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"contemporary" poems
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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Jun 23, 2018
Jun 23, 2018 at 7:57 AM UTC
‘NOPO@HEPO’.My Grandfather’s Garden: Innislandia, The imaginary world of my grandfather.
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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35
**** me like the ocean would the moon, Dear Amaranthine. Teach me as you would any abecedarian, slow with pace. My pallid arms are spread, and feet are crossed. Crucify me, like one of your French girls. Your endless frame arched over mine a vaulting testament to the heat of your front against my back. This scene should have been a chapel. Through hazed musk I can taste the saline as it tumbles from your dripping brunette tendrils forming brooks and lagoons the color of flesh in the glens and about the islands of my spine. I wish I could write about you in me while you dance a contemporary beat ceaseless, indeterminate, untold are your feats within and upon my person. For a split moment, seconds shattered in two, I am completely and totally permeated by you. I whine for you to vacillate me, I am ******* begging to be occupied, satiated, by a rhythm akin to the sway of trees. Love me fast and kiss me slow, Dear Amaranthine. My palms are red, and feet bloodied, too. I moan. Call me your poetaster but don't come on my chest; There's far too much weight there already, my dear.
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Mar 20, 2012
Mar 20, 2012 at 1:30 AM UTC
Dear Amaranthine,
^ Be Bliss Beseech Sensual healing Remote vibrations Contemporary beliefs Dissolve within a great force Of electro magnetic Sun's charge Fantasy ride over the ridge on the horizon's Flickering tales and there aware beauty satiates long lost Trust in human kindness which is unmasked is a true longing Immense need borne into a trembling moment revealing thy Love energy is dancing as one giant leap in the realms of Levitation on my shy sound wings as they soar magnificent Wondering why thy tiny serene particles open Everlasting desire to be as one luminous Mandelbrot's rainbow reflection on Edges of a pure cosmic droplet Effervescent dark magic is This darkest intelligent Deep pertinet gaze Absolutly free Yearnin' For I ° ***E A  R    T          H                Di                         vine                                  To                                            Bl                                                os                                                  s                                               om                                     A                        ***            N***
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May 10, 2015
May 10, 2015 at 6:50 AM UTC
Department Of Kind Intelligence
Classical Trumpism: Judas makes a strong and powerful betrayal. Neo-Classical-Trumpism: *Adolph is a good friend of mine. He makes a strong                            and powerful argument regarding purity.* Contemporary Trumpism: I love and trust my little buddy, Kim. Modern Trumpism: *Vlad, whom I trust with my marriage, makes a                                    reel strong and powerful argument.* Trumpism:  Sad, Sad, Sad. Witch hunt. There was no collusion. Neo-Trumpism: *Crooked Malia and Sasha are to blame for the                             collusion with Canada, Mexico and South America*.
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Jul 23, 2018
Jul 23, 2018 at 1:18 PM UTC
Through the Ages
the banners are blowing steady (fully extended in the hot august wind) contemporary in style tightly trimmed and all gloriously dressed in the latest colors and hues it’s a fleeting distraction though as the caskets and children and grieving widows are rolled steadily across the burning tarmac it’s the beginning of that inevitable two part proceeding a skotoma for the ages delusionary in nature rich in grays and eerily reminiscent of that foreign reign clipped in silence with dark roots of fear set deep in the bowels of a chapter of unimaginable sin indifference as pronounced as the accompanying salutes haphazard sentiments that are cloaked in the horror of endless aborted days forgotten buggies and bunkers and rat packs *how could the switch be set so wrong?* it’s truly an illusion (this way of the world) simple indulgence can grow so beastly and consuming try telling the tale to the tibetan monks or broad peak sherpas (those boys know how to get it done!) how to bask in the ice cold waters how to savor the lava hot falls *couldn’t the others have figured this one out?* the flags have settled at half mass and are tinted in a charred yellow brown the lifeless dreams and inspirations now in the rear view leif running solo (exempt of his trusted gunners) ready for the numbered lines his eyes open to the ever changing enemy at hand
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Aug 18, 2017
Aug 18, 2017 at 11:45 PM UTC
bring the boys back home
This specific autumnal celebration is characterised by throbbing obscenities, where a masquerade of piety resembles the trembling jester as he performs before medieval royalty. Oh, to witness the salmon run in Northern ecosystems where the caniform classification stands in a dominant stance at the edge of the falls. So, my independent and competitive contemporary, let us bow with sober reflection at those anthropological schools who swim upstream in this spiritual river in the vain pursuit of unattainable freedom. Today, on this second Monday of October, the name of the game has been brutally ***** by propagandist salesmen. So, at this juncture of existential consumerism, we stand within the jaws of our ever-smiling aristocracy. But, if you dare to open your eyes, my friend of unfathomable denial; you will find that the tradition is called Thanksgiving.
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Nov 6, 2013
Nov 6, 2013 at 9:46 PM UTC
The Gratitude of Consumerism
I wandered lonely in a crowd a ghost among the people whose arms were raised and heads were bowed in solemn salutation to the gods of contemporary communication. She didn't, did she was the cry. I'll never know. Why should I?
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Jul 10, 2015
Jul 10, 2015 at 6:00 AM UTC
Communication
New Zealand culture, a fragility, tainted by violence. Colonisation. Writers have examined, the loss of Maori land. Less common however, is writing concerned with the benefits, accruing to white people as a result of the acquisition of this land. Colonisation has provided, Economic and social advantages, to white people, in contemporary New Zealand. A hierarchy, white Western culture, sitting uncontested, at its pinnacle. The cultural capital that whiteness provides. Unearned advantages at our disposal. Live our lives with greater ease: Homeownership. Health. Education. The ‘Justice’ System. Institutional privilege. A political separation. The white New Zealand system, designed for whites. To get through school, have good health, get jobs, get a little justice. If the system was designed, for Maori people it would not be the way it is now. Overrepresentation of Maori, in every negative New Zealand social statistic. The persistence of white power. Society provides greater opportunities, to white people, by disadvantaging those who are not. Unacknowledged, debilitating, racism. Being oblivious, sustains a belief, in white superiority. While factors: socioeconomic status, gender, sexuality, disability, may impact the degree to which, individual white people, can access privilege. On some level, every white person, in New Zealand benefits from their skin.
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Jul 27, 2016
Jul 27, 2016 at 6:03 AM UTC
Benefits
the people vs. my every waking moment                          me, for every heart I've stolen                          the lost light given to homework                          an idea embedded that our souls are                          search machine engines                          are we waking, are you my dreams the people vs. contemporary art of all periods                          angrier and more painful hearts                          suicide as a solution                          recycling factitious pollution                          no one says a thing about ideas repurposed the people vs. intelligence                          truth                          passion                          anything other than money as a practice
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Aug 7, 2017
Aug 7, 2017 at 6:29 PM UTC
the people vs.
The youth Youth is weird, Somewhat interesting. An adult pop rock mix With child soda pop. Youth is Coca-Cola, Marlboro, whiskey and energy, The eternal monologue of life, ID number, property tax and Netflix. Youth is John Lennon, Che, Fidel and Hendrix, Contemporary history, ancient and medieval history. Youth is pants ripped jeans, Popsicle, lollipop, painted face, Chicle, coffee and french fries, Point G, miniskirt and condoms. Youth is the Dalai Lama, Techno, rave and rasta, Drugs, drops and guitar, Punk, samba and hopefully that-fall. Youth is the opposite of the opposite, It's a Friday at midnight, Mustard, ketchup and mayonnaise, X-salad, ham and cheese sandwich and X-men. Youth is D-Day, Vietnam, Hiroshima and Nagasaki, Testosterone, Woodstock and Waterloo, Afghanistan, TPM and MTV. Youth is a pressure cooker, Isis, Syria, sukiyaki, Anonymous, Al Qaeda, rice and beans, Genesis, Revelation and mint candy. Youth is weird, Somewhat interesting. An adult pop rock mix With child soda pop.
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May 10, 2016
May 10, 2016 at 7:25 AM UTC
THE YOUTH
The equilibrium of the ecosystem is challenged by the rites of the 11th Century Norsemen. Smell the pine in the forests of North America where the dream catcher swings in the branches of the misty Boreal forest. We must never forget in our futile plight for supremacy, that the roots of trees are deeply connected to the annals of history where contemporary grandiosity is a mere mirage of what we call sophistication. Toccata and Fugue in D Minor is where Johann Sebastian Bach communicated his message as clear as the cries of those who were slaughtered in the Highland Clearances. Parallel octaves of our Viking ancestry are firmly established and will never be altered despite the quests of the New World Order.
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Dec 31, 2013
Dec 31, 2013 at 3:58 PM UTC
Scandinavian Modernity
On its back, The cockroach, In a jacket of red wings, Slender legs, And bulging abdomen, Like the tummy of African statesman, Its legs wallowing in despair, In the air, Stamping the spread eagled, Hind and forelimbs, Of the poor anthropod, Kicking and waving, A cry for the succor, To be freed from ebola, Or breaking the *** tether, Or un-doing strong bonds of poverty, Three districts under leprosy, In the domain of the bull’s eye, Where lesbians and gays swallow raw fate, Its salient manifestation, Then the cockroach kicks silently, Anticipating for salvage, But when the domain owner comes, He steps with full weight, His foot dressed in military boots, From the previous legacy of Che Gue Vara, On the belly of the kakerlag at Berlin Wall, Bursting its stomach but hopscotch, Spilling the white stuff out, Of poverty and mental dilemma, Amid hopelessness in future and history, As terrorism mires tomorrow, When China reigns today, At mercy of contemporary panjandrums, Moving from white to black And from black to face book, Killing those who fall in commercial love, As if money is the ***** for nuptial night, But only to go forth ignobled, Without making momentous affinity, In the realm of ill fated cockroach back-dom, Sending Mafousian Egypt to Swedish table, Without scorn and regard for true African blood, Where will I apologize? If the ****** bug Enters my head and heart, To blind my logical eyes, Only to open wide The senses that see and feel Religion and race; O! Al Qaeda!
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Dec 4, 2014
Dec 4, 2014 at 6:17 AM UTC
THE COCKROACH ON ITS BACK
On its back, The cockroach, In a jacket of red wings, Slender legs, And bulging abdomen, Like the tummy of African statesman, Its legs wallowing in despair, In the air, Stamping the spread eagled, Hind and forelimbs, Of the poor anthropod, Kicking and waving, A cry for the succor, To be freed from ebola, Or breaking the *** tether, Or un-doing strong bonds of poverty, Three districts under leprosy, In the domain of the bull’s eye, Where lesbians and gays swallow raw fate, Its salient manifestation, Then the cockroach kicks silently, Anticipating for salvage, But when the domain owner comes, He steps with full weight, His foot dressed in military boots, From the previous legacy of Che Gue Vara, On the belly of the kakerlag at Berlin Wall, Bursting its stomach but hopscotch, Spilling the white stuff out, Of poverty and mental dilemma, Amid hopelessness in future and history, As terrorism mires tomorrow, When China reigns today, At mercy of contemporary panjandrums, Moving from white to black And from black to face book, Killing those who fall in commercial love, As if money is the ***** for nuptial night, But only to go forth ignobled, Without making momentous affinity, In the realm of ill fated cockroach back-dom, Sending Mafousian Egypt to Swedish table, Without scorn and regard for true African blood, Where will I apologize? If the ****** bug Enters my head and heart, To blind my logical eyes, Only to open wide The senses that see and feel Religion and race; O! Al Qaeda!
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50
nothing flights these skies tonite nothing burns above our heads or crackles in the air or glows in the houses about us as we pace the cool and empty the alleys and the meatless streets and the clean scaleless cobbles carry our patternless birch-bare feet a sail less nite but a kite to the imagination a bringer of new lighter beings osmosis through our faultless immigration Previously published [Show Thieves 2010 : An Anthology Of Contemporary Montreal Poetry - 8TH HOUSE PUBLISHING]
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Nov 6, 2015
Nov 6, 2015 at 10:05 PM UTC
A Response
Forthcome that which has no meaning beyond the petty dreamings of a fool. Trickled thoughts walk off mid-conversation with strangers into the vanishing managing to forget that I forgot them first way before they wandered off to inhabit the earth but that's just me being hipster, rather be in Pittsburgh because New York, too contemporary. Very hedonistic with a lack of trajectory or am I projecting to protect me from an existential vasectomy. Maybe I'm afraid I can't make it here Maybe I think I drink too much beer and Baby I should have been more clear I am scared I am scared I am scared of being a failure and I don't even know what the **** failure is or what one even looks like because every time I think I've met one they've taught me something about my life half the the high school teachers across this country couldn't. My home has taken their lives, my passion and my poisons have made it hard to get by and my parents have worked and will mostly likely die holding on to concept I now perceive as a lie That's why I so badly wanna believe in nothing but I keep falling head over heels cartoon like slips on banana peels Women; smart enough to know a poet is a bad deal but I still do it 3, 4 times a day I let someone inside and we'll make love with words and thoughts we'll tell each other what we dream of and talk about the kinds of things that can't be bought cause those are the things that matter at least to me. But I guess that's just me being hipster again.
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Nov 2, 2013
Nov 2, 2013 at 1:19 PM UTC
Hipster
Forthcome that which has no meaning beyond the petty dreamings of a fool. Trickled thoughts walk off mid-conversation with strangers into the vanishing managing to forget that I forgot them first way before they wandered off to inhabit the earth but that's just me being hipster, rather be in Pittsburgh because New York, too contemporary. Very hedonistic with a lack of trajectory or am I projecting to protect me from an existential vasectomy. Maybe I'm afraid I can't make it here Maybe I think I drink too much beer and Baby I should have been more clear I am scared I am scared I am scared of being a failure and I don't even know what the **** failure is or what one even looks like because every time I think I've met one they've taught me something about my life half the the high school teachers across this country couldn't. My home has taken their lives, my passion and my poisons have made it hard to get by and my parents have worked and will mostly likely die holding on to concept I now perceive as a lie That's why I so badly wanna believe in nothing but I keep falling head over heels cartoon like slips on banana peels Women; smart enough to know a poet is a bad deal but I still do it 3, 4 times a day I let someone inside and we'll make love with words and thoughts we'll tell each other what we dream of and talk about the kinds of things that can't be bought cause those are the things that matter at least to me. But I guess that's just me being hipster again.
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55
The professions of our leaders are paraded across longitudinal and latitudinal vistas. However, I have to ask: Whatever happened to the possession of that which is professed in our contemporary shell of delusion? A princess may depart from her Celtic docks in order to sail back to her Anglican roots; and the fabric of high society may display an appealing veneer which covers explicit nakedness in the name of mass psychology. So, my articulate propagate of conformity, I urge you to don the profound tuxedo at your avoidant desire. But please do not seek for me to enter into the denial of our core identity. For those who are willing to rock this boat of ludicrous salesmanship, I raise my glass to testicular rectitude which transcends gender stereotypes.
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Nov 17, 2013
Nov 17, 2013 at 9:55 PM UTC
Deluded Venerability
*This is a poem for Rachel Corrie. I am not religious, and a far cry from spiritual, but I refuse to imagine Rachel Corrie insentient and six feet under, slowly amalgamating with the soil encasing her. Before her death, Rachel Corrie said “I still really want to dance around to Pat Benatar and have boyfriends and make comics for my co-workers. But I also want this to stop.” In the words of contemporary Palestinian poet Suheir Hammad “God has a better imagination than all of us combined” in either God's words or my own, I will not imagine in/on the same ground in/on which I maybe soon will be and more words from Suheir “What do I tell young people about non-violence when they can see for themselves how even orange bright and megaphone loud and cameras and US citizenship will not stop your ****** what do I tell young people/anyone even myself about “non-violence” when every single thing I've seen presenting itself/perhaps even masquerading as “non-violence” has been in my face and /rude/harsh/unavoidable and most of all, violent? I do not believe in God and humanity is pushing it's luck, but I believe in Rachel Corrie. This is for Rachel;* I should study a she-wolf's prose she wanted to write about death but life would frequently weasel and wheedle it's way in there’s an overhanging image a smaller yet infinitely larger organism continuously broached by each word I only want to study a caterpillar’s motion backward/forward /onward across arms/legs of this deer/dear [her] surname/ [my] given name/ separated by [semi/totally] circular VOWels ***** blond hair dirtied by dust / rubble / rhyme /reason/ whatever/ in compliance with a rep/RESENT/ative democracy several shades lighter literally figuratively whiter than she need no permission pat benatar would/should croon to your moves every boy and girl friend i will/may/have/had should be yours entomo/insecto/[social] phobias I never would’ve said so I never would’ve/ could’ve told the caterpillar to go
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Nov 28, 2011
Nov 28, 2011 at 8:41 PM UTC
Waggish Recall
*This is a poem for Rachel Corrie. I am not religious, and a far cry from spiritual, but I refuse to imagine Rachel Corrie insentient and six feet under, slowly amalgamating with the soil encasing her. Before her death, Rachel Corrie said “I still really want to dance around to Pat Benatar and have boyfriends and make comics for my co-workers. But I also want this to stop.” In the words of contemporary Palestinian poet Suheir Hammad “God has a better imagination than all of us combined” in either God's words or my own, I will not imagine in/on the same ground in/on which I maybe soon will be and more words from Suheir “What do I tell young people about non-violence when they can see for themselves how even orange bright and megaphone loud and cameras and US citizenship will not stop your ****** what do I tell young people/anyone even myself about “non-violence” when every single thing I've seen presenting itself/perhaps even masquerading as “non-violence” has been in my face and /rude/harsh/unavoidable and most of all, violent? I do not believe in God and humanity is pushing it's luck, but I believe in Rachel Corrie. This is for Rachel;* I should study a she-wolf's prose she wanted to write about death but life would frequently weasel and wheedle it's way in there’s an overhanging image a smaller yet infinitely larger organism continuously broached by each word I only want to study a caterpillar’s motion backward/forward /onward across arms/legs of this deer/dear [her] surname/ [my] given name/ separated by [semi/totally] circular VOWels ***** blond hair dirtied by dust / rubble / rhyme /reason/ whatever/ in compliance with a rep/RESENT/ative democracy several shades lighter literally figuratively whiter than she need no permission pat benatar would/should croon to your moves every boy and girl friend i will/may/have/had should be yours entomo/insecto/[social] phobias I never would’ve said so I never would’ve/ could’ve told the caterpillar to go
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46
Countless series of melancholic oceans Hitting through waves of adversity Only to be repulsed by provocations Disjointed affections falls effortlessly With no such contemporary feelings Choked amongst the walls of solitary Praying silently for a better ending A hopeless romantic it seems evidently Voyaging away from the sufferings Patching holes of memories Rekindling fire from breathing Dreams torn away in fantasies Sober desires creates a lustful reality Shone away ignoring a truthful beginning Nothing can hold us against this treachery Forsaken our love has left me begging ©2014 Maman Screams
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Jan 18, 2014
Jan 18, 2014 at 12:21 PM UTC
Indefinite Feelings
In contemporary belief. A archer went to a shaman for relief. A answer to ease fear of thoughts. Finding his way home, the trail of war became too much. He struggled with the regret of building a life away from what he knew. When he came to the shaman. The shaman hung his head low. Smelling the stinch of blood. Still he could not turn his back to the archer. When posed with the young archers question. He sat puzzled. Summering the long winded statement to "a great change must be made. Else all will fade." Knowing of the young archers longing for a maiden. The archer looked puzzled. Yet the shaman spoke nothing else. The young archer was called upon. A war broke on the opposing side. They needed his skill in fear that survival was utmost. Without time to think the archer grabbed his bow. His arrows and darted quickly in the direction the war has taken place. He quickly coiled arrow to bow. In repeated motion until none were left. A field of arrows covered the small space. War does something to a man. A brief clarity after the slaughter of contemplation. The shamans words dawned upon him like a snake. He darted to the shamans place in great discoverly. Finding that the shaman as well as his possessions were completely gone without trace. He darted back to the field. Searching through a forrest of arrow. A heart wrenching feeling stuck on his face. Guiding his way through the arrows he found a familar hand. Connected to a familar torso. A face stuck in agonizing eternity. The shamans words made more sense. Backing away from the body. Thinking deeply. Damning his hands. The thing that came as habit. He broke his bow in the reflection of his maiden's eyes. This war gone astray inside of him
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Feb 13, 2017
Feb 13, 2017 at 12:00 AM UTC
War Of Arrows (Detailed)
In contemporary belief. A archer went to a shaman for relief. A answer to ease fear of thoughts. Finding his way home, the trail of war became too much. He struggled with the regret of building a life away from what he knew. When he came to the shaman. The shaman hung his head low. Smelling the stinch of blood. Still he could not turn his back to the archer. When posed with the young archers question. He sat puzzled. Summering the long winded statement to "a great change must be made. Else all will fade." Knowing of the young archers longing for a maiden. The archer looked puzzled. Yet the shaman spoke nothing else. The young archer was called upon. A war broke on the opposing side. They needed his skill in fear that survival was utmost. Without time to think the archer grabbed his bow. His arrows and darted quickly in the direction the war has taken place. He quickly coiled arrow to bow. In repeated motion until none were left. A field of arrows covered the small space. War does something to a man. A brief clarity after the slaughter of contemplation. The shamans words dawned upon him like a snake. He darted to the shamans place in great discoverly. Finding that the shaman as well as his possessions were completely gone without trace. He darted back to the field. Searching through a forrest of arrow. A heart wrenching feeling stuck on his face. Guiding his way through the arrows he found a familar hand. Connected to a familar torso. A face stuck in agonizing eternity. The shamans words made more sense. Backing away from the body. Thinking deeply. Damning his hands. The thing that came as habit. He broke his bow in the reflection of his maiden's eyes. This war gone astray inside of him
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36
I run a dotted line around this block, traces of me are everywhere though they are hidden under the footsteps of 100 feet stamping my poor identity in to the ground. C'mon, You know me. You've seen my face many a times I'm the one with the earbuds in smokin' the cigarette strolling through the park, And the one with the white collar sittin' at the bus stop waitin' to start another Tuesday. I'm the one with the fist in the air and a joint between my lips at the rock show. You know me. Maybe you haven't seen me because you just look right through me every time you walk past me. I am just another face in your daily grind, Not even a familiar smile or a friendly display Just eyes, a mouth and a nose placed in contemporary fashion to give enough background color for your masterpiece painting. How thoughtful, You're really using just one piece of me.
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Dec 11, 2012
Dec 11, 2012 at 1:20 AM UTC
Estranged
after some grey days comes the sun    summer heat spectacle on the Seine to commemorate "La Route de l'Armada" a fleet for tourists that never was yet nice to watch    nevertheless with fireworks    & stately masts sails folded orderly decks scrubbed the crews all smiles ready to answer    all the children's questions in between gray & inaccessible some men-of-war of more contemporary make among them    somewhat tarnished one single ship that really carried allied soldiers in its sightless hull on that gray morning and suddenly    if only for a moment you smell the sweat    of fearful courage hear ammunition    click into magazines the waves break dull with hollow sound amidst the crashes    of firework artillery that splits the waters upward from the ground
0
Mar 11, 2015
Mar 11, 2015 at 7:27 PM UTC
libération
Ambassadress of the darkness; Akashic Records bringing to light the real storm of contemporary living while consequently sprinkling magical desires into the ontological fire Conglomeration of whirling bits of electrical force; creating dynamic synergy both negative and positive in nature and sending extrasensory energy pulsating through this mortal container.
0
Dec 2, 2014
Dec 2, 2014 at 11:50 AM UTC
Yin/Yang
You have your eyes on someone else I am happy gazing at the shell It's a nagging zeitgeist, well I tried to keep a pretence Could you tell? I spinned in endless circles Blinded by the sparkles Thought there will be tell-tales Measured self on  bad scales Contemporary delusions hail Careful calculations also fail I am trying to move on From something That was only drawn In my thoughts, which pawned My heart, which still prolongs Tell me What should I do? Everyday I am filled with blues I could throw this forever If I knew a little, how to! Or if I had the slightest clue!
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Mar 5, 2022
Mar 5, 2022 at 11:34 AM UTC
Last Love
Premeditated Amnesia 1 For nothing here is old, save for deep layers Of moss and muck and mouldering remains Civilisations lit by visions and fire Now lost beneath a Wal-Mart Parking lot Incuriously the tentacles of Now Slither more deeply into the pale past And churn up yet another housing estate At the corner of Kingsford Lane and Heather Way Near the Motorcycle Church, for piston prayers: For nothing here is old, save for deep layers 1”The U.S. is probably the contemporary world’s purest example of a society which is perpetually trying to abolish history, to avoid thinking in historical terms, to associate dynamism with premeditated amnesia.” -Alexander Woodside quoted by Susan Sontag: https://bostonreview.net/susan-sontag-interview-geoffrey-movius?utm_source=Boston+Review+Email+Subscribers&utm_campaign=b581739691-EMAIL_CAMPAIGN_2018_08_17_04_17_COPY_01&utm_medium=email&utm_term=0_2cb428c5ad-b581739691-41080789
0
Nov 18, 2018
Nov 18, 2018 at 4:19 PM UTC
Premeditated Amnesia