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"conclusive" poems
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience.   As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .   The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms . Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus . Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation.  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor.   In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
0
Aug 12, 2018
Aug 12, 2018 at 5:15 PM UTC
Glyph
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience.   As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .   The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms . Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus . Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation.  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor.   In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
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6
Indebted shadows prey on a prayer They drink up their glories and sins, While contending for souls so rare And endow nails upon my skin: Clever born, Hearty, And silver to the bone. Nevermore, Sadly, Now mutely grey in tone. “Awake! Arise! Win our war in Rome!” They break, They lie, And never came home. Forget Please never, This threat I sever, Regret? Too clever to lie. Faulty sins hoist a ****** banner While goodness is only a trend, And foes are convenient in manner Convenience: a conclusive friend. Too clever to lie What a convenience am I Am I: your conclusive friend; Answer as to why You raise the stakes high When you have no soul to lend?
0
Aug 23, 2018
Aug 23, 2018 at 3:32 PM UTC
Undying Debts
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience . As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .   The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms . Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus . Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation .  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor .   In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
0
Mar 8, 2013
Mar 8, 2013 at 4:14 PM UTC
Glyph
Before there was anything that mattered everything that would ever be existed , it was the essence of totality , it was without dimensional constriction or necessitated form .  Optimistically speaking time had no relative realism to it’s progression because realistically nothing had happened yet .  As it continued it became according to it’s innate inflections as a functionally integrable form .  The questionably understandable nature of it’s conjunction was an omnipotent directive beyond necessitated action or morphological construction .  The enigmatic consciousness of it’s relatively interrelated conception was spontaneous and yet it continued without elemental omniscience . As the relative complexity of it’s interrelations evolved dimensional consistence was born.  Humanly understandable laws of physical integration governed many facets of it’s conjunction yet the totality of it’s ramification was beyond humanly realistic conjecture .   The organic morphology of biological ontogeny was a conceptually reflective derivative of functional physical mechanics yet it’s diversity exceeded it’s physical complexity , understanding evolved .  Relatively extraneous interpolations of adhesively practical extremity succeeded in a hierarchy of functionally integrable forms . Retrospectively speaking pragmatic practicality is a humanly rational possibility .  Rational logic can conceive of individually totalitarian structural forms , yet the implosive nature of their rational cohesiveness becomes a practical partiality due to the diversity of their definitive impetus . Perhaps the essence of our being is the logical counterpart for the matrix of our subjectively conclusive social fragmentation , or perhaps we are evolutionally incapable of cumulatively rational correlation .  Problematic diversity could be perfectible on an individually infinite level or contrarily perhaps ubiquitous causality is the ultimate survivor .   In any case it is beyond our subjugatively rational cohesive coercion to intercede en masse on our own behalf as an integrated unit. Our conceptual abilities have been thwarted by the unmitigatably individual nature of our extraneous conclusiveness .
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6
The question regarding the question relies on what the question really is. If the question implied is a question directed outwardly, then it may be misinterpreted as a question to oneself internally. Otherwise, a question explicitly directed inwardly is critical to deciphering the question that one will address outwardly.   If an indirect question is questioned through the user, then the question itself becomes a metaphysical question to choose from. In the event a question is said through alternate means, consider the quantitative/qualitative state of the question at the time being; as it may be resolved by asking the question in a subconscious level indeed.   Superficial means tends to seek fundamental questions to the reality of the state one naturally possesses.   In the case where the unconscious decides the opportune event to question the conscious reality, one must interpret the means in examination of the intrapersonal mentality.   If the question is imposed through correlative thought and subliminal expression, then the question itself is related to a parallel conscious state intertwined with the unconscious state of mind of progression. If the question is relative in combination to the solutions mentioned above becoming apparent, then one has means to ask the question without questioning the question itself in disparate. Otherwise, the question continues to perplex the question through the continuation of irrelevant questions that one will have thought; creating a treacherous belief so concurrent one could not have fought. Therefore, is the reality of the question portrayed to the reality you live in or the reality of others? As this poem was conclusive to subtly evoke thought in the questions we construct. By: Michael M. De La Fuente
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May 25, 2014
May 25, 2014 at 8:08 PM UTC
Deciphering Question
The question regarding the question relies on what the question really is. If the question implied is a question directed outwardly, then it may be misinterpreted as a question to oneself internally. Otherwise, a question explicitly directed inwardly is critical to deciphering the question that one will address outwardly.   If an indirect question is questioned through the user, then the question itself becomes a metaphysical question to choose from. In the event a question is said through alternate means, consider the quantitative/qualitative state of the question at the time being; as it may be resolved by asking the question in a subconscious level indeed.   Superficial means tends to seek fundamental questions to the reality of the state one naturally possesses.   In the case where the unconscious decides the opportune event to question the conscious reality, one must interpret the means in examination of the intrapersonal mentality.   If the question is imposed through correlative thought and subliminal expression, then the question itself is related to a parallel conscious state intertwined with the unconscious state of mind of progression. If the question is relative in combination to the solutions mentioned above becoming apparent, then one has means to ask the question without questioning the question itself in disparate. Otherwise, the question continues to perplex the question through the continuation of irrelevant questions that one will have thought; creating a treacherous belief so concurrent one could not have fought. Therefore, is the reality of the question portrayed to the reality you live in or the reality of others? As this poem was conclusive to subtly evoke thought in the questions we construct. By: Michael M. De La Fuente
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12
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
0
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Heartstone
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
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112
I, like the pendulum Swing from one extreme To the polar opposite Before coming to a conclusive rest in the center The intensity of applied force Determines the height of my emotion But the outcome is the same, With every swing, I come down Kinetic converting to potential energy Until I am frozen in time, dead center An emotional ground state Completely still in my own calmness Where I find that the initial force Of what troubled me Was nothing but people Performing an experiment To prove a point to themselves That they could rouse me I, like the pendulum Will eventually come To a complete stop Alone in my stillness Breathless and apathetic to my surroundings
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Jan 18, 2017
Jan 18, 2017 at 5:19 PM UTC
Pendulum
i am of the light despite my shroud that crowds the villains in the toppled telemetry of my steeds galloping gallantly from the burning cities of my dreams i shall gleam from her or he that which delivers their truths faithfully to their dreams open wounds turn invitation in the pity of hungry thieves who dared to dream of peasants king-ed. as we sing sing of desperation in passionate confessions of jaded wisdom passed on through every failure never to falter in the betrayals of Walters lost in loss-less flac files i have miles to go smiles to grow daggers projectiles from mild mannered children freshly ridden of maniacal miracles spiritual but not stupid we are troopin this lucid movement grooving to the repetition of the drum the gas blow back of a gun the bursting bubbles of bubble gum having fun i learnt goodly on the run learned nothing in victory learned nothing in simplicity complacently snickering it all away bullet by bullet case by case and eventually the blade in my compassionate displays we shall congregate and hate ourselves **** the donks to hell dwelling on the cellar doors that darkos teacher adored in verbal massacre of the written literature of cracked brain fixtures seeping the lines in cold tingles down the spines of maniacs just relax mix it down on a track spit the thesis into pieces through the creases of cracked sneakers, and out the speakers of trouble seekers. mistakes make us deliberate chaos tossed upon the fakers who cry to think the dream became a reality mistake us for serrated blades that rip the hearts from beasts sometimes i stop to think while having a drink conclusive brinks of sanity creaks of my humility secreting frivolously the disposing of my jealousy of your feelings hellaciously i rip a felony from a face in appealing agony antagonizing me in the frenzied forensics of my oblique outlooks none of us were ever crooks speaking to self while being booked in hell
0
Sep 5, 2012
Sep 5, 2012 at 1:36 AM UTC
thoughtless spew
i am of the light despite my shroud that crowds the villains in the toppled telemetry of my steeds galloping gallantly from the burning cities of my dreams i shall gleam from her or he that which delivers their truths faithfully to their dreams open wounds turn invitation in the pity of hungry thieves who dared to dream of peasants king-ed. as we sing sing of desperation in passionate confessions of jaded wisdom passed on through every failure never to falter in the betrayals of Walters lost in loss-less flac files i have miles to go smiles to grow daggers projectiles from mild mannered children freshly ridden of maniacal miracles spiritual but not stupid we are troopin this lucid movement grooving to the repetition of the drum the gas blow back of a gun the bursting bubbles of bubble gum having fun i learnt goodly on the run learned nothing in victory learned nothing in simplicity complacently snickering it all away bullet by bullet case by case and eventually the blade in my compassionate displays we shall congregate and hate ourselves **** the donks to hell dwelling on the cellar doors that darkos teacher adored in verbal massacre of the written literature of cracked brain fixtures seeping the lines in cold tingles down the spines of maniacs just relax mix it down on a track spit the thesis into pieces through the creases of cracked sneakers, and out the speakers of trouble seekers. mistakes make us deliberate chaos tossed upon the fakers who cry to think the dream became a reality mistake us for serrated blades that rip the hearts from beasts sometimes i stop to think while having a drink conclusive brinks of sanity creaks of my humility secreting frivolously the disposing of my jealousy of your feelings hellaciously i rip a felony from a face in appealing agony antagonizing me in the frenzied forensics of my oblique outlooks none of us were ever crooks speaking to self while being booked in hell
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93
pride falling from a suspension bridge easy death leap sparks a final thrill ride splashing down with conclusive thudness an epic detritus skimming along the heave of long regretfull rivers buoyantly bobbing atop eddies of hubris cresting aimlessly into nothingness one way ticket expiration dates are strictly enforced on leapers but the final gulps of briney pride swallowed by loved ones chokes them in welling floods of unresolved incomprehension forcing the bereaved to forever swim in a churning flotsam during unexpired lifetimes Cab Calloway: Jumpin Jive Paterson 10/24/13 jbm
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Oct 24, 2013
Oct 24, 2013 at 1:42 PM UTC
Pride Goes Before the Fall
Effortless dust conspires with the ephemeral wind's devious desires Lucid time transpires, while the illusion of life prevails then expires When I need you, you're elusive, fleeting and distant When I have you, you're abusive, cheating and resistant When I leave you, you're reclusive, retreating, and nonexistent When I bereave you, you're conclusive, defeating, and insistent I rely on you to pass, mend and heal all my wounds, and cleanse the stain I admire you in class, am reminded on full moons, and lose you in the rain Blatant slaps in the face, blessed with you to waste, then we ask what you're worth Silent gaps lost in space, stressed with a virgin's chaste, been by her side since birth Eat the scraps fall from grace, obsessed with the taste, so many hungry facing dearth Burned maps without a trace, pressed to make haste, as you tick down upon the earth
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Oct 14, 2012
Oct 14, 2012 at 12:11 AM UTC
Time...less
An excerpt from           An excerpt from a poem by T.S. Eliot.     a poem by the False Poets Between the idea          no permanence in juxtaposition And the reality              where Falls the Shadow, the shadow Between the motion.     a divisive notion caught between And the act                    composition & action, the response is Falls the Shadow           Falls the Shadow      Between the conception grayed outline indistinct, the cognitive sap And the creation              leaks, contradictions irritating birth sac, Between the emotion      whereupon Falls the Shadow emerges And the response            the response conclusive, occlusive, collusive  Falls the Shadow             Falls the Shadow                                    Between the desire          juxtaposition insertion, need to achieve And the spasm                 *the blurted ****** of spurted letters born* Between the potency.      in the potent white seeds of black words And the existence            coming into existence as a riptorn issue, Between the essence        essences of scents blood+logic foretelling And the descent               birth & death, descent & the ascent, both, Falls the Shadow              Falls the Shadow Between the desire            the desire desired, completed, And the spasm                   the latency uncovered, Between the potency         the potent toxins of spit and tears And the existence              the birth fluid of  of existence Between the essence          the formulation of the human essence And the descent                 from blood dust to blood dust is where Falls the Shadow.               Falls All the Shadows
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Oct 27, 2017
Oct 27, 2017 at 6:08 PM UTC
"The Hollow Men" / "Falls the Shadow"
An excerpt from           An excerpt from a poem by T.S. Eliot.     a poem by the False Poets Between the idea          no permanence in juxtaposition And the reality              where Falls the Shadow, the shadow Between the motion.     a divisive notion caught between And the act                    composition & action, the response is Falls the Shadow           Falls the Shadow      Between the conception grayed outline indistinct, the cognitive sap And the creation              leaks, contradictions irritating birth sac, Between the emotion      whereupon Falls the Shadow emerges And the response            the response conclusive, occlusive, collusive  Falls the Shadow             Falls the Shadow                                    Between the desire          juxtaposition insertion, need to achieve And the spasm                 *the blurted ****** of spurted letters born* Between the potency.      in the potent white seeds of black words And the existence            coming into existence as a riptorn issue, Between the essence        essences of scents blood+logic foretelling And the descent               birth & death, descent & the ascent, both, Falls the Shadow              Falls the Shadow Between the desire            the desire desired, completed, And the spasm                   the latency uncovered, Between the potency         the potent toxins of spit and tears And the existence              the birth fluid of  of existence Between the essence          the formulation of the human essence And the descent                 from blood dust to blood dust is where Falls the Shadow.               Falls All the Shadows
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26
Earth: our ominous all-mother,    she, the greater good: the interminable fountain out of which stems life and vivacity itself always reaching                         and grasping for the abstruse azure heavens above. her hair never stops growing. the mites and parasites never cease to fester her scalp. She is growing and changing and rotting and dying.      but where death comes, there is no long interval until more life. the liveliness is everywhere; it promotes to all faces and regions and niches. Multiplying, begetting, propagating. all for the greater good of our orb and its inhabitants. Most dwellers are humble and solicitous toward her, and learn to keep a vigilant eye as she can be so forceful and violent. She does have, however, one rascal who believes that the globe belongs all to Himself. He is the man. He has a masterful gift, yes. He is profound and competent. He forges the impractical query into a conclusive answer. He, however, is also egocentric and pompous, and He sees her as a specimen to which He has the rights to dismember and pervert. He makes a mess of her unique vistas. He tramples and stamps on her face, running about as if she were the coliseum in which the gods gather to view the Species fight itself to extinction. He works her to the core, always asking for more, more, more, more, until she has little left to give. But she never loses courage in His asinine and moronic views and His sprawling village, for she created Him     out of herself she is the framework out of which the mind is able to mundanely manifest itself. Without her, He would be nothing. And she is so immeasurably loving and benevolently caring and forevermore giving;     for     She is life,           she is love.        We are love.
0
Feb 13, 2013
Feb 13, 2013 at 9:19 PM UTC
a saunter
Earth: our ominous all-mother,    she, the greater good: the interminable fountain out of which stems life and vivacity itself always reaching                         and grasping for the abstruse azure heavens above. her hair never stops growing. the mites and parasites never cease to fester her scalp. She is growing and changing and rotting and dying.      but where death comes, there is no long interval until more life. the liveliness is everywhere; it promotes to all faces and regions and niches. Multiplying, begetting, propagating. all for the greater good of our orb and its inhabitants. Most dwellers are humble and solicitous toward her, and learn to keep a vigilant eye as she can be so forceful and violent. She does have, however, one rascal who believes that the globe belongs all to Himself. He is the man. He has a masterful gift, yes. He is profound and competent. He forges the impractical query into a conclusive answer. He, however, is also egocentric and pompous, and He sees her as a specimen to which He has the rights to dismember and pervert. He makes a mess of her unique vistas. He tramples and stamps on her face, running about as if she were the coliseum in which the gods gather to view the Species fight itself to extinction. He works her to the core, always asking for more, more, more, more, until she has little left to give. But she never loses courage in His asinine and moronic views and His sprawling village, for she created Him     out of herself she is the framework out of which the mind is able to mundanely manifest itself. Without her, He would be nothing. And she is so immeasurably loving and benevolently caring and forevermore giving;     for     She is life,           she is love.        We are love.
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25
the hands of time do tick on by in the process years passage quickly by our clock's cogs speedy of haste there's not a spare minute to waste a youthful soul   racing along then into old age comes a final gong the hands of time do tick on by in the process years passage quickly by life's every moment strikes a chime until they reach a conclusive prime days on the rapid   circuit decrease   as momentum's lap will so cease the hands of time do tick on by in the process years passage quickly by
0
Sep 16, 2017
Sep 16, 2017 at 5:46 AM UTC
Passage Quickly By
Living in a world of confusion confusing words of transfusion transfused, with a simple conclusion conclusive to living a delusion it's a story of a new creation created out of a liars frustration frustrated without a new translation translating to a new declaration It must be just like an addiction addicted to a life of fiction fictional words, then a new depiction depicting your contradiction
0
Nov 14, 2013
Nov 14, 2013 at 10:32 PM UTC
Depiction of a Contradiction (Quantum Loop)
consume endless stimulants anything to get through this lifeless eyes with sunken souls tucked away in hidden holes the hands on the clock do a full rotation returning then surpassing their first location alternating breaks between coffee and bogies i sit on the floor, my effort withholding breathe in, breathe out, inhale deep i know not about counting sheep a few more bodies tough it out "we are the champions," i want to shout and i'm delusional, so i just might tell this empty room about my sleepless night
0
Dec 9, 2016
Dec 9, 2016 at 8:47 AM UTC
Comically Conclusive Catechisms
Letters not sent Words untouched by hands, There is no softer gaze, Opening radiant ways With rapid pulse of breaths, In spoken sentences. The invisible margin of lost attention. I saw unsettling light, The sun glinting on the window, An ordinary building across the street And an elusive, surreal reflection Of a blurred sphere, not giving warmth. I stare at this distorted image, Wanting to endure it directly, Longer than I could bear, In a motionless pause The side effects of this manifestation. My eyes were slightly closed To hug the contours of an unclear shape. The luminosity from a distance Safely stays at a fragile layer, So as not to freeze and not to burn Before the piercing, conclusive truth. Being for so long and perfectly alone. So many hours punished by the silence, The long days in tamed anger, Waiting for relief, All those good wishes in letters were never sent. The gleams turned in the blunt, painful light. Just two living spheres and a clear, cold glass In the ocean of rigid duties, A star’s slow implosion, Reshaped colorful memories, grasping at remains. The vivid balloon with the air gone— No longer flying above our heads. Nothing else, just indifference that forgot How it used to cry.
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Sep 11, 2025
Sep 11, 2025 at 5:14 PM UTC
Blunt Light
Vision...the perpetual resurrection of light, tipping point whose interstice of darkness is overcome, spreads the image clear. Furrowing the brow of space like a great perennial philosophy--the nexus of contradistinction and unanimity. Brilliant point via wave, wave via point lit manifest...hence, objects to sequence the speed of light which relents time. Unerring panorama whose open ended gape presupposes the conclusive evidence of poetic salt in all its worthiness. At the starry behest of a many-sunned convention, apace with rarefied perception. Vision...the illusory stasis of light, whose translation is perception--mines the fusion of angles, of a three hundred and sixty degree order. This plenary dispatch, exalting the sum of its parts...inbuilt fractal minding, mining parts which are The Sum. ...Om...
0
Nov 4, 2014
Nov 4, 2014 at 10:29 AM UTC
Mines the Fusion of Angles
Figure a trigger pictured fingers scratch the brain pick it **** exposed; ********** minds only craving one more dime. Insane vein blade neck noose she drinks some to feel loose. creeping convulsions chills christen me a martyr King of the opiophiles Christ of the smackheads Conquering coconaut Hero to heroinites Majesty of the methodonians Glitches in systems revolving rebel against or kiss them Ring the bell to bring out the MOB and roll your future to face the dice who are they ask for advice? You draw towards these demons while behind you attempt to bask a mask Cody raises a flask of poison resentful regrets Brody the roadie is always on the move that ****** basement edm dub scene sure did become crass which only leaves you, alone to groove and we drink my flask our flask and bask in romance and death Sorry Sir that you asked…but wait I have one more thought before the session reaches the inevitable conclusive aspect. Listen to my Unexplained Law Of Academic actualizations Basic casualization Capital causes compound connections only resulting in casualty I am orbiting you Blazing comet A simple sultry satellite cold convoluted Sad at my farthest reaching far flung Aphelion Warming and safe at my closest approach to You Blazing life bringer Holy holy holy art thou oh Eye of all Allow me to forever remain at Perihelion The laws of Keplar could not keep us from colliding in the end fire will be all dividing
0
Feb 11, 2015
Feb 11, 2015 at 8:02 PM UTC
olber's paradox
what if we could grasp things in our hands..? I don't mean plain, concrete items, I mean what if we could grasp the memories, the changing of the seasons, and the people we love into one little item? how long could we contain it inside such a microscopic view of abstract morals and views? how about that titian leaf lying around in the pile near your door? go and pick it up. what do you feel, hear, smell, see, perhaps even taste in the moment? I think that in that moment when our minds have come to a conclusive point about the values grasped into something so simple, we can hold it. (j.a.r.)
0
Mar 15, 2015
Mar 15, 2015 at 12:02 AM UTC
Abstract Grasping
remain campaigners are Neo-Nazis to me, they want Germany to rule - ******* Aryans and the stag do; try buying a house in Hackney you ***** 425 thousand to mind! i'll buy the slave trade's worth of Minnesota with Kenya and Kent to boot with that. ***** n'ah mate! n'ah! i'll pile on the Cockney you pill the urban gay-parade worshippers fancying the remain campaign - once it mattered, now it doesn't, really - maybe i'll wake up with SS-men in fish-stockings or rainbow tights - whoever, the gas, the chambers, the broken skeletons.
0
Jun 25, 2016
Jun 25, 2016 at 8:08 PM UTC
conclusive remarks
Architectured backs hide secrets in their bends, rising up from foundations built on brown tanline sands secured with concrete cloth, tied to posts either side of lengths and widths. Ask the professor, he’ll know how to demolish a building: he’s a degree in unfolding the unnatural and his last paper was in firming up the dunes; with wooden poles his tests were conclusive almost allusive as he marched on at night, but we saw him, with others under car park, notorious, car rocking lightly in the light, light. Due to administration cut backs his papers were never reposted to sender and now I’m bound by glue that leaked from their spines and lines of the book to you: we’ll never not be apart but shall remain forever not together.
0
Aug 21, 2013
Aug 21, 2013 at 4:15 PM UTC
PROFESSOR, I NEED HELP
Inflection detection in wording circumspection. Emotion induction from sentence construction. Thinking,reckless, breathless. Intrepid interpolated meaning interpretation. Conclusive concussive membrane concussive. Paranoid, panoramic, irrational. Dogmatic denial Vexing act servile. Divisional divisive delusional decisive . Thinking,reckless, breathless. Paranoid, panoramic, irrational.
0
Mar 29, 2016
Mar 29, 2016 at 5:56 PM UTC
Irrationing
sadness has always been here hiding somewhere down under rooted deep within my ribcage which cracked from all the thunder   i felt it there when i was small but didnt know what it meant i never guessed it'd turn into something I'd so much resent once the bones were broken there was no holding back the sadness came right through me and waited to attack it'd linger here and linger there always messing with my brain; it made me anxious made me scared this sharp conclusive pain it told me this was the end and there was nothing i could do it fought my once so bright ambition and turned it shades of blue
0
Jul 17, 2013
Jul 17, 2013 at 7:47 PM UTC
uprooted
As the sea is dolorous My soul is untamable As the moon perpetuate the sea One can make me conclusive But who can bottle that be? The sea may reverberate My affection may extravasate The moon dispassion the waves Of my life's precipitation Who can prevail against me? As deep as the sea Is my love and my heart As the moon faultless the sea I need someone to quiescent me Who can rival me? The sea is so atramentous As is my disposition The moon luminosity it's light Can someone genuinely love me And make me whole? I need a camaraderie Like the moon and the sea Commensurate and exhaustive Come find me If you dare I'm lost at sea.
0
Mar 8, 2016
Mar 8, 2016 at 12:57 PM UTC
Love at Sea
I have discovered myself to be lost in shimmering puddles of an ancient dream where the recollections of an acoustic guitar delve into the depths of an autumn sky. They are unequivocally related to damp wellington boots, butterscotch and bacon. At last, I have balanced upon the glorious edge of unfathomable childhood rituals where esoteric plantations are shrouded by a hedge of Britannic history. So, as you seek to slide down the steep and icy pathway into the park, make sure that you return by 9 o’clock in the evening because the black nun wanders around those ghostly woodlands where religious buildings remain to be sunk into historical graves.
0
Jan 11, 2014
Jan 11, 2014 at 10:21 PM UTC
Conclusive Rotations of a Ceaseless Substance