Hello Poetry
Submit your work and get some sparkles! Create free account
"congealing" poems
This poem is dedicated to the fallen of the First World War, and also, to all those we have lost in the years since. - Somme Harvest - In the early morning Dawn of the fiery horizon, The sea of green caresses the land And gave it gentle kisses Of tender sadness. On this day many an unlived life would find Life in Death, but first must come Death in Life, Indeed, a bouquet of barbs grace the Dark, dank, ***** Halls of Morningstar, Servants go to and fro preparing the sordid feast Of unsung heroes. Babes in arms are they, who shall Ever sleep till the break of the final day. Fields of Flanders infertile, But for the harvest to ripen The fertilizer of life is Scattered, battered, tattered, Sown, Human manure, nutrient of vitality, It seeps into earthly soil. In the year of our Lord, One thousand, nine hundred and sixteen Did the farmers collect their greatest bounty, Not all farmers reaped massive yields, Farmers Kultur, Sickle and Hammer Fed their maniacal hunger with rotting corpses, While famers Lion, Bulldog and Bald Eagle Wept their hunger with mechanical eyes, Farmer Scythe, steward of Morningstar, Laughed dry, dead tears of hungry joy And sang the golden harvest song As his blade swam through the harvest thirstily, For indeed, the harvest was an endless Smoky sea of blood green And thousands were sailing. Twilight gleaming through the sky, The raging war god vomit’s dry thunderous wrath And wreaks barbaric, savage, ferocious, ****** carnage below, As sleeping Babes in arms fly through the red twilight. Vultures dressed in human feathers Gather and crowd around their congealing cold feast, With hatred sewn on their Lifeless, lidless Blind eyes, They shriek their throaty, ****** Thankless prayers to idle gods. A multitude of thousands upon thousands Of souls sour to the heights of Mount Olympus, Unshed tears, My child, I saw you in that dusky evening half-light, Flying, soaring and rising higher with your Brothers-in-arms. As I looked up at the darkening sky My heart wept warm tears of ebbing love, While my eyes forever dimmed the light, And my baby, My body became the Earth, The phoenix has nested.
0
Nov 11, 2011
Nov 11, 2011 at 6:04 AM UTC
Somme Harvest
This poem is dedicated to the fallen of the First World War, and also, to all those we have lost in the years since. - Somme Harvest - In the early morning Dawn of the fiery horizon, The sea of green caresses the land And gave it gentle kisses Of tender sadness. On this day many an unlived life would find Life in Death, but first must come Death in Life, Indeed, a bouquet of barbs grace the Dark, dank, ***** Halls of Morningstar, Servants go to and fro preparing the sordid feast Of unsung heroes. Babes in arms are they, who shall Ever sleep till the break of the final day. Fields of Flanders infertile, But for the harvest to ripen The fertilizer of life is Scattered, battered, tattered, Sown, Human manure, nutrient of vitality, It seeps into earthly soil. In the year of our Lord, One thousand, nine hundred and sixteen Did the farmers collect their greatest bounty, Not all farmers reaped massive yields, Farmers Kultur, Sickle and Hammer Fed their maniacal hunger with rotting corpses, While famers Lion, Bulldog and Bald Eagle Wept their hunger with mechanical eyes, Farmer Scythe, steward of Morningstar, Laughed dry, dead tears of hungry joy And sang the golden harvest song As his blade swam through the harvest thirstily, For indeed, the harvest was an endless Smoky sea of blood green And thousands were sailing. Twilight gleaming through the sky, The raging war god vomit’s dry thunderous wrath And wreaks barbaric, savage, ferocious, ****** carnage below, As sleeping Babes in arms fly through the red twilight. Vultures dressed in human feathers Gather and crowd around their congealing cold feast, With hatred sewn on their Lifeless, lidless Blind eyes, They shriek their throaty, ****** Thankless prayers to idle gods. A multitude of thousands upon thousands Of souls sour to the heights of Mount Olympus, Unshed tears, My child, I saw you in that dusky evening half-light, Flying, soaring and rising higher with your Brothers-in-arms. As I looked up at the darkening sky My heart wept warm tears of ebbing love, While my eyes forever dimmed the light, And my baby, My body became the Earth, The phoenix has nested.
Continue reading...
62
Freedom is premium priced, At the casino of the world nations throw the dice, The tables are rigged by the fat rats and mice, Girls in curvaceous miniskirts on poles entice, ***** laced drinks and cancer sticks merrily fleece, Fizzy burgers are served filled with crucified cheese, Layers of salt and blood and veins congealing with grease Are the fillings inside the consumed meat, Come to the sale of the century and let your life be diseased, Take whatever you want and still you will never be pleased, Remember, one day all will be held to account, so all evil immediately cease, Do not make the mistake to ********** the legend of glorious Hercules Or pollute and sell the message of almighty God so cheaply. ©Rangzeb Hussain
0
Apr 16, 2010
Apr 16, 2010 at 3:40 AM UTC
Sell Hercules
Draped in fresh-knitted pearls we traipsed into saccharine peach orchard The summer heat loped about our dew-kissed ****** ****** - appropriated from dawn spent on neatly shorn plantation grass Ambling into the knotted palatial arbor we sat each in our own tree crux behinds nestled upon ashen bark Juice dripping in our grip down our cast nets of flesh sprawled about the branches inset with gravity-defying liquescent orbs dusted in translucent mink painted with smears of citrine, coral, amber, and ichorous clinging to brass stem The rondures secede to mandible taut between palms pull and polished ivories - torn- Fluent in dulcet discourse We cloak ourselves in provocative juice tatting Until such time that our congealing garments were found mapping the bark's topography A saccharine map to the breath of soil Bloodstone ants found our map and had begun traversing - portent to seize our treasure We surrendered our jewelled cages and took flight to the sun-drunken lake to bathe and swim until heavy lids kissed moistly heavily supped on the draught sleep - beckoned transience
0
Jan 26, 2014
Jan 26, 2014 at 9:48 PM UTC
Peach Juice Lingerie
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
0
Oct 4, 2011
Oct 4, 2011 at 12:10 AM UTC
The Funeral Train
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
Continue reading...
64
Mercy, Almighty King; Though arteries be congealing, America's going a'mealing.
0
Jun 15, 2012
Jun 15, 2012 at 1:08 PM UTC
Bacon Sundae
Holocaust Poem: "On The Slaughter" by Chaim Nachman Bialik loose translation/interpretation by Michael R. Burch Merciful heavens, have pity on me! If there is a God approachable by men as yet I have not found him— Pray for me! For my heart is dead, prayers languish upon my tongue; my right hand has lost its strength and my hope has wilted, undone. How long? Oh, when will this nightmare end? How long? Hangman, traitor, here’s my neck— rise up now, rise and slaughter! Behead me like a dog—your arm controls the axe and the whole world is a scaffold to me although we—the chosen few— were once recipients of the Pacts. Executioner, my blood’s a paltry prize— strike my skull and the blood of innocents will rain drenching your pristine uniform again and again, staining your raiment forever. If there is Justice—quick, let her appear! But after I’ve been blotted out, should she reveal her face, let her false scales be overturned forever and the heavens reek with the stench of her disgrace. You too arrogant men, with your brutal injustice, suckled on blood, unweaned of violence: cursed be the warrior who cries "Vengeance!" on a maiden; such cruelty was never contemplated, even by Satan. Let innocents’ blood drench the abyss! Let innocents’ blood seep down into the congealing darkness, eat it away and undermine earth's rotting foundations. Al Hashechita ("On the Slaughter") was written by Chaim Nachman Bialik in response to the ****** Kishniev pogrom of 1903, which was instigated by agents of the Czar who wanted to divert social unrest and political anger from the Czar to the Jewish minority. The Hebrew word schechita (also transliterated shechita, shechitah, shekhitah, shehita) denotes the ritual kosher slaughtering of animals for food. The juxtapositioning of kosher slaughter with the slaughter of Jews makes the poem all the more powerful and ghastly. Such anti-Semitic incidents prompted a massive wave of Eastern European emigration that brought millions of Jews to the West. Unfortunately, there have been many similar slaughters in human history and the poem remains chillingly relevant to the more recent ones in Israel/Palestine, Rwanda, Bosnia and Kosovo. Keywords/Tags: Holocaust, poem, Bialik, translation, slaughter, massacre, God, prayer, executioner, hangman, blood, innocents, justice, false, scales, injustice
0
Mar 12, 2020
Mar 12, 2020 at 4:00 AM UTC
Chaim Nachman Bialik "On The Slaughter" translation
Holocaust Poem: "On The Slaughter" by Chaim Nachman Bialik loose translation/interpretation by Michael R. Burch Merciful heavens, have pity on me! If there is a God approachable by men as yet I have not found him— Pray for me! For my heart is dead, prayers languish upon my tongue; my right hand has lost its strength and my hope has wilted, undone. How long? Oh, when will this nightmare end? How long? Hangman, traitor, here’s my neck— rise up now, rise and slaughter! Behead me like a dog—your arm controls the axe and the whole world is a scaffold to me although we—the chosen few— were once recipients of the Pacts. Executioner, my blood’s a paltry prize— strike my skull and the blood of innocents will rain drenching your pristine uniform again and again, staining your raiment forever. If there is Justice—quick, let her appear! But after I’ve been blotted out, should she reveal her face, let her false scales be overturned forever and the heavens reek with the stench of her disgrace. You too arrogant men, with your brutal injustice, suckled on blood, unweaned of violence: cursed be the warrior who cries "Vengeance!" on a maiden; such cruelty was never contemplated, even by Satan. Let innocents’ blood drench the abyss! Let innocents’ blood seep down into the congealing darkness, eat it away and undermine earth's rotting foundations. Al Hashechita ("On the Slaughter") was written by Chaim Nachman Bialik in response to the ****** Kishniev pogrom of 1903, which was instigated by agents of the Czar who wanted to divert social unrest and political anger from the Czar to the Jewish minority. The Hebrew word schechita (also transliterated shechita, shechitah, shekhitah, shehita) denotes the ritual kosher slaughtering of animals for food. The juxtapositioning of kosher slaughter with the slaughter of Jews makes the poem all the more powerful and ghastly. Such anti-Semitic incidents prompted a massive wave of Eastern European emigration that brought millions of Jews to the West. Unfortunately, there have been many similar slaughters in human history and the poem remains chillingly relevant to the more recent ones in Israel/Palestine, Rwanda, Bosnia and Kosovo. Keywords/Tags: Holocaust, poem, Bialik, translation, slaughter, massacre, God, prayer, executioner, hangman, blood, innocents, justice, false, scales, injustice
Continue reading...
36
My only comfort as my tears fall with the water Is the fact that I'm scrubbing away his hands, His touch, His lips, His skin. Washcloth against skin, Red erupts from my pores, But I don't care because I need to get his scent off of me. Just a whiff, and I gag, My tears congealing in my throat. Why me? What did I do? His hands were so soft, But so strong, and I could not escape. Washcloth against skin, I don't even know where to begin, For he stripped me down to the very bone And lay my soul and body naked. His fault? Yes. My fault? They'll think so. Red flows down my legs because of Washcloth against skin. I drown myself in cherry blossom body wash, The off brand kind. My last thought before I stop the water is "But I'm not even pretty."
0
May 28, 2019
May 28, 2019 at 9:28 AM UTC
Shower
Untethered. Somehow, once I become untethered to the prison of this life, I can see to focus more intently on what is most important if I pay attention to this inside, what I am, instead of focusing on the tether or what it’s tied to. What would happen if every single last one of us, all the billions of souls, human ones, alive, all untethered at the same time? And what if we let our untethered hearts lead us to the destiny we didn’t see from all the chaffing from the too tight tethering? The vision I see is something like a healthy, humming, honey-bee hive on our larger human scale. Isn’t every working part so individually, blissfully alive? I suppose, if the goo is honey, it's so much better than if it’s **** or congealing blood. That is, if we have to have goo, which here on earth, yeah, I’m certain it’s a universal law, we really do need goo. I questioned the Devi and she only giggled. I had to admit, she’s right. Then, I accepted a goblet of her sweet honey wine; and it didn’t hurt all that much at all growing the rest of my little wings. Buzz, buzz, buzzing about our wonderful beehive, blissfully drunk on Mother’s Divine Honey Wine.
0
Feb 4, 2022
Feb 4, 2022 at 8:24 PM UTC
getting sticky and untethered
how long to live through the next thought to have a brief encounter with time an impossible time of intolerable anguish where embarking upon a sentence is a violent wrench from perceived notions of reality, one that causes nerves to flay upon my body with weal's of words where vatic poetry is wrought in trembling rages spilling, dripping upon the traumatised parchment that is my pages in de-congealing interrelated drops of image that crack the pavements in a visual vibrancy of taut creative tension where these words keep their own company and speak in interrogative tongues causing a fragmentation of earthquake fissures to radiate across my mind in a cataclysm of universal poison that quiets and dissolves stability and asks, no demands of me, what can you see?
0
Nov 12, 2013
Nov 12, 2013 at 8:05 PM UTC
Acute Inner Disturbance
TRAPPED IN A TEASPOON the -ing -ing of the bell trapping him in the continuous present an eternal gerund as if the moment could not be escaped from even the sky clouding the trees( so to speak ) tree-ing and he he he he-ing a prisoner of grammar his face looking aback at him from a highly ornate teaspoon and he himself that distrotion reality refusing to boldly go splitting the infinitive the -ing -ing of the bell a present that refused to pass and become the what had been the now fearful of putting a toe into a future it did not know the very future that awaited him but could never happen the moment congealing about him trapped forever in this forever the spilled wine staining both his shirt and time the -ing -ing of the bell the -ing -ing of the bell the -ing -ing -ing of the bell
0
Aug 29, 2017
Aug 29, 2017 at 12:27 AM UTC
TRAPPED IN A TEASPOON
One of Edna's "randyhornbag" collection of erotica. i am a ******* ***** and that's not a metaphor it's the total ******* truth i'm a ********** forsooth it's what i do for work i'll **** or **** or **** off any man or beast i don't care in the least young boys old men fat freaks i get them all most weeks i'll have any kind of *** cash only and no cheques i suppose you think it's funny to **** fat men for money to have countless alien ***** often stinking like old socks shoved up my pretty ***** kept artificially juicy to make the fools imagine i'm oozing jissom for them it's not the best of jobs ******* total strangers' knobs pretending to like vile men when if i could i'd flay them i rarely **** for pleasure i no longer have the measure of love and tender feeling of kisses phlegm congealing my private sexlife's twisted i love being thrashed and ****** i crave darkest degradation masochistic ************ so if you think it's funny ******** men for money let me be quite blunt if you think so you're a ****
0
Jan 5, 2015
Jan 5, 2015 at 10:56 AM UTC
das Lied von der Hure (the whore's song)
caught in little fishing hooks pierced ears gone awry its scales scrubbed viciously from flesh hacked open gory madness soaking into the oak table not very hygienic not much of anything congealing, drying still wet enough that to touch it would be to spoil everything (makes such pretty colors in the wood)
0
Jul 2, 2015
Jul 2, 2015 at 8:10 PM UTC
where did all of my creativity go?
A flatulent king sits Slouching, scratching, Congealing to his throne of gold. His army of a billion men Are clad in ****** bibs And grins. Equipped with hate And hollow eyes They stand redily assembled.   The king is a miser. His face is a lie. His motives are equally clear. Royal subjects within the walls Respect only of weakness and fear. They are taxed and harassed. For knowledge they're knived. The wisest of Wiseman Are forced to take bribes. Their children are taken and Hidden away At the mechanized dawn That announces each day To learn to be Ruthless and cruel. To take advantage of fools. Greed and malice are tools to be used At their s and m brainwashing schools. So their eyes turn jade And their words turn black As they cut up their hands Stabbing themselves in the back. They're just being taught How to buy and be bought. To serve the king; A gear in his machine. The ones who concede, Buy into the greed But their weakening teeth snap! One by one As they go round the vicious circle. So they end up Defunct, Sunken eyed. They dangle their Dot spangled Hands at their sides. And although they loose, Somehow they win. They end up running The world we live in.
0
Jun 8, 2015
Jun 8, 2015 at 4:52 AM UTC
America the Bombastic
An autopsy would reveal that I swallowed too many stars, and every incision would look like hideously-done cursive. The busing inside and out would be treated like ink blots, and my congealing blood would scream about how cold the room is. My liver would float up like a dead fish covered in alcohol, and bad rants, and my eyes would roll sideways, and make the med students think that they were following them around the sterile-white of the room, or they’d direct them where to put the next piece of the leftovers as they dissect me like the post-suicidal frog that I am… Like a frog? They’d probably bathe me in formaldehyde… That’s found in cigarettes, ya know? I feel like cancer anyway, so I gave them a shot or two, or three. They’ll probably find those too in my lungs; pickled, puffy, and black with helium soot that made me fly when everyone around me refused to hold me up any longer.
0
Nov 19, 2014
Nov 19, 2014 at 1:02 PM UTC
If I Were Just a Body.
Red and blues flashing, the electrons in a game of TRON dashing. Forgive me not for i haven't sinned, it is your lack of congealing that keeps you trapped within. An omnipresent empire built of circuitry and solder. Please leave me be for I am not waste, refuse, master or martyr.
0
May 31, 2013
May 31, 2013 at 5:52 PM UTC
electron
a ghost split open my abdomen with a pocket knife, not the sharp kind, but the blade on the multi-tool, corkscrewdriver type and left me sitting there, open bodied so I can’t I can’t move, touched my insides until they grew cold and still, my blood’s congealing like ketchup on a park bench, my fingers growing stiff my mind pounding pounding pounding but my body is now filled with cotton, cotton seeds growing through my pores, out of my eye sockets, and they’re not even flowers, but I suppose it's good I’m growing at least
0
Aug 6, 2012
Aug 6, 2012 at 12:48 AM UTC
cotton
In fidelity sleeping a tremulous void that circumvents the face of lies. I’ll tarry here, where the room drips madness thick like congealing blood in the rain. And the walls separate twisting in deception for my mind unbound scathed in trembling coals My blood I am the madness Dripping.
0
Oct 27, 2012
Oct 27, 2012 at 5:04 PM UTC
Asylum
THE MIND MAKER UPPER The lift opened on the 13th floor. Which was....unusual as there was - no 13th floor. I stepped out onto nothing. Stood there like Wily Coyote in a Road Runner cartoon. "This is a bit Narnia-ish..!" I remember thinking to myself. But when I cease to be mystified and stopped demanding explanations I discovered to my horror 'Skegness-in-Winter' congealing all about me. "So..." smirked 'Skegness-in-Winter' "I see we meet again!" as if this was a surreal 'This is your Life' yet at the same time so real. I decided to go with the flow whatever the moment threw up. "Yeah, Time..." I said gnomically "...is a funny thing." We chit-chatted for an hour or so about how we both thought the other dead. How things were back then and despite our out of season existence there was always the kisses. Now that 'Skegness-in-Winter' had succeeded in seducing me it all came flooding back "Ahhh those Skegness kisses!" "They still..." I had to admit it warm the cockles of this Irish heart och mo chroi!" A little old lady appeared from nowhere with a large handbag poking me with her broken brolly. "Up or down...up or down!" she kept squawking. "Up or down....make up your mind!" But I was still lost in those out of season Skegness kisses.
0
Apr 29, 2019
Apr 29, 2019 at 7:00 PM UTC
THE MIND MAKER UPPER
Sometimes I imagine that you could use a flat blade knife and separate parts of my body. Like an anatomical model, an arm in half, a wrist entirely off. An outmoded coloured wax model. Perhaps, a very old one. A decorated one with human or horse hair, closed eyelids and uncomfortable lips, and like those ancient roman ones, thinning sheens of paint on top. The blade would slip through neatly, perhaps catching friction as it passes the block of soap texture, and leaves grimy residue on the knife. You can see the vessels. They are not clean. Like my soul there are very nearly translucent scrapes and patches of liquid. Some days the liquid spills out. Some days I just want to clean out. I want to purge, but I know I will just melt and the mistakes will be just as visible. You will see the marks that look like mouse's claws or pincers where I have pulled apart the skin trying to work out what went wrong. Doing some kind of surgery. Inside tying double sided sticky tape and chips of plastic, driving them in deep and forgetting about them. When you say those things I can't be big anymore. If I'm tired you make me cry. Salt crisps up my intestines. You make me imagine what it would be like to plunge a knife into my stomach. I bet it would be satisfying like the braking of chocolate. Cracking of value bars. But I have to remember that you are the organs thrown out at the end of the day, sloshing around in the bucket and I deserve to be preserved and anything that had been cried over or crafted is better than a remote controlled car. Stop telling me that it's not. It's not as if I'm trying to be a petal or a fragment of netting fallen off a ballerina's skirt. I've chosen to hover above the blades. I am nothing so frivolous. Feeling at home in a web of metal coated in paisley oven gloves. I am safe here. In fact I'm glad that thick haze separates us. You will never be able to find somewhere so tranquil. It makes me happy that there is no possibility that we can meet in the middle. It just makes it easier to keep the space, without the concern of some congealing platelets tethering to a surface which was never there.
0
Aug 8, 2013
Aug 8, 2013 at 8:56 AM UTC
Model Poem
Sometimes I imagine that you could use a flat blade knife and separate parts of my body. Like an anatomical model, an arm in half, a wrist entirely off. An outmoded coloured wax model. Perhaps, a very old one. A decorated one with human or horse hair, closed eyelids and uncomfortable lips, and like those ancient roman ones, thinning sheens of paint on top. The blade would slip through neatly, perhaps catching friction as it passes the block of soap texture, and leaves grimy residue on the knife. You can see the vessels. They are not clean. Like my soul there are very nearly translucent scrapes and patches of liquid. Some days the liquid spills out. Some days I just want to clean out. I want to purge, but I know I will just melt and the mistakes will be just as visible. You will see the marks that look like mouse's claws or pincers where I have pulled apart the skin trying to work out what went wrong. Doing some kind of surgery. Inside tying double sided sticky tape and chips of plastic, driving them in deep and forgetting about them. When you say those things I can't be big anymore. If I'm tired you make me cry. Salt crisps up my intestines. You make me imagine what it would be like to plunge a knife into my stomach. I bet it would be satisfying like the braking of chocolate. Cracking of value bars. But I have to remember that you are the organs thrown out at the end of the day, sloshing around in the bucket and I deserve to be preserved and anything that had been cried over or crafted is better than a remote controlled car. Stop telling me that it's not. It's not as if I'm trying to be a petal or a fragment of netting fallen off a ballerina's skirt. I've chosen to hover above the blades. I am nothing so frivolous. Feeling at home in a web of metal coated in paisley oven gloves. I am safe here. In fact I'm glad that thick haze separates us. You will never be able to find somewhere so tranquil. It makes me happy that there is no possibility that we can meet in the middle. It just makes it easier to keep the space, without the concern of some congealing platelets tethering to a surface which was never there.
Continue reading...
14
Time hasn't been good to you, has it? It took you in its rough hands and it threw you up against that wall. It was slow torture to you, all those questions of how and why, When no one would even tell you who or when or where. You didn't even know what life was then- That first sunburst, first roll of thunder, Didn't make sense, not any at all. Not to you. You try to forget but it's not like that this time. You try to talk about something, anything else- And yet your life just comes spilling out; a torrent, A cascade, a parade of all your worst daydreams- ****** in front of his face and clogging his ears and nose and mouth, Congealing in the winter sun. And suddenly you feel that weight fall off your chest, And stand, leave him there; dying, drowning, choking on your memories. If anyone needed the drug it was you- You needed the weightlessness, the carelessness it lent you. First the Vicodin and then the morphine, always on the hunt For something stronger, something that could really **** All that pain and time and **** piling up inside you. And you found it, Found your release, that sweet drifting sensation it gives you And no side effects! Or so they swear, all the ones who went before you, Walked down that road lined with needles And turned it into one paved with something stronger, That one drug you'll never get enough of: words
0
Nov 7, 2011
Nov 7, 2011 at 10:08 PM UTC
Narcotic
No more time for pain. Tear stains. Or sobs. Shrieks at the top of your lungs! Frustrated fidgeting, Or furious dialect. The true depths of sorrow, unreached yet, Shall remain unexplored. The heights of fury and rage, Shall be another days venture. (Or hopefully never). Visions of disliked visages, Traitorous touches torturing the thoughts, Lustily leaving lover and friend Twitching, Writhing, Boiling, Melting, Rotting, And congealing into a puddle of humanity at the knowledge of their philandering. Numbness sinks through the dermis, Hiding hints of heartbeats, Silencing skins sweet sensations. Breathing, But barely. No time for sensation, Emotion, Expression, Interest, Thought, Muttering, Mentioning, Murmuring, Meditating. Reform some semblance of humanity. No time for languishing, Luridly, Lethargically, Liquefying. Only enough time for a little poetry. And then, Hopefully, Life.
0
Apr 28, 2013
Apr 28, 2013 at 3:22 PM UTC
No More (time)
Freedom is premium priced, At the casino of the world nations throw the dice, The tables are rigged by the fat rats and mice, Girls in curvaceous miniskirts on poles entice, ***** laced drinks and cancer sticks merrily fleece, Fizzy burgers are served filled with crucified cheese, Layers of salt and blood and veins congealing with grease Are the fillings inside the consumed meat, Come to the sale of the century and let your life be diseased, Take whatever you want and still you will never be pleased, Remember, one day all will be held to account, so all evil immediately cease, Do not make the mistake of prostituting the glorious deeds of Hercules Or polluting and selling the message of almighty God so cheaply. ©Rangzeb Hussain
0
May 8, 2010
May 8, 2010 at 8:06 PM UTC
Sell Out!
A man at my local zoo Once showed me how snake venom Effected human blood. While dripping a drop of the acrid mess with one hand, He held a small container of life in the other And with a drop and a swirl of his wrist, The blood was coagulated And obviously unable to flow. In that moment I knew That love Was the venom And I Was the blood, Slowly congealing and Falling at my only purpose: Staying alive.
0
Mar 11, 2015
Mar 11, 2015 at 12:34 PM UTC
My Trip to the Zoo
Silence like treacle Dripping on my ear drums Drumming sweet beats that Match my slowing breath Thicker than blood and More rancid than bile Sitting on my forehead And telling me to sleep Someone say a word in this Congealing quiet night Make shapes with your mouth And speak directly to my soul
0
Nov 9, 2023
Nov 9, 2023 at 6:53 PM UTC
Thick silence
My sister is a signal fire burning until she finds someone to rescue her *tell me why the sky turns red whenever I touch it* I watch her burning out across the sand, crackling flames spitting at me, then crumpling into ashes *tell me why the sand turns to glass when I bury my feet* She disintegrates into pieces, blowing past me in the wind -- I could pick her up, replace the freckles on her face, but the only way she knows is pushing me away *tell me why my loved ones scorch when my hand comes near* My sister spreads hostility like wildfire, turning my own tongue into a lick of flame We trade insults like red-hot peppers, the bitterness congealing on our tongues *tell me why you loved me once only to turn me away*
0
Mar 14, 2012
Mar 14, 2012 at 5:41 PM UTC
girl on fire