF LIES " .... !!!!!
  
The UK's what ... I know ...
but this ... " LIE " .... Titled Prose ....
just goes to show .....
whether ...  HERE or THERE ....
The same **** ... flows ... !!!!!!!!!
  
From the ... LIES ... that they feed ....
to ... THOSE TRUTHS ... still ...
  
.............  "UNTOLD" ................ ???????
  
But ... NOW ... we've been told ....
  
Will Blacks ... "BREAK THE MOULD ?"
  
Well .... Probably ... NOT ... !!!?!!!
cos' ... most now ... have ... SOLD ...
Their ... TRUE SELVES ... behind ...
  
cos' now ... they're ... refined ...
and are ... STUCK ... in a Bind ...
B'cos' ... what they've ... Believed ...
Now ... leaves them ... " BEHIND " ...
  
THAT ...  Rock and Hard Place ... !!!
with visions ... " MISPLACED " ...
without .... recognizing ....
"NEW PROBLEMS" .... we face ... !!!
  
cos' ... White Moguls ... now know ...
what makes ... "*******" ... Break ... !!!
  
A Nice ..... Fancy Car .....
and .... *** .... on a plate ... !!!!!!
  
So ... YES ... Some DUMB ...
........ " ******* !!!" ..........
have ... Quickly ... got ... A.I.D.S .... !!!!!
  
cos' of ****** ... they've been ...
.......... " Bedding !!! " ..........
by their ... New ... Fireplace ... !!!
whilst telling ..... "LIES" ..... !!!
to their ..... Wives ......
  
Maaaannn .........
That ... ****'s ... A DISGRACE ... !!!!!
  
See ... this is a ... Trait ...
that now makes me ... Irate ... !!!!!
  
Some White Girls be .... "ACTING" ...
like .... "Black men are ... GREAT" ... !!!
  
But .......
"CANNOT" ..... take them ....
back to .... "Daddy's Place" ... !!!?!!!
cos' ... The Truth ...
then comes ... OUT ... !!!
  
They'd get a ... SLAP ... !!!
in their ..... FACE ..... !!!!!!!!!
  
B'cos daddy's ... Not Happy ... !!!!!
with the thought of his daughter ...
as a lamb to ... "BLACK SLAUGHTER" ....
  
cos' ... sounds that she's making ....
  
Sounds like *** ...
is ... " Pure TORTURE !!!!! "
  
and that's when his ...
  
"Lies and Untruths"
get ........ "Found Out"  ... !!!
cos' now her ... Black Boyfriend ....
gets treated like ... "GOUT" ... !!!
  
See ... These ... are the ... "LIES" ...
We ... "DON'T" ... talk about ... !!!
  
But ... This is ... "THE TRUTH" ....
  
coming out of ... My Mouth ...
or ... if you're a ... Reader ...
Yes .... Out of ... MY HANDS ...
  
Just think about this ......
and you'll ..... "OVERSTAND" ... !!!
that ... LYING .... comes easy ... to ...
..... "TRUE" ..... Englishman ... !!!
  
But .... LYING .....
...... to me .....
I now ... "OVERSTAND" ... !!!
  
It's fed ... YES ... to ... Man ...
and ... YES ... to ... Woman ...
  
to keep us from being ....
  
" UNITED " .....
  
..... as ......
  
" PEOPLE " .....
  
These things ...
  
" I BELIEVE ! " ....
  
have always been ...
  
" PLANNED "
  
cos' if people .... "UNITE" ....
The Divisions .... would ....
  
............. " DIE " .................
  
and then ...
People Like ..... "YOU" ......
and ... People Like ... " I " ...
  
could ... finally see ...
  
"THE TRUTH" ....
  
From the ...
  
.... " LIES " ....
  
Peace y'all and Recognise !!!!!
Seems like the Brits aren't the only ones, but, they do like to tell some whoppers !!!!!
My Scarlet Amora Dec 2014
Do you remember when we snuck out?
I guess it was only me sneaking
But I did for you
We sat by the water
And bathed in the sun
The smell of grass and autumn filled my nose
And thoughts of you filled my heart
I looked at you and you smiled
That is what happiness looks like you later said
I was so content that day
Blissful even
Everything was in place
How did we get so far from that day
Do you even remember that?
Alyssa Underwood Aug 2017
Jesus, please set my bound heart free
Let not this world my prison be
Where fear and shame would pull me down
To suffocate and cause me to drown

'Stead loose my soul that it may soar
Heavy, fettered, chained no more
So You can lead me to the hills
Away from where 'perfection' kills

In You alone my worth is found
What joy immense, this truth profound
To know I'm precious in Your sight
My strength, my hope, my life's delight

Surrendered now to Your control
'Tis love which heals my wounded soul
Convinced that I can trust Your heart
Toward me, to You my cares I impart

And selfish may I no more be
But lend me eyes that I might see
The wounds which other souls still have
To give to them Your healing salve

That You might take their tender pain
And turn it to eternal gain
So suffering may not wasted be
But used to set our cold hearts free

Then we who in triumphant praise
More closely on Your face may gaze
Beholding all Your beauty vast
Held tight to You, content at last!
~~~

"So if the Son sets you free, you will be free indeed."
~ John 8:36

"But whenever anyone turns to the Lord, the veil is taken away. Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into His image with ever-increasing glory, which comes from the Lord, who is the Spirit."
~ 2 Corinthians 3:16-18

"I consider that our present sufferings are not worth comparing with the glory that will be revealed in us."
~ Romans 8:18


~~~

Sung to the tune of
'Jesus, Thy Blood and Righteousness'
(music by William Gardiner)
Mateuš Conrad Aug 2018
.reiteration... em.. you're not internet providers... are you?! the best you'll ever be, is, software *******... you're about as invested in hardware, as the mafia is invigorated by mainstream politics...******* wankers... you what?! huh?! censorship?! who's supplying you with the copper wires?! you?! ha ha ha ha! how about getting leg ***** by a mongrel tongue... and considering your type of companies, as, serious, "mediators"... no hardware... just a software monopoly... ******* **** wasps! you almost want to cannibalize their presence! like... ever taste bone marrow? these "companies"... are teasing a taste of bone marrow! i want to eat something... these, companies, forgot, that, they're, not, service, providers! d'uh! and they're making the dicta?! inch copper **** making all the rules... what rules?! they don't make the rules... they're not hardware enforcers! they block my presence, i subsequently return to over-exemplifying using the scissors, counter the computer! yeah?!

em...
but you're not BT...
British Telecommunications?
the hell is up with these
software nuggets?!
how can google,
facebook,
youtube, ban, someone...
when they pay...
for their hardware provider?
did, said companies,
pay, for the copper wires?!
i'm pretty sure the answer is
no...
    unless you've not been banned
by authentic internet providers,
but, rather,
banned by content creation
mediums?!
       **** 'em!
           **** 'em silly!
         they do not actually
own access to internet
provision, i.e. ACCESS...
they do not own
the armory
of copper wiring....
that connects the dots...
*******!
BT or SKY or ******
pulls the plug,
you're all out!
             you get the
differential "bias" against
the format of software
contra hardware?
no?
            there are,
internet, providers...
there is the hardware of
occupational hardware user basis...
these companies...
censoring...
have a software stature,
without a hardware status...
   want to rephrase the thesaurus
to concern yourself
with legislative phraseology?
      really?
     me? can't be bothered...
do it yourself,
VEGAN dietary requirements
and... whatever.
but you can't deny someone
content provision...
when they're paying for
an internet access...
these software companies
do not have to answer
to governments...
they have to answer
to hardware providers...
   internet access deposits /
access points...
            not governments...
hardware instigators...
    oh, really?
    software censorship?
   if there's no one using
the hardware?!
              good luck...
and a goof ball speeding!

these companies, who are exercising
"depth",
of the parameters of conscription
of legit consent?
   they have this amnesia...
this amnesia...
of...
   not being hardware utilities...
i.e.?
   a comic book...
without the printing press...
   savvy?
             now i'm mowing down
eyed
    claustrophobic eyed -
   horses running,
with shutters on their eyes
for the added advantage
of tunnel vision...
   that Bane scene equivalent...
    with the quote -
  crashing this plane...

"who" are these companies
to dictate,
"correct" internet usage?
they're not internet providers...
to begin with...
   if... a company like SKY...
or BT... or ******...
obstructed internet access
of a person?
  i'd be nodding...
    in a coherent access of
agreement...
    but...
      these websites are not
hardware, they're software...
see the difference?
they're not internet providers...
they're pixel blank bulk anticipating
canvases...

unless there's something
wrong with the original idea,
of an un- investigated
genesis of a pixel blank?!
     can i make this an issue
with your, internet provider?
i don't like you excluding
the content of the content
that is a blank pixel anticipatory
excavation wait...
   sorry...
  
   i don't like you miscarrying my
payment of internet access...
having censored interactive outlet
canvases...
   i pay for one... i pay for all...
   can you please pay
the proper amount of
compensation to the hardware
companies that provide
universal internet access to
the full spectrum of internet users?!

namely?
BT... SKY... ******?
yes?!
Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Harmony Sep 2014
written July 10, 2013

"Your eyes were black
Not the like the pavement we used to walk along during the day hand in hand
Or the night sky that was above us as we kissed under the stars
But like the liquid pouring from the coffee ***
Warm and content
Your smile was deathly
Not like the crash we saw on the highway as we were driving home from a movie
Or the raccoon we saw lying on the side of the street
But like my cat who died in her sleep
Warm and content
Your love was overwhelming
Not like the anxiety attack I had when I lost my keys in the park
Or when we couldn't find parking at the parade
But like the excitement on your face when I gave you your present for your birthday
Warm and content
Now when you left, I was devastated
Not like the feelings you felt when you were told the unfortunate news that your aunt had passed
Or like the times you got bullied growing up
But as if you physically yanked me out of your life
Like your heart was a trap door you were trying to hold shut
And three years later, nothing's changed
These letters I reread are worse than any death because each time I read the lines you once wrote
I die over and over again for your love
How are you supposed to stay strong and stand tall when you've already fallen?
Like a back brace, you held me up
You kept every little piece of me together so I wouldn't break and fall apart but when you left
It's as if the Velcro lost its stick
And I slowly started feeling the pain in my back
Slouching and trying to catch my breath for my heart was taken away
Just like my breath was, the first time I met you
Warm and content"
Bits and pieces of this one are true. One of my personal favorites.
Bryan Lunsford Aug 2018
It is within an unusually warm and early spring night,
Here, where I begin to feel something ever so unusual while looking deeply into this goddess' eyes,

With her eyes like a pair of diamonds sparkling in the sky,
It's at this moment–in this part of the night–
Love simply didn't need a reply,

With candles lit,
As it's surely to her delight,
And with rose petals all over the bed–
That, surely, was to her surprise,

Though, right now,
Can you really blame me for having this nervous butterfly-feeling whirling around inside?

For this will be the first-ever night that I'll get to hold this beauty tight,

And for such a divine beauty,
Surely I'd make any sacrifice to make sure her every whim and need is perfectly sufficed,

Yes, with our feelings for each other that couldn't be more pure or refined,
I already know, without hesitance, our love would satisfy any god's most delicate appetite inside,

And although, this world may never know how I truly feel inside,
I, myself, know with certainty that I love this woman more than anything I've ever loved in my whole life,

Yet, with nothing more than the sound of crickets chirping within the night,
I proceed to lay this beauty down–
Here, pulling her close to my side (where I tell her)
"I love you, angel, good night",

And even though our love never did need a reply,
She said
"I love you too, sweet dreams baby, don't forget to hold me ever so tight",

And thus with this crazy, whirling, butterfly-feeling, again, that I begin to feel take over inside,
She rolls over unexpectedly and surprises me with a kiss to seal any other reply–
To only roll back over and close her eyes,

Oh, and in the midst of her every action–every move leaving me mesmerized,
She decides to move an inch closer to me,
(Where I wrap my arm around her thighs)
As it's also nearly simultaneously that I hear the clock's stride finally hit midnight,

With a chime that struck once–
Then struck twice,
I begin to hear a set of chimes strike–and strike until they chime twelve times,  
(As these chimes come from this evilly wicked, horrid and heinous clock of mine)

Yes!–with this clock being a clock that through time I have come to slowly hate and despise!

Though, this tower of a clock reminds me of its presence with not the tics nor the tocs–
No, only when the minute hand climbs and the hour's hand meets another notch,

As only then, within that second of the minute, does my mind's thoughts get crossed and rocked–
With my thoughts that become locked within a box
(As it'll be for the next sixty minutes)
I'll just lie there and remain distraught,

Oh, and you ask why?–
Simply because of this chiming noise that won't stop!

With these reoccurring chimes that take my sleep and make most nights a loss–
I can assure you that if I don't go to bed by one or two o'clock,
Any sleep for me will become more and more implausible by every tic of the clock,

Yes, nearly impossible–
For it'll be with the next four or five hours, I'll just lie there, roll, and toss,

Though this is a different night!–
As I'm reminded with our legs crossed and with our fingers interlocked,

Yet, here as I begin to feel the warmth of her body block and fend off any kind or sorts of lingering winter's frost,
I also sense that numerous candles are still glowing bright,
(With the sight of their ambient light flickering off of the bedside's wall from abroad)

And, within this room filled with sentiment as I hear not a sound at all,
I smell the candle's aromatic scents,
With the atmosphere within the air being ever so calm,

Until that is, I hear another chime of a ****–
With it sounding like a melody that's gone ever so wrong–
It's with this tower of a clock, right here, that has just let me know it's now the hour of one o'clock–
And one o'clock, right on the dot,

With only one lone chime that I heard–as everything then simply paused and stopped,

Though, within my mind and with these thoughts that refuse to stop,
I reassure myself–
Knowing that the time is only one o'clock,

For I know I still have an aplenty of time to close my eyes and make these endless lines of thoughts stop,

So to this brilliant mind of mine,
You know that it's clearly time to let these thoughts wander off,

Just close your eyes and let your mind stop–

Though, didn't I just say enough with your thoughts?

Oh, and I can see you might think a lot,
But clearly and obviously you're not thinking about squat!

So just stop or I swear to god,
If you don't stop with these god awful thoughts,
I'll have no other option than to smash and squash your head against these bricks outside of this wall and then leave you there to rot–

For if you don't stop this exact instant then I am almost certain your beautiful woman will become a loss,

And I'm sure you don't want that to happen again, now do you?

So just stop with these thoughts–
Quit fooling around and whatever you do–
Oh, and whatever you do,
Don't let this beauty see that crazed loony side inside of you,

Just fall asleep now and you both can wake up tomorrow around noon,

Yes, just close your eyes and count these sheep jumping over the moon,
And count them jumping one by one–then two by two,

Yet, between one and two,
Surely I knew I was bound to come unglued,
(With the loony that came right out of me as I hear a tune)

With a chime that struck once and then twice,
It left my mind to know not what to do,

Though, that doesn't mean I am confused,
With the duo of chimes that struck–
Only letting me know it's now into the minutes of the night that come directly after two,

And though,
As I begin feeling as if a disaster was nearing in soon,
Still, I knew not what to do–

Because I know nothing as I'm thinking of nothing and just fading away within the scents of her perfume,

(Where I begin fading away within this serenity and hearing not a tune)
I feel the weight of my eyelids begin to feel like a caving-in roof weighing at least a ton or two,

And with just one of a few wondrous thoughts still wandering on through,
I wonder
"Could this be sleep that is nearing in soon?”,

With this feeling of a wonderful tranquil sensation subduing and leaving my whole body consumed,
(As I'm weary and with clearly not a thought left in this room)
I take one last deep breath
(With my lungs swelling like a balloon)

And within a dream is where I have just entered into–:
UNTIL ABRUPTLY I HEAR A SNOOZING OF A TUNE!

Yes!–As I'm awakened and with the insanity within in me being let loose to roam throughout this room,
My mind, then, begins to shift back and forth (like something caught drifting between a typhoon and a monsoon)

Where realizing as I view that I've opened my eyes too soon–
With it being this beauty here of mine that is the one who is creating this horrendous little tune,

And feeling, as I hear–
With every single breath that she breathes rattling the room–the walls–and even the shingles upon the roof,
I feel my mind, here, completely coming all the way unglued–
For all I want to do is make everything within this room mute!

Yes, that's all I want to do!–

For I’m sure I wouldn't even be in such a foul mood if I wasn’t sleep deprived,
And if this beauty here of mine and her snoring roar weren’t the main culprits of keeping me, my mind, and this night alive,

Though, hearing with her roaring of a snore that is beginning to drive me crazy inside–
Yes, as she snores, there!–just an inch or two away from my side–
I hear with her snore only growing more and more–

As I, then, within this second, try to ignore a chord of chimes striking once, and then striking twice,
(With this clock striking three times to remind me once again of the time)

–With this night now being at least 3:03, 3:04, and could possibly even be 3:05,
I know this night is at the most three or four hours away from seeing the sun shine bright through my window blinds,

Oh, and surely I already know I probably would just close my eyes–
Yes, that's probably what I would do!
But this little beauty here of mine is worse than any set of chimes,

And surely indecisive,
(As I move the pillow over my ears while I'm consumed by an irritating form of fright)
I move my body a little to the left and then a few inches to the right,
Where I hear her demon's rumbling from inside,
And screaming as if they're trying to come out and fight–

(Which is where I begin thinking)
“Is waking her up really that much of a crime?”

For if she knew she was snoring at such a high decibel level,
Then I'm sure she wouldn't even mind,

And thus with my decisions that couldn't agree more with my mind,
I decide to slightly lift her head and wiggle her,
(As I nearly tickle her left side)

Whispering to her as I say,
"Baby, wake up, I just had the worst dream of my life!
Oh, baby, wake up, I just need to see those sweet little angel eyes!",

Though motionless–
There, as I try to keep my insane and crazy side inside,
My whisper begins to intensify to a scream
(As she refuses to open her eyes or give me a reply)

I continued to scream–SCREAMED!

"Oh, why, oh, why won't you open your eyes!",

And with her snore being the only reply that she could give me,
It literally drove me crazy inside–
Thus driving me as it drove me to climb on top of her body,
(Where I grab her nose and squeeze)

As it's within the silence and in this exact instant,
Instantly and unbelievably, I see I've hit a stride that I couldn't believe,

Yes, mesmerized!
And content beyond belief–
With her snoring, here, that has finally ceased–

–Casually, I proceed to climb off of her body
(Wherein realization I finally can go back to sleep)

And in the silence, again, as I hear not a peep,
I roll over, close my eyes, and before I could even count one jumping sheep,
I hear a roar once more coming from this treacherous little beast,

And surely with not a second more could I go without sleep,
(As this pillow, right here, has just become my best friend, and the most plausible way to get any sleep)
I decide to move this pillow over her face–with my exertion at first lacking any tenacity,

But what I'd end up hearing would be like a growl or a roar of a wicked beast,

With this sinister snore of hers only increasing more and more with every tic of my heart's beat,
I begin to feel my thoughts shift toward the sentiment of either insane or crazy,

(As my hands push with more and more of an intensity)
I begin sweating–feeling the smothering warmth of her body's heat,

Though, simultaneously as I hear her heart throb and knock an unstoppable and irregular beat,
I begin putting even more weight upon this pillowcase
(With a galore of my sweat dripping upon these sheets)

And surely I have to know,
(For it should be as obvious as could be)
That if I put any more weight upon this pillowcase,
I'd likely break through the toughest of the most unbreakable concretes,

And thus coming to the realization–
With this crazy side of me that has taken over and been unleashed surely not being me,

It's here, against the greatest of restraints
(As I'm barely able to climb off of her body)
I climb off and begin waiting within the silence–

Waiting and hearing not a peep,
Where seemingly prompting myself to say,
Here, as I speak!
"Good night baby–sweet dreams",

Though, I'd hear not a reply–
As a reply was something our love never did need,

Yet, as I roll over to climb under these sheets and close my eyes
(Where simultaneously it all has seemed)
I have fallen fast asleep within a dream while holding my sleeping beauty tight–

Holding her as I squeeze–
Holding her!–
With her heart that holds not a beat–.

— The End —