There it was on the calendar, Saturday May 11,2013. Big red circle around the date and written in black pen in the middle…SPELLING BEE. Plain as day, you couldn’t miss it. One of the biggest days of the school year for geeks and nerds alike.





Today was the day. In two hours, The 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee, would begin.  This was a huge event in the history of Thomas Polk Elementary School. It would be one of the biggest, if not THE BIGGEST in the history of The Twin Counties.



There would be twenty-one schools represented with their best and brightest spellers. The gymnasium would be full of parents, grandparents, brothers, sisters, aunts, uncles, and media representatives. Yes, invitations had been sent out to both of the local papers in The Twin Counties, and both had replied in the affirmative. Real media, in Thomas Polk Elementary School, with a shared photographer….the big time had come to town.



Inside the gymnasium, work had been going on all night in preparation of the big event. The Teachers Auxiliary Group had set up bunting across the stage, purple and white of course, for the school colours. The school colours were actually purple and cream, but, there was a wedding at Our Lady of The Weeping Sisters Baptist Church later, and they had emptied the sav-mart of all of the cream coloured bunting and crepe paper. So, white it would be.



It looked spectacular. There were balloons tied to the basketball net at the south end of the gym. It wouldn’t wind up after the last game, so something had to be done to hide it. Balloons fit the bill. There was three levels of benches on the stage for the competitors, a microphone dead center stage and two 120 watt white spot lights aimed at the microphone.  Down in front, was a judges table, also covered in bunting and crepe, with a smaller microphone sitting in the middle. There was a cord connecting it to the stage speaker system, taped to the gym floor with purple duct tape, just to fit in. Big time, big time.



The piece de resistance sat at the right side of the judges table. An eight foot high pole, with an electronic stop watch and two traffic lights, donated from the local public utilities commission, in red and green. The timer had been rigged up by the uncle of one of the competitors, possibly to gain an advantage, to help keep the judges honest in their timings. Besides, it looked fancy, and it had a cool looking remote control.











The gym was filled to capacity. One hundred and Seventy Five Entrants, visitors, judges and media were crammed into plastic chairs, benches, and whatever lawn chairs the Teachers Auxiliary were able to borrow, that weren’t being used for the wedding at the Baptist Church. It was time to begin….



The three judges came in from the left of the clock, and sat down. The entrants were all nervously waiting on stage on the benches. The media representatives were down front, for photo opportunities, of course.



Judge number one, in the middle of the table clicked on the microphone in front of him and turned to the crowd. In doing so, he spilled his water on his notes and pulled the duct tape loose on the floor in front.



“Greetings, and welcome to the 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee.” There was some mild clapping from the family members, along with a few muffled whistles and two duck calls from the back. The weak response was due to the fact that most of the parents either had small fans (due to the heat), donated from the local Funeral Home, or hot dogs and beer (from the tailgating outside), in their hands. Needless to say, it was still a positive response.



The judge carried on…”Today’s competition brings together the top spellers in the region of the Twin Counties to do battle on our stage. All of the words used today, have been selected from a number of sources, including Webster’s Dictionary, from our own school library, Words with Friends from the inter web, keeping up with modern culture, and finally from two books of Dr. Suess that we had lying around the office. Each competitor will get one minute to answer once his or her word has been selected. We ask that you please refrain from applause until after the judges have confirmed the spelling, and please no help to the competitors. We now ask that you all turn off any electronic media, cell phones, pagers, etc. so we can begin”.



He then turned to the stage and asked all competitors to remove their cell phones and put them in the bright orange laundry basket, usually reserved for floor hockey sticks. Each student deposited their phones, all one hundred and thirty-seven of them in the basket.  We were ready to start.





“Competitor number one…please approach the microphone and state your name and your school” said Judge number two. Judge number two would be in charge of calling the students up, it seemed. She was the librarian at Thomas Polk. She had typical librarian glasses, with the silver chain attached to the arms, flaming red hair, done up in a bee hive uplift, just for the event, and was called Miss Flume. She was married, but, being the south, she was always addressed as Miss.



The first student advanced to the front of the stage. She had bright pink hair, held in place with a gold hairband, black shoes, and a yellow jumper. She looked like a walking number 2 pencil. The two duck calls came from the back of the gymnasium along with scattered applause. All three judges turned and looked to the back, and then turned to face the young girl.



“My name is Bobbie Jo Collister, I am a senior at Jackson Williams School of Fine Arts and Music”. “Thank you Bobbie Joe” said Miss Flume. Bobbie Jo, smiled nervously and put on her glasses. “Your word is horticulture” announced Judge number one, “horticulture”.  Bobbie Jo took a breath and without asking for a definition, usage, root of the word or anything, just ripped through it without fail in three point two seconds, according to the mammoth timepiece at the end of the table. After conferring, the judges clicked on the green street light and she sat down, amidst more duck calls and clapping.



Student number two went through the entire process as did students three through eight. Each one had glasses, no surprise there, and were all dressed in monochromatic themes. Together, they looked like a life sized box of crayolas ready for a halloween party. Each child spelled their words correctly and were subsequently cheered and applauded.



Student nine then approached the microphone, stopping about a good seven feet short and three feet right of it. “My name is Oliver Parnocky” squeaked the lad. “I go to George W. Bush P.S 19 and am a senior.” Miss Flume, grabbed the small mike in front of her and said “Oliver…put on your glasses and move over to the microphone.” She leaned into the other judges, and said “He goes to my school, he doesn’t like wearing them much, and he’s always outside at recess talking to the flagpole after everyone else has come inside”.



“Oliver, please spell Dichotomy” said Judge number one. Judge two started the clock and they waited….and waited…then out burst this voice….DICHOTOMY…D I C H O T O M E E, , no, wait..D I C K O….****!” The crowd erupted in laughter, Oliver was busted. The judges conferred, and after informing poor Oliver they had never heard it spelled quite that way with an O **** at the end, they triggered the red light and Oliver left the stage to sit in the audience with his folks.



The next three kids, all with glasses, like it was part of an unwritten uniform dress code for the day, all advanced and sat down. The next entrant, number thirteen, luckily enough stood from the back and struggled down to the front of the stage. There were gasps and some snickering from the crowd. She was taller than the previous competitors,  and a little more pregnant as well. “Please state your name” said Miss Flume. “My name is Betty Jo Willin and am a senior at

Buford T. Pusser Parochial School”. At this announcement there was a cheer of “Got Wood at B.T. Pusser” from the crowd. The judges turned, asked for silence and the offending nuns returned to their seats. “Miss Willin, how old are you exactly?” asked Judge number one. “Twenty Two sir”. “And you say you are a senior?” “Yes sir” came the reply. Betty Jo was shuffling a bit as the pressure on her bladder must have been building standing there in her delicate condition. After conferring, judge number one said “That sounds about right, your word is PROPHYLACTIC”. The few people in the crowd that knew the meaning of the word laughed, while the rest continued eating their hot dogs and drinking their sodas and beers. “Please give a definition sir..I don’t believe I know that word”. The judges looked at each other with a definite “I’m not surprised” look and rattled off the definition. When she asked for usage, the judges really didn’t know what to do. Should they give a sentence using the word or explain the usage of a prophylactic, which regardless would have been too late anyway.

After a modicum of control was reached, she attempted the word, getting all tongue tied and naturally messing it up. The red light was triggered and she left the stage.



More strange outfits, bowties, hair nets, jumpers, clip on ties, followed. It looked like a fashion parade from Goodwill and The Salvation Army rolled into one. Most attempted their words and were green lighted onwards to the next round, while those who failed, were red lighted back to the crowd and the tailgate party in the parking lot. As each competitor was eliminated, the betting board that was being manned outside by one father was updated with new odds and payouts.



The first round was approaching an end with only three kids left. “Number nineteen please approach and state your name” said Miss Flume. He plume of red hair was starting to sag and was sliding slowly off of her head due to the humidity in the gymnasium.



Number nineteen came forth, glasses, tape across the bridge like half of the previous spellers. He was wearing the most colourful shirt that any of the judges had ever seen. It was not from Dickies, they surmised. “I go to J.J. Washington P.S 117 and my name is Mujibar Julinoor Parkhurloonakiir”. The judges froze. He obviously was new to the district. They had never heard a name like that before, ever. Not even in Ghandi. This was a powerful name. There had been sixteen cominations of Bobby, Bobbie, Billie, Jo, Joe, Jimmy, Jeff, Johnson and Jackson prior to Mujibar. Stunned, judge one asked “Son, can you spell that please?”

Mujibar, not sure what to do, spelled his name, unsure of why he was being asked to do so. “Thank you son” said Miss Flume. The odds on the betting board in the parking lot changed right then.



“That boy is gonna win fer sure” said Jimmy Jeff Willerkers. Jimmy Jeff ran the filling station two concessions over and had fifty bucks on his nephew Bobby Jeff, who had already flamed out on “yawl”. “How was he supposed to know  it had something to do with boats?” asked Jimmy Jeff. “That Mujibar is gonna win…jeez, he’s been spelling that name for years….anything else is gonna be easy breezy.” The odds went down on Mujibar and the money was flying around that parking lot faster than the rumour that the revenue people were out looking for stills in the woods.



“Mujibar…please spell SALICIOUS”…asked the now red pancake headed Miss Flume. Doing as he was told, Mujibar, spelled the word, gave the root, a definition and a brief history of the word usage in modern literature. Judge number one was furiously scribbling down notes, and trying to figure out how he would get a bet down on this kid before round two started.



Entrant number twenty from Jefferson Davis Temple and Hebrew school advanced which brought up the final entrant from round one. “Number Twenty-One please advance to the front of the stage”. After adjusting his glasses, after all he didn’t want a repeat of what poor Oliver did, he approached. “My name is C.J. Kay from William Clinton P.S 68” Judge one, confused by the young man’s name asked him to repeat it. “C.J. Kay” said C.J. “What is your full last name boy, you can’t just have a letter as your last name….what is the K for?” “Sir, my last name is Kay”, said C.J. “It’s not a letter”. “It most certainly is son…H I J K L…rattled off judge one. “It has to stand for something, you just can’t be CJK, that sounds like a Canadian radio station or worse yet, one of them hippy hoppy d.j fellers my granddaughter listens to. What is the K for?”. C.J said sir “My name is Christopher John Kay… not K, Kay” and then spelled it out. This only confused judge one more than he already was, and the extra time figuring out his name was doing nothing to Miss Flume’s hairdo.



“Christopher John….please spell MEPHISTOPHOLES “ said Judge one, after realizing he was never going to find out what the K was for. The crowd was getting restless and wanted to get to the truck to get re-filled and change their bets. C.J. knocked it out of the park in 2.7 seconds…”faster than Lee Harvey Oswald at a target shoot in Dallas”, one man said.



After a ten minute break, to get drinks, ***, re-tape some glasses and prop up Miss Flumes ruined plumage round two was set to begin. This went faster as the words were getting tougher, although randomly selected, judge one was inserting a few new words to keep his chance of winning with Mujibar alive. PALIMONY, ARCHEOLOGY, PARSIMONIOUS, TRIPTOTHYLAMINE , and many other words were thrown at the competitors. Each time the list of successful spellers was reduced, and the amount of clapping and the duck calls were less.

The seventh round began with just Mujibar, B.J. Collister and C. J Kay left. Before the round began the judges reminded the crowd that the words were random, and to please keep the cheering until the green light had been lit. There were more duck calls at this announcement and very little applause. Jerry Jeff was still manning the betting board, the tailgate barbeque was done, and there was only about thirty people left in the gymnasium.



The balloons on the basketball net had long since lost their get up and go, and were now hanging limply like coloured rubber scrotums and were flatter that Miss Flumes hair, which incidently, was now starting to streak the right side of her face from sweat washing out the dye. She was beginning to look like an extra in a zombie film with a brilliant orange red streak across her forehead.



“C.J.” said judge one, “please spell ARYTHMOMYACIN”. C.J. gave it a valiant effort ,but unfortunately was incorrect and the red light sent him off to the showers. This left B.J. Collister and the odds on favourite, Mujibar. The crowd was down to twenty seven now, Bobbie Jo’s folks and Mujibars immediate family.



Round after round were completed with neither one missing a word. Neither one blinked. It was a gunfight where both shooters died. These two were good, and it was never going to end. Judge one leaned over and told the other judges, “we have to finish this soon….I’m due at the wedding over to the Baptist church for nine o’clock to bless the happily marrieds and drive them both to the airport. They’re off to Cuba for their honeymoon.” The others agreed…”C.J. please spell MINISCULE said Miss Flume”. She did so, without a problem. This caused judge one to yell out “Holy Christmas” just as Mujibar got to the microphone. Thinking this was his word, he started as the judges were giving him his word. Seizing the opportunity to end it…judge one woke up judge three who red lighted poor Mujibar, ending his run at spelling immortality. “Sorry son, you tried, but, today a Mujibar lost and a B.J won.”. Before he tried to correct himself, knowing what he had just said didn’t sound quite right, Miss Flume congratulated both finalists and began the award presentations.



Thankfully, next year the eighty eighth version of The Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee will be in the other county. Now the job of sorting out the cell phones in the orange basket begins. By the way, Betty Jo Willin had a boy …you can just guess what she named it!

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Author: Musin Almat Zhumabekovich

A bicycle is the most efficient transportation machine.  A little input and I’m gliding, moving a useful measurable distance but more than that. I like going fast enough so the wind in my ears is louder than my thoughts.  On a tough day I like riding until I can be grateful again; sometimes that takes a couple hours but every ride is a good ride.

My youth’s independence was a banana seat Huffy pulled from an under-appreciated pile of rust in the back of St. Vincent’s Thrift Shop.  No school bus meant riding to school, the first 45 minutes of every day in all weather. Afternoons were exploring detours; summers were expeditions to the city limits, sometimes beyond.  I needed an upgrade for high school; I found a spotless antique 3 speed Raleigh, the cultural English workhorse collecting dust in an unlikely garage for $50.

I kept it through two foster homes. The first one kept me busy with farm chores, but the second was back in town. There, I had the bike back, and as an aside, they had a phenomenally sophisticated wall sized sound system: reel-to-reel and amazing headphones. I would forget myself in records: Sgt. Peppers, Genesis, Yes, etc, and another favorite. Just a guitar and piano instrumental album with a simple melody called Bricklayer’s Beautiful Daughter. Something about that one song in particular I heard faint glimmerings of contentment that was denied to me.  I would replay it to cling to this hint of a simple happiness I didn’t understand; that if it was in the song, it was somewhere deep in me.
Without a car for 10 years, one used 10-speed or another got me to various eccentric jobs.  

Fast forward to the life-changer, after a divorce. Needing to reconnect with myself, I searched for a decent bike. I found it hanging dusty in the back of a cluttered boutique shop smelling of tire rubber, quiet with racers’ confidence. They had a Lemond thoroughbred on consignment, assembled custom 5 years earlier to race. It was slightly outdated, but a dent on the top tube put it out to pasture. It was steel though, so rideable enough for me.  My entire $300 savings and it was mine. Then I discovered the special pedals needed special shoes, so another month saving for those.  I wasn’t going to wear those silly spiderman outfits, until I started to ride more than 10 miles and my **** demanded it.  And those pockets in the back of the shirt were handy.  I met a friend who taught me how to draft: my skinny wheel a few inches behind the bike in front at 20 mph, to save precious energy in the slipstream. Truly dangerous, vulnerable, and effectively blinded; but he pointed at the ground with various hand signals to warn of upcoming road hazards. I was touched by this wordless language of trust and camaraderie. This innate concern is essential to the sport, even among competitors, so it seems to attract quality people I liked.  My new life expanded with friends.

I discovered biking exercise could stabilize the life-long effects of brain injury, lost some weight, grew stronger, and started setting goals.  First longer group rides, then a century (100 miles in one ride), then mountain biking: epic fun in nature, unadulterated happiness.  Then novice racing, then the next category up with a team, then a triathlon.  It became an admitted obsession but I won a pair of socks or bike parts every now and then.  Eventually tattooed two bike chains around my ankle, one twisted and the other broken.  I loved the lifestyle, and had truly reinvented and rediscovered myself.

A 500 mile ride from San Francisco to Los Angeles with fellow wounded veterans helped dissipate the old shame from the military.  I had joined the ride to raise money for a good cause.  I respected the program and knew personally that cycling had changed my life.  They turned out to be inspiring, helping me more than I could have helped them.  Some had only just started riding a bike for only a few weeks, some were amputees fit with special-made adapters on regular bikes, some had no legs using hand cycles.  They all joined on to the task of riding 500 miles. No one whined, and helping each other finish the day was the only goal.  While riding with them, I began to open up about my experience.  I found a few others who also had TBI, and we could laugh about similar mishaps.  The other veterans didn’t judge me about anything, like when I was injured, the nature of my disability, how much I did or didn’t accomplish. I had signed up just like them, had to recover back to a functioning life just like them.  It was the first time in my life that whole chapter in my life was accepted; I wasn't odd, and they helped close the shame on that old chapter.  (Thank you, R2R.)  The next year I took a 1500 mile self-supported bike trip through western mountain ranges with my husband and soulmate, whom I had met mt. biking.

There was one late Spring day, finally warm after a long winter, when I just wanted to ride for a few hours by myself.  No speedometer or training intervals, just enjoy the park road winding under the trees. I had downloaded some new music on the IPod, a sampler from the library.  I felt happy.  Life is Good.  Rounding a bend by the river, coasting through sunbeams sparkling the park’s peaceful road, my earphones unexpectedly played Bricklayer’s Beautiful Daughter.  I hadn’t heard that simple guitar tune in three decades.  My God, time suddenly disappeared.  I was right back in the forgotten foster home, listening for the faint silver threads of the contentment I was feeling at this very moment on the bike.  The full force of this sudden connection, the wholeness of the life and unity of myself in one epiphany, brought me to tears. I found myself pouring my heart into praying hang in there, girl, hang in there, you’ll find it and I felt my younger self hearing echoes of birds singing in new green leaves.

But wait!
Why don’t you invite some friends?
Pepto Bismol, Tum’s, Imodium, Kaopectate, and then a moment in thought, “I only have one life to live for my country”
I don’t think so
I would also make sure I have my legal document in placed and a Bed Pan if I just can’t make it
Well the Bake Off is on
But let me stand back where I belong
The competitors are baking with all their secret ingredients
I wonder what’s their secret?
I don’t want to know
But on with the show
Just don’t tell my stomach in advance
Now back to the Bake Bake Bake Off
The competitors are now ready to place their cakes into the oven
The oven is set at 350 to heat
This might be a good time to retreat
But I might have to be the Judge
However, why do I feel like I am being nudged
It’s a ***** job but someone must do it,but why me?
The cakes are ready for the taste test or garbage bag
There were five competitors:
COMPETITOR# 1  - Cake went flat like a tire

COMPETITOR# 2  - Cake couldn’t be cut, and the only words that came
                                       out of the Competitors mouth was “BUT”

COMPETITOR# 3     I am not sure if it is a Layer Cake or Pancake

COMPETITOR# 4     Shouldn’t be in the competition as cake had nasty
                                       all over it.

COMPETITOR# 5     Well done with their cake in bake. It was moist and
                                        Tasteful. Now that was a cuisine.

Well I managed to get through the whole ordeal as I am still to tell the tail and aftermath.
This concludes a moment of bake
As how does my stomach feel in this journey, let’s just say “Give or Take”.

Love is like serving your customers,
Leave them with good service and experiences,
and they'll give you trust and loyalty like no other.

Get the technical know-hows.
Meet the demands and know the points and marks,
To truly satisfy your customer's needs and wants.

Like loving a person,
You need to go ahead and seek for innovation.
for competitors are just around, making their observations.

Loving is satisfying,
what's the point of begging your demands,
If one should not adjust, or else better disband.

And I am a loyal customer.
I am a patron of her love and care,
she gives me more than enough of what she shares.

And I am a lucky customer.
For she makes me feel most important,
Everywhere we go and everything as applied.

She leaves every experiences,
with glitters and stars in my eyes.
That's why I love her much, and I cannot deny.

The joy of contentment,
Lies in this constant ever changing quest,
where we are moving, for each one's true happiness.

It’s always easy to say you love me,
when I’m naked,
I only have your undivided attention,
when you’re about to come,

what is it with lust,
and why do all mean act like predators,
walking around looking to stick it in,
while constantly trying to fight all competitors,

gross,
get your sick stick away from me,
I don’t want to fck I don’t want to ****,
I just want to make a way to get away from everything,

even though I know there’s no where I can go,
that will put me far enough away from men,
that I will feel comfortable enough,
to relax enough to meet a man and be his friend,

and I know that sounds a little extreme,
but so does being pinned by my wrists to a bed,
while I’m being stuck from the back my lust,
with a pillow pressed upon my head,

and you don’t even get it,
you think we’re making love,
and I try to explain this,
but you don’t give a fck,

because you don’t make love,
you make lust,
so I’m going to get ghost as soon as I can,
no love lost because all we did was fck,

it’s always easy to say you love me,
when I’m naked,
I only have your undivided attention,
when you’re about to come…

∆ Aaron LaLux ∆

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

Now when the child of morning, rosy-fingered Dawn, appeared,
Alcinous and Ulysses both rose, and Alcinous led the way to the
Phaecian place of assembly, which was near the ships. When they got
there they sat down side by side on a seat of polished stone, while
Minerva took the form of one of Alcinous’ servants, and went round the
town in order to help Ulysses to get home. She went up to the
citizens, man by man, and said, “Aldermen and town councillors of
the Phaeacians, come to the assembly all of you and listen to the
stranger who has just come off a long voyage to the house of King
Alcinous; he looks like an immortal god.”
  With these words she made them all want to come, and they flocked to
the assembly till seats and standing room were alike crowded. Every
one was struck with the appearance of Ulysses, for Minerva had
beautified him about the head and shoulders, making him look taller
and stouter than he really was, that he might impress the Phaecians
favourably as being a very remarkable man, and might come off well
in the many trials of skill to which they would challenge him. Then,
when they were got together, Alcinous spoke:
  “Hear me,” said he, “aldermen and town councillors of the
Phaeacians, that I may speak even as I am minded. This stranger,
whoever he may be, has found his way to my house from somewhere or
other either East or West. He wants an escort and wishes to have the
matter settled. Let us then get one ready for him, as we have done for
others before him; indeed, no one who ever yet came to my house has
been able to complain of me for not speeding on his way soon enough.
Let us draw a ship into the sea—one that has never yet made a voyage-
and man her with two and fifty of our smartest young sailors. Then
when you have made fast your oars each by his own seat, leave the ship
and come to my house to prepare a feast. I will find you in
everything. I am giving will these instructions to the young men who
will form the crew, for as regards you aldermen and town
councillors, you will join me in entertaining our guest in the
cloisters. I can take no excuses, and we will have Demodocus to sing
to us; for there is no bard like him whatever he may choose to sing
about.”
  Alcinous then led the way, and the others followed after, while a
servant went to fetch Demodocus. The fifty-two picked oarsmen went
to the sea shore as they had been told, and when they got there they
drew the ship into the water, got her mast and sails inside her, bound
the oars to the thole-pins with twisted thongs of leather, all in
due course, and spread the white sails aloft. They moored the vessel a
little way out from land, and then came on shore and went to the house
of King Alcinous. The outhouses, yards, and all the precincts were
filled with crowds of men in great multitudes both old and young;
and Alcinous killed them a dozen sheep, eight full grown pigs, and two
oxen. These they skinned and dressed so as to provide a magnificent
banquet.
  A servant presently led in the famous bard Demodocus, whom the
muse had dearly loved, but to whom she had given both good and evil,
for though she had endowed him with a divine gift of song, she had
robbed him of his eyesight. Pontonous set a seat for him among the
guests, leaning it up against a bearing-post. He hung the lyre for him
on a peg over his head, and showed him where he was to feel for it
with his hands. He also set a fair table with a basket of victuals
by his side, and a cup of wine from which he might drink whenever he
was so disposed.
  The company then laid their hands upon the good things that were
before them, but as soon as they had had enough to eat and drink,
the muse inspired Demodocus to sing the feats of heroes, and more
especially a matter that was then in the mouths of all men, to wit,
the quarrel between Ulysses and Achilles, and the fierce words that
they heaped on one another as they gat together at a banquet. But
Agamemnon was glad when he heard his chieftains quarrelling with one
another, for Apollo had foretold him this at Pytho when he crossed the
stone floor to consult the oracle. Here was the beginning of the
evil that by the will of Jove fell both Danaans and Trojans.
  Thus sang the bard, but Ulysses drew his purple mantle over his head
and covered his face, for he was ashamed to let the Phaeacians see
that he was weeping. When the bard left off singing he wiped the tears
from his eyes, uncovered his face, and, taking his cup, made a
drink-offering to the gods; but when the Phaeacians pressed
Demodocus to sing further, for they delighted in his lays, then
Ulysses again drew his mantle over his head and wept bitterly. No
one noticed his distress except Alcinous, who was sitting near him,
and heard the heavy sighs that he was heaving. So he at once said,
“Aldermen and town councillors of the Phaeacians, we have had enough
now, both of the feast, and of the minstrelsy that is its due
accompaniment; let us proceed therefore to the athletic sports, so
that our guest on his return home may be able to tell his friends
how much we surpass all other nations as boxers, wrestlers, jumpers,
and runners.”
  With these words he led the way, and the others followed after. A
servant hung Demodocus’s lyre on its peg for him, led him out of the
cloister, and set him on the same way as that along which all the
chief men of the Phaeacians were going to see the sports; a crowd of
several thousands of people followed them, and there were many
excellent competitors for all the prizes. Acroneos, Ocyalus, Elatreus,
Nauteus, Prymneus, Anchialus, Eretmeus, Ponteus, Proreus, Thoon,
Anabesineus, and Amphialus son of Polyneus son of Tecton. There was
also Euryalus son of Naubolus, who was like Mars himself, and was
the best looking man among the Phaecians except Laodamas. Three sons
of Alcinous, Laodamas, Halios, and Clytoneus, competed also.
  The foot races came first. The course was set out for them from
the starting post, and they raised a dust upon the plain as they all
flew forward at the same moment. Clytoneus came in first by a long
way; he left every one else behind him by the length of the furrow
that a couple of mules can plough in a fallow field. They then
turned to the painful art of wrestling, and here Euryalus proved to be
the best man. Amphialus excelled all the others in jumping, while at
throwing the disc there was no one who could approach Elatreus.
Alcinous’s son Laodamas was the best boxer, and he it was who
presently said, when they had all been diverted with the games, “Let
us ask the stranger whether he excels in any of these sports; he seems
very powerfully built; his thighs, claves, hands, and neck are of
prodigious strength, nor is he at all old, but he has suffered much
lately, and there is nothing like the sea for making havoc with a man,
no matter how strong he is.”
  “You are quite right, Laodamas,” replied Euryalus, “go up to your
guest and speak to him about it yourself.”
  When Laodamas heard this he made his way into the middle of the
crowd and said to Ulysses, “I hope, Sir, that you will enter
yourself for some one or other of our competitions if you are
skilled in any of them—and you must have gone in for many a one
before now. There is nothing that does any one so much credit all
his life long as the showing himself a proper man with his hands and
feet. Have a try therefore at something, and banish all sorrow from
your mind. Your return home will not be long delayed, for the ship
is already drawn into the water, and the crew is found.”
  Ulysses answered, “Laodamas, why do you taunt me in this way? my
mind is set rather on cares than contests; I have been through
infinite trouble, and am come among you now as a suppliant, praying
your king and people to further me on my return home.”
  Then Euryalus reviled him outright and said, “I gather, then, that
you are unskilled in any of the many sports that men generally delight
in. I suppose you are one of those grasping traders that go about in
ships as captains or merchants, and who think of nothing but of
their outward freights and homeward cargoes. There does not seem to be
much of the athlete about you.”
  “For shame, Sir,” answered Ulysses, fiercely, “you are an insolent
fellow—so true is it that the gods do not grace all men alike in
speech, person, and understanding. One man may be of weak presence,
but heaven has adorned this with such a good conversation that he
charms every one who sees him; his honeyed moderation carries his
hearers with him so that he is leader in all assemblies of his
fellows, and wherever he goes he is looked up to. Another may be as
handsome as a god, but his good looks are not crowned with discretion.
This is your case. No god could make a finer looking fellow than you
are, but you are a fool. Your ill-judged remarks have made me
exceedingly angry, and you are quite mistaken, for I excel in a
great many athletic exercises; indeed, so long as I had youth and
strength, I was among the first athletes of the age. Now, however, I
am worn out by labour and sorrow, for I have gone through much both on
the field of battle and by the waves of the weary sea; still, in spite
of all this I will compete, for your taunts have stung me to the
quick.”
  So he hurried up without even taking his cloak off, and seized a
disc, larger, more massive and much heavier than those used by the
Phaeacians when disc-throwing among themselves. Then, swinging it
back, he threw it from his brawny hand, and it made a humming sound in
the air as he did so. The Phaeacians quailed beneath the rushing of
its flight as it sped gracefully from his hand, and flew beyond any
mark that had been made yet. Minerva, in the form of a man, came and
marked the place where it had fallen. “A blind man, Sir,” said she,
“could easily tell your mark by groping for it—it is so far ahead
of any other. You may make your mind easy about this contest, for no
Phaeacian can come near to such a throw as yours.”
  Ulysses was glad when he found he had a friend among the lookers-on,
so he began to speak more pleasantly. “Young men,” said he, “come up
to that throw if you can, and I will throw another disc as heavy or
even heavier. If anyone wants to have a bout with me let him come
on, for I am exceedingly angry; I will box, wrestle, or run, I do
not care what it is, with any man of you all except Laodamas, but
not with him because I am his guest, and one cannot compete with one’s
own personal friend. At least I do not think it a prudent or a
sensible thing for a guest to challenge his host’s family at any game,
especially when he is in a foreign country. He will cut the ground
from under his own feet if he does; but I make no exception as regards
any one else, for I want to have the matter out and know which is
the best man. I am a good hand at every kind of athletic sport known
among mankind. I am an excellent archer. In battle I am always the
first to bring a man down with my arrow, no matter how many more are
taking aim at him alongside of me. Philoctetes was the only man who
could shoot better than I could when we Achaeans were before Troy
and in practice. I far excel every one else in the whole world, of
those who still eat bread upon the face of the earth, but I should not
like to shoot against the mighty dead, such as Hercules, or Eurytus
the Cechalian-men who could shoot against the gods themselves. This in
fact was how Eurytus came prematurely by his end, for Apollo was angry
with him and killed him because he challenged him as an archer. I
can throw a dart farther than any one else can shoot an arrow. Running
is the only point in respect of which I am afraid some of the
Phaecians might beat me, for I have been brought down very low at sea;
my provisions ran short, and therefore I am still weak.”
  They all held their peace except King Alcinous, who began, “Sir,
we have had much pleasure in hearing all that you have told us, from
which I understand that you are willing to show your prowess, as
having been displeased with some insolent remarks that have been
made to you by one of our athletes, and which could never have been
uttered by any one who knows how to talk with propriety. I hope you
will apprehend my meaning, and will explain to any be one of your
chief men who may be dining with yourself and your family when you get
home, that we have an hereditary aptitude for accomplishments of all
kinds. We are not particularly remarkable for our boxing, nor yet as
wrestlers, but we are singularly fleet of foot and are excellent
sailors. We are extremely fond of good dinners, music, and dancing; we
also like frequent changes of linen, warm baths, and good beds, so
now, please, some of you who are the best dancers set about dancing,
that our guest on his return home may be able to tell his friends
how much we surpass all other nations as sailors, runners, dancers,
minstrels. Demodocus has left his lyre at my house, so run some one or
other of you and fetch it for him.”
  On this a servant hurried off to bring the lyre from the king’s
house, and the nine men who had been chosen as stewards stood forward.
It was their business to manage everything connected with the
sports, so they made the ground smooth and marked a wide space for the
dancers. Presently the servant came back with Demodocus’s lyre, and he
took his place in the midst of them, whereon the best young dancers in
the town began to foot and trip it so nimbly that Ulysses was
delighted with the merry twinkling of their feet.
  Meanwhile the bard began to sing the loves of Mars and Venus, and
how they first began their intrigue in the house of Vulcan. Mars
made Venus many presents, and defiled King Vulcan’s marriage bed, so
the sun, who saw what they were about, told Vulcan. Vulcan was very
angry when he heard such dreadful news, so he went to his smithy
brooding mischief, got his great anvil into its place, and began to
forge some chains which none could either unloose or break, so that
they might stay there in that place. When he had finished his snare he
went into his bedroom and festooned the bed-posts all over with chains
like cobwebs; he also let many hang down from the great beam of the
ceiling. Not even a god could see them, so fine and subtle were
they. As soon as he had spread the chains all over the bed, he made as
though he were setting out for the fair state of Lemnos, which of
all places in the world was the one he was most fond of. But Mars kept
no blind look out, and as soon as he saw him start, hurried off to his
house, burning with love for Venus.
  Now Venus was just come in from a visit to her father Jove, and
was about sitting down when Mars came inside the house, an said as
he took her hand in his own, “Let us go to the couch of Vulcan: he
is not at home, but is gone off to Lemnos among the Sintians, whose
speech is barbarous.”
  She was nothing loth, so they went to the couch to take their
rest, whereon they were caught in the toils which cunning Vulcan had
spread for them, and could neither get up nor stir hand or foot, but
found too late that they were in a trap. Then Vulcan came up to
them, for he had turned back before reaching Lemnos, when his scout
the sun told him what was going on. He was in a furious passion, and
stood in the vestibule making a dreadful noise as he shouted to all
the gods.
  “Father Jove,” he cried, “and all you other blessed gods who live
for ever, come here and see the ridiculous and disgraceful sight
that I will show you. Jove’s daughter Venus is always dishonouring
me because I am lame. She is in love with Mars, who is handsome and
clean built, whereas I am a *******—but my parents are to blame for
that, not I; they ought never to have begotten me. Come and see the
pair together asleep on my bed. It makes me furious to look at them.
They are very fond of one another, but I do not think they will lie
there longer than they can help, nor do I think that they will sleep
much; there, however, they shall stay till her father has repaid me
the sum I gave him for his baggage of a daughter, who is fair but
not honest.”
  On this the gods gathered to the **

The enthusiasm of ***** Gobé and Maria Paloma Fuentes is palpable. Riding high on the initial success of their summer collection of children’s clothes, the two French business graduates are planning their next sales moves, both online and through multi-brand boutiques.

The chic edge-to-edge jackets, Bermuda shorts and berets would probably look at home on the rails of Printemps or Galeries Lafayette. Yet their start-up company, Mini Bobi, is not based in Paris. It is in Suzhou, a couple of hours’ drive from Shanghai.

The two Skema alumnae are among the growing number of French graduates who are looking for their first job in China. One catalyst has been the rush of European business schools to establish campuses in China, run joint degree programmes with Chinese universities and set up internship programmes in Beijing and Shanghai.

What is more, the growth in the Chinese economy, together with the low cost of entry in cities such as Shanghai, has resonated with graduates worldwide who want to be entrepreneurs.

The real advantage of China, though, is simply the scale, says Ms Fuentes. “The opportunities are much more attractive here than in France. If you come up with a new idea it will be really big.”

The Mini Bobi clothing range, which combines Parisian style with the stretchy materials and copious waistbands needed by the increasing number of obese children in China’s cities, was the brainchild of Ms Gobé.

After studying fashion and business in Lille and Shanghai, Ms Gobé completed a gap year in the US and decided to write her thesis on the plus-size market.

“In this thesis I made a comparison between the market in the US and China. [Previously] I wasn’t aware of this market,” she says, adding that in China there are 120m obese children under the age of 18.

In the city of Shanghai more than 18 per cent of children at primary school are overweight — the same percentage as in the US, she says. “I was surprised when I realised [this was the case],” she says.

Enthusiasm for all things Chinese spreads well beyond entrepreneurs, says Nick Sanders, director of the Masters in International Business at Grenoble Graduate School of Business. Of the section of the MIB class that spent a year in Beijing, many are enthusiastic about working there.

“Ninety per cent of them actually want to stay in China,” says Mr Sanders, although practically, only between a quarter and a third will get their first job on graduation in the country. A further 50 per cent will be employed working with China in some capacity, adds Mr Sanders.

“They tend to be employed where there needs to be an understanding between China and another country.”

Entrepreneur Matthieu David-Experton, an Essec graduate, who also studied for a second degree at the Guanghua school at Peking University, is now on his second business venture in China — he sold the first, a packaged gift business, after 18 months.

His three-year-old market research company, Daxue Consulting, has offices in Beijing and Shanghai, with a third office planned in Hong Kong. It has 15 employees but by the end of the year he plans to have a staff of 20 and revenues of Rmb7m ($1.1m).

“What I have always done in China is take a model that works well in Europe, then adapt it.” Most of his clients to date have been international companies looking for information on the China market — western nursing home groups, eager to take advantage of the changing Chinese demographics, have been strong clients. That is changing. “Chinese companies are now looking for better information on their

competitors.”

For Mr David-Experton there are clear advantages to working in China, particularly the flexibility and speed to market. Products can be designed and developed in just a few days, he says. “I had the feeling you couldn’t get these things done in this timescale in Europe.” It means entrepreneurs can get a product to market without having to raise too much money, he adds.

But he warns that the Chinese business environment is not plain sailing. “They [prospective entrepreneurs] need to come here and see what is happening. A lot of people come here with ideas that don’t fit with the market.”

It is a message echoed by Manmeet Singh, senior affiliate lecturer at EMLyon Business School, who has worked in China for the past 13 years. “This market has a learning curve, it has a learning curve for everybody. Even the 50-year-old chief executives of multinationals have a learning curve. They can come here and get their **** kicked.”

European entrepreneurs are taking a double risk he says: starting a business and setting up in an alien environment.

He also warns that much of the “low-hanging fruit” available to French entrepreneurs a few years ago no longer exists. He cites the example of those who want to set up a wine importing business in China: now the tables are turned and Chinese companies are buying vineyards around the world.

But there are some positive elements about China for European entrepreneurs, he says.

“There’s a lot of money available in the market for the right product. They [the Chinese] are agnostic on the origins of their entrepreneurs.”

And the enthusiasm for start-up careers in China are still strong among French business students, he says. “A good 10 per cent of the class [in China] approach me with ideas.”

Mr Singh is heavily involved in Shanghai’s Chinaccelerator, which gives support to both Chinese and international entrepreneurs. Though popular in the US and Europe, incubators are more novel in China.

It was following Skema Business School’s tie-up with a local Suzhou incubator in 2013 that the founders of Mini Bobi decided to locate their company there. Now they are distributing their range of 30 China-manufactured clothing items in Hangzhou and Suzhou as well as Shanghai.

With a monthly income so far of around Rmb3,000, the founders are looking to wider distribution to increase sales and are now selling online through Taobao, China’s answer to Amazon or eBay, founded by the Alibaba Group. They are also talking to schools about designing more generous-sized school uniforms.Read more here:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-sydney

In light of the recent flood of indie designers coming forth to call foul on fast fashion retailers for copying their designs (paired with a few not-so-fast fashion brands, which have been called out for copying, as well), a common question seems to be: Why is this ok? In particular, why is it perfectly acceptable for Zara to copy these designers’ work? How is this practice legal?

Well, put simply, copyright law is not necessarily a friend to fashion in the United States. This is a blanket statement, of course, but it bears quite a bit of truth, nonetheless. Since copyright law, the sect of intellectual property law that protects "original works of authorship,” such as books, paintings, sculptures, and songs, does not protect useful things, such as clothing and accessories, it provides little protection for those things in their entirety. Creative elements of a design that can be separated from the functional elements are subject to protection, which is why elements of a garment, such as a print that covers it, may be protected (as Pictorial, Graphic or Sculptural Works). This protection-by-separation method, however, does little to ward off copiers.

Moreover, unlike in most cases of the copying of garments, the copying of original jewelry designs often tends to give rise to legal ramifications as jewelry is afforded greater copyright protection in its entirety than garments are. However, as evidenced by Nasty Gal’s continuous sale of infringing jewelry designs, for instance, this also does little to deter copycats.

Other forms of intellectual property protection (think: trademark and patent protection) arguably are not ideal for fashion designs either. Trademark law only protects a designer’s name or logo – with some exceptions under the doctrine of trade dress which are relatively rare. Patent protection – namely, by way of design patents – is not terribly useful for designers because it is expensive (patent protection costs thousands of dollars to achieve) and takes a relatively long time (upwards of one year) to obtain. That’s simply too long for most fashion brands, whose business models depend on trends and season-specific wares. Taken together, this is why fast fashion retailers make hundreds of millions of dollars by copying high fashion designs and only are very rarely sued – let alone penalized – for doing so.

It is worth noting that this is not the case in other countries – namely, in the countries of the U.S.’s international fashion competitors. Copyright protection in the UK is not terribly dissimilar from that in the United States. However, the European Designs Directive introduced a unified system of industrial design rights for both registered and unregistered designs throughout the European Union. This allows for the protection of garments and accessories in their entirety.

Due to its history as the home of innovation in terms of high fashion, it is not surprising that France enjoys the most extensive and longstanding legal rights in connection with fashion designs. The country’s copyright system provides protection for garments and accessories. The same type of protection also applies to Italian designs.

So, it is within these loopholes that retailers like Zara, Forever 21, H&M;, and the like can operate legally (for the most part) and profit from the designs of others.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses

i did study schizophrenia for several years,
i'd 7, in total -
                             but would i agree
with Kraepelin? probably not...
                       after studying five psychiatrists
with the power position of:
                 well... i'm not...
                                          what you think
i am in your attempts to treat me, i learned a great
deal of things... as you know the now infamous
national health service is doing a cracking job
at infuriating junior doctors...
              the media are pressing
for more investment in why no one has bothered
themselves to identify premature depression...
only because... schizophrenia... is... quiet frankly...
a non-medical noun... call it what you want
otherwise... it's a highly polarised name
for the leftist agenda: it's basically medicine:
politicised -
                       i.e. you can be a conservative,
a liberal, a socialist, a ****** fascist...
or a schizophrenic...
                                       i'm just thinking about
genuine sufferers huddling in their dozens saying,
in accordance with the previous name for
the condition (premature dementia):
   why the ****... am i so creative... all of a sudden?
and Nietzsche was right when he said:
individual madness is rare... madness en masse?
that's a norm...
                                 none of those bargain shoppers
waiting overnight in queues to get into
bargain sales at Harrods ever get mentioned...
but to my: i spy with my little eye...
        about a hundred crackpots standing to ovation
(deeply desired) -
                   **** me if you get trapped in this
windmill of the medical joke...
                     the part of medicine that left it open
to allow politics to engage with authentic conditions...
authenticity has a ring to it: John Nash's
Nobel prize medal and diploma will fetch
an apparent $4 million at Sotheby's (if not more)...
   i just can't see how schizophrenic are what
they aren't: wouldn't it be easier to say:
                  the other kind of dualism?
or Geminis without the ****** zodiac talk of:
peasant watching pheasants die at a shooting range?
     i don't want to be believed...
         i have my national security number,
i have my passport number,
   i have my date of birth... and **** me... a telephone number
  +44 01708 766 994...  
                i just hate the fact that people with
this condition aren't acknowledged...
    ****** me off, day in, day out...
                          the peasants just licked the salt
from the wound and added pepper for the extra sting...
it's the one medical condition, not
                 understood, precisely because it was reined in
by politicians... and, let me tell you,
understanding something while practising
rhetoric is how sophists go about their ways...
they're already two timing the ******* crowd,
and they can't seem to address what schizophrenics are:
hallucinatory self-esteem minders: basically:
they don't know how lucky they are...
             symptoms of the Buddha preaching a middle
path... or Nietzsche's beyond good and evil...
                  they are simply exercising
   an experimental duality without a need for
obstructive conscience or lack of it...
             yes, experimental because of the symptoms...
and therefore lacking all the symptoms of someone
without a conscience:
                     enclosed: the subconscious speaks -
and god forbid i like this psychological verbiage...
let's just say i want to make language pharmacological...
    i want to make the ideal pill in terms of language...
but never prescribe anyone anything...
                           but in popular press
the political elite always exploit a genuine
medical condition in order to quash their competitors,
while the genuine sufferers become obsolete
oddities...
                    because why would you first call it
premature dementia (two classes of old people:
the melancholic and the demented...
                the demented are suffering for past and hidden
ills done unto others... the melancholics?
      it is done, and all i have in reward is a television
set and a bribe from death to live 25 years in leisure
watching sea waves and wrinkles tattoo my forehead
with age)...
                         but imagine premature dementia...
(the praecox variation) -
                                    the older name evolved
into a description of en enhanced version of dualism:
or split-mind (******                        could evolve
further into duo-                   or two, rather than split,
            and hence the mind, or -phren) duophren...
the lost impulse to follow-up thinking of choice -
          in the "schizoid's" mind i see
                      the subconscious brimming to its full
potential and reaching a hallucinatory status -
and if ever you thought that auditory hallucination
wasn't the worst imaginable hallucination -
then your Darwinism is shy-locked into
    the fancies of Huxley on mescalin and the hipster
trend of the 1960's escapism...
                  auditory hallucination?
well... you're probably part of the bible crew...
       and that nutty fragrance of your words:
appeals to the few: frightens the villagers...
(**** break, headbutting the cat, yum yum yum)
           or the Sims...
                                  i stopped playing the first
edition after discovering a wormhole when
i steered the Sim to play computer games...
          you know how it goes: you're playing a
game of puppets, you make a puppet go to a computer
and play computer games, you're yourself playing
a computer game... ****! then you stop playing the
computer game.
                that's 7 years studying the disease
(lighter use of language? dis- [negation] of -ease,
          being denied a certain ease of mobility)
                  and not based on theory,
but based on experience...
                                   on the petition so far?
   Bukowski and Burroughs...
                                      obviously icons but not exactly
saints...
                                  but after a while, you sort of
forget scientific positivism...
             they're looking for life on Mars and a Jupiter moon
when they know that the earth as hostile to anything
but volcanic reactions... if there is life on these two
globes: it's way past gone...
                     as already stated,
            schizophrenics are actually the most formidable
political tools: the fear of men in white coats...
  because everyone accepts the apathy due to their
persistent lying (politicians): the men in grey suits...
                        schizophrenics, i'd say,
are the source of all phobias surrounding mankind...
         oddly enough: schizophrenics are the most
adaptable to fathom the divine comedy...
                        it's gone way past Balzac and the human
comedy... it really has...
                                         i just don't like the way
schizophrenics have their condition robbed of any
medical ambition to say something, but instead are
drowned in sophism, a mere rhetorical tool
to scare off opponents... 7 ****** years...
                      and as i began, i'd disagree with
Kraepelin, but agree with Eugen Bleuler -
a Swiss who i thought was an Estonian... never mind...
because psychiatry is at best, a populist version
of philosophy... like Christianity is populist Platonism...
psychiatry is a populist version of philosophy...
   and what we're talking about is not a sigma
interpretation of uniform evolution of species,
but the evolution of words, or, specifically:
compound words - the desire to replenish aged
standards of then original insight:
         premature dementia (dementia praecox),
that evolved into              schizophrenia
                                   (split mind)
                          that had to evolve into a tier of
acceptable dualism -                     casually phrased:
           to be of two-minds                   as in zodiac
in all alchemy shortened to:               the schematic of twins.
obviously the table will not evolve -
                          it's probably a borrowed word
and has its limits - probably Nordic or Germanic
and standardised to a babel transliteration -
             but concerning scientific words...
i see a need for a linguistic Darwinism (fancy words,
coming from someone without an
authoritarian position to prescribe pills to people),
                it has too evolve, primarily because the word
has been underused by the medical profession...
       and has been overused for political despotism in
shaming political competitors and exposé journalists...
       added to the fact that psychiatrists in
England are clueless people who were abused as
children... one even admitted to me,
a confession, musing aloud, not exactly prescribing me
with a delusion, although i gathered just as much:
             oh, he must have been abused as a child -
to which i might have added:
           and turned toward the study of psychiatry to
claim the ultimate fetish'o-sadistic status in society...
   a cowboy psychiatrist.
               they're out there... they're waiting with
the zombie pills...
                                    anything except sleeping pills,
vitamins and high-blood pressure pills...
             i'd flush down the toilet:
well sure, i used to weigh as much as i do now...
the weight doesn't make me uncomfortable...
               i went down from 101kg to 70kg
       over one summer riding my bicycle i

Her prized first bike
came out of a breakfast cereal competition.
Then sped her around London
from lecture to final examination.

Twenty years on it was replaced
by gleaming white and black carbon.
Bought, lacking in memories
faster, lighter with a baby seat for Bethan.

Fitness, a priority this year
swimming in the pool, open water and the sea.
Clare selected a running coach
cycling home at an ever higher cadence for tea.

Happy, with her performance
in her very first event as a triathlon novice.
A second, saw Clare pedaling faster
to race past fellow competitors with ease.

In her last competition she was pictured lithe
on posters promoting reactive sports glasses.
Winning a new Felt racing bike, seats in the VIP stand
for the Tour de France finish and her fit lasses-****.


My congratulations dear hero...

Here's one for the gamers
dungeon dwellers, competitors and casual players
Whether they're at home or at a friend,
footballers, car racers or dragon slayers

To the world that looks down on us
for those who's hobbies least appeal
Just because they don't understand the reason
or share the passion we feel

Gamers like acheivements
each to their own
Whether its to vanquish the opposition
build, or break their enemies throne

Is that so different
perhaps they spend a lot of time at home
But isn't playing online with their friends
a little better than just sitting alone on ones phone?

The world of gaming has evolved
and adapted so much
It's a common to see a mother aligning fruit
or a child with a flapping duck

And is it such a bad thing
if the players are actually having fun
It may not be making them better
but I can think of many worse things they could have done

They say games encourage violence
but these people are some of the kindest I've ever seen
Theft, ****** and street racing
would it not be better if these things were only done behind a computer screen?

For many, its more than just a game
and can lead to some desperation
But people need to know the limits
and play in moderation

For some
it's to do things they wouldn't normally do or say on a daily basis
A couch potato wanting to explore the world
avoid boredom, keep their mind from stasis

To feel the breeze of a challenge
drive a fast car or
sword-fight,
maybe even do some parkour

Whether they want to skydive
or skate over a hill
To be able to do something dangerous
without having to sign a medical bill

We all have our reasons
some play casually while others play to vent
E-gaming has become so popular
now hosting world tournaments and many gaming event

This is how we are
so please let us be
Our motives are like captured birds
are we are just setting them free

Whether you want to be a princess
or guardian of a banana tree
You can do whatever you want
just follow your dream

People will always be different
this is just another sub-culture; like fans of a band
But we are the gamers
and by this title proudly we stand

The unmistakable sound of metal carving through ice,
Armored gladiators move swiftly
Wielding wooden weapons with curved blades
As they chase a hard black disc.
Bodies slam into the boards,
The boisterous crowd masks the sounds of cracking bones.
One team scores, then the other.
The crowd cheers, and then they boo.
Two competitors exchange words,
Then fists.

Seconds tick off the clock,
Before they know it the game draws to a close.
Sweat drips from every pore,
Steam rises from the warriors' helmets.
The game has not yet been decided,
So extra time is needed.
The purest form of competition,
The first to score wins.
A skater breaks away from the defense.
He shoots, he scores, he goes home and waits for the chance to play again.

It isn't a game.
But one can definitely lose.
There are no competitors.
Yet self comparisons fog hind sight.
Leading to more dreary backroads that the world forgot about.
It was fun for a little while.
Telling yourself that you threw away the world and not vise versa.
Was truly the greatest lie.
One that grew into actual belief for a time.
But found that the greatest hell.
Is watching your paradise burn.
Bound only by disbelief.
Dumbfounded.
It's a shame that when you lose everything.
Somehow your mind is the only thing that stays intact.    
As if those aspects were programmed into humans in preparation for it..
And happiness got the short end of the stick.
Then to further rub dirt into the wound we create hope.
By means of pursuit.
Shakespeare knew the questions.
And left it up to everyone else to answer.
Only as generations pass.
We couldnt be further from any resemblance of an answer.
Let alone know the question has already been proposed.
Writers play with this notion and yield no two pairs alike.
Lifes most important knowledge sadly can only come from experiencing it.
But with the world in such a desensitized state.
The fear of stagnation is becoming the only real possibility.
Preposterous?
No
Predetermined the moment we chose to let others choose for us.
There is no freedom.
Only sacrifice.
Right.

these western leftist,
make us former commies...
look... really really
******* bad...

        my grandfather,
who was abandoned by his
father, spewed by the lies
of his father's brother,
found some stability
in the communist party...

sometimes did jury duty...
the communist party
gave him a house... etc. etc.,
but this, "thing" in the west?
the dissonance conundrum
of creating a collective hive?

it doesn't, and it will never work...
i already said this,
but i'll say it again...
communism does work...
but in only one instance...
post-war countries,
esp. given the plight of
Syria...
                
           it's a transitory period...
so the Syrian baker
can trust the ******* Syrian
taxi cab driver, once again...
communism is not a failure
in that it's applied as
a fail-safe concept,
a rebuilding mechanism,
  
like Poland... 1945...
through to circa 1990...
    it worked...
  **** it worked...
  eastern Europe didn't
receive funds from the American
Marshall Plan...

but Sweden and Switzerland
did...
   i thought they were neutral
countries in the conflict?

communism is a failure if its not
considered a recovery economy,
or rather:
    there's no or other at this point...

in post-war scenarios,
it's the only egalitarianism that works
in the short-end...
this is not English style of
egalitarian idealism...
   (a term i borrow from German
idealism of Kant)...
            no... the English don't know
that their egalitarian idealism
doesn't work...
it's too soft...
the war was harsh...
you're not going to rebuild
the same civic plateau with capitalism,
of a country that was either:
invaded by a foreign power,
or imploded into chaos via
a breach of ethnic-civility...

you can't rebuild Syria with
foreign intervention...
communism is far from a failure
of ideology...
   it was always supposed
to instigate a transitional
period, a post-scriptum...
   a communism can exist,
successfully, for... roughly 50 years...
once the tragedy passes...

and then the free markets can
take over, capitalism can have its
"stage fright", or rather its
wild west...
            but not before the circa 50
years are over...
  a Syrian baker,
   must begin a civil dialectic with
a Syrian taxi driver...
no amount of foreign intervention
will solve the problem...

it's not like you can reuse
the rubble to rebuild the same houses...
sure... the darkest hour
in Poland under communism was
when martial law (stan wojenny)
was implemented by
Wojciech Jaruzelski
(Roy Orbison, no, really,
Roy Orbison)...
food-stamps, long queues at supermarkets
rationing... only white vinegar on
the shelves of supermarkets...
the whole presupposition of war
against the Soviets,
  counter measures to
      avoid the instances of
the Hungarian / Czechoslovakian
occupation / suppression...
   the Parisian spirit of '68...
every time i look into your loving eyes,
one look, from you,
  i drift... away!
    i pray, that you, are here, to stay!
anything you want, you got it...
anything you need, you got it...
anything at all, you got it...
   bay.................................. be!

western Europe received pittance
pay-checks from H'america...
eastern Europe received the hard graft of
communism...
             and it worked...
because it was supposed to work
for the 50 or so years that it did work...
when it stopped working...
my home town lost roughly 20K
   metalwork jobs...
  the metalwork factory was scrapped,
cut up, sold to foreign investors...
Celsa? i believe that's a Spanish company...

some people grew old, retired,
some went on the dole,
some became homeless,
some migrated to other parts of the country,
otherwise took the bold route
and emigrated to other parts of
Europe and the world...
a town dies, the people disperse
if in a dispersing worthy age...

     but i turn on the tube...
and listen to all these leftist lunatics,
and i'm like...          what?!
communism works,
   it works, in exceptional circumstances,
and like i said, before an equal
footing competition market resurfaces,
you're getting ****...
             this is not to suggest that
communism is at odds with capitalism...
apparently... it never was!

         but... you can't rebuild
Syria with capitalism...
  first you have to return to a commonly
shared civility, a counter to what
already exists in the English egalitarian idealism...
best represented as:

a 200m race at the Olympics...
all the competitors walk an equal
pace for 100m...
        and the next 100m?
they do their sprint, they compete!
but not until communism creates
a basis for a mutual trust of civility
between a Syrian baker,
and a Syrian taxi driver...

      capitalism and outright
competition will never solve the problem...
because outright competition
creates nothing more than
an dystopian: post-apocalyptic
mad max: fury road endless cycle of
recurring opportunists...

scavengers...
                      it works... in periods of
roughly 50 years...
what... and capitalism isn't prone
to its own timescales of economic crashes?!
see...
             even capitalism has hiccups...
but like i said:
    communism works...
for time periods, post-scriptum of
the damaging events...
                        under exceptional circumstances
of it being necessarily implemented...
like world war II... the Syrian civil war;
and only then!

****... my grandfather and all the other
school children, actually cried
when news hit the country about Stalin's death...
i have access to an actual ****** source,
what do you have?
  a target of ridicule,
        donning a che guevara t-shirt
who still hasn't rid himself of acne?

It can be quite daunting at first to start something new. However, all you really need is the right kind of attitude. The open-minded approach to tackle problems as they come along. My biggest fear, however, remains being afraid of not finishing what I have started and dropping things half-way through as soon as the going gets tough. I admit that this problem of mine has been present all the way throughout my life. I'm quite quick on the uptake and get really intense about something and then somewhere along the line I get side-tracked and drop things altogether.
    The saying "easy come - easy go" could never be more true for me. Having said that, I know that everyone has encountered this exact same problem at one time or the other, so the grass always looks greener on the other side despite the fact that it's often painted.
    The ease with which I get a head start compared to other people has been both a blessing and in a way a curse. But I shouldn't seek excuses when it is quite clear that I lack the motivation, perseverance and the self-discipline to soldier on after I finish the first lap. To put things into perspective I am like a competitor at a 5000m race challenging the title again and again. It brings me endless joy being able to participate and more often than not I am the one who sets the pace, however half way through the race fatigue sets in and I gradually lose the built-up momentum. Seeing that, competitors overtake me left and right. Eventually, I lose the heart to continue and end up finishing last or dropping out of the race.
    I keep wondering; perhaps the secret to success in not starting strong, but being consistent and preparing yourself mentally for that finally straight line when all your arduous training pays off and you still have some firepower left in you to give it your all. Not only what you can do, but edging slightly outside or your own limits, be it mental or physical, that keep holding you back you outmanoeuvre your own shadow.

     The other problem of mine is that I rarely practice what I preach. I like to reflect and analyse, and can pin-point fairly accurately the inner demons that have been plaguing and dulling my senses, but comes next day – and I succumb to them once more. Lately though, I feel like I am eradicating them one by one, but I shouldn’t rest on my laurels.
      For example, over the last five years I have discontinued playing guitar and then picked it up again countless of times. I would intensively practise for days, sometimes weeks, professing my love for music and then give up on it at a drop of a hat. With distractions and novelties larger than life, it is getting harder and harder to ignore them and go about our own business as we did before. They are like irresistible mythical modern-day sirens lulling us into a trance-like state of comfort and false sense of security. “Forget all your problems and let go of your worries, sweetie. We will take care of it all now”, whisper the sirens as their bodies become entangled with ours and for a split second we can feel the weight of our shoulders starting to disappear. Split second is all it takes t avert our eyes from things that truly matter and before you know it - we are neck-deep in this fairy land.
     Once we snap out of it, a sense of helplessness engulfs us mixed with guilt for wasting so much time. Without further a due, we seek out a new distraction that can preoccupy our thoughts, so that we can feel on top of the world once again. As a result, a new form of escapism is born where we dig endless tunnels; not to escape into the real world, but as far away from it as is humanly possible. Much like the prisoners, we are just as creative in finding means to escape and evade hardship. Therefore, we are effectively prisoners of our own minds rationalizing our every wrong-doing up until there is no inner voice to question it any longer. By then, the ritual of “switching off the real world” is hard-wired to our neurological pathways and over time it becomes second nature.

We wear our helmets
Together with our suits for race
I am the driver
You are my co-driver

Buckle up! Seat belts on
We're ready to race
Radio's on, I let you decide on which station
Ready? Get set. Let's start the chase!

We start smoothly
Our gear's not even on three
I step up the gas
Let's speed up and fast!

I don't really see the need to rush
But since we're on the track
Better give it our best shot
Or else we'll lose the bout

Also, there are competitors
Whose pace we can't help but to compare
They have such high scores
Which subconsciously became our goal

Then came rough roads
I swerve from left to right
We go off road
Several times

A **** after a ****
Seems like an under-construction ramp
"Watch out!"
And then a bump

Blood and bruises
Filled our faces
You looked at me with so much blame
But, hey, isn't this a tag-team game?

Sure, I was the one holding the steering wheel
But you were my co-driver, sitting at the passenger seat
You were the one in charge to navigate
To follow your instructions was all I did

I admit I had troubles as well
Insecurities, jealousy made me tremble
I felt I made an impossible gamble
But, I am very sorry, I am human after all

I cannot see your tears
You're not that easy to read or I'm just bad at it
But I have to take a guess
You're very sorry as well

We looked into each other and we had the hint
We had to change our views for this trip
Ah, I know what action would fit
We smile as we said, "In this race, we quit."

I started the engine
And we buckled up again
We quit the race, but we didn't quit our journey
We'll continue slowly but surely, as we enjoy the sceneries

We've had enough of contests
Championships that never had any winner
Championships that only brought stress
It's not the destination, but the journey which matters

If ever in case you resign as my co-driver, however
I'll probably hire another
After forever?
Or I'll just also quit as a driver

I refuse to participate
In this race
so corporate

Where nothing but competition rules
Where competitors
get thrown to hungry wolves

They call it survival of the fittest
And elimination
of the weakest


Competition they say breeds innovation
As if a creative soul
needs any confrontation!

They corrupt you with conviction
Of wealth, riches, fame and
instant gratification

They put a noose round your neck
With a cabin
enclosing your desk

You toil night and day
To keep
the wolves at bay

You die a little every day
Dreaming of things
to do your way

Only you can these fetters break
By doing what you love
Even if it is  for a smaller cheque

In the extra time that you have
Gaze at the world  
with wonder and awe

Go paint on a canvas, or weave a web of words
Or simply go watch
wild animals and birds

For when you finally go up for review
He will treat us all
with the same view

He
for sure
will ask

Did you laugh, did you cry
Did you
Your precious life enjoy?

I refuse to participate
In this race
so corporate

Pringles with presentation in flavor
The chip itself is something to sliver
One bite and you know the taste is fresh
We look and you know you need to buy
All it takes is one try
The crispness being at its best
Other potato chip competitors in their contest
Lays with no one can just one
Wise got you in their eye
Utz we got you covered
But neither one can explain why
The Pringles P being perfection
The consumer being the indication
You will agree yourself
There is no comparison with anybody else
The goodness with the man with the beard
Pringles with how your taste will preserver
It’s the crunch on yes and the flavor that says it best.

An Airline we want you to boost
We travel coast to coast
We are not an Airlines being most
It’s friendship in the skies
Our Flight Attendants are the ones who advise
We extend our serious welcome even at the flight’s end
Friendship Airlines is about bringing passengers together
We are not like our other airlines competitors being the other
From the minute you sit in your seat
Your seat also elevates your feet
It’s that take off from the runway
Knowing that you are on vacation and you need our getaway
Our packages will add to your stay
Then it is within flight hours of your arrival
We care about the passengers we serve
It’s quality service that all our passengers deserve
Fly Friendship Airlines with the logo handshake way
It will be pure satisfaction in what you will say
Friendship Airlines being your friendly tip
There will be times when the plane might dip
Just remember our Pilots will be in control
Our friendly skies with a look of behold.

She stand back from the crowd
music blasting in her ears
so she can drown out the world,
she pulls her sweat shirt off
and puts her hat and mask on.
Stepping through the crowd
making her way to her podium
her pedestal, her stage.
The whistle blows loud and
she snaps out of it coming back
to the real would.
She steps onto her platform
digging her feet into the sandpaper
so she wont fall.  The director
says the words she has herd all
her life and she does what she is told.
When the beep sounds she flies
off her platform with so much
strength and enter the water free,
her body flows through as if she was
made from water.  Someone walks by
bumping her accidentally throwing her back
to reality, music still pounding in her ears
she pulls off her sweat shirt for real this
time seeing the eyes of her competitors on
her, sizing her up as she does the same.
But she hears there thoughts in her own
head instead.
Impostor.
Pretender.
Fake.
She turns the volume up a little more not wanting
to hear the unsaid words.  But looks up to see
she is to late. She takes her music out with
shaking hands and puts her hat and mask on
and makes her way over to her block when
the impossible loud whistle blows she climbs
up shaking.  She hears the beep but the
powerful dive doesn’t come, instead she falls
in, she moves her muscles trying to find her spot
but all she can hear in her head are the words
unsaid, and the stairs of her competitors,
herself.

I try to control every variable
Just like an experiment
Like a mad scientist
If something goes wrong it could cost some blood
A hamstring
My shins

My heart is pounding like a runaway train
Chugging along and always speeding up that it sometimes trips over itself in my chest
Fluttering

I tune out everything except for the official

I set my blocks
I am already trying to catch my breath to calm the butterflies in my stomach
I wipe my hands on my spandex
They're covered in sweat

I let out a shaky breath. Telling myself "You know the drill"

"Ladies stand in your lanes"
I do a couple tuck jumps
Double check my spikes, my hair
I shake out my hands hoping to wipe off the nervousness
But know deep inside my heart that it's the only thing keeping me sane

"On your marks"
A sour taste forms in my mouth
All I can do now is think about my start
Another variable I become the master of
Low and drive
I get on my trembling hands as I slide my feet in the blocks
I inhale-my breath quivering
I peer ahead at the finish line in front of me
It's so close yet oh so far away

"Set"
Is there a word for when all of your potential energy instantly turns into kinetic?
All of your nervousness turning to pure adrenaline?

Is there a word for that split second after the gun goes off?
For what it feels like when my muscles stretch and scream for oxygen?
My mind goes blank
I can't hear any of the yelling or my runaway heartbeat
I don't think about who's beside me

This race isn't about the competitors next to me
It's the clock
That irrevocable tick that means almost everything
That horrendous voice inside my head saying I am too tired
Slow down
My legs weren't made for this
But I know deep down inside that it's my brain trying giving up

I keep running because I don't care about the voices in my head or the sprinters beside me
I race against time
An irrevocable substance that will always win
But I was born to run

Is there a word for when your brain gives up and you are running with pure adrenaline and heart?

Is there a word for running so fast time slows down? You can hear your mothers pleads, your fathers coaching, your friends reassurance as you pass by but it doesn't even process until after you are done

You can feel every millisecond in your toes when you spikes dig into the track

You can feel everything that could have gone wrong but somehow went right and you don't even register it until after

I make it to the finish line in one piece
My muscles are tight and my lungs are trying to catch up with my racing heart
My head is pounding and I don't remember what just happened
But I get a feeling that it was something wonderful
I can't find a word for it

I wish there was because  I would have already said it by now

I favour the deep, impenetrable truth of the jungle
Over the smooth ride over sleek black rubber;
The *****, disturbing, demented disorder;
The distortions of the lights we bathe on,
Over outward alignments and the staleness of systems.

I favour the cheap, rugged, bittersweet taste
Of a late night's substandard drink,
In the midst of true lights and shadows
And the uncertainty they cast upon us,
Over the orderly and satisfactory--
The dead pleasures and securities that
Exist nowhere but in feeble projections.

I favour the basic, primeval, animal grunt--
The dirt, the dizziness of true treading
Across the muddy shallows--,
Over the clattering of an overflowed,
Certain mind.

I favour doubt, earnest doubt,
Unpalatable doubt, inescapable doubt--
A smile in a pitch-black room,
A journey on a lukewarm air balloon,
A half-finished sentence in a half-serious gloom--,
Over hasty conclusions and tainted allusions.

I favour the endearing messiness of reality;
The chaos of light and dreams;
The mystery, so out of reach,
Of you and me and the space in-between;
The stained, torn, shattered, burnt,
Twisted texture we find ourselves upon,
Over the smooth, marble-white,
Sterile surface where false certainties
Slide, grinning, before they find themselves
On an impending collision with the infectious hesitation of the ground.

I favour the acknowledging look
Straight into the eye;
A ladder with one step;
A race with no competitors;
A contentment without resentment;
A bread on your table that's good enough,
That doesn't tease you and promise you more,
And more,
And more,
So that you forget what you should really care for,
What lies deep under your skin,
What stirs up the dormant contents of your guts--
You climb to the hilltop
Which finally allows you to have
A peek at the next one.

I favour uncertainty and risk,
And walking too close to the edge;
I favour barely enough,
And cutting it too close;
I favour throwing all excess over the board,
And lowering standards;
I favour the taste of imminent failure
And the adrenaline of a heart-wakening sprint;
I favour meagre means
And big dreams, free of currencies;
For they all remind me what the world
Really looks like,
Who I really am,
And what the winter-night winds
Really feel like.

I favour the ways of nature, often erratic,
*****, ugly and convoluted,
Often dumbfounding,
Unintentionally intelligent and mysterious,
Over the ways of fear-ridden constructions,
For there is no such thing
As a straight line.

He didn't meet many expectations
With the shell that he wore
Though the people gave nothing
They expected more

He'd stroll into town
With the clothes on his back
And the tools he would need
In an ancient, holey bag

He'd search out those
In need of repair
A leaky roof
Or a broken chair

This man seemed to know something
About every field
He'd smooth bumpy roads
Even doctored wounds 'til they healed

There was never a charge
For the service he rendered
One need only ask
And perhaps remember

If a stranger's in need
And passes your way
Just give him a hand
That's my pay

The more that he helped
The more tradesmen would fuss
This man's stealing the thunder
That belongs to us

So the tradesmen all gathered
And plotted and planned
The weapons they chose
Were not in their hands

They began to spread lies
This is our competitors' ruse
If he keeps freely working
Consider the business we'll lose

They convinced the masses
In spite of all he had done
This enemy among us
Is a dangerous one

So this strange humble servant
Who was mocked in the end
Had no one defend him
Not one single friend

If you'll lend me your ear
I'll return it with truth
The enemy among us
Is me and you

Is it bad that I think, think,
think about the way the end will come.

That I see the water flood the streets,
that I feel the fire burn inside me.

I can hear the animals charging down
roads and fields, as the earth cracks and crumbles.
The tips of my fingers turn cold and blue
as my mind freezes over, and volcanoes boom
under our feet as we bring the world to its end.

The thing we fear arrives at last
and we are all to blame.
I put my heart in quarantine
as pestilence sweeps the land.

War tares us apart as we try to lower our guns,
but we are compelled to do
the things we hate as we attempt to pursue peace.
We run and run and run and run
in search of life that has been trampled by our feet.

The conflict in our midst becomes obvious
as the dust clears but does not disappear.
Our friends beside us grow feral and hostile
as long, ****** fangs are bared.

As the fog rises and the clouds black out the sun,
it becomes clear to me that the end has been here,
but has not taken us all.

And we wait and wonder who goes next
as our comrades turn to competitors.

Yes, we wait and wonder,
as we see the end has come,

but still, it is not here.

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Take off your polished handmade Italian shoes
Yes, take them off, right here in the street
Peel off those thin black dress socks

Walk into the cheap barber shop
And tell the barber to shave your head
That full head of thick corporate hair

Now walk barefoot and bald in your $3000 pinstriped business suit
and your silk tie and cufflinks and starched white shirt

Walk barefoot though the financial district
Everyone will stare
Your colleagues and friends and competitors will laugh
As dust collects on your smooth clean white soles

Destroy your privilege
Cut ties
Burn your bridges

Barefoot bald and humiliated
You can start again

Ya Know I've Heard It Said By Older Heads...
COMPETITION Is Part of Human STRENGTH... !!!

That's TRUE I Guess But Now Detect...
Competitions NOW Have Got DEFECTS... !!!
And DON'T Give Wealth To Humanity's Health... !!!

I'm Older Now So See Just How...
Competitions... DROWN...
Because of CLOWNS...
Now CLAIMING Crowns... !?!

As If They're... KINGS... ?!?
When They're Just.............
COMPETING... WEAKLINGS... !!!!!

Like Heads NOW Kicking Lyrics...
That LACK The Depth And Slickness...
In Verse BIG VIRGE Be Bringing... !!!

My Poems Leave Heads RINGING... !!!
Because My Words Keep STINGING... !!!
Like Cobras That Be... SPITTING... !!!

In The Faces of FAKES Who Just Can't Take...
STRONG BRANDS of SHARP Wordplay... !!!!!!

They QUICKLY Run For Cover...
When They DISCOVER The Rocks I'm Under... !!!

Cos' My Venom EXTENDS...
... PROBLEMS For Them... !!!!!

Because My Chem'... HITS Ventricles...
And Blends To FEND Like Tentacles... !!!!!

That STING These Kids Like JELLYFISH... !!!!!
A... " Man o War "... For SURE... !!!!
When I HIT Shores Competitors ROAR...

"Okay Big Virge, No More, NO MORE !"......

Or Like DURAN... "No Mas No Mas !"

When I Start To PEPPER...
Their Head Like... LEONARD...
Cos' I'm The... Sugar Ray...
Wordplay... HEAVYWEIGHT... !!!!!!!!

TOO HEAVY To Be Found...
On... ANY Dub Plate... !!!!!!!

My Competition Dissipates......................... ..............
And Disintegrates Because They're AFRAID...
of The Kind of Wordplay I Choose To DISPLAY...
... That DESTROYS These FAKES... !!!!!

Competition They CLAIM...
To Want... ALL DAY... !!!

Til' I STAKE My Claim...
To Enter... CENTRE STAGE... !!!
And HIT LAME BRAINS...
With My... MIND SPRAY... !!!!!

I DAMAGE These FOOLS...
Just Like... " JERU "...

Compete With... WHO... ?!?
I'm The Doctor... WHOSE...
Competitive Words Have BIGGER BOOTS...
Than... COMPETITIVE JERKS...
Whose Verse... Lacks Worth... !!!

COMPETITIVE Dudes...
Who Were Born To LOSE... !!!!!!

I Compete With... ME...
NOT GLORY Hunting Freaks... !!!

Because...

EVERY TIME I Rhyme Alphabet Letters...
I'm Trying To BETTER My Form of VENDETTA...
To STAND For... MORE...
Than THESE WHORISH Trend Setters... !!!

I'm A VERBAL GO GETTER...
NEVER Late But... FOREVER... !!!

A Man Whose VIEWS...
COMPETE To... CONSUME...
VOLUMES In Rooms...
Who CHOOSE To REFUSE...

WORDPLAY I USE...
I'm A Bit... " CONFUSED "... ???

When It Seems They CHOOSE...
To BELIEVE It's... COOL...
When These FOOLS Exude...
SO MUCH... ATTITUDE...
About... " How They DEFEAT ! "...

EVERYBODY They Meet...
When It Comes To... FREESTIES'...
That They KICK Over Beats... !!!!!?!!!!!

They're QUICK To APPLAUD...
These... Lyrical FRAUDS... ?!?
Who COMPETE To Hear ROARS...
When They're... Treading The Boards... !!!

COMPETITIVE... Actors... !!!
Kind of Like An X Factor...
For... Wannabee Rappers...
Who … LACK The Bite...
of..... VELOCIRAPTORS...... !!!!!!!!

As For The... Gun Clappers...
They Take JOOK' Like SLAPPERS... !!!!!!

When... Like A SLACK Gangster...
They Get SHOT In The CRAPPER...
Cos' Their **** LOST It's HAMMER... !!!!!!

I Make These FOOLS... " S T T T TAMMER "... !!!!!
When I Utilise... GRAMMAR...
That HAMMERS Like BANNER... !!!

OKAY I Mean... THOR... !!!
COMPETING... Fa' SURE... !!!
When It Comes To A Cause...
WORTH... FIGHTING For... !!!!!

I COMPETE On... Spirit Levels...
That DISHEVEL These DEVILS... !!!
Who... CLEARLY Seem To REVEL...
In Being Given... MEDALS...
For NONSENSE That They PEDAL... !!!

Like PRIEST My HEAVY MENTAL...
Is How I... BURN And SETTLE...

Scores With... BROADS...
I Mean... GIRLS Of Course... !!!

Who... CLEARLY LIKE To See...
THESE Gangster Wannabes'...
COMPETING For Their *****... !!!!

NO MORE Do I CONCEDE... !!!
To PANDER To Their Schemes... !!!

My Competition FEEDS...
OFF MORE Than They Could Be... !!!!!!!!

My Competition NEEDS...
To Make A... BETTER ME... !!!!!

NOT To PROVE To... " Peeps' "...
That I'm BETTER Than Jay-Z... !?!?!

I'd RATHER Be... " The V "...
Whose VENDETTAS COMPETE...
AGAINST The... Powers That Be... !!!!

And FIND A... HIGHER Mission...
Than Being... SOLELY DRIVEN...
To Fighting For... A PITTANCE... ?!?

In PETTY.............

……. " COMPETITION " …….

Comfort Zone has a sale on:
Live no lives for the price of one.
Admittedly, it's not a good deal
but I'm always there, always browsing.
One bedroom comes with a comfy bed and TV.
Buy now and get a year of solitude
absolutely free.
Of course I could always shop around -
one more year at Comfort Zone
or should I switch my life provider
to Grow The Hell Up? Maybe The Real World?
After all, they do have benefits for new customers:
I checked with Real World and they offer
three years agonising anxiety, but guaranteed success
(small print: success not guaranteed).
Real World offers free training
in socialising, public speaking,
dealing with catastrophic failure.
But Comfort Zone does have that bed and TV...
Plus it's a great anti-aging cream:
I'm twenty-three going on fifteen.

One word of advice:
If you do try to leave Comfort Zone
they will call you,
send you letters,
bribe you with better deals,
slander their competitors.

When you do switch to Real World,
just go.
Leave Comfort Zone
and never let them know.

I want to be friends with the Sun
You know, like hangout, have fun and shoot the breeze
OK, I know it's hot, strong, powerful and super blazing
But it must be pretty lonely hanging there on its own
I mean, what fun can you have nuclear-izing all the time

It should chill a little, the Sun
I could get it to smoke a cheroot, come to a barbecue
Perhaps have a fiery whiskey or a ginger beer with a zing
We could go to hell's Kitchen and have a well singe T-bone
I'll even take it to a Tanning saloon to see its competitors work

Yip, I'll really like to be friends with the Sun
First though, its got to really cool down and be calm
Why all the the fire, the explosions and relentless blazing
Look how long its been going on, any wonder he hangs alone
Like, its got to know too much heat is good for no one

So, I'm going to go hang out with the Sun
About time it has a friend and some sound advise
Maybe I should take along some Fire-fighters just in case
But it's got to know, we come in peace, not to douse it down
It's all fire with the Sun, but it should know that Fire, fire fire
Is only good in Hell and that's not a place for our lovely Sun


Anybody got a long distance Rocket...anybody...?



Coyright. LaurenceA.29thJuly2018. All rights reserved

There is strength here.
Built in glaciers older than countries
Known only to cold seas
And the animals that thrive in the face of difficulty.
There is beauty here.
Reflected in water droplets that tear the light apart
We gaze upon the scattered remains and declare it a rainbow.
We're not wrong.
There is anger here.
You only have to watch the way the volcanoes erupt in fury
Or the water-bound tsunami who reaches for land but is banished to sea.
There is pain here.
Watch the way the Earth shudders, and the ground tries to hold itself together
And oil runs from water.
We call them immiscible.
There is violence here.
It inhabits the living and the still,
Tornadoes chase and throw and break
And guns scream
And the prey cry
And comrades become competitors
There is sorrow here.
You can hear it in the breaking of a voice from topic not age
And the way the rain cries down windows,
In the whimper of a sleeping child.
There is joy here.
You see it in the songs of whales and the chatter of dolphins
And the way the stars twinkle contentedly,
Find it in the breathy huff of a baby's first laugh.
Look for it in the secret smile that wasn't meant to be seen.
There is coldness here.
Not just the kind that makes exhibits of mammoths
But there is something in the look of a bigot,
The indifference of an eagle,
Something in the way ash falls slow and steady as it watches lava desolate a city.
There is life here.
In this world we do not limit living to survival
And we have a way of finding new ways to look at our world.
And though the mountain does not breathe it moves constantly.
Though leaves that left their trees are not green, they dance on the wind.
And even when we are gone we remain in memories and dreams
And artefacts, or speeches, or actions.
There are many problems here.
But we're trying to fix them.
This is a planet worth fixing.