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Tommy Johnson Mar 2014
We are all human beings
We all have our own lives
And different ways we live them
But each one of us is a writer
And this poem is for all of you

All of you who have virtues and use them in your writing
Those who use flashbacks and revisit mental photo albums

Beginning the story from the middle for that’s usually where you mind is at
Looking back then looking forward
Studying the past so you can be ready for what is to come

Recording catastrophes with a number two pencil

Tales and blurbs of tragedy
Caused by love or the lack there of

Rewards and punishment
Self-reliance and self-fulfillment

We are mere narrators
Humble, maybe unreliable
Equipped with numerous devices
Ironic Paradoxes
Red herrings
Fortuitous plot twists
Metaphors
Allegoric hyperboles
Analogies
Oxymorons and onomatopoeias

We sling Chekhov’s gun like bandits of literacy

We’re visionary revolutionaries
Revolution of the mind, body and soul

Changing ourselves and examining who and what we are
To become what we are destined to be
The best

Rejecting convention
Building our own paths
That lead to cliffhangers

Romantic lust
Comedic affairs
Dark massacres
Spiritual healing

Religious speculation
And the questioning of the way we, the people are being governed

We use the tools we are giving to sculpt new art that the world can stand in awe of

Personification
Symbolic imagery

Practicing pastiche with respect
Dionysian imitatio

Surreal reality
Defying mortality

Reiteration and retort

Using nature to express emotion and thought

Doubts and fear

Opposites
Morals and ethics

Satisfying curiosity

Parodying what we see
Embellishing just a little

We us word play to dive deep into the topic of conscious, subconscious and unconscious thought

Using satire to poke fun at the human condition,  its senses and perception of the universe to get readers thinking

Expressing our anger, our boundless joys
Desiring unknown pleasures

Seeing past the fallacies put before us

We write with great candor about war, personal conflicts, and self-abuse

With hinting undertones to give these ideas a second thought

We write of the supernatural, metaphysical mysteries
Outlandish, obscure mind boggling theories

As the clock ticks too fast for us and the characters we’ve created

Demolishing the fourth wall with a sledge hammer of defamiliarization

Epiphanies in a parking lot
Speaking in the 1st, 2nd or 3rd person

Using fun things like anagrams and palindromes
Candy for the lovers of such things

Spontaneity is an understatement
Nonsense is an insulting overstatement
Absurdity seems to fit just right

We are chameleons
We can write in various forms
Streams of gratifying consciousness
Brilliant prose
Beautiful poetry

And chose to use or merely acknowledge the ways to achieve these forms
Rhetoric, rhythm  and rhyme
Meter and mora
Conceit and consonance
Assonance
Intonation
Working with phonaesthetics  

And accenting aesthetics

A poem can or could not be organized as such
If we want to get technical about it

We have a poem
With a number of verses
And in those verses
Are lines
And those lines might rhyme
And have a meter or rhythm
Stressed or unstressed syllables

In contrast to that we may write
Without all of that and use emotion
Feeling and structure our work with what we feel is the best way
Line breaks
Pauses and puns
Silly similes
Ambiguous antonyms  
Intonation, linguistics
Fight against the fascists of grammar and conservative correctness

So, in the end we are writers of a rainbow kaleidoscope forms, devices, ways and ideas

But we alone are the ones who make the world think
Make it move
Revolt
Renew
Learn
Look back
Remember
Cry
Smile
Forget
Ease

Write my friends write until your mind explodes and your fingers bleed

Read, read and become inspired
Even if what you’re reading is bad cheese

Forget getting published it’s the writing that matters
Disregard the off-putting, critical chatter

And if you think no one reads
Than be the seed and sprout a tree of astounding artistry
And let’s begin a new movement composed of ideals that will hold true forever
I might be preaching to the choir but it must be said that poetry; literature isn’t dead
K Balachandran Nov 2011
water lilies
dance gaily
on ripples
breezes
incessantly
arouse.
When you say insomnia,
people think you’ve had too much caffeine.
That it’s something you’ve eaten that day.
That maybe you’re just a little stressed.
Those people do not have insomnia.
Insomnia rolls off the tongue.
It is a noun.
It is four vowels and five consonance.
It is staring at your ceiling at
four o’clock in the morning praying
to God that maybe you’ll sleep tonight.
Insomnia is knowing ahead of time
that you aren’t going to sleep tonight.
It is drinking four cups of coffee at 1:30
in the morning because your eyelids
are so heavy they feel like anvils
are holding them down.
It is seeing shapes and figures in the dark
that aren’t there.
Insomnia is dying a little inside
every time you see the sunrise.
It is watching the moon reach it’s pinnacle
and sink beneath the earth.
Insomnia is your mind working at the speed of light
and taking sixty years.

Insomnia is running a triathlon without training.
It is wondering how long your body
can take the stress before folding in on itself.
It is wondering what the hell is wrong with you
that you can’t function like a normal person.
Insomnia is taking pills that almost make
your waking nightmares look like children’s play
compared to your sleeping nightmares.
Insomnia is having waking nightmares.
It isn’t the inability to focus.
It isn’t easily fixed.
It isn’t something you deal with.
It isn’t caffeine or something you ate.
Insomnia isn’t just a noun.
It’s a disease.
Alice R-P Jun 2015
Have questions
and question
everything you see,
hear,
should believe.
It is a way
to find answers
to Your needs
and the consonance in Yourself
You ultimately seek.
Juliana Dec 2012
Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.
http://poemsaboutpoetry.blogspot.ca/
Logan Robertson Nov 2017
there's a lone seal swimming by the sea
hunting for silvers with heartless glee
a fish shy there, another one wiggling there
who really cares
for his table always set for one
darkness his day in the sun
still he takes to the rolling tides
lone, but ******* in his pride
one day his eyes pique a double look
as a mermaid pops out of his storybook
stunning as a little light filters in
as she swooshes by, waving her fins
she's a sparkled beauty from head to toe
her consonance and shine, lighting his mojo
growing hunger and his drive keep following her
on the ocean floor she shimmers
between the rocks she dances
one step she be in harmony to his glances
he drives a barked out calling
so raw and appalling
shivers crawling down her back
as he arf, arf's another attack
alarmed with his lack of renaissance
like she should be, she didn't offer a response
as she keeps shimmering past the rocks
racing, racing away from any further talk
broken, he retreats to his mind
the missing piece he'll never find
there's a lone mermaid swimming by the sea
and a lone seal barking of what could be

Logan Robertson

11/13/2017
This could be the story of my life. Some say my delivery is bad. My tone is worse. Ha. I'm just a seal that loves bobbing a ball on his nose.
Gigi Tiji Jul 2015
There’s just… all this noise… There’s all this noise and I feel like a tone floating around in some kinda modal stasis. And I just want to change the key but I can never seem to get the voice leading right.

There’s all these other intervals in here with me and we’re all packed in too tight. I’m just a chromatic scale descending into dissonance as I push past clusters of minor seconds.

I feel like I’ve gotta fight to find consonance, but I’m so **** quiet that nobody can harmonize with me. Nobody can even hear me over all this noise all this noise all this noise. This noise when so many sing without listening. This noise of a thousand unheard melodies.

This noise this noise this noise
This noise this noise this noise
Eleanor Sinclair Jul 2018
So it all fell apart again
My search history is full of numbers to overdose on
Maybe now it's the end
After all, I'm the irrational one
The world "revolves around me"
I think this time I'm done
The shattered pieces of my life slice deep
No one cares anymore how I feel
Every night recently I've cried myself to sleep
There is no point in trying to "prove them [everyone] wrong"
My heart has grown heavy and I see nothing to smile about
Regardless they'll still play my Funeral March song
And as they carry me away and into the ground
There will be music and my voice will ring in their minds
I will hear the cries screaming so loud
Mom, dad, brother, sister, boyfriend, mon ami, did I ever make you proud?
-
The beauty of Chopin and Beethoven in their minor keys is that the chords on the piano or the harmonics of the violin soothe my sorrowful soul with singing symphonic melodies that capture my sadness in a sometimes simple tune
-
To those who see this, will you tell them I never left a note?
I couldn't devote the time or bring myself to write to them a final goodbye
I want them to hang on to what ever words I last spoke to them
I want tears shed over my cheap gravestone that my parents didn't want to spend good money on
Especially for someone who was dead
Because they knew I couldn't complain if I never saw it
I want the "annoying" songs I used to play for them on the piano to fill their hearts with pain every time they hear them
I want the nostalgia and longing for me to linger in every lucid dream
I want my straight A report cards to receive a mere "good job" even if posthumously
-
There is pain in the most beautiful things in life
My eyes sparkle the most when I cry the hardest
The vibrant green becomes even more vivid with each swelling crystal drop
-
Tell them I was finally able to do something correctly
That I was finally able to succeed and go through with it
Tell them to wipe their tears with my lavender scented t-shirts
Tell them my love of pink and black was the weirdest thing about me
Although we know that wasn't quite the weirdest
Tell them whenever they see a butterfly or a flower or an animal crossing the street, that I would've shed a tear for its natural beauty
Tell them I tried my hardest to keep up with the rigor of life
Tell them that eventually every car runs out of gas
Tell them that the song, even if on repeat, will always end the same
Tell them to read my favourite books and try to understand why I loved the literature so much
Tell them not everyone is cut out for life and that sometimes people break and can't do it anymore
-
Towards the end my heart only struck dissonant chords
My fingers bled trying to pull the piano wire back into its proper position
I just wanted to be happy but the major chords and the consonance were out of reach
With my stick straight back I tried to fix the broken keys but nothing seemed to stay in place
-
I wonder what will happen now when I close my eyes and enter a deep sleep
Will I meet God or the Devil himself?
Or will it be just that... sleep
-
So many thoughts and so little time for me to complete them
The hourglass pours the sands of time too quickly now
The blurring ceiling sways in patterns, then up and down
I reach my hand to the sky as I lay on the ground
My tears cascade into the watery red pool around me
-
I don't want to bring this to an end
You who read this are my only friend
-
I said I'm tired and I should sleep
But you didn't know I meant I'd forever be done counting sheep
The moment I slip into an unconscious state
Saving me will already be too late
-
Play on repeat Chopin
Tell me how the song makes you feel now versus then
-
And only silence remained
As her tears still rained
And her last fleeting breath was drained
nish Aug 2018

             you see they sang two different tunes
             but together, the masterpiece formed
            her                                                        his
            treble                                                  bass
            rang                                                     low
           out                                               ­         soft
           into                                    ­                    and
           the                                               ­           full
           night                                            ­         with
           joins                                     ­                  love
          his in                                                   for her
    harmony                                               soothing
perfectly in                                          perfectly in
sync.                                                     sync.
The first two lines are an introduction and then there are individual poems down each note, together they form one bigger picture. I know the notes are wonky but I think it gives the poem an unconfined feeling, flowing like music.
Hope you enjoyed :)
Much easier than the other shape poetry I’ve posted before and a lot less stressful.
Once again feel free to comment or dm me links to shape poetry that you’ve tried out.
Hope you enjoyed :)
Chapter XXVII
Mashiach of Judah V part
Miracle VI - Gethsemane / Maasefa


Preface

In this chapter in particular I want to clarify the revelation of three fundamental phases of the outcome of this chapter of Judah.

a) The subsequent phase after the Stable in Bethelem (Kafersuseh) will lead to the neurochemical conformation of the energies subtracted from the visions in the stable, exclusively from the roof before the intervention of the Cherubs with their four wings, just like the Lepidoptera ( butterflies), incurring in an original messianic nexus provided with pheromone sensitivity and chemical activation in the pollinations of bumblebees, bees, and wasps, to regenerate the species of Olivo Barnea, to consolidate the language and perpetuate it as a dialect of Messiah.

b) From this phase itself, the phylogeny is subtracted as kinship between species or taxa in general from tree species and wild plants. Although the term also appears in historical linguistics to refer to the classification of human languages according to their common origin, the term is used mainly in its biological sense. The symbiosis of both interactions will intervene in the juxtaposition of "Joshua is born and dies in the instant" when he is born in the stable "but his analogy Gethsemane and Golgotha, the two" G ", will recreate the salvific miracle and anticipation of the Scourge that it will suffer, but that the Hexagonal Progeny (Men and animal species and insects) will intervene with the salvific action from the caverns to gather the dry bones of humanity. It also makes us the exception of Shibboleth, comparative of Gaaladitas and Efraitas, to standardize the language as a probity to recompose the intra-social scale (use of the language indicative of social or regional origin, identifying the members of a group, in a kind of password), which appeals to changes in the use of phonetics in terms of difference and to aspire to reorder social disagreements, caused by major conflicts, including the loss of concomitant civilizations and their patrimonial socio-cultural niche, therefore of the Aramaic as a thread of anticipated signal of a beginning of communicative intention and preservation of messianic language)

c) Physical, mental, geophysical and spiritual elemental energies will mutate the adherence of the Aramaic dialect with the pollen duct generated in the Barnea olive species, creating a relationship of chemical change in them deified in favor of a new "Vernarth Berne" , with the interaction of the isotope that will generate the inclusion of a proton that will mutate the chemistry of divination and connectivity with the (Heavenly Father - Abba in the Garden), in such a way that the methodological lines of anticipation will prosper on the night of the rapture by the Sayones before being taken to the Lithostroto to be scourged, to interpret the power of his gospel.

d) And for the consequent emeritus synchronization of the Maasefa dry bone conjunction caves, unleashing the awareness of the awakening of protection before, during and after the events that occurred at the culmination of his death. This will delve into the three chemical sediments interacting with each other, the Aramaic language enchanting the univocal and eternal root to always have it in Gethsemane, the revelation of the phylogeny as a determining entity for the consolidation of the geophysical-animal world and the transcendent soul that intervenes among the stars.  Of the everlasting creation on the crescent Moon eleven days before, and the Sun -Shemesh astonishingly at the degradation of the human species and all its feelings of loss of unconfessed existence.

e) Experiencing and surviving the indecisions and fears of recognition of exposing and externalizing the calls of the antro caverns that have allowed us to escape the threats, but from there towards the reverberation in the same tune of a Calvary, in the basins of a skull , taking refuge to serve and look from the optics of the shining with the gold of the ears of wheat in your dreams. Gethsemane and Golgotha are the set of the "G" that generates endo-trauma in the throat and a global skeletal bone set, that wanting to relive the call of the Messiah, from the Neck of Heaven rising roughly through your throat, forever and through the Centuries of the Centuries.

f) The poetics that led me to write this poetic essay in this chapter (it is the same depressing unconsciousness of having a body already abandoned and without Soul, but in my own without understanding anything), this tends to describe how history us teaches that there are phenomena that are difficult to capture for sure, but that from the extra mediumistic sensibilities, emerge from where our consciousness does not discover what makes the divine exponential canonically intuitive spiritual power, or the external machine of multiple serial spirit systems, that they besiege and show us their Firmament, and that few times we will actually be able to enter them from deep within from the activation date our hyper consciousness, and the level of travel that leads to the abandonment of our intro meditation.


They were all stationed on the northeast *****, Eurydice arrived with her essences full of birds surrounding her, and she could not hold them due to the invasion of these surprising birds. They were all sitting on the stones of the garden; they were all resting with their heads on the Svein Tzora stones.


Vernath says: "The stone of Gethsemane", on grains and crystals are soaked with the spheres of the stone of the Mashiach. She showed them the meekness before the hardness that could be distinguished compared to limestone or clayey, full of sedimentary grains that devastate the igneous ones from where some voices of her holocaust were left over, compared to marrying her corporeal materiality with the aramic syllable embedded in a undressed and silent bustle, of everything and little petulant organic element coexisting in his morpho figure. This graphs the consonance with the demonstrations of passion by his followers embedding themselves in a stone with multiple and sharp cuts, as if taking the grains out of a pomegranate with his law of 613 grains that are enough to stipulate them and to break the lithosphere of the messianic referendum of his sacrificed law on the lithostroto. No barrier will stop us from surpassing this lithosphere, which so coldly separates us from the rebirth of a body that takes root beyond the cracks of Gethsemane, as do olive trees growing on the same stones, pretending to be in a mansard. The will of a destiny under a stone, admits arrogant concerns to startle that “He was there, and his destiny condemned him”, but “My Father, if possible, let this cup pass from me; but that it is not as I want, but as You want ...”, equivalent to relating stones for all the cups, as long as the will is of the Abba”, thus the stones are relieved, and our pride weighs less than the subterranean immortality.

Saint John says: “That it is agony; it is nothing more than supporting in our dreams the heavy shadow of his burden. The stone does not fit through the interstices of dreams, but its image weighing on the symbolism of being part of it, more than all hailstorms, being the scene of a sin near the disciple family and their dejection that runs where a curtain runs towards the resurrection. The thick drops are thick grains of the pomegranate in the Via Dolorosa, being thick stones falling from the universe and rubbing against the Sun and the Moon, falling on Him as well. Today on this day that the tribulation of an eternal night is confessed that never clarified, it will start to rain interrupting for days running backwards, since several syllables were left without catechizing before climbing from where the wind of Elijah called him Mashiach. Venerable Mashiach, always close to you leaping from the red sea, like a pomegranate like the food of a Father among waves of his sea! We are once again celebrating Holy Week and we have thought it appropriate to write this work on the Gethsemane stone, a gifted scene of his arrest, caused by the petty betrayal of all the Judases in the world. Mashiach, lonely in his full youth of thirty-three years in verses of his Aramaic succumbing on the arms of his Abba, He takes him and wraps him with his arms to defend him from the darkness, shedding blood and tears on a cracked stone, beyond the heavens of greater grenades in his hands revealing will that exceeds the levels of being rescued more times. There is a bitter taste of fruit, of course, but it tastes like a red planting of the rock, dry red that is not emanated from anything, but that if it brings us the generous hand that ceases pain and affliction, it produces sweet sleep even with irons. Forged entering through the middle of your carpal hands and tarsal feet. With the pantomime of our morbid, we stretch our arms on your refined cross, but without the conscience of the ******* trial of not experiencing the iron in our questioned soul, without crucified skin that in the epidemic the beast gave the punishment to its skin between screams and uncouth crying that if it occurs towards him, rather under the bitterness of a hammered heartless cup and inert stone that runs westwards seeking the voices of its pious mother. The sip of the sunset was swallowed in the sadness of my life that begins to be reborn every time it was lost and lifeless without feeling it as mine. I sleep in vigil on the flames of the stand of the stones of fire, and I fall asleep because others will not wake me on the edge of the one that cuts my game in flames. What cowardly courage accumulating in a depersonalized spilled heart ... what hours will have to pass without feeling them, to date the entry into her body of burning iron towards the sacrifice and not that of the. "Let it remain here on this stone with a fruitful shape, because it will not burst with impatience, rather with tears from grains of pomegranates." What a stronger bitterness than seven days in a row turning to my usual sweet sin, to end them abandoned without savoring it. For the first time I understand, since I have returned from exile that its Aramaic smells like grains of fruit and the syllables of the hundreds that are… are whipped like mega words that smell like its ***** trunk in solitude and abandonment. Its trunk like mine, stone of tree skin, of vile whips lost in the frieze of its temple breaking its head bark, crying its groans in full reconverted hopes of a crown into a hidden thorn. They are stuck in a grain of purple pomegranate, defeating the ailment of those who dared to martyr him in the pain that runs through his frozen veins ..., which is not sifted even by the brave poor; as it is to say by voice of the wealthy spirit helping you. "Being prepared and not, because I will not be the one who falls more times than falls from a stone rendered as stone dust where I have to go and where I have to be reborn"


Maasefa
Stone dust

"You are made of stone and you will become stone", were the words of communion in Gethsemane, from the stone of the Mashiach prayer, signaling the expression of freedom and the cessation of the oligarchy of belonging to the world doctrine of dimensional physical slavery , and its penetrating solidity of the stones that the priests made in the catacombs in times of consecration of loved ones to a centile universe of the orthodox spirituality. Here are the carved stones, such as those of the Sanhedrin that were gathered in the building known as the Hall of Carved Stones (Lishkat Ha-Gazith), which for this purpose will be the conservation of the ossuaries of the high authorities and common citizens, having the Maasefa's prerogative, which must consist in gathering the bones of all the reduced ones after a year that are completely hermetic in the assigned catacombs. Through this proximity of low spaces and recondite, the vague wandering of prescribing to approach the salvific redemption grows, awaiting the projection of the expired ancestors in the source of eternal life respected for the Mashiach (Messiah), to shelter us in their illusion in beauty brotherhood before being resurrected.

The Hexagonal Primogeniture, would go for the wading of making the nucleus of the nearby stones of the oratory of the garden towards an honorable mention of elaborating concavities in the geology of the garden, so that from the leftover dust of the carved stonemason the alliance of the Aramaic verb of cloistering is manufactured and the devotion of the members in each stone cell, and the explosion of the Aramaic verb speaking infinitely of the Father-Son analogy. In such a way that the translucent particles will be spread by the rhizomes of the Olivos Barnea species; deriving to Bern for the posthumous tribute of Vernarth, considered a Champion of the conservation and cenacle of living and extinct organic bones, such as the aforementioned case of the Apostle, before gathering as elemental dust of the Maasefa of Joshua before the completion of the retreat of the Garden of Gethsemane .

Shofar, sistrum, harp, and cymbals resound through the wise night and its star sign, before scouring the nearby veins to complete the Maasefa. They all sleep together that night touching heels in matrix phases to start a day with the force of stonework from left to right for allegory of the Menorah that never strays from the magnetized night. They get up at twenty to four at the beginning of the ritual. An hour and a half before sunrise they were in the purple sunrise stratum, on the layers of divinity tinged with the conscious subtlety of the creator in our being levitating. Its consequences rise before their bodies ..., evolving towards the hegemonic process on the layer of the nascent mineralogy that was going to intervene, which was oratory of the synchronic Mashiach or Messiah. Under it, Vernarth would begin to pierce, looking for the dimensional spaces of the search for its physiognomic extension adaptable to that of everyone and the evolving memory that separated the entrance from the Sun and the Moon on glasses waiting to be filled and drunk at noon. Eleven days before the Ekadashi (full moon) began. Thus, in this way they would sculpt the catacomb fanned into twelve simultaneous rocks that were in a perfect limbic diametrical circle, the line of the garden with its physical movements in congruence with the moon and the consciousness that matches it, like that alert of that fateful night in which he was abducted. In perfection with the oscillating vibration that is expanding in front of the cold back of the stone, analogically when the Mashiach vibrated in physical magnitude and in the absence of alert, but emotionally yes, after dialoguing with his Abba. The tremulous line that it covered was widely displaced further since it was transported towards the Edicule isotope, as an element of flight, escape, detonation and resignation, being able to find in the configured nature of fuss of a great variety of different isotopes as mass.  Which to a great extent will exceed in the cumulative gasified reaction,  and in purifying events that will occur at fifteen hours on Good Friday, when the prophetic events and the mischievous changes of evidence of the cataclysm expire on the cross and in the hands. The eclipsed sun, storm with depressed losses and cataclysm for a world that will sleep more than 1,700 years to the right, creating the consciousness of being in more than two conscious places, with the minimum and childish aspect of the remaining second that is divided between the before and after the physical and physiological abandonment, beginning in a final episode and of conclusive torment that precedes a culminating beginning. All this transformation of enclave and of energetic dimension allowed them to synchronously drill the sediment rocks that were thus sustained in the timid energy, generating electromagnetism of the field of the higher will. Thus, in the tunnels, all were drilling; they would be of the same mass category as the isotopes to manifest the energy and its dynamic charge, as a mass of occlusive energy that would explode on the martyrdom day of Golgotha.

Faced with this phenomenon of energy, it underlies the symmetry of the magnetic field created synchronously with the words emitted in the Aramaic word, comparing them with the reminiscences that must be poured in the twelve caverns of the garden, such as conversions and exchanges of the exhalations of the bees , bumblebees and wasps, in the universe of curve that transits the explosiveness of lines that approach the ratio of the dislocation of vibrations and their sound frequencies. Together with pollination as a genetic element of the fresh macerated chlorophyll and as a kinetic in the elytra of the Lepidoptera  with the indications of connecting the clan with the aforementioned electromagnetic energies. The interaction of the fields within the system will be induced between Golgotha and Gethsemane, they will establish electrical charges that will produce the gases and liquids that will intervene in the entire lithosphere, which unites both portions of soils, this created the interaction of particles, establishing the undermining of the rocks with the shapes of the Calota de Calavera basins, due to the geological conformation of the radius that surrounds both predicted areas. From this pattern, the caverns in the garden will be improvised, magnetizing the areas of vibration that depend on each other.

It seeks to interrelate a magnetic and electrical phenomenon between both areas; The impulse is derived to anticipate the forebodings of the Mashiach, and from how he was going to endure such torments towards his illustrious body in such a way as to electromagnetically retransmit it between the transmission bridge of the Garden and the admission bridge to Golgotha. This will trigger all subsequent supernatural and geological phenomena during the day of his crucifixion and the delicacy that will be glimpsed by decree of an execution against humanity and orthodox fanaticism, causing a sensitive correspondence of the transmission of faith and the dogma of attending to the physical work and mystical legacy to safeguard for successive generations in the Berna Olivar species, nodding correlation with the majestic and axiomatic cultivation of preservation under the catacombs, as the unalterable progeny of the concelebrating of the eternal relationship of lineage coalition united with the feeling and consciousness of Christian Eternity. This gravitational potential energy will attach the multi-aramic effect to all attendees, to confer dialogue, assimilate and consent to a dynamic supra-lingual, organic and historical heritage channel, on the basis of a monumental act of consanguinity before all will, "Here are all the alphas, on the Omegas." Creating complex harmonic movements between the caverns of impiety,  but with a perfect and refactioning equation with the rescued Prayer in Aramaic towards the universe in quasi-presence periods, but not verifiable until the salvific prayer ritual is concluded.

The chain reaction of this divine particle will be the opposite charge of the reaction of the active work area of tension consolidation between both columns, Golgotha and Gethsemane, both are started with "G" and if you turn it in any direction around it you make a perfect skull of no more than twelve kilometers, whose distance in direct line would certainly be crossing the eternal vision through the ocular concavities, demonstrating that at the level of analogy and esoteric analysis, the extended reciprocity of the supra value of consciousness is latent divine, from where the emission of the word and the will "the shell or head skeleton" in the sense of reduced material and the antimatter particle that would become where the universes intersect in the elite of direct mercy (one has already occurred , but the other sphere of the difficult concavity still has to go ..., only a Messiah will have to cross it when it returns to us again). This Eclipse of the Messiah of the Sun, is a dark aspect of anemic light, torment and of three maries, vindicating in this superficial love token in the Orchard of antimatter rooted in the anti particle, which evades this great event by lavishing its blessed spiritual figure, charged with ambivalent theological antimatter; of egregious trust and bipartisan univocity but failing for the dark mercy on Golgotha and luminous in the garden of Gethsemane. "His body trembled and the Earth too"

Shibboleth

Incorporating the Shibboleth for distinction of members of a group, such as the tribe of Efraim, whose dialect lacked a sound (S), unlike others, such as the Gileadites, whose dialect did include it? Shibboleth is a spike and also celebrates the fertility of wheat crops and all concomitant species of the natural and endemic species of central Judah. And the Gileadites seized the fords of the Jordan River to Ephraim, and when one of the Ephraim who had fled said, Shall I pass? Those of Gilead asked him: Are you Ephraim? If he answered no, then they said to him: Well, say "shibboleth". And he said sibboleth, because he could not pronounce that luck. Then they seized him and slaughtered him.  And so forty-two thousand of the Ephraim died.

The relevance of this event is to begin the Maasefa ritual, for the reunion of the spiritual roots, bones and genealogical of the beings close to the Messiah, they will have to infuse in these franchises, to be derived to the area of the twelve caverns that are being elaborated for the closing and closing of the ring of the passionate and energetic journey of the Word of the Messiah, its renewal and interaction with the psychic spiritual world and its consciousness, in the coexistence of animal nature, indoctrinating civilizations of coexistence in a state of cyclical normality , but renovating when released by the contending magnetic forces that made the whole ring that surrounds Gethsemane and Golgotha a magnet tunnel of great mystical conversion for the purpose of adaptability and preservation of the renewed pollinations of bumblebees, bees and wasps in view of a commonwealth molding and spreading in all spheres of faith and apotheosis of the pre act of departure of the Messiah to the judgment and punishment of its truth. After defeating their scourge in a stunned journey, they will fall with the great similarity of the verb that "Betrays and Forgives", the Universe in its creation that renews everything, because that is how it has been written since the beginning of the Universe and by the one who dictated it ". Shibboleth, will congenial differences of understanding, without prejudices and differences of vertical geographical, anthropological, cultural and divine linguistic mentions. "Our informal culture is preserved within the village houses by resisting the scourge of victorious death, within the cave that protects us in its infinite goodness and compassion"
                                      

Maasefa and the Valley of Dry Bones

At the appointed time the Svein Tzora, "flint stones", collide to ignite the fire of the Messiah. The thunder was such that it made the seas pour over the rivers and thunder over the roofs of the houses and fire over the banks of each unfulfilled prayer! They all get up, each one leaving each cave of their Calvary; they go to the meeting of the Dry Bones. The tradition of gathering the bone component that has no soul, everything deviates towards the request of the flesh for its soul. Like the account of the Prophet Ezekiel five hundred years B.C. There are many outstanding remains of skeletons, this would be resumed in Gethsemane, for the descendants of the son of the Messiah caste, the Cherubim with the lepidoptera twenty meters from the Svein Tzora will donate the light and heat to start the ritual of the dim light of the moon. It is already a crescent moon, and the dim green lights are shining through the beautiful dim green branches, lighting up the dry earth of the beloved orchard on the face of the Calvary field. The advantageous meats that began to meat the bones, raised the desire to start ultra fast in the oropharyngeal area, to provide solemnity and fulfillment of prophecy of the sacred language of the Aramaic lingual set in tune with the vibrations of waves of sounds of the wind in romance With the blasts of fire towards their faces. In this way the spirit of Jehovah adhered to bring together the primary meeting words of the Bethhelem edicts with the visions of Joshua, so that the stable in their language would issue the immortal edict from the Kafarsuseh stable to Gethsemane. Now everything was holy energy in union of the lands that made fertile compost and the word was fulfilled.

The valley of the olive trees was reconverted, and they prayed for complacency, all tried in the love of clan and shadow in the accident of the event, the new consciousness will not deprive of anointing the past-present of realization of joy of bones with bones, of laughter with laughter, of father with grandparents, of children with their children, with hands bigger than the hand covered with great spirit, over a valley where only hands with candles should fit in each of them
Chapter XXVII
Mashiach of Judah V part
Miracle VI - Gethsemane / Maasefa
Pixievic Apr 2016
I can still feel your touch
Your kisses
You......

You play my body to
A perfect consonance
Harmoniously plucking chord sequences out along my shape
Sweet music singing through my conscious as you take me on this mystical journey
Exploring my form with practiced artistry
Softly strumming my senses into an allegro of exaltation
A hedonistic fusion of bass notes felt deep inside, pulsing, stroking, pushing me towards a sublime cadence
Quietly holding me in adagio while
A delicate symphony plays within my skin

(C) Pixievic
Slightly different this time ..... Fantasy & music....!! Enjoy!
awesomeamylee Mar 2014
I am a musician.
I do not write.
I compose.
I can tell you the tempo of my heart
And how it shifts from adagio to allegro
When I see your face.
How the crescendo of your smile
Creates a symphony in my mind.
How the lilts of your voice are melodies
I will never forget.

I am a musician.
I am not a poet.
I cannot compare thee to a summer's day
But what I can do is compare you to a piece of complete harmony
And consonance.
I can tell you the names of the chords you strike through my veins
When you look me in the eyes.
I cannot turn words into poetry or love
But I can sing you love songs until my voice runs dry.

I am a musician.
I cannot write.
I can strum you like a guitar and make you hum.
I can make you sing sweet melodies when I run my fingers down your spine.
I can tell you how cacophonous my life is without you.
I can tell you how the melody in a monophonic composition feels
When you're gone.
I can feel the syncopation when we are in a fight.

I am a musician.
I am not a poet.
I cannot put into words how I feel about you.
But I can sure as hell try
In this word sonata of thoughts.
to the boy who makes my heart swell and burst with song. inspired by the poem similar to this that starts with "I am a scientist"
harlon rivers Aug 2016
Daybreak brushes pink clad
hovering skies
beyond back lit mountains of Cascadia

Sunrise peaks through
the dawning nimbus
a variegated rosy
glowing consonance

The passing marine endowed sky,
framed by pinecone adorned
old growth timber stand,
near and far

Red sky some mornings,
awakens heart on sleeve
without warning


a lone mourning dove calls out --
unanswered
drowning out the drone
a lonely heart's throb

Harbingers of seasons change
cast nebulous shadows
over mountain
greenery meadows

imminent reminders
-- ready or not --
what’s come and gone
a moment passed


Though hearts may shine brightly
carefree summer's lazy days,
prevailing currents portend
the ever-present
winds of change

Someday heaven's healing rain
is going to fall softly
on this restless solitude;

cleansing a weary soul,
renewed once again,

mostly whole


© H.  Rivers ... today
all rights reserved
...it's nature's way of telling you
listen to her ubiquitous psalms...

note: Cascadia --  the Pacific Northwest of North America
http://www.cascadianow.org
kenny May 2013
Struck a chord in your beliefs
Emotions are vibrations
Humming along a string 

Triggering the receiving end
Shooting soul in the heartbeat
The Oracle in the chest

Nothing speaks harder than a sign
Napalms raining rhythmic impact
A burning bush ignites the fire inside

We reign our impact
Consonance vs. dissonance
Controlled by the clash

We're cosmic music
More than just atoms
But it's the little things
Where you'll find the harmony
What do you resonate with?
Somewhere at the watercourse-
Silvery brume.
Shining through, like pulsing light-
Golden iris are in bloom.

Tongues of brazen flame-
Snap their reflection against the lukewarm mirror-
This is where order looms.

Felicity-
Serenity-
Vestigial depression.
Second guesses-
Underwhelming quests in wrong directions.

Oh elixir. Oh watercourse-
Oh inanimate eloquence.
How you tempt me with your evocative consonance.

You remind me of a woman-
Her husband and her son-
To me you are a drifter-
You remind me of the sun-
You remind me of a king-
of a man with sore eyes-
Mourning late son.
In the mornings sun rise.

Watercourse watercourse-
Lazy eyed shadow.
Left handed perfectionist-
Seething pale shallow.

Watercourse watercourse-
Your body feeds the worms.
Your souls seams have torn.
Watercourse watercourse.
Kate Lion Jan 2013
A decade from now,
            My words will only be a carcass even birds won’t want
            To pick at anymore.

I won’t be able to keep track of where my similes skip off to,
And maybe I’ll discover later that they crossed the street like a chicken
That wouldn’t know to look both ways,
Causing a six car pileup,
But never making it to the other side of the road as I intended them to.

Maybe my metaphors will age quickly,
            And ten years down the road
            Their doggy jowls will quiver with one last yawning breath
            As they collapse beneath the nearest tree from hip failure
            Resting at last beneath a pleasant summer sun.

I don’t like to think about it,
But I’ve entertained the idea
That perhaps I will neglect my words,
            Letting all the quatrains pass me by.

Yes, that is how my structured sentences will meet their end:
            With no periods
            But a blank space
                        Where your name should be.

I’d like to think that someday
            I won’t have this horrible need to write anymore
I’ll describe my perfect days because I want to,
Not to fill this void I made
When I handed out my consonance like candy
            And scattered similes in the air like skittles
            During that drought we had a while ago
When everything was black and white
And I thought everybody wanted
A taste of the colors I’m made of.

I like to entertain the thought that someday

Someday
            People are going to reach back through the decades and excavate my words
            And try to find deep meanings beneath all my poetry.
            Scholars will slit the throats of my similes,
            Claiming there was some philosophical point pumping through the jugular,
            And I might laugh somberly [a little] if they do.

            They’re going to find the rotted carcasses in the most random of places:
            A passenger seat,
            The floor by a bathroom,
            A stairwell,
            Under a tree.

I know that some might try to find the cause of death.
In fact,
I know they will.

But I’d much rather people look for the only reason of birth,
The only meaning behind all my metaphors,
I want these people to catch the quatrains I let pass me by when it hurt too much.

When it hurt too much
To just write-

I love you.
Karen Alexander Mar 2010
Here we shared the slips and reels of earnest conversation,
An interweaving counterpoint of dialogue
Wherein I bled the truth of loving.
Heart’s secrets shed
And shared.
And by and by transposing the antiphonal chant
You guide towards consonance, harmony,
With gentle lilting phrasing
Encouraging sweet concord within the cantus firmus.

And yet you say you do not sing?
Surely our hearts beat out the song of love and life
And all our narratives are ballades sung in open form?
I have heard you sing your madrigals
With melodies of hope and peace and grace
And tried to catch the tune.

Here, have rich harmonies been played out
And love songs whispered on the air.

So, if God grants, a final cadenza let there be
In a lullaby that’s sung for me.
Just Grace Aug 2020
take sips sip sips
tumble down the flowers
bundled in white towels at
my rose hips
from raised graves
velvet hearse
sandstone paves
push away stones along way

soothe
change patterns
surprise
break the consonance
act-like defiance
it's harder than we thought
hurry
get back to the tower
don't choke on the pink powder
before I get there

complex lush
doesn't need any soldiers
off horse, of course
only I reside in these gardens
part my own lawns to my great gates
a dosed beast waits
and I must return
based off of a dream
Pearson Bolt Sep 2015
now don't get me wrong
i love wordsmiths
semiotic story-tellers
rhapsodists rhythmically reciting
love languages from memory
connecting disparate lines
between discordant thoughts like
gods breathing life into dust

for these steel swords we've
conjured up do not rust
nor do they cut flesh

with mouths like ink fountains
we espouse words at the whims
of pens that often seem possessed
of their own volition and
we are their mere harbingers

they slice to the quick
past bone and marrow to
the human spirit and
tap into sentience through
sophisticated sentence structure
measured meter catalyzing cadences
of consonance in confidence

so by all means
spit rhymes and chime in
on current events
i love the rally cries
that seek to stymy injustice
ridicule bigotry and
foment dissent

but don't preach at me
your words of salvation
fall on deaf ears
you cannot save me
because i'm already divine
one-of-a-kind
just like you

i don't fancy myself above
satirizing fictitious and megalomaniacal
depictions of godhood
i've found that humor
helps us navigate the
half-truths and veiled threats
that inundate our daily existence
regardless of whether
they originate from
preachers politicians pundits
or poets

****-shaming and victim-blaming
are pathetic attempts to cull dull minds
no thanks mine's full to the bursting
you think you're clever for slapping
together a couple of words brewed
for maximum effect but you haven't
got the faintest clue do you no

you're nothing but a bully with a pulpit
fearmongering and shouting damnation
mixing Church and State and business
in a trifecta of tyranny
an orgastic oligarchy
of eternal enmity

when we die we pass
into the black abyss of nothingness
each of us a blip on the spectrum of
life under constant duress
before we ultimately perish
a meaningless speck of dust on
an endless shore of who was
who is and who will come to be

this is not a nihilistic proclamation
nor an atheistic defamation of
human beings but a rational
refutation of misanthropy
masquerading as community

your love looks a lot like hatred

i seek to offer an alternative
to the endless cycles of
condemnation that sprout from
the pages of holy books
like gnarled trees bequeathed
unto us by the seeds
of false prophecies

let's face the music
we will all die alone
and there is nothing
and no one
waiting for us
no white light or
loved ones on
the other side
no arbiter of fate
waiting at the gate
to permit us entrance
to a heavenly place

if we could only muster the courage
to divorce ourselves from fatalistic
fantasies of the afterlife
that keep us bent-kneed
we might find within us the strength
to seize the day and
live life so brilliantly that

we'd create a heaven on earth
if merely we departed from the
hellish impulses that divide us
into despondent collections of
self-righteous hypocrites and
simply admit the only thing we
know for certain is that we
know nothing for certain at all

perhaps then we could salvage
a modicum of freedom from
the wreckage of shattered
egos and emaciated lies
that plague this planet
with circumstantial evidence
while relegating our liberty
and inhibiting conscience

in the spirit of free inquiry
then let us question
everyone and everything
starting with yours truly
I love spoken word and slam poetry, but sometimes the hyper-religious odes wear on me. This is an expression of that ire.
david mungoshi Dec 2015
she moaned an octave higher    
and he waded deeper into the valley
dragging the low notes out of his person
till dissonance became consonance; and
a soft symphony caressed their souls
in a quiver to oblivion
mike dm Apr 2016
you glazed bricks blue
at Ishtar Gate,
deep seas where
lion, bull and dragon dwell

you are featured on
the gold funeral mask of Tut,
adorning his brow line
in deep eternal hues.

your name is summoned
several times
in the Epic of Gilgamesh,
the oldest known piece of literature
known to exist.

your mere
consonance
of L's
and slant
assonances:

eleven tongues licking all my holes.
kenny Feb 2013
We haven't collided yet
I haven't stumbled on the right words to say
until after the fact
The ghost of the stairway
haunting in consonance
praying for coincidences

Standing on introductions
during the ritualistic deconstruction
of archetypal meeting grounds

That awkward walk dance thing
we're doing with divine intervention
At least that's how I wishful think sometimes
It's better than the paranoid nature of my reality
I swear the moon's trying to follow me down
where I stare to the void and submit my crown
and it's these little things that'll save your sanity
In the end, we're just atoms anyway.
Amanda Stoddard Nov 2015
We were always tripping on ways to make it out.
Long winding roads to backwards homes,
we never took too long.
I had a way with words
but not with speaking them too clearly-
I could only write them too be understood.
I was a little too passive aggressive and not enough passive voice-
Built upon analogies, not using enough antonyms.
Too much consonance and not enough consistency.
Always too dynamic for this static world.
We drove each other crazy.
Took words and turned them into roads always intersecting.
We never thought to stop and look at the scenery.
I never thought to ask where we were going.
You told me buckle up and I always asked you why-
The answer never left your lips.
You just gave a smile that mimicked the skyline and I let you take me there.
To the back alley of your mind and watched you race past the speed limit.
You told me to put on my seatbelt.
But you never wore yours-

You drove me to edge of insanity and left me there alone.
You drove away and watched as I tried to run after you.
But you kept driving-
and I'm still running after you.
Tracing my footprints on the pavement
Trying to match the tire tracks
I keep running back.
Even though I know you're long gone.
Insanity is a destination
I didn't want to reach
but somehow I arrived here anyway.
Somehow you drove me to it.
Frankie Gestone Aug 2011
Rain drops of you everywhere,
Appearing and disappearing
From sky to earth
I cannot grab you but I feel your existence
I see your form but only understand you as formless
A hurricane of thoughts trap me,
Puddles of you flood my heart
Every step is one closer to you,
And the more I see through you,
The better I understand my essence
Because when I look into the mirror,
I see a road with no beginning or end
A perfect circle
Every memory of you unites inside of me
A revelation of wisdom that we have no difference
We are the same exact being
Now you are pregnant with my future,
My past is just a haunting ghost,
Melodic words you compose,
With a heart that emotes passion
Two beats per bar
An infinite number of bars
You and me: One whole note
Dissonance is the sound when we are alone
Together we resolve to consonance
We are fire and water as one
Finally united peacefully
Dylan Mar 2013
Be brave! Be brave!
I hear the cry
call sharply through
the enveloping mist;

every evening the fog settles
down atop this sleepy town.

'Though temptation bleeds
from every fractured brick!

In this mist I feel
invisible; a sprite, a specter --
an evening wisp diffusing
down streets and alleys.

The darkened smudge of
another average man.
He walks by, equally ephemeral,
and dissolves again into the haze.

So it has been until now,
even without the fog.
They always pass by,
fading again into the haze.

Although the sea may take no pity
on a stranded boat, do not give up hope!

The fog is my sea, and frosted
grays my gradient to infinity.
Vacant echoes answer my calls:
"How are you?"

Okay. I'm always okay.

Then listless lapses into silence.
I wonder if passion died with God.

If it has, you're the one who killed it.

Formless voices fill the air,
murmurs with pangs of guilt.
Growing and growing,
the dissonance turns to consonance:

Silly child, it's all in your head.*

The streets are no longer familiar,
my own hands now seem foreign.
I hasten to catch up to another soul;
someone living to help me find the ground.

Only my footsteps sound in the night.
No one else is awake at this hour.
Insomnia, alone, takes these walks with me.
All the while commenting on my folly

and the white, beckoning infinity.
When life
becomes a vagrant
and death
an unsung train
there you will find me
oozing notes into night's horn
moon-beams drenched
with midnight's blues

rattle, ripple, shake
distorted city light
dancing barefoot
on crescent waves

I ponder,
        wander,
                    wait.

to reflect
upon reflections
- as the moon,
in her wistful way,
seeps sonatas
of wayward days

and in the distant dissonance
of constant consonance

She, too,
waits.
Utsav Shah Oct 2013
Involved in a constant fracas with his own self,
On went he to find peace on the road to nowhere
And there again he was deceived by mirages,
Mirages of the paradise world he wanted to be a part of.

And when the picture of the glacial reality surfaced out, he went back in time
For the fear of the glacial reality sent shivers down his spine
He came to a standstill with only barrenness around
And with a thud back he came to the ground

The heart and the mind were seldom in consonance
For the mind had to thwart the heart of its feelings
Feelings, so intense that would involve the payment of penance


The probabilities of the reality surfacing out were as dim as a dark desert night
For the words had been well concealed in the surreptitious corners of his soul.
The bone-chilling cold of the desert would succor his heart of the fight
Is he on his own or will he have someone to make him feel whole?

When the mind loses its mammoth battle with the heart
The reality,sweet as honey, would come to existence and lose its sole essence
A catastrophe would then descend
Only the Heavens know the repercussions it would have
Maybe there'd be a silver lining in his eternal dark clouds.
The They Sep 2012
Our kingdom come
Which now stands lost
To its self-imprisonment in vice,
Finds itself in consonance
With the end its ways have wrought.

Soon we’ll find
Our only chance
To guide the blind
To righteous sight
-A chance that greets us with open arms
Opened by their lack of direction:

We herald now
The bell that tolls
For the impermanence
Of coddling sin,
Which brings with it destructive fires
That wipe away the cultures of decay.

We’ll stand among
The righteous flames,
Prepared to help
With loving hands
Those who survive the cleansing blaze:
Possessing eyes that see in firelight.

Burn
Will towers imprisoning minds!
Razed to dust
Will be walls that divide!
We must show this world new light
From which no one will want to hide.
The collapse is coming.  Hyper-inflation is assured.  Stock up on gold and food and make friends with your neighbors.  The corrupt society led by today's elites will burn and the new society, as a phoenix, will rise from the ashes...
I will have etched my name
into the stars
With my fingernails
being pulled apart
Dissonance fades
as consonance grows
And I've come to realize
there's no such place as home

Yet

What cannot be found
must instead be made
From the very same dirt
where you make your grave
Though the grievance is heavy
the ship still runs its course
Though the carriage is ablaze
it's still pulled by his horse

Voice

A reason to move on
without my fellow man
Because everyone does
whatever they can
Lie, cheat, steal
to backstab is a must
I truly believe
that his reason is just

Because

An opinion to the sky
it's like a cloud to the fish
Try as he might
he'll never get his wish
It's drowned out by the wind
and murdered by the storms
Cremate the dream
and let the ashes lie warm
Chris Saitta May 2019
Love is a Phoenician breeze,  
Purest abjad of Tyrian purple and royal blue,
Pillow bearer of golden consonance between kings.

Love is a Phoenician trader over deepest-sounded seas,
Far-blown nomad that still wants for the thunder of golden drums
And the rain that comes in rounded vowels of water.

Because love has no tribe but is the purest nomad.
Note: “abjad” refers to the Phoenician alphabet that had only consonants and no vowels.  It is considered a pure abjad and was one of the first alphabets spread through the Mediterranean.
Poetic T Jan 2016
Seeing into oblivion:

She sits silent nervously looking at the clock,
As seconds move as if no time moves at all.
Pausing she breathes and her eyes flicker
Around the colorless  walls seeing strangers silent.

The window of her viewing lies empty awaiting
Its guest of only moments breath leaking away.
She looks at the contours of what will be *justice

In her eyes for what isolated her in these lonely thoughts.

She hears whispers of others speculation, trying
So hard not too hear the ideas of others. So not
To contaminate her thinking of what is about to
Happen, she sees a vision of him smiling then blinks.

A door stretches into the room as a figure greats
What will deplete his moments as they drip away.
He looks forward only seeing the looking glass, she
Watches him walk and a tear cascades downwards.

A short walk takes along time:

He had asked for so few things for his last meal,
Thoughts of what difference does it make when
He walks all will taste as silence. He recollects his
Awaking to what is about to happens and sighs.

"Come on  one  more drink,
"Ok then just*  one,

Those words haunt him now "One, how could
Such a small number bring so much to this
Conclusion of what he is. One man, one second
Then life changed, waking handcuffed to an ER bed.

Flashing imagery goes through like a scratched DVD
replaying that imagery over and over again. He shudders
At what had happened, moving then motionless screams
Then silence. Never seeing them, thinking it a lucid dream.

But here he sits chains adorn him, as his final walk is
Granted, the pastor prays with him. A tear falls where
Many have fallen numerous times before. He adds his
Legacy where others will sit and tears fall more.

Eyes stare but only  one  sees a reflection:

His legs tremble, but noting is seen, he composes
Himself in each step. One foot in front of another
So few are left. He sees himself, head shaven features
Withdrawn he pauses then lies shaking slightly more.

She sees him staring into his own observation of self,
He stares wondering of whom stares back then all
Is revealed as curtains are exhumed and those now
See each and their is a brief pause then silence.

A droplet steals  breath:

He sees her as he I restrained a tear of regret falls, she
Just stares and sees her husband now silent. She looks
Away and he just lingers in that moment, a final word
Is spoken a last request of consonance thought.

"I made one mistake, I cant take it back,
I am sorry for what one moment caused,
"I leave here with only regrets left in my place,

She sits silently as the life in that which lies before
Her ceases and she sits silently. She holds her hand
To her chest and grasps gently on to a ring. One that
Was taken from her, but now can finally in peace rest.
if any spelling mistakes or errors please message me as I worked quite ******* this.
Kyle Kulseth Jul 2015
My tired heart revives
when Fall arrives
and Summer dies.
Yeah, it comes back to life
at least part-way, sometimes.
               So paint me
               red and gold
       and washed-out green
                  in sunset.

The year seeks sleep
                              I'm piling leaves.
A breeze on evening,
                              Autumn flesh.
October's weary, ragged breaths
time out these restless, rustling footsteps.

               I can smell the solemn things
               the dying year would say to me
               if it could force its sibilant wind
                                into shape--
--if it could speak in consonance
to my own alliterative silence
and I could keep beats
               as stresses released:
"Where were we          when water froze
for the first time          in the fast waning warm?"

I seek out the sanguine;
                              I've been too combustible.
                              But I'm finally comfortable
with speaking dead language
with tongue all languid.
                               Let languish
cloying heat and raise bumps
               on the skin of my arm
                       like you did
                   when I was four,
playing alone in the rain in the Langleys' yard.

Held up under heavy arms,
buoyed by cool Autumn breath,
I found a way to quiet alarms in my
                              chest
           when I was 27...

Nothing's ever real red gold
except for in the Fall.
So guild me slow and let me go
               if all you've got
               are Summer arms.
Not quite my usual style, even if it's pretty typical content.
mike dm Dec 2015
form doesn't hafta **** content
but it often does
with modes of operation done to death

all of us
are its vics

so i rise up and **** it back
w slant rhymes that tickle the oblique
consonance that creeps
and an assonance that grabs
Victor Thorn Aug 2014
I tonicize you.
Though you are sol and I am do,
I've modified my tonal path
to add weight to your presence:
I've written you this leading tone
in hope of upward resolution
and to avoid frustration.

Tonicize me,
for you are sol and lead to do.
Let us modulate through mutual friends;
let us flaunt our perfect consonance!
Let us cadence together
when the music finally ends.
For D.
we're in the woods. i'm laughing at the songs of the summer hurricanes and shoving drowned geraniums down my throat while you're teaching me to count in korean. as you point to infinity i notice you've got saturn's rings wrapped around your finger. i'm winding the key to your music box heart but the cosmic streams of supposed serenity sound a lot more like the naked nightmares resting on my pillow. i look into your eyes through your kaleidoscope glasses and realize: you're blind. the rainbows in your shattered spectacles begin to fade away as we enjoy 20 seconds of ambrosia and bacchanalia. the familiar dissonance of the chords in your voice only remind me that the symphonies of saturn left you broken.

how many melodies must i hum in consonance into your hippocampus to make you love me?
unfinished, i may come back to edit from time to time.

— The End —