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"commentary" poems
and i am eleven again feeling like tomorrow is a couple yesterday's ago smothered in cayenne pepper hot enough to take off taste buds and tonight i am eating a meal only worth burning it tastes like my parents anniversary it tastes like a zinfandel left on the counter too long it's a bad story, see there's no silverware 'cause my mom sold it to keep the lights on and somewhere in heaven somebody in a suit doing commentary on this fiasco is telling someone else in a suit that "you have to eat love with your hands" so we sit, four plates on the table for the two of us my brother's long gone dad's even further away & he's not the one who's buried i carry both their names like anchors that i cannot unmoor from while she looks at the empty table and says something about the news she says something else but she's not talking we aren't proud of this, see my dad likes to wax his car he's proud of it and my mom says she sees a lot of him in my hands says, i touch the things i find like they didn't belong to people sleeping in the ground she says i touch photo albums the same way- you know, i never used to believe that history could repeat itself not until i could fast forward seventeen years and still wake up to smoke alarms how i would go into our kitchen to find it empty and the dinner smoldering & my mother in her bedroom looking through family photos like it's a just another summer day and the sirens are just the birds i don't ask, i never say a word in this moment i am an archeologist afraid to dig up the past cause history repeats itself- you see my brother is dead and my father is gone they have been for some years now and my mother sometimes forgets and sets their place at the table like they're still here and in the confusion ends up ankle deep in pictures of how it used to be she let's dinner burn and douses it in red pepper hoping i won't know the difference
0
Oct 10, 2014
Oct 10, 2014 at 6:42 PM UTC
jamais vu
and i am eleven again feeling like tomorrow is a couple yesterday's ago smothered in cayenne pepper hot enough to take off taste buds and tonight i am eating a meal only worth burning it tastes like my parents anniversary it tastes like a zinfandel left on the counter too long it's a bad story, see there's no silverware 'cause my mom sold it to keep the lights on and somewhere in heaven somebody in a suit doing commentary on this fiasco is telling someone else in a suit that "you have to eat love with your hands" so we sit, four plates on the table for the two of us my brother's long gone dad's even further away & he's not the one who's buried i carry both their names like anchors that i cannot unmoor from while she looks at the empty table and says something about the news she says something else but she's not talking we aren't proud of this, see my dad likes to wax his car he's proud of it and my mom says she sees a lot of him in my hands says, i touch the things i find like they didn't belong to people sleeping in the ground she says i touch photo albums the same way- you know, i never used to believe that history could repeat itself not until i could fast forward seventeen years and still wake up to smoke alarms how i would go into our kitchen to find it empty and the dinner smoldering & my mother in her bedroom looking through family photos like it's a just another summer day and the sirens are just the birds i don't ask, i never say a word in this moment i am an archeologist afraid to dig up the past cause history repeats itself- you see my brother is dead and my father is gone they have been for some years now and my mother sometimes forgets and sets their place at the table like they're still here and in the confusion ends up ankle deep in pictures of how it used to be she let's dinner burn and douses it in red pepper hoping i won't know the difference
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74
Route 84 would not lend me the light of a star last night Radio blazing at 75 mph nonsense noise to chew gum by Crackling political commentary Static of distance and thick clouds Invisible mountains blocking Memories seeping through the cracks coating the music in a film I rub my eyes watch myself punch alert buttons But it’s the angels’ jukebox tonight Roll down the window Watch the heat escape Summer again I am building a castle of ancient stones pulverized by relentless tides Dragged across maps by mastodons and mammoth glaciers The scouring hiss the ocean sighs Time has lulled these smoothly rolling them in the softest hands of sand and gels of life’s comings and goings tenderly tumbling in the millionth moonrise— Time deposits them here wet and glistening For the girl with the plaid two-piece to gather Shoulders sun-burnt barely say one week only, one week of the fifty two “It’s the time of the season…” and daddies on the beach are watching…. She has chosen yet another stone And the castle continues— in oblivion to all but her legend…      The queen will be safe here      from the rabble      The disgraced Tristan will surely seek her      Among these lofty cliffs      Between the raging circuit of the tide      Here winds forbid the vengeful mob      Here lovers learn      the debt of love’s bad timing      “Drink ye all of it!”      --the potion that assigns our sorrow….      She will not sleep—      while I chew this gum--  GUM? Roll down the window! Angels escape with the heat Waking me with the brush of their wings As that eighteen-wheeler hugs my flank And leans on the horn Lights flashing Rude rumbling under right tires Tantrum of snow In the draft of mass and velocity …and the angels? They’ve chosen another good one! They must’ve liked the 80’s Their wings slapping the windshield madly   Their hands steady the wheel
0
Sep 13, 2016
Sep 13, 2016 at 1:20 PM UTC
Angel's Jukebox
Route 84 would not lend me the light of a star last night Radio blazing at 75 mph nonsense noise to chew gum by Crackling political commentary Static of distance and thick clouds Invisible mountains blocking Memories seeping through the cracks coating the music in a film I rub my eyes watch myself punch alert buttons But it’s the angels’ jukebox tonight Roll down the window Watch the heat escape Summer again I am building a castle of ancient stones pulverized by relentless tides Dragged across maps by mastodons and mammoth glaciers The scouring hiss the ocean sighs Time has lulled these smoothly rolling them in the softest hands of sand and gels of life’s comings and goings tenderly tumbling in the millionth moonrise— Time deposits them here wet and glistening For the girl with the plaid two-piece to gather Shoulders sun-burnt barely say one week only, one week of the fifty two “It’s the time of the season…” and daddies on the beach are watching…. She has chosen yet another stone And the castle continues— in oblivion to all but her legend…      The queen will be safe here      from the rabble      The disgraced Tristan will surely seek her      Among these lofty cliffs      Between the raging circuit of the tide      Here winds forbid the vengeful mob      Here lovers learn      the debt of love’s bad timing      “Drink ye all of it!”      --the potion that assigns our sorrow….      She will not sleep—      while I chew this gum--  GUM? Roll down the window! Angels escape with the heat Waking me with the brush of their wings As that eighteen-wheeler hugs my flank And leans on the horn Lights flashing Rude rumbling under right tires Tantrum of snow In the draft of mass and velocity …and the angels? They’ve chosen another good one! They must’ve liked the 80’s Their wings slapping the windshield madly   Their hands steady the wheel
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63
Of all the super heroes who exist like legends, or monuments in entertainment, or essential cultural commodities, and my favorite is Moon Knight. Never met a good reception. Never had a particularly well done story. I like Moon Knight in theory; a superhero with mental issues, with friends who face the moral challenge of playing into his insanity, versus helping him stop serious crimes. It seemed like a social commentary to me; why do we hate dictators, but love superheroes? How is it we understand absolute power corrupts absolutely, yet also think having an alien demigod semi-rule the planet is really in the best interest of our species? The design for Moon Knight has always been immaculate to me; directly representing the fallibility of the hero, diving into the night with a decadent radiance, he wears all white, and declares he enjoys it- for his enemies to know he's coming. Does it make sense? No. Much like the Punisher, Moon Knight doesn't struggle with being morally black and white, but does struggle with keeping that identity intact. His eyes glowing, no face shown... just darkness. All the emotion in the world broadcast through two glowing orbs. sometimes red, sometimes green, often white. A visual hint to clouded mind of Moon Knight; Marvel's true Batman gone awry. Gone insane. A failed son who won't die. Here's to it.
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Apr 26, 2014
Apr 26, 2014 at 12:32 PM UTC
"Moon Knight."
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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19
did you know that the self effulgent light of God it self is **** shaped as above so below the inner revelation ******* above...light woven *** hole below ...flesh woven does this not infer a magical operation perhaps a hermetic ritual of adoration perhaps a puja to the **** with ornate kaleidoscopic mandalas replete with wrinkles and folds emerald toilet bowls silk *** wipe with full color florals to be ingratiated by **** art prints and to be fussed over and judged by certified ******* clergy then to cleanse with fragrant ointments that it may remain unsullied by its birthing labors voluptuous smoldering fecundations for purities sake as god remains free of limitation it too must remain free of its forgetful tarnished children i build  temple of **** high above the people the little ***** do they even know where they come from how they may devote themselves to the grandeur of the solar **** and its bestowals of clumpy torpedoes the catechism of the  solar **** to know to adore to prostrate to proselytize the glory of **** to the for corners of the earth to be faithful unto it to be obedient and present your ******* for ritual manicures by the true initiates the fussy ******* faeries   those who have the secret knowledge and remain true to the lore and precepts set forth of divine correspondences to fully appreciate its eminence its glory and have no God before it that mercy will follow them all the days of there lives*
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Jul 16, 2016
Jul 16, 2016 at 8:35 PM UTC
Temple of **** ...explicit...adult...social relgious commentary
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
0
Jan 27, 2013
Jan 27, 2013 at 7:07 PM UTC
LOST TOME LULLABIES, THE KINGDOMS OF WANE [ WITH COMMENTARY ]
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
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23
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
0
Feb 11, 2014
Feb 11, 2014 at 5:08 AM UTC
Moving Muscles
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
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7
I ASKED if I should pray. But the Brahmin said, "pray for nothing, say Every night in bed, ""I have been a king, I have been a slave, Nor is there anything. Fool, rascal, knave, That I have not been, And yet upon my breast A myriad heads have lain.''' That he might Set at rest A boy's turbulent days Mohini Chatterjee Spoke these, or words like these, I add in commentary, "Old lovers yet may have All that time denied -- Grave is heaped on grave That they be satisfied -- Over the blackened earth The old troops parade, Birth is heaped on Birth That such cannonade May thunder time away, Birth-hour and death-hour meet, Or, as great sages say, Men dance on deathless feet.' 0084
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4.5k
Mohini Chatterjee
if you look up, you will see the bright-eyed and the wide-mouthed— the interesting, the casual, the adored glistening in the warm night peered at through microscopes and telescopes and stethoscopes far and far away we are so desperate to be close close and close and close enough to see the blemishes the scarring and the peeling effaced by obvious and biased inner-commentary they’re just not as red or sore as mine perhaps they were formed under a different kind of sun what does the unfamiliar heart say? does it sound at all like mine? will i ever escape the sloppy grasp of dullness? will the world swallow me whole? if i count the days on both hands on toes, on eyelashes— if i only eat green things and read tattered books and pretend that i don’t mind—will i ever break the mirror? will i find seven years of good luck between the jagged edges? to exist as a reflection is to not exist at all there are lonely, dark purple heavens waiting for you to sever your longing gaze to stop lying to yourself to hop onto the back of the cow and begin living somewhere beyond the moon— to realize, with closed eyes you belong to the sky
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Aug 28, 2018
Aug 28, 2018 at 4:36 PM UTC
orion
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
As I contemplated the project of writing a persuasive essay I discovered that I would have to have a topic upon which to practice my persuasive techniques .  After much cogitation and enumeration of my possibilities , pursued with such zeal that it soon resembled pedantic ostentation , I concluded that the most positive prospect I could pursue in this endeavor would be an attempt to prove irrefutably that I deserve a grade of A in this class ; if not for the undeniable excellence of my effort , then at least for the unadulterated audacity of my pretentious assertion .   In order to perform this feat first I must overwhelm your developing consternation , the frozen mastodon of your auspicious judition .  To accomplish this I will cite my impeccable attendance ; which although not perfect was indeed a valiant effort in the face of public opinion whose abstinence approached epidemic proportions .  I will expound on the effectual and pervasive inspirations of my in class commentary , which sparked many a heated argument or thoughtful conjecture ; and comment on the polished precision of my in class narration .  I will reiterate the diversity and intrigue of my subject matter and the competence of my delivery . Next , with all the dynamic aggression of a wind-up tyrannosaur , I will recapitulate and exemplify my arguments ; until the ramifications of my inductive collusions exceed the boundaries of your psychic phenomenon and you are forced to acquiesce into impunity .   Yes I will indeed proceed to exceed the parameters of your mind , until mesmerized by the multitudes of analogous content you find yourself , disguised as captain corpuscle , floating euphorically down stream in a think box mind gram dingy towards a sea of Colorado cool aid .  Then as if all that were not enough to thoroughly torque your ringer , adamant and tenacious I will portray realms of intellectual austerity so intriguing you will be raised to new heights of enigmatism , and then I will leave you , enraptured with your own anonymity , at the edge of the new world freeway .
0
Jan 13, 2013
Jan 13, 2013 at 8:03 PM UTC
Persuasion
As I contemplated the project of writing a persuasive essay I discovered that I would have to have a topic upon which to practice my persuasive techniques .  After much cogitation and enumeration of my possibilities , pursued with such zeal that it soon resembled pedantic ostentation , I concluded that the most positive prospect I could pursue in this endeavor would be an attempt to prove irrefutably that I deserve a grade of A in this class ; if not for the undeniable excellence of my effort , then at least for the unadulterated audacity of my pretentious assertion .   In order to perform this feat first I must overwhelm your developing consternation , the frozen mastodon of your auspicious judition .  To accomplish this I will cite my impeccable attendance ; which although not perfect was indeed a valiant effort in the face of public opinion whose abstinence approached epidemic proportions .  I will expound on the effectual and pervasive inspirations of my in class commentary , which sparked many a heated argument or thoughtful conjecture ; and comment on the polished precision of my in class narration .  I will reiterate the diversity and intrigue of my subject matter and the competence of my delivery . Next , with all the dynamic aggression of a wind-up tyrannosaur , I will recapitulate and exemplify my arguments ; until the ramifications of my inductive collusions exceed the boundaries of your psychic phenomenon and you are forced to acquiesce into impunity .   Yes I will indeed proceed to exceed the parameters of your mind , until mesmerized by the multitudes of analogous content you find yourself , disguised as captain corpuscle , floating euphorically down stream in a think box mind gram dingy towards a sea of Colorado cool aid .  Then as if all that were not enough to thoroughly torque your ringer , adamant and tenacious I will portray realms of intellectual austerity so intriguing you will be raised to new heights of enigmatism , and then I will leave you , enraptured with your own anonymity , at the edge of the new world freeway .
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4
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
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Apr 9, 2023
Apr 9, 2023 at 2:12 PM UTC
19.4% lesser
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
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43
The way of the Spirit is... Love, the Spirit's essence; Joy, the Spirit's song; Peace, the Spirit's rest; Longsuffering, the Spirit's patience; Gentleness, the Spirit's touch; Goodness, the Spirit's manner; Faith, the Spirit's attitude; Meekness, the Spirit's strength; Temperance, the Spirit's control. ©1981 Michael S. Davis A Commentary on Galatians 5:22-23
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Apr 10, 2013
Apr 10, 2013 at 1:12 PM UTC
The Way of the Spirit
Me: “Father, I think I would like to pray my own way.” Priest: “Ha okay (sarcasm), whatever you say, Brian.” (Priest continues about in ignorance of commentary) Priest (beginning Vespers): “O God, come to my assistance…” Me: (beginning Vespers) "O **** here we go again..." (Grudgingly submits)
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May 23, 2018
May 23, 2018 at 1:16 PM UTC
My View of Spiritual Spontaneity: Rejected
the waiting in hallways lined up on the wall with eyes following the chatterbox and her flowing train of rabid listeners who hang themselves ritualisticly on her shallow water illustrations swimming on this thin tide of unpublished lip candy her bubblegum words are commentary upon which her followers build temples to the unfit mothers of televangelists the chatterbox spills her loud thoughts on the sun warmed concrete as the summer lawnmower navigates around santa and his late december reindeer and the children's labyrinth of christams morning plans while i sunbath nearby she gathers her spilled thoughts and races away proudly proclaiming that' my poems are too short for the pulitzer so she is ready for her laurels and a fast road to academia with a neatly packaged version of her inner perversions spread like *** and lip candy on the local coffee shop bookshelf's for the pretty college girl with glasses to drink from
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Dec 11, 2013
Dec 11, 2013 at 2:08 PM UTC
chatterbox's lip candy
To the men who have hurt me, both physically and emotionally. To the men who have sexually harassed me. To the men who have tried to coerce and guilt trip me. To the men who tried to take advantage of me when I was 15, the lowest point in my life. When I was weak. Destroyed from depression, from bullying, from the transition of middle school to high school, from anxiety, from blind parents and others ignorance. To those of you who knew I was in a ****** up state of mind, who pretended to support me when I was crying, only to run your hand up my thigh and whisper "I can make you forget about it." To the boys who abused me, insulted me, struck me, brought a suicidal teenage girl to the point of destruction. To the guy who didn't quite **** me, but who came close. Who grabbed all over me while I shoved and smacked and told him to stop. Who tried to get inside me without my permission and who tried to guilt trip me, calling me a tease and telling me to lay down and pretend nothing was happening if it really bothered me so much. Who tried to teach me to retreat inside of myself at human contact so I wouldn't resist. To every guy who approached a mentally destroyed teenage girl who was drowning in herself to try to get ****** favors, to try to get me to trade my body for drugs, to try to bring me down even further so I wouldn't say no. Because I did say no. I always said no and fought and nearly vomited every time a guy started groping, started making lewd commentary in what started out to be small talk, every guy that grabbed at me without my permission and leered and tried to grind on me without any context other than you had a hard on and I looked weak enough to force yourself on. I hope someday someone rips you all apart. I hope someone tortures you, tries to blackmail you, coerce you, makes you feel like garbage when you're at your weakest. Because as much as all of you tried, even this fragile, broken teenager rejected you. Fought her hardest to get away from attempted assaults and made it, clawing and screaming away from you. Cried silently as angry, mocking messages came in but didn't dignify them with responses. Ignored angry phone calls from multiple numbers and continued to live, even when you all tried to break me into a *** slave. **** every last one of you up the *** with a flaming ***** I hope you all go through hell. I was going through hell and you all tried to destroy me, to incinerate my spirit in the name of getting someone to touch your ***** I hope you go through worse. I hope somebody castrates you. If there is an almighty deity, I hope they curse you for eternity. I hope you all know that the girl you tried to destroy for your own sadistic pleasure is stronger than ever before.
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Jan 2, 2015
Jan 2, 2015 at 7:28 PM UTC
To every man who ever harmed me.
To the men who have hurt me, both physically and emotionally. To the men who have sexually harassed me. To the men who have tried to coerce and guilt trip me. To the men who tried to take advantage of me when I was 15, the lowest point in my life. When I was weak. Destroyed from depression, from bullying, from the transition of middle school to high school, from anxiety, from blind parents and others ignorance. To those of you who knew I was in a ****** up state of mind, who pretended to support me when I was crying, only to run your hand up my thigh and whisper "I can make you forget about it." To the boys who abused me, insulted me, struck me, brought a suicidal teenage girl to the point of destruction. To the guy who didn't quite **** me, but who came close. Who grabbed all over me while I shoved and smacked and told him to stop. Who tried to get inside me without my permission and who tried to guilt trip me, calling me a tease and telling me to lay down and pretend nothing was happening if it really bothered me so much. Who tried to teach me to retreat inside of myself at human contact so I wouldn't resist. To every guy who approached a mentally destroyed teenage girl who was drowning in herself to try to get ****** favors, to try to get me to trade my body for drugs, to try to bring me down even further so I wouldn't say no. Because I did say no. I always said no and fought and nearly vomited every time a guy started groping, started making lewd commentary in what started out to be small talk, every guy that grabbed at me without my permission and leered and tried to grind on me without any context other than you had a hard on and I looked weak enough to force yourself on. I hope someday someone rips you all apart. I hope someone tortures you, tries to blackmail you, coerce you, makes you feel like garbage when you're at your weakest. Because as much as all of you tried, even this fragile, broken teenager rejected you. Fought her hardest to get away from attempted assaults and made it, clawing and screaming away from you. Cried silently as angry, mocking messages came in but didn't dignify them with responses. Ignored angry phone calls from multiple numbers and continued to live, even when you all tried to break me into a *** slave. **** every last one of you up the *** with a flaming ***** I hope you all go through hell. I was going through hell and you all tried to destroy me, to incinerate my spirit in the name of getting someone to touch your ***** I hope you go through worse. I hope somebody castrates you. If there is an almighty deity, I hope they curse you for eternity. I hope you all know that the girl you tried to destroy for your own sadistic pleasure is stronger than ever before.
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1
I've had my fill of llamas And of all the woes they bring For though they stop by frequently They never say a thing I find it rather ignorant That a humpless dromedary Should force on me its company But not its commentary I'm getting sick of llamas My nights are fraught with dread They wait until I'm fast asleep Then bounce around the bed My slippers smell of llama dung The carpet's had its day My house is getting crowded There's a new one every day I just can't move for llamas They're piling up in drifts Relentless in their appetite I'm feeding them in shifts I have to clamber over them To get to anywhere Would anyone like a llama? I would simply love to share I really can't stand llamas The ******** just don't quit And if they don't get their pop-tarts They've a tendency to spit They multiply quite rapidly Devoid of conversation I think I'll have to leave them And resume my medication **
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Mar 5, 2015
Mar 5, 2015 at 5:41 PM UTC
Llamas: Know the Score
What! the What!                was that which I think                               were syllables perpetrating from the sewer                  of their open commentary on my life. As though it was a live play.                 And they were the voice over scrapping at my thoughts.                                   Well if I were you! When did I ask this magpie of gossip to intrude on my daily reflections.        But no you stain that window                I want to stare outward too. Mind your own business, I know yours went bankrupt long ago..            Never paying dues to what you paid out. But never counting the cost of what                           every word cost you. Now its time to change that channel                                       to white noise. All the persistent vocals drowned out. Now I can watch my life without commentary. Others should watch themselves not others              just because your is a repeat of a dull life.
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Aug 9, 2018
Aug 9, 2018 at 5:00 PM UTC
Others Commentary...
Dear Emma Watson - Shall we make love The object of Our spiritual quest Together? Surely an altogether Better option Than pairing you off In a commentary box With one John Motson Discussing twenty two Pairs of socks Chasing a piece of leather? If spiritual questing Is not for you I will make do With tightly tied pairs of shoes Existential emus, Sylvia Plath and Ted Hughes. Whilst hoping you find Your Sherlock Holmes, Miss Watson I will content myself with Cataloguing my collection of Black and white combs. I also have plots on Which I need to work - Wednesday Addams's love of Moon dried tomatoes Or Erica Roe Somewhere in Portugal Growing sweet potatoes For sale. Don't let anyone tell you There ain't no perks To being an Omega Male.
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Jun 6, 2014
Jun 6, 2014 at 8:01 AM UTC
Emma Watson Receives A Proposition From An Omega Male
What is love? Murasaki would say it was an obligation, a sort of duty where the rules say to bury one’s emotions and succumb to the overpowering *** Mian Mian embraces the sexuality of her culture. Arguing that love is the force behind drugs and emotion. It is not the government’s obligation to dictate the author’s form of rules on writing a novel that serves its own duty. How does Black Jade feel about her duty? Despite her lover’s sexuality and his matriarch’s ruling of marrying well even if he does love her, the family cares more of their obligation then of their prized sons emotions. Coco lived by her emotions. The sickness of Tian not her duty as it would have been in the old days. Lui’s obligation to turn in Shiba overruled by rough *** and her quest for painful love in a time that disregards all form of rule. Peony was one who broke the rules but was rewarded for it. Unless it’s Peony #2 because her emotions got the best of her when she fell in love at the wrong time. It was not her duty to see the play nor feel anything ****** in the Three Wives Commentary; this, her obligation. Was it Abe Sada’s obligation to castrate her lover and make her own rules? Madame Mao too knew all about *** and succumbed to her emotions when her duty was no longer to love. From emotional red chambers with rules on obligatory *** the cycle of East Asian love patterns has yet to fulfill its duty.
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Dec 14, 2010
Dec 14, 2010 at 5:16 AM UTC
Qing and Li: A Sestina
quips scrawled on scraps of paper, written during a come-down stupor. something she wrote, and then proceeded to destroy. (i gathered all the pieces but have become too lazy to care how she upset herself) drawings drawn in between sentences, in between words. in between syllables. drawn to obviate thought, to put me somewhere between Zen and poser. (the drugs obviate titles, but i’d hedge my bets on the latter) the remains of the Urban Squirrel Hunter – a mythology of the Grey Fox – shredded in the maw of a blue heeler-mutt. written while ****** drunk, and heat-stroked. poetry of a homeless kid. ramblings of an alcoholic, ravings of a tweaker, with commentary by the one who is just visiting –        self-destruction is all we can ever be certain of. religion created in a notebook while doing research on a chemical. figured out what near-death means, found life by dumb luck. found life via pocket valiums, gave up religion while sweating in the snow.
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Nov 22, 2012
Nov 22, 2012 at 10:41 PM UTC
she was this time of year.
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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Mar 8, 2014
Mar 8, 2014 at 12:08 AM UTC
wrestling with an Alligator named ddaarrrreellll
pieces of flotsam soak and float on the paper, jetsam thrown to lighten the load, or goad, the alligator, away the guttural noises, sound like harsh commentary the closer the gator is allowed to get, not wanting to look over the shoulder, but stop in for biting remarks, the gator's teeth are so large and famous they have names and voices; "punctuation or punctures, I can help" "point of view tch, tch, tch"                                                                          "your grammar needs work" "doubt you will finish" "no one will read IT" "you will never find the right word" "is your audience a six year old" "borrrrring" "what a croc" "are you enjoying what you are doing?" "successful writers are all published" "you call that a sentence, keep it up and it will be a death sentence " "how many tenses can you misuse in a paragraph" and these are the names of some of the smaller teeth, the molars, are more than a mouthful, have polar names, that would leave anyone cold,                                                       even the bold, and shall not be put in print, they bring out the PTSD, imprinted for eternity, by the gator which comes at the sounds of splashing, flailing, and failing, as the pounding of the heart, the deepened breathing, as the ink from the pen, unfiltered, leaves nerves and veins exposed, while leaving to find home, a safe haven, a storybook ending, away from the gator's keen sense of overt criticism, intended to gut, and eviscerate, cutting remarks, putdowns to hold down and under, the piece that IT is trying to tear off while spinning or shaking the head side to side, which is both NO! and to bash the will, the self-esteem, into little pieces of me...             and my worst enemy,                                                 my internal, infernal editor,                                                                                               with the voracious appetite for self-defeating
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55
Self-breed hatred so easily suppressed Taunted by the world, it’s waiting to explode No, there’s no true taste, we’re only meandering Listening to the menacing roar begging To be given breath to materialize Subtle commentary begins to eat at the flesh of self-belief Identity crises momentarily paralyze audacity’s ammunition True sights of self-aesthetic-beauty tremble Diminishing that part of self-worth Looming attacks threaten to pour over and reduce The value of internal splendor for it’s seemingly of no use Every praise never given to the self but to someone else A constant crack at the foundation of self-love, it subconsciously ensures She and she and she and she are said to be wonderful, but never the self Realization that from any angle the self is not good enough Leaves the mind discombobulated for lifelong sentiments of inadequacy Seems to be the only route Unconscious self denigration provokes false sense of value For the true inner wealth in self-worth is sullied and unidentifiable But the self is not merely self-loath and harboring of inadequacy For goodness in abundance is found a few peals away from the layers of insecurity
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Mar 16, 2011
Mar 16, 2011 at 4:42 PM UTC
The Self
It happened early one morning. It happened like it always does, times 3. Strapped, armed, holding hands what every loving mother shouldn't do. Word of it traveled like the winter flu, by noon everybody had heard of maniacal faithers who took home her children lighting up fireworks. The sun blazed dazedly evaporating 3 crosses, not quite melting the ice. Until it reached my porch step, it were but distant voices. now it's here and real. like it always is of course but now it's closer than ever bursting at my door. Sliced up like a juicy tomato his screams are muffled by a screen screening bright information into the heads of mouths who offer surreal commentary disguised as jokes. We're terrified. We're hypochondriacs fearing contamination of a rampant plague. A plague we've never seen before. Our ****** eyes. So many have already been ***** by fate. Faith in fatherly beards granting wishes to obedient children who go tarnishing other fathers' gardens. What an absurd world where IS is ice that cannot melt. What an absurd world where children weep at mothers' debt. What an absurd world where faithful supremity reigns unchecked.
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May 27, 2018
May 27, 2018 at 10:07 AM UTC
Surabaya