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"column" poems
Bare-handed, I hand the combs. The man in white smiles, bare-handed, Our cheesecloth gauntlets neat and sweet, The throats of our wrists brave lilies. He and I Have a thousand clean cells between us, Eight combs of yellow cups, And the hive itself a teacup, White with pink flowers on it, With excessive love I enameled it Thinking 'Sweetness, sweetness.' Brood cells gray as the fossils of shells Terrify me, they seem so old. What am I buying, wormy mahogany? Is there any queen at all in it? If there is, she is old, Her wings torn shawls, her long body Rubbed of its plush ---- Poor and bare and unqueenly and even shameful. I stand in a column Of winged, unmiraculous women, Honey-drudgers. I am no drudge Though for years I have eaten dust And dried plates with my dense hair. And seen my strangeness evaporate, Blue dew from dangerous skin. Will they hate me, These women who only scurry, Whose news is the open cherry, the open clover? It is almost over. I am in control. Here is my honey-machine, It will work without thinking, Opening, in spring, like an industrious ****** To scour the creaming crests As the moon, for its ivory powders, scours the sea. A third person is watching. He has nothing to do with the bee-seller or with me. Now he is gone In eight great bounds, a great scapegoat. Here is his slipper, here is another, And here the square of white linen He wore instead of a hat. He was sweet, The sweat of his efforts a rain Tugging the world to fruit. The bees found him out, Molding onto his lips like lies, Complicating his features. They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her ---- The mausoleum, the wax house.
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38k
Stings
Bare-handed, I hand the combs. The man in white smiles, bare-handed, Our cheesecloth gauntlets neat and sweet, The throats of our wrists brave lilies. He and I Have a thousand clean cells between us, Eight combs of yellow cups, And the hive itself a teacup, White with pink flowers on it, With excessive love I enameled it Thinking 'Sweetness, sweetness.' Brood cells gray as the fossils of shells Terrify me, they seem so old. What am I buying, wormy mahogany? Is there any queen at all in it? If there is, she is old, Her wings torn shawls, her long body Rubbed of its plush ---- Poor and bare and unqueenly and even shameful. I stand in a column Of winged, unmiraculous women, Honey-drudgers. I am no drudge Though for years I have eaten dust And dried plates with my dense hair. And seen my strangeness evaporate, Blue dew from dangerous skin. Will they hate me, These women who only scurry, Whose news is the open cherry, the open clover? It is almost over. I am in control. Here is my honey-machine, It will work without thinking, Opening, in spring, like an industrious ****** To scour the creaming crests As the moon, for its ivory powders, scours the sea. A third person is watching. He has nothing to do with the bee-seller or with me. Now he is gone In eight great bounds, a great scapegoat. Here is his slipper, here is another, And here the square of white linen He wore instead of a hat. He was sweet, The sweat of his efforts a rain Tugging the world to fruit. The bees found him out, Molding onto his lips like lies, Complicating his features. They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her ---- The mausoleum, the wax house.
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60
through the streets and column cracks culture weaves and summer smacks sacred figures, holy shrine monastery in grand design cathedrals, convents, heaven’s stars god of neptune, god of mars doge’s palace, alley ways gondolier on full display winged lions on pastel breeze cicada singing from the trees pillar walk of saint mark's square basilica in all its flare crosses shade the carousel a bridge of sigh that leads to hell golden stairs on placid ridge arches of rialto bridge torcello! murano! grigio! the countess rides the river poe! sins of seven, fiery hides poplars bank the levee side black plague, attila the *** eden formed before the sun paradise above the marsh high alter, gothic arch middle age, religious wars celestial fountains, marble floors sculpted peacock, catholic faith all is true the great god saith
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Jul 19, 2018
Jul 19, 2018 at 9:24 AM UTC
Venezia
The truest bliss you impart upon me sends a shiver down each column of my spine, etching track marks over all my body, a drug no-one can perfect or refine. Your visage leaves lightning bolts on my eyes and a heart palpitating in my chest. Your body silhouetted in night skies melts my deepest poetry to mere jest. When we touch, it smashes my composure into oblivion and far beyond. When we lock eyes, I'm chilled from exposure but for certain, only I feel this bond. Although I strive for a day we would meet, with the others, I could never compete.
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Sep 6, 2014
Sep 6, 2014 at 1:46 AM UTC
Admiration From The Backdrop [Sonnet II]
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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17.9k
The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
when i run i imagine an airport and you at the opposite end with open arms and me running towards you longing for your embrace when i squat i imagine a burning house a heavy wooden column on my shoulders and you between my legs your life being mine to save when i do pull-ups i imagine a steep cliff and your face meeting mine drawing closer, closer, closer at my every ascent when i deadlift i imagine you trapped underneath the belly of a car with you looking for me to lift the trunk and allow space for your escape when i bench press i imagine myself (this time) trapped underneath the belly of a car with me pushing the car above to be able to return to your company when i do curls i imagine you a mile away a rope attached to your hips and with each tug i repeat you grow closer by a couple of feet when i shoulder press i imagine a promise of a good shoulder rub courtesy of your hands once i squeeze out those last. three. reps. and when my spirit is spent and exhaustion takes over imagination, i shall revel in the endorphins pulsating through my veins and pay gratitude to my iron muse, my unseen lover.
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Apr 14, 2014
Apr 14, 2014 at 7:40 AM UTC
Workout Inspiration (My Iron Muse)
Jumping in the blue water lilies reflection in the pond up in the sky. Lo, the punter sun peeps into the rose dew down on earth. Floating just on a navel-high! The broad daylight pictures the heavenly blue smile painting on its highwater mark. Million and one primula flower kissing this elfin column. Not up in the wild blue yonder nor down on the ground. Just on a navel high!
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Oct 27, 2018
Oct 27, 2018 at 11:44 PM UTC
Floating on a Navel High
a single column around my favourite part, the inside of your wrists I brush the fibers against porcelain wanting to leave a mark let me create a map of red lines and bruises on your skin this way I'll know where to lightly caress or run my tongue along or dig my fingers into breath you into me and sync our breaths slow and calm I run the bight along your arms tug it across your chest it is meticulous as the rope runs tandem and I go slow savouring each ******* fold over, under, through, tighter, harder your smile commands me so I ask you to beg tell me you want it I want to hear it tell me you want me of course I'll give in we both know you're in charge I maintain tension with the rope it's a language I've become fluent in I maintain tension through eye contact though I pray you won't see through me I maintain control of myself and keep to the task at hand wrapping you like a gift, like my gift subspace is a land I've never been to but I know the face you make when you get there your eyes flit and I can sense your arousal our breathing quickens as you contract against my lips you are unbound and released as I pull the rope tighter I'll bind you free
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May 5, 2018
May 5, 2018 at 8:39 PM UTC
Boundless
Located in the prime location Precisely at the right spot. Squaring up the square Laid to measure on the map. Equal each side a cube stands Aligned to the column brimful every inch. What now? ‘Looking for a margin, Wide margin in the solid core.’ Like a human wants to turn up here From every corner every nook. The star splashes into its constellation Like the sun and the moon Love to wrap around here Through the fastest route! What now? ‘Everyone wants a margin Wide margin where it matters all It couldn’t be more brimful.
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Apr 4, 2017
Apr 4, 2017 at 5:38 PM UTC
Prime Location
*i think, you should stop going to italy, for one, oh **** me, keep going on hedonist piss-fuck fests to places like mallorca, but stop going to italy, you're making my stomach ache from laughter, with what you come back with, the so-called "innovations"; somehow i'd just poach my cauliflower, and drizzle it with fried breadcrumbs, and serve it as a side-dish to fried eggs (2), and some tatties; for goodness sake, even cauliflower cream soup makes more sense, garnished with some fried chorizo!* first it was avocado on toast...           who the **** puts avocado on bread? i can imagine putting it in pasta... but on bread?                 hey, what the **** does the acronym f.a.d. mean?              i don't know, and i won't google it... o.k. avocado on toast...               nothing near guacamole,   but fair enough...            but what i discovered... pushes the button where i turn into a fox laughter (fuchslachen) -            i couldn't stop...                       you can find it in the weekend section of the saturday times newspaper... written by nicola m.           cauliflower and mozzarella pizza... you have to be ******** me...                 cauliflower? on pizza? one of my housemates at university told me an anecdote:     i was in a restaurant once,           and asked for a pizza with no cheese... he continued:       and then the head chef came out and asked me... are you, insane?!        a bit like: bread...    but no butter? and i thought i was insane eating a watermelon today, whole, the red pulp, and the outer layers including the skin included, allowing myself a gorilla imitation cameo gimmick...       but i thought i was mad... but there's avocado on toast...    and now... cauliflower on pizza...                               it's a ******* side-dish! wait, don't tell me... you're going to put some potatoes onto the pizza the next frizz comes along... right?                       how about beetroot?                          thankfully, if i have some wacky ideas in terms of culinary escapades, they happen, drunk, after 12a.m., and i'm the scientist, and the experimental rabbit 2-in-1...                      a newspaper column? apparently, you get one, putting avocado on toast...                  or cauliflower on a pi-zzzzz-ah... to be honest, even though i haven't tried it, grilled aubergines on a pizza could work...    the toast?               marmite and cheddar... english people should stop glorifying holidays in italy... they're ****** cooks...                    an italian would just look at a pizza with cauliflower and say:          cosa? i'd suggest heading to scotland first, and picking up the vibes from some haggis. **** me...    avocado on toast...                 caulifower on a pizza?!                            now i can die happy, 'appy, clapping: encore!
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Jun 10, 2017
Jun 10, 2017 at 2:54 PM UTC
english culinary experiments
*i think, you should stop going to italy, for one, oh **** me, keep going on hedonist piss-fuck fests to places like mallorca, but stop going to italy, you're making my stomach ache from laughter, with what you come back with, the so-called "innovations"; somehow i'd just poach my cauliflower, and drizzle it with fried breadcrumbs, and serve it as a side-dish to fried eggs (2), and some tatties; for goodness sake, even cauliflower cream soup makes more sense, garnished with some fried chorizo!* first it was avocado on toast...           who the **** puts avocado on bread? i can imagine putting it in pasta... but on bread?                 hey, what the **** does the acronym f.a.d. mean?              i don't know, and i won't google it... o.k. avocado on toast...               nothing near guacamole,   but fair enough...            but what i discovered... pushes the button where i turn into a fox laughter (fuchslachen) -            i couldn't stop...                       you can find it in the weekend section of the saturday times newspaper... written by nicola m.           cauliflower and mozzarella pizza... you have to be ******** me...                 cauliflower? on pizza? one of my housemates at university told me an anecdote:     i was in a restaurant once,           and asked for a pizza with no cheese... he continued:       and then the head chef came out and asked me... are you, insane?!        a bit like: bread...    but no butter? and i thought i was insane eating a watermelon today, whole, the red pulp, and the outer layers including the skin included, allowing myself a gorilla imitation cameo gimmick...       but i thought i was mad... but there's avocado on toast...    and now... cauliflower on pizza...                               it's a ******* side-dish! wait, don't tell me... you're going to put some potatoes onto the pizza the next frizz comes along... right?                       how about beetroot?                          thankfully, if i have some wacky ideas in terms of culinary escapades, they happen, drunk, after 12a.m., and i'm the scientist, and the experimental rabbit 2-in-1...                      a newspaper column? apparently, you get one, putting avocado on toast...                  or cauliflower on a pi-zzzzz-ah... to be honest, even though i haven't tried it, grilled aubergines on a pizza could work...    the toast?               marmite and cheddar... english people should stop glorifying holidays in italy... they're ****** cooks...                    an italian would just look at a pizza with cauliflower and say:          cosa? i'd suggest heading to scotland first, and picking up the vibes from some haggis. **** me...    avocado on toast...                 caulifower on a pizza?!                            now i can die happy, 'appy, clapping: encore!
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65
'Are you pleasing those Lions?' She thinks to herself under Nelson's Column. 'I am no hero of the Nile, nor of Trafalgar. I am an empty vessel.' City of Angels, yet full of devils. Will she find the exit from Oblivion, in those molten, vermillion revels? 'And will you climb that stairway to heaven? Is it true that what glitters is gold?' That golden dust, which lies on her beside table, sedative for her sorrows. 'Oh he was a foul coxcomb. England expects every heart will follow its duty!' She is followed, by those feral eyes; Those on the underground, those in the streets And those who she will wish her eyes will never meet.
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Jul 18, 2017
Jul 18, 2017 at 6:59 PM UTC
Feral Expectations
Tomorrow we have all the good reasons to wake. The earth’s column down the sky will stay high!    The same old first light will break out, unveiling once more the face of earth. Log on now it’s present, don’t let it vanish away! Many a time rallies of clouds shroud the blue sky. There is no need for anyone then just to turn away. The stars too illume the sky with dim lights. Maybe the chaste moon then comes out swimming low in the orb of the night. So the sun, too, for a while goes off into the hide. Only to show up soon and align above the earth’s column. Atop a blooming new dawn with the rose facing the sun aligning to it’s shining polished line passes through the present time. So don’t just let it slip away!
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Mar 23, 2017
Mar 23, 2017 at 10:37 PM UTC
Tomorrow Will Come
1. Her thick brow, Is only her choice. A stance against norms. 2. Ribbons and flowers, All tangled in her hair. A decorative crown, But beauty is not defined here. 3. She had many lovers, Of many kinds. But promiscuity, Does not define worth. 4. Drink more than the men. To dance with a love, They can never have. 5. Politics are unimportant, Only the ideas in your mind. Of equality and charity, But it will leave somebody dead. 6. Be bold and smart. Follow your own direction, Maybe dress like a man 7. When a trolley crashes, Leaving you wishing for death, Draw on your bandage. Don’t let your broken column Break your strength. 8. Don’t fall in love with artists, They drink too much, Cheat too much. And will break your heart 9. Fall in love with artists, A musician, maybe a painter. You’ll never be bored, You’ll always be drunk. 10. Just don’t let them break you, Don’t stop painting because you’re hurt. Don’t give them the satisfaction, Of breaking your wings. 11. You don’t need anyone, When you have wigs to fly. Don’t need feet, Or anyone else. 12. You probably feel like a freak, Like the weirdest person you’ve ever known. But as long as you’re weird with me, You’ll never be weird alone. 13. Make friends with the past, With people you’ve never known. It’ll always be a source of security, No one can leave that’s already gone. I look at Frida through her paint, through her words, through the story of her life she has taught me not to be afraid.
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Jan 25, 2015
Jan 25, 2015 at 10:45 PM UTC
Thirteen ways to look at Frida
1. Her thick brow, Is only her choice. A stance against norms. 2. Ribbons and flowers, All tangled in her hair. A decorative crown, But beauty is not defined here. 3. She had many lovers, Of many kinds. But promiscuity, Does not define worth. 4. Drink more than the men. To dance with a love, They can never have. 5. Politics are unimportant, Only the ideas in your mind. Of equality and charity, But it will leave somebody dead. 6. Be bold and smart. Follow your own direction, Maybe dress like a man 7. When a trolley crashes, Leaving you wishing for death, Draw on your bandage. Don’t let your broken column Break your strength. 8. Don’t fall in love with artists, They drink too much, Cheat too much. And will break your heart 9. Fall in love with artists, A musician, maybe a painter. You’ll never be bored, You’ll always be drunk. 10. Just don’t let them break you, Don’t stop painting because you’re hurt. Don’t give them the satisfaction, Of breaking your wings. 11. You don’t need anyone, When you have wigs to fly. Don’t need feet, Or anyone else. 12. You probably feel like a freak, Like the weirdest person you’ve ever known. But as long as you’re weird with me, You’ll never be weird alone. 13. Make friends with the past, With people you’ve never known. It’ll always be a source of security, No one can leave that’s already gone. I look at Frida through her paint, through her words, through the story of her life she has taught me not to be afraid.
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51
I To-night, a first movement, a pulse, As if the rain in bogland gathered head To slip and flood: a bog-burst, A **** breaking open the ferny bed. Your back is a firm line of eastern coast And arms and legs are thrown Beyond your gradual hills. I caress The heaving province where our past has grown. I am the tall kingdom over your shoulder That you would neither cajole nor ignore. Conquest is a lie. I grow older Conceding your half-independent shore Within whose borders now my legacy Culminates inexorably. II And I am still imperially Male, leaving you with pain, The rending process in the colony, The battering ram, the boom burst from within. The act sprouted an obsinate fifth column Whose stance is growing unilateral. His heart beneath your heart is a wardrum Mustering force. His parasitical And ignorant little fists already Beat at your borders and I know they're cocked At me across the water. No treaty I foresee will salve completely your tracked And stretchmarked body, the big pain That leaves you raw, like opened ground, again
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4.6k
Act of Union
Back when it took all day to come up from the curving broad ponds on the plains where the green-winged jacanas ran on the lily pads easing past tracks at the mouths of gorges crossing villages silted in hollows in the foothills each with its lime-washed church by the baked square of red earth and its talkers eating fruit under trees turning a corner and catching sight at last of inky forests far above steep as faces with the clouds stroking them and the glimmering airy valleys opening out of them waterfalls still roared from the folds of the mountain white and thundering and spray drifted around us swirling into the broad leaves and the waiting boughs once I took a tin cup and climbed the sluiced rocks and mossy branches beside one of the high falls looking up step by step into the green sky from which rain was falling when I looked back from a ledge there were only dripping leaves below me and flowers beside me the hissing cataract plunged into the trees holding on I moved closer left foot on a rock in the water right foot on a rock in deeper water at the edge of the fall then from under the weight of my right foot came a voice like a small bell singing over and over one clear treble syllable I could feel it move I could feel it ring in my foot in my skin everywhere in my ears in my hair I could feel it in my tongue and in the hand holding the cup as long as I stood there it went on without changing when I moved the cup still it went on when I filled the cup in the falling column still it went on when I drank it rang in my eyes through the thunder curtain when I filled the cup again when I raised my foot still it went on and all the way down from wet rock to wet rock green branch to green branch it came with me until I stood looking up and we drank the light water and when we went on we could still hear the sound as far as the next turn on the way over
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4.2k
Hearing
Back when it took all day to come up from the curving broad ponds on the plains where the green-winged jacanas ran on the lily pads easing past tracks at the mouths of gorges crossing villages silted in hollows in the foothills each with its lime-washed church by the baked square of red earth and its talkers eating fruit under trees turning a corner and catching sight at last of inky forests far above steep as faces with the clouds stroking them and the glimmering airy valleys opening out of them waterfalls still roared from the folds of the mountain white and thundering and spray drifted around us swirling into the broad leaves and the waiting boughs once I took a tin cup and climbed the sluiced rocks and mossy branches beside one of the high falls looking up step by step into the green sky from which rain was falling when I looked back from a ledge there were only dripping leaves below me and flowers beside me the hissing cataract plunged into the trees holding on I moved closer left foot on a rock in the water right foot on a rock in deeper water at the edge of the fall then from under the weight of my right foot came a voice like a small bell singing over and over one clear treble syllable I could feel it move I could feel it ring in my foot in my skin everywhere in my ears in my hair I could feel it in my tongue and in the hand holding the cup as long as I stood there it went on without changing when I moved the cup still it went on when I filled the cup in the falling column still it went on when I drank it rang in my eyes through the thunder curtain when I filled the cup again when I raised my foot still it went on and all the way down from wet rock to wet rock green branch to green branch it came with me until I stood looking up and we drank the light water and when we went on we could still hear the sound as far as the next turn on the way over
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65
A bird in an aurulent billed mud-face,Living as a four foot two inch dragon in a San Franciscan cave, Lifts off from a hot breathed murmur of Gideon. Even in night the whole grandeur of movement Soaking in red beeping heart-pangs Fasten to the thrusts of his arms. This post of vainglory was the opening of the year. In July's open pores, On a spatial plateau of Dodonian oak. The Penguin Unveils his weakened voice. Flattening into a wide arrow Draped from Carina he Sails Westward. Barefooted through the Anavros Molting under deep helplessness and melancholia. With his inlaid eyes faced askance The penguin broods Among the day's songs Cast into the poetry of the lyre, Stretched upwards from Paradise Bay to Colchis, Where his ebony wings Soak into the palms of Peleus Suffering only where the arrows have flung. Downside up, with children in a pocket of blood, Among supergigantic siren songs and muse poems Sewing teeth into a spot of Earth Races towards a column of toppling strakes.
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Apr 26, 2014
Apr 26, 2014 at 5:48 AM UTC
Dragon
We are the genuine men We are the fulfilled men Standing together Headpiece filled with ideas. Huzzah! Our powerful voices, when We cheer together Are loud and meaningful As wind in wet grass Or dancing feet over wooden floors In our damp attics Shape with form, shade with colour, Dynamic force, motion without gesture; Those who have crossed With indirect eyes, to death’s other Kingdom Forget  us—if at all—not as found Peaceful souls, but only As the genuine men The fulfilled men. Eyes I dare meet in nightmares In death’s dream kingdom These do  appear: There, the eyes are Sunlight on a whole column There, is a tree standing And voices are In the wind’s singing More close and more bashful Than a newly formed star. Let me be closer In death’s dream kingdom Let me not wear Such obvious disguises Silk shirt, snakeskin, crossed staves In a field Behaving as the wind behaves Closer— That first meeting In the twilight kingdom This is the living land This is fruitful land Here the cloudy images Are raised, here they receive The supplication of a living man’s hand Under the twinkle of a newly formed star. It is like this In death’s other kingdom Waking together At the minute when we are Shaking with excitement Lips that would kiss Form praise to no stone. The eyes are here There are eyes here In this valley of living stars In this flowing valley This whole jaw of our lost kingdoms In this first of meeting places We ***** alone And invite speech Gathered on this beach of the free river Vision, unless The eyes disappear As the periodic star Monofoliate daisy Of death’s twilight kingdom The hope only Of whole men. *Here we go round the mulberry bush Mulberry bush mulberry bush Here we go round the mulberry bush At five o’clock in the morning.* Between the thought And the implementation Between the movement And the deed Rises the Light                                 For Thine is the Kingdom Between the inception And the construction Between the feeling And the reaction Rises the Light                                 Life is very short Between the need And the want Between the potential And the substance Between the ingredients And the ascent Rises the Light                                 For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world begins This is the way the world begins This is the way the world begins Not with a whimper but a bang.
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Nov 11, 2012
Nov 11, 2012 at 2:34 PM UTC
The Genuine Men
We are the genuine men We are the fulfilled men Standing together Headpiece filled with ideas. Huzzah! Our powerful voices, when We cheer together Are loud and meaningful As wind in wet grass Or dancing feet over wooden floors In our damp attics Shape with form, shade with colour, Dynamic force, motion without gesture; Those who have crossed With indirect eyes, to death’s other Kingdom Forget  us—if at all—not as found Peaceful souls, but only As the genuine men The fulfilled men. Eyes I dare meet in nightmares In death’s dream kingdom These do  appear: There, the eyes are Sunlight on a whole column There, is a tree standing And voices are In the wind’s singing More close and more bashful Than a newly formed star. Let me be closer In death’s dream kingdom Let me not wear Such obvious disguises Silk shirt, snakeskin, crossed staves In a field Behaving as the wind behaves Closer— That first meeting In the twilight kingdom This is the living land This is fruitful land Here the cloudy images Are raised, here they receive The supplication of a living man’s hand Under the twinkle of a newly formed star. It is like this In death’s other kingdom Waking together At the minute when we are Shaking with excitement Lips that would kiss Form praise to no stone. The eyes are here There are eyes here In this valley of living stars In this flowing valley This whole jaw of our lost kingdoms In this first of meeting places We ***** alone And invite speech Gathered on this beach of the free river Vision, unless The eyes disappear As the periodic star Monofoliate daisy Of death’s twilight kingdom The hope only Of whole men. *Here we go round the mulberry bush Mulberry bush mulberry bush Here we go round the mulberry bush At five o’clock in the morning.* Between the thought And the implementation Between the movement And the deed Rises the Light                                 For Thine is the Kingdom Between the inception And the construction Between the feeling And the reaction Rises the Light                                 Life is very short Between the need And the want Between the potential And the substance Between the ingredients And the ascent Rises the Light                                 For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world begins This is the way the world begins This is the way the world begins Not with a whimper but a bang.
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98
I built a Greek column A Tuscan column to be precise It's about three floors in height I used materials I didn't know I owned Shimmering and glistening small white oval pebbles Flat and fat ones Sand, best of its kind Limestone with all its magical properties And Nautilus shells from the beaches of Callao. I wish I have built it for looks only But I did it for me It fits well between my neck and naval line For when my earthquakes threaten my core
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Jun 3, 2019
Jun 3, 2019 at 7:41 PM UTC
Greek Column
This is the day when we get up late we sleep even after the sun is up when we dont have to run through the morning hours, when we have a leisurely tea and sometimes even skip our breakfast to have a brunch This is the day when we read the newspapers line by line, or glance through the classified column, tune to the news channels to get a glimpse of news.. This is the day when we clean our vehicles when we clean our homes.. when we have an afternoon nap This is the day which goes so fast.. It is over before we realize Where time runs so fast .. This is the day When the kitchen switches to a more active zone When the kids sleep till they want.. when the plants in the house get some new life This is also the day Which precedes the weak to follow Which crawls till the Saturday next.. The end of a week as well as the beginning... This is Sunday...
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Jul 5, 2015
Jul 5, 2015 at 3:33 AM UTC
Sunday
[Dedicated to K.M.Ward] "I will arise and go unto my father" MALKUTH Dark, dark all dark! I cower, I cringe. Only ablove me is a citron tinge As if some echo of red, gold and lue Chimed on the night and let its shadow through. Yet I who am thus prisoned and exiled Am the right heir of glory, the crowned child. I match my might against my Fate's I gird myself to reach the ultimate shores, I arm myself the war to win:- Lift up your heads, O mighty gates! Be ye lift up, ye everlasting doors! The King of Glory shall come in. TAU I pass from the citrine:deep indigo Is this tall column. Snakes and vultures bend Their hooted hate on him that would ascend. O may the Four avail me ! Ageless woe, Fear, torture, throng the treshold. LO1 The end Of Matter ! The immensity of things Let loose -new laws, new beings, new conditions;- Dire chaos; see ! these new-fledged wings Fail in its vagueness and initiations. Only my circle saves me from the hate Of all these monsters dead yet animate. I match, &c.; YESOD Hail, thou full moon, O flame of Amethyst ! Stupendous mountain on whose shoulders rest The Eight Above. More stable is my crest Than thine -and now I pierce thee, veil of mist! Even as an arrow from the war-bow springs I leap -my life is set with loftier things. I match, & c. SAMECH ( and the crossing of the Path of Pe) Now swift, thou azure shaft of fading fire, Pierce through the rainbow! Swift, O swift! how streams The world by! Let Sandalphon and his quire Of Angels ward me! ** what
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3.5k
The Ladder
[Dedicated to K.M.Ward] "I will arise and go unto my father" MALKUTH Dark, dark all dark! I cower, I cringe. Only ablove me is a citron tinge As if some echo of red, gold and lue Chimed on the night and let its shadow through. Yet I who am thus prisoned and exiled Am the right heir of glory, the crowned child. I match my might against my Fate's I gird myself to reach the ultimate shores, I arm myself the war to win:- Lift up your heads, O mighty gates! Be ye lift up, ye everlasting doors! The King of Glory shall come in. TAU I pass from the citrine:deep indigo Is this tall column. Snakes and vultures bend Their hooted hate on him that would ascend. O may the Four avail me ! Ageless woe, Fear, torture, throng the treshold. LO1 The end Of Matter ! The immensity of things Let loose -new laws, new beings, new conditions;- Dire chaos; see ! these new-fledged wings Fail in its vagueness and initiations. Only my circle saves me from the hate Of all these monsters dead yet animate. I match, &c.; YESOD Hail, thou full moon, O flame of Amethyst ! Stupendous mountain on whose shoulders rest The Eight Above. More stable is my crest Than thine -and now I pierce thee, veil of mist! Even as an arrow from the war-bow springs I leap -my life is set with loftier things. I match, & c. SAMECH ( and the crossing of the Path of Pe) Now swift, thou azure shaft of fading fire, Pierce through the rainbow! Swift, O swift! how streams The world by! Let Sandalphon and his quire Of Angels ward me! ** what
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If you seek her truth, beneath all her complexity, look into her eyes, to her splendid Self within. Look with honesty, to know her for who she is -- but go lightly to her dark spaces; you may enter only with humility and tender trepidation. For, she keeps precious a pearl of great worth! Her pearl is as an ivory column in the court of Heaven, but also as fragile as a bird's egg. So, with care, if you please: gaze upon her as a translucent jewel, refined and glittering like the star-draped canopy of the desert night. Handle her heart so as to set her free, to lift it up to flight, where her wings stretch towards the limitless sky! Seek her truth, embrace her soul, treasure her jewels, and guard her pearl. These truly are riches beyond price and the highest calling of a Prince!
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Jul 25, 2017
Jul 25, 2017 at 10:10 PM UTC
Fragile Pearl
eyes closed and gently singing... miles of buildings playing musical lights with no one home. perched on a rooftop, the wind running her fingers through my hair. a child wild as ever, smirking indelibly at concrete modules splattered by their own brains. taking in deep breaths of quality alert air-- and puffing out a dragon's fraught column of fire. gotta light it up just to see straight, passed and through...make way, my scene. a sort of rough draft being smoothed out, you see... now i gotta **** half this city to work your energy out of me.
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Jul 28, 2018
Jul 28, 2018 at 12:50 PM UTC
Musical Lights
* This is being referred as qualitative summary of a person’s spiritual conditions at the final point of a life time, including his moral values, spiritual liabilities and the net worth as assets in his or her Holiness or Godliness. This is shown at the left column. The first part of the life’s balance sheet shows all the sinful deeds or belongings. The second part shows all the bountiful gracefulness as liabilities. This is shown at the right column. This is also called as the statement of condition of a person while on his last and final confiscation or end of life. Both left and right columns should match or tally to qualify for a life in the next world. * BY WILLIAMSJI MAVELI [email protected] www.williamsji.com www.williamsgeorge.com www.williamsmaveli.com
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May 31, 2013
May 31, 2013 at 4:36 AM UTC
The Balance Sheet of Life ! (A Prose Poem)
*of flavor in an A-ha moment.. at these differences we smile.. :) fractals are about similarity and difference.. connectedness rules.. Let us inquire of the similarity in the bursts above.. all similarities find Torus shape.. Torus is formula iterating creating all differences we find.. On a vertical column curved surface surrounds a hidden black hole.. at a Point black hole turns white.. now our bursts all are as One.. The Torus needs motivation to move arousal and stimulation below and above.. all this Similarity iterates the differences so striking we see.. More differences now: succulent juices pulses and flow DMT liquid light.. all these differences.. really..? we smile again.. :)*
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Jun 27, 2013
Jun 27, 2013 at 11:29 PM UTC
an ******** burst
every marble column stands ***** reaching to heaven day after day tourists gather in front of the temple to hear young guides give the oracle
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Jan 22, 2021
Jan 22, 2021 at 4:24 PM UTC
THE TEMPLE OF APOLLO
We line up in two parallel columns, me at the front of the first column and you beside me on the other. You flash me a challenging grin. I smile back, accepting your offer. The coach blows the whistle and we start to sprint across the hall towards the line of hurdles. We match each other's pace, leaping across the hurdles of increasing height in perfect synchronization. We reach the final and tallest hurdle. You briefly turn your head towards me and mouth something. I can't hear what you're saying - you're too soft. Or maybe my heart is too loud. I shift my focus back to the last hurdle and heave my springy legs up, confident I can at least break even in this match. But even before my right ankle was on the same level as the hurdle, my line of sight plunges, and I crash head-on into the embarrassing mess of defeat. I tilt my head up in time to catch you flawlessly hop across what's become of my failure, your posture lacking any hint of looking back at me. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - *Till now, you haven't looked back. And I still can't get over that last hurdle, the same way I haven't gotten over you.*
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Jan 9, 2014
Jan 9, 2014 at 11:08 AM UTC
that last hurdle.