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sanch kay Jan 2016
pinecones are
childhood summers spent tripping over the syllables of dense forests
folded somewhere between real world Europe and my very real imagination,
nestled against each other on bookshelves made of pinewood -
a childhood game of hide and go seek pressed in photo albums
where a version of me lived;
a version of me who delighted my mother and father,
a version who to me remains a stranger -
smiling gap toothed, shoes in snow boots,
sticky fingers pressing pine cones against her nose -

the present, a fragrance;
the future, a rolling pine forest.

pinecones are what the years between 17 and 19 felt like
in perennial wanderlust,
soul spliced into shards trying to make sense of
everything I felt and everything I thought;
everything I needed and everything I still want.
pine cones perfume the edges of a dream
dipped in the streams and stories of far-off lands,
pine cones are the crutches of a crippled mind
still building a new home for itself
in the basements of other people’s hearts.

pinecones are
platforms which I danced from,
leaping limber, slaying fear, the win always near;
pine cones are a reminder that while
a man can break his shoulder trying to tear one from the tree,
the true mark of bravery lies in how well you can break free.

pine cones are
the skeletons upon which hang the colourless drapes of my future
before stepping into galactic puddles that splash colour
all over every unmade plan,
memories’ strands shining technicolour through translucent skin -
the touch of your fingers no longer feel like sins.

pine cones are young green and supple,
seeds of love lust and chance encounters
that blaze into fiery shades of yellows and oranges,
every colour turning a tinge darker, a daily time marker;
pine cones are what remain, dark and unyielding
after a lifecycle of fires starting
and dying
within the embers of consciousness.
hello, memory.
John F McCullagh Dec 2011
You hear their siren song in the air,
before you ever see the truck.
If it is “The Rolling Cones”,
Then my friend, you are in luck.

Where "Mister Softee" use to be
an old bald man down on his luck,
“The Rolling Cones” have sweet young things
Make **** sundaes in a cup.

These ice cream ladies sell the wares
while wearing frilly bustiers.
Men of a certain age all troupe
to wave their dollars for two scoops.

Curves and ice cream swirls can be
****, yes, but not obscene,
It’s a profitable duopoly.
They use hot babes to sell ice cream.

To differentiate their trucks
From the ******* coffee vendor “Cups”
They needed a name all their own
That’s why they’re called “The Rolling Cones”
*** sells soft serve
CK Baker Oct 2017
dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds

wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place

shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake
CK Baker Jan 2017
cedar planks line the dim lit hall
morning snow begins to fall
sepia print in a chipped wood frame
embers spark from the franklin flame

rustling sounds from bunks below
records play in a tight alcove
bacon grills on an iron sheet
gloves are warmed by baseboard heat

bean bags tossed on colored ****
papka placed as a punching bag
red brick wall with mounted poles
windows filled with glacier bowls

whiskey jack on the southern rail
a frozen patch of wine and ale
pine cones fall in gathering white
brothers bathed in firelight

sleighs are on the table top
canyon road is at a stop
northern winds that bite the face
lines are up the gondola base

cornice clipped by gully goats
the rubber man appears to float
alpine depths are on the rise
peaking sun through parting skies

triple ropes and nordic luge
honored guests from baton rouge
gelande jumps on rainbow drive
nostalgia’s light and warm reply
CK Baker Feb 2017
it falls through the glow of the wintry trees
building a cover under the breeze
luminous lights sparkle and hatch
snow pack high on the briar patch

pine cones fall from rustic fir
squirrel and robin shuffle and stir
sitka spruce at tunnel bluffs
ravens roost on the cedar rough

dusted peaks at hurley pass
snowline cuts the avalanche
fox and lynx are on the prowl
hollow eyes from spotted owl

cool winds up the valley trail
whirling snow round diamond vale
chilling flakes in candle hands
moonlight shines across the land

northern lights in krypton green
the sounds of verve are bitter sweet
curtains hang from a cold dark sky
counting stars, a lullaby
r Aug 2016
I said I love you in the field of honor
and she was like a colt, her name
like the moon caught in my throat,
she was water I held in my hands
like the canoe I worked through the river,
and she was a flash at two-thirty
in the morning of the suicidal knife,
and she was a fire of pine cones,
a butterfly that lit on the float of my pole,
and she was like the night herself.
Allen Wilbert Oct 2013
*****

I like *****, I like ****,
before you touch, you must get permits.
Nothing like a nice pair of assets,
oh how puppies make nice pets.
Bazongas are ***** that are large,
strippers and hookers, will always charge.
Nothing like the perfect *****,
but only on the perfect woman.
******* are yummy dark or white,
but first you must wait for an invite.
Some girls even have a third ******,
do not squeeze says Mr. Whipple.
I don't mind girls on the itty, bitty, ***** committee,
on a carpenters dream, I show no pity.
They could be called a bust, some call them cans,
a woman's squeeze box, all men are fans.
Chesticles is a term I have never heard,
but everyday, I learn a new word.
I like cones, I like jugs,
girls with big ones, I give hugs.
Al Bundy loved calling them *******,
at the restaurant, I wish I was one of the recruiters.
A girl with a nice set of knockers,
might find herself with unwanted stalkers.
Fergie sang about her lovely lady lumps,
a good set of melons, still give me goose bumps.
***** always come in a pair,
why do bra's, they have to wear.
Even men who smoke lots of crack,
still can appreciate a good sized rack.
I don't care if there fake or real.
in a crowded room, I always cop a feel.
Girls love showing off some cleavage,
I wish I lived in a ***** village.
Babies need breast milk to make them stronger,
if the mom is hot, they may do it longer.
In conclusion, I love *****,
with whipped cream or melting ice cubes.
Carmen Marcella Apr 2015
Today
I smell sweet
like waffle cones and honey
Today
you sweep up
my delicate heart
put it in your khaki pocket
and here I am,
soft and blind for you.

It’s all I want to be

These days
surrounded by sweets
whispering sweet nothings
sneaking nibbles of sugary skin
These days of spring
They’re all I want,
have,
or ever will.

Like waffle cones and honey,
Today is the day that I’ve wanted for years.
The day I dreamed of while whisking.

When your hands find the parts of my body, emollient.
And my nerves are pounding like a stampede
that drum up the smell of my perfume- honey.

The dream. The man who waited.
The man I waited to love.
Surrounded by decadence
with our decadent love.
Kate Lion Jan 2015
i cry during Bambi
you cried in your car after your high school girlfriend tried to come on to you

you and i--
we wouldn't, but--
tonight
or tomorrow
or the next day
we could give ourselves away

we could shoot white deer together in the mountains without a license
the blood from their heads would make cherry snow cones in the powder
and we would have fun savoring the flavor
watching something innocent die

but how would we feel the moment it was over?
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Third Eye Candy Apr 2013
you're not the most rain. but you deluge.
you are pure [ too much. ] a perfect helpless need.
you are the precise moment i became alive.
the rye bread sun in the potato cake of overall desolation.
you're not that good with your hands.
it's us....

kicking pine cones on the moon
undressed.

in love.
RAJ NANDY Jun 2017
Dear Poet Friends, this poem was composed as a tribute and praise
to the Creator of heaven and earth way back in the year 2008, & was posted on ‘Poemhunter.com’. The Creator’s handiwork has inspired Poets, Artists, and Humans alike since the dawn of our
civilisation, and shall continue to do so for our future generations! Hope you like this poetic composition. I will be grateful if you comment only after having read the entire poem.  Thanks, - Raj

VISIONS OF THE VAST BLUE EMPYREAN
                * BY RAJ NANDY*

       '’The heavens declare the glory of the Lord,
        The sky proclaim His divine handiwork!’’
                                                   - Psalm of David.

(I)
The SKY is a multidimensional manifestation of God's
creation,
A translucent blue canopy above all and one.
The sky has inspired humans for centuries to aspire
and dream, -
To seek His blessings and guidance from above;
And shall continue to do so for centuries to come!
The sky beckons and lures with its mystical spell;
Making humans with leaping aspirations to try out
and reach, -
Those frontiers where the sky is the unlimited limit of
all our hopes, aspirations and dreams!
The sky, lush, luring, luminous, and sweet, -
Invites, entice, and fills us with a sense of wonder!
How God-like in appearance, and almost human in
its expressions!
The sky has remained as a silent witness to the birth
of our planet,
Since God created the firmament and the heavens,
before creating the Earth.
The sky, a silent spectator since eons past,
Shall continue to see the fading away of old stars;
And formation of baby galaxies in a cosmic drama of
His creation,
Lying beyond the comprehension of Mankind!
While we try to delve His secrets with our space probes,
Which we can neither fully comprehend nor unravel;
And shall only continue to wonder and marvel!

(II)
The blue sky continues to inspire and even melts,
While its blue translucence silently seep into the
Poet's heart,
As he sits to reflect and shape his thoughts,
And the vast expanse of the ethereal sky,
Stretching his mind with future dreams and
visions!
While the azure blue begins to flow through his
veins, and gets transmitted through his pen, -
To convey his exalted thoughts and deepest feelings,
in poetic lines and verse, -
Which becomes the Poet's sole mission.
And at night when the Poet meditates, he catches a
falling star,
And writes a poem on it and keeps it in his pocket, -
Saving it for a rainy day!
And during the silence of the night, when the hours
grow dark and deep,
And the sky gently droops and drips;
The poet wakes up to write, and writes to sleep!

(III)
The sky flows on to the canvas of the Painter,
As he tries to depict its varied complexions and moods,
With his limited colours, shades and hues,
Flashing and spilling his canvas with touches of tints
and tones,
To captivate the capricious, transient and fanciful moods,
which the sky adorns!
The deep blue empyrean is at times blissful and sublime,
Changing from a radiant, opulent, and iridescent, -
To threatening, cruel, and violent;
Both devastating and destructive as the sweeping
tornado or a hurricane!
Yet when God decides to paint the Aurora Borealis those
magical Northern Lights, -
Those glowing diaphanous curtains of waving, swirling
streamers of lights,
With its red, green, blue, violet, and luminescent spell-
binding shades;
How can any artist foolishly dare to compete or replicate
His celestial art?
For the Auroras are a reflection of His live real time
handiwork, -
Which shall never diminish or fade!

(IV)
The crystal blue arch of heaven, a glorious canopy
cover over our head,
Blesses us with the much needed shade;
From the tormenting and scorching rays of the
relentless Summer's sun.
With its varying layers of passing clouds, -
As the sun completes its diurnal rounds!
Those high cheerful cirrus and cirro-stratus clouds
of the Winter sky,
The meditating alto-cumulus and alto-stratus clouds
of medium heights;
And those upward swelling, ambitious clouds of
cumulonimbus, -
Carrying the thunder bolts and lightning of the great
Zeus do confound us!
And finally those low sheets of stratus clouds of the
rumbling monsoon sky;
Bringing incessant rain and lightning darts, -
Flashing like a whip lash across the sky and the earth!
With the speed of sound always lagging behind that
of light, -
Thus thunder bolts always follow those blinding flashing
darts of dazzling blue lights!
While the good Earth absorbs it all like some suffering
soul,
And forever regenerates itself to transcend its
tormenting plight!

(V)
The clouds floating like fluffy wool of cotton and
the downs of white goose feathers,
Adds dimensions, visual depth, definition and a sense
of perception;
For the human mind to behold and meditate, -
Those vast measureless depths of the infinite space!
The clouds with its varying forms and shapes,
At times like the ice cream cones with vanilla
tops and wisps of cream;
Keep floating across the cerulean blue, forming
and melting, -
From one nothingness into another,  below the
arched vault of the heavens!
And at times the clouds coalesce to dissipate as
gentle rain,
With rhythmic beats, or follow some wild musical note,
Lashing against the earth like a dancer in trance!
While it brings down the cool aqua, the very elixir of
life to earth.

(VI)
The sky is held captive by its own void of eternal
silence.
As nature's mirror, it reflects and also shows us a
glimpse of the infinite!
While the night sky by itself exhibits a wondrous
sight,
With the sentinel stars shining like a living hymn
written in light!
And the ebony treasure vault of heavens hold the
sparkling and glittering countless gems;
Of pearls of lily white, rubies with red sheen,
And galaxies shimmering like hyacinth of purple
light!
The sky envelopes the earth all around in an elusive
embrace of unconsummated love!
But each night, in hope and expectations the Sky
adorns itself, -
With diamond necklace and pearls of milky white,
Woven round its dark black flowing stresses;
Casting longing looks towards the beloved Earth,
To whom she is attracted from her very birth!

(VII)
The sky despite its wide range of colourful
spectrum and moods,
Forever retains its pristine colour of azure blue,
behind its gray and somber clouds.
Each morning the sky presents us with a clean
blue slate,
Where nothing ever remains written or etched!
Inspiring humans to make a new beginning,
Before time runs out and it becomes too late!
Yet the sky never forgets to reflect the arched
rainbow over its brow,
Once the thunder clouds and storms dissipate!
Keeping our hopes and aspirations forever alive;
And impelling us to strive in all our endeavours
and to excel!

(VIII)
The sky remains as a revelation of God's immaculate
handiwork.
The blue welkin, God's treasure trove, with its
capricious moods,
Sometimes furious, sometimes iridescent, but by nature
divinely sublime!
The sky a recurrence of happenings, with its speckled dance, -
Of colours, cadence, and of light and shade,
Giving us a taste, smell and feel of eternity, -
Which appears as real, though illusory and ephemeral!
Transcending all our scientific formulas, speculations
and intricate *******-up logic;
Since many mystical and unknown energy forms exist in
our sky and space,
Beyond the realms of Quantum Physics , String Theory,
the Higgs Field and Relativity!  * ( see Notes below)
And forces can even be made to emanate from the human
mind and soul and to transcend, -
To blend with those vibrations in the celestial spheres of
the Divine!

(IX)
The sky shall forever remain a source of exhilaration
and exhortation for mankind, -
And as an exaltation of God's divine and lofty thoughts!
The sky also remains as our ultimate frontier, -
Stretching the dimensions of human consciousness,
Till our consciousness learns to merge with the Divine;
To become one and to blend, under the blue vault of
our blissful Empyrean!
                                                       -  by RAJ NANDY, NEW DELHI

(*NOTES: The five different versions of the String Theories know as the 'The M- Theory' of Quantum Physics, which tries to explain the origin of all things through the vibrations of nano strings. The latest discovery of the Higgs Field, which is said to add mass to subatomic particles; are our humble and insufficient efforts to understand God’s mysterious creation of the universe and space!)
      (ALL COPY RIGHT ARE WITH THE AUTHOR ONLY)
Ellie Elliott Mar 2014
There is a tear in my existence,
the gap between two milk teeth
breaking away from wide-mouthed childlike innocence
and falling out,
lost to ice cream cones and garden fences
teen dream dancing and cool pretenses
ignorant bliss, aimless goals
and the taste of near-empty Jack Daniels bottles
seems wiped from me
like a milk moustache.

Adulthood, what are you but a mistress who is cruel to be kind
curling and winding around me until I choke in your perfectly proper pencil skirt?
What are you but a greater knowledge of the world and a lesser understanding of it?
What are you but a greater understanding of the self and a lesser affinity with it?

Adulthood, what are you but broken dreams and disappointment?
What are you but bigger dreams with arms that reach beyond death itself?
What do you bring except shrivelled skin and nostalgia for once upon a times?
What but wisdom and a sense of sanguine satisfaction?
What are you but blood and cells and bells and *** and terrific notions and consequences and deckchairs and chinaware and despair?

Adulthood, what are you but glazed-over wasted days and self-loathing?
What are you but three hundred responsibilities taken care of all at once, caffeine eyes and welling pride?
What are you but the inevitable crash and getting smashed and suddenly remembering why I should do things one at a time?

What are you but change upon change upon change upon mistakes made again for the millionth time?
And my changes, now lifeless
cause an identity crisis
about whether I'm really any different in the end
the likes of which will no doubt be seen again
when Monday rolls around,
what are you but Mondays, endless Mondays
driving me into the ground?

Oh Adulthood,
what are you but a downsize of naivity, a self-belief redundancy, a vitamin D deficiency and a proper place for everything apart from me?
What are you but desperate faces smashing into one another, drowning lungs, curtains pulled down, curtains put up, curtains being suddenly important? Curtains ******* me up?
What are you but woodsmoke and patios, warm faces, good graces and the ceaselessly mounting cost of Freddos, buildings and building things and falling in love...

And falling in love, falling asleep, falling awake, falling apart, falling together, falling
falling
falling
down.

What are you, Adulthood, but always always getting back up again no matter what, and alarms and reminders and no bed times
but being so tired you start to admire
that even the sun must sleep sometimes,
even if it always comes back up, shining even brighter
until the timing is right until the living is right until the mind is right only then can we stop trying
only then can we die
no wonder the afterlife is idealised
and even then, will I see the light?
Can I stop now?
Is it really alright?

What are you Adulthood, but a long list of questions?
Because I have so much to ask, you see, but mostly

What are you here for, except to show me how good I had it before?

Adulthood, I don't know.
ellie elliott
CK Baker Dec 2017
trip up the island to see all the folk
monopoly, pong => pig 'n a poke
crystalline glass with dark bitter ale
Santa is looking a little bit pale

cherry red cheeks from a chilled chardonnay
one sailing wait for the talk of the day
drum sticks and dressing are the pick of the bird
chestnuts and brandy for gravy being stirred

brussels and taters are pulled from the bake
pears in the salad bring memories of Jake
sparks from the fire with rich amber glow
grey hair and wrinkles will come...don't you know?

gingerbread man with a white icing smile
candy cane schnapps (with its seasonal style!)
pine cones and tinsel that cover the tree
carols are humming from churches and streets

cold winter nights are the best of the year
chocolate and eggnog await with good cheer
a heavy thick fog approaches the sound
the comforts of Christmas, with joy all around!
MERRY CHRISTMAS!
HAPPY HOLIDAYS!
Edward Coles Aug 2014
I use technology to take me to a time when it only half-existed. In a blue-shell room of mega-pixel photographs and rolling news feeds, I can put on my headphones and disappear into an instrumental Sunday.

There are stamp collectors making their lazy way over beaten roads and disused railways. 'Surrender' only means to fall asleep and to leave your book as a hut on your bedside table. Where war may still go on and on,

but at least you don't have to hear about it. Show me the place where pine-cones fall and women stare across the river. Where coffee is for taste, and not self-medication. I want to walk bare-foot and feel thorns

toughen my heels, infect my blood with Earth or God or Any Other Name. We will **** in the bushes, singing those fragments of Leonard Cohen lyrics that we can still remember from times spent smoking in my room.

I can almost feel that pointless happiness. That location in a canopy to retreat when the bills are due, when the walls needs re-painting. When the neighbour strangles puppies and all you do is complain about the time.

I use new music set to old sounds: freed slaves living in the cross-hairs of tradition. White lovers breaking their hearts over guitar strings and harmonies, always a semi-tone apart. I find your hair on my pillow.
There is no technology in the world to distract me from that.
c
Nigel Morgan Nov 2012
(with poems from the Chinese translated by Arthur Waley)

My bed is so empty that I keep on waking up.
As the cold increases, the night-wind begins to blow.
It rustles the curtains, making a noise like the sea:
Oh that those were waves which could carry me back to you!

Suddenly she was awake. She could feel a cool breeze on the cheek that wasn’t warm on her pillow. She could smell the damp fields, the waterlogged moorland and the aftermath of recent rain. The action of rain on wood or stone seemed to release particular vapours wholly the province of the night in a small town. There was also the not entirely welcome residue of the past evening’s cooking from the kitchen below. But such sensory thoughts were overwhelmed by the rush of conversation clips; these from a day of non-stop voices that had invaded and now occupied her consciousness. She had listened furiously all day, often fashioning questions as the listening proceeded, keeping it all going, being friendly and wise and sensible and knowing. She could hear her tone of voice, her very articulation in the playback of her memory. It was so difficult sometimes to find the right tone, that inflection suitable to different aspects of ‘talk’. She didn’t want to appear pompous or too serious. That would never do. The thing was to be light, but intelligently light so her colleagues would say to one another – ‘Helen is a treasure you know: brilliant person to have on the team. You can always rely on her. ’ She knew she was often anxious for approval, for a right recognition of her efforts, to be thought well of. ‘Doesn’t everybody?’ she thought wistfully.

There was a momentary flurry of what Helen often dreaded when she found herself awake at night – yesterday’s embarrassing moments. These invariably began with ‘Am I wearing the right clothes?’ It was Caroline’s jacket that came to mind first. That mix of informal but simply smart that can only be bought with serious time and a clear conscience with the credit card. Her favourite blue affair (mail order) with big pockets and the slight pattern on the hem suddenly seemed very ‘last year’. Anna had chosen all-over black, loose trousers with a draw string, no jewellery, but flashy sandals and make up. She’d painted her toenails green. Helen did make up – a little, but not to travel in. She knew she had the right shoes for a long day. Then, those first conversations with Paul, who she’d never talked to outside a meeting before. ‘Keep it light, Helen’, she’d say, ‘Don’t say too much – but then don’t say too little.’ She had found herself – her independent womanly self, speaking with an edgy tone she didn’t always feel happy about. As she spoke to Paul about the coming evening’s football – he’d brought it up for goodness sake – she found herself being funny about the inconsequence of it all, then remembering the passion with which people she knew and loved followed the intricacies of this sport. She saved an own goal with some comment about the game’s social significance she’d picked up off some radio interview.

As the long journey had proceeded she’d been able occasionally (thankfully sometimes) to fall into observation-only mode. There was this sorting of images into significant, memorable, able to forget about, of no consequence at all. She’d been caught by the strange geometry of yellow cones that seemed stitched onto the rain-glistening road surface. There had been a buzzard she’d glimpsed for a moment, a reflection of Sally in the window next to her seat, that mother and her new born in the Ladies at the services, the tunnels of dripping greenery as the coach left the motorway for the winding minor roads, then the view of a grey tor on distant moorland followed instantly by the thought of walking there with her sketchbook, her camera and his loving company, with his admiring smile as he watched her move ahead of him on the path; she knew that behind her he was collecting her every movement to playback in his loneliness when they were apart.

Oh how she wished for his dear presence in this large half-cold bed, as the dark of night was being groped by dawn’s grey. There and there, and now the pre-dawn calls of local birds before that first real chorus of the dawn-proper began. She thought of them both on their last visit to this ancient countryside, being newly intimate, being breath-takingly loving, warm together for a whole night, a whole day, a whole night, a whole day . . . the movies in her mind rolled out scenes of the gardens they’d visited, the opening they’d attended, all that being together, holding hands, sitting close together, sitting across from each other at restaurant tables (knees touching), always quietly talking, always catching each other’s glances with smiles, and his gentle kisses and slight touches of the hand on the arm. She began to feel warm, warm and loved.

As she was drifting back into a shallow sleep she remembered his voice recite (in the Rose Walk at Hestercombe) that poem from the Chinese he loved . .

Who says
That it’s by my desire,
This separation, this living so far from you?
My dress still smells of the lavender you gave:
My hand still holds the letter you sent.
Round my waist I wear a double sash:
I dream that it binds us both with a same-heart knot.
Did you not know that people hide their love,
Like a flower that seems to precious to be picked?
Two poems from the Chinese quoted here are taken from Arthur Waley's translation of One Hundred and Seventy Chinese Poems published in 1918.
thomezzz Sep 2018
she liked the color yellow because it calmed her
its brightness soothed her soul
and the sight of a yellow flower
always brought her joy
it illuminated her dark days
and stormy weather
it always seemed to try so hard
to be happy
A quality she could relate to

but one day, she met a boy who liked orange
a color she always said she hated
its hue too close to yellow
but too different to be enjoyed
she never wore the color orange
felt as if it drew attention to her
when she was content enough
to be invisible
in the corner of the room

her favorite color was yellow
and his was orange
but she never liked that color
with its harshness and severity
it reminded her
of traffic cones
and reflector vests
of emergencies
and warning signs

But one day, she realized
he reminded her of the color yellow
he soothed her soul
illuminated her dark days
and calmed her storms
he never seemed to try too hard
but always managed to make her smile

she realized yellow and orange
weren't that different after all
and when the two hues came together
her, perpetually the color yellow
him, forever orange
she felt like the only girl in the room

the colors yellow and orange
started to bleed together
and orange came to remind her
of fallen leaves
and clear sunsets
of butterflies
and sprinkled zest

and in time
as she grew to love him
the color orange started to become
just as beautiful as yellow
Andrew Rymill Jun 2014
It hard to know
Why i was expelled
From the fundamentals of poetry.

Each day
Like a loyal monk
i played my flute
With the basket
Over my head.
As the lemmings
Passed
In quadrangles of co-eds.
For everything i must remember
Something must be forgotten.

Often the days
Of learning
Have attempted to remove
Both the marrow and my intuition
From my bones.

Learning is to suppress
Creativity within
Like a poor mouse
Dreams of cheese.

In the first graduation
A woman matriculated
From Adam’s rib.

Into my textbook
i stuffed the snowflakes
i have cut craftiness
With my artless intellect.


Learning
Is ego
And i am
Priest of nothingness.

Some times
The best koans
Make ice-cream cones.
Becky Littmann Jun 2014
While the clock ticks to the hour, yesterday's remains washed
clean in the shower
To obtain her power
Applying her make-up for the night, making sure everything's
just right, holding tonight doesn't end in a fight
She'll do anything she can
To please a man, even if it's not part of the plan
The night is coming to its peek
It's the money that she will seek
Each night at the bar, hopping tonight she'll go far, we all
know what you are
We can see the attention you crave, by the way you behave
You're willing to be any mans nightly slave
& you only pretend to be brave
As the bar doors close, you return to your hoes, you think you're
slick & nobody knows about your ***** shows
I can't tell you what to do
But just remember when they are through, they'll just leave you,
you're their ***** fling, their one night thing
They'll never be your king nor give you a ring
So go home, feeling alone
Waiting by your phone
But let it be known
When you're pretending to be nice it's because
Your love cones with a price!!
Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.
Aarya Oct 2015
I just feel so limited
It's 11 pm and I want to go for a drive
But my parents just won't take me
I want to go for a drive at 11pm
In my france france france sweatshirt, hair loose and all
and I want to stick my head out of the window
And I want to feel the cold air pass me by and go through my bones
And I want my hair to fly in the **** wind
and I want to listen to mainstream music and some feel good music
And I want the sky to be pitch black, with stars
And I want to pass trees and solely trees and smell the leaves and the pine cones
and I want to see the city from down below, as the street lights light up the town in golden arrays
And pass a restaurant with some music
Maybe even some random people loitering in a corner of a smoke shop with purple lights and cigarette smoke crowding everywhere
And I want to just look at them
And think about them
And what they did to get there
And I want to see a couple holding their hands and walking down the street
Even though its 11 pm
And I hope they're just happy
And I want to hold my dads big warm hand while I do all of these things
Because I got shotgun
And I want my brother to sit quietly in the back, and my dad to hum some Indian song
While I do all of these things
And I want to go to an aquarium and stare at jellyfish
Lavender jellyfish
and bright electric blue jellyfish
And pink and orange jellyfish
And I want to smell the AIR
And I want more of me to grow than the part in my brain that controls calculus and SAT
I want to grow physically and mentally and spiritually
There's a whole world out there
A whole WORLD!
And I'm in my room
My mother is in the kitchen thinking I'm doing SAT, and my dad is working and stressing over his job, and my brother is in his room writing his first interactive program
and I'm in my room, knowing i'm supposed to be doing SAT, but all I can think about is
how there's a whole messy majestic gigantic WORLD out there
And I am sitting here doing calculus and SAT
And it seems like its all for nothing
For only myself
And I know I'm not necessarily supposed to be this altruistic human being
I'm supposed to want things for myself
I'm supposed to be selfish in how I study and where I put my time but thats just not enough for me
I want to spend all day planting poppies and sunflowers
And in the night I just want to stare into infinity at the sky
And I want to cut my hair shoulder length, dye the bottom blue, get another piercing, decorate my hands with  henna, and walk around in vintage crop tops and flowy pants and matte black michael kors sandals
And I want to stop watching TV and going on facebook and having superficial banter and disgusting small talk
And I want to do yoga for the right reasons
Because yoga is the journey of the self, through the self, to the self, and I don’t want to do it solely because I want nice arms or a bendy back or a nice **** I mean even though its okay to want those things but I just want more
I want everything to be just raw and I want people to expose themselves and I want to expose myself and I want
my parents to just LISTEN to what I want
And recognize the fact that this is the third night in the row that their daughter has outwardly displayed to them that
there's chaos in her mind because she just can't handle
doing and being absolutely nothing
anymore
And I want to read about human rights and global warming and how
when a chef is cooking for a ton of people, he uses utensils to remind himself what to do next
and I want to read about forensics and how mass spectrography and chromatography help detect if someone is poisoned or not
And I really don't want to do SAT
Not because its hard or boring, or even because it seems useless but because
it just seems so *******
useless and irrelevant
And I want to stop living the life I want to live on a **** website
Because its opened my mind so much but I want to SEE sunflowers instead of
looking at pictures of them and I want to SEE
elephants and kittens instead of just
looking at them and I want to
feel a connection with a human being rather than just imagining what it would be like and I don't mean romantic relationships, no
But I just want to stop being so ignorant
And I want to know everything
And really all I want to go is forget that
I have to study tomorrow
I just want to go on a car ride
And stick my head out of the window, like a dog
Because I am happy, like a dog
Just why am I LIMITING myself?
For what???
I want to talk to people
I want them to teach me something
Because people are nature Tamille
Some people are delicate flowers
Some people are raging thunderstorms
Some people are disarrayed forests
Some will leave me breathless, some will knock me down
And some will be gardens and some will be SUNSETS and
I want them all to teach me something
And I want to speak my mind and look HIM whoever he may be
In the eye and and I want to stop being so small
And I may be insignificant but I'm an infinity
Because all galaxies are infinite
I read that there are as many atoms in a single molecule of DNA as there are stars in a typical galaxy
each of us are our own UNIVERSE
And thats why we burn too brightly sometimes and thats why we
collide sometimes and thats why we
collapse inwards sometimes and thats why we explode sometimes and start anew
And I want my soul to project outwards
I want whatever of me that is trapped in my bones to just
spill out
And I want someone to feel all the love and happiness I have in me from
across the room
And I want to stop being so closed up and insecure and timid
I think you're a towering mountain Tamille
Or thunder
I wouldn't say you're lightning
But I'd say my mom is a delicate flower and my dad is a powerful river and my brother is a colorful sky and I want to be
a forest
I just want to stick my head out of a car window, like a happy dog
Because I am happy
I don't want to be young and scared even though I know its okay to be scared
But I want to stop swallowing my words and stop being so paralyzed
Because I can do whatever I want
I must set fire to my old self
I must start anew.
Why am I so scared for WHAT
For what
Okay so what do I do now
I think saying all that was a good start
Here's whats not going to happen
I'm not going to wake up late tomorrow
or not too late
And I'll go for a walk
To the pecks
And I'll play with the chickens
And I'll read with the chickens
I'm just burning right now
And now it seems silly to sleep
Tamille, when I come to LA for winter break
We will go out on drives at 11pm, even 2 am
For the sake of living
And we will walk alongside the beach at preposterous hours of the day
Simply for the sake of living
And we won't be phonies
Because thats silly
And we must try not to be phonies
Just for the sake of living
But of course I can't just be this spontaneous extemporaneous person online
I need to be like that Offline
more than anything because I just
need to talk to people more
And I need to see the jellyfish and I watch them with their tentacles floating upwards and downwards and just there in what is to them, an abyss
Maybe we're like
jellyfish in an abyss
Like how humans just watch jellyfish in containers
Maybe we're the jellyfish
I need to be a good memory to people
Because we remember more than we think we do
So I must try my best to be a positive remembrance
I can teach  someone something
I can teach a random stranger something
I can teach my mom something
I can teach my 85 year old neighbor something
I can teach you something
It feels wrong to say all that and then go to bed
So I think I'll just walk outside and stare into infinity once more
And then ask my dad if we can go on a car ride one more time
And then I'll come back in my room and read about global warming
Or maybe I'll read about global warming outside
Because a child educated only at school, is an uneducated child
And I hope you read all this because out of everyone I chose you to tell it to you
And i hope your response isn't just "go do all that then"
I hope you read all the many messages
And now I will log off of facebook
I hope you also wake up in the morning and make it a great day
Not "hope you have a good day"
But rather
Make it a great day
this is long
Kate Lion Jan 2013
Stand over my heart like a flamingo
(I dislike sturdy traffic cones, anyway)
As you do so, peer into the well for the calculator I dropped
It's there somewhere
Lord, I hope you can fly
Because I can't help but push your stubborn form
Over the edge like this
Rayven Rae Aug 2018
(what blue tells “it’s a girl”)
(part 1)

emerging into the world under the banner
“it’s a girl!”
comes wrapped in nothing but pink
expectations

born pink
helium-filled mylar screams
branding new life from first breath
softness bubble-gum wrapped
cotton candy kissed
baby girl be soft

soft
soft pink
powder-puffed bunnies hide
power-puffed intentions that scream
pink for the taking
precious commodity
but only so long as the soft pink remains
intact
soft pink words rounded
nothing sharp for a baby born
without the blue
pink words saccharine-infused with sweetness
to be planted deep within
tiny bones to replace marrow
marrow meant to sustain a life
but pink
soft pink marrow
makes for a prettier picture
nobody likes a girl that’s jagged when you touch her
it’s a mortal sin to make a man bleed
red is not pink
be gentle


gentle
gentle girl
sit pretty sit silent
swallow down your voice
only open your mouth to make
pink butterflies cascade beauty
spit out only ribboned wings
floating rose-colored feathers
bubble-words all dull edges and placations
make sure those feathers land on the deserving
the deserving being those
born blue
fill the blue with your blush tones
enough to inflate egos
but not enough to touch the cyan
too much pink and blue runs
too much pink and blue changes
into a lilac sunset
blue needs to stay hard
reign in your pink
know when to retreat
know when to only
be seen

seen
seen girl
not heard
find the balance trapped
within the pink
the world expects you to be seen
swizzle sticks and cinnamon hearts
arm candy dress up the pink
you are a bloom-rose candy store that is always open
everything has a price but why pay
when it’s just pink for the taking?
show us the pink
body parts enhanced by slashes of color
not too bold but beautiful
always tasteful to be seen
full lips to spill
carmine kisses
blooming with promise
promises fulfilled on both knees
what pink wants doesn’t matter
when it comes to blue
soft pink skin slick sneaky peak
show some of that wet flesh
flush flash some of that pink
be seen girl
when being born pink
should have come screaming with a warning
caution tape wrapped tight
sealing up flushed flesh flashing pink
what’s wrong girl?
be warm

warm
warm girl
be pink pearl nail polish
strawberry lip gloss leave kisses
warm breath in all the right places
make blue melt in ways
that won’t mix with your pink
warm mouths can work magic
bubble-gum tongue lick ****
strawberry ice cream cones dripping
pink sugar running down sun-burned arms
fuchsia cloth triangles held only tight enough
to cover the pinkest places
laughter filled with light
smoky mauve curls let warm wash
soft edges over hard
but even when surrounded by roses
blue has sharper thorns
bleed
bleed warm girl
bleed crimson-tinted tear drops
with only a hint of salt
sugar and spice but mostly sugar
they will bottle it up to sell as a gift
this marrow-tinted hydrosol distilled
down to it’s purest form
liquid pink scented water stolen
more precious than perfume pressed by monks
deep within spanish caves
the monks at least have compassion
at least they ask the roses for their bodies and blood
blue just takes
they don’t call it “royal blue” for nothing
cobalt fists rain relentless
ribboned words and cloud-wrapped capes
are no match for their fury
be small

small
small girl
you are so fragile
from the moment you enter this world
swaddled in it’s a girl
swaddled in everything but blue
don’t want to be mistaken as a boy
not even right out of the womb
pink brings warmth and comfort
blue is a cool color
it bleeds lost gentleness from first breath
pink is never cool
be small even as you grow
fold into yourself to shift shape
break bones to leak out
soft marrow bubble words meant to appease
“yes” is always your best bet
when it comes to blue
blue can’t hear “no” coming from
a pink mouth
the frequency too high
vocal vibrations far out of blue’s hearing
those spoken syllables mean nothing coming from a mouth
good for only one thing
stay small
keep it tight and trim
just because you are a candy story
strawberry daiquiri lollipop curves
doesn’t mean you have to eat
like you live in one
keep it cherry girl
petite pufflette gummy bites
just waiting to be devoured
by hungry blue mouths
sweet little nothings
a paradise punch buffet
where pink is the only dish served
climb into the box
blue lays before you
squeeze yourself into that molded cage
it doesn’t matter how badly it hurts
it doesn’t matter that everything pink in you is screaming
for release
it doesn’t matter that you’re screaming at all

after all
you were just
born pink
This is the first piece on a series that I'm working on called "The Pink Chronicles".  More to come....hope you enjoy or at least, it makes you think.
Vicki Kralapp Sep 2018
Autumn’s brusque wind slices its way through the remnants of summer,
painting maples in hues of brilliant oranges and reds.
Long shadows of late September streak across the last blades of grass,
as fall’s stark contrasts light the afternoon.

The seasonal wind breathes cold with the smell of autumn in the air.
Autumn’s brusque wind slices its way through the remnants of summer,
while cottony clouds in a sea of cornflower blue, slowly slide out of view,
chased down by v’s of geese as they race across the sun.

Helicopter seeds line the sidewalks, green and gold, as others float on the wind,
down to join with cones and acorns awaiting next year’s crop.  
Autumn’s brusque wind slices its way through the remnants of summer.
Crows, harbingers of the winter to come, make their sad calls.

Squirrels pause to pack their cheeks with Fall’s fare and scurry to secret caches,
their bulging cheeks filled with fallen nuts and acorns.
Fall greets me with a kiss as summer bows to its chill, as
Autumn’s brusque wind slices its way through the remnants of summer.
Autumn Quatern.

All poems are copy written and sole property of Vicki Kralapp.
Del Maximo Nov 2012
(3 persons in one Universe)

I.
retinas read with rods and cones
as eyes watch
but who sees?
fingertips discern with nerve endings
but whose ears feel fear of library lips?
noses detect an old factory
but who tastes the aroma of rice
cooking in the kitchen?
membranes entreat tympanic vibrations
but who hears the mischief of schoolyards,
playgrounds and wind chimes?
who smells the movement of white water
in blue skies?
who envies a feather’s flight
and a fire fly’s light?
who listens for the whip-poor-will’s cry
and the songs of ocean waves and seashells?
who longs for the softness of your flesh
and the sweet touch of your voice?
more than muscle and tendon,
tissue, bone and blood
every cell in my body reactive
in thoughtful, mindful ways
but who interprets it all?
who am I?
who is me?
who, who, who-whooo?


II.
in my mind I am the god
of existentialism
creator of my microcosm
winding my path my way
but the world is dichotomy
an intertwined double helix
circumstances and choices
road blocks and detours
trial and error
failure and success
life is navigation
community is whom I meet along the road
responsibility is self and selflessness
as a good Samaritan thinketh
I wish I had wisdom’s words
and action’s healing hands
but this god lacks omnipotence
although strength and peace reside in me
human limitations foment fear
paralyzed intentions defer goals
like everyone else
my calendar works out day to day
at times my frustrations mount in muted rage
echoing like distant rolling thunder
sometimes I’m a gentle rain
nourishing the earth
other times I... am...LIGHTNING


III.
some look to the earth for their roots
searching rhizomes for past generations
finding themselves made in the image
of wise bearded irises
I look to the stars twinkling my call name
I hear them in night’s silence
and marvel at the lessons they teach
the patience of their traveling light
the wisdom in keeping their place
in the scheme of constellations
and knowing when to turn with the seasons
their acceptance of northstar as center’s attention
secure in the sparkle of their individuality
hearsay says we are made of the same mettle
we are the substance of stars
I imagine myself in their history
a child of the universe
traversing the zodiac before I was me
but now in this life reaching up to night’s sky
the heavens remind me
although I’m but a speck in its vastness
a blink in time’s eye
I have a shine and brilliance
that is mine alone
© 2012
Please understand that this was not meant to be an exercise in "other voices".  Instead, this poem is meant to be a discussion on the 3 part nature of man (in this case, me).
H M Groniger Apr 2013
A puddle bloomed on his knee,
as he sat beneath the poplar,
before the church,
waiting.
Anytime now, she
would **** by on her bike
that made noises like a rabid top.
The two soggy cones, held
in his shaking fists
dripped
strawberry cream,
sticky, pungent, and pink.
He had heard that girls like pink.
Roadside gravel crunched
and spun as she
approached.
Her brown legs
were always moving, the
muscles changing—they would
have driven Leonardo mad.
She passed by
blind.
He let the pink
cones fall to the dirt with
the others. Ants gnawed on his
legs. He would try again.
Climbing on the
bridge
with hands full,
always of strawberry cream,
he wavered, nearly fell, and sat
down on the stone ledge.
Gravel ricocheted.
Sleeves,
his and hers,
touched as she passed.
He nearly fell in the water, but
she touched his sleeve,
touched him.
Pink
swirls teased
fish in the rocky creek.
He became a crossing arm with
strawberry cream cones.
Stones sprayed.
Crash.
Why didn’t
you move, you idiot,
she growled, wiping ****** stones
off her once-perfect
knees. He didn’t
speak.
I love you.
Can you move? My
boyfriend is waiting for me, she said,
standing on the pedals,
her legs still.
Numb,
he shifted,
and she whizzed away.
He looked at the gravel lining the bridge
and saw blood staining
the pebbles
red
and pink.
Sifting, them through his
fingers, he knew that on her, he had
left his mark, and him,
she would not
forget.
Dusty Baker Jan 2010
i've been
reading poetry
ee cummings and--
sylvia plath
pretty pools of words filled with color

--and ducks

charles bukowski is a
***** old man
lots of ***** old
words
and images
but real dirt, not pretend
real's so hard to find
these days

they talk about love like it's
broken--painful--deadly--
always wonderfully beautiful
(like the beautiful snake whose
poison's killing you)

that's not
love

because it's falling asleep with warm breath on the back of your neck and your bed a little too small
because it's laughing so hard that you almost snort macaroni and cheese out your nose
because it's doing laundry and pausing just to notice how your clothes smell like her
because it's waiting alone, imagining how big you'll smile when she comes back - it's always bigger than you think.
because it's knowing that the pain's not part of love, it's part of being human

they don't know
nearly as much as they
think--
they do

i love--
baseball in the park when it's not too hot
(I play shortstop)
chocolate ice cream cones in the hot sun
(dripping down my hand)
flying kites in autumn winds
(the falling leaves make the difference)
sledding through the snow
(and crashing into snowbanks)

i love--
coca-cola
(in the glass bottles)
root beer
(with vanilla ice cream)
7-up
(it's better than sprite)
mountain dew
(caffeine!)

i love--
you
(and the soapy smell after you shower)
you
(making me laugh more)
you
(how much you care about people)
you
(and you let me, too)

that's my proof they
don't know
(what
they're talking about
that is)
so--
i think poetry
is overrated
Sunny Johnson Sep 2011
On a great mountainside, a beautiful river ran, reaching all creatures across the great expanse. Glowing crystal and clear as the fresh alpine air, the water ran, as yet undiscovered and unmarred by civilization. It knew not of the impurities that other waters knew, free from the grasp of humanity and completely pure in it's design. Each spring as the snow melted, the river would charge through the forges and ravines, reshaping the ground in it's wake, changing the surface of the mountain in it's path. Stones would tumble and trees would crack under the raw power of it's force, as it gained in size and speed over the spring months. This spring however, it met upon a larger rock, seemingly a boulder. "Ha," thought the river, as it began growing rapidly, the melting snow empowering it as it crashed into the boulder, slightly changing course and returning to it's usual path. "I will be back soon." The river promised. As summer grew nearer and the sun seemed to burst from it's cloudy shield of winter, it began to show more steadily and with a greater heat than it had in springtime past. The blazing sun caused avalanches as it bore into the icy crust of the mountain top. The river suddenly felt something new, something changing, it was surely larger and more powerful than it had been in previous months, and as it charged down the mountain, it was sure of it's victory upon the great boulder. "Surely now this rock will not remain unmoved!" exclaimed the river as it flooded down the ravine, in search of the unchanging obstruction of mineral. The sun's rays had created an avalanche, dumping hundreds of tons of ice into the rushing river, melting the snow and creating a great roar as the river grew abruptly to 3 and 4 times it's previous size. As the river grew it felt a giant to all the objects on the mountain, proud and sure of it's eminent victory over the great boulder in it's way. As the water gained momentum and seeming to contain all of it's new fury in the roaring flood just for the great rock. A sleeping rock awoke suddenly to a roar and a crack as it heard many smaller boulders tumbling into the trees nearby, and the rumbling river rushing straight for him. "Aww, thought the old stone, yawning. "This will surely be interesting." As the rushing water advanced upon the rock, it had no idea what was to become of it's proud and boastful ways. Rushing water carrying all types and sizes of large rock and debris smashed into the great stone with all of it's might. The rock was unmoved. Little did the river know, this stone was rooted deep, a branch of mineral deposit coming from the very core of the mountain itself. The river had no chance. At the impact the water and debris scattered, and the river, suddenly defeated, splashed against the side of the rock and continued its usual path of the many years before. As it continued on, it felt something moving, carrying itself somewhere else, like someone or thing was pulling part of it away from itself, and it roared in agony, sending more boulders to crack into the trees nearby. Alive and kicking, and carrying it's own cry came a beautiful new stream caressing the side of a great stone in it's beginning, almost as if to thank it for it's place in giving birth to the new life. "You are welcome." Spoke the stone, supporting the stream in it's new path, as the water began to run fresh and new across the bare ground. The stream seemed to caress everything it came across, the roots of the plants and trees feeling thankful for a new source of water. Although the smallest seedlings would be lost in the stream, it was a good sacrifice to make for a source of that precious water so generously given to the side of the mountain with the large river. As the stream carried on, moving pine cones and pine needles aside, it brought new nourishment to all the life of the dry side of the mountain. As a small child just learning to walk, running to meet new people and see all the new things, experience the new life, the river ran. It glanced upon the tall oaks and the thinner pines and the smaller saplings. It rushed to meet the squirrel, carrying with it acorns fallen on the ground higher on the hill. It ran to bring uprooted fresh seedlings to the young deer. It brought with it fallen nuts and berries and left them near the bear's den. It brought freshly dropped dry twigs and branches to the wary ******, hunting for a new home. It brought with it pine needles and dropped them next to the trees with sparrows and blue birds hopping about for new materials to strengthen their nests. The stream ran free, bringing gifts to all it met with and inviting all to join it in it's path. The young of the forest gathered together, foxes and rabbits and badgers alike, to join the small stream in its journey down the mountain. Never carrying too much water as to uproot or change the surface of it's new found paradise, the stream was grateful to be a part of the dry side of the mountain, and that side of the mountain was never so dry. That side of the mountain never knew the fear of falling rocks or boulders. It never knew the fear of the flood of spring. It flourished with new life and greenery as it became privy to the little stream's side of the mountain to live happily without fear of flood or the dangers it brought. Each new day more bushes and saplings followed the little stream . The animals began to move from the great river's side of the mountain to the little stream's side. The river became lonely in it's wrathful wake, having only the rocks and logs it carried along as it's companion. Even the trees were scared to grow near it's threatening wrath. Loved by all and continually becoming the renown of the mountain, the little stream never knew such hardships. Such is why a little stream can be more changing than a great roaring river. To be feared by all or to be loved by all, is in the makings of every gaining current. The little stream never grew much larger than a dear's jump or a squirrel's leap. Except in the hearts of the lives around it. May we all be as little streams, not hungering to change the surface of our world, or to be feared. May we all live as the one who embraces all the forms we meet, being grateful for our own place among them. Then may we know what it is to live among many and loved by all. Then may we never know fear, or lose ourselves to a great boulder. May we change with the small movements of the ground beneath our feet, and carry with us gifts to all those we meet. May we be mightier in the heart than in the mind, leaving our hunger behind. May the little stream meet us too, and may we hear it's message clearly.
untitled May 2014
it is a nice feeling of tragedy
when i let the bathwater
gently slide into place
and underneath the door
through the threshold
blue wisps from the television
keeps your face lit up
throughout the course of the night
i hear birds and those sounds they make
not just in the early morning
but always
leaving spots translucent beside me
every noise is subtle and
sinister
staring at the dark corners
cadaverous
forgetting only means that you’re
making room for something new
life nomadic Dec 2012
A Serotinous Pine there,
Where winter snows soak into thirsty soil but relentless summer sun bakes motionless
Every plant a tinder held close to conflagration,
in a season's Russian roulette of forest fire.
This pine seals precious seed away from every spring’s promise,
lest burning destroys every one.
Only searing heat during torched consumption triggers the last gentle act,
At the knife’s edge of apocalypse itself,
opening cones of seeds.
Fluttering down to new life on the other side of time.
Tiny bright green amid black ashes.

Swimming Penguins
Birds evolved to fly in ocean.
Wings to flippers, feet stepping clumsily from water.
Yet eggs must still nest, their babies still breathe.
Safety is the very precipice of existence, on bitter ice at 60 below,
Sheltering their young clustered from blistering winds,
fasting from sustenance,
While heaven’s glorious Aurora flame silently over their winter dreams.

So what then are we, on This Earth?
Cerebral Creatures, Storytelling Animals.
Minds created to sense spiritual constructs.
Living is the method of our creation,
Sheltering each other from inherited trials
With contrived joys and sufferings distracting each other
from the soul freezing fearful cold of the Empty Void
And consuming fire of electric chaos.
In the End, our sacrificing gift for our children
is God.
.
.
(part 1 of 2)  The next one is called This Earth, This Life Finished
.
.
Copyright © 2012 Anna Honda. All Rights Reserved.
Sophia Paloma Apr 2014
Someday we will find it. It could be days, weeks, months, or years from now. I will see the twinkle in your eyes and the excitement  radiating from your body. We will both be happy. Our minds will be content. We will have so many memories: riding colorful bikes around big, busy cities, eating icecream cones in the park, taking pictures of everything, going to concerts and singing our hearts out, traveling the world just so we can spend time together. Millions of laughs, millions of smiles. All the little things that really create who we are. Those times when I would tell you "things will get better", "we will be happy". It will all come clear, we have each other. I will look at you and say "we finally found it", but it has been with us all along, our friendship.
Tall
breeze bending tops
rooted deep
faceted to growth
tips seeking light
scented sounds in needles
beautiful feminine formed spiral cones masculine inconspicuous pollinating
   pistils
overlapping in season never ceasing a
   productive moment
never fallen, always green

Reminds me of eternal life
Psalm 1:1-3 "1 Blessed is the one who does not walk in step with the wicked or stand in the way that sinners take or sit in the company of mockers, 2 but whose delight is in the law of the Lord,and who meditates on his law day and night. 3 That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither—whatever they do prospers."
vircapio gale Oct 2012
the ego is a balm
for watching herds--
ezra pound is dead..

withought the ***** to make it rue
of wittier witter aphorisms never trilling forceful to undo

singular muse,
where do you come
in head or tip of head?
elusive beauty, disappear
i act in other barefoot dreams


typos bless the will to mean
of finality
of seem seam flawless be
i **** the emperor of ice cream
with concupiscent "words"
that verb the still to be a yogurt burv


single fractal frog
jumps like rhyme of toggle cog,
cutting grandma's mind

empty cup fills want
with other bristle sip+
eclipse Hypatia naked at the shrine
failure of a form
cones another phage
with peaceful loving bawl

freedom fighters flaunt
masturbatory rights of congress whim and taunt
crackle jackal fire sights
sing single missile lights

do i jest
or do i best,
lest simple techne tumble kite of waiting in the dark
of politician's lark
inventive lewd
of plaintiff plea
and rumble drum democracy

venous cud
of bovine mewing in the mud of affuenza's motherhood
strikes painful cords electric suds
that lather in the lackey's trodden figure's utter
venus aphrodite's *****'s foam

hopkins is at home
manley in the rub of constant loathsome comb
that preens a matish apparition's tomb

hello kind traveler
that takes me by the hand
rolling in the grass has never been as such
the band plays off Genghis Khan
like Gandhi spitting soup
in afternoon reprieve of ignoramOus fun

the meaning is ajar
i know i war with Stevens too to
bear the furry calousness of wartime's endless true
a bond of moneylicsious new accounted even in the dew
that sunders sounds to recreate a farflung brew
of history's adieu
which only sPeares you in the gut
(an existential reference here to trope the nom)
elusive Lear that wanders in the Foolish storm caressing cave to find
another mind
that only someone special kKnew of Kent
encapsulating time in brands that offer (a[0I]ether dust for tolling flight
growing down into the mushroom ground
spanning subtentious fraughtful nocturnes in the night
to bide that meaning's plight i wish i
wasn't altogether through
though happy to be here iwth yew
apparitions in a crowd
petals on a wet black bough...
“The apparition of these faces in the crowd;
Petals on a wet black bough.”
life nomadic Jan 2013
A moment is never singular, exactly;
nothing on This Earth lasts, obviously.
Yet People still search to locate a focal point,
identify the axis, ground the spar tree.
Molecules have been examined down to Music;
infinite harmonies taking perceived shape,
Each element ever-changing as our senses are tuned.
Particles are waves of color, our own hand turning the kaleidoscope.

But our mind's-eye has been clouded;
Selfish fear of inconvenience escalating,
leading us all to the cliff of catastrophe.
Inching feet-forward hover over black air;  the void right there.
Regretful feet-backward discover lost ground,  toes grasped by gravity into falling gravel.
Stilled to painful awareness, but at least to finally see

Ancient Sequoia,
giants rooted in misty epochs,
wizened moss-covered faces sleepily meditating
under their own constellations turning.
We hated their shadows, felled them for the void, stole their place in the heartbroken sun.
Our vain history in tiny arrows obscures their rings of years like graffiti.
But in the hushed forest remaining, sheltering treasured few seedlings 6 inches tall,
One breath in lasts a season; one breath out purifies the years
with timeless patience for you as well.

There's no need to hurry;
wishes already happened when they are dreamed.
time was measured to distract.


A Humpback Whale arrives to calve in sanctuary’s dawn.
Still water, then her nose appearing,
then her monumental presence rising like a building;
then her entire whaleness levitating on her tail for a moment in our thin world.
Only faithful joy has that kind of power.
Then arching to fly,
and slamming, bursting, the surface for the generations to hear and feel.
She fills an ocean with her soul, a year with one song.
She is alive today, escaping slaughter
After swimming through the blood of her family spilled by our grandfather's harpoons,
Even with all the seas poisoned and starving,
Swim in the echoes of her call; she loves completely.


Keep no tally from the intangible past,
forgiving is possible.


Swimming Penguins
Birds evolved to fly in ocean.
Wings to flippers, feet stepping clumsily from water.
Yet eggs must still nest, their babies still breathe.
Safety is the very precipice of existence, on bitter ice at 60 below,
Sheltering their young clustered from blistering winds,
fasting from sustenance,
While heaven’s glorious Aurora flame silently over their winter dreams.

Extremes reveal the Sacred, but we’re confused.
Fear mistakenly chained with control; but both dissipate with acceptance.


A Serotinous Pine there,
Where winter snows soak into thirsty soil but relentless summer sun bakes motionless
Every plant a tinder held close to conflagration,
in a season's Russian roulette of forest fire.
This pine seals precious seed away from every spring’s promise,
lest burning destroys every one.
Only searing heat during torched consumption triggers the last gentle act,
At the knife’s edge of death itself,
opening cones of seeds.
Fluttering down to new life on the other side of time.
Tiny bright green amid black ashes.

This apocalypse was our contrivance, but so is the word.
Beginning of the End or End of the beginning, all the same.


So what then are we, on This Earth?
Cerebral Creatures, Storytelling Animals,
Minds created to sense spiritual constructs.
Living is the method of our creation,
Sheltering each other from inherited trials
With contrived joys and sufferings distracting each other
From the abyss both sides:
Soul freezing fearful cold of the Empty Void and consuming fire of Electric Chaos.

In the End, our sacrificing gift,  greater than ourselves,
for our children,
is God.
.
.
I already wrote this in two parts, but I've been working on and revising them to bring them together better.
.
Copyright © 2012 Anna Honda. All Rights Reserved.
ryan Apr 2014
Red yellow blue green
Things aren't always as they seem
You have to look a bit beyond
The things your ears get dumped upon

Blue green red yellow
All their words taste like morello
They're filled with black, just chests of stone
It's hard but you're not on your own

Yellow blue green red
I wasn't lying when I said
Your orange is my favourite drug
Away with all my love you lug

Green red yellow blue
I'm all for one, I'm all for you
It's your rainbow that's got me
In euphoria, loving endlessly
L B Nov 2016
Not the lone glory of an orange
basking in Depression’s dusk—
its fluted bowl of purple glass

Nor the fall ways of amber
Leaves burned by roadside
curling smoke’s sun-lit sash

Not tree-lined streets
rabid leaves’ raspy voices
whirling giddy in the wind—

...in none of these

But in the moments I filled with fixing
a lamp shade
painting this place
to a stern perfection

...I thought of you
ordering the tyranny of me
the glass of me
the concrete conscience
I must be right!  Mustn’t I?

The religion of our lives
Driving through Sundays with Polkas blaring
feeding the ducks
and a roast at noon
Waffles and TV later
Lassie and You Asked For It
Wiping my mouth on a Sunday sleeve

I asked for it, alright

He came and went
to the smell of Ice Blue Aqua Velva

He came and went larger than life and first on the scene
to hurricanes, fires, muggings, and races
and of course—THE SHOP!
in an amazing array of uniforms and vehicles
Ambulances, wreckers, pickups, and police cars

He was terrifying! Wonderful!

We would love at a pained distance

His cabinet in the cellar was always locked
But now, just suppose—

if a kid were to haul on its handles...
supposedly—the sheet metal would heave and roar
with the thunder of him!

And those late nights
those harsh ****** lights
lidded hundred watt cones
in the spotlight of THERE
where I wasn’t
in the odor of oils too noxious to dare
beyond the girlish shadows—

he cleaned his guns

I waited and watched where everything seemed
to be
What...?
It seems—he just pushed her against a wall!
I step from girlhood
with my two-cents worth
and it seems I will not be Queen for a Day!

I take my vows!
I swear I will not scrape wax
from the corner of the kitchen floor with a knife!

I have waited.  I have watched
the routines of his mornings
He’s brushing his teeth; he’s combing his hair
he’s tying his shoes while he chats with the cat
I can tell you the creak of the stairs
and the sound of his footsteps rounding the house

...the routine of his return at supper
the routine of anger
My routine of being late—
and as good as dead
squeezing behind—
HIS CHAIR
Praying he wouldn’t notice the mud
Praying for the epiphany of his good mood
when the TV and me--

wouldn’t be blamed for the downfall of the nation
We were not Polish, but my Dad's French-Canadian family lived in a Polish community.  Thus, the fused culture and all the happy, Sunday Polka music.

Lassie, You Asked For It, and Queen For a Day were popular TV programs of the 1950s.
Stacy Del Gallo Jul 2010
Every summer evening
I spend at home I know it
is 9 o'clock by the familiar
song from the
beat up ice cream truck
that creeps through Canton.

The truck is plain and grey-
no pictures of smiling faces
or advertisements for snow cones,
just those high pitched notes repeating
over and over and over.

It never stops.
No children sprint, ecstatic from
sweaty row homes.
No cones are coveted
by sticky fingers.

Who is this man who
drives up and down our streets
luring us in with a familiar jingle
I can't quite place as I pace
around my living room?

Perhaps he peddles magic potions
or prescription drugs to
expectant inner city addicts,
stopping only for those with
that telling shaky stammer.

Or maybe he transports
illegal immigrants
huddled behind his tinted windows
to obscure locations.

The only thing that is certain
is that it is 9  o'clock every time
I hear those notes.

Does he laugh at us as
we glance out our windows,
considering a late night treat but
always disappointed as he drives away?

— The End —