I'm open for collabs , guys ^^ Message or comment if you want

Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses

I love all my fans,
Every woman and man.
Like, follow, subscribe,
Numbers are my pride.
Leave a comment below,
No criticism please.
If you do speak your mind,
I'll send my army of tweens.

Everyone should trust me,
My opinion is authority.
I deserve more views,
If I'm a minority.
Clickbaits, challenges,
And collabs galore.
If I stay generic,
I'll surely earn more.

I fell in love with your proses
Your words never failed to enlighten everyone
You picked up every single one who needs help the most
They wanted to die,
But you keep on scolding with love
I never thought I could fall in love with someone here
Your passion for words
Your passion for peace
Is so alluringly attractive
Like a magnet you pulled me into your gravity
For the first time I'm actually scared to talk to a guy
But we did talked and now I'm still hungover.
You got me hypnotised by your kindness
Your relentless flame to help those who wanted to end
You with your pen, sparks of love fervent
Your neverending collabs, you will never say no.
If only you would ask me
And maybe we could be
Partners for life.

Hard way
Do things the hard way so they got out torture devices and untested injections because of my anti-establishment choices. But **** it I’m ready bring on each course, for I’m strong with the force. Brain already gone, and can’t lie I get Cobain thoughts every time I see a gun. The hard way for that’s the only way I live by, so bring it on ***** yeah I’m ready to roll that die. Game of chance, and it’s also a game that sometimes requires doing a little dance. Threats from all directions but what is a bluff and what is serious, for this be the tightrope we all walk along hoping to God we keep our fearlessness. Cold War mindset, with fingers ready to press the button if only we had hindsight. That it’ll hurt us both but **** it for its all a **** measuring contest yeah who needs Gods wrath. We’ll burn ourselves nicely without his input, but we don’t care for we to busy focusing on our consumerist products. Soon we will become a third world nation, but lately we haven’t been able to find common senses’ location. Blinded by a divide between us and them, for we are right and they’re the problem. Minority’s vs whites, nation vs nation, and gender roles man and it all turns into ugly fights. Plus we use religion as a justification to why we are right, but I think those who do that have lost their sight. You say I’m off my rocker, but I ain’t no smoker, or do midnight poker, nor am I some joker. I’m stuck in the middle of you, play both sides that it will turn your brown eye blue. Do things the hard way dude, and I don’t need to do collabs or a crew.  I do things the hard way for I started with nada but i used my natural magic gift for there no such things as gene’s or cosmo and Wanda.  Do things the hard way by writing bars that can make one say **** and it don’t even need to be Friday. Do things the hard way like my shots, double jacks, prairie fires, *****, and scotch. Classy j molding these bars as if they were clay, and I’d be down to doing the 5 fingers of death so somebody call up sway. Got no manager but I manage it alright here, for I do things the hard way and the day of achieving my dream is becoming more near. So bring it on show me what you got, for one day all eyes will be on me just like pac.

he wakes up to the sight of her donning back her clothings
"what a happy moment"
he thinks, then, taking a good look A̲t her, notes in
his mind: "hell, this lass is smoking"
[smoking hot]
like a barrel of a gat unloaded
she, having noticed that her inamorato's woken
up, gives him a salutation: "sweet morning!"
he replies: "so sweet I A̲I̲n't even sU̲re if
it's real; am I having an amazing dream O̲r it's
paradise?" his reply makes the chica giggle
then she replies: "hope it's not wA̲Y̲ disappointing
to hear, but nay, it's still the sinful
world of the living"
she then sA̲Y̲s she was going to wA̲ke him up were he
in dreamland by the time she would
have been set to tA̲ke off; "I'm sorry"
she continues, - "but I need to
get to my place; I..."; "hold O̲[ɑ]n, if you"
he interrupts her, - "have 5 plus mins to
have a convo, I'd like to say some-thing to
you; she replies: "I ain't in a rush, mate
so, yeah, I'll give you
an ear", like a side space on a gazette's front page
as he gets himself decent, he strikes
up speaking his mind:
"in this existence of mine, it's the first time
I'm feeling alive, & I'd be dE̲moralized
knowing our encounter's ju[ɪ]st a one-time
thing; you're pretty as a pI̲n-up & nice in disposition, & I'd
like to know you more
there's already something in which we're alike
music types we both prefer
are similar, right?"; she nods her bean in reply
he continues: "I could teach you to write
multisyllable rhymes, which is, besides
music liste[—]ning, what I get myself occupied
with I̲n my off time; I could gift you a bike
I mean, a pushbike, so, you & mE̲, we could ride
together, just like Slim & 5'9"
["write together"; Eminem & Royce da 5'9"]
[who have a bunch of rap collabs with each other]
and if you like some activity I'm
a stranger to
I'd bE̲ by your side
do I have chances to
meet you agA̲I̲n some next time?"
————————————————————————————————
she replies: "wow! handsome, truth
be told, the speech administered by
you has done some damage to
my inner equilibrium; I
will give my answer to
your query, but, like
you, now I feel like venting my mind"
"of course, I̲t's only right"
if you too say what you think", - he replies
she asks him I̲f she is right
thinking that, till last nI̲ght spent with her
he's never had something li̲ke this before
clearly implying that that tI̲me's been his first
it feels wrong to him to lie to this girl, but replying to her
query directly ain't more comfo[—]rtable for
him; he gets out, like a crI̲me figure served
his time, with a reply that his per—sonality type's introvert
somewhat surprised bY̲ what she's heard
she notes: "in that nI̲ght club you sure
didn't seem like O̲ne, you seemed
quite co[ɑ]nfident"; "sorry if whA̲[ʌ]t I'm in—
—tending to say is a ******, sim.
to a bad trip, but my condU̲ct was in—fluenced by a supplement"
he replies, adding: "but you can be cA̲[ɑ]lm; I mean
in terms of indulging in
substance consumption, I'm no fiend
unlike a leader of a tough regime
that was just a O̲ne-time thing"
"well, that's what matters, becau[ʌ]se, akin
to you", - she says, - "I'm for sticking to the so-ber track"
————————————————————————————————
she continues her go by add—
—ing: "now, I want you... to know: I've had
a magnificent night; I thI̲nk that's a kind
of thing we both needed"; the guy
nods, thinking: "I̲t's something I cA̲[ɛ]nnot deny"
she continues by noting to hI̲m that, despite
that scene in the night
club that he made
like that game where the MC̲ undermines
a corrupted *****'s reign
just 'cause... hE̲ didn't like
["Just Cause" videogame series]
the stuff the DJ
was playing, hE̲ doesn't strike
her as a ***** of a guy; she adds that she twigs what it's like
to be by oneself & that being a psy—
—chotherapist, as she unfolds herself
to him, her job's providing harmed souls with help
he thinks: "this can't be real", like cold in hell
then he says: "you're... a therapist?"; "right"
she quickly replies, adding: "you seem really surprised"
he says: "wE̲ll, doc, if I
were to guess wha[ʌ]t a girl with such a curb
appE̲A̲l does in life, I'd think it's some-thing that prescribes
being pleasing to eyes"
then he adds: "speaking of whI̲ch, these remind
me of a smile: you've got this green in your eyes"
["grin"]
as she gives him a slight
smile, she thinks in her mind:
"is he really so sweet, or hE̲ simply tries
to increase his odds wI̲th me?"; "alright"
the gal breaks the silence
being 'bout to say something else, but the guy
manages to outpace her timing
saying: "since you a psy—
—chotherapist, guess it won't hurt if I say that I̲ am
somewhat sick & even evil inside
but to you, I'm a null danger, darling
so stay composed, like a
tune"; slightly smiling, she says: "you're droll; now ta
your question posed prior: yes, I'm bone down ta
meet with you again"; she gives her phone number
to him, then it hits her: "I still don't know how ta
call him"; she asks: "by the way
you've go[ɑ]t a name?"; he replies: "mine is Blake
and yours?"; she replies: "Lucille"
with a joke on his mind, he says:
"well, that pretty much explains why you babe
are so mind-blowing"; stumped, she says:
"sorry, but I don't think I grasp
what you mean by that"; he says: "the Negan's bat"
after which she gives a gentle laugh
[the scene where Negan gets the Glen's brains [mind] blown out with his bat called "Lucille"]
then says: "I'd jest why
I feel like HA̲rley Quin, but I think
that, by this time
you've already cO̲[ɑ]ttoned on wha[ʌ]t I mean"
he says: "an adorable therapist
who've met a sort of odd E̲gg who seems
to be a joker"; afrE̲sh, she gives
him a slight smile; "well, dolcezza, it's
["dolcezza" (Italian) - "honey"/"sweetheart"]
been nice to have a chat
with you", - she starts her response, whereafter adds:
"A̲lthough, A̲s I have
said prior, I need to go"; "wA̲I̲t just a bit"
he says, - "I'll call a taxi cab"
"by the wA̲Y̲, it's on me"
he adds while he grabs some cash
then hands it to her like: "as a sign of favor; no re—
—jections accepted"; she replies: "um, thA̲[ɛ]nks, it's so sweet
of you, much appreciated; feel free
to hit me up later so we
could pick time & location to meet
the next time"; both exchA̲nge "byes" with each
other, then, taking into consideration that he's
awful at osculating, she gives
him one aimed for his cheek; a blush-making thing hits
his mind, saying he'll need
her to provide him some training in this
kind of stuff; as she walks away, he can't help but gaze at this chick