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"composing" poems
Everything in quotations marks and italics was written by TS Eliot. eyes knowing glossy men, sheer women, creatures, not all artists, but artists, always thus, centrifugal, simple from their core, emanate, resonate, expand the exterior with interior precision sculpting to the interior delve, via brush or limb, pen or music, the exposition, the exploration, the reconstruction of composing one's self, creation and destruction of your own myths movement of arms and legs, sparseness of simplicity subsidiaries of centricity, tributaries of complexity, oriented to their locality the simple purpose of inhalation, to exhale, after transformation, the calculus of thought into emotion: *"the tongues of flame are in-folded into the crowned knot of fire and the fire and rose are one"* the dancers hear the music: *"so deeply that it is not heard at all, but you are the music while the music lasts."* **”Quick now, here, now always – A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well"**
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Mar 10, 2014
Mar 10, 2014 at 10:42 PM UTC
"A condition of complete simplicity"
having the low down blues and going into a restraunt to eat. you sit at a table. the waitress smiles at you. she's dumpy. her *** is too big. she radiates kindess and symphaty. live with her 3 months and a man would no real agony. o.k., you'll tip her 15 percent. you order a turkey sandwich and a beer. the man at the table across from you has watery blue eyes and a head like an elephant. at a table further down are 3 men with very tiny heads and long necks like ostiches. they talk loudly of land development. why, you think, did I ever come in here when I have the low-down blues? then the the waitress comes back eith the sandwich and she asks you if there will be anything else? snd you tell her, no no, this will be fine. then somebody behind you laughs. it's a cork laugh filled with sand and broken glass. you begin eating the sandwhich. it's something. it's a minor, difficult, sensible action like composing a popular song to make a 14-year old weep. you order another beer. jesus,look at that guy his hands hang down almost to his knees and he's whistling. well, time to get out. pivk up the bill. tip. go to the register. pay. pick up a toothpick. go out the door. your car is still there. and there are 3 men with heads and necks like ostriches all getting into one car. they each have a toothpick and now they are talking about women. they drive away first they drive away fast. they're best i guess. it's an unberably hot day. there's a first-stage smog alert. all the birds and plants are dead or dying. you start the engine.
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11.1k
Another Day
having the low down blues and going into a restraunt to eat. you sit at a table. the waitress smiles at you. she's dumpy. her *** is too big. she radiates kindess and symphaty. live with her 3 months and a man would no real agony. o.k., you'll tip her 15 percent. you order a turkey sandwich and a beer. the man at the table across from you has watery blue eyes and a head like an elephant. at a table further down are 3 men with very tiny heads and long necks like ostiches. they talk loudly of land development. why, you think, did I ever come in here when I have the low-down blues? then the the waitress comes back eith the sandwich and she asks you if there will be anything else? snd you tell her, no no, this will be fine. then somebody behind you laughs. it's a cork laugh filled with sand and broken glass. you begin eating the sandwhich. it's something. it's a minor, difficult, sensible action like composing a popular song to make a 14-year old weep. you order another beer. jesus,look at that guy his hands hang down almost to his knees and he's whistling. well, time to get out. pivk up the bill. tip. go to the register. pay. pick up a toothpick. go out the door. your car is still there. and there are 3 men with heads and necks like ostriches all getting into one car. they each have a toothpick and now they are talking about women. they drive away first they drive away fast. they're best i guess. it's an unberably hot day. there's a first-stage smog alert. all the birds and plants are dead or dying. you start the engine.
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62
. *So here I am once more, in the playground of the broken hearts. One more experience, one more entry in a diary self-penned. Yet another emotional suicide, overdosed on sentiment and pride. To late to say I love you, to late to re-stage the play. Abandoning the relics in my playground of yesterday'.* The first words you killed me with. The first Script to make me cry. The opening song on a plate of sorrow. The opening sight of my Poets eye. Your words soaked my childlike mind as I lost on the roundabouts and swings. The Jester stands with violin and quill, composing tears on his broken strings. I sat and chewed those daffodils and I still struggle to answer why. I grew up and left that playground but its the place where my heart died. So I never did write that love song, My words just never seemed to flow. The martyrs twisted smile haunts me, my Harlequins head dreams in sorrow. The game is over. The game is over. © Pagan Paul (22/05/17)
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May 22, 2017
May 22, 2017 at 1:14 PM UTC
Violin and Quill
*She told me to lie still Let my thoughts take a deep breath Until memories were all that remained She did not know that I carry treasures drifting in and out of my mind like the ocean’s tide that can never be contained She told me I could block out the words I write Even the ones I now know by heart that wait As if they were, only a habit I had formed in time But........ she did not know those words would only keep flowing She had spoken too little, too late I spoke to her of your embrace of my first moment with you How your eyes never drifted from my own Then I watched as she saw your heart in my eyes It was composing the words that will never stop flowing from me She took a deep breath, and moved on.*
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Feb 11, 2011
Feb 11, 2011 at 7:21 PM UTC
A Deep Breath
Everlasting love is a commitment Ref 008 Everlasting love is a commitment. Virtual reality cannot ever compare Everlasting reality is my love for you Reality that continues unabated Longer than affairs of the heart As my darling I know you by heart Since the first Happy days meeting The first day of the rest of my life I discovered an everlasting love Not withstanding your aloof brow Golden are the moments shared Love's unconditional commitment Only true lovers understand it . Very close encounters promote it Especially within thy noble form I love you so much my Barbara So much once to inspire my mind As constant is my wish to praise Composing lines of loving prose On each and every living day. My mind races with the inspiration Mastering words of literary giants In songs of praise dedicated to thee Then understand my commitment My commitment ,to my darling girl Everlasting love is my commitment Not just for now but forever always Thank you for our life commitment ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Philip.
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Oct 23, 2018
Oct 23, 2018 at 5:29 AM UTC
Everlasting love is a commitment (An Acrostic)
When poets die It's sad and true, It matters not What their bodies do, The spirit flies To Poet's Corner, In Westminster Abbey. You'll not see Busts or inscriptions For all the poets Whose spirits linger Alongside Chaucer, Browning, Spencer, And a myriad of authors. Dead Poet you have earned your share; Dead Poet I will know you're there, Composing in the Laureate's lair.
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Sep 26, 2015
Sep 26, 2015 at 12:33 PM UTC
Elegy for Dead Poets
I'm just composing all day I'm just transposing all day I'm just eroding all day I'm just imploding all day I wonder what's for lunch?
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Nov 1, 2014
Nov 1, 2014 at 3:51 PM UTC
Thoughts
I’ll split the hairs, I’ll split an atom And never leave the bedroom. I most identify with December, Not because of the crushing temperature But the lack of cosmic dawdling Is no more mesmerizing than a frozen phoenix. And as she arrives by train from Phoenix, I study who she appears to be, the atoms Composing her auburn hair with dawdling Authenticity shout “Take me to the bedroom!” While the wedge of geese in this temperature Head to the Southern Hemisphere’s December. The common chill of this morning in December Prevents us from rising from out the covers like a phoenix, And our blankets like ash defend us from the temperature That stills the vibrations of the atmosphere’s atoms. I curse the insulated walls of the bedroom, Trapping in heat and discouraging our dawdling. A rafter of turkeys outside my window are dawdling, Printing their runes on the documents of December Between the thickets surrounding the bedroom While the sun, golden like the plumage of a phoenix, Awakens in my bones every dormant atom, Instilling in me courage to brave the temperature. I follow her, dressed, from the bedroom And her footsteps serve to punctuate the temperature Like the smoldering beak of a phoenix Too busy being risen for dawdling. She leaves, by train through the chill of December, Me daydreaming of fission. The splitting of an atom. I’ll split an atom daily, safely within the bedroom And sleep through December’s pitiless, hollow temperature, Waking only for dawdling until Spring is a phoenix.
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Mar 24, 2010
Mar 24, 2010 at 10:16 PM UTC
Fission
I’ll split the hairs, I’ll split an atom And never leave the bedroom. I most identify with December, Not because of the crushing temperature But the lack of cosmic dawdling Is no more mesmerizing than a frozen phoenix. And as she arrives by train from Phoenix, I study who she appears to be, the atoms Composing her auburn hair with dawdling Authenticity shout “Take me to the bedroom!” While the wedge of geese in this temperature Head to the Southern Hemisphere’s December. The common chill of this morning in December Prevents us from rising from out the covers like a phoenix, And our blankets like ash defend us from the temperature That stills the vibrations of the atmosphere’s atoms. I curse the insulated walls of the bedroom, Trapping in heat and discouraging our dawdling. A rafter of turkeys outside my window are dawdling, Printing their runes on the documents of December Between the thickets surrounding the bedroom While the sun, golden like the plumage of a phoenix, Awakens in my bones every dormant atom, Instilling in me courage to brave the temperature. I follow her, dressed, from the bedroom And her footsteps serve to punctuate the temperature Like the smoldering beak of a phoenix Too busy being risen for dawdling. She leaves, by train through the chill of December, Me daydreaming of fission. The splitting of an atom. I’ll split an atom daily, safely within the bedroom And sleep through December’s pitiless, hollow temperature, Waking only for dawdling until Spring is a phoenix.
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33
The poet Phernazis is composing the important part of his epic poem. How Darius, son of Hystaspes, assumed the kingdom of the Persians. (From him is descended our glorious king Mithridates, Dionysus and Eupator). But here philosophy is needed; he must analyze the sentiments that Darius must have had: maybe arrogance and drunkenness; but no -- rather like an understanding of the vanity of grandeurs. The poet contemplates the matter deeply. But he is interrupted by his servant who enters running, and announces the portendous news. The war with the Romans has begun. The bulk of our army has crossed the borders. The poet is speechless. What a disaster! No time now for our glorious king Mithridates, Dionysus and Eupator, to occupy himself with greek poems. In the midst of a war -- imagine, greek poems. Phernazis is impatient. Misfortune! Just when he was positive that with "Darius" he would distinguish himself, and shut the mouths of his critics, the envious ones, for good. What a delay, what a delay to his plans. And if it were only a delay, it would still be all right. But it yet remains to be seen if we have any security at Amisus. It is not a strongly fortified city. The Romans are the most horrible enemies. Can we hold against them we Cappadocians? It is possible at all? It is possible to pit ourselves against the legions? Mighty Gods, protectors of Asia, help us.-- But in all his turmoil and trouble, the poetic idea too comes and goes persistently-- the most probable, surely, is arrogance and drunkenness; Darius must have felt arrogance and drunkenness.
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Darius
The poet Phernazis is composing the important part of his epic poem. How Darius, son of Hystaspes, assumed the kingdom of the Persians. (From him is descended our glorious king Mithridates, Dionysus and Eupator). But here philosophy is needed; he must analyze the sentiments that Darius must have had: maybe arrogance and drunkenness; but no -- rather like an understanding of the vanity of grandeurs. The poet contemplates the matter deeply. But he is interrupted by his servant who enters running, and announces the portendous news. The war with the Romans has begun. The bulk of our army has crossed the borders. The poet is speechless. What a disaster! No time now for our glorious king Mithridates, Dionysus and Eupator, to occupy himself with greek poems. In the midst of a war -- imagine, greek poems. Phernazis is impatient. Misfortune! Just when he was positive that with "Darius" he would distinguish himself, and shut the mouths of his critics, the envious ones, for good. What a delay, what a delay to his plans. And if it were only a delay, it would still be all right. But it yet remains to be seen if we have any security at Amisus. It is not a strongly fortified city. The Romans are the most horrible enemies. Can we hold against them we Cappadocians? It is possible at all? It is possible to pit ourselves against the legions? Mighty Gods, protectors of Asia, help us.-- But in all his turmoil and trouble, the poetic idea too comes and goes persistently-- the most probable, surely, is arrogance and drunkenness; Darius must have felt arrogance and drunkenness.
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37
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
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Feb 11, 2014
Feb 11, 2014 at 5:08 AM UTC
Moving Muscles
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
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Normal has no home with me. Rage is a wonderful mess. Shake my hand... Bend around my mind. Bend all you can. Sick is what I am. Contagious is what I'm not, but you will flee all the same. Satisfaction to my day. Stay away so I don't have to try to explain. Stay away... PTSD, and a sprinkle of Rage... Bipolar me will tarnish your day. You will never understand my fears. You will never understand the me that isn't me... The desolate creation of Molestation, Physical Abuse, Verbal abuse, and **** Paint me Not a Victim for you are mine! I'm ice cold and brilliant in my revenge. I am easy on the eyes... I'm a wonderful disguise! I'll fight with my word's, even though I can't sleep. You can be the victim of you! Karma and God will find you! But first you will see me. My other me... Such things that I think... What you have done to me is nothing compared to my friend Beelzebub! My mind's damaged Razor Sharp. The Blood my mind spills is Beautiful, and warm like Family. I'm the creature that feeds off the stench of your decomposing corps. In my mind all that's gory is miraculous art. You are Glorious in your Death! And it is ART! Fantasic ART! Unique in your final pose... Unique is your Blood on my paint brush. Victims, Vast! My gallery is full. Such Monster's you all are! But as I write, and create... I'm the monster Today. For Survivor's of hate! I'll create! No victims of innocence will bleed today. It's a new day! I have spray paint filled with the blood of the ******* who stole comfort from your night. Cry not tonight! Your composing the nightmares this night! Set your hurt free... Let them Bleed. It's time for art's & craft's. Carry them to me!
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Jul 14, 2017
Jul 14, 2017 at 4:54 PM UTC
Offender's Beware
Normal has no home with me. Rage is a wonderful mess. Shake my hand... Bend around my mind. Bend all you can. Sick is what I am. Contagious is what I'm not, but you will flee all the same. Satisfaction to my day. Stay away so I don't have to try to explain. Stay away... PTSD, and a sprinkle of Rage... Bipolar me will tarnish your day. You will never understand my fears. You will never understand the me that isn't me... The desolate creation of Molestation, Physical Abuse, Verbal abuse, and **** Paint me Not a Victim for you are mine! I'm ice cold and brilliant in my revenge. I am easy on the eyes... I'm a wonderful disguise! I'll fight with my word's, even though I can't sleep. You can be the victim of you! Karma and God will find you! But first you will see me. My other me... Such things that I think... What you have done to me is nothing compared to my friend Beelzebub! My mind's damaged Razor Sharp. The Blood my mind spills is Beautiful, and warm like Family. I'm the creature that feeds off the stench of your decomposing corps. In my mind all that's gory is miraculous art. You are Glorious in your Death! And it is ART! Fantasic ART! Unique in your final pose... Unique is your Blood on my paint brush. Victims, Vast! My gallery is full. Such Monster's you all are! But as I write, and create... I'm the monster Today. For Survivor's of hate! I'll create! No victims of innocence will bleed today. It's a new day! I have spray paint filled with the blood of the ******* who stole comfort from your night. Cry not tonight! Your composing the nightmares this night! Set your hurt free... Let them Bleed. It's time for art's & craft's. Carry them to me!
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51
Excuse me for my hurt, I know you mean well, And you want to inspire, And uplift me, But language is a fickle art. One that can make the difference, Composing tone and the words themselves. And there is no greater insecurity Than the one called Me. Since the very beginning, I have been openly listening, Engaging in thoughtful discussion - The subject of You, the percussion. I immediately spotted possible repercussions. I wanted, and I still do, To know your essence, But healthy exchanges Involve equality, And I don't want to be left hanging, Feeling like I'm lesser. I crave knowing the rest of your essence, But have you no interest In knowing the same? Are our minds connected Of the same fibers Or are we what we weave, Being different in how we perceive, A lifetime of individual strings? The only Person I should keep in my life, Making me feel inferior and uninteresting, Is Me - And I shall escape that fate, With unconditional love, and positivity. I am deeply interested, In knowing MySelf, loving MySelf, And to You, who has shown limited interest In simply knowing me, You, I choose as a direction of my Purity, You, unaltered and true, You, and Me, Alone - It all, once again, Always begins with You.
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Jun 10, 2015
Jun 10, 2015 at 4:42 AM UTC
Insecurity
Everlasting love is a commitment Everlasting love is a commitment. Virtual reality cannot ever compare Everlasting reality is my love for you Reality that continues unabated Longer than affairs of the heart As my darling I know you by heart Since the first Happy days meeting The first day of the rest of my life I discovered an everlasting love Not withstanding your aloof brow Golden are the moments shared Love's unconditional commitment Only true lovers understand it . Very close encounters promote it Especially within thy noble form I love you so much my Barbara So much once to inspire my mind As constant is my wish to praise Composing lines of loving prose On each and every living day. My mind races with the inspiration Mastering words of literary giants In songs of praise dedicated to thee Then understand my commitment My commitment ,to my darling girl Everlasting love is my commitment Not just for now but forever always Thank you for our life commitment ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Philip. 22nd January. 2017
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Nov 18, 2018
Nov 18, 2018 at 2:20 AM UTC
Everlasting love is a commitment.
~ each intersection, a crossroad made, every answer, a question began; each wrong, a right opposing, every song, a note composing, after darkness, the light again! angry words won’t heal the pain, apologies like ointment’s rain; flood-washed roads a crossing need, no line in sand, a bridge instead, points me north, your heart to claim! i am no island, though often seems, my pained retreat, a blood trail leaves; i find my greatest strength of all, within your heart’s loving embrace, held firmly in your grip of grace! there is no strength in platitudes, cliches are weak, like worn out shoes; the darkened bank cannot hold sway, o’er lighted bridge that leads the way, points me north, and back to you! ~ *post script. learning something of defense mechanisms, mine in particular;   sadly, when brokenness is too acute to hide, the retreat is not bloodless. bridges built of simple three-word sentences greatly needed ...  not a crafted flood of well-worded, defensive responses. “i am sorry!” and “i love you!”... two, eight-letter, three-cord ropes, requiring no word-smithing, yet are sound-ly engineered for mending souls and building hearts-bridges not easily broken... each capable of bearing (baring) great weights. and yes, there are notes composing here, for it is said, “a song solidifies the heart’s passionate decisions!”*
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Jul 23, 2016
Jul 23, 2016 at 1:08 PM UTC
bridges
At the end, will it be brandy-wine or mescaline to sugar coat enlightenment, the purpose, the omnipotent influence? Some live to make a whirling dervish swoon. Some pray to Love, composing sonnets for the moon. Some find themselves floating, bloated lungs with lazy currents, mourning free-will. With questions perched atop your windowsill, do decomposing wings pull with yearning to wake in dawn's warning? Your beak, a rattling, pneumonic drill. It's a dead end, fear and adrenaline. Invite me in to ostracizing nuisances. Therefore, I may imprison myself in cylindrical cells, pop out wisdom like bubble-wrap, fight the mighty ocean swells, or shimmy up the lobster trap, With inevitable siege by buzzards eying wildly, shedding sea-salt feathers that won't be washed for weeks. Still, the mad-hatter trades me one more spill for spill. And I taste the honesty we sip for swollen memories whose frantic bodies let fists fly on flushed faces that we never truly see. In profound confusion we stumble, blind. Then, we all forget so blissfully, once we reach the rainbow's end.
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Sep 11, 2012
Sep 11, 2012 at 9:46 PM UTC
Strut to the Rainbow's End
Lost, yet found. The birth of her image evolves into a smile. Generously pouring herself into my soul. Where she dances to the rhythm of my heart, composing every beat with her natural style. As the kindness of her soul glows with each breath she takes, all that is left: I am but a witness. A witness to…. what she breathes, to what lies beneath, a compassionate, warm-loving, blessed and able heart. One that most dream about, some talk about and few meet. Her thumping heart breathes into the lives around her, filling the air with joy and truth.
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Sep 6, 2016
Sep 6, 2016 at 9:10 PM UTC
The Witness
Tonight I have no words. I cannot grandly sweep my pen In flowing arcs across the page, Drawing little soft impressions (little soft depressions) That show how lovely pain can be. I cannot play the great Creator Who rips a vital pulsing mass from out His chest, And molds still-beating clay With a sad old potter’s gentle hands into a little melancholic harpist who plucks the heartstrings perfectly. No, I have no words that fit Like others have made fit before, composing language to fit all the inward lines and curves (I once knew a few of her’s) that twist and turn and come entwined, (the twists and turns of long ago) crying “Lacrimosa!” in some wee hour as the breeze blows a lacy curtain back. I am no Aeolian instrument Sounding a sweet ethereal chord into the night. I am the vacuous breath left behind in silence When the musician’s music stops — A tuneless referent — An empty exclamation mark Howling noiselessly in space, Meaning nothing And everything, all the same. !
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Sep 4, 2012
Sep 4, 2012 at 3:37 PM UTC
Mute
I always felt inadequate around her she tickled a piano like a child composing a beautiful laughter in the winded chest of a string instrument with no agenda these are the times that I’m grateful for huge siblings that see everything global surveillance for these chance moments that are only ever recreated in scripts mandated to what we wish for reeling in net-fulls of the hopeless that though have had their hopes tested are unmoved their hearts caressed and back-rubbed out of the misery of a reality that is only so if it an be seen on a screen who’s Eden stands in the clay of a dream
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May 7, 2014
May 7, 2014 at 12:46 AM UTC
On 'Mystery' and 'Why'
there is an old persian legend of a man who falls in love with a woman and goes insane when he cannot have her. even after she is married to someone else, he spends his days composing love songs in the dirt, building sandcastle hearts just to watch them collapse again when the tide rolls back in. years pass, and the girl never writes anything back. i still wonder if she was ever given the chance to. i was twenty-seven when i learned that you could fashion a stethoscope out of a cassette tape, broadcast the sounds of your heart to a double guitar riff that screamed desire. you pressed play and in an instant, i was priest to your deepest confessional. i never asked about how you looked at me on the days that my husband was too busy finding god to join me in bed at night. i never wanted to know that you sinned in the color of my eyes. i never thought i’d be remembered for the moment that i traded krishna for ******* and the thousand days that followed: day 176: we mix love and self-destruction in an old hotel room until they go down my throat as easily as sweet red wine. day 472: you turn watching me get ready for a party into an excuse to make love to my reflection with the windows open. day 894: you spend the entire morning restringing your guitar but i can still recognize another woman’s voice in its tone. day 1000: i loved you but never had the instruments to prove it. we’ve both realized that obsession is a drug best left to legend. to this day, they still call me the greatest muse of rock and roll, but each switch of the radio dial is just another reminder that i once tasted like music in the mouths of men, that their words built me up like a flower-child mona lisa in all the permanence of three minutes of vinyl, that though i inspired the most beautiful lyrics   ever written about love, they never called me onstage to sing them. i was once told that if you love a woman to the point of madness, she will become it. but any insanity i have remains etched on the insides of my veins; i walk beaches now, much too old for sandcastle-building. years pass, and the girl has never written anything back. i still wonder if she will ever be given the chance to. even the world’s greatest muses sometimes want to hold the pen.
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Oct 7, 2013
Oct 7, 2013 at 8:47 PM UTC
layla
there is an old persian legend of a man who falls in love with a woman and goes insane when he cannot have her. even after she is married to someone else, he spends his days composing love songs in the dirt, building sandcastle hearts just to watch them collapse again when the tide rolls back in. years pass, and the girl never writes anything back. i still wonder if she was ever given the chance to. i was twenty-seven when i learned that you could fashion a stethoscope out of a cassette tape, broadcast the sounds of your heart to a double guitar riff that screamed desire. you pressed play and in an instant, i was priest to your deepest confessional. i never asked about how you looked at me on the days that my husband was too busy finding god to join me in bed at night. i never wanted to know that you sinned in the color of my eyes. i never thought i’d be remembered for the moment that i traded krishna for ******* and the thousand days that followed: day 176: we mix love and self-destruction in an old hotel room until they go down my throat as easily as sweet red wine. day 472: you turn watching me get ready for a party into an excuse to make love to my reflection with the windows open. day 894: you spend the entire morning restringing your guitar but i can still recognize another woman’s voice in its tone. day 1000: i loved you but never had the instruments to prove it. we’ve both realized that obsession is a drug best left to legend. to this day, they still call me the greatest muse of rock and roll, but each switch of the radio dial is just another reminder that i once tasted like music in the mouths of men, that their words built me up like a flower-child mona lisa in all the permanence of three minutes of vinyl, that though i inspired the most beautiful lyrics   ever written about love, they never called me onstage to sing them. i was once told that if you love a woman to the point of madness, she will become it. but any insanity i have remains etched on the insides of my veins; i walk beaches now, much too old for sandcastle-building. years pass, and the girl has never written anything back. i still wonder if she will ever be given the chance to. even the world’s greatest muses sometimes want to hold the pen.
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36
a fair question, deserving of thought, goodly soft care and hard consideration, strangely, instantly and undeniable, one worldly, word achieves ********** whether first or foremost, après ma raison d'être, cannot list, nor rank or certain state, yet my heart repeats, nation, nation, my understanding, instant and complete worthy journey to self-fulfillment, contentedly unhappy to be permanently, one poem short on the one continuum, the-road-trip to salvation, my end, my finality / our self-acualization aking pagtatapos, ang aking katotohanan my einde, my realiteit fen m 'yo, reyalite mwen akhir saya, realiti saya ma fin, ma réalité M write of the ifs of a man's life, and come aboutface to conclusions, instant and long in the making, there are willing ears on this globe, welcoming me open armed, opened lipped, knowing firstly this open-eyed greeting, welcome poet, tell us for we are one nation, everywhere invisible, indivisible with liberty and justice inherent, creation our common good, in fact it is our lifelong wares and goods, letter by letter composing, we sell for the price of free This then single common currency, our ouro, derivation of languages multi and mellifluous here spoke, this my/our nation where birthright and citizenship ego-and-geo boundless, my loves, continentally arrayed, to whom I pledge until last breath utter all, guttural devotion when one of us creates, good manifests, I care not in what tongue, for our tongues intertwine and intertaste this one flavor, communitas, meine gemeinschaft, meine gesellschaft where spoken goodness all the days of life, it has goodly gotten me to you...
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Mar 1, 2014
Mar 1, 2014 at 6:55 AM UTC
where has writing gotten me? (March 2014)
a fair question, deserving of thought, goodly soft care and hard consideration, strangely, instantly and undeniable, one worldly, word achieves ********** whether first or foremost, après ma raison d'être, cannot list, nor rank or certain state, yet my heart repeats, nation, nation, my understanding, instant and complete worthy journey to self-fulfillment, contentedly unhappy to be permanently, one poem short on the one continuum, the-road-trip to salvation, my end, my finality / our self-acualization aking pagtatapos, ang aking katotohanan my einde, my realiteit fen m 'yo, reyalite mwen akhir saya, realiti saya ma fin, ma réalité M write of the ifs of a man's life, and come aboutface to conclusions, instant and long in the making, there are willing ears on this globe, welcoming me open armed, opened lipped, knowing firstly this open-eyed greeting, welcome poet, tell us for we are one nation, everywhere invisible, indivisible with liberty and justice inherent, creation our common good, in fact it is our lifelong wares and goods, letter by letter composing, we sell for the price of free This then single common currency, our ouro, derivation of languages multi and mellifluous here spoke, this my/our nation where birthright and citizenship ego-and-geo boundless, my loves, continentally arrayed, to whom I pledge until last breath utter all, guttural devotion when one of us creates, good manifests, I care not in what tongue, for our tongues intertwine and intertaste this one flavor, communitas, meine gemeinschaft, meine gesellschaft where spoken goodness all the days of life, it has goodly gotten me to you...
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51
By definition, talent is to have natural aptitude or skill, So naturally for a poet like myself, Talent is what happens when artistry Becomes the integration of poetic elements— Transferred from savage seas of thought To the nakedness of a sheet of paper— A voice of confidence composing songs of beauty in motion, Live wired passion sparking spirit lifting inspiration. Talent is within the heart of whom possesses it— If the vessel is tainted with chaos Then the outcome of devastation is imminent If the vessel is painted with endearment Then the outcome of equanimity is prominent By definition, talent is to have natural aptitude or skill, So naturally for a poet like myself, Talent is a gift ,one not obtained freely— nor does it find its way to everyone, but it is the duty of the talented to be inspiration for the talent-less— To be a human of poetry, A messenger of the earth, Parallel to fellow man, no matter the race, creed or gender. Talent is within the heart of whom possesses it— If the vessel is tainted with chaos Then the outcome of devastation is imminent If the vessel is painted with endearment Then the outcome of equanimity is prominent. Joseph R. Adomavicia
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Dec 19, 2015
Dec 19, 2015 at 12:59 PM UTC
What is Talent?
*Hear the soothing sound the tone of our cello conquering all odds all waves  our sea have had See the amity the bond beyond our strings making harmony and sense to euphony Discern the caress the way I held our  bow composing colors to notes to every sound Felt not the bitter? the ugly behind this see not the wounds? the scars of my cello*
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Dec 16, 2014
Dec 16, 2014 at 1:02 PM UTC
Blue Resonance
slowly and softly, we drip back into our own little worlds, composing the structure that we each need to survive, yours being the complete opposite of mine, but that's okay, because a drop of wax can build a new candle, and all that candle needs is a spark.
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May 1, 2018
May 1, 2018 at 11:57 PM UTC
Wax (3 of 3)
By Joseph Childress I'm composing A symphony with this typewriter Honestly, I'm not writing musical notes For the sake Of typing on pianos This is music itself Listen. This is what soul sounds like To me Of course, The raw strokes of pencils Are classic But this new age music Is of my time I've learned How to play this instrument To showcase My ability as a musician And these notes Are loudest When read alone
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Mar 15, 2014
Mar 15, 2014 at 6:38 PM UTC
The Instrument
Shattered windows and broken doors, cast shadows across a tear-stained floor. Broken dishes speak to silent walls while unheard words cry out that should be understood by all. Nothing's left to see in these eyes of mine, because life has frozen all I ever hoped to find. I write and search for a stream of memories, but find no words that won't scar me. My hands reach out with a shaking pen composing a message in the dark once again. Tonight I scratch on my skin words of love that should have never been.
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Sep 4, 2013
Sep 4, 2013 at 10:05 PM UTC
Shadows Across a Tear-Stained Floor