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Shanghai Dec 2018
The sun was gold
But nothing compared to your hair
The ink was black
But nothing compared to your eyes
The sky was blue
But nothing compared to your polo
That you always wore that I love to stare
The day was dark
But nothing compared to your favorite jeans that you always wore
And I love to stare
The tulips was pink
But nothing compared to your lips
The roses was red
Like the ones you always gave to me
Whenever I am sad
The water was plain
But nothing compared to the day
When you took one step inside the train
Everything was colorful
But nothing compared to the colors of our  love way back then.

-peanutbuttqn
The awe inspiring magnificence, of cosmological constraints,
And the forces within that drive us, whether sinner or a saint,
The undeniable beauty, and astrological grace,
Are insignificant visuals, when they are compared to your face.

The horrendous acts conducted, and mentalities so vile,
Destruction, infection, corruption, deception, with un-ending torment and bile,
The daily atrocities committed, with purity and innocence defiled,
Simply all melt away, when I stop and I picture your radiant smile.

The guise behind which we hide, and the pretence we all adorn,
The haggard faces we cover up, in an attempt to blend into the swarm,
The conditioning forced upon us, to death from when we are born,
Is the last thing my mind can invoke, when I witness the perfection of your form.

We are all truly evil, we are all truly kind,
We are all capable of extremes, when we need to protect our own lives,
When we're pushed to the edge, animal instincts are what we find,
But serenity and creation, are the foundation of your mind.

When compared to the incredible, when compared to the depraved,
When compared to the victims, when compared to the saved,
When compared to the weak, when compared to the brave,
You are absolute and my everything, you are the path that has been paved.
This is for emma sawyer, the most incredibly talented and beautiful person I know :)
mari j May 2018
i am so small
compared to the mountains
i am so little
compared to the sea
i am so tiny
in comparison to the islands
and i am so large
compared to what i thought i would be
Hisham Alshaikh Jul 2018
You are beautiful
You are tremendously beautiful
You are marvelously beautiful
You are astonishingly beautiful
You are magnificently beautiful
You are breathtakingly beautiful
Inner and outer

You are beautiful
You are the definition of Beauty
Or shall I say, what is Beauty compared to you
What is Beauty compared to you ?
It feels shy and ashamed when I describe you
A weak meaning it has when I describe you
A meaningless meaning it has when I describe you
Never existed it wishes when I describe you

You are beautiful
For your beauty I searched
Every language ever lived
And every word ever existed
And the romantic era that occurred
Could not find a way to describe your beauty
Could not find a way to tell the world about your beauty

You are beautiful
Vocabulary will be invented
Words never existed
To the dictionaries will be added
In the dictionaries will live
In the lovers tongues will breath
To describe your beauty
The one and the only beauty
The living and the dead will forget about Cleopatra
Because your beauty is ultra
A new period will start, The Beauty Era
Your era

--Hisham Alshaikh
You're Beautiful. Version 1.
Stxlle Nov 2013
You dance better than me
You sing better than me
Prettier, taller, smarter

Well **** you are as perfect as a Barbie

I’m as interesting as nothing compared to you.
You can get whatever you want with a snap of a finger. Make guys fall for you at the speed of light.

I am nothing compared to you

You make me look at MYSELF and say “I’m nothing”

You do so many things I can do.

I write.
You write better
I draw
You draw better
Well I bet your poem is better than mine

I do something and ****** I know you can do it better.

All I want is to be better than you at something. No matter how small. I want to be better.

Confident. Pretty hair. Thin.
I am nothing compared to you
Please give me some comments of what you think of my poem and what I should do to improve my writing. It is the first one I wrote and published. :)
Hope you enjoy x.
Derek Wings Feb 2015
Compared to the night sky
Above a busy city
You are the northern lights

Compared to a fish in a pond
You are a dolphin
Swimming in the ocean

Compared to the freezing rain
You are the warm sun
Rising on the beach shore

Compared to rush hour traffic
You are roadtrip down a winding road
Speeding on a motorcycle

Compared to a want
You are a need

Compared to having a crush
This is love
Mateuš Conrad Sep 2016
a few songs can capture the modern sense of urbanity, and the
apocalyptic 5 a.m. of London - but i've become estranged from
that sort of neon addiction - there's no syringe involved,
no amateur photographers on the ready, either -
yes, a man of great love, but also of great contempt:
and that goes hand in hand.
the favourite memory of my first year at Edinburgh?
eating haggis neeps and tatties at the ***** ****'s
pub on the royal mile - followed by shots of whiskey -
in my student accommodation,
placing the amp on the windowsill, the window open,
and just jamming out far removed Nirvana solos
with a few spectators: modern day equivalent:
of mad max flamethrower guitar freak -
losing my virginity to Isabella: psychology 3rd year
exchange student - from Grenoble - France,
yep, not the ******* Himalayas - the Alps...
the lacrosse initiation ceremony in lycra shorts:
back then i'd be a stumbling buffoon after a bottle
of whiskey... these days? well, usually a closing
poem at 5 a.m. - minding the cats to come home
after spending it out in the cool on a sultry night -
i wasn't serious about the lacrosse -
jeez: the meat in this place is stuffing me -
get out before they tell you to buy your own gear:
team or group mentality? never got it -
soloist pronto - pronto andante - chirpier that way,
getting the whiff of the bubbly without stand-up:
imagine a sit-down comedian... hard to imagine.
the gym... oh **** me the gym...
you know, i knew a guy in first year that only managed
to cook up plain pasta, with salt... plain pasta
with salt... another guy ate spaghetti with
tomato sauce all year round... in the last week he
added meat to the mix... not trying to brag:
i'm even going to mention what i cooked -
                    i was living with horror seeing these
boys adapt to: mommy not here, mommy out to lunch...
daddy not here, daddy out to crunch out the income...
well... apart from the rich puppies who chose
catering accommodation, turning university
into a school with a pristine canteen - canned teens -
just as much - so if i wrote cantine you'd say:
canned thyme? how the hell does that work:
i abuse language, language doesn't abuse me -
i don't need cushions surround words like
()()()()()****()()()()() - better? much better -
hush the angry words out! use the sterilisers -
maybe that's why i never experienced anything bad
using the internet - honesty and bluntness -
maybe i shouldn't have said that. or that's just lucky.
princess and the pea and the 100 mattresses
and a fickle *** - ah itchy! it's pinching! it's pinching!
100 mattresses and still the ****** pea.
then again, staying up all night, then deciding to
climb Arthur's Seat at dawn, getting there, then
climbing down and going to Tesco at 7 a.m. to buy
cornflakes and full fat milk... that was something;
but you know what i'm really thinking about?
it's no longer a maxim, it's a cliche -
               but i'm thinking about it in mathematical
terms -                                from the verb
                           on one side, to the posit or inertia
on the other - there's no grammatical version of what
really becomes a pentagon with five attachment points
primarily - a cul de sac of facts -
                                                            but­ mingling with
grammatical categorisation nonetheless -
          but what i'm thinking about it how to make it
simpler, to use mathematical notation:
i.e.
               i think is an expression
                                       worthy of about 1 centimetre,
  given that thought is a marathon -
                   but i'll just say: could it be anything but
  so differentiated increment divisibility to
              thus provide a sigma? although the expression
is hardly an ad continuum - at some point you
stop thinking, hence to differentiate i think is assuredly
a way to say: well, not constantly - meaning thought
   is not a continuum - and can be talked about in the
same was as talk of god: that's where i place the prime
of ethical action - it's not god... i don't ascribe ethical
action in that direction: just too easy, whatnot with hell
and heaven and goody two shoes waiting for the
big spark of magic or applause and the heckler: well done!
god, dry humour is the best - sarcasm is dry humour -
satire is wet humour... and other than that?
               slapstick, nothing too witty, i hate witty comedy,
they always need canned laughter:
at least slapstick humour makes the effort for you too
make an effort... and it sometimes hurts, so it's real,
when you start flexing that abdomen and get a six smiley
faces on the torso.                anyway,
              looking at my **** it really dawned on me:
  (by the way, Descartes wasn't really out to prove he existed,
   someone thought he did, he was trying to work out a
proof for something that someone else would pick up
   and elaborate)             i think is but a centimetre
                              compared to the marathon of thought -
(sizes in this scenario is perfectly compatible) -
          meaning that               i am          (italics?
emphasis on these to expressions being unitary) is but
                 another centimetre compared to the marathon
   of being                                    or the Antarctic expedition
                      of non-being: i.e. not necessarily
   assembling: what if i wasn't here... but more like:
              what if i did something differently -
again, flea market questions -                        why bother?
    come to think of it: the former unit is more simpler
to encompass - although i agree that the former translates
into the latter: thinking proves i exist,
                            because ex omni instances
         (out of all), there's an equal compatible expression
of mutual exclusiveness: thinking - the two together are
juxtaposed to be allowed a kind relativism -
      but whereas the latter (i am) unit is not only plagued
by the nearest pentagonal absorption via the senses,
but also a definite article / articulation of so many posits
of expression: multiplex verb -
                  the former (i think) unit isn't:
a. plagued by the pentagonal... blah blah blah...
             but rather by a mandala of faculties:
   imagining things, remembering things, dreaming things,
               maybe i shouldn't have said that?
   who knows -
                             the basic thought was
about:           i think is but a centimetre compared
                               to a marathon of thought - a minor fact -
   i am is but a centimetre compared to a marathon of being -
     and to be honest: very few people would take
courage in understanding this glib in the sigma of all things -
imagine football hooligans equipped with this potential...
i can't: i was watching the Everton v. Sunderland today,
and all i could hear was the chant: YANNICK BOLAISE!
            YANNICK BOLAISE! YANNICK BOLAISE!
yes, this kind of writing is a paper mâché -
or a vegetarian starter - but, you know, if you don't
try something new, you'll definitely win a Pulitzer Prize...
  if you don't like it? chop chop, on you go.
i know Descartes wasn't wrong, and i know that
cogito ergo sum wasn't intended to prove anything -
but it did prove a founding block for existentialism,
that's where all existentialists take a **** - Descartes
is the dump where Sartre wrote his being & nothingness,
and Heidegger his being & time...
                        well, key ingredient in someone writing
a sophisticated aversion to time: space, would probably
write something about sitting next to someone on a tube
and writing about sardines and livestock -
                           humanity as a virus, etc. etc.,
   compared with someone writing and thinking out
a statement of: well, isn't this marvellous - so far apart
and clean, and solitary and chuckles.
    i just wanted to use the mathematical comparison,
deviating from the pivot                   therefore     -
   away from each of the unit's verbs and adjective attachments -
  i just wanted to stress that each respective facts,
  are but a centimetre of expression,
   compared with what each evolves into - a marathon
on either side - perhaps it's because that's a necessary building
block to something greater: i can't complain that being
aware of this fact is a hindering beginning -
       i'm not saying that being aware of this maxim is
somehow going to improve your contentment with life -
    geometrically it's not like
                                                      horizo­ntal left to right -
more like vertical left to left-up and right to right-up
             and never therefore - for a reason,
consequently... but rather in parallelism -
                   for no reason whatsoever -
                                              contra-sequential­ly;
unless you know a Queen of Sweden, i don't see how
thinking precipitates into being that might you
leave you satisfied - and let's not a put a ****** on it
either: how many thoughts about killing someone
end up being jokes with a friend late at night?
The world, creatures are amazing
but compared to you it's nothing,
compared to your smile and the blush on your cheek
and the sound of your voice is flux on the evening breeze.

Day by day waking up to the bright morning sun
and the lovely birds beautiful songs
but compared to your stunning eyeballs making the sun looks like its not shining.

Photographers take beautiful moment pictures, but nothing
compared to the stares you get when you walk gorgeously in slow motion

The sky has a blue colour, bringing out the sky's valour, rainbow has attractive colours, but compared to you, your face is my favorite colour, the amazing natural grass colour is green compared to your radiating skin.
RAJ NANDY Aug 2018
Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
            
       CONCLUDING THE ENIGMA OF TIME IN VERSE:
                      PART THREE – BY RAJ NANDY
              
              TIME ACCORDING TO MODERN PHILOSOPHY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
            
HOW LIGHT IS CONNECTED WITH THE CONCEPT OF TIME:
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

SOME PROPERTIES OF LIGHT:
Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

EINSTEIN'S SPECIAL THEORY OF RELATIVITY 1905 :
In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

   SPACE-TIME & GENERAL THEORY OF RELATIVITY 1916 :
Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *

Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

UNFINISHED WORK OF EINSTEIN:
During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

EINSTEIN'S NOBLE PRIZE For PHYSICS AWARDED IN 1921:
Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

'STRING THEORY' PROPOSED AS THEORY FOR EVERYTHING:
During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

               RELATIVITY
“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.
nabi 나비 Jan 2018
its so strange to think how different things are from 2 years ago
i know to some that may seem like forever ago
but in the grand scheme of things it really isn't
in my perspective i seem much farther away than it is
on the single fact of things are far different than they used to be
i spoke to people who were absolutely terrible to me
who have treated me like gum stuck to the bottom of their shoe
i was in quite possibly one of the darkest parts of my life so far
i was in such a terribly dark mindset and i didn't think i would ever get out of it
i was also not open with what was going on in my head at all
and then theres the giant thing of i was dating boys

all my old "besties" compared to my best friend now
what was i doing? is the first thing i'm asking myself
they all treated me terribly
i notice through all of them is that they were all about themselves
and they were too loud compared to my personality
everything was about them and i was always the sidekick
my best friend now
we are on an even playing field and are able to be open with each other
we are also able to have the friendship not revolving around one of us specifically

my mental health
it's not that different compared to now in all reality
it's just easier to manage considering i'm more open and know how to manage
being able to be open has been a savior to me
i've been in equally as dark of headspaces since then
i'm just able to manage everything a lot better than i used to

i was dating boys
i wasn't being myself in any shape or form
since then i've come out as a lesbian
i'm much happier within myself and i'm more comfortable with myself as well
its nothing against the boys i dated
i'm just not attracted to males

im much happier with myself and my life at this point in time
i am grateful to have an amazing support system
and so many things that others don't
i am so immensely thankful for everything in my life now
i have made such strides in accepting myself and ridding negative energy
and i always think its helpful to look back on a point in time
and be reminded of how things have changed and how they benefit me
and to also remind me of how thankful i need to be
not so much a poem. sorta just a mind ramble of me looking back
Mak Jul 2014
The room was silent. The only sound to be heard was the slow, steady dripping from my mother’s IV.      

“What do you mean, you’re dying?”

Multiple Sclerosis was, in short, a ***** of a disease. Somewhere along the span of my mother's 35 short years on this planet, her immune system made a giant mistake. For uncertain reasons, her body began to attack nerve cells, severely affecting her brain's processing ability and mobility. The only medication that had ever subdued the symptoms was beginning to **** her.

“It isn’t an immediate thing, Makayla. I still have plenty of time.”

Turning away from my mother, I wiped tears from my eyes. There was no way in hell I was going to let my family see me cry. Absolutely no way. This was a joke. My mom was not going to die.

“Kayla, baby, talk to us. It’s okay.”

With a deep breath, I forced a smile, as I often did, and blinked away all traces of tears from my gray eyes. Turning around to meet my parents’ worried expressions, I simply nodded.

“How long?”

The question came out as more of a statement than a question. The morbid implication of those two short words spoke worlds louder than any words I could muster.

“5 years, at the absolute worst.”

At that, I stood, and left. I ran, and ran, and ran. I ran until my lungs hurt, and then kept running. But no matter where or how fast I went, I knew I could not escape the horrible reality of the matter.

The woman who gave me life was losing hers.

I was always the type of person who knew how to talk my way out of any situation.

And this time, there was absolutely nothing I could do about it.

There’s no sweet-talking death.

And with that, I began to accept her demise, and my defeat.

///

The first sip burned my esophagus, and I felt the blaze continue to my stomach, where it left a lasting warmth. I coughed a little, as the hazy feeling of drunkenness set in, setting my head spinning and my insides ablaze.

The past two months (52 days, 4 hours, and 30-something seconds) were a continuous downward spiral into a constant intoxicated state. Instead of addressing my feelings in the endless sea of counseling sessions and semi-sympathetic family therapy hours, I isolated myself. When my mother asked how I was, my reply remained the usual, “Doing great, mom.”

I was not, in fact, doing great. The alcohol wrapped itself into me, braided itself within my better sense, and I began to let myself fall apart. The wall I so often hid behind, the wall of perfection, of cool, was crumbling. Short, yet deep cuts lined my thighs, just high enough to be hidden by the hem of my shorts.

My mother had the opportunity to save her own life. Russian research had found a possible cure for the disease that had been plaguing her very existence. 3 weeks of chemotherapy, followed by a few months of intensive care, and she would be normal once again.

My mother denied the treatment.

“Too much money,” she said.

“Too inconvenient,” she said.

Compared to the life of my mother, no amount of money nor convenience mattered.

I was furious.

I was drunk.

///

My mind swam, speech slurred, fingers trembled.

My phone sat in front of me, propped up on a gray tissue box, which had been halfway expended due to that night’s waterworks. The Coca-Cola can which held my ***/coke concoction was long past empty. I was drunk, and screaming words like ‘sorry’ and ‘doesn’t deserve this’ into a pillow. I knew my mother deserved to live. Compared to me, she was a saint. I felt empty and pathetic. I deserved to die.

I convinced myself that maybe if I did something extreme, she would value her own life more than she did.

I held tightly onto the railing of my house’s only set of stairs, as I attempted to keep my balance. I walked drunkenly to the medicine cabinet, careful not to make noise and wake my parents. I grabbed as many pill bottles as I could carry.

Exactly 41 pills of assorted shapes, sizes, and colors sat in lines on my bed. Small to large, rainbow order. The comfort of organization wasn’t helping this time. I wanted to die.

Before starting my buffet of medication, my phone lit up. One new text.

“I know you were feeling upset earlier, and I just wanted to remind you that you are special. You matter.” I instantly felt even ******* for what I was about to do.

I laid down in bed, beginning to drown in my own tears, and let myself fall asleep.

Neither I nor my mother would be dying tonight.
Compared To Many Others

Do we ever really stop and think
Of how good a life we have
Compared to many others
It's really not that bad

We go to work and say things
Like how much we hate our jobs
Complain about the hours we work
Or the time we must get up

There are many others out there
Who begin a search each day
To try to find a job like ours
That comes with decent pay

Insurance is a big thing
We take for granted till there's a need
While those without a job at all
A doctor they wont see

We eat our dinners every night
Pay our bills and go to sleep
No worries for the ones outside
Who are living in the streets

So today I will just stop and think
Of this good life that I have
Compared to many others
Its really not that bad

Carl Joseph Roberts
This was written on a challenge I gave to Mike,  on how we see a typical day.  I have already made my concession call as Mike has already posted his master poem to stop any future challenges that other poets may have...LOL. Yep I may not have won this battle but I have just inlisted all other poets to challenge you Mike..lol.   I will win the war and wear you down my friend and one day I will take the crown..This is my master plan.. crap.....I have given my master plan away. crap.
almat011 Mar 2019
Me pulls to you ..... so strongly attracted to you
color of your skin so ****, ******, and very attractive and beautiful
In my opinion you are the most beautiful in the all universe space, measurement, worlds
My compliments, the truth, and no there is no flattery. In my opinion, this is how looks the most beautiful girl in the world. You are a very beautiful girl. You're a very **** girl. You are perfect. You are a masterpiece. You phenomenon of beauty that can not be repeated. So juicy, so exotic. It seems to me that you have an amazing beauty. You are the most beautiful in the universe all the dimensions of all worlds, you are a supreme being supreme creation, the crown of evolution. You're beautiful melody of love. You are so beautiful, just magic.
You to the point attractive ****. What you want to do countless times having ***.
I only dream if only one your kisses that blossom my soul. And from the touch of your hands on my body, and your lustful-touch for my private parts. I only dream to merge with you forever, body and soul, I only dream of an eternal, continuous *** only with you alone. I only know one thing, that I will forever love only you
Only at your most beautiful, stripped the body, you want to watch and view forever.

Every cell and molecule of my body and my soul is overwhelmed with love only for you. I long to be your beloved husband for all eternity and all lives, and even after death

Do you desire, you are perfect. Soup-navel **** genius. Do you like the sound of "the sound of a roaring engine ****** smart cars": VUM) VUM) vuuuuuuuuoooooooooooooooooooooooooommmmmm) You paradise, you're mens happinesse. Easy, clean, gentle, heavenly delight. You dream of a lifetime. You're pretty unrealistic. On even to the extent to which she can be beautiful, it's just unbelievable. You are the best gift of fate. Before your powerful ****** charm simply irresistible. You're the most beautiful girl in the whole universe. It's a great, great. You luxurious gem. This delicate pearl skin, you sample the true human beauty and femininity. All the other girls compared to you quite simply uy) uy) uy) uy) uy), believe me you are very vip **** girl. Most also come up on the throne of honor honored the goddess, the great pedestal. Majestic music sounds, so subtly and sensitively praising your beauty for you. In your arms a man feels in the higher realms of pleasure. **** regal lioness. Graceful affectionately snarling tigress. Puff) bang) bang) bang) bang) mega glue your beauty kills all competitors by felling. Amazingly beautiful. Sultry, cool and ****-Mego. You are elite, you're a lux, you extra class Your beauty captivates the hearts of men. The queen of all men, divinely beautiful, majestic lady. **** kitten. Mens ******* myself in the pants, with excitement at the sight of you. My heart you certainly won. Imagine that you are on the sandy planet, and every speck of gold pure gold, these grains of sand, the golden thoughts about you and only about you. You stunned, and I from you noodle. You just incredible girl, unbelievable. You're a *** symbol. You is Brand, (dreaming about you) cool, greattbl, superebl. You're like a beautiful peacock, revealing to the people the infinite perfection of their external and internal beauty. Words gently kiss and hug. The outline playful. Queen of ardent passion, so a bit awe velvet body. You idol of femininity and nature ... anywhere in the world to find such a beautiful sight as yours, which is just crazy, captivating with their enchantments of love, and you can not escape from the past and it is impossible to pass, look pierces the tenderness of their feelings.
you thermonuclear *** bomb you lux extra class.
Your passionate gaze iceberg melt. A look of love, perfect beauty. You are an incredibly beautiful girl, you're a mega-explosion of a nuclear bomb.  Boooooooooooooooooooommmmmmmmm), a brain explosion, demolition of all its rivals mega wave. Sweet, sweet as honey. You're sweeter than any candy. You have the talent to charm the guys for their beauty. Your beautiful image of a gentle heart overflows with love for you. Goddess of all men. You are the most gentle in the world. You are wonderful. You as a model in these photos. Original and stylish. Pretty number one in the world. You like to radiate special energy of love and pulling for you. With you all the time you want to be, always and forever. With no one way can not be as good as you. You are infinitely deep and beautiful as the universe itself. Because it is simply not possible. After all, you're stylish, cool, cool. As you have all that is in the ideal image of a woman. Fantastically beautiful. Moon Flower, gently shimmering in the sunlight. How beautiful are your eyes, like a mermaid I want to plunge back to see you sitting on his throne, beautiful creature mermaid her voice beckons you, only your arms, I shall find eternal rest. Awesome adhesive modest. I can not believe my own eyes, how beautiful you are.  you like cream with chocolate .... same tender .... sweet ...... "Your charm charms as analgesia. Do you use it perfectly. Beautiful eyes look like hypnosis. Such a nice warm look. Concealing in itself a treasure of delicate beauty. Infinite height. from that soars from the love of you soul. I like your figure beautiful nymph ... I conquered your soft intriguing, mysterious look ... marvelous sweet charm tempts and drags a.
You are my sweet dream.
I give myself to you forever.
Your loyalty and sincere love.
That's all I want.
You only one I ever want.
You are my love, my fondest wish.
Your photo makes me so *****
I wait from you of reciprocity and understanding.
My word is my tongue that gently caresses your skin and soul.
Gentle and sweet flesh of thy nothing in this universe is not.
Hot passion of your reality in this I do not find.
My words and my eyes tell you only one thing.
The best you never find.
In) during) during) during) during) during) during) during) during) during) Check it out, acclaimed, reviewed, look. Composed for you, about you, tenderly loving s) a) a). **** Barbie, Babe attractive, graceful lady, tender crumb, kitty) kitty) charming cat, sweet baby. One only your smile, this is a great victory and the men feat. Rather Go up to the throne of the goddess honored the great pedestal. Lyrical music sounds just as sensitively and subtly praising your infinite beauty for you. You're a real beauty icon. Designed for real mens, and gentlemen. Vuuuuuuuufffffffffff) tuff) tutuf) tutuf) speak very gently and quietly) tshshshshshshshsh) sounds quiet hypnotic music of love) I'm fascinated by your sensual, delicate charms, leads to you inexplicable wonderful attraction, about how beautiful your magic your charms so vague and so beautiful like brave a charming dope) of your charismatic charm my calls so subtly, subtly and clearly, so sensuously and easily, fervently and passionately, and so ****, ****, cute and appetizing, attractive, beauty, beckoning your temptation, seduction, you're tempting, seductive life you my call, just you alone all the time waiting and call about how much obsession, just the warmth of your feelings gently warms and the confluence of feelings showers my thy soul seizes you soft velvet and silk, you're hot sweet gentle sweetness) only happiness) happiness) and serenity) verily, thou great priceless personality, being at the mercy of your hot emotions and sweet emotion, want to be in them always and forever), I gain peace and paradise on earth, the gentle heat of your mouth, and the warmth of your tender eyes , takes in the wonderful world of your bliss, perfect minute clock, and second only to you, and I want to be just with you, because you have life, you're my only reality, you are my world and the whole universe, keep true allegiance to you, and I just

quietly and timidly say that the only one you love. Without you, life is impossible. You're perfect, you're Suite) glossy, glamorous cute Moore) Moore) Cutie) Ya) ya) dastish fantastish) perfecto) shiiiiiiiiiiiiiiiiiiiiiiiiik) You just mmmmmmmmmmm). This sweeeet) beautifuuuuuuuuul) well just aaaaaaaaaaaaahhhhh) pass out of love for you. Being with you is the continuous buzz, yummy relish) you so photo-film ****-genic photogenic, for movie movie-genic, urrrrrr). We humbly bow to your greatness, great, beautiful goddess, you are perfection. You cool muse, you're cool motif gives your beautiful image of a mega positive, you're a real Kulnev neo) neo) creative, "you're a real jackpot, juicy freshshshshshshsh)" you're the main leitmotif of this world, you're center of the world, a great Bagheera, the pearl of the world. Yes it's true because I think you only one I admire. The idol of all idols, the goddess of all goddesses. Take my word, because it's all true, and I sincerely hope that you give me at least not much pleased. Chorus: "You're **** Bugatti, Maserati best, fastest Ferrari, Pagani elegant. You stylish Bentley, luxury lambordizhni, royal Rolls Royce, wonderful noise voice, only for a cool boys ", voo tyzh) bad, whip. Your extraterrestrial beauty in a nutshell is this: "beautiful and saucily". And I long to see your gentle green light. abruptly, clearly, accurately, rarely smooth, sweet, stylish, strong, powerful, precise, transcripts, honorable. When you're near everything it is not important, so slow and so pointless. Great, great, grand girl yooo) Great, great, grand girl yooo) Great, great, grand girl yooo) ...... Yop) Thank you exist, let sit next to you, take my word for all this is not flattery, be your this is such a great honor, but this is a boon to any man, veeeest) Because you are the most cherished love and the dream of every man. Oooo) Olya-la-la **** figure in this world only you. All attention is focused only on you, everything pales in comparison around with you, and I want to be next only to you, but you pridnalezhat one. You are luxuriously best bust, sweet with sweet lips and mega **** predatory gaze from his amorous feelings rage, my wash only about you say, look what they do to me from the love of you are doing, your beautiful image on forever in itself charms shining, inspires, subordinates, intoxicating. **** goddess. Number one in the world. My low bow only to you) worship only you) Uffffffff) When you're around, getting hot, bright, nice, snip) snip) Vuoks) as a flamethrower let go the flame of his fine feelings, heart pounding more often you zhzhosh not for children, I want to see often, so sultry, beautiful, navel-soup finally, uhhhhhhhhhhh) love is so strong that even begins to hurt the heart. Luxury queen of all parties and catwalks, you unattainable pinnacle, all societies, beeeem) cupid shot of powerful magnum, oooo) complete demolition of all reason, can not hear anything except for you, and now can be seen, only you feel now just you and I I think that I was created just for you. Thank you, thank you, that drew on this as I am. For you, this is only for you, but it's all for you, all for you. I suffer, expect all the time I love you. You're the most desirable woman in the world. Epic, lyric, simpotichnaya) You're beautiful in everything in this world, only you're beautiful. You are endowed with charismatic energy inexplicably beautiful charm ... .ihi) ...... Mochi-mochi-mochi, manenko, manenko, manenko such mainka, mainka, krasotulechka, slyadkaya-slyadkaya girl Lapushka, adorable, cutie, baby, cute flower, candy, umnichka, bird, swallow, Rybonka, kitten, sun-golden-favorite-of-the-most-expensive, good-natured as fluffy hare .................. PSA) PSA) Oooh yeaaah) PSA-PSA) honor) worship, revere, and boundless respect, PSA-PSA) is the only real girl in this PSA, PSA world) you're the most epic, lyrical, lovely) PSA-PSA) you are best of the best, but you have no equal, PSA-PSA) you're the most endowed the title of the most beautiful in the history of mankind, PSA-PSA) you are the most important, the most glorious hero, the only one worthy of a goddess. PSA-PSA) is any place adorn, and instantly all the guys for their beauty by felling you fought, PSA, PSA) and all competitors envy into a deep depression makin PSA-PSA). Because you from herself beauty and eroticism idea tirelessly all its beauty and all are striking. Poetic, exotic, ****** lyrically. Living next to you harmony, grace, take my word, words can not convey, and I want to give you his heart. The sweetest voice only you, the skin so tender and pure, like a beautiful flower, on the face of my delight. So serene, so peaceful and quiet, static, nice and smooth, their places of origin is not in the universe, the soul like a light cloud in the sky hovering, always remembers you, you my love gives. The rays of your love life shines gently nurtures and warms, under your angel wings minds gradually falls asleep. A truly happy life does not happen without you. Next to you, my soul is in heaven remains, and only you, only one truly trusts. Your personality is loud, cool, beautiful, unique. Loud) loud) loud) You're a valuable copy of human beauty tadts-tadts-tadts) tadts-tat) tadts-tat) tadts-tat) uooo) uooo) uooo) tadts-tadts-tadts) tadts-tat) tadts-tat) tadts -tat) uooo) uooo) uooo) oooooo) you higher hooooootest bella mamasita, so moschnobl) with you all the time you want to be srochnobl) tochnobl) you're so cute, I love devotedly, furiously and fanatically. All zabyvaetsya around when you're around, captivated by your unique gentle gaze. Diamond beautiful, deep sapphire, stratsno rubirno, amazing emerald, pearl cute, I was very hooked, very surprised, so beautiful that a tear struck, and tenaciously for his soul took in your deep beautiful distance afield, was happily and easily, and suddenly the shower glittered and blossomed. One only makes your **** look and feel embarrassed blush. See how I want to enjoy it. It makes harder and harder to fall in love with you, I want to again and again appear near you, and never to say goodbye to you, and do not give up when you're around wants to smile with happiness, and you always stay on. Soft) soft) soft) How marvelous your gentle eyes, a beautiful shine, so deep beautiful color, hi) and the lips gifted hot, passionate force, like a sweet juicy berry, shine sweet tender crumb precious shine temptation, fantasy) romantic) ****** ) to you so goes the lipstick) gentle, spectacular pretty perfect) yes) so accurately) not lying, exactly) so refined, so perfect it all, only you, you can safely say all envious yeeeah) baa) baa) beeeee) each part of your body, is true, unattainable, infinitely ****, perfectly gospodstvennoe, divine perfection, which is the business card of your wonderful personality, a genuine sample of the sweet candy, delight, joy. You are an ideal model for the most famous, the channels, magazines, you have the sweetest voice in the world, so it is ideal in television and radio broadcast, a perfect icon of the media, the beautiful goddess of the VIP, I think so. And only love and honor. You are the most precious value in this universe. Heart and love is boundless open and so clean and perfect for you, all I say is not in vain, my love for you is a whole universe dedicated to you. You are beautiful in every way, so different, so special, your presence, gives a special feeling of harmony and peace, you are like a hot flaming fire of love and creation. Bright spark your feelings enliven, inspire. You are like a breath of life, fresh, cold water, your nature is so beautiful, so deep. Your acts as the earth itself give rise to life. You merry wind of freedom, infinitely great, free, you are giving hope and life, really need you like the air. Ooty) Ooty) Ooty) multi-billion-dollar celebrity babe, baby on triliard. I give you a well-deserved medals: for the record for the beauty of the world, a record for the entire beauty of the universe, the medal: in the beauty of a well-deserved
Author: Musin Almat Zhumabekovich
I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.
Mitchell Duran Dec 2013
In the Fall, when the temperature of the Bay would drop and the wind blew ice, frost would gather on the lawn near Henry Oldez's room. It was not a heavy frost that spread across the paralyzed lawn, but one that just covered each blade of grass with a fine, white, almost dusty coat. Most mornings, he would stumble out of the garage where he slept and tip toe past the ice speckled patch of brown and green spotted grass, so to make his way inside to relieve himself. If he was in no hurry, he would stand on the four stepped stoop and look back at the dried, dead leaves hanging from the wiry branches of three trees lined up against the neighbors fence. The picture reminded him of what the old gallows must have looked like. Henry Oldez had been living in this routine for twenty some years.

He had moved to California with his mother, father, and three brothers 35 years ago. Henry's father, born and raised in Tijuana, Mexico, had traveled across the Meixcan border on a bent, full jalopy with his wife, Betria Gonzalez and their three kids. They were all mostly babies then and none of the brothers claimed to remember anything of the ride, except one, Leo, recalled there was "A lotta dust in the car." Santiago Oldez, San for short, had fought in World War II and died of cancer ten years later. San drank most nights and smoked two packs of Marlboro Reds a day. Henry had never heard his father talk about the fighting or the war. If he was lucky to hear anything, it would have been when San was dead drunk, talking to himself mostly, not paying very much attention to anyone except his memories and his music.

"San loved two things in this world," Henry would say, "*****, Betria, and Johnny Cash."

Betria Gonzalez grew up in Tijuana, Mexico as well. She was a stout, short woman, wide but with pretty eyes and a mess of orange golden hair. Betria could talk to anyone about anything. Her nick names were the conversationalist or the old crow because she never found a reason to stop talking. Santiago had met her through a friend of a friend. After a couple of dates, they were married. There is some talk of a dispute among the two families, that they didn't agree to the marriage and that they were too young, which they probably were. Santiago being Santiago, didn't listen to anybody, only to his heart. They were married in a small church outside of town overlooking the Pacific. Betria told the kids that the waves thundered and crashed against the rocks that day and the sea looked endless. There were no pictures taken and only three people were at the ceremony: Betria, San, and the priest.

Of course, the four boys went to elementary and high school, and, of course, none of them went to college. One brother moved down to LA and eventually started working for a law firm doing their books. Another got married at 18 years old and was in and out of the house until getting under the wing of the union, doing construction and electrical work for the city. The third brother followed suit. Henry Oldez, after high school, stayed put. Nothing in school interested him. Henry only liked what he could get into after school. The people of the streets were his muse, leaving him with the tramps, the dealers, the struggling restaurateurs, the laundry mat hookers, the crooked cops and the addicts, the gang bangers, the bible humpers, the window washers, the jesus freaks, the EMT's, the old ladies pushing salvation by every bus stop, the guy on the corner and the guy in the alley, and the DOA's. Henry didn't have much time for anyone else after all of them.

Henry looked at himself in the mirror. The light was off and the room was dim. Sunlight streaked in through the dusty blinds from outside, reflecting into the mirror and onto Henry's face. He was short, 5' 2'' or 5' 3'' at most with stubby, skinny legs, and a wide, barrel shaped chest. He examined his face, which was a ravine of wrinkles and deep crows feet. His eyes were sunken and small in his head. Somehow, his pants were always one or two inches below his waistline, so the crack of his *** would constantly be peeking out. Henry's deep, chocolate colored hair was  that of an ancient Native American, long and nearly touched the tip of his belt if he stood up straight. No one knew how long he had been growing it out for. No one knew him any other way. He would comb his hair incessantly: before and after a shower, walking around the house, watching television with Betria on the couch, talking to friends when they came by, and when he drove to work, when he had it.

Normal work, nine to five work, did not work for Henry. "I need to be my own boss," he'd say. With that fact stubbornly put in place, Henry turned to being a handy man, a roofer, and a pioneer of construction. No one knew where he would get the jobs that he would get, he would just have them one day. And whenever he 'd finish a job, he'd complain about how much they'd shorted him, soon to move on to the next one. Henry never had to listen to anyone and, most of the time, he got free lunches out of it. It was a very strange routine, but it worked for him and Betria had no complaints as long as he was bringing some money in and keeping busy. After Santiago died, she became the head of the house, but really let her boys do whatever they wanted.

Henry took a quick shower and blow dried his hair, something he never did unless he was in a hurry. He had a job in the east bay at a sorority house near the Berkley campus. At the table, still in his pajamas, he ate three leftover chicken thighs, toast, and two over easy eggs. Betria was still in bed, awake and reading. Henry heard her two dogs barking and scratching on her bedroom door. He got up as he combed his damp hair, tugging and straining to get each individual knot out. When he opened the door, the smaller, thinner dog, Boy Boy, shot under his legs and to the front door where his toy was. The fat, beige, pig-like one waddled out beside Henry and went straight for its food bowl.

"Good morning," said Henry to Betria.

Betria looked at Henry over her glasses, "You eat already?"

"Yep," he announced, "Got to go to work." He tugged on a knot.

"That's good. Dondé?" Betria looked back down at her spanish TV guide booklet.

"Berkley somewhere," Henry said, bringing the comb smoothly down through his hair.

"That's good, that's good."

"OK!" Henry sighed loudly, shutting the door behind him. He walked back to the dinner table and finished his meal. Then, Betria shouted something from her room that Henry couldn't hear.

"What?" yelled Henry, so she could hear him over the television. She shouted again, but Henry still couldn't hear her. Henry got up and went back to her room, ***** dish in hand. He opened her door and looked at her without saying anything.

"Take the dogs out to ***," Betria told him, "Out the back, not the front."

"Yeah," Henry said and shut the door.

"Come on you dogs," Henry mumbled, dropping his dish in the sink. Betria always did everyones dishes. She called it "her exercise."

Henry let the two dogs out on the lawn. The sun was curling up into the sky and its heat had melted all of the frost on the lawn. Now, the grass was bright green and Henry barely noticed the dark brown dead spots. He watched as the fat beige one squatted to ***. It was too fat to lifts its own leg up. The thing was built like a tank or a sea turtle. Henry laughed to himself as it looked up at him, both of its eyes going in opposite directions, its tongue jutted out one corner of his mouth. Boy boy was on the far end of the lawn, searching for something in the bushes. After a minute, he pulled out another one of his toys and brought it to Henry. Henry picked up the neon green chew toy shaped like a bone and threw it back to where Boy boy had dug it out from. Boy boy shot after it and the fat one just watched, waddling a few feet away from it had peed and laid down. Henry threw the toy a couple more times for Boy boy, but soon he realized it was time to go.

"Alright!" said Henry, "Get inside. Gotta' go to work." He picked up the fat one and threw it inside the laundry room hallway that led to the kitchen and the rest of the house. Boy boy bounded up the stairs into the kitchen. He didn't need anyone lifting him up anywhere. Henry shut the door behind them and went to back to his room to get into his work clothes.

Henry's girlfriend was still asleep and he made sure to be quiet while he got dressed. Tia, Henry's girlfriend, didn't work, but occasionally would put up garage sales of various junk she found around town. She was strangely obsessed with beanie babies, those tiny plush toys usually made up in different costumes. Henry's favorite was the hunter. It was dressed up in camouflage and wore an eye patch. You could take off its brown, polyester hat too, if you wanted. Henry made no complaint about Tia not having a job because she usually brought some money home somehow, along with groceries and cleaning the house and their room. Betria, again, made no complain and only wanted to know if she was going to eat there or not for the day.

A boat sized bright blue GMC sat in the street. This was Henry's car. The stick shift was so mangled and bent that only Henry and his older brother could drive it. He had traded a new car stereo for it, or something like that. He believed it got ten miles to the gallon, but it really only got six or seven. The stereo was the cleanest piece of equipment inside the thing. It played CD's, had a shoddy cassette player, and a decent radio that picked up all the local stations. Henry reached under the seat and attached the radio to the front panel. He never left the radio just sitting there in plain sight. Someone walking by could just as soon as put their elbow into the window, pluck the thing out, and make a clean 200 bucks or so. Henry wasn't that stupid. He'd been living there his whole life and sure enough, done the same thing to other cars when he was low on money. He knew the tricks of every trade when it came to how to make money on the street.

On the road, Henry passed La Rosa, the Mexican food mart around the corner from the house. Two short, tanned men stood in front of a stand of CD's, talking. He usually bought pirated music or movies there. One of the guys names was Bertie, but he didn't know the other guy. He figured either a customer or a friend. There were a lot of friends in this neighborhood. Everyone knew each other somehow. From the bars, from the grocery, from the laundromat, from the taco stands or from just walking around the streets at night when you were too bored to stay inside and watch TV. It wasn't usually safe for non-locals to walk the streets at night, but if you were from around there and could prove it to someone that was going to jump you, one could usually get away from losing a wallet or an eyeball if you had the proof. Henry, to people on the street, also went as Monk. Whenever he would drive through the neighborhood, the window open with his arm hanging out the side, he would usually hear a distant yell of "Hey Monk!" or "What's up Monk!". Henry would always wave back, unsure who's voice it was or in what direction to wave, but knowing it was a friend from somewhere.

There was heavy traffic on the way to Berkley and as he waited in line, cursing his luck, he looked over at the wet swamp, sitting there beside highway like a dead frog. A few scattered egrets waded through the brown water, their long legs keeping their clean white bodies safe from the muddy water. Beyond the swamp laid the pacific and the Golden Gate bridge. San Francisco sat there too: still, majestic, and silver. Next to the city, was the Bay Bridge stretched out over the water like long gray yard stick. Henry compared the Golden Gate's beauty with the Bay Bridge. Both were beautiful in there own way, but the Bay Bridge's color was that of a gravestone, while the Golden Gate's color was a heavy red, that made it seem alive. Why they had never decided to pain the Bay Bridge, Henry had no idea. He thought it would look very nice with a nice coat of burgundy to match the Golden gate, but knew they would never spend the money. They never do.

After reeling through the downtown streets of Berkley, dodging college kids crossing the street on their cell phones and bicyclists, he finally reached the large, A-frame house. The house was lifted, four or five feet off the ground and you had to walk up five or seven stairs to get to the front door. Surrounded by tall, dark green bushes, Henry knew these kids had money coming from somewhere. In the windows hung spinning colored glass and in front of the house was an old-timey dinner bell in the shape of triangle. Potted plants lined the red brick walkway that led to the stairs. Young tomatoes and small peas hung from the tender arms of the stems leaf stalks. The lawn was manicured and clean. "Must be studying agriculture or something," Henry thought, "Or they got a really good gardener."

He parked right in front of the house and looked the building up and down, estimating how long it would take to get the old shingles off and the new one's on. Someone was up on the deck of the house, rocking back and forth in an old wooden chair. He listened to the creaking wood of the chair and the deck, judging it would take him two days for the job. Henry knew there was no scheduled rain, but with the Bay weather, one could never be sure. He had worked in rain before - even hail - and it never really bothered him. The thing was, he never strapped himself in and when it would rain and he was working roofs, he was afraid to slip and fall. He turned his truck off, got out, and locked both of the doors. He stepped heavily up the walkway and up the stairs. The someone who was rocking back and forth was a skinny beauty with loose jean shorts on and a thick looking, black and red plaid shirt. She had long, chunky dread locks and was smoking a joint, blowing the smoke out over the tips of the bushes and onto the street. Henry was no stranger to the smell. He smoked himself. This was California.

"Who're you?" the dreaded girl asked.

"I'm the roofer," Henry told her.

The girl looked puzzled and disinterested. Henry leaned back on his heels and wondered if the whole thing was lemon. She looked beyond him, down on the street, awkwardly annoying Henry's gaze. The tools in Henry's hands began to grow heavy, so he put them down on the deck with a thud. The noise seemed to startle the girl out of whatever haze her brain was in and she looked back at Henry. Her eyes were dark brown and her skin was smooth and clear like lake water. She couldn't have been more then 20 or 21 years old. Henry realized that he was staring and looked away at the various potted plants near the rocking chair. He liked them all.

"Do you know who called you?" She took a drag from her joint.

"Brett, " Henry told her, "But they didn't leave a last name."

For a moment, the girl looked like she had been struck across the chin with a brick, but then her face relaxed and she smiled.

"Oh ****," she laughed, "That's me. I called you. I'm Brett."

Henry smiled uneasily and picked up his tools, "Ok."

"Nice to meet you," she said, putting out her hand.

Henry awkwardly put out his left hand, "Nice to meet you too."

She took another drag and exhaled, the smoke rolling over her lips, "Want to see the roof?"

The two of them stood underneath a five foot by five foot hole. Henry was a little uneasy by the fact they had cleaned up none of the shattered wood and the birds pecking at the bird seed sitting in a bowl on the coffee table facing the TV. The arms of the couch were covered in bird **** and someone had draped a large, zebra printed blanket across the middle of it. Henry figured the blanket wasn't for decoration, but to hide the rest of the bird droppings. Next to the couch sat a large, antique lamp with its lamp shade missing. Underneath the dim light, was a nice portrait of the entire house. Henry looked away from the hole, leaving Brett with her head cocked back, the joint still pinched between her lips, to get a closer look. There looked to be four in total: Brett, a very large man, a woman with longer, thick dread locks than Brett, and a extremely short man with a very large, brown beard. Henry went back
Frankie Gestone Mar 2013
He woke up in a rapid sweat, darkness surrounding him, his soaked pillow was pressing up on his neck as he could feel the uncomfortable stabbing cold run right threw his whole body. His mouth was dry and his body was in great pain. He lay there practically naked, but not just physically, also emotionally. It was like a catatonic state where the person’s body is paused in reality, but the actual person is far away and isolated even from himself. He wondered why he was so comfortable being uncomfortable and remaining frozen in time.  He saw nothing but the subtle moonlight that peaked through the blinds of his window. A point of existence, he feels nothing because all he has ever felt has drowned him. His numbness was being accepted and he embraced that if he remained this way, he would never have to feel hurt or heartbreak again. It’s better this way, he confirmed.

Eventually he got up out of his bed, walked outside to a nearby empty field. He looked up at the infinite night sky and contemplated the moon, the stars, and the endless space that sustained all of its existence. A tear fell down his cheek as he remembered the beautiful wonder of life and the universe; his realization that he is just a small spec of dust compared to all that is and all that is wonderful. Whatever happened to that universal happiness he used to feel? The feelings of the unseen, the cosmos, the mysteries that remain unsolved were all love. He then felt ancient and brand new at the same time-always being around all that is, but recently born into the unknown. The silence of the night swarmed him, and he suddenly embraced all the things he could not accept. The lullaby of the wind put him to sleep.

When he awoke, it was twilight. The sky was a lighter, deep blue and the sun in the far distance was rising in a fiery halo of mixed red, orange, and yellow colors, and the early morning clouds were clear and transparent. He heard the sound of a train horn in the far distance. He followed the sound with his ears as the sound became slightly louder and louder. Then, suddenly he could see the light of the early morning train.

The train had stopped as he approached it, and he hopped on with no hesitation or looking back. This runaway train was going to take him to where he needs to be, and he blindly and faithfully accepted that his fate was out of his hands now. No more heartbreak, no more reminders of the past, and most importantly no more drowning in his tears. As the train proceeded to move forward, he could feel fresh air gently touch his face, and all that he saw and ever knew were now flashing lights disappearing into eternity.

It was hours into the late morning when the train made its first stop. He listened to the train conductor speak out over the intercom, almost incoherently, say, “This is Brightstone Park. Next stop will be Riverhead.” A nostalgic feeling suddenly came over him as he could remember that his very first kiss was in Brightstone Park with Jessica Garzi. That was not his first true love, but his very first heartbreak. Riverhead was a forbidden memory, as he knew a classmate who had committed suicide off the Riverhead Bridge. He had not returned there in five years because of his haunting memories that would always come back to remind him just how cold and frightening the world really is.

While lost in thought, he felt a rough, sand paper-like wet feeling on his forearm. He looked down and it was a black cat, but not all black. The paws were all white like socks, and the chest and stomach were snow white. The loud prominent purr was a very peculiar reminder of a cat he once owned. Her name was Midnight. She was not the friendliest cat to strangers, but she loved him, especially when he massaged her paws. This cat was practically identical to Midnight. Midnight was put down three years ago though. As he began petting the cat’s back, it ran away and jumped off the moving train. He looked out in a hurry, but it was gone. It was just like everything else he loved. There for one moment, then gone the next. The strange thought that has one wondering if anything had actually existed that is now no more. A person, or a thing, could mean everything to you, but once they slip away, they become like the wind: occasionally brushing up against you, but never revealing its form.

On the train he began to wonder how he got where he was, and in general how the smallest decisions he made lead to bigger events and all in all, everything was all connected. There are no isolated events, or isolated people- it is all proven fact and science. Everything depends on each other to survive. The trees depend on the sun to keep themselves alive; we give off carbon dioxide to the trees and in return, we receive the oxygen we need from the leaves of the trees. He thought about the potential of a seed-for example, a tomato seed. Within that tiny seed is unlimited potential of life: The seed may produce one plant of several tomatoes, and within all those tomatoes are countless other seeds. This is all from one seed. Then, one may take a couple of seeds from a picked tomato and plant them throughout the yard creating a garden. That original seed came from another tomato seed inside a tomato on a plant, and that seed came from another seed. When did this cycle of reproduction begin and when does it end? Is it just another form of the infinite? When a person eats a tomato from that original seed, he receives certain essential vitamins his body needs for surviving and sustaining good health. This good health will effect his offspring and so on and so on. When he defecates, that will all return to the earth for potential fertilizer used for other tomato seeds. This is the same when he returns to the earth again. His dust will fertilize the same world that he came from, for all things come from it just to inevitably return to it.

He continued to think about how matter is never created nor destroyed and the same for energy. Nothing ever truly dies; the form changes into something new, like how water becomes a cloud and the cloud becomes water. Though this comforted him, he noticed that a few feet away from him was a former coworker and friend, Natasha Karev. She always infatuated him and they became close friends, but he always wished it had continued and gone even further than it did. One night, only a couple of years ago, they were at a friend’s party. Both were drinking, but not so heavily. That night they bonded and got so close, that she admitted she loved him. He was never quite sure how real that “I love you” was, but it was burned inside his heart ever since. That night there were moments she would tell him how much she wanted to make love to another guy at the party, Kevin, but was afraid to approach him. She told him she desperately wanted to lose her virginity that night to somebody because she was eighteen and only getting older. This was like a sharp knife slowly penetrating into his heart. He remained speechless for quite a few minutes. Finally he decided to go up in a bedroom alone. To his surprise, she followed him up and kissed him. He felt her clothed body up and down, and she touched areas not many have touched before. She told him she wanted to have *** and that she wanted him to rob her of her virginity. He was speechless, but extremely excited. Then, abruptly, she told him she could not because everything was happening way too soon. Why couldn’t she just make up her mind? He sat frustrated in the darkness, again, all alone. After that night, they spoke and remained close, yet that night was never mentioned again. It was as if it had never happened. After about two years of an on and off friendship, they just went their own ways. There were no fights or disagreements. Life just separated them.

“You’re just a figment inside somebody’s dream. So far from reality, you are a dream within a dream within a dream.” Startled by this soft voice, he quickly turned around to see Natasha smiling at him. “Ha-ha! I knew I could scare you. Were you abused as a kid, or something?” No words could come out at that moment, but he hugged her tightly. She explained to him that she is getting off at the next stop to meet a friend. He was sure he wanted to follow her and see where life would take him. She reminisced and told him how she had been away inside her own cave for several months, but is now very happy to meet up with everyone she had lost contact with.

The next stop arrived, but he did not catch the name of the stop he was getting off. As he got off with several others, both he and Natasha met up with her friend, Valeria, who he found quite cute. She resembled Natasha a bit in that they both had ***** blonde hair and blue eyes. They walked right into a giant street fair with a crowd of people looking at the foods and desserts, the trendy clothes, cheap jewelry, and children play rides.

As he looked around, he began seeing many familiar faces. He saw Kevin, a childhood and grammar school mate there with another co-worker of his, Jenny. Jenny was a Colombian beauty in his eyes and who was a flirt and tease to him, but never actually gave him any time alone. Incidentally, he knew both of them at different times in his life and had no idea they knew of each other. Kevin stopped contacting him during high school without any arguments or disloyalties that would tear a friendship apart. Keeping his head down, he walked a few feet to discover another childhood best friend, Jack, who was with a mutual childhood friend, Melanie. Melanie was a best friend of his and also a first childhood crush who also had a crush on him. He thought it was odd because even though Melanie and Jack were also best friends, Melanie never liked Jack in a special boy/girl way. He felt a moment of heartbreak, but quickly turned away and kept walking. A little further up the road, he saw two more childhood friends, Chris and Jimmy, who as children did not get along that well and only hung out with each other in the company of him. How peculiar it was suddenly seeing them together after ten years, and as seemingly best of friends.

That was not all. Things were getting stranger and stranger. It was like all the people who had made an imprint on his life were now coming together around him. He saw his two therapists, one he had gone to as a teenager and the other as a young adult, stand next to each other selling prescription drug samples. Both stared at him with a blank face, but with a prominent smile. He could barely nod at them. Natasha directed them to a local bar. Inside the bar was huge and also had a second floor. He noticed the music playing in the background was, Nocturne In E Flat Major, Op.9 No.2, by Polish born Romantic composer, Frederic Chopin. He became fixated on the elegant eighth note, left hand arpeggios, and the sweet and peaceful fast moving seven, eleven, twenty, and twenty-two notes from the right hand. If he thought about the most beautiful song ever written and all that is wonderful in one, this was the song.

They all took a seat and began looking at people and laughing at their behavior. Everyone was wearing masks. Social masks. They observed how different people act when they are in social gatherings, and how if you carefully study their body language, it will become clear that what they are saying and trying to put out is not what is actually being expressed through the body. One young man was frantically shaking his right leg as he tried to flirt confidently with a young woman he had just recently met. His face began to turn noticeably red, in an embarrassed flush, and he was making sudden hand gestures and quick eye blinking. She, on the other hand, pretended to be interested in what he was saying; yet her eyes would often look around the room and her body was a good distance from him with her arms folded.

Then as they were all laughing, he abruptly stopped and looked ahead to see two drunken women making out two tables away from them. As his eyes focused in on them, he realized they were two of his former crushes, Claire and Veronica, who he had no idea knew of each other because in fact, they were from different time periods of his life. He began seeing former teachers and professors from each stage of his school career, laughing hysterically with one another. Some of his most inspiring teachers and professors were gathered with other teachers and professors he despised. A young, tattooed hipster woman entered the scenery with a little Cairn Terrier that had an uncanny resemblance to his recently passed dog, Petey, who was put to sleep when he was away on a vacation, unexpectedly. His sorrow began to overwhelm him for not being able to say good-bye and see him for a proper last time. Everything about the dog’s high energy, playfulness, and watchdog attitude was exactly like Petey. A tear ran and fell off his cheek from his left eye right into the hand of Natasha. He looked up at her and she said, “Your tears are my tears. For what pain you withhold, I take and share with you.” She then wiped her right eye with the hand that held his tear. Natasha’s friend began to speak slowly into his left ear in Russian. Though he could not understand a word she was saying, it sounded just like a poem based on the pattern and rhythm’s consistency. It made him feel free of melancholy, but then thought of Angela Antonaci entered his mind.

He thought that the last painful experience ended with the break up of his closest best friend ever to play a part in his life. She was his girlfriend for the last three and a half years. They had known each other for ten years before they broke up their entire relationship. She was thirteen and he was fifteen when they first met in a park. She was always all over him like a little schoolgirl and he would often get frustrated with her obsession over him, for he believed he was no big deal. She was the first person to ever make him feel special and important, and even though he would resent her likeness towards him, he could never keep his eyes off of her or stop himself from always coming to her when he felt lonely. After about seven years, he realized he was in love with her. He had always been in love with her from the first time they met eyes. His long road had always lead back to her home in life. Every time he tried forgetting her and moving on, they would meet again. That person people search their entire lives for, he had found.

He rose out of his seat and briefly said goodbye to Natasha and her friend and went upstairs. He wanted time to be alone and walk around until he suddenly saw Jessica walking towards him. He stopped and waited for her to say hello, but she walked right by him, as if he had never existed. He felt a little insulted, yet relieved as any awkwardness that would arise was avoided. Looking ahead, he saw Angela’s two best friends, Kate and Julie, with her high school crush, John. John was playing an acoustic guitar on a lounge chair, singing to the two friends, almost enticing them with his eyes and voice. His jealousy overcame him, as Angela had been infatuated with him on and off even though he had played with her feelings throughout high school and college. John would tell her he loved her and make her believe he was a romantic, then when she fell into his words, he would leave her and keep a distance for long periods of time, leaving her in despair.

The conclusion occurred to him that maybe she was nearby. He searched throughout the entire bar not finding any other clues that she was around. When he went downstairs, he saw Natasha and her friend asleep, as well as most of the bar, except for the bartender. It was like everyone just passed out from the alcohol or possibly inhaled some type of knockout drug. The bartender was watching the news forecast of a tornado watch and dangerous thunderstorms. The bartender looked at him and said, “It’s better if you stay in here. It’s dangerous out there. I recommend you don’t go out!” He just listened, but decided to leave to the outside anyway.

He walked three blocks through the heavy rain and strong winds. He took a moment to stop and look at the black and gray clouds above him. As he looked across the street, he saw her. She was with her mother, sister, and mutual friends of theirs, Chrystal and Mike. He also saw behind them, his own mother and sister. He ran across the street to her and she shockingly with excitement screamed, “Hey!!! Oh my God!! Please stay with us. I missed you so much. You have no idea. We have to get to a shelter away from this storm. Hold my hand…” Smiling, he kept walking with them. They walked for twenty minutes and entered a giant field. After ten minutes of walking restlessly through the field, they all stopped to catch their breath. Angela’s mom ordered everyone to hold one another’s hand. An enormous gust of wind pushed them all to the grassy ground. He began to shake violently as he felt the touch of death nearby. He wondered if this would be the end, as he felt unaccomplished and left with so much left unsaid to her. Thoughts raced through his mind like a speeding highway about how to get to safety. Unable to control and remain focused on one rational thought at a time, he blacked out for a minute.

Then there he was right in the middle of a storm. In so many ways, he realized where he was ending was where he originally began. All the imprints from all he ever knew came back all at once to watch him finally leave all he ever knew from this life. And in the last moments, he found himself with her. He held her hand, while she held his, and the hands of their family and friends. The world was so dark and cold. The wind became much more rapid and an enormous bright light from it came within just miles of them. He kept looking up at the dark black and gray clouds over them, never as frightened as he was now. His focus was on the great strength of the wind. Whatever melancholic thoughts he had of his life, he would not give up hope. Maybe he was just hopelessly hopeful, but holding each other tightly might, in some miraculous way, save them. Then suddenly a deep peace began to sustain his very being. He remembered whose hand he was holding- the only woman to ever understand every level of his being. He looked down at her big, precious eyes pouring out tears. Their eyes locked, as she had been watching him the entire time. No words needed to be said from one another. They knew exactly what they felt and meant. For the first time in his life, everything was all okay. All was beautiful. The whole situation was beautiful, not tragic. In that moment, he understood this was where he was meant to be. This was where he wanted to be, for only in such a life altering moment does one comprehend the very nature of love and life. To just glance into her eyes and see the same person staring back in suspense, while all he ever knew was being born, growing, and dying simultaneously in complete acceptance. They began to fade and disappeared into the light.
I know they're not
accurate.
The fact I frequent
creative results
may be
more or less
coincidental.
After all
who am I
compared to
Jon Stewart
or a Greek
philosopher?

But maybe
I don't care.
Maybe I take them
just for fun.
And who can complain
when they are compared
to Charizard
and Winnie the Pooh?
Alyssa Underwood Jul 2017
As the redeemed of Jesus Christ, if we are ever to find true refreshment in our desert wanderings, it will be as we choose to dwell in God’s presence and in the newness of His daily mercies through faith. Our trials tend to force us, like pushy but invaluable friends, to learn hands-on what it is to live in the grace of the moment.

We live in the grace of the moment by continually recognizing both the immense need and the immense blessing of each moment (by developing a conscious and habitual attitude that says, “I am so desperately needy AND I am so abundantly blessed.”) and by relying on the Holy Spirit to teach us exactly how to reconcile the two. This happens as we first learn to live in the reality of the eternal, for it's an ever-present awareness of eternity that liberates us to receive every present moment with thankfulness and live it to the fullest, without setting up false expectations for it or worrying about the next.

When we are convinced that our life is hidden with Christ and He alone is the Prize, that this world is not our home and we are simply on assignment here, and that our pain and failures are only temporary but, with His redemption, the beauty and wisdom to be gained from them are eternal, we are set free from living in the regret of yesterday or in the fear of tomorrow. We can instead live in the blessing of the right now which fully meets the need of the right now because both need and blessing are gifts from the Father to get us ready for eternity and to meet our Bridegroom face to face. We have need of nothing but Him and His grace, and His fullness dwells in us.

The life lived in the grace of the moment is the life absolutely surrendered to the reality of God’s wisdom, God’s character and God’s sovereignty over it, for in entrusting ourselves to those, we acknowledge that He has a set and planned purpose for our lives, that it is good, and that He is powerful enough to carry it to completion. His wisdom assures us that He has always had in mind, down to the smallest details, exactly what He is doing with us; His character, that His heart is ever faithful toward us; and His sovereignty, that His directing arm cannot be shaken or thwarted. They reveal to us explicitly that He loves us with all of His mind and heart and strength, and in that knowledge we find perfect rest. As beloved children we know that we will be taken care of without having to know how it will happen or what it will look like.

In our helplessness we can simply look up to Him, reach out for Him and cry to Him in humility and thanksgiving, for our God cannot resist eyes and arms and hearts doing that. He always picks up and holds close to Himself those who long for Him. We may think that what we most desire are answers and perfectly successful plans and reasonable control over our lives, but what our souls crave is comfort and intimacy and love, and we can have those the instant we fully surrender to His embrace. He may sometimes hide His face from our “Why?”s but never from our “Hold me!” cries.

If we mistakenly suppose this life to be about this life, we will miss the present grace for fretting over and fighting for all the blessings we don’t have or fearing that those we do will be lost, until we find that they have become an unbearable millstone around our necks. If we pin our hope on anything in this temporary world it will be no stronger than that—a mere pin, easily pulled out and easily broken when life weighs too heavily upon it.

Enduring hope can only be based on God’s absolute promises given to us in His Word, not on our own expectations or wishes or impressions of how things ought to be. Enduring hope lets go of everything that can be lost to take hold of everything that cannot, and in doing so is actually able to squeeze the sweetest nectar out of those released and perishable blessings so that even their losses, though painful, do not leave a bitter aftertaste. For it’s often in the loss of a thing that its worth to us becomes most precious, and by letting it go with grace we can best savor its purest delights.

Realizing that the pain runs so deep only because the beauty ran so deep and that without it having once touched us we wouldn’t now know the emptiness of its loss, our grief will eventually turn to thankfulness that it ever touched us at all, and we will be left awed by the mystery of its haunting. There's a peculiar kind of beauty that can only be experienced with the innate knowledge that the moment is fleeting, and the most intense beauty can only be seen in the presence of both light and shadows.

The ability to enjoy our tangible blessings is surely heightened by the conviction that they are not ours to possess, by the acceptance that their loss is inevitable, and by the understanding that they were never meant to satisfy. For the enjoyment, then, will be absent the tainting dread, the taking for granted, and the twisted expectations which so easily and often mar our earthly pleasures. We will relish what we’ve been given today but recognize it may very well be gone tomorrow, and even in that uncertainty we will find a contented peace, for in every loss there lurks a hidden blessing, and all that really matters can never be lost to us. It is just as important to be a good steward of our losses as it is of our more obvious blessings, for the beauty that comes from nobly and graciously accepting loss far exceeds any tangible beauty that can be taken.

Knowing that we belong to another time and place and that this one is only meant to lead us there, like the charming towns one passes through on the way to a better destination, we will take in the sights with wonder and delight but keep traveling on toward our true home. For these sights, though tantalizing, are like mere slivers of light from a crack under the door compared to the glory to be found in God’s Presence. But when received as personal gifts of His grace, they become to us a stage precisely and delicately set by a Lover to attract the attention of His beloved, to show off His greatness and show forth His beauty to win her heart, and our hearts indeed are won.

To live in the grace of the moment is to keep looking to Jesus—to Jesus’ feet to lay our burdens down, to Jesus’ arms to be held securely, to Jesus’ hands to receive all we need, and to Jesus’ face to know our only sure hope and hearts’ true desire.


#Lord Jesus, merciful and all-sufficient One, in every need, small or great, tangible or intangible, give me the discernment to discover Your extravagant gifts of grace, the wisdom to receive them, the eagerness to open them and the passion to cherish them well. Give me eyes to see and a heart to fully enjoy with gratitude each blessing You have prepared for me today, for this very moment, and may I thrill to Your every advance of love.#
~~~

"Since, then, you have been raised with Christ, set your hearts on things above, where Christ is, seated at the right hand of God. Set your minds on things above, not on earthly things. For you died, and your life is now hidden with Christ in God. When Christ, who is your life, appears, then you also will appear with Him in glory."
~ Colossians 3:1-4

"Praise be to the God and Father of our Lord Jesus Christ, who has blessed us in the heavenly realms with every spiritual blessing in Christ. For He chose us in Him before the creation of the world to be holy and blameless in His sight. In love He predestined us for adoption to sonship through Jesus Christ, in accordance with His pleasure and will— to the praise of His glorious grace, which He has freely given us in the One He loves. In Him we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace that He lavished on us with all wisdom and understanding..."
~ Ephesians 1:3-8

"His divine power has given us everything we need for life and godliness through our knowledge of Him who called us by his own glory and goodness."
~ 2 Peter 1:3

"So then, just as you received Christ Jesus as Lord, continue to live your lives in Him, rooted and built up in Him, strengthened in the faith as you were taught, and overflowing with thankfulness."
~ Colossians 2:6-7

"Because of the LORD’s great love we are not consumed,
    for His compassions never fail.
They are new every morning;
    great is Your faithfulness.
I say to myself, 'The LORD is my portion;
    therefore I will wait for Him.'
The LORD is good to those whose hope is in Him,
    to the one who seeks Him;
it is good to wait quietly
    for the salvation of the LORD."
~ Lamentations 3:22-26

"Find rest, O my soul, in God alone;
    my hope comes from Him."
~ Psalm 62:5

"But He said to me, 'My grace is sufficient for you, for My power is made perfect in weakness.' Therefore I will boast all the more gladly about my weaknesses, so that Christ’s power may rest on me. That is why, for Christ’s sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong."
~ 2 Corinthians 12:9-10

"I consider that our present sufferings are not worth comparing with the glory that will be revealed in us."
~ Romans 8:18

"Therefore, holy brothers and sisters, who share in the heavenly calling, fix your thoughts on Jesus, the apostle and high priest whom we confess."
~ Hebrews 3:1
sophia Jan 2019
Can a broken heart,
be compared to a lily field,
where every stem a sword it wields,
their smiles sweet, their words bitter?

Can aching feet,
be compared to footprints in the sand,
from days of old and days of man,
where journeys traveled over yonder?

Can a hoarse voice,
be compared to howls of dark wolves,
cinnamon tasteless and not of cloves,
when taste buds are uselessly used?

Can red dry eyes,
be compared to blazing suns,
ones that do not walk, but do not run,
and never fly faster than the wind?

Can a senseless poem,
be compared to fickle hearts,
where it depends on a person's part
in their imagination?
Can a poem have reason to make sense?
민혁 Nov 2014
"You're so lucky you're so well-liked."
"Your life seems so easy."

You're so lucky.
You have it so easy.

I've been spending some time to find a way to articulate my discomfort in these two phrases. "You're so lucky, you have it so easy." The reasons are pretty clear, because I don't consider my journey in the least bit easy, but I can see why you would assume that -- after all, you'll always find me being optimistic in person.

When things *were
easy, they were not out of pure luck. I faced adversity with the display of resilience, and stood my ground when I was faced with hardship. I've watched my flowers wilt into weeds despite the nurture I had provided. And while I may be happier now, I was not fed the love and care I had desired from the very beginning. I wasn't always this way.

I don't talk about my past extensively. When I do, they tend to be the memories I've learned to accept and embrace throughout the course of my years. I don't talk about the time in middle school, when I was constantly made fun of for being overweight. I don't talk about the time I starved myself for weeks, thinking it would reduce the load off my stomach and hips. I don't talk about the time when I've been told I was a freak of nature, that I would never become the person I wanted to be. I don't talk about the time when doctors had to pump out the toxin out of my stomach, forcing me to ***** out pills and choke on my bile-washed throat for hours on end.

I don't talk about these things, but that doesn't make my own journey 'easy'. I did not end up to be the way I am now without all of these experiences. If that were the case, then fine. Call me lucky. Call it easy.

Life, in general, is hard. It hasn't been easy, but I've done it, and my purpose in being here today is to show all of you that you are capable. That no matter what's in your way... you can do it, too.

Which leads on to my second point: we live in a society of comparison culture. I've gone through a couple of things throughout the spans of my life, but that, in no shape or form, makes your own life experience trivial. I don't talk about my past very often, and when I do, it's often for someone who is going through something I once dealt with. I wish to leave the past in my memory box, and if it collects dust, I certainly won't mind. Not anymore, because I know now. I've experienced it. I've carried those burdens.

I do not wish to tell any of you the amount of times I've wished to leave this world. I want to tell you the reasons why I want to stay in this world. I do not wish to tell you my dislikes of this world, but my penchants of it.

In other words, what bothers me about the phrase "you have it so easy" is that it is an implied comparison.

My weight loss success was so easy... compared to someone making it out of physical therapy? My grades were easily gained... compared to someone with learning disability? My life was so easy... compared to what?

Every person is different. Every human experience is different. The phrase "you're so lucky that you have it so easy" bothers me so much, because not only does it paint over my struggles, but it emphasizes the flaw that we, as a society, have embedded into our minds. That comparing our lives to someone else and weighing our problems on a scale is the only way to determine our worth.

My friend's grandmother passed away. My other friend's dog just recently passed as well. Both individuals were devastated. I won't simply say, "my friend's feelings are legitimate because it was her grandmother, but my other friend is overreacting over an animal." No, that's not how it works. Sadness is sadness. Pain is pain. Hurt is hurt. One does not weigh any heavier than the other. They both exist on personal spectrums, but one does not hold any more value than the other.

The same applies to happiness. Happiness is constantly compared, which therefore makes all of us less happy. Just like compassion, just like hardship, and just like sadness -- happiness should not be compared, but shared.

I don't want you thinking, "Oh, Minhyuk has it so easy. Minhyuk is so lucky." I want you to wish your life could be as great as you could make it. I hope your life is better than yesterday, and the day before that. And if it isn't, I hope you can get back up on your feet and gather your courage again. I want you to stop wishing for someone else's life and begin to embrace your own. I want you to be able to stand alone in a room, without a single comparison, and know that you are worthy of absolutely everything in this golden world.

We're not lucky.
We don't have it easy.

But what we do now will make things easier, and make us happier. If not now, then in the future.

Because we are all worth it.
Mateuš Conrad Jul 2018
.wow, i never thought it would ever be possible,
i'm sorry, i have no empathy for these youtuber "creators",
any idiot can regurgitate the news,
venture into vulture journalism,
  then again: gone are the days of closely associated
with people like Bob Woodward and Carl Bernstein...
they are really gone: what the hell was gamer-gate
compared to watergate? gate after gate,
and all i'm hearing is response videos,
it should have never come to this,
whereby journalists are as untrustworthy as politicians,
and of what remains, come the saturday and
the sunday editions, when the petty bourgeoisie
come out of the woodworks of a week,
album reviews, book reviews, t.v. reviews,
restaurant reviews: real, real journalism,
all the grit you'd expect from a warzone...
           journalists forgot they were not kindred spirits
of politicians: but immediacy historians...
the front-line history chroniclers...
i find... these days, esp. these days...
    you know why i like heidegger so much,
and forget the fact that he joined the **** party?
in 1938 he was already disillusioned by it...
so the ad homine fallacy bites the dust...
   even a **** deservers a redemption...
but i find that these days, of all days...
   man, as a historiological creature has to bow
before the unshakeable facets of the biological man,
esp. in the english speaking world...
    in terms of history and biology:
     history has all the fun stories,
and a sensible "concern" for time,
   well... if not "concern" then at least a bearbable
time-frame...
                  after all, i am the one who said:
all the great deserts of the world,
akin to sahara? they were once great
mountain ranges... you already know where
to look between a mountain range akin to the alps
and a desert... bound to h'america...
   monument valley: utah...
  a mountain becomes a rock after a while...
while the desert expands...
    ayers rock (uluru)... but monument valley (utah)
is a transition period between a mountain range
and a desert, if we're going to stand outside
of all space and time, and look back in...
we have plenty of time to catch-up on...
           just like i believe that black holes
are actually 2-dimensional objects:
   that spin really fast, giving an impression
of them being 3-dimensional objects:
as usually represented by a gravity dip associated
with them pulling matter into themselves...
i think that black holes are paradoxes...
since how can a 2-dimensional object
actually exist in a 3-dimensional space?
   that depends on the size of the "3-dimensional"
object / space... the universe is a medium,
it's defined as a "space" but to me...
      it's beyond space... it's only space on the grounds
of isolated time, 365 days,
the time and space it takes for the earth
to orbit the sun... which is an isolated example,
outside? well: there's atmosphere on earth,
outside? vacuum!
who's going to prove my theory wrong?
               not anyone in my lifetime -
besides the point with these youtube content
"creators": where credit is due, credit is due,
but once might have cared for their vulture
journalism... two old farts akin to felix (black pigeon
speaks) and sargon of akaad talking about how:
the youth are congregating to youtube to listen
to music: that's what i've always done...
  i discovered these youtube "creators" by accident,
i just wanted my jukebox back, man,
i wanted my algorithm back, my imprint back,
now that the devil's dozen scenario took hold
of the platform: 1 video playing, 12 back-ups...
and they're all the same, unrelated, *******...
        talk all you want, please, just give back
my algorithm imprint, where i can discover new music...
again... i never thought i'd see another
compilation video, 173 videos bound to one...
and, mind you... after finding about 6 googlewhacks
(googlewhack? when you use the sort of
language that provides you with only one search
result on the behemoth platform of billions
of results, 1 is grand, but 6? it's becoming too
predictable)...
                        so here's what i found
   (band - song):

wooly mammoth - mammoth bones / kyuss - space cadet,
rainbows are free - last supper / grand magus -
                                                mountain of power,
zed - lies / om - cremation chant I & II,
    smoke - hallucination / weird owl - white hidden fire,
orchid - son of misery / witch - seer,
               unida - you wish / black mountain - old fangs,
b.r.m.c. - ain't no easy way /
              jack daniels overdrive - ****** to death,
shrinebuilder - blind for all to see,
                   datura - mantra / the heavy eyes - voytek,
the machine - infinity / clutch - the regulator,
   colour haze - mountain / maligno - son of tlalocan,
dozer - twilight sleep / gomer pyle - albino rattlesnake,
blockback - dead mans blues / greenleaf - witchcraft tonight,
cactus jumper - right way / borracho - bloodsucker,
alabama thunderpussy - motor ready,
                    earthless - sonic power,
my brother the wind - death and beyond,
   zaphire oktalogue - carrion fly / siena root - reverberations,
unida - slaylina / pothead - toxic / sungrazer - mountain dusk,
   rotor - costa verde / blizaro - it's in the lighthouse,
planet of zeus - woke up dead,
     kongh - pushed beyond / ufomammut - smoke,
high on fire - to cross the bridge,
              the secret - bell of urgency,
      unida - wet pussycat / dozer - big sky theory,
cavity - chloride / brutus - swamp city blues,
the grand astoria - something wicked this way comes,
sasquatch - the judge / pharaoh overlord - skyline,
baby woodrose - love comes down / kamni - **** of satan,
lay with me - the flying eyes / cowboys & aliens  -
                                                out of control,
sons of otis - liquid jam / hainloose - recipe,
    ridge - rancho relaxo / bongripper - ****** sutherland,
skraeckoedland - cactus / grails - satori,
    lo-pan - chicken itza / five horse johnson - people's jam,
blind dog - don't ask me where i stand,
     wiht - orderic vitalis / hisko detria - nothing happens,
liquid sound company - leage for spiritual discovery lives,
   goatsnake - black cat bone / gandhi's gunn - rest of the sun,
the egocentrics - wave / propane propane - it's alright,
heliotropes - ribbons / mother mars - price you pay,
che - the knife / annimal machine - condenado,
   earth - tallahassee / the whirlings - delirio,
orchid - heretic / maeth - horse funeral,
siena root - rasayana / graveyard - longing,
           tia carrera - hell / hainloose - recipe,
      burner - five pills (and a bottle of whiskey),
dala sun - guilty for ****** / vulgaari - lie,
        slo burn - muezli / stonehelm - zombie apocalypse,
smallman - evolution / spiders - fraction,
         shakhtyor - e. jaspers / earthmass - lunar dawn,
evoke the lords - dregs / colour haze - silent,
     sutrah - el septimo viaje...

  

who are "these" people,
who: "supposedly" live for the future...
they always cite it,
as the one motivational
momentum of the present -
it's as if they've never seen
a bull itch the ground
with its front hoofs -
   imitating building up momentum
before a charge...
or how a slingshot,
or how a bow works...
   to these people,
the ******* sideways movement
of a bow against a violin...
sometimes...
      you do not retreat into
the past, to hide, to amount
to nostalgia...
     sometimes
the only reason for the reflexive
affirmation, confined to maxims
and aphorism, nay: even poems!
is to look back...
     to reap what was once
sowed, rather than sow blindly,
and reap: what no one wants
to reap...
    drunk? getting there...
       it felt so relaxing paying off
a 100 / 250 part of a debt
i owe her...
            while buying a russian
standard liter,
   asking for a 100 cash-back
of the supermarket cashier,
- the limit is 50,
   but if you buy something else,
i can give you another 50...
- oh... ok...
   so me went to and took a bottle
of shveedish cider...
   rekorderlig...
   mind you? the swedish,
what they perfected fermenting
better than what the the irish claim
to fame is?
    sorry... magners:
               irish? stick to the guinness...
(it's actually the only cerveza
i'd go into an english pub to
drink from the tap... bottled? canned?
not the same)...
     but with such swedish delights
such as the above mentioned,
  ålska and K  ö   nigsberg
                            *œ
?
no competition... the suede(s) just
do one thing grand...
    cider...
- what was i talking about?
  ah... the "dreaded" past...
     the people who say:
  but you can't live out a life,
   holding onto a private past,
a memory...
    so... these other ******* were
allowed to implant a false
past, unrelated to me,
teaching me whether it was
Newton, or Leibniz who first
invented the infinitesimal calculus
method?
                i'm betting on Leibniz...
after all... he took the position
of a ******* librarian...
   and he wasn't buried with pomp
& circumstance at Westminster Abbey...
sometimes...
         one person can't have it all...
but if the education system
is a system that is indicative for
the erosion of memory, esp. private
matters... and juggernauts in
with these selective rubrics of science
and history...
fair enough the basic
implants: numerical arithmetic,
and lettering arithmetic -
    and then... lessons in mental
entertainment... when applied
           to menial labour...
memory is: supreme...
          i can't give my memory up...
that's what: killer proteins
eating the fat tissue of the brain
like starvation in reverse
        of a case of Alzheimer's?
memory is: cameo cinema -
    however distorted it might be,
although i beg to differ on
whether time per se,
  is not the better psychedelic
component
when coupled with memory -
esp. the cinematic aspect of memory...
there was never a "living" in
the past -
      there was a point about memory
to sharpen the edges of
    "dasein"... all speculation and
questions regarding consciousness,
as championed through
a chimpanzee's *** are somehow
pointless:
    given there's a higher tier of
conceptualization -
   working from dasein...
            hierjetzt -
      or in english?             presence...
- because why would i treat
a personal memory,
like some inorganic entity of
a schooling system,
under Catholic measures,
  that made it necessary to include
Pythagoras... but not Horace?
that's inorganic memory...
and unless i turn into some
inorganic entity -
   the organic aspect of my psyche:
my past, my cameo cinema?
   that's going to be a leech,
attached to me...
  and i'm not going to give it up,
just like... when i walk about
my door, and enter the england
that i know on the peripheries...
i'll speak the lingua franca -
     but with my privacy?
    you'd better cut my tongue off
before i stop speaking
my western slavic heritage...
    and it pains me...
when certain groups of immigrants...
don't know the POINT
where immigration becomes
insensible... self-lacerating...
           i once hated their approach...
now i just pity them...
anyone ****** can juggle
     two oranges rather than three...
p.s. old school cure for a cold?
forget the pills...
   glass of warm milk,
  an egg yolk,
     and a good scratch of butter...
  (on the rare occasion,
  milk infused with garlic)

mixed together...
before bedtime...
  if the ****** won't sweat out
the bacteria during the night...
     well... stick to the synthetics...
i'm pretty sure i know why i drink...
certainly not to: PARTY PARTY PARTY...
i always aim for
the one safety net of "pharmacology"...
ssssssssleeeeeeeeeeeeeeeeeeeeeeep.

p.s. so much for children loving their
parents...
        in vitro and the whole
m.g.m. debacle:
so, sweet little *******,
       no *******, no chance for your
for a quickie satellite launch date from
Tehran, under all the weight of
monotheism turned secular...
christianity: the only "monotheism"
with overt tinged of polytheism,
lutheran, baptist, catholic, orthodox...
just today i opened my door twice...
once to a confused curry house delivery man:
did you order some food:
i too replied with a confused look
and the word: huh?! no.
then a black woman with a a white ol' granny
came by with a leaflet...
the jehovah's witnesses were on my trail...
lucky of my grandfather,
   the profanity brigade of the hebrew name
i will not dare utter came by...

  and if you have lived a good enough life:
memory? memory beats hollywood
technicolour and CGI...
at least in the cinema of memory i always
get to play the cameo (role)...

oh i get the youtube creators:
   living with his parents... still. aged 33...
funny that i don't mind them,
since they're getting older they're settling
into their solispsism,
        annoying as ****, but i stand them,
thank god the protruding caduceus veins
on my phallus protected me from
a circumcision...
  i can ******* like a girl with a web-cam...
no scented candles:
the no. 1, 2 & 3 on the throne of thrones...
the toilet, simultaneously masaging my ****
and prostate...

men were not exactly supposed to derive
pleasure from ***: they were,
supposed to give pleasure,
and in giving pleasure to one outlet,
they were subscribed to finding out what
best pleases them: ergo?
women would always derive more of
the people from *** than men would ever...
*** is not a story of bragging about
a harem... the woman lies flat...
the man pumps her...
after all... she is the one burdened
to carry a child, why wouldn't she be
the one deriving more pleasure from *** than
a man could ever?
72 virgins! ha ha!
   ah ha ha!
             what's the ratio?
   last time i checked... a 3 hole caravan...
of a woman's worth...
   mouth, ******, ****... and man?
only two points of entry, well...
"entry"...
                    seems that the tomatoe,
really is a fruit, but is treated like a vegetable
nontheless!
homosexuality in the 1960s...
william burroughs in Tangiers...
                    when Islam was quiet radical...

well... i cook, i clean...
                what are my other options of continuing
to write and living the ed gein "lifestyle",
i tried getting social housing in england,
but, i'm not a somali with two wives and a dozen
kids...
              rent, in london?
extortion...
                   housing shortage...
                 well there's me hating my parents,
the outside world just needs to see
an ed gein imitation...
               or there's me living off acorns
in the woods, or rummaging on the streets,
making the N25 bus from oxford st. to ilford
my own personal mobile hotel as a homeless
man in london...

   i think it's time to succumb to your
parents prejudices, if only for the jokes,
no point in making ethical high judgements
to fit into a zeitgeist narrative surrounding
yourself with people: you'd never eat a meal with...
that's how i define the highest form of respect:
if i'll eat with you: implies that i respect you...
i drink alone...
a high school fwend once thought he could
bribe me with his company,
that i "had to" drink with him...
      no... not really...
          i much prefer drinking by myself...
these days you're not expected to honour your
mother and your father,
i.e. make them proud...
               honour is a double-edged sword...
just don't be ashamed of having
a mother or a father...
not that hard: given western divorce rates...
i.v.f., frozen eggs... yadda yadda yadda...
lucky me in having went to university...
oh... really? so much cooler in a cosmopolitan
environment with your contemporary
flat-mates?
               get the picture?
                 paying rent while literally living
in a diguised cardboard box?
i can't help the fact that poetry doesn't pay...
that there are economic factors beyond
my control in play...
   maybe if i was the grandson of my parents,
born in england, and not elsewhere,
there would be some sort of + leverage...
for a bricks and mortar start-up...
plus... i hoard...
         books and music...
                     mind you:
neither of my parents spoke english as their
mother tongue...
  neither did i...
they didn't teach me this tongue:
i had to teach this language by myself:
for myself...
           aged 8: thrown into the deep end
of the pool: now swim ******, swim!

i just feel sorry for the immigrant parents
who gave birth to their children into the *****
of the land they immigrated to...

two days ago i found a heartbreak,
a romanian couple, with a child...
the father was stubborn in teach his daughter
his / her native sprechen...
romanian... but she was already speaking
perfect antithesis of accent kindergarten english...
and almost non-responsive to her tongue
alligned to her biology...
    clearly she was born in england,
but her parents were both romanian...
i've had that conundrum in my head
for a long time...
   what if i married an english girl...
and i was unable to teach my offspring
my native language,
what if i had to silence my native tongue,
"forget" it, or only speak it by myself,
via reading a book in western slavic?
what if the woman i married:
wouldn't see the benefits of bilingualism,
outside of the mainstream economic
mantra of ensuring your children
learn either german or mandarin or arabic?
that worried me...
          oh believe me, i enjoy my lapses
into english: since i am providing the groundwork...
but in the case of having offspring...
e.g. teaching them the western slavic tongue
so they could speak to their grandparents
(i.e. my parents)...
       even my grandparents lament
the scenarios when a woman would marry
an austrian... and she wouldn't teach
her children her native tongue,
and when the grandchildren would visit their
grandparents... they'd be speaking
a crude variation of braille, morse,
   sign-language: na migi...
               i know that my mother is alive
in me even under this veil of english...
because she's more than the womb,
the genitals of my conception, the breast fed off...
she's also the Atlas of my vocabulary
of the "hiding" tongue beneath this one...

i already knew the "game" was rigged from
the get-go... i've seen how one hindu woman
suffered being married to a scouser...
she never managed to pass on her language
to her children,
she bought a library, thinking her children
would succumb to learning: however poor
they might end up being...
but she was suffocated by the english
tongue of her husband...
and her children didn't express even the most
vague of desires to learn their mutterzunge...

that's what worried me to begin with,
marrying an english woman i was afraid
of the ignorance that someone bilingualism
was en route toward a psychiatrist disorder
i was diagnosed with: schizophrenia...
this anglophonic ignorance still scares me...
like: everyone is expected to speak the revisionist
globalist lingua franca: this anglo lingua...
if i didn't meet a bilingual / polyglot woman,
i'd return to rearing idiotic children...
anglo lingua was only supposed to be a middle-ground,
a "no man's land"...
             a language of trivial economic transfers...
a language primarily orientated around usage:
rather than an ethno-centric basis for "englishness"...
to **** with: god save the queen...
the british grenadiers' fife & drum...
                 old scot dragoons': auld lang syne...
those where my forever anthems...
see...
        what gave birth to a jihadi john?
his mother "forgot", his father "forgot":
his "mother" forgot, his "father" forgot to speak
the "ancient" tongue...
there's a point to integration of the immigrant,
an immigrant is a forgetful creature,
an ever pleasing creature...
never to mind himself as an ex-pat...
you ****** forget your mutterzunge...
you'll be speaking in cockney accents
with broken affairs of arabic beheading people
for zombified reasons of grandeour!
*******...
          you, you: you are to blame!
you were so ashamed of your parents that you
delved on honoring them to the point
of thinking giving pride unto them was very
much akin as keeping shame away from
their girdle of the wedlock of your own existence!
death has not made your a martyr...
i guess you deserve those 72 mishaps,
those 72 annoying voices...
and i pray to god that you receive your reward!
i hope that among the 72 you will never find
a chance a repose to find your: self!

integration is one thing,
pandering to the "elites": plebs who think they
are kings among the plebs,
is quiet another...
plebs who go places and think english
is a universal tongue: just because
uncle sam says so...
of those i respect:

y cymraeg: pwy dal eu tafod...
an gàidhlig: cò fhathast bruidhinn an cuid teanga...
i nawet moim: co ma mówić
to nawet tyle: co znaczy tak niewiele!

there are boundaries... learn the customs
of the natives, but ensure you retain the customs
you were born with...
a child, born in a foreign land,
ought to ensure his parents teach him
the words to speak to his grand overseers...
complete immersion,
this cultural abortion,
this cutting of the umbilical chord
from: i have never met a people so
content at having been subjugated outside
the indian sub-continent,
cricket... for ****'s sake...
       as to demand other europeans
to treat them as superiors,
when sitting alongside an englishman...
****-bud-bud, the **** are you on about?!
once again: england has become the circus
for the grounding of what began
with engels and marx...
   wasn't communism born from
engels and marx observing english society?
sure... first experimented en masse in
mongolia... but its origins?

   so of course i had problems finding a suitable
mating partner... i was afraid that my nativ-zunge
would die a slow but solemn death...
that an english bridge would not consider
the worth of a bilingual child, or a polyglot,
or that she would repress the chance of my
"biological continuum nuance" to respond outside
of the anglo lingua refrain of: beside the english language?
there are quiet a few one might want to learn...

it's not easy being a first generation immigrant,
esp. if you moved aged 8, mute as a wolf
to a domesticated dog's barking...
but hey, no jihadi john in me...
           jihadi john should have been raised
bilingual... i wouldn't be the one speaking broken
tourist arabic while beheading someone...
jihadi john spoke tourist arabic...
the dichotomy of the mind to the biological
reality, beside the current, western,
"biological relativism" debate...
      clearly darwinism was "wrong"...
man is, these days, left with neither a biological
reality, nor a historical reality...
              but there is a historical reality:
but it's so knit-&-picky...
come on... philip augustus of the capetian
dynasty?
                 casimir III...
                        jeremi wiśniowiecki...
konrad I of masovia...
                           kuno von lichtenstein...
alles ist gott: und gott ist alles -
  gott mit, uns!

              mit eine leben wert leben:
    erinnerung ist die nur kino
             wert sehen eine film beim;

hell... could be worse:
   i might have translated some latin
of horace into pig-trough comfort food.
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
1695

There is a solitude of space
A solitude of sea
A solitude of death, but these
Society shall be
Compared with that profounder site
That polar privacy
A soul admitted to itself—
Finite infinity.
*** trafficking – the trafficking and debasement of souls; Drug trafficking – the trafficking of substances that debase the body.  Here compared you will find the prevalence, impact, and rehabilitation processes associated with *** and shrug trafficking.  Respective clientele, demographics, and locales that these types of trafficking touch will be revealed in order enlighten you to their world-wide prevalence. The physical, emotional, spiritual, and psychological impact of lifestyles that result from these two types of trafficking will be detailed to etch vividly an image of just how far-reaching the impact of these two activities is. Light will be shed upon the rehab processes that lead to recovery from each.
                 According to UnoDC.org, the United Nations Office on Drugs and Crime, the use of illicit drugs has remained in a stable trend, with approximately the same number of people using illicit drugs each year. This trend has continued for a number of years. Upon examining the world drug report, written by UnoDC.org, production of several drugs exhibit particularly interesting trends. ***** production for example fell and spiked in a somewhat predictable patter from 1990 until 2010. When this data is graphed a reasonable medium appears for all the years, revealing that ***** production has stayed around an average production of roughly 200,000 hectares annually. Likewise, coca cultivation pictures an interesting trend. From 1990 to 2010 coca production appeared to be almost identical each year, and with little to no rise or fall in production, there is a similar trend in its being trafficked.  
Nefarious: Merchant of Souls is a documentary that was released in 2012 by Exodus Cry Its producers and researchers saw firsthand the atrocities of the *** trafficking industry. The film crew interviewed former pimps and prostitutes, spoke to traffickers, the families of the trafficked and to individuals still actively engaged in three sides of the *** trade referring to currently employed pimps and prostitutes as well as those who purchased ***. The researchers and producers interviewed eastern European gang members and took a trip to Amsterdam’s red-light district – home of legal prostitution. They journeyed to Los Angeles and saw the glamorized side of the dark issue of *** trade.
According to Nefarious, the number of humans trafficked for the purpose of providing ****** services is on a shockingly steep rise. In a matter of a few years, *** trafficking rose from the third largest criminal enterprise to the second. It is second only to drug trafficking and is vying for the position as top criminal enterprise in the world. It is encroaching upon that position far more speedily than any authority or decent human being would care to acknowledge.  A survey taken in 2010 by DART (the drug awareness resistance training program) revealed that 21.8 million people aged 12 and older had taken an illicit drug in the previous month. In 2010 it was estimated that between 153 and 300 million people had used an illicit drug at least once in the previous year. These statistics fail to take into account the impact that this usage has on the lives of the families of drug users. Neither do these statistics reveal the extent to which drug users lifestyles are impacted by drugs. However, nearly  every single human trafficked for ****** purposes is completely and utterly enveloped in the lifestyle of prostitution and the violent world of being prostituted. In Nefarious a shocking statistic is revealed. Approximately ten percent of the entire human population of earth has been trafficked. Both human and drug trafficking are prevalent across the globe. Human trafficking occurs in 161 of 192 countries. Illicit drugs are trafficked in every country that has laws that deem substances unlawful. There are little to no race, religion, ethnicity, or age restrictions on who can and is trafficked for use of ***, but drugs are far more limited by age and ethnicity in their use.
Drug trafficking, though similar to *** trafficking in many ways, is in no way as substantial a damaging force to the mind, soul, and spirit as the world of *** trafficking  is in terms of the critical and dangerous force it exhibits in the emotional, physical, psychological, and spiritual  impact it has on young girls. Both drugs and *** trafficking have some influence in all of these respective areas. The primary area in which people are affected by drug use is the physical. Drug users’ health declines, they become physically or psychologically dependent, and they may develop diseases from sharing of needles or lack of inhibitions that lead to *** with an infected individual. Drugs may, in some rare cases, lead to psychoses and mental disorders. They may cause brain damage, which is both physically and mentally damaging. Drugs may even set one’s heart and soul in a place that they are more susceptible to lies or truth. They alter spiritual state for some individuals, but only mildly. However, *** trafficking victims are impacted majorly and in their entirety as a person. In all aspects of the physical, mental, and spiritual, *** trafficking victims are consumed by *** trafficking. In Nefarious it is revealed that In order to “break” *** trafficking victims they are profusely beaten, and are psychologically toyed with to create a twisted trust and dependence on their various handlers. They are repeatedly *****, and are examined like cattle by those who wish to buy women. They are imprisoned in dark rooms and not allowed to leave unless told to do so. They are bedridden and forced to ******* themselves. After being broken in ways described above and sold to a ****, girls are forced every day to meet certain quotas of customers and cash flow. If they do not meet these they are beaten even more. They lay in bed sometimes a week at a time to recover physically enough to usefully return to their “job”.  Through this hellish ordeal, their soul, self-worth and identity are being attacked by circumstances that devalue them. They become like animals.
*** trafficking victims become dependent on their environment for normalcy. This is so true for some individuals that even though they have been rescued from the lifestyle, they return.  This is not because the *** trafficking victims enjoys the lifestyle of prostitution, and it is not because they want to. Instead, it is because they think they can be nothing more than a *******. The *** trafficking victim, in this case, believes that they need to settle into the numb and thoughtless mind state that they develop when broken. Returning to prostitution does not evidence an addiction. In contrast, it is the cry of a soul that is desperately trying to cope. They do this in order to feel as if they can survive.  
The rehab processes for *** and drug trafficking differ greatly in commitment and length, but are similar in that they both require physical and psychological rehabilitation.  Drug rehabilitation programs typically consist of twelve-step programs or something similar. They last a number of months, or occasionally a few years. They allow individuals counsel and encouragement, and they attempt to, by abstinence, exorcise an addicted individual’s addiction. *** trafficking rehabilitation requires the re-creation of an individual. Self-worth must be reconstructed. The spirit must be healed in order to allow for psychological healing. Prostitutes are not addicted to prostitution, but prostitution produces dependence in that the prostituted crave normalcy. This dependence must be killed. Successfully rehabilitating women from this forced lifestyle requires lifelong commitment and endless resources. It requires passionate fanatics, people who will pour their life into changing the lives of others, because only the incurable fanatic can wreak havoc on the tragedy of human trafficking. Any short-term effort to rehabilitate a *** trafficking victim is doomed to failure. The degree to which the brokenness of *** trafficking victims becomes ingrained in them is so extreme that it takes a lifetime to reshape their lives.
While researching *** trafficking in order to accurately produce Nefarious, the researchers and producers of Nefarious became convicted by facts that they collected. The evidence they collected speaks to the fact that *** trafficking does not just attack the body; it attacks the entire being, and in far worse ways than drugs ever could. Varied races and ages are prostituted and / or consume drugs. The impact of both of *** and drug trafficking is severe, but much more so severe in the case of human trafficking. The rehab process for human trafficking is much more in depth and is testament to the horror and degree of psychological, mental, and emotional disfigurement, as well as acclimation to a horrible situation to the point that horror becomes normal – a new definition of addiction. Human trafficking is an atrocity that is far more horrendous and prevalent than imaginable. It is far more destructive than drug trafficking. Drug trafficking is one of the most destructive forces in this generation.  Surely consuming drugs is one of the most horrid things we can do to our bodies, but what about consuming souls? *** trafficking consumes souls, hearts, minds and bodies. It splits, fragments, debases, brutalizes, obliterates, murders, rapes, molests, destroys, and dehumanizes the prostituted.  Drug trafficking attacks the body the soul, and sometimes the mind, but in much milder ways.
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Nick Strong Nov 2013
Compared to you, I am no one.
Compared to you I am but a fool.
Compared to you I am undone.
I am without,
I am lost,
I am undone!

    ©  Nick Strong 2014
laura Feb 2018
feels like putting my hand
on something sharp kinda day
invincible temporary, of course
fight the system on a february dawn

where the lamp's lambent spheres
bob in and out of existence
as the sunshine overcomes their presence

first kiss with you, like hands
dancing in the fires
trying to stay warm in the winter light
an ogre of a dream, a curse to be this shadow

compared to the glow of an angel like you
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
It has become clear, since the Great Recession began, that the American banking and the political, "systems," are 'one-and-the-same' entity. Neither works for the majority of Americans but both appear to be working quite well, historically-compared, in fact, for the richest or most advantaged people.

Life should model to become a, "heaven," on earth for all people not just those at the foremost of political benefit, wealth or talent. This current state of affair is not what Plato envisioned. It is not what the Founding Fathers intended. America should not be about exclusion and private benefit but the public as a whole and the individual inclusion; Every Man a King.

Not Kings among the men who serve them...even Jesus would be appalled.

No one wants to think they are taking something they do not deserve or someone is being forced to accept something they do not want yet it is clear by the recent election that the American people are fed-up and ready to start taking things away. Naturally since they own this nation not the Fortune 500.

At a point greed undoes itself.

Rather than reach that point, the ultimate point of violence, we should endeavor our creative consciousness to alleviate the concerns of the excluded masses as Congress has proven that government can fix major world-altering problems such as the worst financial crisis in modern history. They cannot agree on health care, minority rights or ****** behavior but when Wall Street came begging they had no issues in agreement.

So here we are with a solution for the smallest percentage of Americans that fixed part of the economy leaving the multitude behind with nothing. Sorry, they got something; half of all familial wealth created since the Federal Reserve Act has been wiped out for the bottom half of society.  

Half...

Our economy is a dud. Ironically our central bank along with England's now admit they failed Main Street and furthermore say they should no longer be involved in these kinds of decisions! Yes, Americans should eliminate all of their authority over the finance industry, central banking and monetary policy leaving it the hands of those beggars who ruined it for everyone but themselves and admitted they failed us all?

How about a simple act of Congress to amend the matter?

Declare that all publicly-traded corporations can no longer issue corporate bonds or stock for revenue if they do not offer consumers a prepayment option to their accounts with an interest bearing incentive. From now on all corporations with publicly-issued stock must accept any prepayment towards future consumer services liabilities and pay an annualized interest rate identical to the Fed prime rate.

What corporation would not want to borrow at the Fed prime rate?

When any company needs money for expansion they should have the option to pool money directly from the account holder's prepayment revenue as long as they credit those accounts on all prepayments regardless of usage at the Fed rate. If they do not pay interest they should not be allowed to access the funds until a current invoice for service is generated and due from the consumer. Consumers should be able to earn money by being good stewards and paying off future liabilities early, or if requested, the consumer should receive a check for all of their annualized interest at the end of each fiscal year.

Corporations now need you to finance their dreams and you can finance your own with real interest paid to you since most of these multinational corporations would be bankrupt and gone today had not your bank, The Federal Reserve, issued credit and capital to save them as they whined about the unfairness in the economy.

"Unfair?"

For whom?
Kelly Bitangcol Jun 2017
Let me tell you the story about the 6 people I’ve met. Let me just say first that they are famous. They are always talked about. But don’t envy me or feel anything bad, because don’t worry, you will meet them all too. Or perhaps, you have probably met them. You probably met some of them already. We all did. Now I will tell you the story of when I met them, of where I met them, and how I met them.



I first met Happiness when my mom bought me my dream barbie doll. I was so eager to have it and seeing my mom holding it made me feel.. incredible. I couldn’t explain it at first because I was so young, I didn’t know emotions yet but when someone named Happiness came, I immediately knew what I felt. Happiness stayed with me for a long time, happiness was with me during my 7th birthday when I had a party. Happiness was with me when I became the first honor of my class. Happiness was with me when I watched the Hannah Montana movie. Happiness was with me when I traveled with my whole family, when we were all together. To sum it up, Happiness was with me when I was young. And when I grew older, Happiness needed to leave. I begged Happiness, “Please don’t go.”, like Happiness was my father leaving us, like Happiness was my childhood friend moving to another country. But Happiness told me, “I need to.”


And then nostalgia came. Nostalgia came when I missed my barbie dolls. Nostalgia was with me when I was listening to Best of Both Worlds and all the memories of being a Hannah Montana fan came back. Nostalgia was with me when I was looking at the old pictures of me and my family. Nostalgia was with me when I was looking for my shirt and I suddenly saw my dress when I was a baby that reminded me of my childhood. Nostalgia was with me when I was missing what it felt like to have a complete family. Nostalgia was with me when I wished to be just a little kid playing barbie dolls with no worries in life. Nostalgia made me miss Happiness more, and made me wonder when will Happiness come back. And then Nostalgia left, and another person came. I was hoping the person would be Happiness, the person wasn’t.


A person named Loneliness came unwanted. Loneliness came the first time I had a failing grade. Loneliness was with my side when my friend needed to move to another school. Loneliness was with me when I was no longer an honor student. Loneliness was with me when my mom scolded me about my low grades and I locked myself inside the bathroom, alone, crying, and I didn’t have someone, only Loneliness. Loneliness was with me when I was growing up. Loneliness was with me when I was compared to other people, and they were better than me. Loneliness was with me when I lost everything. Loneliness was with me when I became a nobody. Loneliness was with me for a long period of time. Loneliness was like a friend who I never wanted to be with, a friend who I hated so much, but that friend won’t just go away no matter how hard you try, and no matter how hard I try Loneliness will never be a friend to me. But Loneliness told me, “Don’t worry. I will leave soon. I won’t be here forever.” And so Loneliness left.


And this strange, mysterious, indescribable person came. The person was named Love. And I thought, “Oh, so this is the famous Love.” I wanted to tell Love I wasn’t ready to meet you yet, but I didn’t know Love would come, Love came unexpectedly. Love came when I met you. Love was with me when you held my hands. Love was with me when I felt safe in your arms. Love was with me when I was reading Murakami. Love was with me the first time I wrote poetry. Love was with me when my best friend told me she would never leave me. I didn’t know why Love came, but I didn’t want Love to leave. But just like everyone and everything else, Love wasn’t meant to last.


And so heartbreak came. I met Heartbreak two summers ago when you told me you would leave me. Heartbreak was with me when I saw you with someone else that wasn’t me. Heartbreak was with me when I wasn’t accepted at my dream school. Heartbreak was with me when I didn’t win the poetry contest I worked hard for. Heartbreak was with me when my best friend suddenly became a stranger. Heartbreak was with me when I saw sadness and disappoint in my mother’s eyes. Heartbreak was a ****** person. I couldn’t wait Heartbreak to leave. But Heartbreak was with me a little longer than I wanted Heartbreak to be. And when Heartbreak will finally leave, I asked a question emotionally, “Are you related to Loneliness or what?” and Heartbreak responded, “No. As much as I’m the opposite, I’m the twin of Love.”


And a beautiful person named Hope came. Hope came when the storm was finally over. Hope was with me when I decided to write again. Hope was with me when I see people believing in my strength. Hope was with me when I looked in the mirror and told myself, “I can survive all of this.” Hope was with me when I watched the film Dead Poets Society. Hope was with me when I saw the most genuine smiles of my family. Hope was with me when I helped myself and became better. Hope was with me when I found myself. And I was hoping Hope would never leave.


But then I learned the truth about these 6 people. These 6 people, they leave, and they come back, in no particular order. Happiness came back when I made my family proud. Happiness came back when I met you. And suddenly Loneliness arrived again in the middle night, but good thing I was stronger now and I made Loneliness leave sooner. Nostalgia came again when I heard this one song that reminded me of my friends. And then Love, Love was here again. And Love confessed, “I am the only one who can be with you always, but sometimes another person makes you feel something more. I was with you since the beginning. I am with you every time you’re with your family and friends. No matter what you’re feeling, I am with you every time you’re with the people that mean so much to you.” And the horrible person named Heartbreak came back again, and as usual, it was ****. But I’m starting to accept Heartbreak’s presence. And I’m currently with Hope. I was with Hope when I attended my first rally last year, when I saw the people who can help change the world and make it a better place. Hope is with me every time I see people who help each other, even if they don’t know each other personally, even if they knew each other on the internet. Hope is with me when I see people never giving up. Hope is with me while I’m writing this piece. And when I knew the truth about these 6 people, I accepted it. I accepted the people I don’t want to leave will do, and the people I don’t want to come back will do. I accepted they’re always here. I accepted they will be here unexpectedly, I accepted that any of them will come sooner or later. And when that time comes, I will greet the person, whoever the person is, “Welcome back.”


*(k.b)
Michael Stuhlman Dec 2014
The time we humans live despite prolonging,
is but a blink compared with that of the universe.

The distance we travel however impressive,
is but an angstrom compared with that of the universe.

The information we glean with increasing complexity,
is simple addition compared with that of the universe.

The equations we solve with many variables,
are but quadratics compared with those of the universe.

The evolution of our species however advanced,
is but a single cell compared with that of the universe.

And me, my morbid cynical observations, they
are the truths of the universe.
Johnnie Woods Aug 2018
There are five widely known senses.
Sight, hearing, touch, smell and taste.
We've got some minor ones as well, such as balance, temperature and many more.
However, people fail to realise that there's also the sixth major sense. Thoughts themselves.

   If we look closely, all these five senses have the same base. Specified cells in eye react to energy of light, cells of ear recieve energy in form of air's vibrations, skin cells pick up energy of mechanical changes, and so tasting and hearing depend on translation of certain substances' chemical energy.
   These cells in different organs differ in their structure and the way they appear, however, if we stop looking at them in such small scale, we can see that ALL of the cells or organs responsible for any sense translate the energy.
   So, a light enters the eye, certain wavelenght of certain energy stimulates the eye's rod or cone cells with a certain intensity. Then the energy of light is translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of sight.
   If it comes to smell, a certain particle enters the nose, binds to a smell receptor cell, and the chemical energy of this particle is, again, translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of smell.

   Now, let's move to the crucial part. The sense of thoughts.
   During the creation of thought, pathways in our brain that collect memories(and many more known or unknown pathways) connect. First, there's this spark of electricity, that moves all along the neuron and releases a dose of neurotransmitters(amount of different NTs is equiavlent to strength of this spark, basically resulting in "creating" various thoughts).
Then, chemical energy of NEUROTRANSMITTER is translated to energy of electrical impulse, which happens in the brain, creating the sensation of thought.
   Therefore the 'sense of thoughts' reacts to and is stimulated by neurotransmitters themselves, with receptors on neurons' membrane being receptors of the stimulus. So, kind of like smell, the stimulus is chemical, compared to sight, where it's electromagnetic wave; anyways the result in all of these is electric impulse in neurons (hence the idea of "thoughts" as a sense, due to the same basic layout; transfer of energy).
   The 'smell particle' connects to receptor and is translated to a certain amount of neurotransmitters/certain strenght of neuronal impulse. SO, again, we can see that when the first outer layer of this communication is cut off, we're left only with the neurotransmitters and impulses themselves. Anyway, the transduction of energy remains.

   If it comes to "sense of thoughts" the receptor lies within us, whereas in sight or smell or touch it's external. However, does it matter if it's on the surface of skin or under it if it all comes down to neurons of our brain?
   When you lie in a dark, silent room, without any external stimuli, you still retain your thoughts, colorful, vivid or complex. All the magic of the brain - still happens. So, how isn't it a separate, full-fledged sense?
Rainy nights thinking about Rwanda,
fog seeps out of the woods.
Like smoke, it crawls across the fields.
My head lights attempt to cut through it,
as it intensifies, inhibiting my drive,
but it’s nothing compared to Rwanda.

I arrive at the Mobil,
wait five minutes for the cashier to notice I’m here.
When she does, she hobbles over.
I attempt to buy a pack of backwoods,
my card gets declined,
but it’s nothing compared to Rwanda.

I get in my car,
and have a fit when I can’t find my keys,
but it’s nothing compared to Rwanda.

I begin to drive,
get cut off and curse fellow man,
but it’s nothing compared to Rwanda.

I ***** and I moan,
an entitled little ****,
but I’m alive,


which many can’t say after Rwanda.
Copyright Barry Pietrantonio

I wrote this after watching Hotel Rwanda one night. The title comes from the idea that a motel is a lesser version of a hotel, and my problems are much lesser than the people of Rwandas are, along with many others who experience such brutal violence. Let me know what you think, and if the title works. Thanks!
Benji James Apr 2018
VERSE ONE
She's bleeding from her lip
From every time he hit
Can't believe that she
Just turned up on my doorstep
Looking like this
And all that I can think
Is how much I want to **** him
Better help her in
Come on let's get you cleaned up
Tell me what happened
Tell me everything he did
Firstly let me clean the bloodstains
from beneath your lips
Wipe the smudged mascara
from beneath your eyes
Seeing you hurt like this
Hurts me deep inside
Gotta be strong for you
Make sure you're comforted
Reassure you everything is gonna be alright
Meanwhile, body temperatures raising
As anger boils deep within
All these thoughts come flooding in

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE TWO
All these words, I soak them in
All these thoughts
are running up and down my mind
How could she not let me step in
This hurting could stop right here
I'm giving her everything,
She just wants me to sit back
Watch from the sidelines
While she takes on this fight
Why won't she let me stand at her side?
And all of this confusion envelops in me
I'm losing focus, Push this to the back of my head
Need to take care of her here and now
Because she needs you here most
I carry her into the bed tuck her in
As I crash back on the couch
All of the things she said to me replay

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE THREE
As I wake the next morn
I go to the bedroom to check on her
I see an empty bed well made
on the bedside desk, a neat note laid
Saying thank you for everything you did
Repairing and mending me back to health
I couldn't have a better friend
Sorry I left before you awoke
Just had to get home
Just want you to know
I'm thankful and grateful for all that you are
You'll always be the brightest shining star
Guiding and watching me from afar
And as cheesy as it sounds
It brings a smile to my face
And for a slight moment concern leaves my conscience
But I hold out hope everything is gonna be okay
That's when images of last night run before my eyes

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE FOUR
Another night, another microwave meal
It's been a while since she last came over
Must be working out,
the counselling must be helping them now
And for once in my life I'm relieved
Knowing she's happy calms my mind
I watch the clock tick time passes by
through montaged scenes
This feels like a happy ending to this story
And photographs of you and I
Are packed in a box
I only open it up from time to time
Childhood memories captured in polaroid frames
I like reminiscing about all those good times
Everything was different then
Together just you and I
Hanging every day and every night
until you moved on with your life
that is just a perfect memory captured in my mind

PRE CHORUS
All of this rage is caged
Calm and content I've stayed
The revenge I wanted on him
Has been forgotten
Even after all he did
I'm calm, breathing and relaxed
My minds at ease
We're both rested and healed
The bloodstained cloths
that cleansed your lips are cleaned
ever so gently you're easing my emotions
As I wipe the tears from my eyes
I think of the way you always look into mine
with every ounce of strength,
You've made me a better man
She was right in what she said
even after all he did

CHORUS
Still feel the tender touch of your hand
And I remember every word she said
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him
And all I can think is how lucky he is
To have a girl like you

VERSE FIVE
As I sit on my couch watching tv
It's been months since she last seen me
When I hear a soft knock at the door
I open it up to see you sitting on the pavement
outside of my front door
she is leaning against the brick wall
Head in her hands, crying
Tears constantly streaming down her cheeks
Bruised arms, black eyes
She looked at me and said
I'm bleeding from my lip
From when he hit
That sentence just tore me to bits
Gotta be strong, Take care of her first
Then I'll hunt him down and make him hurt
Shes covered in scratches, puffy eyes
He really lost control this time
And I'm about to lose mine
I pick her up and bring her in
Pull out the first aid kit,
A warm washer to clean her up
Every dab soft and tender to the touch
I won't hurt you like him ever
I'm the one who will make this all better

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE SIX
That time those words don't cut it
Now the hunters become the hunted
I tuck her into bed to sleep
stay with her until she falls into dreams
I watch her smile and breathe as she lays peacefully asleep
I go around to her house just when he walks out
I strike him hard and fast, I made him bleed so much blood
All the pain he put her through I made sure he felt that too
I couldn't keep that rage caged
had to let it out and get revenge
One day she will understand
I did what was best for her
I won't ever let her hurt
He got a few shots in
But nothing compared to what I did to him
Stitches in my hand and brow
I left him hospitalised
I'll never forget the look she gave
when she found out

PRE CHORUS
I tried to explain
I couldn't keep this rage caged
Killer instincts kicked in
And I got my revenge on him
For treating you like this
Didn't stay calm
Didn't keep her mind at ease
Help her rest and heal
I wiped the blood from her lips
I wiped the tears from your eyes
What he did to you killed me inside
with every ounce of strength,
And everything I am
I went after him
after all, he did

CHORUS
This time she didn't take my hand
And I knew I wasn't going to be a fan
of what she had to say
I regret putting my trust and faith in you
You aren't different
All I needed was for you to be there
I just needed someone who really cared
Someone to wipe away these tears
You were the one guy who tamed my fears
I didn't need any more protection
that you hadn't already given
I didn't want you to be like him
Violence never solved anything
I was ready to leave him for you
You went against everything I said
My love and admiration for you ran deep,
I see your faults
I know your needs
But now you have betrayed me
You were such a big part of my heart
You could have been my addiction, my drug
I was hoping you would listen and understand
Not go after him like you did
I can see the mess this is, my hearts been shattered
Beyond repair, I never want to see you again
Those lines run on repeat through my head.

©2018 Written By Benji James
Robin Carretti Jul 2018
The love pretty please
wait for my
Cherry baby on top
Not some love O-Oreo
I could scream beguiled
Both twirled in swirls
Bavarian cream

Love has torn at the seams
Bad dream hot hit
bounty hunter
Bunny ears of the hop heart
it skips divine lips like a light tower
No other apology cries the thunder

And wait a **** minute
O-Oh-Yes where's my tip

I am not your second
fiddle of stunts
The romance of philosophy

We can fly higher
than anyone
will ever be

The Outgaze O hearts
of symmetry
Being told about their love
or other peoples fun
Twilight apology Wolfin tie outrun

Love O Apology light my pleasure
O on Overdrive no time for the
S letter-word SOS seizure
How many love gestures
of psychology

Love word *O
love
to Outlive
your treasure
Being psyched for physiology
Feeling mighty good right now
Don't blow bubbles like their
stars* of trouble

A few in the A-New heart stays
ever so blue few Good Men
Perfect Zen thumbs up
His or hers how cute
the words up
The Buddha says
Love is a
spiritual existence

The herbs body rubs
Going to the Hubs
Behind all your apologies
Wearing the new Doctor scrubs
Love house of Labs resistance

The morning glory September
rise and stretch your
overworked wings
Believing never comparing
to another love
It's your love

Or very O for outstanding at the utmost
So incredible the feeling
       Loveology
There's absolutely no apology
The love surrender lion and tigers
So bearable

Her turn like a Turnup
Up close nose smells the rose
Picking love out pulling
the weeds
Her red  embarrassed face
of the radishes
The Shy bush compared
to the O outgoing love
A hint of red delicious apple
Buzzing around the
Mulberry Bush_
Big Ben London
O Sweet Lord of magic singing
*Rosebush* fresh lemons
George Bush Patriotic
Chilean Sea Maiden Bass
Love ******

VIP pass especially with love
Here it is his loves
A spinning wheel so dizzy
London foggy she is the
product of the  flower *****
Like a carnival cotton candy
What a head rush
Another apology and a big push
Those hummingbirds of sweet soul
But something ambushed
She got a lump of his
crab meat cheek crush

Getting over someone never to see them

*Picking out all the petals of the rose when she was with him*

How many apologies open heart surgeries
Apology on hold like a new series
*Wake up "O" my muffin*
Cheers to the world of Oats
Fingerpicking Cheerios
*Don't give in  get to know him

Giving/InWay*

New love *Caved In*
His way per click day
High payments to pay off

BMW Billionaire Man wilted
Love head Beamer
Be
_ My__ World the dreamer

That love pain injury, going faster
Strong love never to lose her
Like cancer Santas Deers love prancer

Fine tooth comb
Negative force to succumb

Capitulate
Artsy wings to meditate
She is destined for something
So articulate
Can this be a painful love of fate?
She succumbs to the time given in
To her O Lord temptation
Words stand alone planet of people
Hearing the real voice no recording
From here to eternity the blasted phone

The Love O not to outwit just sit
And lift your gravity of love
Round earth or your flat on the ground or above
someone knows your true love


*She is combing her hair Silkience Queen of the Divination
Love, there should be no apology lifted gravity that loves O went further than he will ever know her sexuality was smiles alive he couldn't learn his numbers.  Where is the love when your heart thunders world of letters and love writers never to apologize we are the real fighters
Dark n Beautiful Apr 2015
I just want to write a poem no one ever thought of writing
It must have the same effects as walking on the moon
It must trend faster than a meteor as it  hurdles through cyber space

I refused to love any man, who dislikes my poetry,
My man must support my passion ..
not only the warmth of my body
but the passion within this poetess, my secretive mind he must be able to balance:
Without wondering why a woman like me is so naturally secretive
I am always embracing the dark side of my creativity
Dropping little hints here and there throughout the years,

Sidney   J. Harris once said something that left pondering thoughts
He said “When he hears somebody sighs,
'Life is hard,' he’s always tempted to ask them, 'Compared to what?'
I would simply say dog-gone it: Compared to struggling poets whose tries to make a living as a writer

While an upcoming rapper like Chief Keef
signed a several-million dollar deal
with offending lyrics in today music industries:

I just want to write a poem no one ever thought of writing,
With lots of intense emotion bursting through each line:
Because a poem can’t exist without a poet's multiple voices
and most of all his divine missions

— The End —